Attach to Form 990 or Form 990-EZ.
Go to
www.irs.gov/Form990 for the latest information.
| (i) Name of supported organization | (ii) EIN | (iii) Type of organization (described on lines 1- 10 above (see instructions)) | (iv) Is the organization listed in your governing document? | (v) Amount of monetary support (see instructions) | (vi) Amount of other support (see instructions) | |
|---|---|---|---|---|---|---|
| Yes | No | |||||
|
Total |
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Calendar year (or fiscal year beginning in) ![]() |
(a) 2014 | (b) 2015 | (c) 2016 | (d) 2017 | (e) 2018 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 1 | Gifts, grants, contributions, and membership fees received. (Do not include any "unusual grant.") .. | 6,255,044 | 6,547,969 | 4,825,751 | 5,945,488 | 6,035,832 | 29,610,084 |
| 2 | Tax revenues levied for the organization's benefit and either paid to or expended on its behalf.... | ||||||
| 3 | The value of services or facilities furnished by a governmental unit to the organization without charge.. | 208,889 | 207,624 | 207,624 | 209,055 | 246,652 | 1,079,844 |
| 4 | Total. Add lines 1 through 3 | 6,463,933 | 6,755,593 | 5,033,375 | 6,154,543 | 6,282,484 | 30,689,928 |
| 5 | The portion of total contributions by each person (other than a governmental unit or publicly supported organization) included on line 1 that exceeds 2% of the amount shown on line 11, column (f).. | 1,990,823 | |||||
| 6 | Public support. Subtract line 5 from line 4. | 28,699,105 | |||||
Calendar year
(or fiscal year beginning in) ![]() |
(a) 2014 | (b) 2015 | (c) 2016 | (d) 2017 | (e) 2018 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 7 | Amounts from line 4.. | 6,463,933 | 6,755,593 | 5,033,375 | 6,154,543 | 6,282,484 | 30,689,928 |
| 8 | Gross income from interest, dividends, payments received on securities loans, rents, royalties and income from similar sources... | 1,541,327 | 1,258,526 | 909,317 | 988,343 | 724,615 | 5,422,128 |
| 9 | Net income from unrelated business activities, whether or not the business is regularly carried on.. | ||||||
| 10 | Other income. Do not include gain or loss from the sale of capital assets (Explain in Part VI.).. | 970 | 970 | ||||
| 11 | Total support. Add lines 7 through 10 | 36,339,820 | |||||
Calendar year (or fiscal year beginning in) ![]() |
(a) 2014 | (b) 2015 | (c) 2016 | (d) 2017 | (e) 2018 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 1 | Gifts, grants, contributions, and membership fees received. (Do not include any "unusual grants.") . | ||||||
| 2 | Gross receipts from admissions, merchandise sold or services performed, or facilities furnished in any activity that is related to the organization's tax-exempt purpose | ||||||
| 3 | Gross receipts from activities that are not an unrelated trade or business under section 513 ..... | ||||||
| 4 | Tax revenues levied for the organization's benefit and either paid to or expended on its behalf... | ||||||
| 5 | The value of services or facilities furnished by a governmental unit to the organization without charge | ||||||
| 6 | Total. Add lines 1 through 5 | ||||||
| 7a | Amounts included on lines 1, 2, and 3 received from disqualified persons | ||||||
| b | Amounts included on lines 2 and 3 received from other than disqualified persons that exceed the greater of $5,000 or 1% of the amount on line 13 for the year. | ||||||
| c | Add lines 7a and 7b.. | ||||||
| 8 | Public support. (Subtract line 7c from line 6.) | ||||||
Calendar year (or fiscal year beginning in) ![]() |
(a) 2014 | (b) 2015 | (c) 2016 | (d) 2017 | (e) 2018 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 9 | Amounts from line 6... | ||||||
| 10a | Gross income from interest, dividends, payments received on securities loans, rents, royalties and income from similar sources.. | ||||||
| b | Unrelated business taxable income (less section 511 taxes) from businesses acquired after June 30, 1975. | ||||||
| c | Add lines 10a and 10b. | ||||||
| 11 | Net income from unrelated business activities not included in line 10b, whether or not the business is regularly carried on. | ||||||
| 12 | Other income. Do not include gain or loss from the sale of capital assets (Explain in Part VI.) .. | ||||||
| 13 | Total support. (Add lines 9, 10c, 11, and 12.).. | ||||||
| Section A - Adjusted Net Income | (A) Prior Year |
(B) Current Year (optional) |
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| 1 | Net short-term capital gain | 1 | ||||
| 2 | Recoveries of prior-year distributions | 2 | ||||
| 3 | Other gross income (see instructions) | 3 | ||||
| 4 | Add lines 1 through 3 | 4 | ||||
| 5 | Depreciation and depletion | 5 | ||||
| 6 | Portion of operating expenses paid or incurred for production or collection of gross income or for management, conservation, or maintenance of property held for production of income (see instructions) | 6 | ||||
| 7 | Other expenses (see instructions) | 7 | ||||
| 8 | Adjusted Net Income (subtract lines 5, 6 and 7 from line 4) | 8 | ||||
| Section B - Minimum Asset Amount | (A) Prior Year |
(B) Current Year (optional) |
||||
| 1 | Aggregate fair market value of all non-exempt-use assets (see instructions for short tax year or assets held for part of year): | 1 | ||||
| a | Average monthly value of securities | 1a | ||||
| b | Average monthly cash balances | 1b | ||||
| c | Fair market value of other non-exempt-use assets | 1c | ||||
| d | Total (add lines 1a, 1b, and 1c) | 1d | ||||
| e |
Discount claimed for blockage or other factors (explain in detail in Part VI): |
|||||
| 2 | Acquisition indebtedness applicable to non-exempt use assets | 2 | ||||
| 3 | Subtract line 2 from line 1d | 3 | ||||
| 4 | Cash deemed held for exempt use. Enter 1-1/2% of line 3 (for greater amount, see instructions). | 4 | ||||
| 5 | Net value of non-exempt-use assets (subtract line 4 from line 3) | 5 | ||||
| 6 | Multiply line 5 by .035 | 6 | ||||
| 7 | Recoveries of prior-year distributions | 7 | ||||
| 8 | Minimum Asset Amount (add line 7 to line 6) | 8 | ||||
| Section C - Distributable Amount | Current Year | |||||
| 1 | Adjusted net income for prior year (from Section A, line 8, Column A) | 1 | ||||
| 2 | Enter 85% of line 1 | 2 | ||||
| 3 | Minimum asset amount for prior year (from Section B, line 8, Column A) | 3 | ||||
| 4 | Enter greater of line 2 or line 3 | 4 | ||||
| 5 | Income tax imposed in prior year | 5 | ||||
| 6 | Distributable Amount. Subtract line 5 from line 4, unless subject to emergency temporary reduction (see instructions) | 6 | ||||
| Section D - Distributions | Current Year | |
|---|---|---|
| 1 Amounts paid to supported organizations to accomplish exempt purposes | ||
|
2
Amounts paid to perform activity that directly furthers exempt purposes of supported organizations, in excess of income from activity |
||
| 3 Administrative expenses paid to accomplish exempt purposes of supported organizations | ||
| 4 Amounts paid to acquire exempt-use assets | ||
| 5 Qualified set-aside amounts (prior IRS approval required) | ||
| 6 Other distributions (describe in Part VI). See instructions | ||
| 7Total annual distributions. Add lines 1 through 6. | ||
|
8
Distributions to attentive supported organizations to which the organization is responsive (provide details in Part VI). See instructions |
||
| 9 Distributable amount for 2018 from Section C, line 6 | ||
| 10 Line 8 amount divided by Line 9 amount | ||
| Section E - Distribution Allocations (see instructions) |
(i) Excess Distributions |
(ii) Underdistributions Pre-2018 |
(iii) Distributable Amount for 2018 |
|
|---|---|---|---|---|
|
1
Distributable amount for 2018 from Section C, line 6 |
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|
2
Underdistributions, if any, for years prior to 2018 (reasonable cause required-- explain in Part VI). See instructions. |
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| 3 Excess distributions carryover, if any, to 2018: | ||||
| a From 2013....... | ||||
| b From 2014....... | ||||
| c From 2015....... | ||||
| d From 2016....... | ||||
| e From 2017....... | ||||
| fTotal of lines 3a through e | ||||
| g Applied to underdistributions of prior years | ||||
| h Applied to 2018 distributable amount | ||||
|
i
Carryover from 2013 not applied (see instructions) |
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| j Remainder. Subtract lines 3g, 3h, and 3i from 3f. | ||||
| 4Distributions for 2018 from Section D, line 7: | ||||
| $ | ||||
| a Applied to underdistributions of prior years | ||||
| b Applied to 2018 distributable amount | ||||
| c Remainder. Subtract lines 4a and 4b from 4. | ||||
|
5
Remaining underdistributions for years prior to 2018, if any. Subtract lines 3g and 4a from line 2. If the amount is greater than zero, explain in Part VI. See instructions. |
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|
6
Remaining underdistributions for 2018. Subtract lines 3h and 4b from line 1. If the amount is greater than zero, explain in Part VI. See instructions. |
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|
7 Excess distributions carryover to 2019. Add lines 3j and 4c. |
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| 8 Breakdown of line 7: | ||||
| a Excess from 2014...... | ||||
| b Excess from 2015..... | ||||
| c Excess from 2016..... | ||||
| d Excess from 2017..... | ||||
| e Excess from 2018..... | ||||
| Facts And Circumstances Test |
|---|
| Return Reference | Explanation |
|---|---|
| SCHEDULE A, PART II, LINE 10, EXPLANATION OF OTHER INCOME: | MISCELLANEOUS INCOME - 2014 AMOUNT: $ 970. |
| Software ID: | |
| Software Version: |
Attach to Form 990 or 990-EZ.
Go to www.irs.gov/Form990 for the latest information.
| Return Reference | Explanation |
|---|---|
| FORM 990, PART III, LINE 4A | THE BRUCE MUSEUM OFFERED A VARIETY ART AND SCIENCE EXHIBITIONS IN 2018-2019 THAT EDUCATED AND ENGAGED OUR DIVERSE, COMMUNITY AUDIENCE. EACH EXHIBITION FEATURED WORLD-CLASS ART, OBJECTS AND ARTIFACTS THAT FOCUSED ON THE NEEDS AND INTERESTS OF OUR VISITORS AND OUR SURROUNDING COMMUNITY. THE FOLLOWING SUMMARIZES EACH OF THE EXHIBITIONS FROM 2018-2019. NATIONAL GEOGRAPHIC PHOTO ARK JUNE 2, 2018 - SEPTEMBER 2, 2018 THE NATIONAL GEOGRAPHIC PHOTO ARK, LED BY PHOTOGRAPHER JOEL SARTORE, IS A MULTIYEAR EFFORT TO DOCUMENT EVERY SPECIES LIVING IN WILDLIFE SANCTUARIES, INSPIRE ACTION THROUGH EDUCATION, AND HELP SAVE WILDLIFE BY SUPPORTING ON-THE-GROUND CONSERVATION EFFORTS. WITH INGENUITY AND WIT, NATIONAL GEOGRAPHIC PHOTOGRAPHER JOEL SARTORE HAS CAPTURED PORTRAITS OF MORE THAN 6,000 CREATURES IN 40 COUNTRIES TO DATE. MANY OF THE ANIMALS LIVE IN THE WORLD'S ZOOS AND AQUARIUMS, INSTITUTIONS DEDICATED TO PRESERVING AND CARING FOR SPECIES OF ALL KINDS. THIS EXHIBITION FEATURED MANY ICONIC IMAGES AND ALLOWED VISITORS TO FOLLOW SARTORE AROUND THE WORLD ON THIS EXCITING AND IMPORTANT PROJECT. EXPRESSIONISM IN PRINT: THE EARLY WORKS OF RICHARD HAAS, 1957-64 JUNE 23, 2018 - OCTOBER 21, 2018 RICHARD HAAS'S EXPANSIVE OEUVRE IS PREDOMINANTLY MARKED BY TROMPE L'OEIL MURALS AND DETAILED RENDERINGS OF NEW YORK CITY'S ARCHITECTURE. BUT BEFORE HE BEGAN RECORDING URBAN LANDSCAPES, HAAS SOUGHT INSPIRATION FROM GERMAN EXPRESSIONIST PRINTMAKERS AND ABSTRACT EXPRESSIONIST PAINTERS. INCLUDED IN THE EXHIBITION WERE PRINTS PRODUCED BETWEEN 1957 AND 1964A SEVEN-YEAR PERIOD THAT, IN MANY WAYS, ENCAPSULATES THE ARTIST'S GRAPHIC EVOLUTION. WHILE ATTENDING THE UNIVERSITY OF WISCONSIN-MILWAUKEE, A CITY HEAVILY SETTLED BY GERMAN IMMIGRANTS IN THE 19TH AND 20TH CENTURIES, HAAS BEGAN STUDYING GERMAN EXPRESSIONISM. INFORMED BY THE EMOTIVE WOODCUTS OF EMIL NOLDE, MAX BECKMANN, AND ERICH HECKEL, HAAS'S LARGE-SCALE PRINTS INCLUDE ABSTRACT PORTRAITS OF EUROPEAN ARTISTS AND GREAT THINKERS. IN THE SUMMER OF 1960 HAAS STUDIED WITH THE ABSTRACT EXPRESSIONIST, JACK TWORKOV, AT THE UNIVERSITY OF WISCONSIN-MADISON. THROUGH TWORKOV'S URGING HAAS APPLIED TO THE UNIVERSITY OF MINNESOTA GRADUATE SCHOOL WHERE HE WAS OFFERED A FELLOWSHIP AS MALCOLM MYERS'S TEACHING ASSISTANT IN PRINTMAKING. WHILE STUDYING PAINTING AND PRINTMAKING THERE HE PURSUED A MINOR IN ART HISTORY AND BECAME INTRIGUED WITH THE PRINTS OF EDVARD MUNCH. HAAS'S DEEP INTEREST IN 19TH-CENTURY EUROPEAN HISTORY INFORMS MANY OF THESE EARLY PRINTS. INCLUDED IN THE EXHIBITION WERE WOODCUTS FROM HAAS'S FAMOUS HEADS SERIES, COMPRISING PORTRAITS OF HENRY VIII, FRIEDRICH NIETZSCHE, HENRI DE TOULOUSE-LAUTREC, VINCENT VAN GOGH, CLAUDE MONET, AUGUSTE RODIN, PAUL GAUGUIN, AND ALBERT EINSTEIN. WILD BEES: PHOTOGRAPHS BY PAULA SHARP AND ROSS EATMAN APRIL 14, 2018 - NOVEMBER 11, 2018 THE EXHIBITION WILD BEES FEATURED EXQUISITE COLOR PHOTOGRAPHS OF NATIVE BEES IN THEIR NATURAL HABITATS, ALONG WITH AN EXPLORATION OF THEIR VARIED LIFESTYLES. THE PHOTOGRAPHS ARE PART OF AN ONGOING WILD BEE PROJECT UNDERTAKEN BY PHOTOJOURNALIST AND WRITER PAULA SHARP AND NATURE PHOTOGRAPHER ROSS EATMAN, WHO BEGAN DOCUMENTING WILD BEES INHABITING NEW YORK'S ROCKEFELLER STATE PARK PRESERVE AND NEIGHBORING STONE BARNS CENTER FOR FOOD AND AGRICULTURE IN 2014. THEIR LENSES CAPTURE IN BEAUTIFUL DETAIL THE TREMENDOUS VARIETY OF SHAPES, COLORS AND SIZES OF THE INSECTS. WILD BEES ARE IMPORTANT POLLINATORS OF WILDFLOWERS, GARDEN FLOWERS AND COMMERCIAL CROPS INCLUDING FRUIT TREES, BERRIES, MELONS AND GARDEN VEGETABLES. ALTHOUGH DOMESTICATED HONEYBEES OFTEN ARE USED TO POLLINATE CULTIVATED PLANTS, WILD BEES ARE ABLE TO POLLINATE MANY FLOWERS AND CROPS THAT HONEY BEES CANNOT. THE EXHIBITION INCLUDED SPECTACULAR VIEWS OF A VARIETY OF PINNED BEE SPECIMENS MAGNIFIED BY A VIDEO MICROSCOPE, AS WELL AS THREE DETAILED, ENLARGED MODELS OF WILD BEES, AN INTERACTIVE BEE IDENTIFICATION GUIDE, AND EXAMPLES OF A FEW WILD BEE HOMES. A CONTINUOUS THREAD: NAVAJO WEAVING TRADITIONS AUGUST 18, 2018 - NOVEMBER 25, 2018 A CONTINUOUS THREAD: NAVAJO WEAVING TRADITIONS TRACED THE HISTORY OF THE NAVAJO WEAVING TRADITION FROM THE EARLIEST MEXICAN-INSPIRED SALTILLO SERAPES, C. 1880, TO MID-20TH CENTURY PICTORIAL RUGS. FEATURING A DOZEN ITEMS FROM THE MUSEUM'S NATIVE AMERICAN ETHNOGRAPHIC COLLECTION SOME OF WHICH WERE PUBLICLY EXHIBITED FOR THE FIRST TIME THE EXHIBITION WAS ON DISPLAY IN THE BANTLE LECTURE GALLERY. NAVAJO RUGS ARE UNIQUE BECAUSE THEIR WARP (THE VERTICAL STRINGS ON A LOOM) IS ONE, LONG CONTINUOUS PIECE OF WOOL THREAD. ONCE THE WARP IS SET ON THE LOOM, THE SIZE OF THE RUG CANNOT BE ALTERED. THIS WEAVING METHOD REQUIRES THE WEAVER TO PLAN THE DESIGN AND PATTERN OF THE RUG TO FIT PRECISELY INTO THE PREDETERMINED LENGTH OF THE RUG. THE ABILITY TO CONCEIVE AND EXECUTE TWO-DIMENSIONAL DESIGNS IN EXTRAORDINARY PATTERNS AND COLORS SET NAVAJO WEAVERS APART FROM THE CREATORS OF OTHER NATIVE RUGS AND BLANKETS. KNOWLEDGE OF THIS TRADITIONAL PROCESS IS AN IMPORTANT CULTURAL TRADITION THAT HAS BEEN MAINTAINED THROUGH INTERGENERATIONAL INSTRUCTION AND MENTORING DESPITE THE OBSTACLES OF DISPLACEMENT, DISCRIMINATION AND ISOLATION EXPERIENCED BY THE NAVAJO NATION. THE ITEMS DISPLAYED ARE FROM THE COLLECTION OF MISS MARGARET CRANFORD (1887 1974), A RESIDENT OF GREENWICH. AT THE AGE OF 21, MISS CRANFORD BEGAN A LIFELONG PURSUIT OF TRAVELING ACROSS THE UNITED STATES AND THE WORLD, COLLECTING FINE DECORATIVE ART, JEWELRY, AND TEXTILES. RETOOLED: HIGHLIGHTS FROM THE HECHINGER COLLECTION SEPTEMBER 22, 2018 - DECEMBER 30, 2018 FEATURING MORE THAN 40 IMAGINATIVE PAINTINGS, SCULPTURES, WORKS ON PAPER AND PHOTOGRAPHS, THE EXHIBITION BROUGHT LIFE TO THE UNEXPECTED SUBJECT OF TOOLS BY PROFILING 28 VISIONARY ARTISTS FROM THE HECHINGER COLLECTION, INCLUDING RED GROOMS, WALKER EVANS, JIM DINE, AND CLAES OLDENBURG. THE EXHIBITION CONSISTED OF FOUR SECTIONS THAT DYNAMICALLY FRAME THE THEMES OF THIS COLLECTION INTO ACCESSIBLE CATEGORIES: OBJECTS OF BEAUTY; MATERIAL ILLUSIONS; INSTRUMENTS OF SATIRE; AND TOOLS: AN EXTENSION OF SELF. SOME OF THE ARTISTS REPRESENT TOOLS WITH REVERENCE TO ACCENTUATE THEIR PURITY OF DESIGN. OTHERS TRANSFORM AND DISTORT TOOLS TO HIGHLIGHT THEIR TRAGIC OBSOLESCENCE IN A TECHNOLOGICAL AGE. BUT ALL OF THE WORKS REMIND US THAT TOOLS EMBODY THE CAN-DO SPIRIT THAT DEFINES AMERICA AND THE QUEST TO IMPROVE OUR QUALITY OF LIFE. RETOOLED: HIGHLIGHTS FROM THE HECHINGER COLLECTION WAS ORGANIZED BY INTERNATIONAL ARTS & ARTISTS, WASHINGTON, DC. GIFT OF JOHN AND JUNE HECHINGER. DOWNSIZED: SMALL-SCALE SCULPTURE BY CONTEMPORARY ARTISTS NOVEMBER 3, 2018 - JANUARY 27, 2019 ENTICING VIEWERS TO TAKE A CLOSER LOOK, THIS EXHIBITION OF MINIATURES, MODELS AND DIORAMAS EXPLORED INTERIOR AND EXTERIOR ARCHITECTURE IN A RANGE OF SCALES. SOME WORKS CONTEMPLATED THE STRUCTURE AND ITS PLACE IN HISTORY AS A MONUMENT TO ARCHITECTURAL CREATIVITY, OTHERS PAID HOMAGE TO THE HISTORY OF AN URBAN ENVIRONMENT, YET OTHERS DEPICTED FANCIFUL, SURREAL PLACES THAT COULD ONLY EXIST IN MINIATURE. A MINIATURES SHOW HAS BEEN A BIENNIAL BRUCE MUSEUM TRADITION FOR OVER THIRTY-FIVE YEARS. PRESSED FOR TIME: BOTANICAL COLLECTING AS GENTEEL PASTIME OR SCIENTIFIC PURSUIT? DECEMBER 1, 2018 - MARCH 3, 2019 PRESENTED IN THE BANTLE LECTURE GALLERY, THE EXHIBITION PRESSED FOR TIME: BOTANICAL COLLECTING AS GENTEEL PASTIME OR SCIENTIFIC PURSUIT? EXPLORED THE HOBBY AND PROFESSION OF PLANT COLLECTING AROUND THE TURN OF THE NINETEENTH CENTURY. STARTING IN THE 1820S, BOTANICAL COLLECTING BECAME A HUGELY POPULAR OUTDOOR ACTIVITY FOR BOTH AMATEURS AND PROFESSIONALS. PLANT COLLECTING WAS AN ACCEPTABLE ACTIVITY FOR WOMEN, CHILDREN, AND GENTLEMEN ALIKE. EXAMPLES OF SPECIMENS FROM SEVEN DIFFERENT COLLECTORS HELPED TO ILLUSTRATE THE DIVERSE PERSONALITIES WHO COLLECTED AND PRESERVED THE LOCAL FLORA. SOME COLLECTED FOR PURELY SCIENTIFIC REASONS; OTHERS TO ENJOY LIKE-MINDED COMPANY AND RELAXING WALKS IN NATURE. TODAY, THESE STRIKING SPECIMENS ARE OFTEN ADMIRED FOR THEIR AESTHETICS. WHILE FRAMED ANTIQUE HERBARIUM SHEETS ARE NOW POPULAR HOME DECOR, THIS TREND DISASSOCIATES THEM FROM SCIENTIFIC USE. THE DAWN OF MODERN MEDICINE: SELECTIONS FROM THE MEDICAL ARTIFACT COLLECTION OF M. DONALD BLAUFOX, MD, PHD NOVEMBER 24, 2018 - APRIL 7, 2019 |
| FORM 990, PART III, LINE 4A | THE 19TH CENTURY WITNESSED A REMARKABLE TRANSFORMATION OF THE FIELD OF MEDICAL PRACTICE. AT THE BEGINNING OF THE CENTURY, MEDICAL INSTRUMENTS WERE OFTEN BEAUTIFULLY CRAFTED, BUT COULD NOT BE STERILIZED. ANESTHESIA DID NOT EXIST AND POST-OPERATIVE INFECTION KILLED MANY PATIENTS. AS THE ERA PROGRESSED, GERM THEORY BECAME ACCEPTED AND ASEPTIC TOOLS REPLACED AESTHETICALLY PLEASING INSTRUMENTS MADE OF WOOD, IVORY, AND EBONY. ADVANCING TECHNOLOGY BROUGHT THE WORLD NEW WAYS TO DIAGNOSE ILLNESS SUCH AS THE STETHOSCOPE, X-RAYS, AND SPHYGMOMANOMETER (FOR BLOOD PRESSURE). MANY OF THESE INNOVATIVE INSTRUMENTS ARE DIRECT PRECURSORS OF THOSE USED BY PRESENT-DAY DOCTORS, OFTEN WITH REMARKABLY LITTLE MODIFICATION. THIS EXHIBITION SHOWCASED APPROXIMATELY ONE HUNDRED ARTIFACTS, RANGING FROM SURGICAL TOOLS TO QUACK PATENT MEDICINES TO EARLY X-RAY TUBES, TELLING THE STORY OF HOW VARIOUS BRANCHES OF DIAGNOSTIC AND THERAPEUTIC MEDICINE EVOLVED. MASTERPIECES FROM THE MUSEUM OF CARTOON ART JANUARY 26, 2019 - APRIL 20, 2019 MASTERPIECES FROM THE MUSEUM OF CARTOON ART SHOWCASED MORE THAN 100 ORIGINAL WORKS CELEBRATING THE HISTORY OF THIS UNIQUE ART FORM IN AMERICA. AMONG THE MANY ITEMS DISPLAYED WERE AN EARLY EDITORIAL CARTOON BY THOMAS NAST, A SPECTACULAR PRINCE VALIANT SUNDAY PAGE BY HAL FOSTER, AND A WITTY NEW YORKER GAG BY PETER ARNO, AS WELL AS CLASSIC PEANUTS, DOONESBURY, AND CALVIN AND HOBBES COMIC STRIPS. TREASURES FROM THIS RICH AND VARIED REPOSITORY REPRESENTED ALL OF THE CARTOON GENRES, INCLUDING COMIC STRIPS, NEWSPAPER PANELS, COMIC BOOKS, EDITORIAL CARTOONS, MAGAZINE CARTOONS, CARICATURE, ILLUSTRATION AND ANIMATION. THE ARTWORK WAS ON LOAN FROM THE OHIO STATE UNIVERSITY BILLY IRELAND CARTOON LIBRARY & MUSEUM. THE FIRST INSTITUTION DEDICATED TO THE COLLECTION, PRESERVATION, AND EXHIBITION OF CARTOON ART, THE MUSEUM OF CARTOON ART WAS OPENED IN GREENWICH IN AUGUST 1974. FOUNDED BY CARTOONIST AND LONGTIME GREENWICH RESIDENT MORT WALKER, IT MOVED TO PORT CHESTER/RYE BROOK, NY, IN 1977, REOPENED IN BOCA RATON, FL, IN 1996, AND DONATED ITS COLLECTION TO THE BILLY IRELAND CARTOON LIBRARY & MUSEUM IN 2008. YOUR PLACE SQUARED: COMMUNITY ART PROJECT MARCH 9, 2019 - JUNE 2, 2019 THE BRUCE MUSEUM PRESENTED A NEW COMMUNITY PROJECT OF SMALL ARTWORKS CREATED ENTIRELY BY THE PUBLIC FOR THE PUBLIC. YOUR PLACE SQUARED OPENED IN THE MUSEUM'S BANTLE LECTURE GALLERY ON MARCH 9, 2019 WITH A DAZZLING ASSEMBLAGE OF MORE THAN 500 ARTWORKS CREATED BY ARTISTS OF ALL AGES AND ABILITIES. BASED ON THE POPULAR 2012 BRUCE MUSEUM EXHIBITION OF SELF-PORTRAITS, YOUR FACE SQUARED, THE BRUCE MUSEUM ASKED PARTICIPANTS TO TURN TO THE LANDSCAPE FOR CREATIVE INSPIRATION. AND DID THEY EVER! THE SUBJECTS OF YOUR PLACE SQUARED WERE FAVORITE LANDSCAPES, HOMES, A ROOM, OR ANY SPACE THAT FELT TREASURED. THE ARTWORKS WERE CREATED IN MANY MEDIA, INCLUDING WRITING, DRAWING, PAINTING, PHOTOGRAPHY AND COLLAGE. EACH ENTRY WAS ORIGINAL AND ANONYMOUS, 6 INCHES BY 6 INCHES IN SIZE AND NO THICKER THAN 3 INCHES. BURIED TREASURES OF THE SILK ROAD FEBRUARY 9, 2019 - JUNE 9, 2019 BURIED TREASURES OF THE SILK ROAD SHOWCASED THE EXTRAORDINARY COLLECTION OF CHINESE TOMB SCULPTURE IN THE FRED AND JANE BROOKS COLLECTION OF THE BRUCE MUSEUM. FEATURING DOZENS OF RARE AND DELICATE TERRA COTTA FIGURINES, PAINTED AND GLAZED CERAMICS, AND OTHER ANTIQUITIES, BURIED TREASURES OF THE SILK ROAD WAS ON VIEW IN THE MUSEUM'S ARCADE GALLERY. BURIED TREASURES CELEBRATED THE ARTISTIC ACHIEVEMENTS OF ANONYMOUS CHINESE ARTISTS SUPPORTED BY THE RICHES EARNED ON THE SILK ROAD. THE EXHIBITION WILL ALSO FEATURED ART OBJECTS FROM THE MUSEUM'S PERMANENT COLLECTION EXCHANGED ON THE SILK ROAD. ICREATE 2019 JUNE 8, 2019 - JULY 28, 2019 THE BRUCE MUSEUM SPOTLIGHTED THE CREATIVE ENERGY AND VITALITY OF FINE ART CREATED BY REGIONAL HIGH SCHOOL STUDENTS IN THE 10TH ANNUAL ICREATE EXHIBITION. THE SHOW FEATURED 53 JURY-SELECTED ARTWORKS, AND CENTERED ON AN ARRAY OF WORKS INFUSED WITH THE CREATIVE SPIRIT AND IMPACTFUL VOICES OF BUDDING YOUNG ARTISTS. ICREATE SERVES AS AN OUTLET FOR THESE EMERGING ARTISTS, AMPLIFYING THE SCOPE OF THEIR PIECES' INFLUENCE AND PROVIDING THE COMMUNITY A GLIMPSE INTO LOCAL ARTISTIC POTENTIAL. THE WORKS ARE OF DIVERSE MEDIUMS AND EXPLORE DIFFERENT THEMES RANGING FROM CRITIQUES OF TRADITIONAL SOCIAL CONSTRUCTS, TO PLAYFUL PORTRAITS, TO STATEMENTS REGARDING ANIMAL EXTINCTION. THE EXHIBITION WAS ORGANIZED BY NINE HIGH SCHOOL SENIORS WHO COMPOSE THE BRUCE MUSEUM'S YOUTH@BRUCE COMMITTEE: ISABELLE HOLE, DARIEN HIGH SCHOOL; MADALYNN STEWART, GREENWICH HIGH SCHOOL; REED PUTNAM, HORACE GREELEY HIGH SCHOOL; ANN PAKHAYEV, NEW CANAAN HIGH SCHOOL; ZOE SWISS AND DANI CRONIN, BYRAM HILLS HIGH SCHOOL; MANYA KULA AND SARA FRANKENTHALER, SCARSDALE HIGH SCHOOL; ALEXANDRA KIRK, RYE HIGH SCHOOL. SHARKS! APRIL 20, 2019 - SEPTEMBER 1, 2019 THERE ARE FEW CREATURES WHICH INSPIRE SO MUCH FASCINATION AND FEAR AS SHARKS. HOWEVER, SHARKS ARE FAR FROM THE MINDLESS KILLING MACHINES, AS THEY ARE SO COMMONLY PORTRAYED. SOME LIVE PEACEFUL LIVES SKIMMING PLANKTON OUT OF THE WATER WITH SPECIALIZED GILL RAKERS. OTHER SHARKS HAVE ROBUST SOCIAL LIVES AND WILL REMEMBER THEIR FAVORED COMPANIONS YEAR AFTER YEAR. A FEW TURN THE PHRASE "COLD-BLOODED KILLER" ON ITS HEAD EVEN MORE THOROUGHLY AND LIVE WITH WARM BLOOD PUMPING THROUGH THEIR VEINS. THIS EXHIBITION FEATURES LIVE SHARKS DEVELOPING IN EGGS, LIFE-SIZED MODELS OF SHARKS, AND TEETH FROM ALMOST 20 DIFFERENT SPECIES. THE SHOW ALSO EXAMINES HOW THE SEAS ARE CHANGING. PLASTIC AND OTHER DEBRIS POLLUTE THE WATER, AND SHARKS ARE HARVESTED BY THE MILLIONS TO FEED A SEEMINGLY INSATIABLE DEMAND FOR SHARK FIN SOUP AND OTHER PRODUCTS. TO LOOK AT A SHARK IS TO SEE OVER 400 MILLION YEARS OF EVOLUTIONARY SUCCESS. WHETHER THEY ARE DISGUISING THEMSELVES ON THE REEF FLOOR OR SPEEDING AT 45 MPH AFTER A SCHOOL OF FISH, SHARKS ARE PERFECTLY ADAPTED TO THEIR LIFESTYLE AND ENVIRONMENT. SUMMER WITH THE AVERYS [MILTON | SALLY | MARCH] MAY 11, 2019 - SEPTEMBER 1, 2019 FEATURING LANDSCAPES, SEASCAPES, BEACH SCENES, AND FIGURAL COMPOSITIONSAS WELL AS RARELY SEEN TRAVEL SKETCHBOOKSTHE EXHIBITION TAKES AN INNOVATIVE APPROACH TO THE SUPERB WORK PRODUCED BY THE AVERY FAMILY. ALONG WITH CANONICAL PAINTINGS BY MILTON AVERY, THE SHOW OFFERS A UNIQUE OPPORTUNITY TO BECOME ACQUAINTED WITH THE REMARKABLE ART CREATED BY AVERY'S WIFE SALLY AND THEIR DAUGHTER MARCH. AS IT WAS FOR MANY ARTISTS BEFORE AND SINCE, SUMMERTIME WAS A MOMENT OF HEIGHTENED CREATIVITY FOR THE AVERYS. ESCAPING FROM THEIR HECTIC LIVES IN NEW YORK, THE THREE ARTISTS WERE INSPIRED BY THESE BUCOLIC AND SOMETIMES UNFAMILIAR SETTINGS. THE ART THEY PRODUCED INCLUDING OIL PAINTINGS, WATERCOLORS, DRAWINGS AND PRINTS WAS FILLED WITH THE SPLENDOR OF NATURAL PHENOMENA AND THE SOCIABILITY OF FAMILY, FRIENDS, AND ACQUAINTANCES; THE WORK RANGES FROM THE REPRESENTATIONAL TO THE NEARLY ABSTRACT. FROM BUTTERFLIES TO BATTLESHIPS: SELECTIONS FROM THE BRUCE MUSEUM PHOTOGRAPHY COLLECTION JUNE 22, 2019 - SEPTEMBER 1, 2019 BEGINNING WITH THE FIRST FORAYS INTO PHOTOGRAPHIC PRACTICE IN THE NINETEENTH CENTURY, WITH LOUIS DAGUERRE AND NICPHORE NIPCE IN FRANCE AND WILLIAM HENRY FOX TALBOT IN ENGLAND, PHOTOGRAPHERS, THE PUBLIC, AND CRITICS ALIKE HAVE ARGUED AS TO THE RELATIVE MERIT OF THE MEDIUM IS IT A SCIENTIFIC OR ARTISTIC PROCESS? A METHOD FOR FORMAL OR CONCEPTUAL EXPLORATION? IS A PHOTOGRAPH FACT OR FICTION? FROM BUTTERFLIES TO BATTLESHIPS DRAWS FROM THE BRUCE MUSEUM PHOTOGRAPHY COLLECTION TO PRESENT A SELECTION OF WORK BY FOUR SINGULAR AMERICAN PHOTOGRAPHERS. THE EXHIBITION WILL SHOWCASE THE TREMENDOUS DIVERSITY OF DIRECTIONS TAKEN IN THE TWENTIETH CENTURY, WHETHER EMPLOYING THE CAMERA IN A DOCUMENTARY MODE TO RECORD DETAILS OF INSECT DEVELOPMENT OR TO CHRONICLE SWEEPING HISTORICAL EVENTS, OR EXPERIMENTING WITH THE TECHNOLOGY TO CREATE ABSTRACT OR COMPOSITE IMAGES. |
| FORM 990, PART III, LINE 4A | EDUCATIONAL PROGRAMS THE BRUCE MUSEUM'S PRIMARY GOAL IS TO EDUCATE OUR VISITORS. THE MUSEUM'S AUDIENCE ENGAGEMENT DEPARTMENT TAILORS EACH LEARNING EXPERIENCE TO MATCH OUR TARGETED AUDIENCE SEGMENTS IN THE COMMUNITY. HIGHLIGHTS FROM THE MUSEUM'S EDUCATIONAL PROGRAMMING AND PLANNING IN 2018-2019 INCLUDE THE FOLLOWING: - THIS YEAR, THE MUSEUM HAD APPROXIMATELY 25,000 VISITOR INTERACTIONS THROUGH EDUCATIONAL PROGRAMS. -BRUCE EXPLORERS IS THE NEWEST OFFERING FROM YOUTH AND FAMILY PROGRAMS. DURING THIS EXTENDED DROP-OFF PROGRAM FOR CHILDREN AGES 7-16, PARTICIPANTS EXPLORE DIFFERENT SCIENCE CONCEPTS THROUGH HANDS-ON LABS. THE FIRST ONE TOOK PLACE ON JUNE 9TH, 2019 AND WAS ALL ABOUT "SHARKS!." PARTICIPANTS LEARNED ABOUT THE EXTERNAL AND INTERNAL ANATOMY OF A DOGFISH SHARK THROUGH A GUIDED DISSECTION. -IN NOVEMBER 2018, THE MUSEUM BEGAN TO OFFER REGULARLY SCHEDULED PROGRAMING WITH IMAGINATION PLAYGROUND BLOCKS, PURCHASED THROUGH A GENEROUS GRANT FROM THE HILLIARD FAMILY FOUNDATION. CALLED DESIGN TIME, THIS PROGRAM ALLOWS CHILDREN AGES 2 AND UP TO USE THEIR IMAGINATION TO BUILD, DESIGN, AND CREATE WITH BLOCKS. THIS PROGRAM TAKES PLACE ON THE FIRST AND THIRD THURSDAYS OF EACH MONTH IN THE MUSEUM'S GALLERY SPACE. FOURTEEN SESSIONS OCCURRED THROUGHOUT THE FISCAL YEAR AND BROUGHT IN 80 CHILDREN AND CAREGIVERS. -THE BRUCE MUSEUM HOSTED AN ANNUAL MARTIN LUTHER KING, JR. FAMILY DAY ON JANUARY 21ST, 2019. FOR THIS EVENT, THE MUSEUM COLLABORATED WITH NEIGHBOR TO NEIGHBOR, A NON-PROFIT DEDICATED TO SERVING RESIDENTS IN NEED IN THE GREENWICH AREA. THERE WERE 257 VISITORS AT THIS EVENT, WHICH IS ALMOST DOUBLE TYPICAL FAMILY DAY ATTENDANCE. MANY GUESTS DONATED SEVERAL ITEMS, BEYOND WHAT WAS REQUIRED FOR FREE ADMISSION. THE MUSEUM DONATED 20 CRATES OF ITEMS TO NEIGHBOR TO NEIGHBOR. THE GUEST PARTICIPATION AND COMMUNITY PARTNERSHIP WITH NEIGHBOR TO NEIGHBOR HONORED THE SPIRIT OF MLK DAY AT THE BRUCE MUSEUM. -THE RELATIONSHIP BETWEEN THE GREENWICH PUBLIC SCHOOLS AND THE BRUCE MUSEUM CONTINUES TO GROW AND EVOLVE. THIS YEAR, IN ADDITION TO HOSTING INNOVATION LAB AND PROVIDING OUTREACH PROGRAMS FOR GPS STUDENTS, THE MUSEUM PRESENTED PROFESSIONAL DEVELOPMENT WORKSHOPS FOR THE GPS THREE TIMES. IN ADDITION, LAURA NEWELL, THE GPS PROGRAM COORDINATOR FOR ART AND MUSIC AND A MEMBER OF THE MUSEUM'S EDUCATION TASK FORCE, ASKED THE MUSEUM TO OFFER A RECURRING WORKSHOP FOR TEACHERS ON THE DAY BEFORE THE FIRST DAY OF SCHOOL. THIS INTERACTION MEANS THAT OVER 65% OF GPS STAFF HAS PARTICIPATED IN A PD WORKSHOP LED BY BRUCE MUSEUM STAFF. THE WORKSHOPS FOCUSED ON DIVERSE TOPICS SUCH AS "DISCUSSING DIFFICULT ISSUES USING ART," "LEARNING ABOUT THE HISTORY OF SCIENCE THROUGH THE MEDIUM OF ART HISTORY, AND "OBJECT BASED LEARNING AND THE INTERCONNECTIVITY OF DISCIPLINES." -DURING THIS FISCAL YEAR, THE BRUCE MUSEUM EDUCATORS DELIVERED 146 PROGRAMS TO 3,074 PARTICIPANTS FROM GREENWICH-BASED SCHOOLS AND ORGANIZATIONS. |
| FORM 990, PART IV, LINE 8: | THE TOWN OF GREENWICH, CONNECTICUT OWNS THE ENTIRE MUSEUM COLLECTION. THE ORGANIZATION OPERATES THE FACILITY AND ORGANIZES THE EXHIBITS PER AN AGREEMENT WITH THE TOWN OF GREENWICH. THE ORGANIZATION PROVIDES SECURITY FOR THE COLLECTION. IT ALSO PERFORMS RESTORATION AND PRESERVATION OF COLLECTION AS NEEDED TO MAINTAIN THE COLLECTION FOR EXHIBITION. |
| FORM 990, PART VI, SECTION A, LINE 6 | BRUCE MUSEUM, INC. CAN HAVE THE FOLLOWING CLASSES OF MEMBERSHIP AS THE BOARD HAS AUTHORIZED IN THE BY LAWS: A) INDIVIDUAL MEMBERSHIP B) CORPORATE MEMBERSHIP (WHICH MAY INCLUDE A PARTNERSHIP, TRUST OR OTHER LEGAL ENTITY) C) FAMILY MEMBERSHIP D) PATRON MEMBERSHIP E) BENEFACTOR MEMBERSHIP F) ROBERT BRUCE CIRCLE MEMBERSHIP EACH MEMBERSHIP IN GOOD STANDING IS ENTITLED TO ONE VOTE ON EACH MATTER SUBMITTED TO A VOTE OF THE MEMBERS. THE PERSONS WHO COMPRISE A FAMILY MEMBERSHIP - TOGETHER IS ENTITLED TO ONE VOTE ON EACH MATTER. A MEMBERSHIP MAY VOTE IN PERSON (THROUGH A DULY AUTHORIZED REPRESENTATIVE IN THE CASE OF A CORPORATE MEMBERSHIP) OR BY VALID PROXY. MEMBERS ARE NOT ENTITLED TO RECEIVE A SHARE OF THE ORGANIZATION'S PROFITS OR EXCESS DUES OR A SHARE OF THE ORGANIZATION'S NET ASSETS UPON THE ORGANIZATION'S DISSOLUTION. THE BOARD MAY, FROM TIME TO TIME, MODIFY OR ELIMINATE CLASSES OF MEMBERSHIP, MAY ESTABLISH OTHER CLASSES OF MEMBERSHIP, AND QUALIFICATIONS AND PRIVILEGES APPLICABLE TO EACH MEMBERSHIP CLASS. |
| FORM 990, PART VI, SECTION A, LINE 7A | THE MEMBERS OF THE BRUCE MUSEUM, INC. ELECT THE TRUSTEES, OTHER THAN THE EX-OFFICIO TRUSTEES, AT THE ANNUAL MEETING OF THE MEMBERS, BY A MAJORITY VOTE OF THE MEMBERS ENTITLED TO VOTE WHO ARE PRESENT IN PERSON OR BY WRITTEN PROXY. |
| FORM 990, PART VI, SECTION B, LINE 11B | BRUCE MUSEUM, INC. HAS ITS FORM 990 PREPARED BY AN OUTSIDE ACCOUNTING FIRM AND HAS ESTABLISHED THE FOLLOWING REVIEW PROCESS TO ENSURE THAT THE INFORMATION REPORTED IS COMPLETE AND ACCURATE. THE FORM 990 IS PROVIDED TO THE AUDIT COMMITTEE FOR REVIEW, COMMENTS, AND APPROVAL. ONCE THE AUDIT COMMITTEE HAS APPROVED THE RETURN, AN ELECTORNIC COPY IS DISTRIBUTED TO THE BOARD AND IT IS FILED WITH THE INTERNAL REVENUE SERVICE. A HARD COPY OF THE RETURN IS ALSO DISTRIBUTED AT A BOARD MEETING. |
| FORM 990, PART VI, SECTION B, LINE 12C | EACH TRUSTEE MUST CONDUCT ALL OF HIS OR HER ACTIVITIES IN SUCH A WAY AS TO AVOID ANY CONFLICT BETWEEN THE TRUSTEE'S PERSONAL INTERESTS AND THE POLICIES, OPERATIONS, OR INTERESTS OF THE MUSEUM. TRUSTEES WITH SPECIAL AREAS OF INTEREST WITHIN THE MUSEUM SHOULD UNDERSTAND THAT ADVOCACY FOR THOSE INTERESTS SHOULD BE ADVANCED ONLY WITHIN THE FRAMEWORK OF THE MUSEUM'S INTERESTS AS A WHOLE. IN THE EVENT A CONFLICT IS UNAVOIDABLE, THE TRUSTEE SHALL AT ALL TIMES ACT IN A MANNER CONSISTENT WITH HIS OR HER FIDUCIARY RESPONSIBILITY TO THE MUSEUM AND SHALL EXERCISE PARTICULAR CARE THAT NO DETRIMENT OR APPEARANCE OF DETRIMENT TO THE MUSEUM RESULTS FROM THAT CONFLICT. A TRUSTEE IS CONSIDERED TO HAVE A CONFLICT OF INTEREST WHEN THE TRUSTEE, OR ANY MEMBER OF HIS OR HER IMMEDIATE FAMILY: (A) HAS A FINANCIAL, PERSONAL, OR PROFESSIONAL INTEREST WHICH IMPAIRS OR MIGHT APPEAR TO IMPAIR THE TRUSTEE'S INDEPENDENCE OF JUDGMENT IN THE DISCHARGE OF HIS OR HER RESPONSIBILITIES TO THE MUSEUM. (B) COULD RECEIVE A MATERIAL FINANCIAL, PERSONAL, OR PROFESSIONAL BENEFIT FROM KNOWLEDGE OF CONFIDENTIAL MUSEUM INFORMATION. (C) WOULD RECEIVE FINANCIAL COMPENSATION FOR PERSONAL OR PROFESSIONAL SERVICES RENDERED TO THE MUSEUM WITHOUT THE PRIOR APPROVAL OF THE BOARD OF TRUSTEES. A TRUSTEE SHOULD NOT VOTE ON, APPROVE, OR RECOMMEND APPROVAL OF A TRANSACTION BETWEEN THE MUSEUM AND THAT TRUSTEE OR IMMEDIATE FAMILY MEMBER, AND SHOULD DISCLOSE ANY POTENTIAL CONFLICT PRIOR TO A VOTE OR OTHER ACTION. IF SUCH TRUSTEE IS PRESENT WHEN A MATTER INVOLVING A POTENTIAL CONFLICT OF INTEREST IS CONSIDERED, HE OR SHE SHOULD LEAVE THE MEETING DURING THAT DISCUSSION AND/OR THE VOTE. A TRUSTEE SHOULD, IN GENERAL, COMMUNICATE ANY ADMINISTRATIVE OR MANAGERIAL CONCERNS TO THE CHAIRMAN OF THE BOARD OF TRUSTEES OR TO THE EXECUTIVE DIRECTOR. IN NO CASE SHOULD A TRUSTEE GIVE DIRECTION TO, OR CRITICIZE DIRECTLY, ANY MUSEUM PERSONNEL. THE STAFF GUIDELINES ARE FOUNDED ON THE FOLLOWING GENERAL PRINCIPLES: THE FIRST LOYALTY OF A STAFF MEMBER IS TO THE MUSEUM; CONFLICTS OF INTEREST OR THE APPEARANCE THEREOF MUST BE AVOIDED; A PROFESSIONAL STAFF POSITION MUST NOT BE USED FOR PERSONAL GAIN; STAFF SHOULD AT ALL TIMES SEEK TO MAINTAIN THE MUSEUM'S GOOD NAME IN THE COMMUNITY AND AVOID MISUSE OR DISPARAGEMENT OF ITS NAME, REPUTATION, PROPERTY OR SERVICES; A STAFF MEMBER SHALL NOT PURSUE ANY COURSE OF ACTION INDIRECTLY WHICH IF DONE DIRECTLY WOULD BE PROSCRIBED BY THE MUSEUM'S CODE OF ETHICS. |
| FORM 990, PART VI, SECTION B, LINE 15A | THE EXECUTIVE COMMITTEE CONDUCTS AN ANNUAL PERFORMANCE REVIEW OF THE EXECUTIVE DIRECTOR. COMPENSATION IS BASED ON THE EMPLOYEE'S PERFORMANCE AND COMPARABILITY DATA TO THE INDUSTRY STANDARDS USING THE AMERICAN ASSOCIATION OF MUSEUM'S SALARY SURVEY. THE BOARD APPROVES THE EXECUTIVE DIRECTOR'S COMPENSATION. THE COMPENSATION APPROVAL IS DOCUMENTED IN A LETTER FROM THE BOARD OF DIRECTORS. |
| FORM 990, PART VI, SECTION C, LINE 18 | FORM 990 IS AVAILABLE ON WWW.GUIDESTAR.ORG, WWW.CHARITYNAVIGATOR.ORG, AND WWW.ERI-NONPROFIT-SALARIES.COM FORM 990 IS ALSO AVAILABLE ON OUR WEBSITE: BRUCEMUSEUM.ORG |
| FORM 990, PART VI, SECTION C, LINE 19 | FINANCIAL STATEMENTS, GOVERNING DOCUMENTS, CONFLICT OF INTEREST POLICY, FORM 990, AND FORM 1023 ARE MADE AVAILABLE FOR PUBLIC VIEWING UPON WRITTEN REQUEST AT BRUCE MUSEUM, INC. HEADQUARTERS LOCATED AT 1 MUSEUM DRIVE, GREENWICH, CONNECTICUT, 06830. |
| FORM 990, PART XI, LINE 9: | LOSS ON UNCOLLECTIBLE PLEDGES -629,267. |
| FORM 990. PART XI, LINE 2C: | THE INDEPENDENT AUDITOR IS SELECTED AFTER A REVIEW AND BIDDING PROCESS CONDUCTED BY THE AUDIT COMMITTEE. THE AUDIT COMMITTEE REVIEWS THE FINANCIAL STATEMENT AND MEETS WITH THE INDEPENDENT AUDITORS BEFORE THE AUDIT REPORT AND FINANCIAL STATEMENTS ARE ISSUED. AUDIT FINDINGS, IF ANY, ARE COMMUNICATED TO THE AUDIT COMMITTEE BY THE INDEPENDENT AUDITORS. AUDIT COMMITTEE CONSIDERS THE FINDINGS. AUDIT COMMITTEE RECOMMENDS CORRECTIVE ACTION, IF IN THEIR JUDGEMENT IT IS NEEDED. THERE HAVE BEEN NO CHANGES IN THE PROCESS FROM THE PRIOR YEAR. |
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