Attach to Form 990 or Form 990-EZ.
See separate instructions.| (i) Name of supported organization |
(ii) EIN |
(iii) Type of organization (described on lines 1- 9 above or IRC section (see instructions)) |
(iv) Is the organization in col. (i) listed in your governing document? |
(v) Did you notify the organization in col. (i) of your support? |
(vi) Is the organization in col. (i) organized in the U.S.? |
(vii) Amount of support? |
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|---|---|---|---|---|---|---|---|---|---|
| Yes | No | Yes | No | Yes | No | ||||
| Total | |||||||||
| Calendar year(or fiscal year beginning in) | (a) 2006 | (b) 2007 | (c) 2008 | (d) 2009 | (e) 2010 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 1 | Gifts, grants, contributions, and membership fees received. (Do not include any "unusual grants.") .... | 200,338,245 | 202,625,071 | 159,035,838 | 153,972,180 | 192,790,476 | 908,761,810 |
| 2 | Tax revenues levied for the organization's benefit and either paid to or expended on its behalf....... | ||||||
| 3 | The value of services or facilities furnished by a governmental unit to the organization without charge.. | 12,535,665 | 12,709,208 | 13,990,612 | 12,715,597 | 15,369,185 | 67,320,267 |
| 4 | Total. Add lines 1 through 3.. | 212,873,910 | 215,334,279 | 173,026,450 | 166,687,777 | 208,159,661 | 976,082,077 |
| 5 | The portion of total contributions by each person (other than a governmental unit or publicly supported organization) included on line 1 that exceeds 2% of the amount shown on line 11, column (f).. | 42,240,008 | |||||
| 6 | Public Support. Subtract line 5 from line 4. | 933,842,069 | |||||
| Calendar year(or fiscal year beginning in) | (a) 2006 | (b) 2007 | (c) 2008 | (d) 2009 | (e) 2010 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 7 | Amounts from line 4.. | 212,873,910 | 215,334,279 | 173,026,450 | 166,687,777 | 208,159,661 | 976,082,077 |
| 8 | Gross income from interest, dividends, payments received on securities loans, rents, royalties and income from similar sources.. | 60,317,811 | 45,044,372 | 29,463,640 | 29,308,975 | 38,736,504 | 202,871,302 |
| 9 | Net income from unrelated business activities, whether or not the business is regularly carried on.. | 1,204,211 | 7,847,634 | 0 | 0 | 0 | 9,051,845 |
| 10 | Other income. (Explain in Part IV.) Do not include gain or loss from the sale of capital assets.. | ||||||
| 11 | Total support (Add lines 7 through 10). | 1,188,005,224 | |||||






| Calendar year(or fiscal year beginning in) | (a) 2006 | (b) 2007 | (c) 2008 | (d) 2009 | (e) 2010 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 1 | Gifts, grants, contributions, and membership fees received. (Do not include any "unusual grants.") . | ||||||
| 2 | Gross receipts from admissions, merchandise sold or services performed, or facilities furnished in any activity that is related to the organization's tax-exempt purpose...... | ||||||
| 3 | Gross receipts from activities that are not an unrelated trade or business under section 513.. | ||||||
| 4 | Tax revenues levied for the organization's benefit and either paid to or expended on its behalf... | ||||||
| 5 | The value of services or facilities furnished by a governmental unit to the organization without charge.. | ||||||
| 6 | Total. Add lines 1 through 5. | ||||||
| 7a | Amounts included on lines 1, 2, and 3 received from disqualified persons... | ||||||
| b | Amounts included on lines 2 and 3 received from other than disqualified persons that exceed the greater of $5,000 or 1% of the amount on line 13 for the year. | ||||||
| c | Add lines 7a and 7b.. | ||||||
| 8 | Public Support (Subtract line 7c from line 6.) | ||||||
| Calendar year (or fiscal year beginning in) | (a) 2006 | (b) 2007 | (c) 2008 | (d) 2009 | (e) 2010 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 9 | Amounts from line 6... | ||||||
| 10a | Gross income from interest, dividends, payments received on securities loans, rents, royalties and income from similar sources.. | ||||||
| b | Unrelated business taxable income (less section 511 taxes) from businesses acquired after June 30, 1975. | ||||||
| c | Add lines 10a and 10b. | ||||||
| 11 | Net income from unrelated business activities not included in line 10b, whether or not the business is regularly carried on. | ||||||
| 12 | Other income. Do not include gain or loss from the sale of capital assets (Explain in Part IV.) | ||||||
| 13 | Total support (Add lines 9, 10c, 11 and 12.). | ||||||




| Facts And Circumstances Test |
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| Explanation |
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Attach to Form 990 or 990-EZ.| Identifier | Return Reference | Explanation |
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| PART III | MISSION AND PROGRAM SERVICE ACCOMPLISHMENTS | THE MISSION OF THE METROPOLITAN MUSEUM OF ART IS TO COLLECT, PRESERVE, STUDY, EXHIBIT, AND STIMULATE APPRECIATION FOR AND ADVANCE KNOWLEDGE OF WORKS OF ART THAT COLLECTIVELY REPRESENT THE BROADEST SPECTRUM OF HUMAN ACHIEVEMENT AT THE HIGHEST LEVEL OF QUALITY, ALL IN THE SERVICE OF THE PUBLIC AND IN ACCORDANCE WITH THE HIGHEST PROFESSIONAL STANDARDS. THE METROPOLITAN MUSEUM OF ART WAS FOUNDED ON APRIL 13, 1870 BY A GROUP OF CIVIC LEADERS, ART COLLECTORS, AND PHILANTHROPISTS. THE PREMISE ON WHICH THE MUSEUM WAS FOUNDED IS "FOR THE PURPOSE OF ESTABLISHING AND MAINTAINING IN NEW YORK CITY A MUSEUM AND LIBRARY OF ART, OF ENCOURAGING AND DEVELOPING THE STUDY OF THE FINE ARTS, AND THE APPLICATION OF ARTS TO MANUFACTURE AND PRACTICAL LIFE, OF ADVANCING THE GENERAL KNOWLEDGE OF KINDRED SUBJECTS, AND, TO THAT END, OF FURNISHING POPULAR INSTRUCTION." THE MUSEUM HAS SINCE BECOME THE PREEMINENT CULTURAL INSTITUTION IN THE WESTERN HEMISPHERE, SERVING A PUBLIC THAT EXTENDS FAR BEYOND NEW YORK CITY TO ALL THE UNITED STATES AND, INDEED, THE WORLD. IT RANKS AS NEW YORK'S PREMIER TOURIST ATTRACTION, WITH SIXTY-SIX PERCENT OF ITS NEARLY 5.68 MILLION ANNUAL VISITORS (INCLUDING THE CLOISTERS MUSEUM AND GARDENS) FROM OUTSIDE THE TRI-STATE AREA. ATTENDANCE IN FISCAL YEAR 2011 WAS THE HIGHEST RECORDED IN FORTY YEARS. THE MUSEUM SERVES ALL AGE GROUPS, FROM PRE-SCHOOL CHILDREN TO SENIOR CITIZENS, AND MAINTAINS A BROAD RANGE OF EDUCATIONAL AND OUTREACH PROGRAMS. |
| PART III (CONTINUED) | THE MUSEUM'S COLLECTIONS COMPRISE WORKS OF ART FROM ANCIENT, MEDIEVAL, AND MODERN TIMES AND FROM ALL AREAS OF THE WORLD. THEY OFFER A SURVEY OF ART FROM ANCIENT CIVILIZATIONS OF ASIA, AFRICA, SOUTH AMERICA, THE PACIFIC ISLANDS, EGYPT, THE NEAR EAST, AND GREECE AND ROME, TO THE PRESENT TIME. THE MUSEUM ALSO POSSESSES COLLECTIONS OF EUROPEAN PAINTINGS, MEDIEVAL ART AND ARCHITECTURE, ARMS AND ARMOR, PRINTS, PHOTOGRAPHS, DRAWINGS, COSTUMES, MUSICAL INSTRUMENTS, ISLAMIC ART, EUROPEAN SCULPTURE AND DECORATIVE ARTS, AND AMERICAN ART. THE MUSEUM MAINTAINS ONE OF THE MOST COMPREHENSIVE ART AND ARCHITECTURE LIBRARIES IN THE UNITED STATES. THE COLLECTIONS ARE MAINTAINED FOR PUBLIC EXHIBITION, EDUCATION, AND RESEARCH IN FURTHERANCE OF PUBLIC SERVICE, RATHER THAN FOR FINANCIAL GAIN. THE MUSEUM CONTINUES TO ENHANCE THE COLLECTIONS THROUGH KEY ACQUISITIONS IN A NUMBER OF AREAS. IN FISCAL YEAR 2011, THE MUSEUM ACQUIRED MANY OBJECTS OF DISTINCTION, INCLUDING A MASTERPIECE OF DRAWING BY PERINO DEL VAGA (PIETRO BUONACCORSI 1501-1547); A PAINTING BY THE SAME ARTIST, PERINO'S THE HOLY FAMILY WITH THE INFANT SAINT JOHN THE BAPTIST; THODORE GRICAULT'S LIONS IN A MOUNTAINS LANDSCAPE (AN EXTRAORDINARY EXAMPLE OF THE ARTIST'S SPONTANEOUS HANDLING OF PAINT); THE FALCON'S BATH (AN IMPORTANT TAPESTRY FROM THE SOUTHERN NETHERLANDS DATING TO ABOUT 1400-1415); THE ONLY EXTANT FULLY ILLUMINATED BOOK OF HOURS MADE FOR KING FRANCIS I (1494-1547, RULED FROM 1515), HOURS OF FRANCIS I; A SPLENDID EBONY COLLECTOR'S CABINET WITH COLORFUL ARCHITECHTURAL INTERIOR (DUTCH, CA 1640-50), ATTRIBUTED TO HERMAN DOOMER; AND AN IMAGINATIVE STEEL AND GILT-BRONZE INDIAN (DECCAN) DAGGER WITH A RUBY-SET ZOOMORPHIC HILT OF NATURALISTIC AND FANTASTIC CREATURES FROM THE SECOND HALF OF THE SIXTEENTH CENTURY FROM THE COLLECTION OF THE GREAT ISLAMIC ART SCHOLAR STUART CARY WELCH. | |
| PART III (CONTINUED) | THE CURATORIAL PROGRAMS ARE SUPPORTED BY NUMEROUS SERVICES AND RESOURCES. THE DEPARTMENTS OF PAINTINGS, PAPER, OBJECTS AND TEXTILE CONSERVATION PREPARE AND REVIEW EVERY ARTWORK SELECTED FOR A NEW INSTALLATION, SPECIAL EXHIBITION OR LOAN. THIS CONSERVATION EFFORT RANKS WITH THE BEST OF THE WORLD'S MAJOR MUSEUMS. THE THOMAS J. WATSON LIBRARY AND THE IMAGE LIBRARY HOUSE VALUABLE RESEARCH MATERIAL AVAILABLE FOR CURATORIAL, EDUCATION, AND PUBLICATION PROJECTS. THE MUSEUM CONTINUES TO BE A LEADING MUSEUM PUBLISHER IN THE WORLD. IN FISCAL YEAR 2011, THE EDITORIAL DEPARTMENT PRODUCED FIFTEEN PUBLICATIONS, INCLUDING SIX EXHIBITION CATALOGUES, FIVE COLLECTION AND OTHER SCHOLARLY CATALOGUES, AND FOUR BULLETINS. THE MUSEUM'S SPECIAL EXHIBITIONS PROGRAM IS EXCEPTIONALLY DIVERSE, PRESENTING ABOUT 35 SHOWS PER YEAR FOCUSING ON A WIDE RANGE OF THEMES, PERIODS, AND INDIVIDUAL ARTISTS. THE FOLLOWING EXHIBITIONS WERE AMONG THE HIGHLIGHTS THIS YEAR: "HAREMHAB: THE GENERAL WHO BECAME KING"; "KATRIN SIGURDARDOTTIR AT THE MET"; " 'OUR FUTURE IS IN THE AIR': PHOTOGRAPHS FROM THE 1910s"; "STIEGLITZ, STEICHEN, STRAND"; "THE ROMAN MOSAIC FROM LOD, ISRAEL"; "THE ARTISTIC FURNITURE OF CHARLES ROHLFS"; "MAN, MYTH AND SENSUAL PLEASURES: JAN GOSSART'S RENAISSANCE"; "MIR: THE DUTCH INTERIORS"; "JOHN BALDESSARI, PURE BEAUTY"; "THE WORLD OF KHUBILAI KAHN: CHINESE ART IN THE YUAN DYNASTY"; "CZANNE'S CARD PLAYERS"; "THE EMPEROR'S PRIVATE PARADISE: TREASURES FROM THE FORBIDDEN CITY"; "GUITAR HEROES: LEGENDARY CRAFTSMEN FROM ITALY TO NEW YORK"; "THE ANDEAN TUNIC, 400 BCE - 1800 CE"; "ROOMS WITH A VIEW: THE OPEN WINDOW IN THE 19TH CENTURY"; AND "ALEXANDER MCQUEEN: SAVAGE BEAUTY". | |
| PART III (CONTINUED) | THE PERMANENT COLLECTION AND SPECIAL EXHIBITIONS CONTINUE TO BE ENHANCED BY A VARIETY OF EDUCATIONAL PROGRAMS. LAST YEAR THE MUSEUM ORGANIZED SOME 23,111 EDUCATIONAL EVENTS REACHING 632,141 PEOPLE. AT THE MAIN BUILDING AND THE CLOISTERS, THE MUSEUM WELCOMED 5,720 SCHOOL CLASSES, REPRESENTING 214,662 STUDENTS. TEACHER TRAINING, THROUGH ONSITE AND ONLINE WORKSHOPS, AS WELL AS PRINTED AND WEB-BASED TEACHER RESOURCES, WHICH ARE FREE UPON REQUEST FOR ALL NYC PUBLIC SCHOOLS AND AVAILABLE IN PDF FORM FOR SCHOOLS WORLDWIDE, ENABLE K-12 EDUCATORS TO MORE FULLY UTILIZE THE MUSEUM'S COLLECTIONS IN THEIR CURRICULA. DURING THE YEAR, 29,426 INDIVIDUALS PARTICIPATED IN FAMILY PROGRAMMING AND MANY MORE WERE ABLE TO ENRICH THEIR VISITS THROUGH PRINTED FAMILY GUIDES. FAMILIES WITH CHILDREN MAY ALSO DOWNLOAD AND PRINT THESE GUIDES AT HOME IN PREPARATION FOR THEIR MET VISIT. THE MUSEUM OFFERS SPECIALLY DESIGNED PROGRAMS FOR A DEDICATED TEEN AUDIENCE: 2,228 VISITORS (AGED 13 THROUGH 18) TOOK PART IN THESE PROGRAMS. FOR GENERAL VISITORS, THE MUSEUM OFFERS A COMPREHENSIVE SERIES OF LECTURES, GALLERY TALKS, AND GUIDED TOURS IN NUMEROUS LANGUAGES THROUGHOUT THE DAY, MOST OF WHICH ARE FREE WITH MUSEUM ADMISSION. LAST YEAR, 105,175 PEOPLE PARTICIPATED IN GALLERY TALKS AND GUIDED TOURS, AND 60,593 ATTENDED LECTURES. THE MUSEUM IS COMMITTED TO REACHING OUT TO POPULATIONS THROUGHOUT THE NEW YORK CITY COMMUNITY WHO MAY NOT BE FAMILIAR WITH THE MUSEUM. THE MUSEUM ALSO OFFERS A FULL RANGE OF PROGRAMS FOR VISITORS WITH VISION, HEARING, LEARNING, AND MOBILITY IMPAIRMENTS, AS WELL AS FOR THOSE WITH DEMENTIA AND THEIR CAREGIVERS. IN FISCAL 2011, 6,447 SUCH VISITORS - INCLUDING 1,739 SPECIAL EDUCATION STUDENTS - PARTICIPATED IN 360 PROGRAMS. | |
| PART III (CONTINUED) | THE MUSEUM STRIVES TO BE RESPONSIVE TO ITS AUDIENCES AND CONDUCTS QUARTERLY SURVEYS OF VISITORS, POLLING INDIVIDUALS AS THEY ENTER THE BUILDING TO DETERMINE GEOGRAPHIC ORIGIN, AGE, LEVEL OF EDUCATION, ETHNICITY, INCOME AND PROFESSION. NUMEROUS OTHER SURVEYS AND STUDIES EVALUATE SPECIFIC PROGRAMS. IN THE LAST FISCAL YEAR, APPROXIMATELY 40% OF VISITORS TO THE MUSEUM WERE FROM OTHER COUNTRIES. THUS, AS THE NUMBER OF NON-ENGLISH SPEAKING VISITORS INCREASES, PROVIDING SERVICES TO MEET THEIR NEEDS BECOMES EVER MORE IMPORTANT. THE MUSEUM OFFERS A FOREIGN VISITORS INFORMATION DESK; A MUSEUM MAP AND INFORMATION BROCHURE IN ELEVEN LANGUAGES; AND MULTI-LINGUAL WALKING TOURS, GALLERY TALKS, AND VISITOR INFORMATION ON THE MUSEUM'S WEBSITE. THE MUSEUM CONTINUES TO REACH AN INCREASINGLY WIDE AUDIENCE THROUGH ITS EXPANDED USE OF DIGITAL MEDIA. A NEW DIGITAL MEDIA DEPARTMENT WAS FORMED IN FISCAL YEAR 2011 TO BOLSTER THIS EFFORT. THIS DEPARTMENT LEADS THE CREATION, PRODUCTION, PRESENTATION, AND DISSEMINATION OF MULTI-MEDIA CONTENT TO SUPPORT THE VIEWING AND UNDERSTANDING OF THE MET'S COLLECTIONS AND EXHIBITIONS, BOTH WITHIN THE GALLERIES AND ONLINE. | |
| PART III (CONTINUED) | IN JANUARY 2011, THE MUSEUM COMPLETED THE ONLINE PUBLICATION OF ALL CATALOGUED WORKS. THE DATABASE WAS A KEY COMPONENT IN THE RELAUNCH OF THE MUSEUM'S WEBSITE, WHICH TOOK PLACE IN SEPTEMBER 2011, AND HAS BECOME THE FOUNDATION FOR OTHER APPLICATIONS. IT HAS ALREADY HELPED TO GROW THE HIGHLY REGARDED HEILBRUNN TIMELINE OF ART HISTORY. LAUNCHED IN 2000, THE TIMELINE CONTINUES TO EXPAND IN SCOPE AND DEPTH AND TO REFLECT THE MOST UP-TO-DATE SCHOLARSHIP WHILE EXPLORING THE HISTORY OF ART FROM AROUND THE WORLD AS ILLUSTRATED BY THE MUSEUM'S COLLECTIONS. AN INVALUABLE REFERENCE AND RESEARCH TOOL FOR STUDENTS, EDUCATORS, SCHOLARS, AND ANYONE INTERESTED IN ART HISTORY, IT DRAWS ROUGHLY ONE QUARTER OF THE WEBSITE'S VISITS. THIS YEAR THE MUSEUM'S WEBSITE ATTRACTED 47 MILLION VISITS - AN INCREASE OF 19% OVER THE PRIOR FISCAL YEAR. THE INSTITUTION FURTHER ENHANCED ITS COMMITMENT TO GREATER ACCESSIBILITY ONLINE THROUGH CONNECTIONS, A PORTFOLIO OF 100 SHORT NARRATIVES BY STAFF FROM THROUGHOUT THE MUSEUM, EACH OF WHOM SELECTED WORKS OF ART FROM THE COLLECTION THAT RESONATE WITH THEIR PERSONAL INTERESTS AND PERSPECTIVES. | |
| PART III (CONTINUED) | THE MUSEUM ALSO WORKED TOWARDS INCREASING ACCESS TO OBJECTS WITHIN SPECIFIC EXHIBITIONS THIS YEAR. TO COMPLEMENT THE "GUITAR HEROES: LEGENDARY CRAFSTMEN FROM ITALY TO NEW YORK" EXHIBITION, THE MUSEUM'S FIRST IPHONE APP WAS CONCEIVED. FOR THE MANY VISITORS WHO DOWNLOADED THE APPLICATION TO THEIR MOBILE DEVICES, IT BROUGHT TO LIFE THE GUITAR MAKERS' CREATIVE PROCESS THROUGH THE VOICES AND PERFORMANCES OF SUCH ARTISTS AS GEORGE BENSON, MARY KAYE, STEVE MILLER, AND DJANGO REINHARDT. A SECOND MULTIMEDIA TOUR APP FOR THE IPAD WAS ALSO LAUNCHED FOR THE "POETRY IN CLAY: KOREAN BUNCHEONG CERAMICS FROM LEEUM, SAMSUNG MUSEUM OF ART." THIS APP INCLUDED SUCH HIGHLIGHTS AS 360-DEGREE OBJECT VIEWS AND PANORAMAS OF THE GALLERIES. FINALLY, THE WEBSITE ALSO SUPPORTED THE MUSEUM'S EXHIBITION PROGRAM WITH TWENTY-TWO ONLINE EXHIBITION FEATURES LAUNCHED IN FISCAL 2011, INCLUDING EXPANDED FEATURES FOR "THE WORLD OF KHUBILAI KHAN: CHINESE ART IN THE YUAN DYNASTY," "GUITAR HEROES: LEGENDARY CRAFTSMENT FROM ITALY TO NEW YORK," AND "ALEXANDER MCQUEEN: SAVAGE BEAUTY," WHICH ALONE SERVED 1.5 MILLION ONLINE VISITS DURING THE RUN OF THE EXHIBITION. | |
| PART III (CONTINUED) | THE MUSEUM AND ITS PERMANENT COLLECTIONS ARE CONTINUOUSLY ENHANCED THROUGH NEW INSTALLATIONS AND CAPITAL PROJECTS. THE EXTENSIVE RENOVATION OF THE FIFTEEN GALLERIES DEVOTED TO THE DEPARTMENT OF ISLAMIC ART, INCLUDING THE CONSERVATION AND REINSTALLATION OF THE DAMASCUS ROOM AND THE SPANISH CEILING, AS WELL AS INSTALLATION OF THE STONE FLOOR, ARE NEAR COMPLETION AND SCHEDULED TO OPEN TO THE PUBLIC IN NOVEMBER 2011. ALSO NEARING COMPLETION IS THE COMPREHENSIVE RENOVATION OF THE AMERICAN WING. OVER 10 YEARS IN THE MAKING, THIS PROJECT WILL CULMINATE WITH THE REOPENING OF THE GALLERIES FOR PAINTINGS AND SCULPTURE IN JANUARY 2012. THE RENOVATION OF THOMAS J. WATSON LIBRARY'S BOOK CONSERVATION LABORATORY, WHICH INCLUDED THE CONSTRUCTION OF A NEW MEZZANINE SPACE AND THE REDESIGN OF THE MAIN FLOOR, WAS COMPLETED IN FISCAL 2011. BEGINNING IN 2012, THE MUSEUM ANNOUNCED A MAJOR RENOVATION OF THE COSTUME INSTITUTE'S EXISTING FOOTPRINT, WHICH WILL INCLUDE A REDESIGN OF ITS EXHIBITION GALLERIES, STUDY COLLECTION, AND CONSERVATION CENTER. THE FIFTH AVENUE PLAZA WILL ALSO UNDERGO A FULL RENOVATION, INCLUDING A REDESIGN OF THE FOUNTAINS AND SURROUNDING SPACES. | |
| PART VI, LINE 6 | GOVERNING BODY AND MANAGEMENT | THE MUSEUM DOES NOT HAVE "MEMBERS" AS SUCH TERM IS DEFINED IN THE INSTRUCTIONS TO FORM 990. HOWEVER, THE MUSEUM USES THE TERM "MEMBERS" IN CONNECTION WITH DUES, FEES, GOODS, BENEFITS, PRIVILEGES AND SERVICES AS ESTABLISHED BY THE MUSEUM FROM TIME TO TIME. |
| PART VI, LINE 11B | PROCESS THE ORGANIZATION USES TO REVIEW THE FORM 990 | THE MUSEUM'S FORM 990, INCLUDING REQUIRED SCHEDULES AND SUPPORTING DOCUMENTATION, IS INITIALLY COMPILED BY THE MUSEUM'S CONTROLLER'S OFFICE PRIMARILY RELYING ON THE MUSEUM'S GENERAL LEDGER, AUDITED FINANCIAL STATEMENTS AND OTHER FINANCIAL SYSTEMS. THE MUSEUM'S CONTROLLER, CHIEF FINANCIAL OFFICER, GENERAL COUNSEL, AND EXTERNAL TAX ADVISORS PARTICIPATE IN A SERIES OF DETAILED REVIEWS OF THE FORM 990. THE FORM 990 IS ALSO REVIEWED BY THE MUSEUM'S SENIOR MANAGEMENT, INCLUDING THE MUSEUM'S DIRECTOR AND PRESIDENT, THE AUDIT COMMITTEE OF THE MUSEUM'S BOARD OF TRUSTEES, AND EXTERNAL LEGAL COUNSEL. A COMPLETE COPY WITH THE EXCEPTION OF SCHEDULE B IS PROVIDED TO EACH MEMBER OF THE BOARD OF TRUSTEES PRIOR TO FILING THE RETURN. THE MUSEUM'S EXTERNAL TAX ADVISORS FILE THE FORM 990 ELECTRONICALLY WITH THE INTERNAL REVENUE SERVICE. |
| PART VI, LINE 12C | CONFLICT OF INTEREST POLICY | ON AN ANNUAL BASIS, THE MUSEUM SEEKS TO ENSURE COMPLIANCE WITH ITS CONFLICT OF INTEREST POLICY BY SENDING RELEVANT WRITTEN POLICIES TO SENIOR STAFF, TRUSTEES AND ADVISORY MEMBERS OF COMMITTEES OF THE BOARD OF TRUSTEES. EACH POLICY IS SENT WITH A STATEMENT, WHICH MUST BE COMPLETED, SIGNED AND RETURNED TO THE MUSEUM'S SENIOR VICE PRESIDENT, SECRETARY AND GENERAL COUNSEL. THE STATEMENT REQUIRES EACH INDIVIDUAL TO CONFIRM THAT HE OR SHE HAS (I) RECEIVED A COPY OF THE POLICY, (II) READ AND UNDERSTOOD THE POLICY AND (III) AGREES TO COMPLY WITH THE POLICY. THE INDIVIDUAL IS ALSO ASKED TO DISCLOSE ANY SITUATION OR AREAS OF POTENTIAL CONFLICTS OF INTEREST THAT HE OR SHE OR A MEMBER OF HIS OR HER FAMILY MAY HAVE. THE GENERAL COUNSEL'S OFFICE ENSURES ALL STATEMENTS ARE COMPLETED AND RETURNED. WHEN POTENTIAL CONFLICTS ARISE, THEY ARE INITIALLY EVALUATED BY THE GENERAL COUNSEL WITH THE ASSISTANCE OF OUTSIDE LEGAL COUNSEL IF NECESSARY. CONFLICTS ARE RESOLVED IN CONSULTATION WITH THE MUSEUM'S DIRECTOR AND PRESIDENT (FOR STAFF) AND THE CHAIRMAN OF THE BOARD OF TRUSTEES AND THE LEGAL COMMITTEE OF THE MUSEUM'S BOARD (FOR TRUSTEES, INCLUDING THE DIRECTOR AND THE PRESIDENT). IF A CONFLICT OF INTEREST IS DETERMINED TO EXIST, THE INDIVIDUAL IS PROHIBITED FROM PARTICIPATING IN THE BOARD'S DELIBERATIONS AND DECISIONS REGARDING THE TRANSACTIONS. |
| PART VI, LINES 15A AND 15B | COMPENSATION REVIEW | ANNUALLY, THE MUSEUM OBTAINS A REVIEW AND APPROVAL BY AN INDEPENDENT COMPENSATION CONSULTANT AND THE COMPENSATION COMMITTEE OF THE BOARD OF TRUSTEES FOR THE TOTAL REMUNERATION OF ALL THE MUSEUM'S OFFICERS. |
| PART VI, LINE 19 | PUBLIC AVAILABILITY OF OTHER DOCUMENTS | THE MUSEUM'S AUDITED FINANCIAL STATEMENTS ARE INCLUDED IN THE MUSEUM'S ANNUAL REPORT, WHICH IS MADE AVAILABLE TO THE PUBLIC ON THE MUSEUM'S WEBSITE. THE MUSEUM MAKES ITS GOVERNING DOCUMENTS AND CONFLICT OF INTEREST POLICY AVAILABLE TO THE PUBLIC UPON REQUEST. |
| PART VIII, LINE 8 | FUNDRAISING EVENTS | NOTE THAT THE $2,660,233 LOSS ON LINE 8(C) DOES NOT INCLUDE THE $14,989,225 OF CONTRIBUTIONS WHICH RESULTED IN A NET GAIN FROM THESE EVENTS OF APPROXIMATELY $12.3 MILLION. |
| PART VIII, LINE 10 | GROSS SALES LESS RETURNS AND ALLOWANCES | NOTE THAT THE GROSS PROFIT REPORTED ON LINE 10(C) DOES NOT INCLUDE EXPENSES REPORTED ON PART IX, LINE 25. |
| PART XI, LINE 5 | OTHER CHANGES IN NET ASSETS OR FUND BALANCES | UNREALIZED GAINS ON INVESTMENTS $229,620,250; CHANGE IN THE FAIR VALUE OF INTEREST RATE AGREEMENTS AND EFFECT OF INTEREST RATE SWAPS 5,216,249; RECLASSIFICATIONS, FEES AND OTHER (4,907,450); CHANGE IN VALUE OF SPLIT-INTEREST AGREEMENT 2,231,317; PENSION RELATED CHANGES OTHER THAN NPPC 13,034,278; ADDITIONAL RETIREMENT CONTRIBUTION (4,541,163); PARTNERSHIP UBI 1,338,321; ROUNDING 7; TOTAL PART XI, LINE 5 241,991,809. |
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