Attach to Form 990 or Form 990-EZ.
See separate instructions.| (i) Name of supported organization |
(ii) EIN |
(iii) Type of organization (described on lines 1- 9 above or IRC section (see instructions)) |
(iv) Is the organization in col. (i) listed in your governing document? |
(v) Did you notify the organization in col. (i) of your support? |
(vi) Is the organization in col. (i) organized in the U.S.? |
(vii) Amount of support? |
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| Yes | No | Yes | No | Yes | No | ||||
| Total | |||||||||
| Calendar year(or fiscal year beginning in) | (a) 2007 | (b) 2008 | (c) 2009 | (d) 2010 | (e) 2011 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 1 | Gifts, grants, contributions, and membership fees received. (Do not include any "unusual grants.") .... | 6,461,448 | 11,475,046 | 22,896,409 | 13,278,452 | 9,249,634 | 63,360,989 |
| 2 | Tax revenues levied for the organization's benefit and either paid to or expended on its behalf....... | 4,594,553 | 1,283,065 | 0 | 0 | 0 | 5,877,618 |
| 3 | The value of services or facilities furnished by a governmental unit to the organization without charge.. | ||||||
| 4 | Total. Add lines 1 through 3.. | 11,056,001 | 12,758,111 | 22,896,409 | 13,278,452 | 9,249,634 | 69,238,607 |
| 5 | The portion of total contributions by each person (other than a governmental unit or publicly supported organization) included on line 1 that exceeds 2% of the amount shown on line 11, column (f).. | 48,207 | |||||
| 6 | Public Support. Subtract line 5 from line 4. | 69,190,400 | |||||
| Calendar year(or fiscal year beginning in) | (a) 2007 | (b) 2008 | (c) 2009 | (d) 2010 | (e) 2011 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 7 | Amounts from line 4.. | 11,056,001 | 12,758,111 | 22,896,409 | 13,278,452 | 9,249,634 | 69,238,607 |
| 8 | Gross income from interest, dividends, payments received on securities loans, rents, royalties and income from similar sources.. | 1,452,327 | 1,312,246 | 300,943 | 543,523 | 601,702 | 4,210,741 |
| 9 | Net income from unrelated business activities, whether or not the business is regularly carried on.. | 704,878 | 922,157 | 983,061 | 1,035,579 | 976,515 | 4,622,190 |
| 10 | Other income. (Explain in Part IV.) Do not include gain or loss from the sale of capital assets.. | ||||||
| 11 | Total support (Add lines 7 through 10). | 78,071,538 | |||||






| Calendar year(or fiscal year beginning in) | (a) 2007 | (b) 2008 | (c) 2009 | (d) 2010 | (e) 2011 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 1 | Gifts, grants, contributions, and membership fees received. (Do not include any "unusual grants.") . | ||||||
| 2 | Gross receipts from admissions, merchandise sold or services performed, or facilities furnished in any activity that is related to the organization's tax-exempt purpose...... | ||||||
| 3 | Gross receipts from activities that are not an unrelated trade or business under section 513.. | ||||||
| 4 | Tax revenues levied for the organization's benefit and either paid to or expended on its behalf... | ||||||
| 5 | The value of services or facilities furnished by a governmental unit to the organization without charge.. | ||||||
| 6 | Total. Add lines 1 through 5. | ||||||
| 7a | Amounts included on lines 1, 2, and 3 received from disqualified persons... | ||||||
| b | Amounts included on lines 2 and 3 received from other than disqualified persons that exceed the greater of $5,000 or 1% of the amount on line 13 for the year. | ||||||
| c | Add lines 7a and 7b.. | ||||||
| 8 | Public Support (Subtract line 7c from line 6.) | ||||||
| Calendar year (or fiscal year beginning in) | (a) 2007 | (b) 2008 | (c) 2009 | (d) 2010 | (e) 2011 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 9 | Amounts from line 6... | ||||||
| 10a | Gross income from interest, dividends, payments received on securities loans, rents, royalties and income from similar sources.. | ||||||
| b | Unrelated business taxable income (less section 511 taxes) from businesses acquired after June 30, 1975. | ||||||
| c | Add lines 10a and 10b. | ||||||
| 11 | Net income from unrelated business activities not included in line 10b, whether or not the business is regularly carried on. | ||||||
| 12 | Other income. Do not include gain or loss from the sale of capital assets (Explain in Part IV.) | ||||||
| 13 | Total support (Add lines 9, 10c, 11 and 12.). | ||||||




| Facts And Circumstances Test |
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| Explanation |
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Attach to Form 990 or 990-EZ.| Identifier | Return Reference | Explanation |
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| BUSINESS RELATIONSHIPS, | FORM 990, PART VI, LINE 2: | BENJAMIN NEEDELL, ESQ. HAS A BUSINESS RELATIONSHIP WITH JANN WENNER, WENNER MEDIA AND ITS AFFILIATES AND TRUSTS. |
| ELECTION OF TRUSTEES, | FORM 990, PART VI, LINE 7A: | THERE ARE 10 TRUSTEES OF THE ROCK AND ROLL HALL OF FAME AND MUSEUM, INC. ("THE CORPORATION"). ROCK AND ROLL HALL OF FAME FOUNDATION, INC., A CHARITY RECOGNIZED BY THE INTERNAL REVENUE SERVICE (IRS) AS AN ORGANIZATION DESCRIBED IN INTERNAL REVENUE CODE (IRC) SECTION 501(C)(3), DESIGNATES INDIVIDUALS FOR NOMINATION FOR 5 OF THE 10 TRUSTEE POSITIONS AS CLASS A TRUSTEES, AND CLEVELAND ROCK AND ROLL, INC., A CHARITY RECOGNIZED BY THE IRS AS AN ORGANIZATION DESCRIBED IN IRC SECTION 501(C)(3), DESIGNATES INDIVIDUALS FOR NOMINATION FOR 5 OF THE 10 TRUSTEE POSITIONS AS CLASS B TRUSTEES. THE TRUSTEES OF THE CORPORATION THEN ELECT CLASS A AND CLASS B TRUSTEES FROM THOSE NOMINATED. |
| REVIEW OF FORM 990, | FORM 990, PART VI, LINE 11B: | FORM 990 IS REVIEWED INTERNALLY BY THE SENIOR DIRECTOR OF FINANCE AND THE EXECUTIVE VICE PRESIDENT AND CHIEF FINANCIAL OFFICER. IT IS SUBMITTED FOR REVIEW TO THE FINANCE COMMITTEE OF THE BOARD OF DIRECTORS AND TO THE ROCK AND ROLL HALL OF FAME AND MUSEUM'S BOARD OF DIRECTORS. |
| MONITORING CONFLICTS OF INTEREST, | FORM 990, PART VI, LINE 12C: | AN ANNUAL QUESTIONNAIRE IS SENT TO ALL OFFICERS, DIRECTORS, TRUSTEES AND KEY EMPLOYEES. IF A TRANSACTION ARISES IN WHICH AN INDIVIDUAL HAS A CONFLICT, THE PERSON IS EXCUSED FROM THE MEETING FOR THE DISCUSSION AND VOTE BY DISINTERESTED TRUSTEES OR COMMITTEE MEMBERS. THE TRUSTEES AND/OR COMMITTEE MEMBERS BASE THEIR DECISION ON ALL THE FACTS AND CIRCUMSTANCES PRESENTED AND CONSIDER WHETHER THE TRANSACTION IS IN THE BEST INTERESTS OF THE MUSEUM. PROPER RECORDS OF THE BOARD, COMMITTEE, OR SUBCOMMITTEE ARE MAINTAINED TO VERIFY THAT THE CONFLICT OF INTEREST POLICY HAS BEEN FOLLOWED. |
| COMPENSATION REVIEW AND APPROVAL, | FORM 990, PART VI, LINE 15: | AN OUTSIDE CONSULTANT IS HIRED TO REVIEW THE JOB DESCRIPTIONS AND ASSOCIATED COMPENSATION LEVELS FOR THE CHIEF EXECUTIVE OFFICER AND ALL VICE PRESIDENTS. THE CONSULTANT'S FINDINGS ARE PRESENTED FOR APPROVAL TO THE FINANCE COMMITTEE OF THE BOARD OF DIRECTORS. ANY TIME JOB RESPONSIBILITIES ARE SIGNIFICANTLY CHANGED, THE REVIEW IS UPDATED. THE FINANCE COMMITTEE MEMBERS ARE INDEPENDENT OF THE CEO AND VICE PRESIDENTS. THE COMMITTEE'S DELIBERATIONS AND APPROVAL OF COMPENSATION ARE COMMUNICATED TO SENIOR MANAGEMENT BY THE FINANCE COMMITTEE CHAIR. |
| AVAILABILITY OF DOCUMENTS, | FORM 990, PART VI, LINE 19: | THE MUSEUM MAKES ITS CONFLICT OF INTEREST POLICY AND FINANCIAL STATEMENTS AVAILABLE UPON REQUEST. ALSO, A BROAD MAILING IS MADE TO MANY CONSTITUENTS. THE MUSEUM DOES NOT MAKE ITS GOVERNING DOCUMENTS AVAILABLE TO THE PUBLIC. |
| OTHER CHANGES IN NET ASSETS, | FORM 990, PART XI, LINE 5: | UNREALIZED LOSS ON INVESTMENTS: ($175,241) |
| OTHER PROGRAM SERVICES, | FORM 990, PART III, LINE 4: | The Museum's Education and Public Programs Division produces scores of activities and events each year that reinforce the Museum's commitment to the study and interpretation of rock and roll music and its roots. The content of these programs highlights not only the work of Rock and Roll Hall of Fame Inductees, but also a broad spectrum of popular music ranging from the blues, country, and gospel of the early 1900s to the classic rock of the 1960s to the hip hop and pop sounds of today. These programs are presented in a variety of formats including interviews, performances, lectures, film screenings, master classes, conferences at venues both on- and off-site, and online. The following provides a chronological review of programs conducted in 2011, with their intended objective and estimated attendance in parentheses, as available. ONGOING THROUGHOUT THE YEAR: Toddler Rock is a nationally acclaimed music-based outreach/education program for underserved preschoolers, their parents, caregivers and teachers. It was created at the Rock and Roll Hall of Fame and Museum, and implemented by board-certified music therapists. The program targets 3-5 year olds. The purpose is to promote positive interaction of children with their parents and teachers, and to increase the children's academic, social, communication and music skills through the structured use of music. A major goal of the program is to enhance the pre-academic skills that have been shown to be most indicative of later success in school, including letter recognition, rhyming and alliteration, all important for the acquisition of reading skills. Eleven concurrent classes convene one hour each day (Tuesdays and Thursdays.) The program averages 340 students in the two hours per week times 30 weeks. The fiscal year equals 3 ten week sessions, fall, winter and spring. (Objective: involving the community with the Museum and utilizing rock and roll to improve literacy for at-risk children.) Rockin' the Schools brings students from Northeast Ohio and beyond into the Museum for a one-hour educational class on the history of rock and roll. The program teaches students how music has played a role in some of the most important social, cultural, and political issues in modern history. Teachers can choose from a set of classes on topics such as the roots of rock and roll, music as a social force, the science of sound, music and the language arts, hip-hop culture, and many more. The program is offered four days a week, January through June and October through December. (Objective: education and interpretation of rock and roll and its history. In 2011, 17,388 students and chaperones participated in the program.) On the Road uses dynamic videoconferencing to explore the history of rock and roll. Interactive classes are taught in real time and use the Museum's extensive educational resources to engage students in their own classrooms. These interdisciplinary classes, taught by Rock Hall educators, include exclusive interview clips with key figures in rock and roll history, behind-the-scenes commentary by Museum educators, audio and videos clips of Rock and Roll Hall of Fame inductees, and more. The program is offered daily on-demand throughout the entire year. In 2011, the Rock Hall was awarded the Teachers Choice Award for the Best Content Provider (fourth consecutive year) in the Best Music and Performing Arts Museum category as well as Honorable Mention for the 2010-2011 CILC Pinnacle Award from the Center for Interactive Learning and Collaboration (CILC), which recognizes outstanding performance by a content provider. (Objective: education and interpretation of rock and roll and its history. In 2011, the Museum made 252 connections, teaching approx. 8,000 students, the best calendar year ever for this program.) "From Songwriters to Soundmen: The People Behind the Hits" gives Rock Hall audiences an inside look at aspects of the music business that are often concealed from view. For those who wonder how songs become recordings, how recordings become hits, or how the show gets on the road, this series offers both answers and anecdotes beyond imagination. The series is held on the third Wednesday of most months and, where noted, are streamed live on the internet. Unless otherwise noted, all interviews were conducted by Dr. Lauren Onkey, Vice President of Education and Public Programs or Dr. Jason Hanley, Director of Education. Rock and Roll Night School is a series of educational, discussion-based night classes offered free of charge from 7 p.m. to 8:30 p.m. on the 4th Wednesday of most months and, where noted, are streamed live on the internet. Unless otherwise noted, members of the education department staff led the classes, which are geared towards adults interested in gaining more knowledge about rock and roll history. The program explores the history of rock and roll, from its roots to its current incarnations. Teachers Rock is a quarterly professional development workshop series for K-12 level teachers and school administrators interested in integrating popular music into core-curriculum teaching. Each spotlights a specific grade band or content area by exploring great moments in rock and roll history and the Rock and Roll Hall of Fame Inductees who made those moments happen. Educators learn how to use appropriate arts-integrated activities and instructional methods and receive featured lessons and resources for use in their own classrooms. Education Programs Manager Stephanie Heriger led this program in 2011. University Teaching In the spring of 2011, Lauren Onkey, vice president of education and public programs, and Jason Hanley, director of education, and Kathryn Metz taught a course called Rock Goes Global: Music, Meaning and Movement in the SAGES program. This class met two times per week and 17 students were enrolled. In the fall of 2011, Lauren Onkey taught a course on Aretha Franklin in the Music department. This class met two times per week and eight students were enrolled. Both courses were taught at Case Western Reserve University. Star Rockers is a music-based program for mature seniors (from the inner city Goodrich-Gannett Neighborhood Center). Its goals are to engage seniors in creative music experiences that include composition, singing, dance/movement, introduction to technology, improvisation, lyric analysis, life review and reminiscence. Seniors are exposed to the history of rock and roll music through discussion, interactive media, exhibits, and artists at the museum. One hour sessions are held each week and are lead by board-certified music therapists. (Class size is 8-10 which reflects the number accommodated by the GGNC's van. This translates totals nearly 400 individual visits per year - based on an average of 8 people for 50 weeks). Survey data from the seniors shows an increase in their music skills and intellectual awareness, and attests to a positive sense of belonging, meaningful socialization, and a high level of enjoyment. (Objective: involving the community with the Museum.) JANUARY Friday, January 14, 2011 "From Songwriters to Soundmen: The People Behind the Hits" with videographer Thom Zimny The program included a special screening of Darkness on the Edge of Town in the Museum's intimate Foster Theater and was followed by a discussion with Zimny about his career with Bruce Springsteen. (Objective: education and interpretation of rock and roll and its history; 172 attendees) Monday, January 17, 2011 Martin Luther King, Jr. Day To celebrate the legacy of Dr. Martin Luther King, Jr., the Rock and Roll Hall of Fame and Museum once again opened its doors to the public free of charge in a celebration of community spirit and civic pride during its Rock the Dream festival. This marked the 10th straight year that the Museum offered FREE admission to the public. The festival featured an array of musical talent, including Grammy Award winning R&B and soul singer Chrisette Michele, as well as local performers Antioch Spiritual Arts Choir and the Terry Macklin Entertainment Experience. In 2011, the Rock Hall's Community Festivals were presented by Ohio Natural Gas and sponsored by KeyBank and Amtrak. (Objective: involving the Cleveland community with the Museum and celebrating diversity; 7,266 attendees) Wednesday, January 25, 2011 Rock and Roll Night School - The First Rock and Roll Records This month's Rock and Roll Night School was led by Lauren Onkey with special guest Rock Hall CEO Terry Stewart as they explored the many candidates for the "first rock and roll record". (Objective: education and interpretation of rock and roll and its history; 142 attendees, 76 unique viewers streaming online) |
| OTHER PROGRAM SERVICES - CONTINUED, | FORM 990, PART III, LINE 4: | FEBRUARY Black History Month Black History Month is a month-long series of events highlighting African-American music. In 2011, in celebration of Black History Month, the Rock and Roll Hall of Fame and Museum presented a special film series, "Double Exposure: African American Music on Film." Selected films covered a wide range of musical styles, from the gospel roots of rock to hip-hop. The films also reflected historical and cultural changes in African-American culture during the rock and roll era. (Objective: education and interpretation of rock and roll and its history) Specific events included: February 9, 2011 Teachers Rock: Professional Development Series for K-12 Educators. The topic of the workshop was "Alternate Takes: K-12 Approaches to African-American Music on Film" and was presented as part of our annual Black History Month programming. (Objective: education and integrating popular music into the K-12 classroom; 21 attendees) Wednesday, February 9 Double Feature: St. Louis Blues (1929) and the US Premiere of The Godmother of Rock and Roll: Sister Rosetta Tharpe (2011) with post-screening discussion with Gayle Wald, Professor of English at George Washington University and author of Shout Sister Shout: The Untold Story of Rock-and-Roll Trailblazer Sister Rosetta Tharpe. (77 attendees) Thursday, February 10: Film Screening: Chuck Berry: Hail! Hail! Rock 'N' Roll! (1987) (42 attendees) Wednesday, February 16 Film Screening: Soul to Soul (1971) with post-screening discussion with film producer David Peck and Rob Bowman, Director of York University's Graduate Program in Ethnomusicology and author of the film's liner notes. (73 attendees) Thursday, February 17: Film Screening: Movin' On Up: The Music and Message of Curtis Mayfield and The Impressions (2008) with post-screening discussion with film director David Peck and Rob Bowman, Director of York University's Graduate Program in Ethnomusicology and author of the film's liner notes. (98 attendees) Friday February 18: Film Screening: Jimi Hendrix: Band Of Gypsys (1999) (133 attendees) Wednesday, February 23: Film Screening: Wattstax (1973) (93 attendees) Friday, February 25 (Cancelled due to weather; rescheduled for Wed, March 16): Film Screening: Krush Groove (1985) (63 attendees) MARCH Friday, March 4 Film Screening: The Wrecking Crew This film documents the Los Angeles studio musicians who played on countless pop hits during the 1960s. This film screening was hosted in conjunction with Cuyahoga Community College's Recording Arts Technology program Open House. (Objective: education and interpretation of rock and roll and its history; 172 attendees) Wednesday, March 23 An Evening with photographer Anastasia Pantsios The Rock Hall welcomed photographer Anastasia Pantsios, whose work was on display in the Girls on Film: 40 Years of Women in Rock exhibit, for a live interview in the Museum's Foster Theater. (Objective: education and interpretation of rock and roll and its history; 133 attendees, 16 unique viewers streaming online) Friday, March 25 Lecture by George Lipsitz, Professor of Black Studies, UC-Santa Barbara - "Midnight at the Barrelhouse: Why Rock 'n' Roll Matters Now" This lecture took place at Case Western Reserve University and was sponsored by the Rock and Popular Music Institute, a collaboration between the Rock and Roll Hall of Fame and Museum and Case Western Reserve University. (Objective: education and interpretation of rock and roll and its history; Approx. 40 attendees) APRIL Monday, April 11 Cleveland Confidential Book Tour Members of the tour included Cheetah Chrome (Rocket From The Tombs, Dead Boys, Batusis), Mike Hudson (The Pagans) and Bob Pfeifer (Human Switchboard, Tabby Chinos, former Senior Vice President A&R/Epic/Sony Records and President of Hollywood Records). Making a special appearance at the Rock Hall, his only one on the tour was David Thomas (Rocket From The Tombs and Pere Ubu). The four author-musicians also read excerpts from their books and conducted a book signing after the event. Artifacts from members of Cleveland Confidential Book Tour can be found in the Rock Hall exhibit, Cleveland Rocks. (Objective: education and interpretation of rock and roll and its history; 151 attendees, 98 unique viewers streaming online) Saturday, April 16 Teachers Rock: Professional Development Series for K-12 Educators The topic of the workshop was "Using Popular Music in the Special Education Classroom" and was presented by special guests from Positive Education Program/Prentiss Autism Center. (Objective: education and integrating popular music into the K-12 classroom; 45 attendees) Friday, April 22 Lecture by Elijah Wald, musician and writer - "Robert Johnson and the Invention of the Blues" This lecture took place at Case Western Reserve University and was sponsored by the Rock and Popular Music Institute. (Objective: education and interpretation of rock and roll and its history; Approx 60 attendees) Saturday, April 30 Post 45 Conference: New Digs: The Rock and Roll Hall of Fame and Museum's Library and Archives The Rock Hall hosted a panel discussion on the Museum's new Library and Archives. The panel was moderated by Lauren Onkey, and featured Andy Leach (Director of Library and Archives), Jennie Thomas (Head Archivist), and Holly George-Warren (Music Journalist, author). (Objective: education and interpretation of rock and roll and its history; 119 attendees) Saturday, April 30 Post 45 Conference: Keynote with Steve Earle The Rock Hall hosted a keynote talk by Steve Earle as part of the Post 45 Conference, which was held in Cleveland. Post45 is a collective of scholars working on American literature and culture since 1945. The group was founded in 2006 and has met annually since to discuss new work in the field. Conference organizer Florence Dore of the University of North Carolina interviewed Earle, who also performed songs from his new album. (Objective: education and interpretation of rock and roll and its history; 119 attendees) MAY Saturday, May 14 Hall of Fame Series with Darlene Love With "He's a Rebel" and "He's Sure the Boy I Love," Darlene Love turned into a familiar (though often uncredited) voice on radio and records. Darlene's own 1963 hits - "(Today I Met ) The Boy I'm Gonna Marry," "Wait Till My Bobby Gets Home," "A Fine Fine Boy," "Christmas (Baby Please Come Home)" - made her a household name. This event was presented in conjunction with the Rock Hall's It's Only Rock and Roll Spring Benefit and the opening of the museum's newest exhibit Women Who Rock: Vision, Passion, Power (Objective: education and interpretation of rock and roll and its history; 145 attendees, 49 unique viewers streaming online) May 21, 2011 Rock Your World For the twelfth year the Rock and Roll Hall of Fame partnered with Cleveland Metropolitan School District's ALL-CITY ARTS PROGRAM to produce one of the community's signature festivals. In 2011, Great Lakes Science Center joined the celebration to create a one-of-a-kind, innovative and hands-on science and arts festival held inside and outside of both museums. The Rock Hall offered Rock Your World CMSD participants free admission to festival events as well as admission to tour the Museum. (Objective: involving the Cleveland community with the museum; 3,700 attendees.) |
| OTHER PROGRAM SERVICES - CONTINUED, | FORM 990, PART III, LINE 4: | JUNE Friday, June 3 Jefferson Starship Acoustic The Rock Hall welcomed Paul Kantner and David Freiberg of Jefferson Starship for a special interview and acoustic performance. This event was presented in conjunction with Jefferson Starship's performance with the Contemporary Youth Orchestra of Cleveland. (Objective: education and interpretation of rock and roll and its history; 155 attendees, 41 unique viewers streaming online) Saturday, June 18 Hall of Fame Series with Smokey Robinson Smokey Robinson and the Miracles scored 27 pop-soul hits at Motown between 1960 and 1971, including the classics "You've Really Got a Hold on Me," "Mickey's Monkey," "Going to a Go-Go" and "I Second That Emotion." In addition to leading the Miracles, Robinson served as a Motown producer, songwriter, talent scout and Berry Gordy's most trusted confidant and right-hand man. (Objective: education and interpretation of rock and roll and its history; 196 attendees, 55 unique viewers streaming online) June 20-24, 2011 Summer Teacher Institute From June 20 to June 24, 2011, the Rock Hall's Summer Teacher Institute brought K-12 teachers together with award-winning educators, historians, arts education specialists, curriculum designers, journalists, and musicians to learn how to engage students in the classroom by integrating rock and roll into teaching across the K-12 curriculum in ways that meet and exceed state and national standards for learning. Highlights included Rock 101 rock history lessons, an evening with Genya Ravan, a screening of the movie Girls Rock!, a panel discussion and special workshops with Girls Rock Camp staff, 9 different hands-on breakout sessions, four hours of instructional demonstrations, a Museum curator panel discussion, and docent Museum tours. Participants came from Ohio and 12 other states, as well as Canada and Australia. (Objective: education and integrating popular music into the K-12 classroom; 35 attendees) Wednesday, June 22 An Evening with Genya Ravan Genya Ravan is a pioneering musician, producer, and current SIRIUS XM DJ who formed Goldie and the Gingerbreads - the first all-female rock and roll band - in the early sixties. This event was presented in conjunction with the 2011 Summer Teacher Institute, entitled "Electrifying Your Classroom" and the Rock Hall's groundbreaking exhibit Women Who Rock: Vision, Passion, and Power. (Objective: education and interpretation of rock and roll and its history; 83 attendees, 31 unique viewers streaming online) Thursday, June 23 Film Screening: Girls Rock! This film spotlights the Rock 'n' Roll Camp for Girls - a place where 8-18 year olds come from all over the country to learn Rock DIY-style--forming bands, writing songs and building community. This event was presented in conjunction with the 2011 Summer Teacher Institute, entitled "Electrifying Your Classroom" and the Rock Hall's groundbreaking exhibit Women Who Rock: Vision, Passion, and Power. (Objective: education and interpretation of rock and roll and its history; 67 attendees) Sunday, June 26 Rock and Soul Festival The Rock and Soul Festival is a celebration of African American music. This soulful festival features performances by national and local artists and coincides with Black Music Month. This year's event featured special live performances from Tony Strong's Phyllies Intruders, Angel P and the Creative Players and J Hope and the Champion Sound. In addition, dance tributes took place in celebration of the Museum's latest exhibit Women Who Rock: Vision, Passion, Power, as well as a dance tribute in remembrance of Michael Jackson. (Objective: involving the community with the Museum; 300 attendees) JULY Wednesday, July 27 Rock and Roll Night School - Women Who Rock - Exploration and Exhibition (Part 1 or 8) Women Who Rock: Vision, Passion, Power is the first exhibit of its kind to explore the history of women in rock and roll. This Rock and Roll Night School, the first of a multi-part series, provided an overview of the exhibit and introduced key issues concerning the history of women in rock and roll. This event was presented in conjunction with the Rock Hall's groundbreaking exhibit Women Who Rock: Vision, Passion, and Power. (Objective: education and interpretation of rock and roll and its history; 126 attendees, 4 unique viewers streaming online) Saturday, July 30 The Ponderosa Stomp: Girl Talk (Symposium) Lauren Onkey moderated an afternoon symposium held at Lincoln Center's David Rubenstein Atrium in New York City. The panel, devoted to the legacy of the late Ellie Greenwich, featured journalist Alison Fensterstock and Sheryl Farber (producer of One Kiss Leads to Another and radio dj), Paul Schaffer, and Rock Hall Inductee Seymour Stein as they discussed women's histories and lives on the road and in the studio. It was presented in collaboration with The Ponderosa Stomp Foundation and the Rock and Roll Hall of Fame and Museum. (Objective: education and interpretation of rock and roll and its history; 250 attendees) Saturday, July 30 Hall of Fame Series with George Clinton George Clinton is the founder and principal songwriter of Parliament-Funkadelic and has been a solo funk artist since the early 1980s. He has been called one of the most important innovators of funk music, next to James Brown and Sly Stone. Clinton was interviewed by the Rock Hall's Curatorial Director Howard Kramer. Questions were taken from the audience at the end of the interview. This event was presented in conjunction with George Clinton's performance with Parliament-Funkadelic at the 2011 Family Unity in the Park Concert & Fireworks Show. (Objective: education and interpretation of rock and roll and its history; 162 attendees, 27 unique viewers streaming online) AUGUST Sunday, August 28, 2011 Latino Heritage Festival The Latino Heritage Festival is an all-day free music festival and celebration showcasing Hispanic music. The festival, a kick-off to Latino Heritage month, featured performances by Hector Tricoche, Sammy De Leon y su Orquesta, Latin Soul Ballroom Dance Company, Julia De Burgos' Explosion Divina Dance Troupe, Zumba instructors and more. (Objective: involving the community with the Museum; 964 attendees) Wednesday, August 10 HOF Series with Jac Holzman (with Joe Smith) The Rock Hall hosted a Hall of Fame Series with inductee Jac Holzman, founder of Elektra Records. Holzman was joined onstage by Joe Smith, former chairman of Elektra. (Objective: education and interpretation of rock and roll and its history; 139 attendees, 28 unique viewers streaming online) Wednesday, August 17 Rock and Roll Night School: The Big Bang - Women and the Birth of Rock and Roll (Part 2 of 8) This class explored the many women who were crucial to the rise of rock and roll including Ruth Brown, LaVern Baker, Wanda Jackson, Janis Martin, The Chantels, Etta James, and Big Mama Thornton - and considered how their musical sounds and performances contributed to the formation of rock and roll. This event was presented in conjunction with the Rock Hall's groundbreaking exhibit Women Who Rock: Vision, Passion, and Power. (Objective: education and interpretation of rock and roll and its history; 75 attendees, 31 unique viewers streaming online) Tuesday, August 23 Legends Series with Ann and Nancy Wilson of Heart Sisters Ann and Nancy Wilson first showed the world that women can rock when their band, Heart, stormed the charts in the 1970s with hits like "Crazy on You," "Magic Man," "Barracuda," "Straight On" and many more. This interview was followed by a live performance of a selection of acoustic songs. This event was presented in conjunction with the Rock Hall's groundbreaking exhibit Women Who Rock: Vision, Passion, and Power. (Objective: education and interpretation of rock and roll and its history; 197 attendees, 470 unique viewers streaming online) Friday, August 26 Film Screening: The Last Ride - A Story of Hank Williams Inspired by the mysterious final days of Hank Williams' life, the Last Ride is the story of that final drive through the Appalachian countryside of 1950s America. This event began with a pre-screening reception, followed by a brief introduction of film by Rock Hall President and CEO Terry Stewart, as well as Harry Thomason, director of the film. A panel discussion followed the film, featuring Thomason, actor Jesse James and music director Benjy Gaither. (Objective: education and interpretation of rock and roll and its history; 175 attendees) |
| OTHER PROGRAM SERVICES - CONTINUED, | FORM 990, PART III, LINE 4: | SEPTEMBER Wednesday, September 7 Film Screening - Dreams to Remember: The Legacy of Otis Redding Produced by Reelin' in the Years Productions, this 90-minute film is the first full-length program to commemorate the legacy of Otis Redding. This event was presented in conjunction with what would have been Otis Redding's 70th birthday, as well as the opening of a new Otis Redding exhibit at the Rock Hall. (Objective: education and interpretation of rock and roll and its history; 109 attendees) Friday, September 9 "The Rock Hall Induction Process: Populism, Canons, and the Challenge to Expertise" - Lecture by Lauren Onkey This lecture was presented as part of Case Western Reserve University's Musicology Colloquia series, which provides a weekly forum for presentation and discussion of recent research by distinguished visitors and by CWRU faculty and graduate students in musicology and performance practice. (Objective: education and interpretation of rock and roll and its history; Approx 60 attendees) Thursday September 15 - Friday, September 16 Ponderosa Stomp Music Conference (New Orleans, LA) Sirens of the Bayou: Gulf Coast R&B Queens Moderator: Lauren Onkey Panelists: Lavelle White and Carol Fran As a recording artist for Don Robey's Duke label, White waxed great songs such as "Stop These Teardrops" and "Teenage Love." Lafayette pianist Carol Fran recorded some classic sides for the Excello label, including "Knock Knock" and "Emmitt Lee," and backed other J.D. Miller artists such as Slim Harpo, Lonesome Sundown, and Lazy Lester. Advocating for New Orleans' Historical Music Treasures Sponsored by The Recording Academy Memphis Chapter Panel discussion focusing on why/how New Orleans should celebrate its local historical music treasures and locations (old studios, jazz clubs, homes of famous musicians) and how it can market them to the world. Moderator: Terry Stewart: President, Rock and Roll Hall of Fame and Museum Panelists: Terry Clements: Vice President, Nashville Convention & Visitors Bureau John Frohnmayer: former chairman, National Endowment for the Arts Deanie Parker: Founder, Stax Museum of American Soul Jan Ramsey: Publisher, Offbeat Magazine John Schorr: President, Sun Studios Alex Thomas: Mississippi Development Authority - Mississippi Blues and Country Trails The Deacon's Hop: Big Jay McNeely Blows His Horn Moderator: Jason Hanley Interviewee: Big Jay McNeely "The King of the Sax Honkers," Big Jay McNeely first topped the Billboard R&B chart in 1949 with "The Deacon's Hop" on the Savoy label. The rabble-rousing McNeely became known for his outrageously flamboyant stage antics as much for his trailblazingly torrential sax blowing. The Theater on McLemore Street with the Funky Sound: A Look at Stax Records Moderators: Scott Bomar and Lauren Onkey Panelists: William Bell, Eddie Floyd, Deanie Parker and Mack Rice A panel of some of Stax's greatest talents in looking back on the legendary Memphis label's earth-shaking influence on soul, funk, and R&B. Wednesday, September 21 Jane Scott Memorial Lecture by Ann Powers - "Rock and Roll Started with the Shimmy: The Erotic Engine of American Pop" In 2011, the Rock and Roll Hall of Fame and Museum introduced the annual Jane Scott Memorial Lecture Honoring Excellence in Rock Journalism with a talk by pop music critic Ann Powers titled "Rock and Roll Started with the Shimmy: The Erotic Engine of American Pop." Ann Powers is currently a pop music critic at NPR Music and is the host of The Record. This event was presented in conjunction with the Rock Hall's groundbreaking exhibit Women Who Rock: Vision, Passion, and Power. (Objective: education and interpretation of rock and roll and its history; 109 attendees, 36 unique viewers streaming online) Wednesday September 28 Rock and Roll Night School: Million Dollar Quartet On Tuesday, December 4, 1956, an impromptu jam session formed in Sam Phillips' legendary Sun Studios in Memphis, Tennessee. The session, which featured Rock and Roll Hall of Fame Inductees Elvis Presley, Jerry Lee Lewis, Carl Perkins, and Johnny Cash, would eventually be called the "Million Dollar Quartet." This month's Rock and Roll Night School examined selected recordings from this session and was presented in conjunction with Playhouse Square. (Objective: education and interpretation of rock and roll and its history; 80 attendees, 38 unique viewers streaming online) OCTOBER October 1, 2011 Teachers Rock: Professional Development Series for K-12 Educators This workshop served as a "first-look" introduction to our Voice Your Choice project. (Objective: education and integrating popular music into the K-12 classroom; 18 attendees) Sunday, October 9 World Festival As part of an ongoing community festival series at the Rock Hall, the World Festival offers the opportunity for Cleveland's diverse communities to become more familiar with the Museum and the variety of music genres and cultures it celebrates. In 2011, World Festival was also part of Wall Street Journal reporter Daniel Pearl's World Music Days, which uses the power of music to reaffirm commitment to peace around the globe. Performers included Native Reign (Native American Rock Band), Wind and Sand Dance Company (Middle Eastern Dance), Mahima Venkatesh (Ancient South Indian Dance), African Soul International (West African Dance), Artistree (R&B Vocal Group), The Vernon Jones Blues Cartel, Sts. Constantine and Helenic Senior Hellenic Dancers (Traditional Greek Dance), Moises Borges (Brazilian Jazz), and Nano Cabrera (Puerto Rican Tropical Band). (Objective: involving the Cleveland community with the museum; 525 attendees.) Friday, October 14 NEOEA Day 2011 Each October the Education Department offers a one-day teacher workshop in conjunction with the North Eastern Ohio Education Association. These workshops normally focus on educational programming at the Rock Hall and topics relating to popular music pedagogy. This year's theme was "Are You Ready to Rock? Popular Music and the K-12 Classroom." 12 teachers attended from across Ohio. Wednesday, October 5 AMS/Rock Hall Lecture Series with Albin Zak In 2011, the Rock and Roll Hall of Fame and Museum announced its collaboration with the American Musicological Society (AMS) on a new lecture series that will bring scholarly work to a broader audience and showcases the musicological work of the top scholars in the field. Albin J. Zak III, Professor of Musicology at the State University of New York, Albany, gave the inaugural lecture, "'A Thoroughly Bad Record': Elvis Presley's 'Hound Dog' as Rock and Roll Manifesto." The AMS/RRHOFM Lecture series will consist of two events each year featuring members of the Society presenting engaging lectures on topics relevant to the mission of the Rock and Roll Hall of Fame and Museum. (Objective: education and interpretation of rock and roll and its history; 66 attendees, 35 unique viewers streaming online) Saturday, October 8 Legends Series with Carl Palmer The Rock Hall welcomed Carl Palmer (from Emerson Lake & Palmer and ASIA) for a Legends Series interview in the Rock Hall's Foster Theater. Palmer debuted his new film The Solo as well as a special collection of film clips featuring Palmer performing with The Crazy World Of Arthur Brown, Emerson Lake & Palmer, ASIA and his own Carl Palmer band. (Objective: education and interpretation of rock and roll and its history; 151 attendees) Wednesday, October 12 Rock and Roll Night School: Women Rock the 1960s (Part 3 of 8) This Rock and Roll Night School examined women musicians' shifting roles within the music industry throughout 1960s America. From the behind the scenes songwriting and polished performances of the girl groups early in the decade to the personal and authoritative sound of the singer-songwriters and counterculture rockers by the end of the sixties, artists like Carole King, Cynthia Weil, Ellie Greenwich, The Ronettes, The Supremes, The Crystals, The Shangri-Las, Grace Slick, Janis Joplin, and Joni Mitchell sought out new musical possibilities in the world of rock and roll and claimed it as their own. This event was presented in conjunction with the Rock Hall's groundbreaking exhibit Women Who Rock: Vision, Passion, and Power. (Objective: education and interpretation of rock and roll and its history; 113 attendees, 38 unique viewers streaming online) |
| OTHER PROGRAM SERVICES - CONTINUED, | FORM 990, PART III, LINE 4: | NOVEMBER 16th Annual American Music Masters Series - Lady Soul: The Life and Music of Aretha Franklin. The Rock and Roll Hall of Fame and Museum and Case Western Reserve University honored Aretha Franklin, one of the greatest singers in popular music, during the 16th annual American Music Masters series. A weeklong celebration, this tribute told the story of the first woman inducted into the Rock and Roll Hall of Fame and was presented in conjunction with the Museum's latest special exhibit, Women Who Rock: Vision, Passion, Power. The programming included an interdisciplinary conference and panel discussion, performances in tribute of the artist. The executive producers of American Music Masters were Dr. Lauren Onkey, the Vice President of Education and Public Programs, and Jason Hanley, Director of Education. (Objective: education and interpretation of rock and roll and its history.) Week of events: The complete schedule of events includes: Monday, October 31 Rock and Roll Night School: A Spotlight on Aretha Franklin (Part 4 of 8) Rock Hall educators examined the scope and impact of Aretha Franklin's career, while focusing on select songs that represent the diversity of her music. (53 attendees, 28 unique viewers streaming online) Tuesday, November 1 An Evening with the Blind Boys of Alabama This event will featured a live performance from the Blind Boys of Alabama as well as an interview with founding member Jimmy Carter. (190 attendees) Wednesday, November 2 Teachers Rock: Professional Development Series for K-12 Educators. The topic of the workshop was "Teachers Rock with Summer of Sisterhood: Cleveland Girls Have Soul" and was presented by special guests from the Summer of Sisterhood Program at the West Side Community House. (Objective: education and integrating popular music into the K-12 classroom; 15 attendees) Wednesday, November 2 Hall of Fame Series with Spooner Oldham Dewey Lyndon "Spooner" Oldham is a linchpin of the Southern soul and R&B sound. The Alabama-born musician was part of the prolific crew that made records at Rick Hall's FAME ("Florence Alabama Music Enterprises") Studio and Muscle Shoals Sound Studios. Oldham played keyboards on Aretha Franklin's first five albums for Atlantic Records. (140 attendees, 198 unique viewers streaming online) Thursday, November 3 "Rolling in the Deep": Aretha Franklin and the Makings of Modern Black Womanhood - Keynote Lecture by Daphne Brooks, Professor of English and African-American Studies, Princeton University at Case Western Reserve University's Ford Auditorium This lecture explored the rich and diverse complexities of Aretha Franklin's musical artistry-from her early recording career at Columbia Records in the early 1960s to her pop breakthrough later that decade. It examined new ways to read Ms. Franklin's virtuosity as both a vocalist and instrumentalist as a form of sonic black feminism. (Approx. 100 attendees) Friday, November 4 Jump to It: DJs pay tribute to Aretha! At the House of Blues DJs Mick Boogie, MC Lyte and DJ O-Dub dug through Aretha Franklin's deep catalog to spin an incredible mix of soul, funk, jazz and dance tracks. (Approx 500 attendees) Saturday, November 5 American Music Masters Conference A reflection on the career of Aretha Franklin and her impact on rock and roll music. The conference featured rare film footage presented by documentary filmmaker and archivist Joe Lauro of Historic Films, as well as interviews with Cissy Houston and Bernard Purdie, both long-time friends and collaborators of Ms. Franklin's. (139 attendees, 33 unique viewers streaming online) Saturday, November 5 Tribute Concert at PlayhouseSquare's State Theatre Featuring Rock and Roll Hall of Fame inductees Jerry Butler, Dennis Edwards (of the Temptations) and Ronald Isley (of the Isley Brothers) and Spooner Oldham joined 2012 Rock and Roll Hall of Fame Nominee Chaka Khan, Ms. Lauryn Hill, Patti Austin, Kris Bowers, Twinkie Clark, Carla Cook, Melinda Doolittle, Mike Farris and Cissy Houston. (Approx 2,400 attendees) Wednesday, November 9 Def Jam Recordings: The First 25 Years of the Last Great Record Label This special lecture featured Bill Adler (Def Jam's founding publicist) and Cey Adams (Def Jam's founding creative director), who told their story with pictures and video based on their new book about the first 25 years of Def Jam Records. Launched in 1984, Def Jam's roster during the last 25 years - starting with LL Cool J, the Beastie Boys, and Public Enemy, and going on to include Method Man, Jay-Z, DMX, Ja Rule, Ludacris, Ashanti, Kanye West, Rick Ross, Young Jeezy, Rihanna, and many others. (Objective: education and interpretation of rock and roll and its history; 100 attendees, 11 unique viewers streaming online) DECEMBER Wednesday December 7 Rock and Roll Night School: Women Rock Fashion (with Dr. Mary Davis) (Part 5 of 8) Women Who Rock: Vision, Passion, Power is the first exhibit of its kind to explore the history of women in rock and roll. This month's Rock and Roll Night School will examine the fashion represented in the exhibit, from Bessie Smith and Ma Rainey to Janelle Monae and Lady Gaga. Dr. Mary Davis, Chair, Department of Music, Case Western Reserve University, was the guest lecturer. (Objective: education and interpretation of rock and roll and its history; 86 attendees, 20 unique viewers streaming online) |
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