Attach to Form 990 or Form 990-EZ.
Go to
www.irs.gov/Form990 for instructions and the latest information.
| (i) Name of supported organization | (ii) EIN | (iii) Type of organization (described on lines 1- 10 above (see instructions)) | (iv) Is the organization listed in your governing document? | (v) Amount of monetary support (see instructions) | (vi) Amount of other support (see instructions) | |
|---|---|---|---|---|---|---|
| Yes | No | |||||
|
Total |
||||||
Calendar year (or fiscal year beginning in) ![]() |
(a) 2015 | (b) 2016 | (c) 2017 | (d) 2018 | (e) 2019 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 1 | Gifts, grants, contributions, and membership fees received. (Do not include any "unusual grant.") .. | 0 | 9,563,518 | 3,512,413 | 13,367,403 | 4,748,770 | 31,192,104 |
| 2 | Tax revenues levied for the organization's benefit and either paid to or expended on its behalf.... | ||||||
| 3 | The value of services or facilities furnished by a governmental unit to the organization without charge.. | ||||||
| 4 | Total. Add lines 1 through 3 | 9,563,518 | 3,512,413 | 13,367,403 | 4,748,770 | 31,192,104 | |
| 5 | The portion of total contributions by each person (other than a governmental unit or publicly supported organization) included on line 1 that exceeds 2% of the amount shown on line 11, column (f).. | ||||||
| 6 | Public support. Subtract line 5 from line 4. | 31,192,104 | |||||
Calendar year
(or fiscal year beginning in) ![]() |
(a) 2015 | (b) 2016 | (c) 2017 | (d) 2018 | (e) 2019 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 7 | Amounts from line 4.. | 9,563,518 | 3,512,413 | 13,367,403 | 4,748,770 | 31,192,104 | |
| 8 | Gross income from interest, dividends, payments received on securities loans, rents, royalties and income from similar sources... | 9,116 | 15,260 | 8,398 | 10,230 | 43,004 | |
| 9 | Net income from unrelated business activities, whether or not the business is regularly carried on.. | ||||||
| 10 | Other income. Do not include gain or loss from the sale of capital assets (Explain in Part VI.).. | ||||||
| 11 | Total support. Add lines 7 through 10 | 31,235,108 | |||||
Calendar year (or fiscal year beginning in) ![]() |
(a) 2015 | (b) 2016 | (c) 2017 | (d) 2018 | (e) 2019 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 1 | Gifts, grants, contributions, and membership fees received. (Do not include any "unusual grants.") . | ||||||
| 2 | Gross receipts from admissions, merchandise sold or services performed, or facilities furnished in any activity that is related to the organization's tax-exempt purpose | ||||||
| 3 | Gross receipts from activities that are not an unrelated trade or business under section 513 ..... | ||||||
| 4 | Tax revenues levied for the organization's benefit and either paid to or expended on its behalf... | ||||||
| 5 | The value of services or facilities furnished by a governmental unit to the organization without charge | ||||||
| 6 | Total. Add lines 1 through 5 | ||||||
| 7a | Amounts included on lines 1, 2, and 3 received from disqualified persons | ||||||
| b | Amounts included on lines 2 and 3 received from other than disqualified persons that exceed the greater of $5,000 or 1% of the amount on line 13 for the year. | ||||||
| c | Add lines 7a and 7b.. | ||||||
| 8 | Public support. (Subtract line 7c from line 6.) | ||||||
Calendar year (or fiscal year beginning in) ![]() |
(a) 2015 | (b) 2016 | (c) 2017 | (d) 2018 | (e) 2019 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 9 | Amounts from line 6... | ||||||
| 10a | Gross income from interest, dividends, payments received on securities loans, rents, royalties and income from similar sources.. | ||||||
| b | Unrelated business taxable income (less section 511 taxes) from businesses acquired after June 30, 1975. | ||||||
| c | Add lines 10a and 10b. | ||||||
| 11 | Net income from unrelated business activities not included in line 10b, whether or not the business is regularly carried on. | ||||||
| 12 | Other income. Do not include gain or loss from the sale of capital assets (Explain in Part VI.) .. | ||||||
| 13 | Total support. (Add lines 9, 10c, 11, and 12.).. | ||||||
| Section A - Adjusted Net Income | (A) Prior Year |
(B) Current Year (optional) |
||||
| 1 | Net short-term capital gain | 1 | ||||
| 2 | Recoveries of prior-year distributions | 2 | ||||
| 3 | Other gross income (see instructions) | 3 | ||||
| 4 | Add lines 1 through 3 | 4 | ||||
| 5 | Depreciation and depletion | 5 | ||||
| 6 | Portion of operating expenses paid or incurred for production or collection of gross income or for management, conservation, or maintenance of property held for production of income (see instructions) | 6 | ||||
| 7 | Other expenses (see instructions) | 7 | ||||
| 8 | Adjusted Net Income (subtract lines 5, 6 and 7 from line 4) | 8 | ||||
| Section B - Minimum Asset Amount | (A) Prior Year |
(B) Current Year (optional) |
||||
| 1 | Aggregate fair market value of all non-exempt-use assets (see instructions for short tax year or assets held for part of year): | 1 | ||||
| a | Average monthly value of securities | 1a | ||||
| b | Average monthly cash balances | 1b | ||||
| c | Fair market value of other non-exempt-use assets | 1c | ||||
| d | Total (add lines 1a, 1b, and 1c) | 1d | ||||
| e |
Discount claimed for blockage or other factors (explain in detail in Part VI): |
|||||
| 2 | Acquisition indebtedness applicable to non-exempt use assets | 2 | ||||
| 3 | Subtract line 2 from line 1d | 3 | ||||
| 4 | Cash deemed held for exempt use. Enter 1-1/2% of line 3 (for greater amount, see instructions). | 4 | ||||
| 5 | Net value of non-exempt-use assets (subtract line 4 from line 3) | 5 | ||||
| 6 | Multiply line 5 by .035 | 6 | ||||
| 7 | Recoveries of prior-year distributions | 7 | ||||
| 8 | Minimum Asset Amount (add line 7 to line 6) | 8 | ||||
| Section C - Distributable Amount | Current Year | |||||
| 1 | Adjusted net income for prior year (from Section A, line 8, Column A) | 1 | ||||
| 2 | Enter 85% of line 1 | 2 | ||||
| 3 | Minimum asset amount for prior year (from Section B, line 8, Column A) | 3 | ||||
| 4 | Enter greater of line 2 or line 3 | 4 | ||||
| 5 | Income tax imposed in prior year | 5 | ||||
| 6 | Distributable Amount. Subtract line 5 from line 4, unless subject to emergency temporary reduction (see instructions) | 6 | ||||
| Section D - Distributions | Current Year | |
|---|---|---|
| 1 Amounts paid to supported organizations to accomplish exempt purposes | ||
|
2
Amounts paid to perform activity that directly furthers exempt purposes of supported organizations, in excess of income from activity |
||
| 3 Administrative expenses paid to accomplish exempt purposes of supported organizations | ||
| 4 Amounts paid to acquire exempt-use assets | ||
| 5 Qualified set-aside amounts (prior IRS approval required) | ||
| 6 Other distributions (describe in Part VI). See instructions | ||
| 7Total annual distributions. Add lines 1 through 6. | ||
|
8
Distributions to attentive supported organizations to which the organization is responsive (provide details in Part VI). See instructions |
||
| 9 Distributable amount for 2019 from Section C, line 6 | ||
| 10 Line 8 amount divided by Line 9 amount | ||
| Section E - Distribution Allocations (see instructions) |
(i) Excess Distributions |
(ii) Underdistributions Pre-2019 |
(iii) Distributable Amount for 2019 |
|
|---|---|---|---|---|
| 1 Distributable amount for 2019 from Section C, line 6 | ||||
|
2
Underdistributions, if any, for years prior to 2019 (reasonable cause required-- explain in Part VI). See instructions. |
||||
| 3 Excess distributions carryover, if any, to 2019: | ||||
| a From 2014....... | ||||
| b From 2015....... | ||||
| c From 2016....... | ||||
| d From 2017....... | ||||
| e From 2018....... | ||||
| fTotal of lines 3a through e | ||||
| g Applied to underdistributions of prior years | ||||
| h Applied to 2019 distributable amount | ||||
|
i
Carryover from 2014 not applied (see instructions) |
||||
| j Remainder. Subtract lines 3g, 3h, and 3i from 3f. | ||||
| 4Distributions for 2019 from Section D, line 7: | ||||
| $ | ||||
| a Applied to underdistributions of prior years | ||||
| b Applied to 2019 distributable amount | ||||
| c Remainder. Subtract lines 4a and 4b from 4. | ||||
|
5
Remaining underdistributions for years prior to 2019, if any. Subtract lines 3g and 4a from line 2. If the amount is greater than zero, explain in Part VI. See instructions. |
||||
|
6
Remaining underdistributions for 2019. Subtract lines 3h and 4b from line 1. If the amount is greater than zero, explain in Part VI. See instructions. |
||||
|
7 Excess distributions carryover to 2020. Add lines 3j and 4c. |
||||
| 8 Breakdown of line 7: | ||||
| a Excess from 2015..... | ||||
| b Excess from 2016..... | ||||
| c Excess from 2017..... | ||||
| d Excess from 2018..... | ||||
| e Excess from 2019..... | ||||
| Facts And Circumstances Test |
|---|
| Return Reference | Explanation |
|---|
| Software ID: | |
| Software Version: |
Attach to Form 990 or 990-EZ.
Go to www.irs.gov/Form990 for the latest information.
| Return Reference | Explanation |
|---|---|
| FORM 990, PART III, LINE 4A - FIRST ACCOMPLISHMENT | EXHIBITIONS AND COLLECTIONS ICA MIAMI OPENED ITS NEW PERMANENT BUILDING IN DECEMBER 2017 WITH THE MAJOR INAUGURAL EXHIBITION "THE EVERYWHERE STUDIO." THE EXHIBITION SPANNED THE SECOND AND THIRD FLOOR GALLERY SPACES AND WAS ON VIEW FROM DECEMBER 1, 2017 THROUGH MARCH 4, 2018. "THE EVERYWHERE STUDIO" WAS A MAJOR GROUP EXHIBITION EXPLORING THE SIGNIFICANCE OF THE ARTIST'S STUDIO FROM THE POST-WAR PERIOD TO THE PRESENT DAY. ENCOMPASSING SOME 100 WORKS IN PAINTING, SCULPTURE, VIDEO, AND INSTALLATION, THE EXHIBITION BROUGHT TOGETHER OVER 50 ARTISTS FROM THE PAST FIVE DECADES TO REVEAL THE ARTIST'S STUDIO AS A CHARGED SITE THAT HAS BOTH PREDICTED AND RESPONDED TO BROADER SOCIAL AND ECONOMIC CHANGES OF OUR TIME. CONCURRENTLY, THE GROUND FLOOR OF ICA MIAMI'S NEW BUILDING OPENED WITH 6 SMALLER GALLERY SPACES: -ROBERT GOBER'S LONG TERM INSTALLATION FEATURES THE ICONIC SCULPTURE UNTITLED (1993-94) AND A PORTFOLIO OF SIGNIFICANT PHOTOGRAPHS, 1978-2000 (1978-2000). -CHRIS OFILI'S EXTENDED-RUN INSTALLATION FEATURES A SERIES OF PAINTINGS AND PHOTOGRAPHS AND WILL EVOLVE OVER THE COURSE OF ITS DURATION, WITH WORKS BEING ADDED AND/OR SUBTRACTED OVER TIME. -HELIO OITICICA PRESENTATION "BOLIDES" WAS ON VIEW FROM DECEMBER 1, 2017 THROUGH JULY 8, 2018 AND EXAMINED AN IMPORTANT SERIES OF WORKS CREATED BY HELIO OITICICA AT A CRUCIAL TRANSFORMATIONAL PERIOD IN THE ARTIST'S DEVELOPMENT. -ED AND NANCY KIENHOLZ'S PRESENTATION WAS ON VIEW FROM DECEMBER 1, 2017 THROUGH APRIL 22, 2018 AND FOCUSED ON WORK FROM 1982 TO 1992. THE WORK DEMONSTRATED THE ARTISTS' EXPLORATION OF THE REPRESENTATION OF WOMEN IN A CONTEMPORARY, MEDIA-SATURATED SOCIETY AND FEATURED BOTH WORK FROM ICA MIAMI'S PERMANENT COLLECTION AS WELL AS SUPPORTING LOANS. -TOMM EL-SAIEH'S SOLO MUSEUM DEBUT WAS ON VIEW FROM DECEMBER 1, 2017 THROUGH MAY 13, 2018 AND FEATURED A SUITE OF NEW PAINTINGS THAT EXPLORED AND PROBED THE MEANINGS OF ABSTRACTION BY INVOKING HAITIAN TRADITIONS OF FIGURATIVE SPIRITUAL ART. -SENGA NENGUDI'S PRESENTATION WAS ON VIEW FROM DECEMBER 1, 2017 THROUGH APRIL 22, 2018 AND REPRESENTED A PIVOTAL ADVANCEMENT IN THE ARTIST'S INNOVATIVE APPROACH TO MATERIAL AND OFFERED IMPORTANT INSIGHT INTO HER CURRENT PRACTICE. AS THE BUILDING OPENED SO DID THE ICA MIAMI'S BRAND NEW SCULPTURE GARDEN, WHICH FEATURES WORK BY MARK HANDFORTH, ALLORA AND CALZADILLA, GEORGE SEGAL, AND ABIGAIL DEVILLE. ICA MIAMI ALSO FEATURED WORK IN THE COMMUNITY. TWO OUTDOOR CONCRETE BLOCK STRUCTURES BY CONCEPTUAL PIONEER SOL LEWITT INAUGURATED ICA MIAMI'S PUBLIC SCULPTURE PROGRAM AND WERE ON VIEW IN THE MIAMI DESIGN DISTRICT FROM NOVEMBER 1, 2017 THROUGH MAY 31, 2019. IN ADDITION, FROM OCTOBER 17 THROUGH DECEMBER 31 2017, ICA MIAMI COMMISSIONED A LARGE-SCALE PUBLIC ARTWORK BY LOCAL MIAMI ARTIST JILLIAN MAYER, WHICH TOOK THE FORM OF A BILLBOARD AND HIGHLIGHTED THE MUSEUM'S ONGOING ROLE AS A PLATFORM FOR LEADING MIAMI-BASED ARTISTS. LASTLY OUR INAUGURAL PROGRAM FEATURED BRAND NEW WORKS BY CHARLES GAINES WHICH WERE SHOWN IN ICA MIAMI'S MAIN STAIRWELL. CHARLES GAINES' MULTI-PANEL INSTALLATION ACTIVATED ICA MIAMI'S CENTRAL STAIRWELL AND EXPLORED THE ARTIST'S APPROACH TO SERIALITY THROUGH A UNIQUE VERTICAL COMPOSITION. AS THE INAUGURAL PROGRAM CAME TO A CLOSE, MORE EXCITING EXHIBITIONS OPENED IN THEIR PLACES. -IN APRIL OF 2017, THE SECOND FLOOR GALLERY SPACE FEATURED AN EXHIBITION OF WORKS BY DONALD JUDD WHICH OFFERED AN EXPANDED UNDERSTANDING OF THE ARTIST THROUGH THIS UNDERSTUDIED FACET OF HIS PRACTICE. "DONALD JUDD: PAINTINGS" MARKED THE FIRST MUSEUM EXHIBITION DEDICATED TO 14 RARELY EXHIBITED PAINTINGS, CREATED FROM 1959 TO 1961 WHEN THE ARTIST WAS DEVELOPING HIS IDEAS ABOUT COLOR, SPACE AND EXPLORING THE LIMITATIONS OF THE FLAT PLANE. -IN MAY OF 2018, THE THIRD FLOOR GALLERY SPACE OPENED WITH "TERRY ADKINS: INFINITY IS ALWAYS LESS THAN ONE," WHICH WAS A MAJOR THEMATIC SURVEY WHICH HIGHLIGHTED THE ARTIST'S CRUCIAL CONTRIBUTIONS TO THE MEDIUM OF SCULPTURE AND CULTURAL PROTEST, FEATURING MAJOR INSTALLATIONS THAT HAVE NOT BEEN VIEWED IN DECADES. -FROM JULY 13 THROUGH NOVEMBER 4, 2018, THE SECOND FLOOR GALLERY SHOWCASED "SONDRA PERRY: TYPHOON COMING ON," WHICH EXAMINED THE ARTIST'S INNOVATIVE USE OF VIDEO, MEDIA, INSTALLATION AND PERFORMANCE TO CREATE POWERFUL NARRATIVES THAT EXPLORE THE INTERSECTION OF BLACK IDENTITY, DIGITAL CULTURE AND POWER. ADDITIONALLY, THE GROUND FLOOR GALLERIES ALSO OPENED NEW EXHIBITIONS IN THE SPRING OF 2018. -FROM MAY 17, 2018 THROUGH OCTOBER 28, 2018, ICA MIAMI PRESENTED "DIAMOND STINGILY: LIFE IN MY POCKET," THE FIRST SOLO MUSEUM EXHIBITION BY THE EMERGING NEW YORK-BASED ARTIST. FOR HER PRESENTATION AT ICA MIAMI, STINGILY CREATED A NEW INSTALLATION THAT SEES THE ARTIST USING THE FORM OF THE READYMADE TO EXPLORE PERSONAL AND SHARED MEMORIES OF SUBURBAN LIFE, BLACK GIRLHOOD, AND RACIAL VIOLENCE. -FROM APRIL 26, 2018 THROUGH DECEMBER 2, 2018, A PRESENTATION OF PAINTINGS BY FRANCIS ALS BASED ON THREE IMPORTANT MULTI-PANEL WORKS IN THE MUSEUM'S PERMANENT COLLECTION WERE FEATURED, ALONG WITH SEVERAL LOANED WORKS FEATURED THE ARTIST'S "SIGN PAINTING PROJECT" SERIES (1993-97). -FROM APRIL 26, 2018 THROUGH JANUARY 6, 2019 "WALTER DARBY BANNARD: 1959-1962" WAS A FOCUSED PRESENTATION OF A SERIES OF BREAKTHROUGH PAINTINGS THE ARTIST PRODUCED OVER A PERIOD OF SEVERAL YEARS, DURING WHICH HE ABANDONED GESTURAL BRUSHWORK AND DEVELOPED A PARED-DOWN GEOMETRIC VOCABULARY. THE EARLY WORKS PRESENTED HAVE RARELY AND ONLY RECENTLY BEEN EXHIBITED. ICA MIAMI'S PERMANENT COLLECTION CONTINUED TO ARTICULATE CORNERSTONE MOMENTS IN THE CAREERS OF SOME OF THE MOST SIGNIFICANT ARTISTS OF OUR TIME. DURING FISCAL YEAR 2018, ICA MIAMI ADDED 22 ARTWORKS TO THE PERMANENT COLLECTION, INCLUDING WORK BY FRANCIS ALYS, THOMAS DEMAND, JOSEPH BEUYS, CINDY SHERMAN, SUSAN TE KAHURANGI KING, ROBERT CHAMBERS, SAMUEL FOSSO, ROBERT GOBER, THOMAS HIRSCHHORN, LOUISE LAWLER, DALTON PAULA, JOHNATHAN LYNDON CHASE, DAMIEN ORTEGA, MICHAEL E. SMITH, NED VENA, JON PESTONI, AND TOM SCICLUNA. |
| FORM 990, PART III, LINE 4B - SECOND ACCOMPLISHMENT | EDUCATION AND OUTREACH ICA MIAMI'S YOUNG ARTISTS INITIATIVE IS AN APPLICATION-BASED ARTS PROGRAM DESIGNED FOR YOUNG ARTISTS (9TH-12TH GRADE) WHO ARE ENCOURAGED TO LOOK CRITICALLY AT CONTEMPORARY ART PRACTICES, WORK DIRECTLY WITH LEADING ARTISTS, AND FURTHER DEVELOP THEIR OWN PORTFOLIOS. ICA MIAMI'S YOUNG ARTISTS INITIATIVE ENGAGES STUDENTS IN AN INTENSIVE, 20-WEEK PROGRAM OFFERED IN TWO 10-WEEK SESSIONS THAT RELATES ART HISTORY TO CONTEMPORARY ART PRACTICE FOR HIGH SCHOOL STUDENTS WITH A FOCUS ON APPLICABLE SKILLS THAT PREPARE SELF-SELECTING STUDENTS FOR CAREERS IN CONTEMPORARY ART. DURING FISCAL YEAR 2018, APPROXIMATELY 35 STUDENTS PARTICIPATED IN EACH SEMESTER OF ICA MIAMI'S YOUNG ARTISTS INITIATIVE. ICA MIAMI'S OUTREACH PROGRAMS PRESENT THE DIVERSE WORKS OF CONTEMPORARY ARTISTS TO UNDER-RESOURCED YOUTHS AND YOUNG ADULTS IN THE MIAMI REGION. THROUGH A SERIES OF PARTNERSHIPS WITH MIAMI-DADE PUBLIC SCHOOLS AND LOCAL COMMUNITY ORGANIZATIONS, OUR CURRICULA AIM IS TO IMPROVE VISUAL LITERACY, WHILE EMPOWERING THE SOCIAL, CULTURAL AND GENDER-SPECIFIC IDENTITIES OF PARTICIPANTS. DURING FISCAL YEAR 2018, ICA MIAMI OFFERED OVER 60 WORKSHOPS SERVING OVER 350 PARTICIPANTS. ICA MIAMI, IN PARTNERSHIP WITH THE MIAMI DESIGN DISTRICT, ALSO HOSTS A MONTHLY "FAMILY DAY" ON THE SECOND SUNDAY OF EACH MONTH. FAMILIES AND OTHER COMMUNITY MEMBERS ARE INVITED TO SPEND AN AFTERNOON EXPLORING THE CULTURAL OFFERINGS OF THE MUSEUM THROUGH VARIOUS INTERACTIVE ACTIVITIES WHICH PROMOTE CREATIVITY AND CRITICAL THINKING, INCLUDING STORY TELLING SESSIONS, MUSICAL PERFORMANCES, AND ART MAKING ACTIVITIES. THE ACTIVITIES ARE TIED TO A THEME OR THE MUSEUMS CURRENT EXHIBITIONS. ANNUALLY WE SERVE OVER 5,000 PEOPLE ICA MIAMI ALSO OFFERS COMPLEMENTARY TOURS OF CURRENT EXHIBITIONS TO SCHOOLS, SUMMER CAMPS, AND ADULT ORGANIZATIONS. ICA HOSTED 80 TOURS DURING FISCAL YEAR 2018, REACHING OVER 1,200 PARTICIPANTS. |
| FORM 990, PART III, LINE 4C - THIRD ACCOMPLISHMENT | PUBLIC PROGRAMS DURING FISCAL YEAR 2018, ICA MIAMI CONTINUED A ROBUST PROGRAM OF PUBLIC PRESENTATIONS, LECTURES, SEMINARS, FILM SCREENINGS, ARTISTS' TALKS, AND EVENTS. BUILDING ON THE STRUCTURE THAT DIVIDES THE INSTITUTION'S PUBLIC PROGRAMS INTO FOCUSED COMPONENTS, PROGRAMS AND EVENTS WERE DEVELOPED UNDER THE FOLLOWING RUBRICS: ART + RESEARCH CENTER, ICA IDEAS, ICA PERFORMS, AND ICA SPEAKS. THROUGH ART + RESEARCH CENTER, THE MUSEUM OFFERS FREE COLLEGE-LEVEL SEMINAR CLASSES, OPEN TO YOUNG ADULTS AND LIFELONG LEARNERS, COVERING A WIDE RANGE OF THEMES FROM CONTEMPORARY ART AND RECENT ART HISTORY. DURING FISCAL YEAR 2018, ICA MIAMI HOSTED INTENSIVE 4- WEEK FALL, SPRING AND SUMMER SEMESTERS. ICA IDEAS EXPANDS THE REACH AND MEANING OF EXHIBITIONS ON VIEW, WHILE PROVIDING DYNAMIC MODES OF CREATION AND INTERACTION OUTSIDE THE EXHIBITION FORMAT. AS PART OF THIS PROGRAM, ICA MIAMI HOSTED IDEA 008: THE STUDIO, WHICH INCLUDED A LECTURE BY ALEX BACON, A PANEL DISCUSSION WITH FLAVIN JUDD, A LAURE PROUVOST FILM SCREENING, AND A CONVERSATION WITH TOMM EL-SAIEH AND IDEA 009: FUGITIVE FORMS, WHICH INCLUDED A FRANTZ FANON SYMPOSIUM, ARTHUR JAFA FILM SCREENING, ABIGAIL DEVILLE LECTURE, NEW BLACK QUEER AUDIOVISUALS SYMPOSIUM, RINDON JOHNSON CONVERSATION WITH DIAMOND STINGLY, AND CHARLES GAINES PERFORMANCE. ICA SPEAKS IS FOCUSED ON PROMOTING THE EXCHANGE OF ART AND IDEAS. IT FEATURES ARTISTS WHOSE WORK IS IN THE MUSEUM'S PERMANENT COLLECTION, AND HIGHLIGHTS THE STRENGTH OF THE INSTITUTION'S HOLDINGS THROUGH ORIGINAL SCHOLARSHIP. ON NOVEMBER 7, 2017, RENOWNED ARTIST AND SCULPTOR MARK HANDFORTH DISCUSSED RECENT EXHIBITIONS, INCLUDING A NEW SCULPTURE COMMISSIONED FOR ICA MIAMI'S PERMANENT NEW HOME. ICA PERFORMS FOSTERS THE DEVELOPMENT OF NEW PERFORMANCE WORKS BY ENCOURAGING LEADING PERFORMANCE ARTISTS TO PRESENT NEW AND RECENT WORKS AT THE MUSEUM. IN APRIL 2018 ICA MIAMI PRESENTED A MAJOR PERFORMANCE OF "TRISHA BROWN: IN PLAIN SITE." TRISHA BROWN, A FOUNDING FIGURE OF THE AMERICAN MODERN DANCE MOVEMENT, AND HER RENOWNED CHOREOGRAPHY HAS INSPIRED GENERATIONS OF DANCE CREATORS INTO THE 21ST CENTURY. THE FOUR PERFORMANCES HIGHLIGHTED A SELECTION OF SEMINAL DANCE PIECES BY BROWN, WHICH BUILT UPON THE SIGNIFICANCE OF ARTIST DONALD JUDD'S COLLABORATIONS AND SUPPORT OF HIS CONTEMPORARIES, ECHOING SOHO'S ARTISTIC COMMUNITY OF THE 1970S AND '80S. |
| FORM 990, PART VI, SECTION A, LINE 2 | THE TRUSTEES IRMA BRAMAN AND DEBI WESCHLER HAVE A FAMILY RELATIONSHIP. |
| FORM 990, PART VI, SECTION B, LINE 11B | A COMPLETE DRAFT OF FORM 990 WAS DISTRIBUTED TO, AND REVIEWED AND APPROVED BY, THE ORGANIZATION'S FINANCE COMMITTEE. |
| FORM 990, PART VI, SECTION B, LINE 12C | ENFORCEMENT OF CONFLICTS OF INTEREST EACH DIRECTOR, PRINCIPAL, OFFICER, KEY EMPLOYEE AND MEMBER OF A COMMITTEE WITH GOVERNING BOARD DELIGATED POWERS SHALL ANNUALLY SIGN A STATEMENT WHICH AFFIRMS THAT SUCH PERSON HAS RECEIVED A COPY OF THE CONFLICT OF INTEREST POLICY, HAS READ AND UNDERSTANDS THE POLICY, HAS AGREED TO COMPLY WITH THE POLICY AND UNDERSTANDS THAT THE ORGANIZATION IS CHARITABLE AND IN ORDER TO MAINTAIN ITS FEDERAL EXEMPTION IT MUST ENGAGE PRIMARILY IN ACTIVITIES WHICH ACCOMPLISH ONE OR MORE OF ITS TAX-EXEMPT PURPOSES. IN ADDITION, THE ORGANIZATION CONDUCTS PERIODIC REVIEWS WHICH INCLUDE WHETHER COMPENSATION ARRANGEMENTS AND BENEFITS ARE REASONABLE AND WHETHER PARTNERSHIPS, JOINT VENTURES, AND ARRANGEMENTS WITH MANAGEMENT ORGANIZATIONS CONFORM TO THE ORGANIZATION'S WRITTEN POLICIES, ARE PROPERLY RECORDED, REFLECT REASONABLE INVESTMENTS OR PAYMENTS FOR GOODS AND SERVICES, FURTHER CHARITABLE PURPOSES AND DO NOT RESULT IN INCREMENT, IMPERMISSIBLE PRIVATE BENEFIT OR IN AN EXCESS BENEFIT TRANSACTION. |
| FORM 990, PART VI, SECTION B, LINE 15 | COMPENSATION PROCESS FOR OFFICERS THE COMPENSATION PROCESS FOR KEY EMPLOYEES IS APPROVED BY THE ARTISTIC DIRECTOR IN CONSULTATION WITH THE DEPUTY DIRECTOR. SALARY IS DETERMINED BASED ON THE ORGANIZATION'S BUDGET GUIDELINES AND REVIEW OF THE AMERICAN ALLIANCE OF MUSEUM SALARY SURVEY. |
| FORM 990, PART VI, SECTION C, LINE 19 | GOVERNING DOCUMENT DISCLOSURE EXPLANATION GOVERNING DOCUMENTS ARE MADE AVAILABLE TO THE PUBLIC UPON REQUEST. |
| FORM 990, PART VI, LINE 15A - COMPENSATION PROCESS FOR TOP OFFICIAL | THE ORGANIZATION'S ARTISTIC DIRECTOR'S SALARY IS DETERMINED BY THE CO-CHAIR OF THE BOARD OF TRUSTEES IN CONSULTATION WITH THE EXECUTIVE COMMITTEE. SALARY IS DETERMINED BASED ON THE ORGANIZATION'S BUDGET GUIDELINES AND REVIEW OF THE AMERICAN ALLIANCE OF MUSEUM SALARY SURVEY. |
| FORM 990, PART IX, LINE 24E | ARTIST AWARDS AND FEES: PROGRAM SERVICE EXPENSES 192,005. MANAGEMENT AND GENERAL EXPENSES 0. FUNDRAISING EXPENSES 0. TOTAL EXPENSES 192,005. EQUIPMENT, STORAGE, REPAIR AND MAINTENANCE: PROGRAM SERVICE EXPENSES 177,210. MANAGEMENT AND GENERAL EXPENSES 8,444. FUNDRAISING EXPENSES 2,615. TOTAL EXPENSES 188,269. PRINTING AND DELIVERY, INCLUDING CATALOGUES: PROGRAM SERVICE EXPENSES 170,969. MANAGEMENT AND GENERAL EXPENSES 6,392. FUNDRAISING EXPENSES 7,497. TOTAL EXPENSES 184,858. UTILITIES: PROGRAM SERVICE EXPENSES 149,460. MANAGEMENT AND GENERAL EXPENSES 5,782. FUNDRAISING EXPENSES 2,747. TOTAL EXPENSES 157,989. MEALS AND CONSUMABLES, INCLUDING EVENTS: PROGRAM SERVICE EXPENSES 123,151. MANAGEMENT AND GENERAL EXPENSES 7,429. FUNDRAISING EXPENSES 6,312. TOTAL EXPENSES 136,892. SIGNAGE, INVITES AND COLLATERAL: PROGRAM SERVICE EXPENSES 101,995. MANAGEMENT AND GENERAL EXPENSES 14,949. FUNDRAISING EXPENSES 760. TOTAL EXPENSES 117,704. BANK AND CREDIT CARD CHARGES: PROGRAM SERVICE EXPENSES 21,865. MANAGEMENT AND GENERAL EXPENSES 18,195. FUNDRAISING EXPENSES 68,205. TOTAL EXPENSES 108,265. DUES AND LICENSES: PROGRAM SERVICE EXPENSES 68,132. MANAGEMENT AND GENERAL EXPENSES 3,646. FUNDRAISING EXPENSES 26,196. TOTAL EXPENSES 97,974. ART STORAGE: PROGRAM SERVICE EXPENSES 72,547. MANAGEMENT AND GENERAL EXPENSES 0. FUNDRAISING EXPENSES 0. TOTAL EXPENSES 72,547. OTHER MISC EXPENSES: PROGRAM SERVICE EXPENSES 45,036. MANAGEMENT AND GENERAL EXPENSES 11,445. FUNDRAISING EXPENSES 3,124. TOTAL EXPENSES 59,605. GIFT SHOP PURCHASES: PROGRAM SERVICE EXPENSES 32,023. MANAGEMENT AND GENERAL EXPENSES 0. FUNDRAISING EXPENSES 0. TOTAL EXPENSES 32,023. |
| FORM 990, PART XII, LINE 2C | THE ORGANIZATION HAS NOT CHANGED ITS OVERSIGHT PROCESS OR SELECTION PROCESS DURING THE TAX YEAR. |
| Software ID: | |
| Software Version: |