Attach to Form 990 or Form 990-EZ.
Go to
www.irs.gov/Form990 for instructions and the latest information.
| (i) Name of supported organization | (ii) EIN | (iii) Type of organization (described on lines 1- 10 above (see instructions)) | (iv) Is the organization listed in your governing document? | (v) Amount of monetary support (see instructions) | (vi) Amount of other support (see instructions) | |
|---|---|---|---|---|---|---|
| Yes | No | |||||
|
Total |
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Calendar year (or fiscal year beginning in) ![]() |
(a) 2015 | (b) 2016 | (c) 2017 | (d) 2018 | (e) 2019 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 1 | Gifts, grants, contributions, and membership fees received. (Do not include any "unusual grant.") .. | 9,252,283 | 5,612,715 | 7,960,548 | 7,882,364 | 6,309,127 | 37,017,037 |
| 2 | Tax revenues levied for the organization's benefit and either paid to or expended on its behalf.... | ||||||
| 3 | The value of services or facilities furnished by a governmental unit to the organization without charge.. | ||||||
| 4 | Total. Add lines 1 through 3 | 9,252,283 | 5,612,715 | 7,960,548 | 7,882,364 | 6,309,127 | 37,017,037 |
| 5 | The portion of total contributions by each person (other than a governmental unit or publicly supported organization) included on line 1 that exceeds 2% of the amount shown on line 11, column (f).. | 6,505,217 | |||||
| 6 | Public support. Subtract line 5 from line 4. | 30,511,820 | |||||
Calendar year
(or fiscal year beginning in) ![]() |
(a) 2015 | (b) 2016 | (c) 2017 | (d) 2018 | (e) 2019 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 7 | Amounts from line 4.. | 9,252,283 | 5,612,715 | 7,960,548 | 7,882,364 | 6,309,127 | 37,017,037 |
| 8 | Gross income from interest, dividends, payments received on securities loans, rents, royalties and income from similar sources... | 2,243,504 | 1,863,529 | 1,930,355 | 1,671,829 | 2,000,161 | 9,709,378 |
| 9 | Net income from unrelated business activities, whether or not the business is regularly carried on.. | ||||||
| 10 | Other income. Do not include gain or loss from the sale of capital assets (Explain in Part VI.).. | 385,153 | 195,354 | 203,714 | 185,587 | 300,013 | 1,269,821 |
| 11 | Total support. Add lines 7 through 10 | 47,996,236 | |||||
Calendar year (or fiscal year beginning in) ![]() |
(a) 2015 | (b) 2016 | (c) 2017 | (d) 2018 | (e) 2019 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 1 | Gifts, grants, contributions, and membership fees received. (Do not include any "unusual grants.") . | ||||||
| 2 | Gross receipts from admissions, merchandise sold or services performed, or facilities furnished in any activity that is related to the organization's tax-exempt purpose | ||||||
| 3 | Gross receipts from activities that are not an unrelated trade or business under section 513 ..... | ||||||
| 4 | Tax revenues levied for the organization's benefit and either paid to or expended on its behalf... | ||||||
| 5 | The value of services or facilities furnished by a governmental unit to the organization without charge | ||||||
| 6 | Total. Add lines 1 through 5 | ||||||
| 7a | Amounts included on lines 1, 2, and 3 received from disqualified persons | ||||||
| b | Amounts included on lines 2 and 3 received from other than disqualified persons that exceed the greater of $5,000 or 1% of the amount on line 13 for the year. | ||||||
| c | Add lines 7a and 7b.. | ||||||
| 8 | Public support. (Subtract line 7c from line 6.) | ||||||
Calendar year (or fiscal year beginning in) ![]() |
(a) 2015 | (b) 2016 | (c) 2017 | (d) 2018 | (e) 2019 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 9 | Amounts from line 6... | ||||||
| 10a | Gross income from interest, dividends, payments received on securities loans, rents, royalties and income from similar sources.. | ||||||
| b | Unrelated business taxable income (less section 511 taxes) from businesses acquired after June 30, 1975. | ||||||
| c | Add lines 10a and 10b. | ||||||
| 11 | Net income from unrelated business activities not included in line 10b, whether or not the business is regularly carried on. | ||||||
| 12 | Other income. Do not include gain or loss from the sale of capital assets (Explain in Part VI.) .. | ||||||
| 13 | Total support. (Add lines 9, 10c, 11, and 12.).. | ||||||
| Section A - Adjusted Net Income | (A) Prior Year |
(B) Current Year (optional) |
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| 1 | Net short-term capital gain | 1 | ||||
| 2 | Recoveries of prior-year distributions | 2 | ||||
| 3 | Other gross income (see instructions) | 3 | ||||
| 4 | Add lines 1 through 3 | 4 | ||||
| 5 | Depreciation and depletion | 5 | ||||
| 6 | Portion of operating expenses paid or incurred for production or collection of gross income or for management, conservation, or maintenance of property held for production of income (see instructions) | 6 | ||||
| 7 | Other expenses (see instructions) | 7 | ||||
| 8 | Adjusted Net Income (subtract lines 5, 6 and 7 from line 4) | 8 | ||||
| Section B - Minimum Asset Amount | (A) Prior Year |
(B) Current Year (optional) |
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| 1 | Aggregate fair market value of all non-exempt-use assets (see instructions for short tax year or assets held for part of year): | 1 | ||||
| a | Average monthly value of securities | 1a | ||||
| b | Average monthly cash balances | 1b | ||||
| c | Fair market value of other non-exempt-use assets | 1c | ||||
| d | Total (add lines 1a, 1b, and 1c) | 1d | ||||
| e |
Discount claimed for blockage or other factors (explain in detail in Part VI): |
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| 2 | Acquisition indebtedness applicable to non-exempt use assets | 2 | ||||
| 3 | Subtract line 2 from line 1d | 3 | ||||
| 4 | Cash deemed held for exempt use. Enter 1-1/2% of line 3 (for greater amount, see instructions). | 4 | ||||
| 5 | Net value of non-exempt-use assets (subtract line 4 from line 3) | 5 | ||||
| 6 | Multiply line 5 by .035 | 6 | ||||
| 7 | Recoveries of prior-year distributions | 7 | ||||
| 8 | Minimum Asset Amount (add line 7 to line 6) | 8 | ||||
| Section C - Distributable Amount | Current Year | |||||
| 1 | Adjusted net income for prior year (from Section A, line 8, Column A) | 1 | ||||
| 2 | Enter 85% of line 1 | 2 | ||||
| 3 | Minimum asset amount for prior year (from Section B, line 8, Column A) | 3 | ||||
| 4 | Enter greater of line 2 or line 3 | 4 | ||||
| 5 | Income tax imposed in prior year | 5 | ||||
| 6 | Distributable Amount. Subtract line 5 from line 4, unless subject to emergency temporary reduction (see instructions) | 6 | ||||
| Section D - Distributions | Current Year | |
|---|---|---|
| 1 Amounts paid to supported organizations to accomplish exempt purposes | ||
|
2
Amounts paid to perform activity that directly furthers exempt purposes of supported organizations, in excess of income from activity |
||
| 3 Administrative expenses paid to accomplish exempt purposes of supported organizations | ||
| 4 Amounts paid to acquire exempt-use assets | ||
| 5 Qualified set-aside amounts (prior IRS approval required) | ||
| 6 Other distributions (describe in Part VI). See instructions | ||
| 7Total annual distributions. Add lines 1 through 6. | ||
|
8
Distributions to attentive supported organizations to which the organization is responsive (provide details in Part VI). See instructions |
||
| 9 Distributable amount for 2019 from Section C, line 6 | ||
| 10 Line 8 amount divided by Line 9 amount | ||
| Section E - Distribution Allocations (see instructions) |
(i) Excess Distributions |
(ii) Underdistributions Pre-2019 |
(iii) Distributable Amount for 2019 |
|
|---|---|---|---|---|
| 1 Distributable amount for 2019 from Section C, line 6 | ||||
|
2
Underdistributions, if any, for years prior to 2019 (reasonable cause required-- explain in Part VI). See instructions. |
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| 3 Excess distributions carryover, if any, to 2019: | ||||
| a From 2014....... | ||||
| b From 2015....... | ||||
| c From 2016....... | ||||
| d From 2017....... | ||||
| e From 2018....... | ||||
| fTotal of lines 3a through e | ||||
| g Applied to underdistributions of prior years | ||||
| h Applied to 2019 distributable amount | ||||
|
i
Carryover from 2014 not applied (see instructions) |
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| j Remainder. Subtract lines 3g, 3h, and 3i from 3f. | ||||
| 4Distributions for 2019 from Section D, line 7: | ||||
| $ | ||||
| a Applied to underdistributions of prior years | ||||
| b Applied to 2019 distributable amount | ||||
| c Remainder. Subtract lines 4a and 4b from 4. | ||||
|
5
Remaining underdistributions for years prior to 2019, if any. Subtract lines 3g and 4a from line 2. If the amount is greater than zero, explain in Part VI. See instructions. |
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|
6
Remaining underdistributions for 2019. Subtract lines 3h and 4b from line 1. If the amount is greater than zero, explain in Part VI. See instructions. |
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|
7 Excess distributions carryover to 2020. Add lines 3j and 4c. |
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| 8 Breakdown of line 7: | ||||
| a Excess from 2015..... | ||||
| b Excess from 2016..... | ||||
| c Excess from 2017..... | ||||
| d Excess from 2018..... | ||||
| e Excess from 2019..... | ||||
| Facts And Circumstances Test |
|---|
| Return Reference | Explanation |
|---|---|
| SCHEDULE A, PART II, LINE 10, EXPLANATION OF OTHER INCOME: | MISC INCOME - 2013 AMOUNT: $ 189,321. 2014 AMOUNT: $ 38,808. 2015 AMOUNT: $ 25,450. 2016 AMOUNT: $ 114,845. 2017 AMOUNT: $ 72,884. REIMBURSEMENTS - 2013 AMOUNT: $ 195,832. 2014 AMOUNT: $ 156,546. 2015 AMOUNT: $ 178,264. 2016 AMOUNT: $ 70,742. 2017 AMOUNT: $ 227,129. |
| Software ID: | |
| Software Version: |
Attach to Form 990 or 990-EZ.
Go to www.irs.gov/Form990 for the latest information.
| Return Reference | Explanation |
|---|---|
| PART III - LINE 1 | JAPAN SOCIETY INC. (THE "SOCIETY") IS THE LEADING U.S. ORGANIZATION COMMITTED TO DEEPENING MUTUAL UNDERSTANDING BETWEEN THE UNITED STATES AND JAPAN IN A GLOBAL CONTEXT. THE SOCIETY SERVES AUDIENCES ACROSS THE UNITED STATES AND ABROAD THROUGH INNOVATIVE PROGRAMS IN ARTS AND CULTURE, PUBLIC POLICY, BUSINESS, LANGUAGE AND EDUCATION. |
| PART III - LINE 4A | GALLERY HIROSHI SUGIMOTO: GATES OF PARADISE OCTOBER 20, 2017 -JANUARY 7, 2018 A TOTAL OF 6,434 ATTENDED THE EXHIBITION AND ACCOMPANYING PROGRAMMING. THE EXHIBITION WAS INSPIRED BY THE JOURNEY OF FOUR THIRTEEN-YEAR-OLD BOYS WHO VISITED THE PAPAL AND ROYAL COURTS OF 16TH CENTURY EUROPE, THE FIRST JAPANESE TO DO SO. THE SHOW FEATURED 25 SUGIMOTO PHOTOGRAPHS AS WELL AS 20 PAINTINGS AND OBJECTS FROM 16TH CENTURY JAPAN. HIROSHI SUGIMOTO TRACED THE BOYS' FOOTSTEPS IN EUROPE THROUGH HIS SERIES OF BLACK-AND-WHITE PHOTOGRAPHS OF SITES THEY ENCOUNTERED. TO PLACE THEIR STORY IN HISTORICAL CONTEXT, SUGIMOTO SELECTED 25 16TH AND 17TH-CENTURY WORKS, INCLUDING WESTERN-STYLE MULTI-PANEL SCREENS, SCROLL PAINTINGS, PRINTS DEPICTING EUROPEAN THEMES, AND PORTABLE OBJECTS BEARING CHRISTIAN SYMBOLS, ALL PRODUCED IN JAPAN. THESE "NANBAN" WORKS INCLUDED DESIGNATED IMPORTANT CULTURAL PROPERTIES. THROUGH SUGIMOTO'S WEAVING OF CLASSICAL AND CONTEMPORARY ART, GATES OF PARADISE SHEDS NEW LIGHT ON A PIVOTAL MOMENT OF EXCHANGE BETWEEN JAPAN AND EUROPE AND HIGHLIGHTS THE IMPORTANCE OF THE EARLY MODERN PERIOD WITHIN THE BROADER HISTORY OF INTELLECTUAL AND ARTISTIC LINKS BETWEEN CULTURES. IT EXPANDED UNDERSTANDING OF THE INTERCONNECTIONS BETWEEN JAPANESE AND WESTERN SOCIETIES BEFORE THE MEIJI ERA (1868-1912), WIDELY CONSIDERED THE MOMENT OF JAPAN'S ENTREE ONTO THE WORLD STAGE. JAPAN SOCIETY PUBLISHED A 216-PAGE HARDCOVER FULL-COLOR CATALOGUE (SKIRA/RIZZOLI, 2017). TO ACCOMPANY THE EXHIBITION, JS OFFERED DOCENT-LED TOURS SATURDAYS AT 2:30 PM AND FRIDAYS AT 7 PM; A 3-PART LECTURE SERIES-MONSIGNOR TIMOTHY VERDON: TWO VISIONS OF PARADISE, 10/21/17, ON THE LEGACY OF GHIBERTI'S MASTERPIECE; THE SOUTHERN BARBARIANS ARRIVE: NAVIGATING THE NANBAN SCREENS, 12/1/17, WITH PROFESSOR MATTHEW MCKELWAY; ARCHITECTURE OF TIME: ENOURA OBSERVATORY, WHERE CONSCIOUSNESS AND MEMORY ORIGINATE, 12/15/17 WITH HIROSHI SUGIMOTO; A SEMINAR, CONNOISSEURSHIP: MAPS OF EARLY MODERN JAPAN, 11/9/17, WITH WALTER ARADER ILL; TWO GALLERY TALKS: IMAGE-IN-FOCUS 11/23+13/17 WITH COLUMBIA PH.D. CANDIDATES CHEN JIANG AND VALERIE ZINNER. FOR YOUTH, FAMILIES AND SCHOOLS: TREASURE MAPS AND DISCOVERY PACKS FURING OBAKE FAMILY DAY FESTIVAL, 10/29/17; EDUCATOR OPEN HOUSE 11/1/17; 10 MORNING SCHOOL GROUP TOURS/WORKSHOPS. TO SUPPLEMENT THE DIDACTIC PANELS AND LABELS IN THE GALLERY SELECT WORKS HAD DESIGNATED AUDIO GUIDES EXPANDING ON THE TECHNIQUES, TECHNOLOGY, AND THE ARTISTS, AVAILABLE ON OUR WEBSITE AND FOR USE IN AND OUTSIDE THE GALLERY ON SMARTPHONES. A VIDEO TOUR PROVIDED AN OVERVIEW OF THE EXHIBITION. ADDITIONAL VIDEO CONTENT INCLUDED AN INTERVIEW WITH HIROSHI SUGIMOTO ABOUT THE MAKING OF THE EXHIBITION. A GIANT LEAP: THE TRANSFORMATION OF HASEGAWA TOHOKU, MARCH 9 -MAY 6, 2018 A TOTAL OF 6,219 VISITORS ATTENDED THE EXHIBITION AND ACCOMPANY PROGRAMMING. THE EXHIBITION CELEBRATED THE LIFE AND LEGACY OF HASEGAWA TOHAKU (1539-1610), FOUNDER OF THE HASEGAWA SCHOOL OF PAINTING AND ONE OF 16TH CENTURY JAPAN'S LEADING ARTISTIC MASTERS. TOHAKU HAD RECENTLY BEEN THE SUBJECT OF RENEWED ATTENTION, INCLUDING AT THE KYOTO NATIONAL MUSEUM AND THE TOKYO NATIONAL MUSEUM, WHERE THE 400TH ANNIVERSARY OF THE ARTIST'S DEATH WAS COMMEMORATED IN AN IMPORTANT 2010 SURVEY EXHIBITION. ADOPTING A MORE INTIMATE APPROACH TO TOHAKU, THE JAPAN SOCIETY EXHIBITION FOCUSED UPON AN EXTREMELY IMPORTANT SCREEN, DEPICTING BIRDS AND FLOWERS, WHICH IS CURRENTLY IN A PRIVATE COLLECTION IN THE USA: CUTTING-EDGE SCHOLARLY RESEARCH HAS IDENTIFIED BIRDS AND FLOWERS AS MARKING THE PIVOTAL MOMENT WHEN THE ARTIST REINVENTED HIMSELF FROM NOBUHARU, A PAINTER OF TRADITIONAL BUDDHIST PORTRAITS, TO TOHAKU, A PIONEER WHOSE INNOVATIONS IN THE ART OF THE JAPANESE FOLDING SCREEN HAD AN IMMEASURABLE IMPACT UPON SUCCESSIVE GENERATIONS OF PAINTERS. RARE LOANS FROM OTHER PRIVATE AND PUBLIC INSTITUTIONS IN THE U.S. AND JAPAN HELPED TO CONTEXTUALIZE THE BIRDS AND FLOWERS SCREEN. WITH BIRDS AND FLOWERS AS THE POINT OF DEPARTURE OF THIS EXHIBITION, JAPAN SOCIETY GALLERY NOT ONLY CALLED INTERNATIONAL ATTENTION TO THE ACHIEVEMENTS OF THIS REMARKABLE PAINTER, BUT RAISED CRITICAL QUESTIONS ABOUT THE ROLE OF PAINTERS IN JAPANESE SOCIETY: WITHIN A CENTURIES-OLD TRADITION OF ARTISTIC TRAINING, WHAT DID IT MEAN TO BE AN ARTIST IN 16TH- AND 17TH-CENTURY JAPAN, AND HOW WAS NOBUHARU/TOHAKU ABLE TO REFASHION HIS IDENTITY SO DRAMATICALLY OVER THE COURSE OF HIS CAREER? BY VIEWING THE EXHIBITED MASTERWORKS FROM THIS VANTAGE POINT, A GIANT LEAP OFFERED A PLATFORM FOR CONSIDERING JAPAN'S TRANSITION INTO THE EARLY MODERN PERIOD, AS EXPRESSED IN THE VISUAL ARTS. A GIANT LEAP WAS ACCOMPANIED BY AN ILLUSTRATED CATALOGUE AND A FULL RANGE OF PUBLIC AND EDUCATION PROGRAMS FOR AUDIENCES OF ALL AGES AND INTEREST LEVELS IN ORDER TO DEEPEN THE EDUCATIONAL VALUE, UNDERSTANDING AND THE OVERALL IMPACT OF THE EXHIBITION. JAPAN SOCIETY OFFERED 3/11/18 GALLERY TALK: IMAGE-IN-FOCUS WITH MASATOMO KAWAI, DIRECTOR CHIBA CITY MUSEUM OF ART; 3/16/18 KEYNOTE LECTURE: HOW HASEGAWA TOHAKU CONQUERED THE WORLD, MIYEKO MURASE/COLUMBIA UNIVERSITY; TUESDAYS 3/13 - 5/1/18 MEDITATION SERIES; SYMPOSIUM: 4/7 /18 THE ARTIST'S TRANSFORMATION: RE-CONTEXTUALIZING HASEGAWA TOHAKU WITH MATTHEW MCKELWAY/COLUMBIA AND YUKIO LIPPIT/HARVARD UNIVERSITY; 4/15/18 WORKSHOP: MAKE A MASTERPIECE; 4/28/18 GALLERY TALK AND TEA: KACHO-ZU: BIRD AND FLOWERS IN THE ART OF TOHAKU. |
| PART III - LINE 4B | PERFORMING ARTS JAPAN SOCIETY'S 2017-18 PERFORMING ARTS SEASON INCLUDED MASTERPIECES OF TRADITIONAL JAPANESE GENRES AS WELL AS RISK-TAKING NEW WORKS BY GLOBAL ARTISTS. A TOTAL NUMBER OF 3,455 ATTENDED THESE OUTSTANDING PROGRAMS. 1. MOTO OSADA'S FOUR NIGHTS OF DREAM / TOKYO BUNKA KAIKAN CO-COMMISSION (9/13, 15, 16, 17/17}. THE SEASON OPENED WITH A CHAMBER OPERA BY NEW YORK-BASED JAPANESE COMPOSER MATO OSADA, CONDUCTED BY KEN-DAVID MASUR AND DIRECTED BY ALEC DUFFY. LIBRETTO BASED ON TEN NIGHTS OF DREAM (1908), TEN SHORT STORIES BY NATSUME SOSEKI (1867-1916), ONE OF JAPAN'S MOST NOTABLE AUTHORS. 2. LEFT-RIGHT-LEFT (SAYUSA} / YOKOHAMA NOH THEATER CO-COMMISSION (10/13+14/17}. NORTH AMERICAN PREMIERE. CHOREOGRAPHER/STAGE DIRECTOR LUCA VEGGETTI MERGED CONTEMPORARY DANCE WITH TRADITIONAL NOH THEATER, ASSEMBLING AN ELITE TEAM OF ARTISTS INCLUDING NOH KOTSUZUMI (SMALL HAND DRUM) MASTER AND NATIONAL TREASURE GENJIRO OKURA. LOOSELY DERIVED FROM THE OLDEST NOH PLAY/SACRED RITUAL, OKINA, DIVIDED INTO THREE PARTS WITH INTERCONNECTING INTERLUDES. NOH MUSIC WORKSHOP WITH GENJIRO OKURA OFFERED ON 10/14/17. 3. RIKYU ENOURA: WORLD PREMIERE / ODAWARA ART FOUNDATION CO-COMMISSION (11/3, 4, 5/17. CONCEIVED BY HIROSHI SUGIMOTO, RECOUNTING A TRAGIC INCIDENT BETWEEN FOUNDING TEA CEREMONY MASTER SEN-NO-RIKYU AND THE PRE-EMINENT 16TH CENTURY RULER, GENERAL TOYOTOMI HIDEYOSHI. TEA CEREMONY BY SEN SO'OKU, DIRECT DESCENDENT OF SEN-NO-RIKYU. PERFORMED IN JAPANESE WITH ENGLISH TITLES, AKIKO BABA COMPOSED THE ORIGINAL SCRIPT. 4. SITI COMPANY'S HANJO BY YUKIO MISHIMA / WORLD PREMIERE (12/7, 8, 9/17). NEW YORK- BASED SITI COMPANY PRESENTED THE WORLD PREMIERE OF HANJO, A RE-CONTEXTUALIZATION OF A PLAY BY YUKIO MISHIMA (1925-1970), BASED ON A 14 TH CENTURY NOH PLAY OF THE SAME TITLE. CELEBRATED JAPANESE-ENGLISH BILINGUAL ACTOR LEON LNGULSRUD DIRECTED, UNVEILING MISHIMA'S TALE AS A BILINGUAL TRIPTYCH IN WHICH THE ACTORS ROTATED THROUGH EACH CHARACTER ROLE. ORIGINAL MUSIC. 5. MUGEN NOH OTHELLO BY SATOSHI MIYAGI/ NORTH AMERICAN PREMIERE (1/1 1, 12, 13, 14/18). PART OF THE UNDER THE RADAR FESTIVAL. FANTASTICAL REIMAGINING OF SHAKESPEARE'S OTHELLO THROUGH THE STYLE OF MUGEN NOH (A PLAY BASED ON A DREAM OR ILLUSION). DIRECTED BY SATOSHI MIYAGI AND PERFORMED BY SHIZUOKA PERFORMING ARTS CENTER, FEATURED LAVISH COSTUMES, DYNAMIC LIVE INSTRUMENTAL MUSIC AND CHANTING, AND EXAGGERATED EXPRESSIONS. TOLD FROM PERSPECTIVE OF OTHELLO'S DECEASED WIFE DESDEMONA, IN JAPANESE WITH ENGLISH TITLES. JS OFFERED A WORKSHOP THEATRE TECHNIQUE WITH SPAC ON 1/13/18. 6. PLAY READING SERIES: CONTEMPORARY JAPANESE PLAYS IN ENGLISH TRANSLATION - OTOKOTACHI (MANHOOD) (3/26/18). 13 TH PLAY READING INSTALLMENT OF THE SERIES FEATURED IN OTOKATACHI, WRITTEN BY KISHIDA KUNIO AND HIDETO LWAI OF HI-BYE THEATER COMPANY. SARAH HUGHES DIRECTED GENDER SWAPPED CAST IN OFF-KILTER DEPICTION OF JAPANESE "BRO CULTURE," IN WHICH FOUR MEN FACE REALITIES OF ADULTHOOD. WORKSHOP WAS HOSTED ON 5/13/18, LED BY PLAYWRIGHT/DIRECTOR AND FOUNDER OF THEATER COMPANY CHELFITSCH, TOSHIKO OKADA. 7. REST IN PEACE, NEW YORK: THEATER, WORMAN & IMMIGRATION/ PUBLIC FORUM (5/14/18). PERFORMANCE ARTIST SHIROTA MA HITSUJIYA COLLECTED NARRATIVE STORIES FROM MEMBERS OF THE NYC SOUTH EAST ASIAN COMMUNITY AND PRESENTED HER FINDINGS THROUGH A PERFORMANCE WITH OTHER LOCAL FEMALE ARTISTS. IN ASSOCIATION WITH ASIAN WOMEN PERFORMING ARTS COLLECTIVE. 8. KOTO & SHAMISEN: A CONTEMPORARY SPIN ON TRADITIONAL INSTRUMENTS (5/24/18). LOCAL KOTO AND SHAMISEN ARTISTS YOKO REIKANO KIMURA AND YUMI KUROSAMA OFFERED A VARIETY OF TRADITIONAL AND CONTEMPORARY MUSIC SELECTIONS BY LIVING COMPOSERS FROM U.S. AND JAPAN, JOINED ON STAGE BY WESTERN INSTRUMENTALISTS. |
| PART III - LINE 4C | LANGUAGE CENTER THE TOYOTA LANGUAGE CENTER OFFERED 275 CLASSES IN JAPANESE LANGUAGE, BOTH SPOKEN AND WRITTEN, FOR 3,797 STUDENTS. 42 UNIQUE PROGRAMS PROVIDED LEARNING OPPORTUNITIES FOR ALL LEVELS OF EXPERTISE AND FOR A VARIETY OF GOALS AND PURPOSES. 13 LEVELS OF JAPANESE LANGUAGE STUDY WERE AVAILABLE, TAUGHT BY 15 TEACHERS, AS WELL AS WRITING WORKSHOPS IN HIRAGANA, KATAKANA AND KANJI, JLPT PREPARATORY CLASSES, AND CONVERSATIONAL COURSES FOR BEGINNER, INTERMEDIATE AND ADVANCED SPEAKERS. JAPAN SOCIETY ALSO OFFERED COURSES IN SHODO, JAPANESE CALLIGRAPHY, CRASH COURSES FOR TRAVELERS TO JAPAN, JAPANESE BUSINESS ETIQUETTE, FUN AND CASUAL NIHONGO CHAT SESSIONS, INTENSIVE WEEKEND COURSES, JAPANESE-LANGUAGE TEACHER TRAINING, PRIVATE AND CORPORATE GROUP LESSONS. THE LANGUAGE CENTER PRODUCES OUTSTANDING SHORT VIDEO CONTENT ON CONVERSATIONAL JAPANESE AND ILLUSTRATED VOCABULARY CARDS FOR SOCIAL MEDIA, BOTH OF WHICH ARE EXTREMELY POPULAR AND WIDELY FOLLOWED. |
| FORM 990, PART VI, SECTION B, LINE 11B | THE FORM 990 IS INITIALLY REVIEWED BY THE FINANCE COMMITTEE CHAIRMAN AND THEN MADE AVAILABLE TO THE BOARD OF DIRECTORS PRIOR TO FILING WITH THE INTERNAL REVENUE SERVICE. |
| FORM 990, PART VI, SECTION B, LINE 12C | THE SOCIETY REQUIRES THE BOARD OF DIRECTORS AND EXECUTIVE OFFICERS TO COMPLETE THE CONFLICT OF INTEREST FORM. THE FORMS ARE THEN REVIEWED FOR ANY POSSIBLE CONFLICTS. |
| FORM 990, PART VI, SECTION B, LINE 15 | THE SOCIETY'S SALARY STRUCTURE, INCLUDING OFFICER COMPENSATION IS REVIEWED THROUGH EXTERNAL MARKET DATA TO DETERMINE THE COMPETITIVENESS OF ACTUAL SALARIES. |
| FORM 990, PART VI, SECTION C, LINE 19 | THE SOCIETY DOES NOT MAKE ITS GOVERNING DOCUMENTS OR CONFLICT OF INTEREST POLICY AVAILABLE TO THE PUBLIC. THE SOCIETY'S FINANCIAL STATEMENTS ARE POSTED ON THE INTERNET. |
| FORM 990, PART XI, LINE 9: | FOREIGN CURRENCY EXCHANGE GAINS 10,728. |
| Software ID: | |
| Software Version: |