Attach to Form 990 or Form 990-EZ.
Go to
www.irs.gov/Form990 for instructions and the latest information.
| (i) Name of supported organization | (ii) EIN | (iii) Type of organization (described on lines 1- 10 above (see instructions)) | (iv) Is the organization listed in your governing document? | (v) Amount of monetary support (see instructions) | (vi) Amount of other support (see instructions) | |
|---|---|---|---|---|---|---|
| Yes | No | |||||
|
Total |
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Calendar year (or fiscal year beginning in) ![]() |
(a) 2015 | (b) 2016 | (c) 2017 | (d) 2018 | (e) 2019 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 1 | Gifts, grants, contributions, and membership fees received. (Do not include any "unusual grant.") .. | 6,348,004 | 10,735,711 | 8,555,060 | 8,569,427 | 11,932,788 | 46,140,990 |
| 2 | Tax revenues levied for the organization's benefit and either paid to or expended on its behalf.... | ||||||
| 3 | The value of services or facilities furnished by a governmental unit to the organization without charge.. | 4,892,897 | 4,712,695 | 4,636,914 | 5,132,833 | 5,610,977 | 24,986,316 |
| 4 | Total. Add lines 1 through 3 | 11,240,901 | 15,448,406 | 13,191,974 | 13,702,260 | 17,543,765 | 71,127,306 |
| 5 | The portion of total contributions by each person (other than a governmental unit or publicly supported organization) included on line 1 that exceeds 2% of the amount shown on line 11, column (f).. | 3,066,218 | |||||
| 6 | Public support. Subtract line 5 from line 4. | 68,061,088 | |||||
Calendar year
(or fiscal year beginning in) ![]() |
(a) 2015 | (b) 2016 | (c) 2017 | (d) 2018 | (e) 2019 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 7 | Amounts from line 4.. | 11,240,901 | 15,448,406 | 13,191,974 | 13,702,260 | 17,543,765 | 71,127,306 |
| 8 | Gross income from interest, dividends, payments received on securities loans, rents, royalties and income from similar sources... | 4,777 | 3,665 | 6,543 | 4,388 | 5,972 | 25,345 |
| 9 | Net income from unrelated business activities, whether or not the business is regularly carried on.. | ||||||
| 10 | Other income. Do not include gain or loss from the sale of capital assets (Explain in Part VI.).. | 161,260 | 139,746 | 146,194 | 313,842 | 147,471 | 908,513 |
| 11 | Total support. Add lines 7 through 10 | 72,067,351 | |||||
Calendar year (or fiscal year beginning in) ![]() |
(a) 2015 | (b) 2016 | (c) 2017 | (d) 2018 | (e) 2019 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 1 | Gifts, grants, contributions, and membership fees received. (Do not include any "unusual grants.") . | ||||||
| 2 | Gross receipts from admissions, merchandise sold or services performed, or facilities furnished in any activity that is related to the organization's tax-exempt purpose | ||||||
| 3 | Gross receipts from activities that are not an unrelated trade or business under section 513 ..... | ||||||
| 4 | Tax revenues levied for the organization's benefit and either paid to or expended on its behalf... | ||||||
| 5 | The value of services or facilities furnished by a governmental unit to the organization without charge | ||||||
| 6 | Total. Add lines 1 through 5 | ||||||
| 7a | Amounts included on lines 1, 2, and 3 received from disqualified persons | ||||||
| b | Amounts included on lines 2 and 3 received from other than disqualified persons that exceed the greater of $5,000 or 1% of the amount on line 13 for the year. | ||||||
| c | Add lines 7a and 7b.. | ||||||
| 8 | Public support. (Subtract line 7c from line 6.) | ||||||
Calendar year (or fiscal year beginning in) ![]() |
(a) 2015 | (b) 2016 | (c) 2017 | (d) 2018 | (e) 2019 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 9 | Amounts from line 6... | ||||||
| 10a | Gross income from interest, dividends, payments received on securities loans, rents, royalties and income from similar sources.. | ||||||
| b | Unrelated business taxable income (less section 511 taxes) from businesses acquired after June 30, 1975. | ||||||
| c | Add lines 10a and 10b. | ||||||
| 11 | Net income from unrelated business activities not included in line 10b, whether or not the business is regularly carried on. | ||||||
| 12 | Other income. Do not include gain or loss from the sale of capital assets (Explain in Part VI.) .. | ||||||
| 13 | Total support. (Add lines 9, 10c, 11, and 12.).. | ||||||
| Section A - Adjusted Net Income | (A) Prior Year |
(B) Current Year (optional) |
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| 1 | Net short-term capital gain | 1 | ||||
| 2 | Recoveries of prior-year distributions | 2 | ||||
| 3 | Other gross income (see instructions) | 3 | ||||
| 4 | Add lines 1 through 3 | 4 | ||||
| 5 | Depreciation and depletion | 5 | ||||
| 6 | Portion of operating expenses paid or incurred for production or collection of gross income or for management, conservation, or maintenance of property held for production of income (see instructions) | 6 | ||||
| 7 | Other expenses (see instructions) | 7 | ||||
| 8 | Adjusted Net Income (subtract lines 5, 6 and 7 from line 4) | 8 | ||||
| Section B - Minimum Asset Amount | (A) Prior Year |
(B) Current Year (optional) |
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| 1 | Aggregate fair market value of all non-exempt-use assets (see instructions for short tax year or assets held for part of year): | 1 | ||||
| a | Average monthly value of securities | 1a | ||||
| b | Average monthly cash balances | 1b | ||||
| c | Fair market value of other non-exempt-use assets | 1c | ||||
| d | Total (add lines 1a, 1b, and 1c) | 1d | ||||
| e |
Discount claimed for blockage or other factors (explain in detail in Part VI): |
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| 2 | Acquisition indebtedness applicable to non-exempt use assets | 2 | ||||
| 3 | Subtract line 2 from line 1d | 3 | ||||
| 4 | Cash deemed held for exempt use. Enter 1-1/2% of line 3 (for greater amount, see instructions). | 4 | ||||
| 5 | Net value of non-exempt-use assets (subtract line 4 from line 3) | 5 | ||||
| 6 | Multiply line 5 by .035 | 6 | ||||
| 7 | Recoveries of prior-year distributions | 7 | ||||
| 8 | Minimum Asset Amount (add line 7 to line 6) | 8 | ||||
| Section C - Distributable Amount | Current Year | |||||
| 1 | Adjusted net income for prior year (from Section A, line 8, Column A) | 1 | ||||
| 2 | Enter 85% of line 1 | 2 | ||||
| 3 | Minimum asset amount for prior year (from Section B, line 8, Column A) | 3 | ||||
| 4 | Enter greater of line 2 or line 3 | 4 | ||||
| 5 | Income tax imposed in prior year | 5 | ||||
| 6 | Distributable Amount. Subtract line 5 from line 4, unless subject to emergency temporary reduction (see instructions) | 6 | ||||
| Section D - Distributions | Current Year | |
|---|---|---|
| 1 Amounts paid to supported organizations to accomplish exempt purposes | ||
|
2
Amounts paid to perform activity that directly furthers exempt purposes of supported organizations, in excess of income from activity |
||
| 3 Administrative expenses paid to accomplish exempt purposes of supported organizations | ||
| 4 Amounts paid to acquire exempt-use assets | ||
| 5 Qualified set-aside amounts (prior IRS approval required) | ||
| 6 Other distributions (describe in Part VI). See instructions | ||
| 7Total annual distributions. Add lines 1 through 6. | ||
|
8
Distributions to attentive supported organizations to which the organization is responsive (provide details in Part VI). See instructions |
||
| 9 Distributable amount for 2019 from Section C, line 6 | ||
| 10 Line 8 amount divided by Line 9 amount | ||
| Section E - Distribution Allocations (see instructions) |
(i) Excess Distributions |
(ii) Underdistributions Pre-2019 |
(iii) Distributable Amount for 2019 |
|
|---|---|---|---|---|
| 1 Distributable amount for 2019 from Section C, line 6 | ||||
|
2
Underdistributions, if any, for years prior to 2019 (reasonable cause required-- explain in Part VI). See instructions. |
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| 3 Excess distributions carryover, if any, to 2019: | ||||
| a From 2014....... | ||||
| b From 2015....... | ||||
| c From 2016....... | ||||
| d From 2017....... | ||||
| e From 2018....... | ||||
| fTotal of lines 3a through e | ||||
| g Applied to underdistributions of prior years | ||||
| h Applied to 2019 distributable amount | ||||
|
i
Carryover from 2014 not applied (see instructions) |
||||
| j Remainder. Subtract lines 3g, 3h, and 3i from 3f. | ||||
| 4Distributions for 2019 from Section D, line 7: | ||||
| $ | ||||
| a Applied to underdistributions of prior years | ||||
| b Applied to 2019 distributable amount | ||||
| c Remainder. Subtract lines 4a and 4b from 4. | ||||
|
5
Remaining underdistributions for years prior to 2019, if any. Subtract lines 3g and 4a from line 2. If the amount is greater than zero, explain in Part VI. See instructions. |
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|
6
Remaining underdistributions for 2019. Subtract lines 3h and 4b from line 1. If the amount is greater than zero, explain in Part VI. See instructions. |
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|
7 Excess distributions carryover to 2020. Add lines 3j and 4c. |
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| 8 Breakdown of line 7: | ||||
| a Excess from 2015..... | ||||
| b Excess from 2016..... | ||||
| c Excess from 2017..... | ||||
| d Excess from 2018..... | ||||
| e Excess from 2019..... | ||||
| Facts And Circumstances Test |
|---|
| Return Reference | Explanation |
|---|---|
| SCHEDULE A, PART II, LINE 10, EXPLANATION OF OTHER INCOME: | REIMBURSEMENTS |
| Software ID: | |
| Software Version: |
Attach to Form 990 or 990-EZ.
Go to www.irs.gov/Form990 for the latest information.
| Return Reference | Explanation |
|---|---|
| FORM 990, PART III, LINE 1 | PHOENIX ART MUSEUM IS A VIBRANT DESTINATION CONNECTING PEOPLE TO GREAT ART FROM AROUND THE WORLD TO ENRICH THEIR LIVES AND COMMUNITIES. THIS VISION IS SUPPORTED BY FOUR STRATEGIC PILLARS WHICH ARE: 1. EXCEPTIONAL ART - TO CELEBRATE THE HIGHEST QUALITY VISUAL ART THROUGH OUTSTANDING EXHIBITIONS, ACQUISITIONS AND COLLECTION STEWARDSHIP. 2. ENRICHMENT AND LEARNING - TO CREATE A NATIONALLY RECOGNIZED MODEL FOR ENHANCING EXPERIENCE OF THE VISUAL ARTS THROUGH INTERPRETATION, ENGAGED LEARNING, AND ENRICHMENT. 3. BROAD AUDIENCE - TO ATTRACT THE BROADEST POSSIBLE AUDIENCE TO THE MUSEUM AS CONSISTENT AND ENTHUSIASTIC PARTICIPANTS. 4. FISCAL STABILITY AND ORGANIZATIONAL EXCELLENCE - TO ACHIEVE AND MAINTAIN A STRONG FINANCIAL FOUNDATION. |
| FORM 990, PART III, LINE 4A | MADE IN BRAZIL - LATIN ART, PAST/FUTURE/PRESENT: THE FRUIT OF A COLLABORATION BETWEEN THE PHOENIX ART MUSEUM (IN ARIZONA, US) AND MAM (MUSEU DE ARTE MODERNA DE SO PAULO), THE EXHIBITION PAST/FUTURE/PRESENT ARRIVED IN THE STATE CAPITAL OF SO PAULO ON 01/22 WITH A SELECTION OF 72 WORKS AND IS THE PRODUCT OF THE JOINT EFFORTS OF TWO CURATORS: THE NORTH AMERICAN, VANESSA DAVIDSON, AND THE BRAZILIAN, CAU ALVES. WITH PIECES PRODUCED BETWEEN 1990 AND 2010, THE SHOW WAS FIRST STAGED IN THE UNITED STATES IN 2017, DISPLAYING BRAZILIAN WORKS OF CONTEMPORARY ART TO THE COUNTRY'S PUBLIC, AND REPRESENTED THE FIRST EXHIBITION DEDICATED TO MAM'S COLLECTION IN THE US. THE EXHIBITION IS ORGANIZED AROUND FIVE THEMES: THE BODY/SOCIAL BODY; SHIFTING IDENTITIES; LANDSCAPE, REIMAGINED; IMPOSSIBLE OBJECTS; AND THE REINVENTION OF THE MONOCHROME. THE PARTICIPATING ARTISTS INCLUDE: ADRIANA VAREJO, BEATRIZ MILHAZES, TUNGA, DORA LONGO BAHIA, WALTERCIO CALDAS, CARLITO CARVALHOSA, LEDA CATUNDA, JOS DAMASCENO, ROSNGELA RENN, ANNA BELLA GEIGER, CARMELA GROSS AND NELSON LEIRNER. THE CHOICE OF NAMES REPRESENTS THE VARIED STYLES, THEMES AND MEDIA PRESENT IN BRAZILIAN CONTEMPORARY ART, DEMONSTRATING THAT THE CONCEPT OF "BRAZILIANNESS" CANNOT BE DEFINED MERELY IN GEOGRAPHIC TERMS. "WITH THIS SHOW, WE REVEAL A BRAZIL TO FOREIGNERS THAT THEY WERE NOT FAMILIAR WITH. FOR THE BRAZILIAN PUBLIC, WE WANT TO CREATE THE SAME SENSE OF SURPRISE WITH CONTEMPORARY WORKS BY RENOWNED ARTISTS AND ALSO BY LESS WELL KNOWN ONES", STATES THE CURATOR CAU ALVES. HISTORICAL MOMENTS IN THE COUNTRY'S PAST, SOCIAL NORMS, INDIGENOUS MYTHS AND TRANSGRESSIONS REVEAL HOW BRAZILIAN ARTISTS HAVE ADAPTED TO THE REALITY OF GLOBALIZATION: "THEY SPEAK ARTISTIC LANGUAGES FLUENTLY WITH A FOCUS ON THE GLOBAL SCENE, AT THE SAME TIME THAT THEIR ART, IMBUED BOTH WITH LOCAL SPECIFICITY AND UNIVERSAL RESONANCE, HAS ITSELF BECOME AN INTERNATIONAL POINT OF REFERENCE", EXPLAINS VANESSA DAVIDSON. PARTICIPATING ARTISTS: ALBANO AFONSO, KEILA ALAVER, EFRAIN ALMEIDA, RAFAEL ASSEF, DORA LONGO BAHIA, RODRIGO BRAGA, WALTERCIO CALDAS, ROGRIO CANELLA, CARLITO CARVALHOSA, LEDA CATUNDA, LIA CHAIA, SANDRA CINTO, FELIPE COHEN, ROCHELLE COSTI, JOS DAMASCENO, LENORA DE BARROS, ANTONIO DIAS, IRAN DO ESPRITO SANTO, MARCIUS GALAN, ANNA BELLA GEIGER, CARMELA GROSS, TADEU JUNGLE, LUCIA KOCH, NELSON LEIRNER, JAC LEIRNER, JOS LEONILSON, ARTUR LESCHER, LAURA LIMA, ANTONIO MANUEL, CINTHIA MARCELLE, MAREPE, RODRIGO MATHEUS, CILDO MEIRELES, BEATRIZ MILHAZES, ODIRES MLSZHO, MARCELO MOSCHETA, PEDRO MOTTA, VIK MUNIZ, ERNESTO NETO, RIVANE NEUENSCHWANDER, NAZARETH PACHECO, ROSANA PAULINO, PAZ, PENNA PREARO, FLORIAN RAISS, CAIO REISEWITZ, ROSNGELA RENN, ERYK ROCHA & TUNGA, THIAGO ROCHA PITTA, REGINA SILVEIRA, VALESKA SOARES, ANA MARIA TAVARES, TUNGA, ADRIANA VAREJO, CSSIO VASCONCELLOS, LAURA VINCI, CARLOS ZILIO, AND MARCELO ZOCCHIO. |
| FORM 990, PART III, LINE 4B | IRIS VAN HERPEN - TRANSFORMING FASHION: IRIS VAN HERPEN: TRANSFORMING FASHION SURVEYS 15 COLLECTIONS OF THE DYNAMIC, INNOVATIVE WORK OF DUTCH DESIGNER IRIS VAN HERPEN. RENOWNED FOR HER USE OF 3-D PRINTING, VAN HERPEN IS WIDELY CONSIDERED ONE OF CONTEMPORARY FASHION'S MOST PROGRESSIVE CREATORS, AND IS A FAVORED DESIGNER OF STYLE ICONS, INCLUDING BEYONCE, LADY GAGA, BJORK, CARA DELEVINGNE, AND OTHERS. FEATURING 45 ENSEMBLES CREATED FROM 2008 - 2015, THE MINIMALISTIC INSTALLATION WILL ALSO INCLUDE A SELECTION OF HER FANTASTICAL SHOE DESIGNS AND RUNWAY SHOW FOOTAGE. A FEATURED WORK IS THE DRESS FROM HER 2014 COLLECTION BIOPIRACY, ON VIEW FOR THE FIRST TIME SINCE IT WAS PURCHASED BY ARIZONA COSTUME INSTITUTE TO CELEBRATE THE 50TH ANNIVERSARY OF THE FASHION DESIGN COLLECTION AND THE MUSEUM. SINCE HER FIRST COLLECTION IN 2007, VAN HERPEN HAS MADE A NAME FOR HERSELF WITHIN AND BEYOND THE FASHION WORLD BY COMBINING TRADITION WITH RADICAL INNOVATION. UNPARALLELED IN HER MULTIDISCIPLINARY APPROACH TO CREATION, SHE HAS COLLABORATED WITH ARTISTS, ARCHITECTS, AND SCIENTISTS SUCH AS PHILIP BEESLEY, JOLAN VAN DER WIEL, AND BART HESS, AS WELL AS TEAMS AT THE EUROPEAN ORGANIZATION FOR NUCLEAR RESEARCH (CERN) AND MASSACHUSETTS INSTITUTE OF TECHNOLOGY. IN 2011, TIME MAGAZINE INCLUDED HER 3-D PRINTED DRESSES ON ITS LIST OF 50 BEST INVENTIONS. |
| FORM 990, PART III, LINE 4C | VALESKA SOARES - ANY MOMENT NOW: VALESKA SOARES: ANY MOMENT NOW IS A MID-CAREER SURVEY EXHIBITION OF SOARES' (B.1957) WORK, THE FIRST AT A U.S. MUSEUM SINCE 2003. THE EXHIBITION FEATURES APPROXIMATELY 45 MULTI-MEDIA WORKS, SCULPTURES, VIDEOS, AND INSTALLATIONS CREATED BY THE BRAZILIAN ARTIST DURING THE PAST TWO DECADES. THIS PROJECT REPRESENTS A LANDMARK PARTNERSHIP BETWEEN PHOENIX ART MUSEUM AND THE SANTA BARBARA MUSEUM OF ART AS PART OF THE GETTY-LED PACIFIC STANDARD TIME: LA/LA INITIATIVE. VALESKA SOARES CREATES POLISHED, MINIMALISTIC ARTWORKS THAT ENCOURAGE VISITOR PARTICIPATION. THROUGH INSTALLATION AND ASSEMBLAGE, SHE ENGAGES WITH INTERNATIONAL ART TRADITIONS AND WORLD LITERATURE. IN HER MULTIFACETED ART, SHE DEMONSTRATES A FASCINATION WITH SPACE AND TIME, AS WELL AS WHAT OCCURS BEYOND THEIR PERCEIVED LIMITS. HER WORKS DIRECTLY ENGAGE VISITORS' SUBJECTIVITIES, CULTIVATING BOTH PERSONAL EXPERIENCE AND UNIVERSAL KNOWLEDGE AND HOW EACH OF THESE AFFECTS THE OTHER. SOARES'S ENVIRONMENTAL INSTALLATIONS INCORPORATE THE EFFECTS OF REFLECTION, LIGHT, ENTROPY, AND EVEN SCENT. SUCH EXPERIENTIAL QUALITIES ARE RENDERED THROUGH THE INCORPORATION OF SUSPENDED MIRRORS, LIGHT FIXTURES, PERISHING FLOWERS, AND VESSELS OF PERFUME AND LIQUOR THAT SLOWLY EVAPORATE OVER THE COURSE OF THE EXHIBITION. SHE ALSO OFTEN CREATES INSTALLATIONS OF BOOK PAGES, COVERS, AND BINDINGS TO WEAVE MEANINGS BETWEEN DISPARATE TEXTS THAT VIEWERS CONNECT CONCEPTUALLY BY ASSOCIATION. PAST AND FUTURE SIMULTANEOUSLY PERMEATE HER INSTALLATIONS AND OBJECTS, SUGGESTING AN UNDERLYING NARRATIVE THAT IS OFTEN CYCLICAL. WEAVING TOGETHER THE THEMES OF MEMORY, TIME, AND THE SENSORIAL, SOARES CREATES POETIC WORKS THAT FUSE AND EXPAND UPON THE LANGUAGES OF POST-MINIMALISM AND CONCEPTUAL ART. AS FELLOW BRAZILIAN ARTIST VIK MUNIZ HAS STATED: "THROUGH A SEEMINGLY INEXHAUSTIBLE RANGE OF TECHNIQUES, THEMES AND STRATEGIES, SOARES' WORK OSCILLATES BETWEEN MATERIALITY AND MEMORY, DESIRE AND DECAY, SENSATION AND INTOXICATION." |
| FORM 990, PART VI, SECTION A, LINE 6 | THE MUSEUM HAS A MEMBERSHIP PROGRAM THAT CURRENTLY HAS 7,909 MEMBERS. |
| FORM 990, PART VI, SECTION B, LINE 11B | THE RETURN WILL BE PROVIDED TO EACH BOARD MEMBER TO READ AND EACH WILL BE GIVEN THE OPPORTUNITY TO ASK QUESTIONS. |
| FORM 990, PART VI, SECTION B, LINE 12C | THE MUSEUM'S GUIDELINES FOR PROFESSIONAL PRACTICES QUESTIONNAIRE AND COMPLIANCE AGREEMENT IS REQUIRED TO BE COMPLETED AND SIGNED BY TRUSTEES, PRESIDENTS OF SUPPORT ORGANIZATIONS, MUSEUM DIRECTOR, DIVISION HEADS, DEPARTMENT HEADS, AND ALL ACCOUNTING STAFF ANNUALLY. THIS PROCESS IS DONE EVERY YEAR IN SEPTEMBER. THE COMPLETED AND SIGNED AGREEMENTS ARE REVIEWED BY HUMAN RESOURCES MANAGER FOR COMPLETENESS. ANY QUESTION THAT ARISES IS DISCUSSED WITH THE INDIVIDUAL SIGNING THE AGREEMENT. |
| FORM 990, PART VI, SECTION B, LINE 15 | DATA FROM OTHER MUSEUMS IS USED TO EVALUATE COMPENSATION FOR THE CEO, INCLUDING FROM THE AMERICAN ASSOCIATION OF MUSEUM DIRECTORS. THE EXECUTIVE COMMITTEE MAKES THE DECISION. DECISIONS MADE DURING BUDGET PROCESS. LAST PERFORMED MARCH 2017. FOR DETERMINING THE COMPENSATION OF OTHER OFFICERS OR KEY EMPLOYEES, COMPARISONS ARE MADE WITH OTHER MUSEUMS. DECISIONS MADE DURING BUDGET PROCESS BY THE CEO. LAST PERFORMED MARCH 2017. |
| FORM 990, PART VI, SECTION C, LINE 19 | THE ORGANIZATION FINANCIAL STATEMENTS ARE AVAILABLE ON THE WEBSITE AND THE ORGANIZATION MAKES ITS GOVERNING DOCUMENTS AND CONFLICT OF INTEREST POLICY AVAILABLE UPON REQUEST. |
| FORM 990, PART IX, LINE 24E | DUES AND SUBSCRIPTIONS: PROGRAM SERVICE EXPENSES 66,707. MANAGEMENT AND GENERAL EXPENSES 32,035. FUNDRAISING EXPENSES 38,105. TOTAL EXPENSES 136,847. MISCELLANEOUS: PROGRAM SERVICE EXPENSES 79,806. MANAGEMENT AND GENERAL EXPENSES 39,340. FUNDRAISING EXPENSES 9,146. TOTAL EXPENSES 128,292. HONORARIA: PROGRAM SERVICE EXPENSES 118,939. MANAGEMENT AND GENERAL EXPENSES 0. FUNDRAISING EXPENSES 5,500. TOTAL EXPENSES 124,439. REPAIRS AND MAINTENANCE: PROGRAM SERVICE EXPENSES 55,768. MANAGEMENT AND GENERAL EXPENSES 55,811. FUNDRAISING EXPENSES 0. TOTAL EXPENSES 111,579. FUNDRAISING EXPENSES: PROGRAM SERVICE EXPENSES 8,898. MANAGEMENT AND GENERAL EXPENSES 33,868. FUNDRAISING EXPENSES 29,344. TOTAL EXPENSES 72,110. BAD DEBT EXPENSE: PROGRAM SERVICE EXPENSES 651. MANAGEMENT AND GENERAL EXPENSES 13,710. FUNDRAISING EXPENSES 25,500. TOTAL EXPENSES 39,861. COLLECTIONS CONSERVATION: PROGRAM SERVICE EXPENSES 23,616. MANAGEMENT AND GENERAL EXPENSES 0. FUNDRAISING EXPENSES 0. TOTAL EXPENSES 23,616. COLLECTIONS MANAGEMENT: PROGRAM SERVICE EXPENSES 18,387. MANAGEMENT AND GENERAL EXPENSES 0. FUNDRAISING EXPENSES 0. TOTAL EXPENSES 18,387. FUNDRAISING EXPENSES MOVED TO STATEMENT OF REVENUE: PROGRAM SERVICE EXPENSES 0. MANAGEMENT AND GENERAL EXPENSES 0. FUNDRAISING EXPENSES -767,817. TOTAL EXPENSES -767,817. |
| FORM 990, PART XI, LINE 9: | ACQUISITION OF FINE ART -1,272,437. |
| FORM 990, PART XII, LINE 2C | THE ORGANIZATION HAS NOT CHANGED ITS OVERSIGHT PROCESS FOR THE AUDIT OR ITS SELECTION PROCESS FOR INDEPENDENT AUDITORS DURING THE YEAR. |
| Software ID: | |
| Software Version: |