Attach to Form 990 or Form 990-EZ.
Information about Schedule A (Form 990 or 990-EZ) and its instructions is at www.irs.gov/form990.
| (i)Name of supported organization | (ii) EIN | (iii) Type of organization (described on lines 1- 9 above (see instructions)) | (iv) Is the organization listed in your governing document? | (v) Amount of monetary support (see instructions) | (vi) Amount of other support (see instructions) | |
|---|---|---|---|---|---|---|
| Yes | No | |||||
| Total | ||||||
Calendar year (or fiscal year beginning in) ![]() |
(a) 2011 | (b) 2012 | (c) 2013 | (d) 2014 | (e) 2015 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 1 | Gifts, grants, contributions, and membership fees received. (Do not include any unusual grants.) .... | ||||||
| 2 | Tax revenues levied for the organization's benefit and either paid to or expended on its behalf....... | ||||||
| 3 | The value of services or facilities furnished by a governmental unit to the organization without charge.. | ||||||
| 4 | Total. Add lines 1 through 3 | ||||||
| 5 | The portion of total contributions by each person (other than a governmental unit or publicly supported organization) included on line 1 that exceeds 2% of the amount shown on line 11, column (f).. | ||||||
| 6 | Public support. Subtract line 5 from line 4. | ||||||
Calendar year
(or fiscal year beginning in) ![]() |
(a) 2011 | (b) 2012 | (c) 2013 | (d) 2014 | (e) 2015 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 7 | Amounts from line 4.. | ||||||
| 8 | Gross income from interest, dividends, payments received on securities loans, rents, royalties and income from similar sources... | ||||||
| 9 | Net income from unrelated business activities, whether or not the business is regularly carried on.. | ||||||
| 10 | Other income. Do not include gain or loss from the sale of capital assets (Explain in Part VI.).. | ||||||
| 11 | Total support. Add lines 7 through 10. | ||||||
Calendar year (or fiscal year beginning in) ![]() |
(a) 2011 | (b) 2012 | (c) 2013 | (d) 2014 | (e) 2015 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 1 | Gifts, grants, contributions, and membership fees received. (Do not include any "unusual grants.") . | 295,013 | 166,499 | 153,514 | 117,481 | 254,609 | 987,116 |
| 2 | Gross receipts from admissions, merchandise sold or services performed, or facilities furnished in any activity that is related to the organization's tax-exempt purpose...... | 115,433 | 37,373 | 65,474 | 34,712 | 15,974 | 268,966 |
| 3 | Gross receipts from activities that are not an unrelated trade or business under section 513... | ||||||
| 4 | Tax revenues levied for the organization's benefit and either paid to or expended on its behalf... | ||||||
| 5 | The value of services or facilities furnished by a governmental unit to the organization without charge.. | ||||||
| 6 | Total. Add lines 1 through 5. | 410,446 | 203,872 | 218,988 | 152,193 | 270,583 | 1,256,082 |
| 7a | Amounts included on lines 1, 2, and 3 received from disqualified persons... | ||||||
| b | Amounts included on lines 2 and 3 received from other than disqualified persons that exceed the greater of $5,000 or 1% of the amount on line 13 for the year. | ||||||
| c | Add lines 7a and 7b.. | ||||||
| 8 | Public support. (Subtract line 7c from line 6.) | 1,256,082 | |||||
Calendar year (or fiscal year beginning in) ![]() |
(a) 2011 | (b) 2012 | (c) 2013 | (d) 2014 | (e) 2015 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 9 | Amounts from line 6... | 410,446 | 203,872 | 218,988 | 152,193 | 270,583 | 1,256,082 |
| 10a | Gross income from interest, dividends, payments received on securities loans, rents, royalties and income from similar sources.. | ||||||
| b | Unrelated business taxable income (less section 511 taxes) from businesses acquired after June 30, 1975. | ||||||
| c | Add lines 10a and 10b. | ||||||
| 11 | Net income from unrelated business activities not included in line 10b, whether or not the business is regularly carried on. | ||||||
| 12 | Other income. Do not include gain or loss from the sale of capital assets (Explain in Part VI.) .. | ||||||
| 13 | Total support. (Add lines 9, 10c, 11, and 12.).. | 410,446 | 203,872 | 218,988 | 152,193 | 270,583 | 1,256,082 |
| Section A - Adjusted Net Income | (A) Prior Year |
(B) Current Year (optional) |
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| 1 | Net short-term capital gain | 1 | ||||
| 2 | Recoveries of prior-year distributions | 2 | ||||
| 3 | Other gross income (see instructions) | 3 | ||||
| 4 | Add lines 1 through 3 | 4 | ||||
| 5 | Depreciation and depletion | 5 | ||||
| 6 | Portion of operating expenses paid or incurred for production or collection of gross income or for management, conservation, or maintenance of property held for production of income (see instructions) | 6 | ||||
| 7 | Other expenses (see instructions) | 7 | ||||
| 8 | Adjusted Net Income (subtract lines 5, 6 and 7 from line 4) | 8 | ||||
| Section B - Minimum Asset Amount | (A) Prior Year |
(B) Current Year (optional) |
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| 1 | Aggregate fair market value of all non-exempt-use assets (see instructions for short tax year or assets held for part of year): | 1 | ||||
| a | Average monthly value of securities | 1a | ||||
| b | Average monthly cash balances | 1b | ||||
| c | Fair market value of other non-exempt-use assets | 1c | ||||
| d | Total (add lines 1a, 1b, and 1c) | 1d | ||||
| e |
Discount claimed for blockage or other factors (explain in detail in Part VI): |
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| 2 | Acquisition indebtedness applicable to non-exempt use assets | 2 | ||||
| 3 | Subtract line 2 from line 1d | 3 | ||||
| 4 | Cash deemed held for exempt use. Enter 1-1/2% of line 3 (for greater amount, see instructions). | 4 | ||||
| 5 | Net value of non-exempt-use assets (subtract line 4 from line 3) | 5 | ||||
| 6 | Multiply line 5 by .035 | 6 | ||||
| 7 | Recoveries of prior-year distributions | 7 | ||||
| 8 | Minimum Asset Amount (add line 7 to line 6) | 8 | ||||
| Section C - Distributable Amount | Current Year | |||||
| 1 | Adjusted net income for prior year (from Section A, line 8, Column A) | 1 | ||||
| 2 | Enter 85% of line 1 | 2 | ||||
| 3 | Minimum asset amount for prior year (from Section B, line 8, Column A) | 3 | ||||
| 4 | Enter greater of line 2 or line 3 | 4 | ||||
| 5 | Income tax imposed in prior year | 5 | ||||
| 6 | Distributable Amount. Subtract line 5 from line 4, unless subject to emergency temporary reduction (see instructions) | 6 | ||||
| Section D - Distributions | Current Year | |
|---|---|---|
| 1 Amounts paid to supported organizations to accomplish exempt purposes | ||
|
2
Amounts paid to perform activity that directly furthers exempt purposes of supported organizations, in excess of income from activity |
||
| 3 Administrative expenses paid to accomplish exempt purposes of supported organizations | ||
| 4 Amounts paid to acquire exempt-use assets | ||
| 5 Qualified set-aside amounts (prior IRS approval required) | ||
| 6 Other distributions (describe in Part VI). See instructions | ||
| 7Total annual distributions. Add lines 1 through 6. | ||
|
8
Distributions to attentive supported organizations to which the organization is responsive (provide details in Part VI). See instructions |
||
| 9 Distributable amount for 2015 from Section C, line 6 | ||
| 10 Line 8 amount divided by Line 9 amount | ||
| Section E - Distribution Allocations (see instructions) |
(i) Excess Distributions |
(ii) Underdistributions Pre-2015 |
(iii) Distributable Amount for 2015 |
|
|---|---|---|---|---|
|
1
Distributable amount for 2015 from Section C, line 6 |
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|
2
Underdistributions, if any, for years prior to 2015 (reasonable cause required--see instructions) |
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| 3 Excess distributions carryover, if any, to 2015: | ||||
| a | ||||
| b | ||||
| c | ||||
| d From 2013....... | ||||
| e From 2014....... | ||||
| fTotal of lines 3a through e | ||||
| g Applied to underdistributions of prior years | ||||
| h Applied to 2015 distributable amount | ||||
|
i
Carryover from 2010 not applied (see instructions) |
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| j Remainder. Subtract lines 3g, 3h, and 3i from 3f. | ||||
| 4Distributions for 2015 from Section D, line 7: | ||||
| $ | ||||
| a Applied to underdistributions of prior years | ||||
| b Applied to 2015 distributable amount | ||||
| c Remainder. Subtract lines 4a and 4b from 4. | ||||
|
5
Remaining underdistributions for years prior to 2015, if any. Subtract lines 3g and 4a from line 2 (if amount greater than zero, see instructions) |
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|
6
Remaining underdistributions for 2015. Subtract lines 3h and 4b from line 1 (if amount greater than zero, see instructions) |
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7 Excess distributions carryover to 2016. Add lines 3j and 4c. |
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| 8 Breakdown of line 7: | ||||
| a | ||||
| b | ||||
| c Excess from 2013....... | ||||
| d From 2014....... | ||||
| e From 2015....... | ||||
| Facts And Circumstances Test |
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| Return Reference | Explanation |
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| Software ID: | |
| Software Version: |
Attach to Form 990 or 990-EZ.
Information about Schedule O (Form 990 or 990-EZ) and its instructions is at| Return Reference | Explanation |
|---|---|
| FORM 990 - ORGANIZATION'S MISSION | TO ENRICH THE CULTURAL LANDSCAPE OF THE REGION THROUGH THE PRESENTATION OF SHAKESPEARE, CLASSICALLY-INSPIRED AND CULTURALLY SIGNIFICANT WORKS, AND TO PROVIDE EDUCATIONAL AND TRAINING OPPORTUNITIES THROUGH WORKSHOPS, SEMINARS, COMMUNITY FESTIVALS AND HANDS-ON PARTICIPATION IN THE CREATION AND EXECUTION OF THEATRICAL WORKS. |
| FORM 990, PAGE 2, PART III, LINE 4A | THE DIA DE LOS MUERTOS FESTIVAL IS A COLLABORATION BETWEEN MANY LOCAL BUSINESSES AND COMMUNITY PARTNERS, AND IS INSPIRED BY THE DAY OF THE DEAD HOLIDAY WHERE PEOPLE THROUGHOUT LATIN AMERICA GATHER TO CELEBRATE THE LIVES OF DEPARTED FRIENDS AND FAMILY. THE FESTIVAL BEGINS WITH A PROCESSION, FROM THE FIRST CONGREGATIONAL CHURCH ON PALOUSE, DOWN MAIN STREET, AND ENDING AT THE THEATER FOR A FREE CONCERT FEATURING PASCO HIGH SCHOOL MARIACHI, BALLET FOLKLORICO. MORE THAN 100 LOCAL STUDENTS PARTICIPATED IN THE PROCESSION WITH PAINTED FACES OR MASKS THEY CREATED AHEAD OF TIME. AT THE CENTER OF THE FESTIVAL IS THE POPULAR STEAMROLLER PRINT PROJECT LED BY WHITMAN COLLEGE ART PROFESSOR NICOLE PIETRANTONI. RELIEFS ARE CARVED INTO WOODEN BLOCKS DEPICTING ICONIC DIA DE LOS MUERTOS IMAGES (SKULLS, SKELETONS, HARVEST, AND NATURE), AND A STEAMROLLER IS USED AS A PRINTING PRESS TO CREATE GIANT PRINTS WHICH WILL BE ON DISPLAY AND FOR SALE AFTER THE FESTIVAL. OTHER FREE ACTIVITIES INCLUDED FACE-PAINTING, A SHAKESPEAREAN-THEMED "PAGEANT OF THE DEAD" PERFORMED BY LOCAL STUDENT GROUPS, MUSIC, DANCE PERFORMANCES AND MORE. COMMUNITY ALTARS (OFRENDAS) WERE ALSO ON DISPLAY. IN-SCHOOL RESIDENCIES LIVING WITH SHAKESPEARE OUR LIVING WITH SHAKESPEARE RESIDENCY ENCOURAGES STUDENTS TO EXPERIENCE SHAKESPEARE AS THE ELIZABETHANS DID: WITH DANCING, FIGHTING, MUSIC, COLLABORATION, AND WORDPLAY. STUDENTS (AND TEACHER) LEARN HOW TO "PULL" EACH OTHER'S HAIR ON STAGE FIGHTING DAY. OUR TEACHING ARTISTS MOVE SHAKESPEARE'S STORIES AND LANGUAGE OFF THE PAGE AND INTO THE HEARTS, BODIES, VOICES, AND IMAGINATIONS OF STUDENTS AS THEY PARTICIPATE IN THEATER GAMES AND ACTIVITIES. OUR 4-DAY RESIDENCY WORKS ALONGSIDE ENGLISH CURRICULA TO INTRODUCE SHAKESPEARES WORKS AND TIME PERIOD TO STUDENTS IN AN ENGAGING ACTIVITY-BASED, THEATER-CENTERED FORMAT. STUDENTS ARE ON THEIR FEET LEARNING POETRY, HISTORY, STAGING, LANGUAGE, STAGE-COMBAT, ELIZABETHAN DANCING, SELF-EXPRESSION, CLASS DIVISIONS, AND THE CORRELATION BETWEEN SHAKESPEARE AND HIP-HOP. THE HIGH SCHOOL CURRICULUM FOCUSES ON ROMEO & JULIET; MIDDLE SCHOOL CURRICULUM FOCUSES ON MUCH ADO ABOUT NOTHING. ROMEO & JULIET 4-DAY RESIDENCY MODEL: DAY 1: INTRO TO SHAKESPEARES WORLD, LANGUAGE, AND IAMBIC PENTAMETER DAY 2: TABLEAUX AND STAGING DAY 3: SHAKESPEARES INSULTS AND STAGE-COMBAT DAY 4: ELIZABETHAN DRESS, CLASS DIVISIONS, AND DANCING R&J PERFORMERS FROM SEATTLE SHAKESPEARE POSE WITH OVER 250 STUDENTS AFTER THE SHOW. WHAT TEACHERS ARE SAYING: THE SHAKESPEARE WALLA WALLA IN-SCHOOL RESIDENCY PROGRAM CONSISTENTLY PRODUCES EXCITEMENT IN THE CLASSROOM. STUDENTS ENJOY HAVING GUEST VOLUNTEERS PRESENTING NEW AND INTERESTING IDEAS. HERE ARE WHAT A FEW RECENT TEACHERS HAD TO SAY ABOUT OUR PROGRAM: " AS THEY READ SHAKESPEARE, THE STUDENTS ARE ABLE TO GAIN A MENTAL PICTURE OF WHAT IS HAPPENING IN THE STORY BECAUSE OF WHAT THEY LEARNED IN THE RESIDENCY. THEY LEARNED THAT SHAKESPEARE TRULY SHAPED OUR LANGUAGE AND LITERATURE AS WE KNOW IT TODAY, AND AS A RESULT, THEY ARE LOVING WHAT WE ARE DOING DESPITE THE DENSITY OF THE LANGUAGE." - COLLEGE PLACE HIGH SCHOOL "ON 'LEARN HOW TO FIGHT DAY', 100% OF THE FEMALE STUDENTS (RATHER THAN SHY AWAY AND CLAIM WEARING A SKIRT AS A REASON NOT TO PARTICIPATE, AS MANY OF THEM DO IN PE CLASS) EAGERLY ASKED TO BE ALLOWED TO CHANGE INTO THE PE CLOTHES TO BE BETTER PREPARED TO ENGAGE IN THE ACTIVITY THE BOYS ROSE UP TO THE CHALLENGE OF MEDIEVAL DANCE AS WELL" -WALLA WALLA VALLEY ACADEMY "THE ENERGY OF THE TEACHING ARTISTS FREES THE STUDENTS TO EXPERIMENT AND TAKE RISKS. COMBINING INFORMATION DELIVERY WITH PHYSICALITY CREATES AND MAINTAINS INTEREST. THE TWO GIRLS IN MY ROOM RIGHT NOW SAID, 'WE HAD FUN WHILE LEARNING --I STILL REMEMBER THE DANCE PART -- YEAH, ON A SCALE OF 1- 10, IT WAS A 10." -DESALES HIGH SCHOOL "ONE LITTLE, QUIET GIRL WHO HASN'T REALLY SAID MUCH IN CLASS ALL YEAR WAS CHOSEN TO PERFORM ONE OF THE CHARACTERS IN ROMEO & JULIET ACT 1, SCENE 1. BY THE TIME THE SCENE WAS DONE, THE WHOLE CLASS WAS IN SHOCK. SHE WAS AN AWESOME ACTRESS SHE FELT GOOD ABOUT HERSELF AND THE CLASS HAD A NEW RESPECT FOR HER. VERY COOL." -WALLA WALLA HIGH SCHOOL FROM OUR SIGNATURE FOUR-DAY INTENSIVE "LIVING WITH SHAKESPEARE" PROGRAM WHICH BRINGS SHAKESPEARE ALIVE IN THE CLASSROOM, TO ANTI-BULLYING WORKSHOPS TO OUR SUMMER THEATER CAMPS, WE ARE ALWAYS STRIVING TO ENRICH THE MINDS OF OUR LOCAL STUDENT POPULATIONS. ANTI-BULLYING PROGRAM SHAKESPEARE AND VIOLENCE PREVENTION IN-SCHOOL, ANTI-BULLYING PROGRAM | 5TH-8TH GRADE. DESIGNED BY COLORADO UNIVERSITYS CENTER FOR THE STUDY AND PREVENTION OF VIOLENCE IN COLLABORATION WITH COLORADO SHAKESPEARE FESTIVAL, THIS ANTI-BULLYING CURRICULUM USES A 50-MINUTE ABBREVIATED LIVE PERFORMANCE OF SHAKESPEARES "TWELFTH NIGHT" TO OPEN UP A DIALOGUE ON DAY-TO-DAY VIOLENCE. FOLLOWING THE SHOW, OUR TEACHING ARTISTS AND ACTORS CONDUCT HANDS-ON ANTI-VIOLENCE WORKSHOPS IN CLASSROOMS, CONNECTING THE PLAYS THEMES WITH STUDENTS REAL- LIFE, PRESENT-DAY SCENARIOS, FOSTERING EMPATHY, CRITICAL THINKING, AND PROBLEM SOLVING. TWELFTH NIGHT THE SHIPWRECKED VIOLA, BELIEVING HER TWIN BROTHER DROWNED, DECIDES TO MAKE A FRESH STARTDRESSED AS A BOY. MEANWHILE, IN THE COUNTESS OLIVIAS HOUSEHOLD, EVERYONE DECIDES TO PLAY A TRICK ON THE HAUGHTY BUTLER, MALVOLIO, BY CONVINCING HIM THAT OLIVIA IS IN LOVE WITH HIM. WHEN THE JOKE GOES TOO FAR, MALVOLIO PROMISES HIS ENEMIES, IN HIS FINAL LINES OF THE PLAY, TO BE REVENGED ON THE WHOLE PACK OF YOU. WHAT WILL MALVOLIO DO NEXT? WHAT HAPPENS WHEN A JOKE GETS OUT OF HAND? THIS PLAY RAISES QUESTIONS ABOUT BULLYING, POWER IMBALANCE, AND THE CYCLE OF VIOLENCE. SUMMER THEATER CAMP STUDENTS LEARN TO THINK ON THEIR FEET AND SAY YES TO THE BASICS OF IMPROV THIS FUN AND FAST-PACED CAMP SHARPENS STUDENTS WITS AND SENSE OF COMIC TIMING. CAMP ENDS WITH A PUBLIC PERFORMANCE TO SHOW OFF THEIR NEWLY HONED COMEDIC SKILLS. SHAKESPEARE PLAYERS INTRODUCE KIDS TO THE LANGUAGE, PLOT, STORIES, AND THEMES IN SHAKESPEARES PLAYS THROUGH LIVE PERFORMANCE AND NARRATIVE. STUDENTS DEVELOP IMAGINATION SKILLS, PUBLIC SPEAKING, AND THE BASICS OF ACTING THROUGH A MODERNIZED VERSION OF SHAKESPEARES A MIDSUMMER NIGHTS DREAM AT A FINAL PUBLIC PERFORMANCE. SHAKESPEARE INTENSIVE THIS INTENSIVE TAKES PERFORMANCE SKILLS TO THE NEXT LEVEL AND INCLUDES IN- DEPTH ACTOR TRAINING HIGHLIGHTING VOCAL, PHYSICAL, AND ACTING TECHNIQUES. CULMINATING IN A FINAL PUBLIC SHOWCASE, STUDENTS PERFORM KEY SCENES FROM THE BARDS MOST BELOVED PLAYS. STAGE FIGHT CAMP AT OUR STAGE COMBAT CAMP, STUDENTS LEARN BOTH SWORD FIGHT TECHNIQUES AND UNARMED COMBAT. STUDENTS PROGRESS TO CHOREOGRAPHING ORIGINAL FIGHTS AND REHEARSING SCENES WITH DIALOGUE AND ACTION. THE WEEK ENDS IN A FINAL PUBLIC DEMONSTRATIONS OF SKILLS. MUSICAL THEATER CAMP EXPERIENCE THE JOY OF MUSICAL THEATER CAMPERS FOCUS ON ALL ASPECTS OF MUSICAL THEATER INCLUDING VOCAL TECHNIQUE, AUDITIONING, PERFORMANCE, DANCE INSTRUCTION AND CHOREOGRAPHY. THIS CAMP HIGHLIGHTS AND IMPROVES EACH STUDENTS INDIVIDUAL SKILL, ENDING WITH TWO PUBLIC CABARET SHOWCASE. |
| FORM 990, PAGE 6, PART VI, LINE 11B | THE BOARD OF DIRECTORS ARE FURNISHED WITH A COPY OF THE FORM 990. |
| FORM 990, PAGE 6, PART VI, LINE 12C | SHAKESPEARE UNCORK'D WALLA WALLA HAS A CONFLICT OF INTEREST POLICY APPROVED BY THE BOARD OF DIRECTORS. |
| FORM 990, PAGE 6, PART VI, LINE 19 | UPON REQUEST AT 218 W MAIN ST, WALLA WALLA, WA 99362 |
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| Software Version: |