Attach to Form 990 or Form 990-EZ.
See separate instructions.
Information about Schedule A (Form 990 or 990-EZ) and its instructions is at www.irs.gov/form990.
| (i) Name of supported organization | (ii) EIN | (iii) Type of organization (described on lines 1- 9 above or IRC section (see instructions)) | (iv) Is the organization in col. (i) listed in your governing document? | (v) Did you notify the organization in col. (i) of your support? | (vi) Is the organization in col. (i) organized in the U.S.? | (vii) Amount of monetary support | |||
|---|---|---|---|---|---|---|---|---|---|
| Yes | No | Yes | No | Yes | No | ||||
| Total | |||||||||
Calendar year (or fiscal year beginning in) ![]() |
(a) 2009 | (b) 2010 | (c) 2011 | (d) 2012 | (e) 2013 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 1 | Gifts, grants, contributions, and membership fees received. (Do not include any "unusual grants.") .... | 1,444,867 | 6,680,157 | 1,521,689 | 1,770,467 | 1,431,681 | 12,848,861 |
| 2 | Tax revenues levied for the organization's benefit and either paid to or expended on its behalf....... | ||||||
| 3 | The value of services or facilities furnished by a governmental unit to the organization without charge.. | ||||||
| 4 | Total. Add lines 1 through 3 | 1,444,867 | 6,680,157 | 1,521,689 | 1,770,467 | 1,431,681 | 12,848,861 |
| 5 | The portion of total contributions by each person (other than a governmental unit or publicly supported organization) included on line 1 that exceeds 2% of the amount shown on line 11, column (f).. | 3,542,026 | |||||
| 6 | Public support. Subtract line 5 from line 4. | 9,306,835 | |||||
Calendar year
(or fiscal year beginning in) ![]() |
(a) 2009 | (b) 2010 | (c) 2011 | (d) 2012 | (e) 2013 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 7 | Amounts from line 4.. | 1,444,867 | 6,680,157 | 1,521,689 | 1,770,467 | 1,431,681 | 12,848,861 |
| 8 | Gross income from interest, dividends, payments received on securities loans, rents, royalties and income from similar sources... | 518,222 | 400,648 | 437,032 | 572,098 | 422,491 | 2,350,491 |
| 9 | Net income from unrelated business activities, whether or not the business is regularly carried on.. | ||||||
| 10 | Other income. Do not include gain or loss from the sale of capital assets (Explain in Part IV.).. | ||||||
| 11 | Total support (Add lines 7 through 10). | 15,191,473 | |||||






Calendar year (or fiscal year beginning in) ![]() |
(a) 2009 | (b) 2010 | (c) 2011 | (d) 2012 | (e) 2013 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 1 | Gifts, grants, contributions, and membership fees received. (Do not include any "unusual grants.") . | ||||||
| 2 | Gross receipts from admissions, merchandise sold or services performed, or facilities furnished in any activity that is related to the organization's tax-exempt purpose...... | ||||||
| 3 | Gross receipts from activities that are not an unrelated trade or business under section 513.. | ||||||
| 4 | Tax revenues levied for the organization's benefit and either paid to or expended on its behalf... | ||||||
| 5 | The value of services or facilities furnished by a governmental unit to the organization without charge.. | ||||||
| 6 | Total. Add lines 1 through 5. | ||||||
| 7a | Amounts included on lines 1, 2, and 3 received from disqualified persons... | ||||||
| b | Amounts included on lines 2 and 3 received from other than disqualified persons that exceed the greater of $5,000 or 1% of the amount on line 13 for the year. | ||||||
| c | Add lines 7a and 7b.. | ||||||
| 8 | Public support (Subtract line 7c from line 6.) | ||||||
Calendar year (or fiscal year beginning in) ![]() |
(a) 2009 | (b) 2010 | (c) 2011 | (d) 2012 | (e) 2013 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 9 | Amounts from line 6... | ||||||
| 10a | Gross income from interest, dividends, payments received on securities loans, rents, royalties and income from similar sources.. | ||||||
| b | Unrelated business taxable income (less section 511 taxes) from businesses acquired after June 30, 1975. | ||||||
| c | Add lines 10a and 10b. | ||||||
| 11 | Net income from unrelated business activities not included in line 10b, whether or not the business is regularly carried on. | ||||||
| 12 | Other income. Do not include gain or loss from the sale of capital assets (Explain in Part IV.) .. | ||||||
| 13 | Total support. (Add lines 9, 10c, 11, and 12.).. | ||||||




| Facts And Circumstances Test |
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| Explanation |
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| Software ID: | |
| Software Version: |
Attach to Form 990 or 990-EZ.
Information about Schedule O (Form 990 or 990-EZ) and its instructions is at| Return Reference | Explanation |
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| FORM 990, PART III, LINE 4A | 2013 EXHIBITION SCHEDULE FROM 2012 FROM THE HOMESTEAD A SELECTION OF FURNISHINGS, PAINTINGS AND PRINTS FROM THE FARNSWORTH HOMESTEAD, THE 1850 HOME OF MUSEUM FOUNDER LUCY COPELAND FARNSWORTH, ON VIEW IN THE MUSEUM WHILE THE HOMESTEAD UNDERGOES THE FIRST PHASE OF A MULTI-YEAR RESTORATION. LIBRARY GALLERY THROUGH FEBRUARY 3, 2013 DECORATING THE EVERYDAY THIS WINTER THE FARNSWORTH BRINGS FORWARD PAST TIMES IN MAINE THROUGH AN EXAMINATION OF NINETEENTH- AND TWENTIETH-CENTURY PAINTINGS AND DECORATIVE ART FROM THE COLLECTION. THE SHOW INCLUDES FURNITURE, PAINTINGS, TEXTILES AND TOYS. OF THEIR MAKERS, MANY UNKNOWN, THESE WORKS SUGGEST EXTRAORDINARY LEVELS OF CONCENTRATION, ENERGY AND INGENUITY FUELED BY INCLINATIONS TO DOCUMENT, BUILD AND EMBELLISH. UTILITY, HISTORY AND VISUAL APPEAL ARE CHARACTERISTICS SHARED BY THE THIRTY WORKS OF POPULAR ART CELEBRATING EXPERIENCES AND SKILLS THAT HAVE ENRICHED EVERYDAY LIVES AND CONTINUE TO ENHANCE OUR OWN. ORGANIZED BY FARNSWORTH ASSISTANT CURATOR JANE BIANCO. CROSMAN GALLERY DECEMBER 29, 2012 - SEPTEMBER 22, 2013 2013 SMALL TREASURES THE POWER AND BEAUTY OF WORKS OF ART ARE NOT DEPENDENT ON THEIR SIZE, AS THIS EXHIBITION SMALL-SCALE WORKS FROM THE FARNSWORTH COLLECTION DEMONSTRATES. PAINTINGS BY SANFORD GIFFORD, GEORGE INNESS, MAURICE PRENDERGAST, ELIHU VEDDER, ELIOT PORTER AND ALEX KATZ, WATERCOLORS BY GEORGIA O'KEEFFE, CHARLES DEMUTH AND ARTHUR DOVE, AND SCULPTURE BY WILLIAM ZORACH AND PAUL MANSHIP ARE AMONG THE WORKS TO BE INCLUDED IN THIS SHOW. LIBRARY GALLERY FEBRUARY 16, 2013 - MARCH 9, 2014 OTHER VOICES OVER THE PAST DECADE, THE FARNSWORTH HAS ACQUIRED NEARLY 100 POST-WORLD WAR II WORKS BY AMERICAN ARTISTS, INCLUDING WORKS BY YOUNG EMERGING ARTISTS. SOME OF THESE ARTISTS HAVE TIES TO MAINE, WHILE OTHERS ARE MORE CLOSELY TIED TO THE CENTER OF THE AMERICAN CONTEMPORARY ART WORLD, NEW YORK. MOST OF THESE ACQUISITIONS HAVE COME AS GIFTS FROM THE ALEX KATZ FOUNDATION. KATZ, BASED IN NEW YORK AND HIS SUMMER RETREAT IN LINCOLNVILLE, MAINE, IS ONE OF AMERICA'S FOREMOST ARTISTS OF HIS GENERATION, AND HAS PROVIDED FUNDS FOR THE FARNSWORTH AND OTHER MUSEUMS IN MAINE TO ENHANCE THEIR HOLDINGS OF CONTEMPORARY ART. WORKS BY JENNIFER BARTLETT, FRANCESCO CLEMENTE, RACKSTRAW DOWNES, SYLVIA MANGOLD, MICHAEL JOO, JULIAN OPIE, STEPHEN PACE, PHILIP PEARLSTEIN, ELLEN PHELAN, DAVID SALLE, JOHN SCHLESINGER AND NICOLE WITTENBERG, AMONG OTHERS, WILL BE INCLUDED. NEVELSON-BERLIAWSKY GALLERY OPENS MARCH 9, 2013 A WONDROUS JOURNEY: JONATHAN FISHER AND THE MAKING OF SCRIPTURE ANIMALS JONATHAN FISHER, BORN INTO AN OLD DEDHAM, MASSACHUSETTS FAMILY, AND EDUCATED AT HARVARD COLLEGE FROM 1788 TO 1795 IN MATHEMATICS AND DIVINITY, CAME TO BLUE HILL, MAINE IN 1796 AS THE FIRST PASTOR OF THE CONGREGATIONAL CHURCH-WELL BEFORE MAINE ATTAINED STATEHOOD. HE IS SEEN TODAY AS ONE OF NEW ENGLAND'S MOST REMARKABLE CITIZENS WHO DEVELOPED AND DISPLAYED HIS WIDE-RANGING TALENTS IN THE ARTS, ARCHITECTURE, LITERATURE, FARMING, SCIENCE, AND MATHEMATICS. THIS EXHIBITION FOCUSES ON HIS LAST PUBLICATION, SCRIPTURE ANIMALS, A 350-PAGE COMPENDIUM OF CREATURES DESCRIBED IN TEXT AND ILLUSTRATIONS BY FISHER, A BOOK AT THE CENTER OF A STORY WHICH DRAWS FROM HIS ENDURING CURIOSITY AND FROM HIS TRAVELS BETWEEN MAINE AND MASSACHUSETTS. THE EXHIBITION WILL EXPLORE THE CONTEXT FOR THE MAKING AND MARKETING OF THE BOOK, THE SEQUENCE OF EVENTS WHICH LED TO ITS ORIGINS, AND HOW IT BECAME A CATALYST FOR THE CHANCE ENCOUNTER BETWEEN COUSINS AND FELLOW PAINTERS, ALVAN AND JONATHAN FISHER. ON DISPLAY WILL BE NATURAL HISTORY DRAWINGS, PRINTS AND PAINTINGS BY JONATHAN FISHER, HIS TOOLS, WOOD ENGRAVED BLOCKS, AND RELATED WORKS. ORGANIZED BY FARNSWORTH ASSISTANT CURATOR JANE BIANCO WITH AN ACCOMPANYING CATALOGUE. CRAIG GALLERY MARCH 23, 2013 - FEBRUARY 2, 2014 EVERY PICTURE TELLS A STORY: ILLUSTRATIONS BY N.C. WYETH FROM THE BRANDYWINE RIVER MUSEUM THE EXHIBITION, BASED ON THE HOLDINGS OF THE BRANDYWINE RIVER MUSEUM IN CHADDS FORD, PENNSYLVANIA, IS COMPOSED OF 30 PAINTINGS BY N. C. WYETH THAT SPAN FOUR DECADES OF HIS WORK, FROM EARLY WESTERN PICTURES THROUGH ROBERT LOUIS STEVENSON CLASSICS TO LATER ILLUSTRATIONS IN EXPERIMENTAL STYLES. THE PAINTINGS WERE REPRODUCED AS ILLUSTRATIONS FOR BOOK AND MAGAZINE STORIES AND ARE LINKED BY THE CONCEPT OF NARRATIVE THAT LAY BEHIND THEIR CREATION. THE EXHIBITION ALSO INCLUDES A SELECTION OF BOOKS AND MAGAZINES TO ENABLE VISITORS TO SEE ORIGINAL PUBLICATIONS, THE SIZE OF THE ILLUSTRATIONS, AND THE QUALITY OF THE REPRODUCTION PROCESSES. ORGANIZED BY CHRISTINE PODMANICZKY, ASSOCIATE CURATOR FOR THE N.C. WYETH COLLECTION AT THE BRANDYWINE RIVER MUSEUM AND AUTHOR OF THE N.C. WYETH CATALOGUE RAISONNE, IT IS ACCOMPANIED BY A FULLY ILLUSTRATED CATALOGUE CONTAINING AN INTRODUCTION TO THE MUSEUM, A BRIEF BIOGRAPHY OF N. C. WYETH, AND ENTRIES FOR EACH PAINTING. WYETH CENTER, TANDY GALLERY APRIL 27 - DECEMBER 29, 2013 THE WYETHS IN MAINE THIS EXHIBITION FEATURES A SELECTION OF WORKS BY N.C., ANDREW, AND JAMIE WYETH FROM THE MUSEUM'S COLLECTION. WYETH CENTER, LOWER GALLERY APRIL 27 - NOVEMBER 3, 2013 MAINE VOICES THIS EXHIBITION WILL FEATURE WORKS FROM FARNSWORTH, RANGING WIDELY IN PERIOD AND STYLE, THAT REFLECT THE LONG HISTORY OF ARTISTS HAVE LIVED AND WORKED IN MAINE FROM THE NINETEENTH CENTURY TO THE PRESENT. WORKS BY FITZ HENRY LANE, GEORGE BELLOWS, ROCKWELL KENT, N.C WYETH, JOHN MARIN, ANDREW WYETH, LOUISE NEVELSON, ALEX KATZ, ROBERT INDIANA, AND JAMIE WYETH REVEAL THE STATE'S FORMIDABLE AND DISTINCTIVE ARTISTIC LEGACY. ROTHSCHILD GALLERY MAY 18, 2013 - FEBRUARY 2, 2014 FAMILY AND FRIENDS FRIENDS, FAMILY, LOVERS AND SPOUSES HAVE BEEN THE SUBJECT OF ARTISTS WORKS FOR CENTURIES. IN THIS EXHIBITION FROM THE FARNSWORTH COLLECTION, WORKS FROM THE EIGHTEENTH CENTURY TO THE PRESENT WILL BE SHOWN TOGETHER TO EXAMINE HOW THESE THEMES OF FRIENDS AND FAMILY HAVE REVEALED BROADER ASPECTS OF AMERICAN ART AND CULTURE. AMONG THE WORKS INCLUDED ARE THOSE BY GILBERT STUART, THOMAS SULLY, FRANK BENSON, GEORGE BELLOWS, MILTON AVERY, LOUISE NEVELSON, ELAINE DE KOONING, WILL BARNET, ALEX KATZ, AND JAMIE WYETH. MOREHOUSE GALLERY (MICAH) JUNE 1, 2013 - FEBRUARY 2, 2014 NEW VISIONS, NEW LANGUAGES THE ARTISTS WHO HAVE WORKED IN MAINE FOLLOWING WORLD WAR II WERE JUST AS MUCH ATTUNED TO NATIONAL TRENDS IN THE ART WORLD AS THOSE WHO CAME EARLIER IN THE CENTURY, BUT THE SUBJECTS OF THEIR WORK REFLECTED THE GROWING IMPORTANCE OF ABSTRACTION AMONG THE AVANT-GARDE AND THE WAYS IN WHICH THESE YOUNGER ARTISTS RESPONDED TO ITS CHALLENGES. ABSTRACT EXPRESSIONISM PRESENTED A NEW LANGUAGE, AND EVEN THOSE ARTISTS INTERESTED IN REPRESENTATION SOUGHT TO FIND NEW WAYS TO EXPRESS THEIR INTERESTS IN LONG-STANDING SUBJECTS SUCH AS LANDSCAPE AND THE HUMAN FIGURE. THIS EXHIBITION WILL FEATURE WORKS BY STEPHEN PACE, LOUISE NEVELSON, ROBERT INDIANA, DON NICE, ALEX KATZ, BLACKIE LANGLAIS, NEIL WELLIVER AND KENNETH NOLAND. MOREHOUSE GALLERY (SAM) JUNE 1, 2013 - FEBRUARY 2, 2014 VISIONS OF THE LAND AND SEA FOR MORE THAN TWO CENTURIES, ARTISTS HAVE BEEN DRAWN TO MAINE'S SCENIC COASTLINE, LAKES, RIVERS AND PONDS, AS WELL AS ITS FORESTS AND MOUNTAINS. THESE NATURAL WONDERS HAVE PROVIDED A CONSTANT SOURCE OF INSPIRATION SINCE THE MID-NINETEENTH CENTURY, AND THE FARNSWORTH'S RICH COLLECTION TRACES THE WORK OF ARTISTS SUCH AS FITZ HENRY LANE, ALVAN FISHER, MARTIN JOHNSON HEADE AND GEORGE INNESS IN THE NINETEENTH CENTURY; AND JOHN TWACHTMAN, CHILDE HASSAM, GEORGE BELLOWS, ROCKWELL KENT AND NEIL WELLIVER IN THE TWENTIETH. MOREHOUSE GALLERY (TIM) JUNE 1, 2013 - FEBRUARY 2, 2014 LUCY'S GIFT: THE FARNSWORTH HOMESTEAD DESIGNED TO COMPLEMENT THE REOPENING OF THE 1850 FARNSWORTH HOMESTEAD, THIS EXHIBITION WILL EXPLORE THE FAMILY AND ITS HOME WITHIN THE LARGER CONTEXT OF THEIR PLACE IN THE ROCKLAND COMMUNITY, INCLUDING WORKS OF ART AND OTHER OBJECTS TYPICALLY NOT ON VIEW IN THE HOMESTEAD: PAINTINGS, PRINTS, SILVER AND CERAMICS, MAPS AND TOYS. THE EXHIBITION WILL ALSO FEATURE ASPECTS OF ONGOING CONSERVATION AND RESTORATION WORK AT THE HOMESTEAD, LISTED ON THE NATIONAL REGISTER OF HISTORIC PLACES. MOREHOUSE GALLERY (JAMES) JUNE 15, 2013 - FEBRUARY 2, 2014 |
| FORM 990, PART III, LINE 4B | EDUCATION PROGRAMS LECTURES AND CLASSES FIRST QUARTER DURING THE QUARTER ENCOMPASSING JANUARY THROUGH MARCH 2013, THE FIRST FRIDAY FILMS PARTNERSHIP BETWEEN THE FARNSWORTH AND THE STRAND THEATRE ENTERED ITS THIRD YEAR OF OPERATION. THROUGHOUT THE YEAR EXCEPT FOR TWO SUMMER MONTHS, THE PARTNERSHIP PRESENTS ON FIRST FRIDAYS RECENTLY RELEASED INNOVATIVE ART FILMS THAT ADDRESS THE NATIONAL AND INTERNATIONAL ART SCENE: TWO WERE PRESENTED IN THIS QUARTER. IN WINTER/SPRING ALTERNATING WITH FIRST FRIDAY FILMS, ROCKLAND SHORTS IS PRESENTED BY THE FARNSWORTH AND THE STRAND TO HIGHLIGHT NEW SHORT ART FILMS. AS FAR AS WE KNOW, THERE IS NO OTHER FILM PROGRAM LIKE ROCKLAND SHORTS IN ANY OTHER AMERICAN MUSEUM. THE PROGRAM ALLOWS MAINE RESIDENTS AND VISITORS TO EXPERIENCE ARTISTICALLY EXPERIMENTAL FILMS FROM AROUND THE WORLD AND QUESTION SOME OF THE DIRECTORS VIA SKYPE. THE ORGANIZERS OF ROCKLAND SHORTS ARE VERY HAPPY WITH THE CONTINUED STRONG ATTENDANCE, AS DEMONSTRATED BY THE FEBRUARY SCREENING. THROUGHOUT THE WINTER PERIOD, THE EDUCATION DEPARTMENT OFFERED A FULL COMPLEMENT OF QUESTING LECTURES AND CLASSES. DURING THE FEBRUARY SCHOOL VACATION WEEK ART CAMP, FIVE-TO-TEN-YEAR OLDS DELIGHTED IN MAKING MASKS, BUILDING BIRDFEEDERS, DYING TEE SHIRTS, AND OTHER ENGAGING PROJECTS. ANOTHER WAY OF REACHING OUR YOUNGEST AUDIENCE IS THE FREE FAMILY ACTIVITY DAYS OFFERED THROUGHOUT THE YEAR. DURING THIS QUARTER, "CELEBRATE ST. PATRICK'S DAY" BROUGHT SCORES OF YOUNG CHILDREN AND THEIR PARENTS AND GUARDIANS TO THE GAMBLE CENTER FOR HANDS-ON, CREATIVE ACTIVITIES AND TASTY REFRESHMENTS. ALSO, THE HALF-DAY WORKSHOP TITLED UKRAINIAN EGG DECORATING FAMILY WORKSHOP WAS A MULTI-GENERATION PROGRAM THAT HAD ADULTS AND YOUNGSTERS WORKING SIDE BY SIDE ON A 5,000 YEAR-OLD TECHNIQUE USED BY SLAVIC PEOPLES. BEGINNING IN FEBRUARY, THE CLASS A LOOK WITHIN: FILMMAKING FOR TEENS HAS BROUGHT TOGETHER HIGH SCHOOL STUDENTS FROM DIFFERENT LOCAL SCHOOLS IN ORDER TO LEARN ABOUT FILMMAKING FROM BEGINNING TO END. THE RESULT WILL BE A FILM CREATED BY THE STUDENTS UNDER THE SUPERVISION OF AN ADULT INSTRUCTOR/FILM DIRECTOR. AN EARLIER TEEN-MADE FILM WAS SCREENED BY THE DIRECTOR AT OCEANSIDE HIGH SCHOOL AND CAMDEN HILLS HIGH SCHOOL IN FRONT OF 450 STUDENTS. SECOND QUARTER TWO OF THE HIGHLIGHTS OF THE QUARTER COVERING APRIL THROUGH JUNE WERE THE THREE-PART LECTURE SERIES FOCUSED ON THE JONATHAN FISHER EXHIBITION AND THE FOUR-PART LECTURE SERIES ON THE NC WYETH EXHIBITION. A TOTAL OF 274 AUDIENCE MEMBERS CAME OUT FOR THESE LIVELY AND HIGHLY INFORMATIVE TALKS, WHICH WERE DESIGNED TO INCREASE THE ENJOYMENT AND UNDERSTANDING OF THE TWO FARNSWORTH EXHIBITIONS. A TWO-PART LECTURE SERIES TITLED WESTERN PAINTINGS THAT CHANGED THE WORLD DREW LARGE AUDIENCES IN THE STRAND THEATRE. ALSO, AS A WAY TO PEAK INTEREST IN THE PENDING REOPENING OF THE HOMESTEAD, THE CHIEF CURATOR GAVE AN ILLUSTRATED TALK TITLED RESTORING A NATIONAL TREASURE: THE HOMESTEAD. OVER THE LAST FEW YEARS, THE EDUCATION DEPARTMENT HAS INTRODUCED MORE EVENTS FOR YOUNG CHILDREN AND THEIR PARENTS OR GUARDIANS. IN THE LAST QUARTER, THE FAMILY ACTIVITY DAY: CELEBRATE SPRING! AND THE FAMILY ACTIVITY DAY: CELEBRATE MOTHER'S DAY! BROUGHT TO THE FARNSWORTH CAMPUS HAPPY MEMBERS OF DIVERSE GENERATIONS TO EXPLORE ARTMAKING, FOOD, AND SHEER FUN. CONTINUING APACE OVER THE SPRING WERE THE FARNSWORTH'S FILM PROGRAMS IN THE STRAND: TWO ROCKLAND SHORTS SCREENINGS AND ONE FIRST FRIDAY FILM: THE WOODMANS, WHICH STIRRED MUCH DISCUSSION ABOUT WHAT HAPPENS WHEN ALL MEMBERS OF A FAMILY ARE ARTISTS, AND THEY LIVE ALL THE TIME IN AN ALL-ENCOMPASSING, COMPETITIVE ART WORLD. ANOTHER TEEN-MADE FILM WAS COMPLETED AND SCREENED ON JUNE 19. FILMED IN THE GAMBLE CENTER AND MAKING USE OF A GREEN SCREEN, THE FILM SHIFT ADDRESSED THE ISSUE OF TEEN BULLYING AND OFFERED WAYS TO EXPAND THE DIALOG ABOUT HOW TO DEAL WITH IT. THIRD QUARTER OVER THE SUMMER PERIOD (JULY THROUGH SEPTEMBER), THE EDUCATION DEPARTMENT ORGANIZED AND DELIVERED MANY WELL-RECEIVED LECTURES IN THE GALLERIES, THE AUDITORIUM AND THE STRAND THEATRE. OFTEN THE PRESENTATIONS DEALT DIRECTLY WITH CURRENT EXHIBITIONS, SUCH AS THE WYETH DAY LECTURE DELIVERED BY THE ASSOCIATE CURATOR OF THE N.C. WYETH COLLECTIONS AT THE BRANDYWINE RIVER MUSEUM, CHRISTINE B. PODMANICZKY, WHO SPOKE OF N.C. WYETH'S CATALOGUE RAISONNE DURING THE EXHIBITION EVERY PICTURE TELLS A STORY: ILLUSTRATIONS BY N.C. WYETH FROM THE BRANDYWINE RIVER MUSEUM. ALSO, TO GIVE FURTHER INSIGHT INTO THE EVERY PICTURE EXHIBITION, JAMIE WYETH SPOKE TO A FULL STRAND AUDIENCE ABOUT THE INFLUENCE N.C. HAD ON HIS OWN WORK. (IN THE LATE SPRING AND JUST PRIOR TO THE OPENING OF EVERY PICTURE, A WELL-ATTENDED, FOUR-PART LECTURE SERIES RELATED TO THE EXHIBITION WAS HELD IN THE AUDITORIUM.) OVER THE SUMMER, VISITORS TO THE EXHIBITION AMERICAN TREASURES COULD AVAIL THEMSELVES OF THREE DIFFERENT KINDS OF PRESENTATIONS: AMERICAN TREASURES TALKS AND TOURS (20-MINUTE POWER POINT IN THE MUSEUM AUDITORIUM, FOLLOWED BY A TOUR IN THE GALLERIES), HIGHLIGHTS TOURS (HALF-HOUR ORIENTATION TOURS, INCLUDING TREASURES), AND SPECIAL GALLERY TOURS (FOCUSED LOOK AT THE MUSEUM'S KEY SUMMER EXHIBITIONS, INCLUDING TREASURES). TO HELP CELEBRATE THE REOPENING OF THE FARNSWORTH HOMESTEAD, THE EDUCATION DEPARTMENT PRESENTED A FOUR-PART LECTURE SERIES (A CLOSER LOOK AT THE FARNSWORTH HOMESTEAD) IN THE EARLY FALL THAT EXAMINED THE LIFE OF LUCY FARNSWORTH, THE IMPORTANCE OF HISTORIC HOUSES, GREEK REVIVAL ARCHITECTURE, AND VICTORIAN FURNITURE. IN AN EFFORT TO REACH A WIDER AND WIDER AUDIENCE, EDUCATION PRESENTED SEVERAL STANDALONE LECTURES THAT ADDRESSED ART ISSUES AROUND THE WORLD, AS WELL AS SOCIETAL ISSUES. FOR EXAMPLE, ART DEALER JOHN SUROVEK OF ROCKPORT AND PALM BEACH DISCUSSED HIS EXPERIENCE IN THE ART GALLERY WORLD. WHENEVER APPROPRIATE, THE FARNSWORTH TEAMS WITH OTHER NOT-FOR-PROFITS IN PRESENTING PROGRAMS, AND THIS SUMMER THERE WERE TWO COLLABORATIONS: THE FARNSWORTH CO-PRESENTED WITH THE CAMDEN PHILOSOPHICAL SOCIETY A LECTURE BY PROFESSOR KEN KRAFCHEK TITLED THE YOUTH OF AZERBAIJAN: A CASE STUDY IN COMMUNITY ARTS, AND THE MUSEUM TEAMED WITH TREKKERS, AN OUTDOOR-BASED MENTORING PROGRAM, TO PRESENT AT THE STRAND THE LECTURE BY DR. CATHERINE STEINER-ADAIR TITLED LOST IN CONNECTION: HOW THE TECH EFFECT PUTS CHILDREN'S DEVELOPMENT AT RISK. ART-MAKING CLASSES FOR ADULTS AND CHILDREN CONTINUED THROUGHOUT THE SUMMER. YOUNG PEOPLE TRIED THEIR CREATIVE HANDS IN OFFERINGS SUCH AS SUMMER ART CAMP (AGES 5-8), ARTSCAPES FOR YOUNG ARTISTS (AGES 7-11), AND CREATIVE DIGITAL PRINTING (HIGH SCHOOL). THE ARRAY OF HANDS-ON ART CLASSES FOR ADULTS CAN BE GLIMPSED BY THE TITLES OF THESE CLASSES: DRAWING FOR BEGINNERS, SILK PAINTING WORKSHOP, AN INTRODUCTION TO SCREEN PRINTING, MOKUHANGA: JAPANESE WOODCUTS, PAINTING EN PLEIN AIR AND PUNCH NEEDLE RUG HOOKING WORKSHOP. SPECIAL NOTICE SHOULD BE GIVEN TO THE LONG-TIME POETRY WRITING WORKSHOP CONDUCTED BY KATHLEEN ELLIS. THIS SUMMER THE WORKSHOP EXPLORED THE CONNECTIONS BETWEEN POETRY AND ART, USING THE MUSEUM'S EXHIBITIONS TO TRIGGER CREATIVE JUICES. THE FARNSWORTH HAS TEAMED WITH THE STRAND SINCE DECEMBER 2010 IN ORDER TO SCREEN QUESTING ART FILMS AS PART OF ARTS IN ROCKLAND (AIR), THE FIRST FRIDAY ART WALK HIGHLIGHTING THE GALLERIES AND THE MUSEUM. DUE TO STRAND BOOKING RESTRAINTS, A FIRST FRIDAY FILM WAS SHOWN ONLY IN SEPTEMBER: MUSEUM HOURS, DIRECTOR JEM COHEN'S LOOK AT A VIENNA MUSEUM GUARD'S FRIENDSHIP WITH AN ENIGMATIC VISITOR, AND HOW ARTWORKS REFLECT AND SHAPE THE WORLD. FOURTH QUARTER THE FOURTH QUARTER OF 2013 (OCTOBER THROUGH DECEMBER) WAS EXCEEDINGLY BUSY FOR THE EDUCATION DEPARTMENT, A VERY ACTIVE PERIOD NORMALLY DUE TO THE START OF SCHOOL. WHILE THE DEPARTMENT PRESENTED ITS TYPICAL FULL ARRAY OF ADULT AND STUDENT PROGRAMMING, THE FALL EXHIBITION THE WONDERFUL WORLD OF OZ CREATED AN ADDITIONAL OPPORTUNITY FOR LECTURES, CLASSES AND FILMS THAT REACHED BEYOND OUR USUAL BASE. OFFERED FOR THE SECOND TIME, THE ARTISTS ON ART LECTURE SERIES WAS A PLATFORM FOR ARTISTS TO DISCUSS THE ISSUES OF THE DAY THAT CONCERNED THEM. EVERY EVENING OF THE THREE-PART SERIES, THREE MAINE ARTISTS BRIEFLY DISCUSSED THEIR WORK AND PROCESS, AND THEN ANSWERED QUESTIONS POSED BY AN ART-WORLD MODERATOR. THE TOPICS WERE "TIME AND MONEY: PRACTICE AND MAKING A LIVING," "ARTISTIC FELLOWSHIP: WAYS OF CREATING AND COLLABORATING," AND "ART AS SOCIAL PRACTICE." FOR THE FOURTH TIME, THE FARNSWORTH COLLABORATED WITH THE CAMDEN CONFERENCE AND DELIVERED A TWO-PART LECTURE SERIES TITLED "ORIGINS OF TASTE: A BRIEF HISTORY OF CULINARY AND ARTISTIC DISCOVERIES" IN THE STRAND THEATRE. KEITH COLLINS M.D. AND THE FARNSWORTH'S DIRECTOR OF EDUCATION WERE THE SPEAKERS. (OVER THE LAST FEW YEARS, THE MUSEUM HAS PRESENTED SEVERAL WELL-RECEIVED OFFERINGS WHICH TEAMED ART AND FOOD, FILMS, FARNSWORTH FORUM, LECTURE SERIES, ETC.) |
| FORM 990, PART III, LINE 4B | THE EDUCATION DEPARTMENT ALWAYS PRESENTS VARIOUS PROGRAMS TO AMPLIFY CURRENT EXHIBITIONS, AND THIS QUARTER WAS NO DIFFERENT. GETTYSBURG COLLEGE BIOLOGY PROFESSOR KAY ETHERIDGE GAVE AN ILLUSTRATED LECTURE IN CONJUNCTION WITH THE JONATHAN FISHER EXHIBITION, WHICH PLACED FISHER IN THE HISTORICAL CONTEXT OF EARLY NATURAL HISTORY ILLUSTRATORS. THREE HIGHLY ENTERTAINING LECTURES KICKED OFF THE WONDERFUL WIZARD OF OZ LAST FALL: WILLARD CARROLL, WHOSE COLLECTION MAKES UP THE EXHIBITION, GAVE TWO TALKS ("ALL THINGS OZ" AND "I, TOTO, THE AUTOBIOGRAPHY OF TERRY, THE DOG WHO WAS TOTO") AND "A WICKED EVENING WITH GREGORY MAGUIRE," THE AUTHOR AND CREATOR WICKED, THE BEST-SELLING CLASSIC AND THE BASIS FOR TONY-AWARD-WINNING BROADWAY MUSICAL (PRESENTED IN COLLABORATION WITH THE CAMDEN LIBRARY). THE OZ LECTURES WERE JUST THE TIP OF THE PROGRAMMING ICEBERG. OTHER OZ-RELATED OFFERINGS INCLUDED A FREE "FAMILY ACTIVITY DAY" CELEBRATING TOTO'S BIRTHDAY, "A MASK AND PUPPET MAKING WORKSHOP FOR KIDS," THE FALL FAMILY FESTIVAL, TOURS FOR STUDENTS AND ADULTS (SEE BELOW), AND THE SCREENING OF A MINT-CONDITION 1939 MGM WIZARD OF OZ STARRING JUDY GARLAND IN THE STRAND THEATRE FOR 350 VIEWERS, YOUNG AND OLD. IN ITS ONGOING QUEST TO REACH WIDER AND WIDER AUDIENCES, THE EDUCATION DEPARTMENT DISCOVERED WITH OZ THAT AN OCTOBER EXHIBITION WITH AN ACCESSIBLE THEME CAN BE A SPRINGBOARD FOR VERY POPULAR PROGRAMMING. TWO STUDIO EXPERIENCES WERE OFFERED IN THE LAST QUARTER. "STUDIO NIGHT" IN THE GAMBLE CENTER RAN OVER FIVE MONDAYS AND ALLOWED PARTICIPANTS TO EXPERIMENT WITH VARIOUS DIVERSE MEDIA, SUCH AS SILVERPOINT DRAWING AND SCULPTURAL PAPER VESSELS. ALSO NEW,"INTRODUCTION TO ANIMATION" WAS A THREE-WEEK INTENSIVE CLASS THAT EXPLORED CHARCOAL ANIMATION, CLAYMATION AND PIXILATION. SIMILAR CLASSES HAVE BEEN GIVEN AT THE FARNSWORTH AND OTHER MUSEUMS FOR CHILDREN, BUT THE UNIQUE ASPECT OF "INTRODUCTION TO ANIMATION" WAS THAT IT WAS FOR ADULTS. THE RESULTANT SHORT FILMS WERE CHARMING AND QUIRKY AND ENCHANTED ALL WHO VIEWED THEM. THE FARNSWORTH CONTINUED ITS PARTNERSHIP WITH THE STRAND AND SCREENED TWO FIRST FRIDAY FILMS: "HERB AND DOROTHY," A FILM ABOUT A HUSBAND AND WIFE ART-COLLECTING TEAM WITH MODEST FINANCIAL MEANS, AND "HARD NUT," A TAKEOFF ON "THE NUTCRACKER," RELOCATED IN THE SWINGING 70S IN AMERICA. SCHOOLS AND TEACHERS FIRST QUARTER LATE JANUARY INTO EARLY FEBRUARY, THE EDUCATION DEPARTMENT TRAINED FIVE NEW DOCENTS, BRINGING THE TOTAL NUMBER OF VOLUNTEER GUIDES TO TWENTY EIGHT. THE DOCENT CORPS CONTINUES TO BE THE MAINSTAY OF OUR GUIDED TOUR OFFERINGS FOR STUDENTS AND ADULTS, ALIKE. AT THEIR BI-MONTHLY MEETINGS, THE DOCENTS RECEIVE CONTINUOUS TRAINING BY FARNSWORTH STAFF AND OUTSIDE EXPERTS; DURING FEBRUARY AND MARCH REFRESHER TRAINING WAS HELD FOR ALL DOCENTS. ALTHOUGH WINTER WEATHER CAUSED THE CANCELLATION OF MANY SCHOOL TOURS THIS QUARTER, ATTENDANCE FOR GUIDED TOURS INCREASED OVER THE PREVIOUS YEAR. THIS IS NO DOUBT DUE TO THE ONGOING WORK WITH TEACHERS BY THE EDUCATION COORDINATOR AND THE STORIES OF THE LAND EDUCATION PROJECT MANAGER. K-12 TEACHERS WHO HAVE ATTENDED LINCOLN CENTER INSTITUTE WORKSHOPS, THOSE WHO ATTEND THE WEEKLY TEACHER COHORT MEETINGS, AND THOSE WORKING IN THE STORIES OF THE LAND YEAR-LONG PROJECT ARE BRINGING THEIR STUDENTS MORE OFTEN TO THE FARNSWORTH THAN OTHER TEACHERS. FOR EXAMPLE, DURING THIS PERIOD THE EDUCATION PROGRAM MANAGER ORGANIZED 48 ART EXPERIENCES IN CLASSROOMS, COMMUNITY LOCATIONS AND THE FARNSWORTH, IMPACTING 960 STUDENTS AND RESULTING IN MORE MUSEUM TOURS. DUE TO OUTSTANDING FUND RAISING EFFORTS IN 2012, THE FARNSWORTH WILL ONCE AGAIN BE IN A FINANCIAL POSITION TO OFFER BOTH THE INTRODUCTORY AND ADVANCED SESSIONS OF THE LINCOLN CENTER INSTITUTE INTERNATIONAL EDUCATOR WORKSHOP. NEW YORKS LINCOLN CENTER INSTITUTE OFFERS THESE WORKSHOPS IN ONLY FIVE LOCATIONS IN THE WORLD: MANHATTAN, KALAMAZOO, WEST MEMPHIS IN ARKANSAS, MEXICO CITY, AND ROCKLAND. THE FARNSWORTH IS THE ONLY MUSEUM INVOLVED IN THIS STRATEGIC ALLIANCE. SECOND QUARTER THERE WAS AN 8% INCREASE IN THE NUMBER OF STUDENTS ON GUIDED TOURS IN THIS QUARTER COMPARED WITH THE SAME QUARTER LAST YEAR. ONCE AGAIN, THE FARNSWORTH DOCENTS DID YEOMAN WORK THROUGHOUT THIS TIME PERIOD AND CONTINUED TO RECEIVE HIGH MARKS FROM THE TEACHERS. IN ITS SECOND YEAR, THE STORIES OF THE LAND AND ITS PEOPLE: AN ARTS-INTEGRATION INITIATIVE FOR THE MIDCOAST REACHED 220 4TH-AND-7TH-GRADE STUDENTS IN FIVE PUBLIC SCHOOLS. THE OPENING RECEPTION FOR THE STORIES EXHIBITION DREW 245 ATTENDEES TO THE STRAND, THE MAIN BUILDING, JULIAS GALLERY, AND A TENT FILLED WITH KID-FRIENDLY FOOD. ALONG WITH ONGOING WORKING ON STORIES, INCLUDING IN-SCHOOL EDUCATOR CONSULTANCIES, AND IN-SCHOOL STUDENT AND TEACHER REFLECTION AND EVALUATION SESSIONS, THE EDUCATION MANAGER HELD COHORT MEETINGS FOR INTERESTED TEACHERS ON WEDNESDAYS AT THE MUSEUM. INTEREST IS HIGH IN SCHOOL/MUSEUM PARTNERSHIPS SUCH AS STORIES, AND THE EDUCATION PROJECT MANAGER AND THE DIRECTOR OF EDUCATION WERE INVITED OUT TO THE ISLESBORO HISTORICAL SOCIETY TO PRESENT THE STORIES FILM (2012) AND DISCUSS THE PROGRAM WITH AN ENTHUSIASTIC AUDIENCE. DURING THE THREE-MONTH PERIOD, DOCENTS GUIDED 14 GROUPS OF ADULTS THROUGH THE GALLERIES. FIFTEEN DOCENTS WERE TRAINED TO CONDUCT THIS YEAR'S SUMMER HIGHLIGHT TOURS. THIRD QUARTER THE FOURTH YEAR OF THE LINCOLN CENTER EDUCATION INTERNATIONAL EDUCATOR WORKSHOP WAS PRESENTED IN THE MUSEUM AND THE STRAND. AS ALWAYS, THE ART PORTION OF THE INSTRUCTION FOCUSED ON WORKS IN THE FARNSWORTH COLLECTION. THE PERFORMANCE PORTION WAS THEATER, AND THE MUSEUM COMMISSIONED THE LOCAL EVERYMAN REPERTORY COMPANY TO PRESENT THREE VAUDEVILLES BY ANTON CHEKHOV. THREE HUNDRED PEOPLE VIEWED THE PERFORMANCE IN THE STRAND. ALMOST 200 TEACHERS HAVE NOW ATTENDED EITHER THE INTRODUCTORY OR ADVANCED WORKSHOPS, AND MANY HAVE BROUGHT THEIR STUDENTS TO THE MUSEUM FOR GUIDED TOURS. DOCENTS WERE BUSY WITH A VARIETY OF TOURS, INCLUDING BUS COMPANY TOURS, CRUISE LINE TOURS AND ART AMBASSADOR HIGHLIGHT TOURS (SIMILAR STATISTICS TO THIS QUARTER LAST YEAR, 2012 -74 TOURS, FOR 1,575 VISITORS / 2013 - 73 TOURS, FOR 1,534 VISITORS). FOURTH QUARTER THE LAST THREE MONTHS OF 2013 WERE TYPICALLY BUSY FOR THE EDUCATION STAFF AND THE DOCENTS, SINCE THAT IS THE PERIOD WHEN GUIDED TOURS PICK UP DUE TO SCHOOLS REOPENING. ONCE AGAIN, THE DOCENTS DID IMPORTANT AND EXTENSIVE WORK IN THE GALLERIES WITH STUDENTS FROM AROUND THE STATE. THEY ALSO TOURED FOUR TIMES AS MANY ADULTS THAN DURING THE PREVIOUS FALL (55 IN 2012, 265 IN 2013). THE DOCENTS CONTINUED THEIR BI-MONTHLY MEETINGS IN ORDER TO STAY CURRENT WITH THE EXHIBITIONS AND INCREASE THEIR KNOWLEDGE OF TEACHING TECHNIQUES. IN ITS THIRD YEAR OF EXISTENCE, "STORIES OF THE LAND AND ITS PEOPLE," A FARNSWORTH/SIX-SCHOOL COLLABORATIVE, SAW THE 260 ELEMENTARY AND MIDDLE SCHOOL STUDENTS GOING ON FIELD TRIPS TO SELECTED SITES ALONG THE MIDCOAST, INCLUDING THE FARNSWORTH. IN SPRING 2014, THE ARTISTIC AND ACADEMIC STUDENT WORK GENERATED BY "STORIES" WILL BE ON DISPLAY IN JULIA'S GALLERY, THE CRAIG GALLERY, THE AUDITORIUM AND THE ADJACENT HALLWAY. OTHER THROUGHOUT THE YEAR, THE EDUCATION DEPARTMENT STAFF ATTENDED VARIOUS AND SUNDRY MEETINGS AND EVENTS AT OTHER NON-PROFITS IN THE COURSE OF THEIR WORK. THROUGHOUT THE ACADEMIC YEAR, THE SEMI-MONTHLY DOCENT MEETINGS ARE CONDUCTED IN THE GALLERIES AND THE AUDITORIUM, WITH INSTRUCTION PROVIDED BY THE EDUCATION DEPARTMENT. FOR EXAMPLE, AT THE SECOND DOCENT MEETING, PROFESSOR BRIAN BUTLER FROM THE UNIVERSITY OF NORTH CAROLINA AT ASHEVILLE SPOKE TO THE DOCENTS ABOUT BLACK MOUNTAIN COLLEGE AND THE BLACK MOUNTAIN MUSEUM, WHICH CARRIES ON THE FASCINATING STORY OF THE COLLEGE. THE EDUCATION STAFF WORKED CLOSELY WITH OTHER MUSEUM STAFF TO PLAN AND EXECUTE LARGE FARNSWORTH EVENTS, SUCH AS "SHARE THE WONDER," "FALL FAMILY FESTIVAL," "THE COLLECTIVE THIRD ANNUAL BASH," AND ONE OF THE "FIRST FRIDAY FILMS" ("HARD NUT"). OUTSIDE THE FARNSWORTH, THE EDUCATION STAFF MET WITH AND HELPED PLAN FUTURE COLLABORATIVE EVENTS ALONG THE COAST. THE FARNSWORTH IS ONE OF THE PARTNER ORGANIZATIONS OF PECHA KUCHA NIGHT MIDCOAST MAINE, AND EDUCATION COORDINATOR KELLY FINLAY FOR THE LAST FIVE YEARS HAS WORKED WITH OTHERS IN THE COMMUNITY TO ORGANIZE AND PRESENT THIS POPULAR ARTS EVENT FOUR TIMES A YEAR. DURING ALL OF 2013, THE EDUCATION DEPARTMENT STAFF WORKED CLOSELY WITH THE DIRECTOR AND OTHER STAFF MEMBERS IN ORDER TO SOLICIT DONATIONS AND GRANTS. |
| FORM 990, PART III, LINE 4B | THE WONDERFUL WIZARD OF OZ LYMAN FRANK BAUM'S 1900 NOVEL, THE WONDERFUL WIZARD OF OZ, QUICKLY BECAME ONE OF THE COUNTRY'S BEST-SELLING CHILDREN'S BOOKS, WAS EVENTUALLY TRANSLATED INTO SEVERAL FOREIGN LANGUAGES AND GAINED WORLDWIDE POPULARITY. JUST TWO YEARS LATER, A STAGE VERSION APPEARED WHICH APPEARED THROUGHOUT THE COUNTRY FOR A DECADE. ITS GREATEST SUCCESS, HOWEVER, WAS THE 1939 WARNER BROTHERS FILM STARRING JUDY GARLAND AS DOROTHY, PERHAPS HER SIGNATURE ROLE OF A LONG CAREER AND ONE IN WHICH SHE MADE THE SONG "SOMEWHERE OVER THE RAINBOW" A NATIONAL HIT. IN 2014, ON THE 75TH ANNIVERSARY OF THE FILM, WARNER BROTHERS WILL RERELEASE THE WONDERFUL WIZARD OF OZ. TO CELEBRATE THE ANNIVERSARY, THE FARNSWORTH WILL PRESENT AN EXHIBITION DRAWN FROM THE LARGEST COLLECTION OF OZ MATERIAL IN THE WORLD. ONE OF DOROTHY'S DRESSES, THE ONLY SURVIVING MUNCHKIN COSTUME, EXAMPLES OF THE MANY ILLUSTRATED VERSIONS OF BAUM'S BOOKS, MOVIE POSTERS, AND A REMARKABLE ARRAY OF OZ MEMORABILIA WILL HELP BRING TO LIFE ONE OF AMERICA'S MOST BELOVED MOVIES AND ALL ITS CHARACTERS. CROSMAN GALLERY OCTOBER 12, 2013 - MARCH 31, 2014 |
| FORM 990, PART VI, SECTION B, LINE 11 | LINE 11A EXPLANATION - THE 990 IS REVIEWED BY THE BOARD OF TRUSTEES PRIOR TO FILING. |
| FORM 990, PART VI, SECTION B, LINE 12C | IN ACCORDANCE WITH THE POLICY, BOARD MEMBERS ARE REQUIRED TO SIGN AN ANNUAL CONFLICT OF INTEREST DISCLOSURE AND TO REPORT TO THE PRESIDENT ANY CONFLICTS THAT ARISE DURING THE YEAR. |
| FORM 990, PART VI, SECTION B, LINE 15 | BOARD OF TRUSTEES ARE VOLUNTEERS. THE BOARD OF TRUSTEES DETERMINES THE COMPENSATION OF THE EXECUTIVE DIRECTOR USING MARKET VALUE COMPARISONS AND DATA FROM THE AMERICAN ASSOCIATION OF MUSEUM'S SALARY SURVEY. THE EXECUTIVE DIRECTOR DETERMINES COMPENSATION OF OTHER OFFICERS USING THE SAME PROCESS. |
| FORM 990, PART VI, SECTION C, LINE 19 | THE ANNUAL AUDIT AND 990 REPORTS ARE POSTED ON THE MUSEUM'S WEBSITE. OTHER DOCUMENTS ARE PROVIDED UPON REQUEST. |
| FORM 990, PART IX, LINE 24E | OTHER EXPENSES: PROGRAM SERVICE EXPENSES 35,379. MANAGEMENT AND GENERAL EXPENSES 20,853. FUNDRAISING EXPENSES 2,517. TOTAL EXPENSES 58,749. PRINTING: PROGRAM SERVICE EXPENSES 39,876. MANAGEMENT AND GENERAL EXPENSES 351. FUNDRAISING EXPENSES 12,552. TOTAL EXPENSES 52,779. FEES: PROGRAM SERVICE EXPENSES 42,231. MANAGEMENT AND GENERAL EXPENSES 2,223. FUNDRAISING EXPENSES 5,600. TOTAL EXPENSES 50,054. LEASE AND RENTAL: PROGRAM SERVICE EXPENSES 30,727. MANAGEMENT AND GENERAL EXPENSES 2,439. FUNDRAISING EXPENSES 443. TOTAL EXPENSES 33,609. POSTAGE AND FREIGHT: PROGRAM SERVICE EXPENSES 18,735. MANAGEMENT AND GENERAL EXPENSES 2,029. FUNDRAISING EXPENSES 10,860. TOTAL EXPENSES 31,624. DUES & SUBSCRIPTIONS: PROGRAM SERVICE EXPENSES 28,806. MANAGEMENT AND GENERAL EXPENSES 995. FUNDRAISING EXPENSES 666. TOTAL EXPENSES 30,467. EQUIPMENT EXPENSE: PROGRAM SERVICE EXPENSES 26,456. MANAGEMENT AND GENERAL EXPENSES 2,317. FUNDRAISING EXPENSES 421. TOTAL EXPENSES 29,194. BAD DEBTS: PROGRAM SERVICE EXPENSES 20,000. MANAGEMENT AND GENERAL EXPENSES 9,054. FUNDRAISING EXPENSES 0. TOTAL EXPENSES 29,054. CULTIVATION: PROGRAM SERVICE EXPENSES 4,931. MANAGEMENT AND GENERAL EXPENSES 1,942. FUNDRAISING EXPENSES 21,917. TOTAL EXPENSES 28,790. CONTRACT LABOR: PROGRAM SERVICE EXPENSES 28,748. MANAGEMENT AND GENERAL EXPENSES -1,392. FUNDRAISING EXPENSES 0. TOTAL EXPENSES 27,356. PHOTOGRAPHY SUPPLIES: PROGRAM SERVICE EXPENSES 23,138. MANAGEMENT AND GENERAL EXPENSES 0. FUNDRAISING EXPENSES 0. TOTAL EXPENSES 23,138. SOFTWARE MAINTENANCE: PROGRAM SERVICE EXPENSES 9,682. MANAGEMENT AND GENERAL EXPENSES 3,862. FUNDRAISING EXPENSES 7,517. TOTAL EXPENSES 21,061. TELEPHONE & INTERNET: PROGRAM SERVICE EXPENSES 16,107. MANAGEMENT AND GENERAL EXPENSES 2,037. FUNDRAISING EXPENSES 370. TOTAL EXPENSES 18,514. SECURITY: PROGRAM SERVICE EXPENSES 10,266. MANAGEMENT AND GENERAL EXPENSES 1,890. FUNDRAISING EXPENSES 236. TOTAL EXPENSES 12,392. EMPLOYEE DEVELOPMENT: PROGRAM SERVICE EXPENSES 1,543. MANAGEMENT AND GENERAL EXPENSES 146. FUNDRAISING EXPENSES 5,833. TOTAL EXPENSES 7,522. OTHER SERVICES: PROGRAM SERVICE EXPENSES 6,354. MANAGEMENT AND GENERAL EXPENSES -1,427. FUNDRAISING EXPENSES 68. TOTAL EXPENSES 4,995. LIBRARY: PROGRAM SERVICE EXPENSES 462. MANAGEMENT AND GENERAL EXPENSES 0. FUNDRAISING EXPENSES 0. TOTAL EXPENSES 462. |
| FORM 990, PART XI, LINE 9: | CHANGE IN BENEFICIAL INTEREST 586,983. |
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