Attach to Form 990 or Form 990-EZ.
Information about Schedule A (Form 990 or 990-EZ) and its instructions is at www.irs.gov/form990.
| (i)Name of supported organization | (ii) EIN | (iii) Type of organization (described on lines 1- 9 above or IRC section (see instructions)) | (iv) Is the organization listed in your governing document? | (v) Amount of monetary support (see instructions) | (vi) Amount of other support (see instructions) | |
|---|---|---|---|---|---|---|
| Yes | No | |||||
| Total | ||||||
Calendar year (or fiscal year beginning in) ![]() |
(a) 2010 | (b) 2011 | (c) 2012 | (d) 2013 | (e) 2014 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 1 | Gifts, grants, contributions, and membership fees received. (Do not include any "unusual grants.") .... | ||||||
| 2 | Tax revenues levied for the organization's benefit and either paid to or expended on its behalf....... | ||||||
| 3 | The value of services or facilities furnished by a governmental unit to the organization without charge.. | ||||||
| 4 | Total. Add lines 1 through 3 | ||||||
| 5 | The portion of total contributions by each person (other than a governmental unit or publicly supported organization) included on line 1 that exceeds 2% of the amount shown on line 11, column (f).. | ||||||
| 6 | Public support. Subtract line 5 from line 4. | 0 | |||||
Calendar year
(or fiscal year beginning in) ![]() |
(a) 2010 | (b) 2011 | (c) 2012 | (d) 2013 | (e) 2014 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 7 | Amounts from line 4.. | ||||||
| 8 | Gross income from interest, dividends, payments received on securities loans, rents, royalties and income from similar sources... | ||||||
| 9 | Net income from unrelated business activities, whether or not the business is regularly carried on.. | ||||||
| 10 | Other income. Do not include gain or loss from the sale of capital assets (Explain in Part VI.).. | ||||||
| 11 | Total support Add lines 7 through 10. | ||||||
Calendar year (or fiscal year beginning in) ![]() |
(a) 2010 | (b) 2011 | (c) 2012 | (d) 2013 | (e) 2014 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 1 | Gifts, grants, contributions, and membership fees received. (Do not include any "unusual grants.") . | 94,165 | 112,586 | 122,198 | 112,586 | 72,433 | 513,968 |
| 2 | Gross receipts from admissions, merchandise sold or services performed, or facilities furnished in any activity that is related to the organization's tax-exempt purpose...... | 195,489 | 337,528 | 197,820 | 319,596 | 100,527 | 1,150,960 |
| 3 | Gross receipts from activities that are not an unrelated trade or business under section 513.. | ||||||
| 4 | Tax revenues levied for the organization's benefit and either paid to or expended on its behalf... | ||||||
| 5 | The value of services or facilities furnished by a governmental unit to the organization without charge.. | ||||||
| 6 | Total. Add lines 1 through 5. | 289,654 | 450,114 | 320,018 | 432,182 | 172,960 | 1,664,928 |
| 7a | Amounts included on lines 1, 2, and 3 received from disqualified persons... | ||||||
| b | Amounts included on lines 2 and 3 received from other than disqualified persons that exceed the greater of $5,000 or 1% of the amount on line 13 for the year. | ||||||
| c | Add lines 7a and 7b.. | ||||||
| 8 | Public support (Subtract line 7c from line 6.) | 1,664,928 | |||||
Calendar year (or fiscal year beginning in) ![]() |
(a) 2010 | (b) 2011 | (c) 2012 | (d) 2013 | (e) 2014 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 9 | Amounts from line 6... | 289,654 | 450,114 | 320,018 | 432,182 | 172,960 | 1,664,928 |
| 10a | Gross income from interest, dividends, payments received on securities loans, rents, royalties and income from similar sources.. | 32 | 79 | 32 | 17 | 160 | |
| b | Unrelated business taxable income (less section 511 taxes) from businesses acquired after June 30, 1975. | 0 | |||||
| c | Add lines 10a and 10b. | 32 | 79 | 32 | 17 | 160 | |
| 11 | Net income from unrelated business activities not included in line 10b, whether or not the business is regularly carried on. | 0 | |||||
| 12 | Other income. Do not include gain or loss from the sale of capital assets (Explain in Part VI.) .. | 0 | |||||
| 13 | Total support. (Add lines 9, 10c, 11, and 12.).. | 289,654 | 450,146 | 320,097 | 432,214 | 172,977 | 1,665,088 |
| Section A - Adjusted Net Income | (A) Prior Year |
(B) Current Year (optional) |
||||
| 1 | Net short-term capital gain | 1 | ||||
| 2 | Recoveries of prior-year distributions | 2 | ||||
| 3 | Other gross income (see instructions) | 3 | ||||
| 4 | Add lines 1 through 3 | 4 | ||||
| 5 | Depreciation and depletion | 5 | ||||
| 6 | Portion of operating expenses paid or incurred for production or collection of gross income or for management, conservation, or maintenance of property held for production of income (see instructions) | 6 | ||||
| 7 | Other expenses (see instructions) | 7 | ||||
| 8 | Adjusted Net Income (subtract lines 5, 6 and 7 from line 4) | 8 | ||||
| Section B - Minimum Asset Amount | (A) Prior Year |
(B) Current Year (optional) |
||||
| 1 | Aggregate fair market value of all non-exempt-use assets (see instructions for short tax year or assets held for part of year): | 1 | ||||
| a | Average monthly value of securities | 1a | ||||
| b | Average monthly cash balances | 1b | ||||
| c | Fair market value of other non-exempt-use assets | 1c | ||||
| d | Total (add lines 1a, 1b, and 1c) | 1d | ||||
| e | Discount claimed for blockage or other factors (explain in detail in Part VI): | |||||
| 2 | Acquisition indebtedness applicable to non-exempt use assets | 2 | ||||
| 3 | Subtract line 2 from line 1d | 3 | ||||
| 4 | Cash deemed held for exempt use. Enter 1-1/2% of line 3 (for greater amount, see instructions). | 4 | ||||
| 5 | Net value of non-exempt-use assets (subtract line 4 from line 3) | 5 | ||||
| 6 | Multiply line 5 by .035 | 6 | ||||
| 7 | Recoveries of prior-year distributions | 7 | ||||
| 8 | Minimum Asset Amount (add line 7 to line 6) | 8 | ||||
| Section C - Distributable Amount | Current Year | |||||
| 1 | Adjusted net income for prior year (from Section A, line 8, Column A) | 1 | ||||
| 2 | Enter 85% of line 1 | 2 | ||||
| 3 | Minimum asset amount for prior year (from Section B, line 8, Column A) | 3 | ||||
| 4 | Enter greater of line 2 or line 3 | 4 | ||||
| 5 | Income tax imposed in prior year | 5 | ||||
| 6 | Distributable Amount. Subtract line 5 from line 4, unless subject to emergency temporary reduction (see instructions) | 6 | ||||
| 7 | Check here if the current year is the organization's first as a non-functionally-integrated Type III supporting organization (see instructions) | |||||
| Section D - Distributions | Current Year | |
|---|---|---|
| 1 Amounts paid to supported organizations to accomplish exempt purposes | ||
|
2
Amounts paid to perform activity that directly furthers exempt purposes of supported organizations, in excess of income from activity |
||
| 3 Administrative expenses paid to accomplish exempt purposes of supported organizations | ||
| 4 Amounts paid to acquire exempt-use assets | ||
| 5 Qualified set-aside amounts (prior IRS approval required) | ||
| 6 Other distributions (describe in Part VI). See instructions | ||
| 7Total annual distributions. Add lines 1 through 6. | ||
|
8
Distributions to attentive supported organizations to which the organization is responsive (provide details in Part VI). See instructions |
||
| 9 Distributable amount for 2014 from Section C, line 6 | ||
| 10 Line 8 amount divided by Line 9 amount | ||
| Section E - Distribution Allocations (see instructions) |
(i) Excess Distributions |
(ii) Underdistributions Pre-2014 |
(iii) Distributable Amount for 2014 |
|
|---|---|---|---|---|
|
1
Distributable amount for 2014 from Section C, line 6 |
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|
2
Underdistributions, if any, for years prior to 2014 (reasonable cause required--see instructions) |
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| 3 Excess distributions carryover, if any, to 2014: | ||||
| a From 2009.......X | ||||
| b From 2010.......X | ||||
| c From 2011.......X | ||||
| d From 2012.......X | ||||
| e From 2013....... | ||||
| fTotal of lines 3a through e | ||||
| g Applied to underdistributions of prior years | ||||
| h Applied to 2014 distributable amount | ||||
|
i
Carryover from 2009 not applied (see instructions) |
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| j Remainder. Subtract lines 3g, 3h, and 3i from 3f. | ||||
| 4Distributions for 2014 from Section D, line 7: | ||||
| $ | ||||
| a Applied to underdistributions of prior years | ||||
| b Applied to 2014 distributable amount | ||||
| c Remainder. Subtract lines 4a and 4b from 4. | ||||
|
5
Remaining underdistributions for years prior to 2014, if any. Subtract lines 3g and 4a from line 2 (if amount greater than zero, see instructions) |
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|
6
Remaining underdistributions for 2014. Subtract lines 3h and 4b from line 1 (if amount greater than zero, see instructions) |
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|
7 Excess distributions carryover to 2015. Add lines 3j and 4c. |
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| 8 Breakdown of line 7: | ||||
| a From 2010.......X | ||||
| b From 2011.......X | ||||
| c From 2012.......X | ||||
| d From 2013....... | ||||
| e From 2014....... | ||||
| Facts And Circumstances Test |
|---|
| Return Reference | Explanation |
|---|
| Software ID: | 14000292 |
| Software Version: | 14.4.1.0 |
Attach to Form 990 or 990-EZ.
Information about Schedule O (Form 990 or 990-EZ) and its instructions is at| Return Reference | Explanation |
|---|---|
| Form 990, Part III, Line 1 | Carpe Diem String Quartets core mission is to redefine the chamber music experience, forge a new identity for chamber music, and bring musical access to the widest audience possible, regardless of means and circumstance. The Carpe Diem String Quartet is dedicated to achieving the highest level of performance by championing music of living composers with a balance of the classics and uncovering overlooked treasures of the chamber music repertoire. Carpe Diem is committed to musical education, integration with other art forms, and developing future lifelong music lovers. In addition to the classics, Carpe Diem performs contemporary music, popular music, their own original compositions, and also commissions new works, thereby augmenting the string quartet repertoire. By performing programs designed to appeal to audiences of all ages, means, and circumstances and establishing classical musics relevance to their lives, Carpe Diem creates new audiences inside and outsdie of the concert hall and revitalizes the chamber music experience. |
| Form 990, Part III, Line 4a | Carpe Diem String Quartet is extensively committed to community engagement and musical education. The quartet continued to provide concerts in K-12 school settings in Ohio school districts and on tour throughout the United States, to music students and non-music students alike, supplementing existing music programs and bringing music into schools where no program currently exists. The audiences for all of these engagement programs, while vastly different, have one element in common a need for non-traditional programs and musical programming that falls outside the normal classical repertoire. Carpe Diem adjusted and altered programming to custom fit these widely varied demographics to suit each audience. Altering the programs and musical choices both gives the group greater leverage in attracting younger and broader audiences and makes the group relevant to people who may have had no prior experience with classical music or stringed instruments. Between 1 July 2014 and 30 June 2015 the quartet visited classrooms throughout the United States, with appearances in Laurel MT, Billings MT, Park City MT, Red Lodge MT, Neskowin OR, Safford Az, Thatcher Az, Willcox AZ, and the San Carlos Apache School on the San Carlos Reservation, AZ. Carpe Diem also gave masterclasses, question and answer sessions and panel discussions about music and entrepreneurship at Eastern Arizona College, St Vincents College PA, Palm Beach Atlantic University FL, and at the Alberta Bair Theater in Billings MT. While on tour, Carpe Diem performed ticketed concerts in Norfolk and Williamsburg VA, Charleston WV, Billings MT, Neskowin and Portland OR, Safford and Gold Canyon AZ, Pittsburgh PA, Palm Beach FL, Denver, Breckenridge and Boulder Co as well as on the radio in many of the above markets.Due to the collaborative nature of many of the quartets programs, Carpe Diem was able to strengthen ties with longtime artistic partner Columbus Dance Theatre, reconnect with pipa player Yihan Chen and rock singer/songwriter/guitarist Andrew Lipke, and build new ties with classical guitarist Nicolo Spera, the Led Zeppelin tribute band Get The Led Out, violinist/violist James Buswell, mandolinist Jeff Midkiff, and Dr. Markus Schmidt, President and Director of Research at the Ohio Sleep Medicine Institute who introduced the Ohio premiere of Korine Fujiwaras Morpheus Rides a work written in reference and reflection of the science of sleep. The wide variety of music represented was greatly appreciated by audiences and helped stretch musical boundaries for all involved. Carpe Diem continues to extend its mission of using music as a tool to bridge into communities and raise awareness. The quartet continued to bring free family concerts to the Central Ohio community on Seize the Music concert weekends, inviting families of all sizes and children of all ages to listen and enjoy the music, while maintaining an informal atmosphere and an open question and answer dialogue throughout the event. Carpe Diem also performed free concerts for skilled nursing facilities and in a wide variety of venues, including a concert at the Westminster Thurber Community in Columbus, OH. Carpe Diem continued their popular Columbus-based series Seize the Music, exploring multiple musical genres as well as presenting the standard quartet repertoire. After outgrowing its space at Harrison Park Community Center, Carpe Diem relocated the series to the McConnell Arts Center MAC in Worthington OH. World and Ohio Premieres of works by modern composers Lawrence Dillon, Korine Fujiwara, Tan Dun, Toru Takemitsu, and Jonathan Leshnoff were paired with works from the standard repertoire by Hugo Wolf, Luigi Boccherini, Edvard Grieg, Joseph Haydn, Claude Debussy, Anton Dvorak, and Samuel Barber, and rarely performed pieces such as Paul Juons String Quartet No. 1 OP 5, Arthur Footes Quartet for Strings No. 2, OP.32, and the Viola Quintet Op 16 by Sergei Taneyev. The highlight of the 14-15 season was Carpe Diems East Meets West festival presented by PNC ArtsAlive. This program, the third on the Seize the Music series, celebrated the rich heritage of Asia with a festival featuring the musical, visual and culinary arts of China and Japan. Festival activities began during the week prior to the concerts, with Carpe Diem presenting preview concerts to schools in central Ohio. These three school performances were shared via eStage, Carpe Diems live online broadcasting program, to an unlimited number of schools both in and outside Ohio. The festivals culmination was a weekend of performances held at the McConnell Arts Center in Worthington. Prior to each concert, there was a display of kimonos, a performance by the Sakura Koto Group, and multiple mini seminars featuring the arts of Ikebana, calligraphy and martial arts. Chinese and Japanese teas and a variety of Asian food were served by ZenCha Tea Salon. Collaborators included pipa player Yihan Chen, Sakura Koto Group, calligraphist Cristeen Wu, martial arts master Sen Gao, Ikebana master Ching-Huey Dolly Yang and dancer Daphne Wu.The full-length Saturday and Sunday concerts featured performances of the traditional Japanese fold song Sakura with the Sakura Koto Group, Tan Duns dramatic and theatrical Ghost Opera for string quartet and pipa, Toru Takemitsus atmospheric A Way A Lone paired with a demonstration of Ikebana flower arranging, and the Debussy String Quartet, presented as a marriage of music and visual arts. The movements of the Debussy were combined with calligraphic brush painting, fan and ribbon dances, and a variety of martial arts. Other highlights include an exhibition of the Chinese Lion Dance. On Sunday afternoon Carpe Diem presented a short, child-friendly version of the concert as a free family event in addition to the full-length program, including a peformance of Hana Saki Yama by the Sakura Koto Group. |
| Form 990, Part III, Line 4a | CONTINUED Through the East Meets West festival, Carpe Diem was able to create new relationships within the Chinese, Taiwanese, and Japanese communities, as well as the central Ohio community at large. The quartet celebrated the Chinese New Year with members of the Chinese community in Columbus in the week prior to the festval, and was able to form new friendships and partnerships there. Carpe Diem established new relationships in central Ohio schools with peformance for the entire student body of the Grapham School in Clintonville, and a special program for the students studying Chinese at the McVey Innovatiive Leariing Center in Hilliard City Schools. They also performed two concerts at Avery Elementary School in Hilliard Ohio in order to reach the entire student body. A grant from PNC ArtsAlive allowed Carpe Diem to fully realize Tan Duns Ghost Opera and expand the performance range of all quartet members and guest artist Yihan Chen. Presenting fully staged performance art, with instruments including cymbals, gongs, tam tams, rocks, singing, dramatic reading, and movement allowed the members to fearlessly stretch their artistic creativity. The quartets presentation of Ghost Opera necessitated the move to an actual theater, rather than the common room of Harrison Park Community Center that until this season was the concert home of Carpe Diem String Quartet. Additionally, the quartet was running out of space at Harrison Park, especially during Sunday afternoon concerts. The East Meets West prpject was the catalyst for the quartets move to the McConnell Arts Center. This move has in turn generated greater interest in the quartets free family concerts and ticketed concerts among Worthington residents who visit the MAC for other activities. It has also served the quartets current audience base well, as many of them already lived in Worthington. Carpe Diem is growing into the larger venue quickly, which is evidenced by the marked increase in ticket sales over the same period as last year. Carpe Diem was honored to be presented with a Franklin County Commissioners Award in cleberation of the East Meets West festival, public recognition of East Meets West presented by PNC ArtsAlive and the quartets dedication to the central Ohio community. Despite the political climate of the last decade, Carpe Diem has embarked on a performance and recording project to promote the music of Persian Iranian composers. This rich musical culture has been largely overlooked in the west, particularly the United States. Through relationships forged during Carpe Diems 2012 Persian Musical Feast - a weekend of Pesian art, poetry, food, carpet-weaving, classical Iranian art and the traditional Iranian folk music - the quartet successfully recorded the remainder fo the Calligraphy series of quartets by Persian composer Reza Vali for international distribution, and has garnered invitations to perform at the International Fair Festival in Tehran, Iran. Carpe Diem completed sessions for the final volume of the planned 5 disk set of the string quartets of Sergei Taneyev, distributed on the Naxos label. The Quartet also successfully finished recording sessions for Claudel, music written by Korine Fujiwara for the multimedia production of the same name. Champions of todays new music, Carpe Diem performed newly commissioned works by Lawrence Dillon, Korine Fujiwara, and Jonathan Leshnoff. Carpe Diem continued its collaborations with the Columbs Dance Theatre. Both organizations are committed to combining different art forms to create new and original projects that reach outside the trditional boundaries of both mediums. All works feature the dancers and musicians on stage together. In February, Carpe Diem and CDT relaunched a revisal of Claudel in the Lincoln Theatre, a much larger venue, in order to serve a wider audience, featured a musical score by Korine Fujiwara, and a multi-media presentation of, photography, text, song and dance, with images of the sculpted works of Camille Claudel superimposed upon and combined with photos of the dancers, and a set of original poems written especialy for the collaborative work by poet Kathleen Kirk. All facets were brought to life by the brilliant choreography of Tim Veach, the compelling actiing of Chris Kirk, the dancers of CDT, and the musicans of Carpe Diem. Claudel has been nominated twice for Artistic Exellence awards by the Greater Columbus Arts Council. Carpe Diem and Columbus Dance Theatre alsopresented the world premier of Anne, Diary in Dance CDT artistic director Tim Veach created chorepgraphy for an original score by quartet member Charles Wetherbee. It was performed by the dancers of the Company and School of Columbus Dance Theatre and Carpe Diem String Quartet along with recorded voices of girls from through out the Central Ohio community. Carpe Diem has become one of the leading voices of the chamber music world, exploring new ways to present music, to integrate different musical genres, and to attract new audiences. Regulary cited for its adventurous programs, Carpe Diem continues to Seize the Music. |
| Form 990, Part VI, Section A, Line 2 | EXPLANATION Trustee members Jean Wu and I-Cheng Huang are a married couple. |
| Form 990, Part VI, Section b, Line 11b | EXPLANATION The Form 990 is prepared by an outside accounting firm, reviewed by the Treasurer and distributed to the full board of directors prior to filing. |
| Form 990, Part VI, Section C, Line 19 | EXPLANATION The organization makes its governing documents and financial statements available to the public upon request. |
| Form 990, Part IX, Line 11g | EXPLANATION All fees paid to professional musicians contracted to perform with the organization. |
| Software ID: | 14000292 |
| Software Version: | 14.4.1.0 |