Attach to Form 990 or Form 990-EZ.
Information about Schedule A (Form 990 or 990-EZ) and its instructions is at www.irs.gov/form990.
| (i)Name of supported organization | (ii) EIN | (iii) Type of organization (described on lines 1- 9 above (see instructions)) | (iv) Is the organization listed in your governing document? | (v) Amount of monetary support (see instructions) | (vi) Amount of other support (see instructions) | |
|---|---|---|---|---|---|---|
| Yes | No | |||||
| Total | ||||||
Calendar year (or fiscal year beginning in) ![]() |
(a) 2011 | (b) 2012 | (c) 2013 | (d) 2014 | (e) 2015 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 1 | Gifts, grants, contributions, and membership fees received. (Do not include any unusual grants.) .... | 9,563,518 | 3,512,413 | 13,075,931 | |||
| 2 | Tax revenues levied for the organization's benefit and either paid to or expended on its behalf....... | ||||||
| 3 | The value of services or facilities furnished by a governmental unit to the organization without charge.. | ||||||
| 4 | Total. Add lines 1 through 3 | 9,563,518 | 3,512,413 | 13,075,931 | |||
| 5 | The portion of total contributions by each person (other than a governmental unit or publicly supported organization) included on line 1 that exceeds 2% of the amount shown on line 11, column (f).. | ||||||
| 6 | Public support. Subtract line 5 from line 4. | 13,075,931 | |||||
Calendar year
(or fiscal year beginning in) ![]() |
(a) 2011 | (b) 2012 | (c) 2013 | (d) 2014 | (e) 2015 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 7 | Amounts from line 4.. | 9,563,518 | 3,512,413 | 13,075,931 | |||
| 8 | Gross income from interest, dividends, payments received on securities loans, rents, royalties and income from similar sources... | 9,116 | 15,260 | 24,376 | |||
| 9 | Net income from unrelated business activities, whether or not the business is regularly carried on.. | ||||||
| 10 | Other income. Do not include gain or loss from the sale of capital assets (Explain in Part VI.).. | ||||||
| 11 | Total support. Add lines 7 through 10. | 13,100,307 | |||||
Calendar year (or fiscal year beginning in) ![]() |
(a) 2011 | (b) 2012 | (c) 2013 | (d) 2014 | (e) 2015 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 1 | Gifts, grants, contributions, and membership fees received. (Do not include any "unusual grants.") . | ||||||
| 2 | Gross receipts from admissions, merchandise sold or services performed, or facilities furnished in any activity that is related to the organization's tax-exempt purpose...... | ||||||
| 3 | Gross receipts from activities that are not an unrelated trade or business under section 513... | ||||||
| 4 | Tax revenues levied for the organization's benefit and either paid to or expended on its behalf... | ||||||
| 5 | The value of services or facilities furnished by a governmental unit to the organization without charge.. | ||||||
| 6 | Total. Add lines 1 through 5. | ||||||
| 7a | Amounts included on lines 1, 2, and 3 received from disqualified persons... | ||||||
| b | Amounts included on lines 2 and 3 received from other than disqualified persons that exceed the greater of $5,000 or 1% of the amount on line 13 for the year. | ||||||
| c | Add lines 7a and 7b.. | ||||||
| 8 | Public support. (Subtract line 7c from line 6.) | ||||||
Calendar year (or fiscal year beginning in) ![]() |
(a) 2011 | (b) 2012 | (c) 2013 | (d) 2014 | (e) 2015 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 9 | Amounts from line 6... | ||||||
| 10a | Gross income from interest, dividends, payments received on securities loans, rents, royalties and income from similar sources.. | ||||||
| b | Unrelated business taxable income (less section 511 taxes) from businesses acquired after June 30, 1975. | ||||||
| c | Add lines 10a and 10b. | ||||||
| 11 | Net income from unrelated business activities not included in line 10b, whether or not the business is regularly carried on. | ||||||
| 12 | Other income. Do not include gain or loss from the sale of capital assets (Explain in Part VI.) .. | ||||||
| 13 | Total support. (Add lines 9, 10c, 11, and 12.).. | ||||||
| Section A - Adjusted Net Income | (A) Prior Year |
(B) Current Year (optional) |
||||
| 1 | Net short-term capital gain | 1 | ||||
| 2 | Recoveries of prior-year distributions | 2 | ||||
| 3 | Other gross income (see instructions) | 3 | ||||
| 4 | Add lines 1 through 3 | 4 | ||||
| 5 | Depreciation and depletion | 5 | ||||
| 6 | Portion of operating expenses paid or incurred for production or collection of gross income or for management, conservation, or maintenance of property held for production of income (see instructions) | 6 | ||||
| 7 | Other expenses (see instructions) | 7 | ||||
| 8 | Adjusted Net Income (subtract lines 5, 6 and 7 from line 4) | 8 | ||||
| Section B - Minimum Asset Amount | (A) Prior Year |
(B) Current Year (optional) |
||||
| 1 | Aggregate fair market value of all non-exempt-use assets (see instructions for short tax year or assets held for part of year): | 1 | ||||
| a | Average monthly value of securities | 1a | ||||
| b | Average monthly cash balances | 1b | ||||
| c | Fair market value of other non-exempt-use assets | 1c | ||||
| d | Total (add lines 1a, 1b, and 1c) | 1d | ||||
| e |
Discount claimed for blockage or other factors (explain in detail in Part VI): |
|||||
| 2 | Acquisition indebtedness applicable to non-exempt use assets | 2 | ||||
| 3 | Subtract line 2 from line 1d | 3 | ||||
| 4 | Cash deemed held for exempt use. Enter 1-1/2% of line 3 (for greater amount, see instructions). | 4 | ||||
| 5 | Net value of non-exempt-use assets (subtract line 4 from line 3) | 5 | ||||
| 6 | Multiply line 5 by .035 | 6 | ||||
| 7 | Recoveries of prior-year distributions | 7 | ||||
| 8 | Minimum Asset Amount (add line 7 to line 6) | 8 | ||||
| Section C - Distributable Amount | Current Year | |||||
| 1 | Adjusted net income for prior year (from Section A, line 8, Column A) | 1 | ||||
| 2 | Enter 85% of line 1 | 2 | ||||
| 3 | Minimum asset amount for prior year (from Section B, line 8, Column A) | 3 | ||||
| 4 | Enter greater of line 2 or line 3 | 4 | ||||
| 5 | Income tax imposed in prior year | 5 | ||||
| 6 | Distributable Amount. Subtract line 5 from line 4, unless subject to emergency temporary reduction (see instructions) | 6 | ||||
| Section D - Distributions | Current Year | |
|---|---|---|
| 1 Amounts paid to supported organizations to accomplish exempt purposes | ||
|
2
Amounts paid to perform activity that directly furthers exempt purposes of supported organizations, in excess of income from activity |
||
| 3 Administrative expenses paid to accomplish exempt purposes of supported organizations | ||
| 4 Amounts paid to acquire exempt-use assets | ||
| 5 Qualified set-aside amounts (prior IRS approval required) | ||
| 6 Other distributions (describe in Part VI). See instructions | ||
| 7Total annual distributions. Add lines 1 through 6. | ||
|
8
Distributions to attentive supported organizations to which the organization is responsive (provide details in Part VI). See instructions |
||
| 9 Distributable amount for 2015 from Section C, line 6 | ||
| 10 Line 8 amount divided by Line 9 amount | ||
| Section E - Distribution Allocations (see instructions) |
(i) Excess Distributions |
(ii) Underdistributions Pre-2015 |
(iii) Distributable Amount for 2015 |
|
|---|---|---|---|---|
|
1
Distributable amount for 2015 from Section C, line 6 |
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|
2
Underdistributions, if any, for years prior to 2015 (reasonable cause required--see instructions) |
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| 3 Excess distributions carryover, if any, to 2015: | ||||
| a | ||||
| b | ||||
| c | ||||
| d From 2013....... | ||||
| e From 2014....... | ||||
| fTotal of lines 3a through e | ||||
| g Applied to underdistributions of prior years | ||||
| h Applied to 2015 distributable amount | ||||
|
i
Carryover from 2010 not applied (see instructions) |
||||
| j Remainder. Subtract lines 3g, 3h, and 3i from 3f. | ||||
| 4Distributions for 2015 from Section D, line 7: | ||||
| $ | ||||
| a Applied to underdistributions of prior years | ||||
| b Applied to 2015 distributable amount | ||||
| c Remainder. Subtract lines 4a and 4b from 4. | ||||
|
5
Remaining underdistributions for years prior to 2015, if any. Subtract lines 3g and 4a from line 2 (if amount greater than zero, see instructions) |
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|
6
Remaining underdistributions for 2015. Subtract lines 3h and 4b from line 1 (if amount greater than zero, see instructions) |
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|
7 Excess distributions carryover to 2016. Add lines 3j and 4c. |
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| 8 Breakdown of line 7: | ||||
| a | ||||
| b | ||||
| c Excess from 2013....... | ||||
| d From 2014....... | ||||
| e From 2015....... | ||||
| Facts And Circumstances Test |
|---|
| Return Reference | Explanation |
|---|---|
| PART I, LINE 7 AND LINE 10 | ON PREVIOUSLY FILED 2015 FORM 990, SCHEDULE A, PART I, LINE 9 WAS CHECKED. ACCORDING TO THE IRS DETERMINATION LETTER, THE ORGANIZATION'S PUBLIC CHARITY STATUS IS UNDER IRC 170(B)(A)(VI). WE BELIEVE THAT LINE 7 SHOULD BE CHECKED. |
| PART II, LINE 1-3, COLUMN (D) AND (E) | THE ORGANIZATION'S PREVIOUSLY FILED 2015 FORM 990 COVERS THE TAX PERIOD FROM JANUARY 1, 2015 TO SEPTEMBER 30, 2015. THE ORGANIZATION IS FILING THE 2015 FORM 990 FOR THE TAX YEAR FROM OCTOBER 1, 2015 TO SEPTEMBER 30, 2016. PLEASE NOTE THAT ON THE FORM 990 SCHEDULE A PART II, COLUMN(D)2014 REFLECTS FINANCIAL DATA FROM JANNUARY 1, 2014 TO SEPTEMBER 30, 2015; AND COLUMN(E)2015 REFLECTS FINANCIAL DATA FROM OCTOBER 1, 2015 TO SEPTEMBER 30, 2016. |
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Attach to Form 990 or 990-EZ.
Information about Schedule O (Form 990 or 990-EZ) and its instructions is at| Return Reference | Explanation |
|---|---|
| FORM 990, PART III, LINE 4A - FIRST ACCOMPLISHMENT | EXHIBITION AND COLLECTIONS AS A REFLECTION OF ICA MIAMI'S MISSION TO ADVANCE NEW SCHOLARSHIP ON CONTEMPORARY ART AND SHOWCASE THE WORK OF THE MOST INNOVATIVE AND EXPERIMENTAL ARTISTS OF OUR TIME, ICA MIAMI EXHIBITED 7 DIFFERENT ARTISTS DURING FISCAL YEAR 2016. FROM OCTOBER 8, 2015 TO JANUARY 17, 2016 ICA MIAMI EXHIBITED "A PUBLIC CHARACTER", THE FIRST MAJOR MUSEUM PRESENTATION OF WORK BY SHANNON EBNER COMPRISING PHOTOGRAPHY, SCULPTURE, INSTALLATION AND VIDEO. THE EXHIBITION UNDERSCORED EBNER'S SELF-REFLEXIVE APPROACH TO THE IMAGE THROUGH LANGUAGE AND ARCHITECTURE PRESENTING WORKS FROM EBNER'S ONGOING SERIES "BLACK BOX COLLISION A" WHICH, SINCE 2012, HAS SEEN THE ARTIST PHOTOGRAPH THE LETTER "A" MINED FROM THE VESTIGES OF SIGNS, ADVERTISEMENTS, MESSAGES, AND OTHER MODES OF VISUAL COMMUNICATION. BETWEEN DECEMBER 1, 2015 AND JANUARY 31, 2016, ICA MIAMI PRESENTED A SOLO EXHIBITION IN THE ATRIUM GALLERY DEDICATED TO VIDEO AND PERFORMANCE ARTIST ALEX BAG. "THE VAN (REDUX)*" FEATURED A SEMINAL BUT RARELY-SEEN VIDEO BY THE ARTIST, THE VAN, 2001, ALONGSIDE A VIDEO AND A DRAMATIC NEW SITE-SPECIFIC INSTALLATION THAT BROUGHT THE HISTORIC WORK TO THE PRESENT. THIS EXHIBITION MARKED THE FIRST MAJOR U.S. PRESENTATION OF A NEW WORK BY THE ARTIST SINCE HER 2009 EXHIBITION AT THE WHITNEY MUSEUM. FROM FEBRUARY 18, 2016 TO JUNE 12, 2016, ICA MIAMI PRESENTED "I STAND, I FALL," THE FIRST AMERICAN MUSEUM EXHIBITION OF JOHN MILLER. A COMPREHENSIVE SURVEY BRINGING TOGETHER SOME 75 WORKS, THE EXHIBITION TRACED MILLER'S USE OF THE FIGURE THROUGHOUT HIS CAREER IN ORDER TO INCISIVELY COMMENT ON THE STATUS OF ART AND LIFE IN AMERICAN CULTURE. THE EXHIBITION FEATURED A RANGE OF MEDIA, INCLUDING PAINTING, SCULPTURE, DRAWING, PHOTOGRAPHY, INSTALLATION AND VIDEO; NEVER-BEFORE-SEEN WORKS FROM THE 1980S; NEW LARGE-SCALE SCULPTURES; AND THE ARTIST'S MOST AMBITIOUS ARCHITECTURAL INSTALLATION TO DATE - A VAST AND IMMERSIVE MIRRORED LABYRINTH WITHIN ICA MIAMI'S ATRIUM GALLERY. BETWEEN JUNE 3, 2016 AND OCTOBER 30, 2016, ICA MIAMI PRESENTED LAURA LIMA'S "THE INVERSE," A MONUMENTAL, SITE-SPECIFIC INSTALLATION THAT ENTANGLED THE GRIDDED SUPPORT BEAMS OF THE MUSEUM'S ATRIUM GALLERY WITH INDUSTRIAL NYLON ROPE. ENORMOUS AT ONE END, THE BRAIDED MATERIAL DWINDLED IN SIZE UNTIL IT SEEMS TO MERGE WITH A FEMALE BODY. SET STILL AND PARTIALLY OUT OF VIEW, THE PARTICIPANT'S BODY ACHIEVED UNCANNY ABSTRACTION, PRESENCE, AND SUSPENSE. THE WORK WAS THE FIRST AMERICAN SOLO MUSEUM EXHIBITION FOR THE RENOWNED BRAZILIAN ARTIST. CONCURRENTLY, FROM JULY 8, 2016 TO OCTOBER 30, 2016, ICA MIAMI'S GALLERIES WERE SPLIT BETWEEN 3 DISTINCT EXHIBITIONS OF ARTISTS IDA APPLEBROOG, SUSAN TE KAHURANGI KING, AND RENAUD JEREZ. "MERCY HOSPITAL," WAS IDA APPLEBROOG'S FIRST SOLO US MUSEUM EXHIBITION IN NEARLY TWO DECADES FEATURING A COMPREHENSIVE SELECTION OF DRAWINGS MADE BY THE ARTIST WHILE SHE WAS A PATIENT IN THE EPONYMOUS HOSPITAL, AND WHICH STUNNINGLY COMBINE TEXT, CARTOON, IMAGE, AND ABSTRACTION. ALSO ON VIEW WAS THE FIRST MUSEUM EXHIBITION OF WORK BY SELF-TAUGHT NEW ZEALAND ARTIST SUSAN TE KAHURANGI KING. THE EXHIBITION INCLUDED SOME 60 WORKS, MANY OF WHICH WERE ON VIEW FOR THE FIRST TIME, AND SURVEYS THE VARIOUS PERIODS OF KING'S WORK: FROM HER FOUNDATIONAL CHILDHOOD DRAWINGS, TO HER EXTENSIVE AND VIBRANT NOTEBOOKS, TO HER MATURE WORKS OF THE 1970S AND '80S. KING'S DECADES OF ARTISTRY HAVE RESULTED FROM AN OPEN-ENDED PROCESS OF LOOKING. AS RENAUD JEREZ'S FIRST SOLO EXHIBITION IN THE US, ICA MIAMI PRESENTED A SITE-SPECIFIC INSTALLATION OF NEW WORK THAT BUILDS UPON HIS EVOLVING LANGUAGE OF INNOVATIVE, ANTHROPOMORPHIC, AND APOCALYPTIC FORMS. JEREZ USED CRAFT AND INDUSTRIAL MATERIALS TO CREATE HAUNTING, HUMOROUS, AND ABJECT SCULPTURES THAT IMAGINE THE FUTURE THROUGH MONSTERS AND RUINS. INTRICATE AND VIOLENT, THESE FORMS FREQUENTLY PRESENT A HUMAN FORM CONSUMED WITH ARCHITECTURE AND TECHNOLOGY. THIS WAS HIS FIRST SOLO EXHIBITION IN THE US. ICA MIAMI'S PERMANENT COLLECTION ARTICULATES CORNERSTONE MOMENTS IN THE CAREERS OF SOME OF THE MOST SIGNIFICANT ARTIST OF OUR TIME. WORKS IN THE COLLECTION ARE DEFINED BY THEIR ACHIEVEMENT IN ONE OR MORE OF THE FOLLOWING CATEGORIES: MAGNITUDE TO AN ARTIST'S CAREER, IMPACT ON INTERNATIONAL CONTEMPORARY ART, THEMATIC RELATIONSHIP TO THE MIAMI REGION AND ITS DYNAMIC POLITICAL, CULTURAL AND ECONOMIC FORCES. ICA MIAMI ADDED SEVERAL PIECES TO ITS PERMANENT COLLECTION IN 2016. |
| FORM 990, PART III, LINE 4B - SECOND ACCOMPLISHMENT | EDUCATION AND OUTREACH ICA MIAMI'S YOUNG ARTISTS INITIATIVE IS AN APPLICATION-BASED ARTS PROGRAM DESIGNED FOR YOUNG ARTISTS (9TH-12TH GRADE) WHO ARE ENCOURAGED TO LOOK CRITICALLY AT CONTEMPORARY ART PRACTICES, WORK DIRECTLY WITH LEADING ARTISTS, AND FURTHER DEVELOP THEIR OWN PORTFOLIOS. ICA MIAMI'S YOUNG ARTISTS INITIATIVE ENGAGES STUDENTS IN AN INTENSIVE, 20-WEEK PROGRAM OFFERED IN TWO 10-WEEK SESSIONS THAT RELATES ART HISTORY TO CONTEMPORARY ART PRACTICE FOR HIGH SCHOOL STUDENTS WITH A FOCUS ON APPLICABLE SKILLS THAT PREPARE SELF-SELECTING STUDENTS FOR CAREERS IN CONTEMPORARY ART. DURING FISCAL YEAR 2016, APPROXIMATELY 25 STUDENTS PARTICIPATED IN EACH SEMESTER OF ICA MIAMI'S YOUNG ARTISTS INITIATIVE. ICA MIAMI'S OUTREACH PROGRAMS PRESENT THE DIVERSE WORKS OF CONTEMPORARY ARTISTS TO UNDER-RESOURCED YOUTHS AND YOUNG ADULTS IN THE MIAMI REGION. THROUGH A SERIES OF PILOT PROGRAMS CONDUCTED IN PARTNERSHIP WITH MIAMI-DADE PUBLIC SCHOOLS AND LOCAL COMMUNITY ORGANIZATIONS, OUR CURRICULA AIM TO IMPROVE TECHNOLOGICAL AND MEDIA LITERACY, WHILE EMPOWERING THE SOCIAL, CULTURAL AND GENDER-SPECIFIC IDENTITIES OF PARTICIPANTS. DURING FISCAL YEAR 2016, ICA MIAMI OFFERED OVER 50 WORKSHOPS SERVING OVER 300 PARTICIPANTS. ICA MIAMI, IN PARTNERSHIP WITH THE MIAMI DESIGN DISTRICT, ALSO HOSTS A MONTHLY "FAMILY DAY" ON THE SECOND SUNDAY OF EACH MONTH. FAMILIES AND OTHER COMMUNITY MEMBERS ARE INVITED TO SPEND AN AFTERNOON EXPLORING THE CULTURAL OFFERINGS OF THE MUSEUM THROUGH VARIOUS INTERACTIVE ACTIVITIES WHICH PROMOTE CREATIVITY AND CRITICAL THINKING, INCLUDING STORY TELLING SESSIONS, MUSICAL PERFORMANCES, AND ART MAKING ACTIVITIES. THE ACTIVITIES ARE TIED TO A THEME OR THE MUSEUMS CURRENT EXHIBITIONS. ICA MIAMI ALSO OFFERS COMPLEMENTARY TOURS OF CURRENT EXHIBITIONS TO SCHOOLS, SUMMER CAMPS, AND ADULT ORGANIZATIONS. ICA HOSTED 50 TOURS DURING FISCAL YEAR 2016, REACHING OVER 1,000 PARTICIPANTS. |
| FORM 990, PART III, LINE 4C - THIRD ACCOMPLISHMENT | PUBLIC PROGRAMS DURING FISCAL YEAR 2016, ICA MIAMI GENERATED A ROBUST PROGRAM OF PUBLIC PRESENTATIONS, LECTURES, SEMINARS, FILM SCREENINGS, ARTISTS' TALKS, AND EVENTS. BUILDING ON THE STRUCTURE THAT DIVIDES THE INSTITUTION'S PUBLIC PROGRAMS INTO FOCUSED COMPONENTS, PROGRAMS AND EVENTS WERE DEVELOPED UNDER THE FOLLOWING RUBRICS: ICA IDEAS, ICA SEMINARS (WHICH BECAME THE ART + RESEARCH CENTER), ICA PERFORMS, ICA SPEAKS, AND ICA RESIDENTS. ICA IDEAS EXPANDS THE REACH AND MEANING OF EXHIBITIONS ON VIEW, WHILE PROVIDING DYNAMIC MODES OF CREATION AND INTERACTION OUTSIDE THE EXHIBITION FORMAT. AS PART OF THIS PROGRAM, ICA MIAMI HOSTED A READING BY POET EILEEN MYLES, A TALK BY RENOWN CRITIC AND THEORIST ISABELLE GRAW, A LECTURE AND WORKSHOP BY GERMAN SOCIOLOGIST ULF WUGGENIG, A SCREENING OF THE DOCUMENTARY "PICTURES OF SUSAN", AND AN INTERACTIVE EVENING OF COLLECTIVE DRAWING WITH ARTIST SUSAN TE KAHURANGI KING. THROUGH ICA SEMINARS THE MUSEUM OFFERS FREE COLLEGE-LEVEL SEMINAR CLASSES, OPEN TO YOUNG ADULTS AND LIFELONG LEARNERS, COVERING A WIDE RANGE OF THEMES FROM CONTEMPORARY ART AND RECENT ART HISTORY. IN SUMMER 2016, ICA SEMINARS BECAME THE ART + RESEARCH CENTER AND CONTINUED ICA SEMINARS MISSION. AS PART OF THIS PROGRAM, ICA HOSTED SEMINARS BY KALUP LINZY, EVE LARAM E, AND CHARLES AUBIN. ICA PERFORMS FOSTERS THE DEVELOPMENT OF NEW PERFORMANCE WORKS BY ENCOURAGING LEADING PERFORMANCE ARTISTS TO PRESENT NEW AND RECENT WORKS AT THE MUSEUM. IN DECEMBER 2015, ICA MIAMI PRESENTED THE ARTIST THEATER PROGRAM. THE ICA MIAMI PERFORMANCE TITLED "A PIANO IS FOR KNIFE" WAS A REFLECTION OF WHAT BEGAN AS A WRITING COLLABORATION BETWEEN ERIKA VOGT, DYLAN MIRA AND SHANNON EBNER. THE ICA MIAMI PERFORMANCE WAS SITED IN EBNER'S "BLACK BOX COLLISION A" ROOM ON THE OCCASION OF HER EXHIBITION, A PUBLIC CHARACTER. ICA SPEAKS IS ALSO FOCUSED ON PROMOTING THE EXCHANGE OF ART AND IDEAS. IT FEATURES ARTISTS WHOSE WORK IS IN THE MUSEUM'S PERMANENT COLLECTION, AND HIGHLIGHTS THE STRENGTH OF THE INSTITUTION'S HOLDINGS THROUGH ORIGINAL SCHOLARSHIP. ON NOVEMBER 5, 2015, ARTIST RICHARD TUTTLE SPOKE ABOUT HIS EXTRAORDINARILY VARIED BODY OF WORK THAT ELUDES HISTORICAL OR STYLISTIC CATEGORIZATION. ON FEBRUARY 2, 2016 ARTIST NICOLE EISENMAN PRESENTED A COMPREHENSIVE LECTURE ON HER PAINTING PRACTICE. ON MARCH 18, 2016, ARTIST JORGE PARDO SPOKE ABOUT THE PIONEERING WORK AT THE EDGE OF ART AND DESIGN. ON MAY 5, 2016, ARTIST JOHN MILLER PRESENTED A COMPREHENSIVE LECTURE ON THE LAST FOUR DECADES ON HIS CONCEPTUAL WORK. IN 2016, ICA MIAMI ESTABLISHED A NEW PROGRAM, ICA RESIDENTS, INTENDED TO OPEN THE POSSIBILITY OF COLLABORATING WITH SMALLER, CUTTING-EDGE INSTITUTIONS THAT LACK THE RESOURCES TO PRESENT THEIR INNOVATIVE PROGRAMS TO LARGE AUDIENCES. IN THE SUMMER OF 2016, ICA MIAMI HOSTED MIAMI MUSIC CLUB AS ITS FIRST RESIDENT. THIS RESULTED IN THREE PUBLIC MUSIC PROGRAMS, SHOWCASING SOME OF THE LEADING PRACTITIONERS IN ADVANCE ELECTRONIC MUSIC COMPOSITION AND PERFORMANCE. |
| FORM 990, PART VI, SECTION A, LINE 2 | THE TRUSTEES IRMA BRAMAN AND DEBI WESCHLER HAVE A FAMILY RELATIONSHIP. |
| FORM 990, PART VI, SECTION B, LINE 11 | A COMPLETE DRAFT OF FORM 990 WAS DISTRIBUTED TO, AND REVIEWED AND APPROVED BY, THE ORGANIZATION'S FINANCE COMMITTEE. |
| FORM 990, PART VI, SECTION B, LINE 12C | ENFORCEMENT OF CONFLICTS OF INTEREST EACH DIRECTOR, PRINCIPAL, OFFICER, KEY EMPLOYEE AND MEMBER OF A COMMITTEE WITH GOVERNING BOARD DELIGATED POWERS SHALL ANNUALLY SIGN A STATEMENT WHICH AFFIRMS THAT SUCH PERSON HAS RECEIVED A COPY OF THE CONFLICT OF INTEREST POLICY, HAS READ AND UNDERSTANDS THE POLICY, HAS AGREED TO COMPLY WITH THE POLICY AND UNDERSTANDS THAT THE ORGANIZATION IS CHARITABLE AND IN ORDER TO MAINTAIN ITS FEDERAL EXEMPTION IT MUST ENGAGE PRIMARILY IN ACTIVITIES WHICH ACCOMPLISH ONE OR MORE OF ITS TAX-EXEMPT PURPOSES. IN ADDITION, THE ORGANIZATION CONDUCTS PERIODIC REVIEWS WHICH INCLUDE WHETHER COMPENSATION ARRANGEMENTS AND BENEFITS ARE REASONABLE AND WHETHER PARTNERSHIPS, JOINT VENTURES, AND ARRANGEMENTS WITH MANAGEMENT ORGANIZATIONS CONFORM TO THE ORGANIZATION'S WRITTEN POLICIES, ARE PROPERLY RECORDED, REFLECT REASONABLE INVESTMENTS OR PAYMENTS FOR GOODS AND SERVICES, FURTHER CHARITABLE PURPOSES AND DO NOT RESULT IN INCREMENT, IMPERMISSIBLE PRIVATE BENEFIT OR IN AN EXCESS BENEFIT TRANSACTION. |
| FORM 990, PART VI, SECTION B, LINE 15 | COMPENSATION PROCESS FOR OFFICERS THE COMPENSATION PROCESS FOR KEY EMPLOYEES IS APPROVED BY THE DIRECTOR IN CONSULTATION WITH THE DEPUTY DIRECTOR AND ASSOCIATE DIRECTOR IN CONSULTATON WITH CO-CHAIR OF THE BOARD OF TRUSTEES. SALARY IS DETERMINED BASED ON THE ORGANIZATION'S BUDGET GUIDELINES AND REVIEW OF THE AMERICAN ALLIANCE OF MUSEUM SALARY SURVEY. |
| FORM 990, PART VI, SECTION C, LINE 19 | GOVERNING DOCUMENT DISCLOSURE EXPLANATION GOVERNING DOCUMENTS ARE MADE AVAILABLE TO THE PUBLIC UPON REQUEST. |
| FORM 990, PART VI, LINE 15A - COMPENSATION PROCESS FOR TOP OFFICIAL | THE ORGANIZATION'S DIRECTOR'S SALARY IS DETERMINED BY THE CO-CHAIR OF THE BOARD OF TRUSTEES IN CONSULTATION WITH THE EXECUTIVE COMMITTEE. SALARY IS DETERMINED BASED ON THE ORGANIZATION'S BUDGET GUIDELINES AND REVIEW OF THE AMERICAN ALLIANCE OF MUSEUM SALARY SURVEY. |
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