Attach to Form 990 or Form 990-EZ.
Information about Schedule A (Form 990 or 990-EZ) and its instructions is at www.irs.gov/form990.
| (i)Name of supported organization | (ii) EIN | (iii) Type of organization (described on lines 1- 9 above (see instructions)) | (iv) Is the organization listed in your governing document? | (v) Amount of monetary support (see instructions) | (vi) Amount of other support (see instructions) | |
|---|---|---|---|---|---|---|
| Yes | No | |||||
| Total | ||||||
Calendar year (or fiscal year beginning in) ![]() |
(a) 2011 | (b) 2012 | (c) 2013 | (d) 2014 | (e) 2015 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 1 | Gifts, grants, contributions, and membership fees received. (Do not include any unusual grants.) .... | 1,554,628 | 1,761,576 | 2,341,915 | 2,339,151 | 1,236,680 | 9,233,950 |
| 2 | Tax revenues levied for the organization's benefit and either paid to or expended on its behalf....... | ||||||
| 3 | The value of services or facilities furnished by a governmental unit to the organization without charge.. | ||||||
| 4 | Total. Add lines 1 through 3 | 1,554,628 | 1,761,576 | 2,341,915 | 2,339,151 | 1,236,680 | 9,233,950 |
| 5 | The portion of total contributions by each person (other than a governmental unit or publicly supported organization) included on line 1 that exceeds 2% of the amount shown on line 11, column (f).. | 567,005 | |||||
| 6 | Public support. Subtract line 5 from line 4. | 8,666,945 | |||||
Calendar year
(or fiscal year beginning in) ![]() |
(a) 2011 | (b) 2012 | (c) 2013 | (d) 2014 | (e) 2015 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 7 | Amounts from line 4.. | 1,554,628 | 1,761,576 | 2,341,915 | 2,339,151 | 1,236,680 | 9,233,950 |
| 8 | Gross income from interest, dividends, payments received on securities loans, rents, royalties and income from similar sources... | 29,109 | 111,834 | 36,269 | 52,636 | 78,160 | 308,008 |
| 9 | Net income from unrelated business activities, whether or not the business is regularly carried on.. | ||||||
| 10 | Other income. Do not include gain or loss from the sale of capital assets (Explain in Part VI.).. | 27,072 | 45,045 | 9,345 | 40,502 | 22,162 | 144,126 |
| 11 | Total support. Add lines 7 through 10. | 9,686,084 | |||||
Calendar year (or fiscal year beginning in) ![]() |
(a) 2011 | (b) 2012 | (c) 2013 | (d) 2014 | (e) 2015 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 1 | Gifts, grants, contributions, and membership fees received. (Do not include any "unusual grants.") . | ||||||
| 2 | Gross receipts from admissions, merchandise sold or services performed, or facilities furnished in any activity that is related to the organization's tax-exempt purpose...... | ||||||
| 3 | Gross receipts from activities that are not an unrelated trade or business under section 513... | ||||||
| 4 | Tax revenues levied for the organization's benefit and either paid to or expended on its behalf... | ||||||
| 5 | The value of services or facilities furnished by a governmental unit to the organization without charge.. | ||||||
| 6 | Total. Add lines 1 through 5. | ||||||
| 7a | Amounts included on lines 1, 2, and 3 received from disqualified persons... | ||||||
| b | Amounts included on lines 2 and 3 received from other than disqualified persons that exceed the greater of $5,000 or 1% of the amount on line 13 for the year. | ||||||
| c | Add lines 7a and 7b.. | ||||||
| 8 | Public support. (Subtract line 7c from line 6.) | ||||||
Calendar year (or fiscal year beginning in) ![]() |
(a) 2011 | (b) 2012 | (c) 2013 | (d) 2014 | (e) 2015 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 9 | Amounts from line 6... | ||||||
| 10a | Gross income from interest, dividends, payments received on securities loans, rents, royalties and income from similar sources.. | ||||||
| b | Unrelated business taxable income (less section 511 taxes) from businesses acquired after June 30, 1975. | ||||||
| c | Add lines 10a and 10b. | ||||||
| 11 | Net income from unrelated business activities not included in line 10b, whether or not the business is regularly carried on. | ||||||
| 12 | Other income. Do not include gain or loss from the sale of capital assets (Explain in Part VI.) .. | ||||||
| 13 | Total support. (Add lines 9, 10c, 11, and 12.).. | ||||||
| Section A - Adjusted Net Income | (A) Prior Year |
(B) Current Year (optional) |
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| 1 | Net short-term capital gain | 1 | ||||
| 2 | Recoveries of prior-year distributions | 2 | ||||
| 3 | Other gross income (see instructions) | 3 | ||||
| 4 | Add lines 1 through 3 | 4 | ||||
| 5 | Depreciation and depletion | 5 | ||||
| 6 | Portion of operating expenses paid or incurred for production or collection of gross income or for management, conservation, or maintenance of property held for production of income (see instructions) | 6 | ||||
| 7 | Other expenses (see instructions) | 7 | ||||
| 8 | Adjusted Net Income (subtract lines 5, 6 and 7 from line 4) | 8 | ||||
| Section B - Minimum Asset Amount | (A) Prior Year |
(B) Current Year (optional) |
||||
| 1 | Aggregate fair market value of all non-exempt-use assets (see instructions for short tax year or assets held for part of year): | 1 | ||||
| a | Average monthly value of securities | 1a | ||||
| b | Average monthly cash balances | 1b | ||||
| c | Fair market value of other non-exempt-use assets | 1c | ||||
| d | Total (add lines 1a, 1b, and 1c) | 1d | ||||
| e |
Discount claimed for blockage or other factors (explain in detail in Part VI): |
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| 2 | Acquisition indebtedness applicable to non-exempt use assets | 2 | ||||
| 3 | Subtract line 2 from line 1d | 3 | ||||
| 4 | Cash deemed held for exempt use. Enter 1-1/2% of line 3 (for greater amount, see instructions). | 4 | ||||
| 5 | Net value of non-exempt-use assets (subtract line 4 from line 3) | 5 | ||||
| 6 | Multiply line 5 by .035 | 6 | ||||
| 7 | Recoveries of prior-year distributions | 7 | ||||
| 8 | Minimum Asset Amount (add line 7 to line 6) | 8 | ||||
| Section C - Distributable Amount | Current Year | |||||
| 1 | Adjusted net income for prior year (from Section A, line 8, Column A) | 1 | ||||
| 2 | Enter 85% of line 1 | 2 | ||||
| 3 | Minimum asset amount for prior year (from Section B, line 8, Column A) | 3 | ||||
| 4 | Enter greater of line 2 or line 3 | 4 | ||||
| 5 | Income tax imposed in prior year | 5 | ||||
| 6 | Distributable Amount. Subtract line 5 from line 4, unless subject to emergency temporary reduction (see instructions) | 6 | ||||
| Section D - Distributions | Current Year | |
|---|---|---|
| 1 Amounts paid to supported organizations to accomplish exempt purposes | ||
|
2
Amounts paid to perform activity that directly furthers exempt purposes of supported organizations, in excess of income from activity |
||
| 3 Administrative expenses paid to accomplish exempt purposes of supported organizations | ||
| 4 Amounts paid to acquire exempt-use assets | ||
| 5 Qualified set-aside amounts (prior IRS approval required) | ||
| 6 Other distributions (describe in Part VI). See instructions | ||
| 7Total annual distributions. Add lines 1 through 6. | ||
|
8
Distributions to attentive supported organizations to which the organization is responsive (provide details in Part VI). See instructions |
||
| 9 Distributable amount for 2015 from Section C, line 6 | ||
| 10 Line 8 amount divided by Line 9 amount | ||
| Section E - Distribution Allocations (see instructions) |
(i) Excess Distributions |
(ii) Underdistributions Pre-2015 |
(iii) Distributable Amount for 2015 |
|
|---|---|---|---|---|
|
1
Distributable amount for 2015 from Section C, line 6 |
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|
2
Underdistributions, if any, for years prior to 2015 (reasonable cause required--see instructions) |
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| 3 Excess distributions carryover, if any, to 2015: | ||||
| a | ||||
| b | ||||
| c | ||||
| d From 2013....... | ||||
| e From 2014....... | ||||
| fTotal of lines 3a through e | ||||
| g Applied to underdistributions of prior years | ||||
| h Applied to 2015 distributable amount | ||||
|
i
Carryover from 2010 not applied (see instructions) |
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| j Remainder. Subtract lines 3g, 3h, and 3i from 3f. | ||||
| 4Distributions for 2015 from Section D, line 7: | ||||
| $ | ||||
| a Applied to underdistributions of prior years | ||||
| b Applied to 2015 distributable amount | ||||
| c Remainder. Subtract lines 4a and 4b from 4. | ||||
|
5
Remaining underdistributions for years prior to 2015, if any. Subtract lines 3g and 4a from line 2 (if amount greater than zero, see instructions) |
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|
6
Remaining underdistributions for 2015. Subtract lines 3h and 4b from line 1 (if amount greater than zero, see instructions) |
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|
7 Excess distributions carryover to 2016. Add lines 3j and 4c. |
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| 8 Breakdown of line 7: | ||||
| a | ||||
| b | ||||
| c Excess from 2013....... | ||||
| d From 2014....... | ||||
| e From 2015....... | ||||
| Facts And Circumstances Test |
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| Return Reference | Explanation |
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| Software ID: | |
| Software Version: |
Attach to Form 990 or 990-EZ.
Information about Schedule O (Form 990 or 990-EZ) and its instructions is at| Return Reference | Explanation |
|---|---|
| Form 990, Part III, Line 4a | EMERGING, MID-CAREER, AND ESTABLISHED ARTISTS ARE INVITED TO BE IN RESIDENCE FOR 1-9 MONTHS; A TOTAL OF 12 TO 18 ARTISTS ARE IN RESIDENCE ("AIRS") ANNUALLY. PARTNERSHIPS BETWEEN ARTISTS AND REGIONAL ORGANIZATIONS COMPLEMENT RESIDENCIES. WHILE IN RESIDENCE, THE ARTISTS ENJOY A HIGH-LEVEL EXPERIENCE IN AN URBAN RESIDENCY SETTING AND ENGAGE WITH THE COMMUNITY THROUGH ENGAGEMENTS, LECTURES, DEMONSTRATIONS, CLASSES, PROJECTS AND INTERVENTIONS. IN ADDITION, AIRS RECEIVE A BUDGET FOR MATERIALS, ART SHIPPING AND ROUNDTRIP TRAVEL, 24-HOUR ACCESS TO A PRIVATE, FURNISHED CONDO ACROSS THE STREET FROM THE CENTER, A SPACIOUS PRIVATE STUDIO AND FULL ACCESS TO ALL CENTER FACILITIES (INCLUDING A DARK ROOM, WOOD SHOP, SCULPTURE STUDIO, CERAMIC FACILITY, PRINTMAKING STUDIO AND MEDIA LAB WITH TECHNICAL SUPPORT), AND EXHIBITION OPPORTUNITIES. A CAR, TRUCK AND VAN ARE ALSO AVAILABLE FOR THE ARTISTS' USE. IN FY16, THE AIRS INCLUDED: - MOBILE MURAL LAB, MURAL, INSTALLATIONS, LOS ANGELES, CA, SOI: SOCIAL JUSTICE, EDUCATION - JUAN FUENTES, PRINTMAKING, SAN FRANCISCO, CA, SOI: SOCIAL JUSTICE - MARY MATTHEWS, SCULPTURE, MIXED MEDIA, FAIRBANKS, AK, SOI: SOCIAL JUSTICE - VICENTE HERNANDEZ, PAINTING, HAVANA, CUBA, SOI: SOCIAL JUSTICE - MEI-LING HOM, ENVIRONMENTAL, SCULPTURE, PHILADELPHIA, PA, SOI: ENVIRONMENTAL - CARLOSALEXIS CRUZ, PERFORMANCE, CHARLOTTE, NC, SOI: SOCIAL JUSTICE - HEATHER HART, INSTALLATION, PERFORMANCE, MIXED MEDIA, NEW YORK, NY, SOI: SOCIAL JUSTICE - HOLLIS HAMMONDS, INSTALLATION, DRAWING, AUSTIN, TX, SOI: EDUCATION. UNCC AIR - CARLOS ESTEVEZ, PAINTING, SCULPTURE, MIAMI, FL, SOI: HEALTH + WELLNESS, INTERNATIONAL. LACA PROJECT AIR OUR AFFILIATE (LOCAL) ARTISTS WERE: - IVAN DEPENA, SCULPTURE INSTALLATION, NEW MEDIA , CHARLOTTE, NC, SOI: ARCHITECTURE & DESIGN - STEPHEN LEO HAYES, SCULPTURE, INSTALLATION, ROCK HILL, SC, SOI: SOCIAL JUSTICE OUR SUMMER (LOCAL) ARTIST IN RESIDENTS WERE: - CHARLES WILLIAMS, PAINTING, CHARLOTTE, NC, SOI: BEAUTY - ERIK WATERKOTTE, PRINTMAKING, NEW MEDIA, CHARLOTTE, NC, SOI: TECHNOLOGY - CAROLINE RUST, PAINTING, MIXED MEDIA, INSTALLATION, ROCK HILL, SC, SOI: BEAUTY - MATT HORICK, SCULPTURE, ROCK HILL, SC, SOI: ARCHITECTURE - TAPROOT ENSEMBLE, THEATER, CHARLOTTE, NC, SOI: EDUCATION - ENDIA BEAL, PHOTOGRAPHY, VIDEO, WINSTON SALEM, NC, SOI: SOCIAL JUSTICE AMONG THE STUDIO WORK AND COMMUNITY ENGAGEMENTS UNDERTAKEN BY ARTISTS WHILE IN RESIDENCE: - MOBILE MURAL LAB WORKED WITH THE LATIN AMERICAN COALITION AND DESIGNED MATERIALS FOR THE HB318 CAMPAIGN #IDMECHARLOTTE; FEATURED IN PEOPLE/PLACES/EXCHANGES EXHIBIT; - JUAN FUENTES FACILITATED ARTIST DEVELOPMENT WORKSHOPS WITH LATIN AMERICA COALITION'S OBRA ARTISTS COLLECTIVE AND HOSTED A PUBLIC DIA DE LOS MUERTOS CELEBRATION; FEATURED IN PEOPLE/PLACES/EXCHANGES EXHIBIT; - VICENTE HERNANDEZ COMPLETED 12 NEW ARTWORKS REFLECTING ON TIME IN CHARLOTTE; FEATURED IN PEOPLE/PLACES/EXCHANGES; - CARLOS ALEXIS CRUZ, WITH 7 PERFORMING ARTISTS, PRESENTED SEVERAL PERFORMANCES OF "NOUVEAU SUD, NOUVEAU CIRQUE, AND FACILITATED CROSS-CULTURAL CONVERSATIONS WITH LATINO, AFRICAN-AMERICAN AND ASIAN-AMERICAN COMMUNITIES; - DURING HIS FOUR MONTHS IN RESIDENCE AS THE CAROLINAS HEALTHCARE SYSTEM AIR, MIAMI-BASED CUBAN ARTIST CARLOS ESTEVEZ ENJOYED A PROLIFIC STUDIO PRACTICE. HE CREATED 6 KITES, 15 PLATES, ONE CROSS, 3 BOXES AND 2 PING-PONG PADDLES FOR AN EXHIBITION HOMO LUDENS APRIL 2 THRUnMAY 14, 2016 AT COUTURIER GALLERY IN LOS ANGELES, CA. HE CREATED 25 ADDITIONAL PLATES AND ARTWORK THAT WERE ON DISPLAY AND FOR SALE AT MCCOLL CENTER. CARLOS ALSO PARTICIPATED WEEKLY IN A COMMUNITY ENGAGEMENT PROJECT AS A TEACHING ARTIST AT LEVINE CANCER INSTITUTE, WORKING WITH ADULT CANCER PATIENTS. CARLOS WAS A GUEST AT LCI'S ANNUAL 'HEALING ARTS CELEBRATION' ON APRIL 21, 2016, ATTENDED BY 100, AND DONATED 5 PIECES, RAISING $2,500 FOR LCI PROGRAMS. |
| Form 990, Part III, Line 4b | Three alumni artists were invited to return for 4 week mini-residencies in May-June for the Prompt exhibit: - Quisqueya Henriquez, Santo Domingo, Dominican Republic, 2011 Alumni AIR - Susan Lee-Chun, Miami, FL, 2011 Alumni AIR - Willie Little, Charlotte, NC, 1999 Alumni AIR The exhibits presented during FY16 were: - PRISON ZOO: Alex Lambert, May 15 THRU August 14, 2015 - SIMULACRA: Anne Lemanski, September 18, 2015 THRU January 2, 2016 - PEOPLE, PLACES, EXCHANGES: Art as a Visual Voice: Nico Amortegui, Juan Fuentes, Vicente Hernandez, Mobile Mural Lab, January 22 THRU April 9, 2016; guest curators Dr. Jose Gamez and Brad Thomas; bilingual exhibit - PROMPT: Quisqueya Henriquez, Susan Lee-Chun, and Willie Little, June 11 THRU August 27, 2016 Artist led workshops during FY16 were: - Summer Workshop Series: Watercolor with Charles Williams - Summer Workshop Series: Printmaking with Erik Waterkotte - McColl + Response workshop with artist Carolyn Rust: Interpretive Expressionistic Portrait - Workshop: Cast Your Face with Stephen L. Hayes Jr. - McColl + Response: Watercolor Workshop with Ashley Lathe - OFFSITE - Mobile Mural Lab "ID design" workshop at the LAC - McColl + Response: Workshop with Erik Waterkotte Trace and Texture/Latent Prints - OFFSITE - Mei-Ling Workshop at Ken Carlson's farm - McColl + Response: Embroidery Workshop with Janet Lasher - McColl + Response: Workshop w/ Pamela Winegard - Encaustic Monotypes and Mixed Media Surfaces - McColl + Response: Workshop with Tom Thoune: Handbuilding a Human Figure - McColl + Response: Workshop with Eliana Arenas: Make Contemporary Recycled Jewelry - Signature Series: Stephen L. Hayes and CarlosAlexis Cruz - Create a Mask workshop (5 participants + 2 artists over 2 days) New Frequencies Experimental Program Series: - New Frequencies: Jazz with the Erb/Barber/Rosaly Trio - New Frequencies: Short Films by Jem Cohen - New Frequencies: Ben Goldberg Quartet Jazz concert - New Frequencies: Film DAREDEVILS - New Frequencies: Dance: Du YuFang Butoh + Triptych Collective - New Frequencies: Film: Peter Thompson - New Frequencies: Reading by author Ben Marcus, part of CPCC Sensoria Festival 2016 - New Frequencies: Jazz - Trio Red Space - New Frequencies: Films: George Kuchar - New Frequencies - Poetry Reading: Sandrea Beasley - New Frequencies - Jazz Performance: Ghost Trees Big Band Community Forums/Panels during FY16: - First Responders event DIVERSITY MATTERS, in partnership with the Office of Diversity and Inclusion at Carolinas HealthCare System - McColl + Response: Understanding Process & Practice in Contemporary Craft - McColl + Response: Panel Discussion - Do You See What I See? with Dr. Jose Gamez (UNC Charlotte), artist Hollis Hammonds, artist Jonell Logan, Oliver Merino (Levine), Whitney Smith (LAC) - Cultivating Creativity: 24 Extra Hours panel with Matt Olin, Huong Yi, Charles Thomas, Amy Bagwell, facilitated by Lisa Hoffman - Cultivating Creativity: #TellingStories - Nora Orton, Co-Founder of Charlotte Storytellers; Lou Solomon, CEO of Interact Authentic Communication; Quentin Talley, Founder and Artistic Director of OnQ Performing Arts; Cristina Wilson, COO of Charlotte Agenda; moderator: Lisa Hoffman. |
| Form 990, Part III, Line 4c | Strengthened the Innovation Institute (II). Launched in 2005, the Innovation Institute is led by professional artists and addresses themes such as creativity, risk, courage and failure. Total Program Hours Delivered: 185 (Open, Custom/Business Development) Average Custom Program Size: 33 Avg Custom Program Length: 5-Hrs includes multi-day (ASC,CMS) , 4-Hrs excludes multi-day Custom Programs - On vs. Off: 25 Onsite, 5 Offsite (Ballantyne; Sioux Falls SD; Roseville, MN) Open Enrollment Cohorts: 3 (29 to date) Open Enrollment Participants: 29 |
| Form 990, Part VI, Section B, line 11 | a draft of the 990 was given to each board member for review, comment and approval prior to submission to the irs. |
| Form 990, Part VI, Section B, line 12c | board members are required to sign a conflict of interest statement each year and disclose to the full board any potential problems. any potential conflicts must be approved by the full board. IN THE EVENT OF A POTENTIAL CONFLICT DURING THE YEAR, THAT MEMBER WOULD RECUSE HIMSELF/HERSELF FROM THE DISCUSSIONS AND VOTE. |
| Form 990, Part VI, Section B, line 15 | the president's compensation is determined by the independent board. a subset of the board conducts a salary review and comparison using survey information from the North Carolina Center for Non Profits. a subset of the board also evaluates her performance based on achievement of goals and budget and makes a salary recommendation to the board. the board compensation for other key employees and top management officials is based on performance review and comparative salary information provided by the arts and science council. DISCUSSIONS ARE DOCUMENTED IN THE EXECUTIVE COMMITTEE Minutes. |
| Form 990, Part VI, Section C, line 19 | the organization's governing documents, conflict of interest policy and financial statements are available to the public upon request. |
| Form 990, Part XI, line 9: | CHANGE IN BENEFICIAL INTEREST -293,726. ALLOCATION OF ALLOWABLE ENDOWMENT BALANCE FOR SPENDING -310,000. |
| FORM 990, PART XI, LINE 2C | THE FINANCE COMMITTEE OF THE MCCOLL CENTER BOARD MEETS WITH THE INDEPENDENT AUDITORS TO REVIEW THE FINANCIAL STATEMENTS AND RESULTS OF THE AUDIT ALONG WITH ANY RECOMMENDATIONS.THE FINANCE COMMITTEE IS RESPONSIBLE FOR THE SELECTION OF THE INDEPENDENT AUDITORS. |
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