Attach to Form 990 or Form 990-EZ.
Information about Schedule A (Form 990 or 990-EZ) and its instructions is at www.irs.gov/form990.
| (i)Name of supported organization | (ii) EIN | (iii) Type of organization (described on lines 1- 9 above or IRC section (see instructions)) | (iv) Is the organization listed in your governing document? | (v) Amount of monetary support (see instructions) | (vi) Amount of other support (see instructions) | |
|---|---|---|---|---|---|---|
| Yes | No | |||||
| Total | ||||||
Calendar year (or fiscal year beginning in) ![]() |
(a) 2010 | (b) 2011 | (c) 2012 | (d) 2013 | (e) 2014 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 1 | Gifts, grants, contributions, and membership fees received. (Do not include any "unusual grants.") .... | 4,982,269 | 4,943,370 | 5,491,850 | 6,348,004 | 10,735,711 | 32,501,204 |
| 2 | Tax revenues levied for the organization's benefit and either paid to or expended on its behalf....... | ||||||
| 3 | The value of services or facilities furnished by a governmental unit to the organization without charge.. | 5,190,328 | 5,070,886 | 4,693,127 | 4,892,897 | 4,712,695 | 24,559,933 |
| 4 | Total. Add lines 1 through 3 | 10,172,597 | 10,014,256 | 10,184,977 | 11,240,901 | 15,448,406 | 57,061,137 |
| 5 | The portion of total contributions by each person (other than a governmental unit or publicly supported organization) included on line 1 that exceeds 2% of the amount shown on line 11, column (f).. | ||||||
| 6 | Public support. Subtract line 5 from line 4. | 57,061,137 | |||||
Calendar year
(or fiscal year beginning in) ![]() |
(a) 2010 | (b) 2011 | (c) 2012 | (d) 2013 | (e) 2014 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 7 | Amounts from line 4.. | 10,172,597 | 10,014,256 | 10,184,977 | 11,240,901 | 15,448,406 | 57,061,137 |
| 8 | Gross income from interest, dividends, payments received on securities loans, rents, royalties and income from similar sources... | 8,985 | 6,704 | 7,982 | 4,777 | 3,665 | 32,113 |
| 9 | Net income from unrelated business activities, whether or not the business is regularly carried on.. | ||||||
| 10 | Other income. Do not include gain or loss from the sale of capital assets (Explain in Part VI.).. | 112,981 | 131,082 | 143,872 | 161,260 | 139,746 | 688,941 |
| 11 | Total support Add lines 7 through 10. | 57,878,503 | |||||
Calendar year (or fiscal year beginning in) ![]() |
(a) 2010 | (b) 2011 | (c) 2012 | (d) 2013 | (e) 2014 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 1 | Gifts, grants, contributions, and membership fees received. (Do not include any "unusual grants.") . | ||||||
| 2 | Gross receipts from admissions, merchandise sold or services performed, or facilities furnished in any activity that is related to the organization's tax-exempt purpose...... | ||||||
| 3 | Gross receipts from activities that are not an unrelated trade or business under section 513.. | ||||||
| 4 | Tax revenues levied for the organization's benefit and either paid to or expended on its behalf... | ||||||
| 5 | The value of services or facilities furnished by a governmental unit to the organization without charge.. | ||||||
| 6 | Total. Add lines 1 through 5. | ||||||
| 7a | Amounts included on lines 1, 2, and 3 received from disqualified persons... | ||||||
| b | Amounts included on lines 2 and 3 received from other than disqualified persons that exceed the greater of $5,000 or 1% of the amount on line 13 for the year. | ||||||
| c | Add lines 7a and 7b.. | ||||||
| 8 | Public support (Subtract line 7c from line 6.) | ||||||
Calendar year (or fiscal year beginning in) ![]() |
(a) 2010 | (b) 2011 | (c) 2012 | (d) 2013 | (e) 2014 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 9 | Amounts from line 6... | ||||||
| 10a | Gross income from interest, dividends, payments received on securities loans, rents, royalties and income from similar sources.. | ||||||
| b | Unrelated business taxable income (less section 511 taxes) from businesses acquired after June 30, 1975. | ||||||
| c | Add lines 10a and 10b. | ||||||
| 11 | Net income from unrelated business activities not included in line 10b, whether or not the business is regularly carried on. | ||||||
| 12 | Other income. Do not include gain or loss from the sale of capital assets (Explain in Part VI.) .. | ||||||
| 13 | Total support. (Add lines 9, 10c, 11, and 12.).. | ||||||
| Section A - Adjusted Net Income | (A) Prior Year |
(B) Current Year (optional) |
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| 1 | Net short-term capital gain | 1 | ||||
| 2 | Recoveries of prior-year distributions | 2 | ||||
| 3 | Other gross income (see instructions) | 3 | ||||
| 4 | Add lines 1 through 3 | 4 | ||||
| 5 | Depreciation and depletion | 5 | ||||
| 6 | Portion of operating expenses paid or incurred for production or collection of gross income or for management, conservation, or maintenance of property held for production of income (see instructions) | 6 | ||||
| 7 | Other expenses (see instructions) | 7 | ||||
| 8 | Adjusted Net Income (subtract lines 5, 6 and 7 from line 4) | 8 | ||||
| Section B - Minimum Asset Amount | (A) Prior Year |
(B) Current Year (optional) |
||||
| 1 | Aggregate fair market value of all non-exempt-use assets (see instructions for short tax year or assets held for part of year): | 1 | ||||
| a | Average monthly value of securities | 1a | ||||
| b | Average monthly cash balances | 1b | ||||
| c | Fair market value of other non-exempt-use assets | 1c | ||||
| d | Total (add lines 1a, 1b, and 1c) | 1d | ||||
| e | Discount claimed for blockage or other factors (explain in detail in Part VI): | |||||
| 2 | Acquisition indebtedness applicable to non-exempt use assets | 2 | ||||
| 3 | Subtract line 2 from line 1d | 3 | ||||
| 4 | Cash deemed held for exempt use. Enter 1-1/2% of line 3 (for greater amount, see instructions). | 4 | ||||
| 5 | Net value of non-exempt-use assets (subtract line 4 from line 3) | 5 | ||||
| 6 | Multiply line 5 by .035 | 6 | ||||
| 7 | Recoveries of prior-year distributions | 7 | ||||
| 8 | Minimum Asset Amount (add line 7 to line 6) | 8 | ||||
| Section C - Distributable Amount | Current Year | |||||
| 1 | Adjusted net income for prior year (from Section A, line 8, Column A) | 1 | ||||
| 2 | Enter 85% of line 1 | 2 | ||||
| 3 | Minimum asset amount for prior year (from Section B, line 8, Column A) | 3 | ||||
| 4 | Enter greater of line 2 or line 3 | 4 | ||||
| 5 | Income tax imposed in prior year | 5 | ||||
| 6 | Distributable Amount. Subtract line 5 from line 4, unless subject to emergency temporary reduction (see instructions) | 6 | ||||
| 7 | Check here if the current year is the organization's first as a non-functionally-integrated Type III supporting organization (see instructions) | |||||
| Section D - Distributions | Current Year | |
|---|---|---|
| 1 Amounts paid to supported organizations to accomplish exempt purposes | ||
|
2
Amounts paid to perform activity that directly furthers exempt purposes of supported organizations, in excess of income from activity |
||
| 3 Administrative expenses paid to accomplish exempt purposes of supported organizations | ||
| 4 Amounts paid to acquire exempt-use assets | ||
| 5 Qualified set-aside amounts (prior IRS approval required) | ||
| 6 Other distributions (describe in Part VI). See instructions | ||
| 7Total annual distributions. Add lines 1 through 6. | ||
|
8
Distributions to attentive supported organizations to which the organization is responsive (provide details in Part VI). See instructions |
||
| 9 Distributable amount for 2014 from Section C, line 6 | ||
| 10 Line 8 amount divided by Line 9 amount | ||
| Section E - Distribution Allocations (see instructions) |
(i) Excess Distributions |
(ii) Underdistributions Pre-2014 |
(iii) Distributable Amount for 2014 |
|
|---|---|---|---|---|
|
1
Distributable amount for 2014 from Section C, line 6 |
||||
|
2
Underdistributions, if any, for years prior to 2014 (reasonable cause required--see instructions) |
||||
| 3 Excess distributions carryover, if any, to 2014: | ||||
| a From 2009.......X | ||||
| b From 2010.......X | ||||
| c From 2011.......X | ||||
| d From 2012.......X | ||||
| e From 2013....... | ||||
| fTotal of lines 3a through e | ||||
| g Applied to underdistributions of prior years | ||||
| h Applied to 2014 distributable amount | ||||
|
i
Carryover from 2009 not applied (see instructions) |
||||
| j Remainder. Subtract lines 3g, 3h, and 3i from 3f. | ||||
| 4Distributions for 2014 from Section D, line 7: | ||||
| $ | ||||
| a Applied to underdistributions of prior years | ||||
| b Applied to 2014 distributable amount | ||||
| c Remainder. Subtract lines 4a and 4b from 4. | ||||
|
5
Remaining underdistributions for years prior to 2014, if any. Subtract lines 3g and 4a from line 2 (if amount greater than zero, see instructions) |
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|
6
Remaining underdistributions for 2014. Subtract lines 3h and 4b from line 1 (if amount greater than zero, see instructions) |
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|
7 Excess distributions carryover to 2015. Add lines 3j and 4c. |
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| 8 Breakdown of line 7: | ||||
| a From 2010.......X | ||||
| b From 2011.......X | ||||
| c From 2012.......X | ||||
| d From 2013....... | ||||
| e From 2014....... | ||||
| Facts And Circumstances Test |
|---|
| Return Reference | Explanation |
|---|---|
| SCHEDULE A, PART II, LINE 10, EXPLANATION OF OTHER INCOME: | REIMBURSEMENTS |
| Software ID: | |
| Software Version: |
Attach to Form 990 or 990-EZ.
Information about Schedule O (Form 990 or 990-EZ) and its instructions is at| Return Reference | Explanation |
|---|---|
| FORM 990, PART III, LINE 1 | MISSION STATEMENT PHOENIX ART MUSEUM IS A VIBRANT DESTINATION CONNECTING PEOPLE TO GREAT ART FROM AROUND THE WORLD TO ENRICH THEIR LIVES AND COMMUNITIES. THIS VISION IS SUPPORTED BY FOUR STRATEGIC PILLARS WHICH ARE: 1. EXCEPTIONAL ART - TO CELEBRATE THE HIGHEST QUALITY VISUAL ART THROUGH OUTSTANDING EXHIBITIONS, ACQUISITIONS AND COLLECTION STEWARDSHIP. 2. ENRICHMENT AND LEARNING - TO CREATE A NATIONALLY RECOGNIZED MODEL FOR ENHANCING EXPERIENCE OF THE VISUAL ARTS THROUGH INTERPRETATION, ENGAGED LEARNING, AND ENRICHMENT. 3. BROAD AUDIENCE - TO ATTRACT THE BROADEST POSSIBLE AUDIENCE TO THE MUSEUM AS CONSISTENT AND ENTHUSIASTIC PARTICIPANTS. 4. FISCAL STABILITY AND ORGANIZATIONAL EXCELLENCE - TO ACHIEVE AND MAINTAIN A STRONG FINANCIAL FOUNDATION. |
| FORM 990, PART III, LINE 4A | ANDY WARHOL: "PORTRAITS" PHOENIX ART MUSEUM IS PROUD TO PRESENT ANDY WARHOL: PORTRAITS, AN EXHIBITION ORGANIZED BY AND FEATURING ORIGINAL WORKS FROM THE ANDY WARHOL MUSEUM, ONE OF THE FOUR CARNEGIE MUSEUMS OF PITTSBURGH. AS AN ARTIST, ANDY WARHOL'S UNIQUE VISUAL LANGUAGE TELLS THE STORY OF AN ARTIST FASCINATED WITH THE PHENOMENA OF FAME AND CELEBRITY. THIS EXHIBITION FEATURES WARHOL'S DEPICTIONS OF THE PERSONA THAT FOREVER EMBEDDED CELEBRITIES LIKE MARILYN MONROE, SYLVESTER STALLONE AND PRINCE - TO NAME A FEW - INTO AMERICA'S CULTURAL CONSCIENCE AS WELL AS SEVERAL OF HIS SELF-PORTRAITS INCLUDING SILKSCREEN WORKS, POLAROIDS OF THE ARTIST IN DRAG, AND FAMILY PHOTOGRAPHS OF A YOUNG WARHOL. OFTEN CITED AS AN ICON OF THE POP ART MOVEMENT, WARHOL'S VISUAL EXPLORATIONS SPAN ALMOST EVERY AVAILABLE MEDIUM: DRAWING, PAINTING, PRINTMAKING, PHOTOGRAPHY, SILK SCREENING, SCULPTURE, FILM AND EVEN MUSIC. ANDY WARHOL: PORTRAITS INCLUDES NEARLY 200 PORTRAITS, PAINTINGS AND DRAWINGS PRODUCED BY WARHOL FROM THE 1940S TO THE 1980S. MORE THAN 25 YEARS AFTER HIS DEATH, WARHOL REMAINS UNDENIABLY ONE OF THE MOST INFLUENTIAL FIGURES IN CONTEMPORARY ART. THIS COMPREHENSIVE EXHIBITION OF PORTRAITURE BY WARHOL DEBUTED AT THE ANDY WARHOL MUSEUM IN SPRING 2010 AND IS ON VIEW AT PHOENIX ART MUSEUM FOR THE FIRST TIME IN THE SOUTHWEST. |
| FORM 990, PART III, LINE 4B | LEONARDO DA VINCI'S "CODEX LEICESTER AND THE POWER OF OBSERVATION" THERE'S NO QUESTION THAT LEONARDO DA VINCI (1452-1519) WAS ONE OF THE MOST INTRIGUING PEOPLE TO EVER LIVE. BRILLIANT IN THE ARTS, SCIENCES, AND ENGINEERING, LEONARDO DA VINCI WAS DRIVEN BY A DEEP SENSE OF CURIOSITY ABOUT THE WORLD AROUND HIM, RECORDING HIS OBSERVATIONS ON NUMEROUS PAGES OF PAPER, WHICH WERE LATER GATHERED AND BOUND AS MANUSCRIPTS, OR CODICES. THE ONLY MANUSCRIPT BY LEONARDO IN AN AMERICAN COLLECTION, THE CODEX LEICESTER (PRONOUNCED "LESS-TER") CONSISTS OF 18 DOUBLE-PAGE AND DOUBLED-SIDED SHEETS (72 PAGES TOTAL), AND ITS PRESENTATION AT PHOENIX ART MUSEUM WILL BE THE FIRST TIME A WORK BY THE HAND OF LEONARDO HIMSELF WILL BE ON VIEW IN ARIZONA. LEONARDO'S ACTIVE MIND AND WORKING METHOD ARE DEFINED IN THIS EXHIBITION BY THREE PRIMARY CHARACTERISTICS: CURIOSITY, DIRECT OBSERVATION, AND THINKING ON PAPER. THESE CHARACTERISTICS ARE VITAL PARTS OF THE CREATIVE PROCESS AND THEY PAVE THE WAY TOWARD GREAT DISCOVERIES AND INVENTIONS. THIS EXHIBITION OF LEONARDO'S CODEX LEICESTER WILL BE GROUNDBREAKING IN ITS APPROACH OF BRINGING LEONARDO INTO A BROAD ARTISTIC CONTEXT THAT EXPLORES HIS CONTINUING INFLUENCE ON ARTISTS INTO OUR OWN TIME. INCLUDED IN THE EXHIBITION WILL BE CAREFULLY SELECTED WORKS OF ART BY A DIVERSE GROUP OF ARTISTS WHO SHARED ASPECTS OF LEONARDO'S PRACTICES, INCLUDING LEONARDO'S ITALIAN RENAISSANCE CONTEMPORARY JACOPO DE' BARBARI, 19TH-CENTURY PAINTERS CLAUDE MONET AND GUSTAVE COURBET, PHOTOGRAPHERS ANSEL ADAMS, EDWARD WESTON, EADWEARD MUYBRIDGE AND HAROLD EDGERTON, AND LIVING ARTISTS KIKI SMITH, TONY FOSTER AND BILL VIOLA. IN THE 21ST CENTURY, VIDEO ARTIST BILL VIOLA HAS STRESSED THE VALUE OF WATCHING MOVEMENT IN EXTREMELY SLOW MOTION, WHILE OFTEN MAKING REFERENCE TO ART OF THE PAST. VIOLA'S THE RAFT, 2004, IS A VIDEO INSTALLATION IN WHICH AN ASSEMBLED GROUP OF INDIVIDUALS ARE SUBJECTED TO HIGH PRESSURE WATER HOSES, ALLOWING THE SCENE TO SLOWLY REVEAL THE EFFECTS. |
| FORM 990, PART III, LINE 4C | ANTONIO BERNI, "JUANITO AND ROMONA" EARLY IN HIS CAREER, ARGENTINEAN ARTIST ANTONIO BERNI (1905-1981) WAS WIDELY RECOGNIZED THROUGHOUT LATIN AMERICA AS A PIONEERING PAINTER OF HIS OWN STRAIN OF "NEW REALISM." HIS PAINTINGS OF THE 1930S AND 1940S FEATURE THEMES OF SOCIAL INJUSTICE PAINTED IN AN INNOVATIVE REALIST STYLE THAT DRAWS EMOTIONAL IMPACT FROM SENSITIVE DEPICTIONS OF THE DOWNTRODDEN. IN THE MID-1950S, MOTIVATED BY THE SOCIAL DISTRESS AND POVERTY HE WITNESSED AMID HIS COUNTRY'S RAPID INDUSTRIALIZATION AND PARALLEL SOCIO-POLITICAL UPHEAVALS, BERNI ABANDONED PAINTING FOR A MORE VISCERAL ARTISTIC MEDIUM: ASSEMBLAGE. IN 1958, HE BEGAN A SERIES OF WORKS THAT CHRONICLED THE TALES OF TWO FICTIONAL CHARACTERS, JUANITO LAGUNA AND RAMONA MONTIEL. JUANITO WAS A BOY WHO LEFT HIS HOME IN THE COUNTRYSIDE TO SEEK WORK IN BUENOS AIRES AND ENDED UP LIVING IN POVERTY IN THE CITY'S OUTSKIRTS IN THE SO-CALLED VILLAS MISERIAS (MISERY TOWNS OR SHANTYTOWNS). RAMONA, ON THE OTHER HAND, WAS A MIDDLE-CLASS TEENAGER WHO WAS LURED INTO A LIFE OF HIGH-SOCIETY PROSTITUTION BY THE PROMISE OF EXPENSIVE GIFTS AND A LIFE OF LUXURIOUS DECADENCE. BERNI CONTINUED WORKING WITH THESE TWO INVENTED CHARACTERS ALMOST EXCLUSIVELY UNTIL 1977, CONSTRUCTING NARRATIVES OF THEIR LIVES USING TRASH, MACHINE PARTS, AND OTHER DISCARDS FROM EVERYDAY LIFE. THIS LINK BETWEEN MATERIALS USED AND THE FICTIONAL WORLDS DEPICTED-THE SUBSTANCE AND THE SUBJECT-MIGHT BE CHARACTERIZED AS "MATERIAL REALISM." THIS SERIES DEVELOPED INTO A SOCIAL NARRATIVE ON INDUSTRIALIZATION AND POVERTY, UNDERSCORING DISPARITIES BETWEEN THE WEALTHY ARGENTINE ARISTOCRACY AND THE "JUANITOS" OF THE SLUMS, AND CONDEMNING THE LURID LIFE OF HIGH-SOCIETY PROSTITUTION. BERNI GAVE A VOICE TO THE VOICELESS. ALTHOUGH HE WAS A TREMENDOUSLY INFLUENTIAL ARTIST IN LATIN AMERICA, BERNI'S WORKS ARE NOT WELL KNOWN IN THE UNITED STATES. THIS EXHIBITION WILL REMEDY THAT, FEATURING 98 OBJECTS THAT SPAN A VARIETY OF MEDIA, INCLUDING ASSEMBLAGE, SCULPTURE, WORKS ON PAPER AND A SELECTION OF THE ARTIST'S SKETCHBOOKS AND PRINTING PLATES. IN ADDITION, SEVERAL OF HIS MONSTRUOS (MONSTERS) WILL ALSO BE FEATURED, ASSEMBLAGE SCULPTURES THAT DEPICT THE CHARACTERS THAT HAUNT JUANITO'S AND RAMONA'S NIGHTMARES. ANTONIO BERNI: JUANITO AND RAMONA IS THE FIRST EXHIBITION TO FOCUS ON THIS ICONIC SERIES CREATED BY BERNI AND IS THE FIRST BERNI EXHIBITION ORGANIZED BY A U.S. MUSEUM IN NEARLY FIFTY YEARS. |
| FORM 990, PART VI, SECTION A, LINE 6 | THE MUSEUM HAS A MEMBERSHIP PROGRAM THAT CURRENTLY HAS 11,615 MEMBERS. REGULAR MEMBERS AND CIRCLES MEMBERS, EACH GET ONE VOTE |
| FORM 990, PART VI, SECTION A, LINE 7A | MEMBERS OF THE GOVERNING BODY (BOARD OF TRUSTEES) ARE NOMINATED BY THE MUSEUM'S NOMINATING COMMITTEE AND THEN ARE VOTED UPON BY THE THE MUSEUM MEMBERSHIP. |
| FORM 990, PART VI, SECTION B, LINE 11 | THE RETURN WILL BE PROVIDED TO EACH BOARD MEMBER TO READ AND EACH WILL BE GIVEN THE OPPORTUNITY TO ASK QUESTIONS. |
| FORM 990, PART VI, SECTION B, LINE 12C | THE MUSEUM'S GUIDELINES FOR PROFESSIONAL PRACTICES QUESTIONNAIRE AND COMPLIANCE AGREEMENT IS REQUIRED TO BE COMPLETED AND SIGNED BY TRUSTEES, PRESIDENTS OF SUPPORT ORGANIZATIONS, MUSEUM DIRECTOR, DIVISION HEADS, DEPARTMENT HEADS, AND ALL ACCOUNTING STAFF ANNUALLY. THIS PROCESS IS DONE EVERY YEAR IN SEPTEMBER. THE COMPLETED AND SIGNED AGREEMENTS ARE REVIEWED BY HUMAN RESOURCES MANAGER FOR COMPLETENESS. ANY QUESTION THAT ARISES IS DISCUSSED WITH THE INDIVIDUAL SIGNING THE AGREEMENT. |
| FORM 990, PART VI, SECTION B, LINE 15 | DATA FROM OTHER MUSEUMS IS USED TO EVALUATE COMPENSATION FOR THE CEO, INCLUDING FROM THE AMERICAN ASSOCIATION OF MUSEUM DIRECTORS. THE EXECUTIVE COMMITTEE MAKES THE DECISION. FOR DETERMINING THE COMPENSATION OF OTHER OFFICERS OR KEY EMPLOYEES, COMPARISONS ARE MADE WITH OTHER MUSEUMS. DECISIONS MADE DURING BUDGET PROCESS. |
| FORM 990, PART VI, SECTION C, LINE 19 | THE ORGANIZATION FINANCIAL STATEMENTS ARE AVAILABLE ON THE WEBSITE AND THE ORGANIZATION MAKES ITS GOVERNING DOCUMENTS AND CONFLICT OF INTEREST POLICY AVAILABLE UPON REQUEST. |
| FORM 990, PART XI, LINE 9: | ACQUISITION OF FINE ART -283,919. SUPPLEMENTAL RETIREMENT -375,000. |
| FORM 990, PART XII, LINE 2C: | THE ORGANIZATION HAS NOT CHANGED ITS OVERSIGHT PROCESS FOR THE AUDIT OR ITS SELECTION PROCESS FOR INDEPENDENT AUDITORS DURING THE YEAR. |
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| Software Version: |