Attach to Form 990 or Form 990-EZ.
Go to
www.irs.gov/Form990 for instructions and the latest information.
| (i) Name of supported organization | (ii) EIN | (iii) Type of organization (described on lines 1- 10 above (see instructions)) | (iv) Is the organization listed in your governing document? | (v) Amount of monetary support (see instructions) | (vi) Amount of other support (see instructions) | |
|---|---|---|---|---|---|---|
| Yes | No | |||||
| (A)
TAMPA MUSEUM OF ART INC |
591934721 | 7 | Yes | 0 | 0 | |
|
Total 1
|
0 | 0 | ||||
Calendar year (or fiscal year beginning in) ![]() |
(a) 2015 | (b) 2016 | (c) 2017 | (d) 2018 | (e) 2019 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 1 | Gifts, grants, contributions, and membership fees received. (Do not include any "unusual grant.") .. | ||||||
| 2 | Tax revenues levied for the organization's benefit and either paid to or expended on its behalf.... | ||||||
| 3 | The value of services or facilities furnished by a governmental unit to the organization without charge.. | ||||||
| 4 | Total. Add lines 1 through 3 | ||||||
| 5 | The portion of total contributions by each person (other than a governmental unit or publicly supported organization) included on line 1 that exceeds 2% of the amount shown on line 11, column (f).. | ||||||
| 6 | Public support. Subtract line 5 from line 4. | ||||||
Calendar year
(or fiscal year beginning in) ![]() |
(a) 2015 | (b) 2016 | (c) 2017 | (d) 2018 | (e) 2019 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 7 | Amounts from line 4.. | ||||||
| 8 | Gross income from interest, dividends, payments received on securities loans, rents, royalties and income from similar sources... | ||||||
| 9 | Net income from unrelated business activities, whether or not the business is regularly carried on.. | ||||||
| 10 | Other income. Do not include gain or loss from the sale of capital assets (Explain in Part VI.).. | ||||||
| 11 | Total support. Add lines 7 through 10 | ||||||
Calendar year (or fiscal year beginning in) ![]() |
(a) 2015 | (b) 2016 | (c) 2017 | (d) 2018 | (e) 2019 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 1 | Gifts, grants, contributions, and membership fees received. (Do not include any "unusual grants.") . | ||||||
| 2 | Gross receipts from admissions, merchandise sold or services performed, or facilities furnished in any activity that is related to the organization's tax-exempt purpose | ||||||
| 3 | Gross receipts from activities that are not an unrelated trade or business under section 513 ..... | ||||||
| 4 | Tax revenues levied for the organization's benefit and either paid to or expended on its behalf... | ||||||
| 5 | The value of services or facilities furnished by a governmental unit to the organization without charge | ||||||
| 6 | Total. Add lines 1 through 5 | ||||||
| 7a | Amounts included on lines 1, 2, and 3 received from disqualified persons | ||||||
| b | Amounts included on lines 2 and 3 received from other than disqualified persons that exceed the greater of $5,000 or 1% of the amount on line 13 for the year. | ||||||
| c | Add lines 7a and 7b.. | ||||||
| 8 | Public support. (Subtract line 7c from line 6.) | ||||||
Calendar year (or fiscal year beginning in) ![]() |
(a) 2015 | (b) 2016 | (c) 2017 | (d) 2018 | (e) 2019 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 9 | Amounts from line 6... | ||||||
| 10a | Gross income from interest, dividends, payments received on securities loans, rents, royalties and income from similar sources.. | ||||||
| b | Unrelated business taxable income (less section 511 taxes) from businesses acquired after June 30, 1975. | ||||||
| c | Add lines 10a and 10b. | ||||||
| 11 | Net income from unrelated business activities not included in line 10b, whether or not the business is regularly carried on. | ||||||
| 12 | Other income. Do not include gain or loss from the sale of capital assets (Explain in Part VI.) .. | ||||||
| 13 | Total support. (Add lines 9, 10c, 11, and 12.).. | ||||||
| Section A - Adjusted Net Income | (A) Prior Year |
(B) Current Year (optional) |
||||
| 1 | Net short-term capital gain | 1 | ||||
| 2 | Recoveries of prior-year distributions | 2 | ||||
| 3 | Other gross income (see instructions) | 3 | ||||
| 4 | Add lines 1 through 3 | 4 | ||||
| 5 | Depreciation and depletion | 5 | ||||
| 6 | Portion of operating expenses paid or incurred for production or collection of gross income or for management, conservation, or maintenance of property held for production of income (see instructions) | 6 | ||||
| 7 | Other expenses (see instructions) | 7 | ||||
| 8 | Adjusted Net Income (subtract lines 5, 6 and 7 from line 4) | 8 | ||||
| Section B - Minimum Asset Amount | (A) Prior Year |
(B) Current Year (optional) |
||||
| 1 | Aggregate fair market value of all non-exempt-use assets (see instructions for short tax year or assets held for part of year): | 1 | ||||
| a | Average monthly value of securities | 1a | ||||
| b | Average monthly cash balances | 1b | ||||
| c | Fair market value of other non-exempt-use assets | 1c | ||||
| d | Total (add lines 1a, 1b, and 1c) | 1d | ||||
| e |
Discount claimed for blockage or other factors (explain in detail in Part VI): |
|||||
| 2 | Acquisition indebtedness applicable to non-exempt use assets | 2 | ||||
| 3 | Subtract line 2 from line 1d | 3 | ||||
| 4 | Cash deemed held for exempt use. Enter 1-1/2% of line 3 (for greater amount, see instructions). | 4 | ||||
| 5 | Net value of non-exempt-use assets (subtract line 4 from line 3) | 5 | ||||
| 6 | Multiply line 5 by .035 | 6 | ||||
| 7 | Recoveries of prior-year distributions | 7 | ||||
| 8 | Minimum Asset Amount (add line 7 to line 6) | 8 | ||||
| Section C - Distributable Amount | Current Year | |||||
| 1 | Adjusted net income for prior year (from Section A, line 8, Column A) | 1 | ||||
| 2 | Enter 85% of line 1 | 2 | ||||
| 3 | Minimum asset amount for prior year (from Section B, line 8, Column A) | 3 | ||||
| 4 | Enter greater of line 2 or line 3 | 4 | ||||
| 5 | Income tax imposed in prior year | 5 | ||||
| 6 | Distributable Amount. Subtract line 5 from line 4, unless subject to emergency temporary reduction (see instructions) | 6 | ||||
| Section D - Distributions | Current Year | |
|---|---|---|
| 1 Amounts paid to supported organizations to accomplish exempt purposes | ||
|
2
Amounts paid to perform activity that directly furthers exempt purposes of supported organizations, in excess of income from activity |
||
| 3 Administrative expenses paid to accomplish exempt purposes of supported organizations | ||
| 4 Amounts paid to acquire exempt-use assets | ||
| 5 Qualified set-aside amounts (prior IRS approval required) | ||
| 6 Other distributions (describe in Part VI). See instructions | ||
| 7Total annual distributions. Add lines 1 through 6. | ||
|
8
Distributions to attentive supported organizations to which the organization is responsive (provide details in Part VI). See instructions |
||
| 9 Distributable amount for 2019 from Section C, line 6 | ||
| 10 Line 8 amount divided by Line 9 amount | ||
| Section E - Distribution Allocations (see instructions) |
(i) Excess Distributions |
(ii) Underdistributions Pre-2019 |
(iii) Distributable Amount for 2019 |
|
|---|---|---|---|---|
| 1 Distributable amount for 2019 from Section C, line 6 | ||||
|
2
Underdistributions, if any, for years prior to 2019 (reasonable cause required-- explain in Part VI). See instructions. |
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| 3 Excess distributions carryover, if any, to 2019: | ||||
| a From 2014....... | ||||
| b From 2015....... | ||||
| c From 2016....... | ||||
| d From 2017....... | ||||
| e From 2018....... | ||||
| fTotal of lines 3a through e | ||||
| g Applied to underdistributions of prior years | ||||
| h Applied to 2019 distributable amount | ||||
|
i
Carryover from 2014 not applied (see instructions) |
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| j Remainder. Subtract lines 3g, 3h, and 3i from 3f. | ||||
| 4Distributions for 2019 from Section D, line 7: | ||||
| $ | ||||
| a Applied to underdistributions of prior years | ||||
| b Applied to 2019 distributable amount | ||||
| c Remainder. Subtract lines 4a and 4b from 4. | ||||
|
5
Remaining underdistributions for years prior to 2019, if any. Subtract lines 3g and 4a from line 2. If the amount is greater than zero, explain in Part VI. See instructions. |
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|
6
Remaining underdistributions for 2019. Subtract lines 3h and 4b from line 1. If the amount is greater than zero, explain in Part VI. See instructions. |
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|
7 Excess distributions carryover to 2020. Add lines 3j and 4c. |
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| 8 Breakdown of line 7: | ||||
| a Excess from 2015..... | ||||
| b Excess from 2016..... | ||||
| c Excess from 2017..... | ||||
| d Excess from 2018..... | ||||
| e Excess from 2019..... | ||||
| Facts And Circumstances Test |
|---|
| Return Reference | Explanation |
|---|
| Software ID: | |
| Software Version: |
Attach to Form 990 or 990-EZ.
Go to www.irs.gov/Form990 for the latest information.
| Return Reference | Explanation |
|---|---|
| FORM 990, PART III, LINE 4A: | IN 2019, THE TAMPA MUSEUM OF ART RAISED REVENUE AND ALLOCATED ITS RESOURCES TOWARD MANAGEMENT AND PRESENTATION OF COLLECTIONS, COLLECTIONS' CARE AND MANAGEMENT, AND A ROBUST SCHEDULE OF EXHIBITION AND EDUCATION PROGRAMS TO SERVE THE TAMPA BAY COMMUNITY. THE TAMPA MUSEUM OF ART'S 2019 PERMANENT COLLECTION COMPRISED OVER 8,362 OBJECTS. THE MUSEUM PRIMARILY COLLECTS CLASSICAL ANTIQUITIES (665 OBJECTS), 19TH-CENTURY PHOTOGRAPHY AND PRINTS EMPHASIZING WORKS THAT RELATE TO THE CLASSICAL COLLECTION (APPROXIMATELY 1,300 OBJECTS), MODERN AND CONTEMPORARY ART IN A VARIETY OF MEDIA (6,397 OBJECTS), WITH AN EMPHASIS ON PHOTOGRAPHY, ART CREATED AFTER 1970, AND NEW MEDIA. THE MUSEUM COLLECTS WORKS BY NATIONALLY AND INTERNATIONALLY RECOGNIZED ARTISTS IN A RANGE OF TECHNIQUES AND MEDIUMS, MANY OF WHOM HAVE TIES TO FLORIDA AND THE TAMPA BAY REGION. THE MUSEUM RECOGNIZES THAT ITS ACQUISITIONS TODAY ARE SETTING STANDARDS FOR FUTURE COLLECTING ACTIVITY AND BUILDING A FOUNDATION FOR EXHIBITIONS AND EDUCATION PROGRAMMING. IN 2019 WE FEATURED TEN IMPORTANT TRAVELING AND IN-HOUSE CURATED EXHIBITIONS FOR THE TAMPA BAY COMMUNITY AND BEYOND, EACH OUTLINED BRIEFLY BELOW. OSWALDO VIGAS: TRANSFORMATIONS (JANUARY 31 THROUGH MAY 27, 2019) OSWALDO VIGAS: TRANSFORMATIONS PRESENTS THE FIRST AMERICAN SURVEY OF ARTIST OSWALDO VIGAS (VENEZUELAN, 1923-2014). ORGANIZED BY THE GRAND RAPIDS ART MUSEUM, THE EXHIBITION EXAMINES VIGAS' INFLUENTIAL CAREER AND HIS CONTRIBUTIONS TO 20TH-CENTURY MODERNISM. A PROLIFIC ARTIST, VIGAS FOUND INSPIRATION IN BOTH THE NATURAL LANDSCAPE OF HIS NATIVE VENEZUELA AND THE EUROPEAN AVANT-GARDE. OSWALDO VIGAS: TRANSFORMATIONS FOCUSES ON WORKS CREATED BETWEEN 1940 AND 1980, AND DEMONSTRATES THE EVOLUTION OF VIGAS DISTINCT ARTISTIC STYLE. IN THE LATE 1940S, VIGAS FOCUSED ON FIGURATIVE ABSTRACTION AND CREATED HIS VIBRANT SERIES OF BRUJA (OR WITCH) PAINTINGS. CUBISM AND CONSTRUCTIVISM INFLUENCED VIGAS AND BY THE 1950S, HE SHIFTED AWAY FROM FIGURATION AND MOVED TOWARDS GEOMETRIC ABSTRACTION. THE WORKS ON VIEW ILLUSTRATE THE SCOPE OF VIGAS' PROJECTS, FROM STUDIO PAINTER TO MURALIST, AND HIGHLIGHT THE IMPORTANCE OF HIS CREATIVE ACHIEVEMENTS. 14TH CONGRESSIONAL DISTRICT AND NEXT GENERATION HIGH SCHOOL ART COMPETITION 2019 (MARCH 16-31) THIS ANNUAL HIGH SCHOOL ART EXHIBITION FEATURES EXEMPLARY WORK CREATED BY HIGH SCHOOL STUDENTS THROUGHOUT THE 14TH CONGRESSIONAL DISTRICT AND HILLSBOROUGH COUNTY. STUDENTS COMPETE FOR TWO TOP PRIZES: THE MUSEUM CHOICE AWARD AND THE CONGRESSIONAL CHOICE AWARD. THE ARTWORK SELECTED FOR THE CONGRESSIONAL CHOICE AWARD WILL CONTINUE TO REPRESENT THE DISTRICT IN THE NATIONAL CONGRESSIONAL HIGH SCHOOL ART COMPETITION, HANGING IN THE CANNON TUNNEL OF THE U.S. CAPITOL FOR ONE YEAR. ADDITIONALLY, THE RECIPIENT OF THIS AWARD RECEIVES A TRIP TO WASHINGTON, D.C. TO ATTEND THE NATIONAL AWARDS CEREMONY IN JUNE 2019. THE 14TH CONGRESSIONAL DISTRICT AND NEXT GENERATION HIGH SCHOOL ART COMPETITION IS PRESENTED IN PARTNERSHIP WITH THE OFFICE OF U.S. REPRESENTATIVE, KATHY CASTOR. ECHOING FORMS: AMERICAN ABSTRACTION FROM THE PERMANENT COLLECTION (APRIL 13 - AUGUST 18) ECHOING FORMS: AMERICAN ABSTRACTION FROM THE PERMANENT COLLECTION PRESENTS PAINTINGS, WORKS ON PAPER, AND PHOTOGRAPHY BY MAJOR ARTISTS ASSOCIATED WITH POST-WAR AMERICAN ABSTRACTION. ABSTRACT EXPRESSIONISM EMERGED AS THE DOMINANT GENRE OF PAINTING IN THE MID-1940S. FOR THE NEXT 40 YEARS, ARTISTS WORKING ACROSS MEDIA WOULD EXAMINE AND REDEFINE THE BOUNDARIES OF ABSTRACTION. FROM ROBERT MOTHERWELL'S SERIAL COMPOSITIONS OF REPEATING OVOID AND GEOMETRIC FORMS, TO THE PATTERNED BRUSHWORK OF ALMA THOMAS, AND AARON SISKIND'S PHOTOGRAPHIC STUDIES OF FOUND OBJECTS ECHOING GESTURAL PAINT STROKES, THE TAMPA MUSEUM OF ART'S COLLECTION INCLUDES WORK FROM INFLUENTIAL ARTISTS ASSOCIATED WITH THE RISE OF AMERICAN ABSTRACTION. ARTISTS FEATURED IN ECHOING FORMS ALSO INCLUDE JOSEPH ALBERS, HELEN FRANKENTHALER, ADOLPH GOTTLIEB, ELLSWORTH KELLY, ELAINE DE KOONING, KENNETH NOLAND, FRANK STELLA, AND OTHERS. ECHOING FORMS: ABSTRACTION FROM THE PERMANENT COLLECTION IS A COMPANION SHOW TO THE SPECIAL EXHIBITION ABSTRACT EXPRESSIONISM: A SOCIAL REVOLUTION. ABSTRACT EXPRESSIONISM: A SOCIAL REVOLUTION, SELECTIONS FROM THE HASKELL COLLECTION (APRIL 11 - AUGUST 11) ABSTRACT EXPRESSIONISM: A SOCIAL REVOLUTION PRESENTS TWENTY-FIVE WORKS FROM THE HASKELL COLLECTION INDICATIVE OF ABSTRACT EXPRESSIONISM AS A UNIFYING DIRECTION IN POST-WORLD WAR II ART. THE EXHIBITION HIGHLIGHTS ARTISTS ASSOCIATED WITH THE INFLUENTIAL FIRST AND SECOND GENERATIONS OF ABSTRACT EXPRESSIONIST PAINTERS INCLUDING WILLEM DE KOONING, HANS HOFMANN, HELEN FRANKENTHALER, FRANZ KLINE, MORRIS LOUIS, JOAN MITCHELL, ROBERT MOTHERWELL, KENNETH NOLAND, MARK ROTHKO, AND THEODOROS STAMOS. LATER WORKS BY GERHARD RICHTER, JACK GOLDSTEIN, ROBERT RAUSCHENBERG, AND FRANK STELLA RESPOND OR REFLECT ON THE LASTING LEGACY OF ABSTRACT EXPRESSIONISM IN BOTH THE US AND ABROAD. VIEWED TOGETHER, THE WORKS IN ABSTRACT EXPRESSIONISM: A SOCIAL REVOLUTION ADDRESS HOW INDIVIDUAL ARTISTIC EXPRESSION AND INDEPENDENCE FROM INSTITUTIONAL VALUES ALTERED THE COURSE OF PAINTING. IN THIS EXHIBITION, VISUAL VOCABULARY WILL BE DISCUSSED IN RELATIONSHIP TO THE ARTISTS' COLLECTIVE OBJECTIVES AND INDIVIDUAL INTENTIONS. IN ADDITION TO THOSE MENTIONED ABOVE, ARTISTS REPRESENTED IN ABSTRACT EXPRESSIONISM: A SOCIAL REVOLUTION INCLUDE JOSEF ALBERS, RICHARD ANUSZKIEWICZ, KAREL APPEL, SAM FRANCIS, MICHAEL GOLDBERG, PAUL JENKINS, JEAN MIOTTE, JUDY PFAFF, JEAN-PAUL RIOPELLE, JAMES ROSENQUIST, AND JACK TWORKOV. UNLESS NOTED OTHERWISE, ALL WORKS FROM THE HASKELL COLLECTION. TABLEAU AND TRANSFORMATION: PHOTOGRAPHY FROM THE PERMANENT COLLECTION (JUNE 20 THROUGH OCTOBER 20) TABLEAU AND TRANSFORMATION PRESENTS AN OVERVIEW OF THE TAMPA MUSEUM OF ART'S HOLDINGS IN 20TH-CENTURY PHOTOGRAPHY, A CORNERSTONE OF THE MUSEUM'S PERMANENT COLLECTION. THE EXHIBITION LOOKS AT HOW ARTISTS HAVE USED DISTINCT DARKROOM EFFECTS AND STUDIO PRACTICES TO CREATE NEW NARRATIVES IN PHOTOGRAPHY. ARTISTS SUCH AS JAMES CASEBERE, ROBERT CUMMING, STEPHEN FRAILEY, SANDY SKOGLUND, AND WILLIAM WEGMAN CREATE CONSTRUCTED ENVIRONMENTS, OFTEN BLURRING THE BOUNDARIES OF TRUTH AND FICTION IN THEIR IMAGES. PHOTOGRAPHERS BLYTHE BOHNEN, DUANE MICHALS, ARNULF RAINER, LUCAS SAMARAS, CINDY SHERMAN EXAMINE THE TRANSFORMATION OF ONE'S SELF AS A MEANS TO EXPLORE IDENTITY, GENDER, AND PLACE. THIS EXHIBITION FEATURES APPROXIMATELY 50 PHOTOGRAPHS WITH OBJECTS RANGING IN DATE FROM THE MID-1960S TO THROUGH THE EARLY 2000S. PREDOMINATELY DRAWN FROM THE MUSEUM'S PERMANENT COLLECTION, TABLEAU AND TRANSFORMATION INCLUDES ARTISTS JOHN BALDESSARI, MORTON BARTLETT, ZEKE BERMAN, BLYTHE BOHNEN, VICTOR BURGIN, JAMES CASEBERE, EILEEN COWIN, ROBERT CUMMING, ROBERT FICHTER, STEPHEN FRAILEY, LES KRIMS, DUANE MICHALS, PATRICK NAGATANI AND ANDRE TRACEY, ARNULF RAINER, RICHARD ROSS, LUCAS SAMARAS, ANDRES SERRANO, CINDY SHERMAN, SANDY SKOGLUND, JOEL STERNFELD, AND WILLIAM WEGMAN. TABLEAU AND TRANSFORMATION ALSO FEATURES KEY LOANS FROM TRENAM LAW'S PHOTOGRAPHY COLLECTION AND INCLUDES COMPANION PHOTOGRAPHS BY SEVERAL OF THE ABOVE-MENTIONED ARTISTS, AS WELL AS LAURIE SIMMONS AND DOUG AND MIKE STARN. ROBERT RAUSCHENBERG: AMERICAN MIX-16 (AUGUST 9, 2019 - JANUARY 5, 2020) ONE OF THE 20TH CENTURY'S MOST INFLUENTIAL ARTISTS, ROBERT RAUSCHENBERG (AMERICAN, 1925-2008) DEFINED HIS OEUVRE BY USING ORDINARY, NON-TRADITIONAL MATERIALS TO CREATE DISTINCT WORKS OF ART. HIS "COMBINES" HOVERED BETWEEN PAINTING AND SCULPTURE, AND INCORPORATED A RANGE OF MEDIA AND TECHNIQUES. RAUSCHENBERG OFTEN USED PHOTOGRAPHY IN HIS WORK AND LAYERED IMAGES TO RENDER PROVOCATIVE NARRATIVES OR OBSERVATIONS ABOUT THE WORLD AROUND HIM. SUITE 1 FROM (AMERICA MIX-16), 1983, A PORTFOLIO OF 16 PHOTOGRAVURES, FEATURES PHOTOGRAPHS OF FOUND VIGNETTES OR OBJECTS RAUSCHENBERG ENCOUNTERED DURING HIS TRAVELS AROUND THE US. HE FOUND BEAUTY IN THE MUNDANE, SUCH AS A DILAPIDATED RAG HANGING FROM THE GAS CAP OF AN ABANDONED TRUCK OR THE INADVERTENT STILL LIFE OF TRASHED OBJECTS RESTING ON THE CURB. RARELY EXHIBITED FROM THE TAMPA MUSEUM OF ART'S COLLECTION, THE ENTIRETY OF THIS PORTFOLIO WILL BE ON VIEW. |
| FORM 990, PART III, LINE 4A, CONTINUED: | ORDINARY/EXTRAORDINARY: ASSEMBLAGE IN THREE ACTS: JEAN-MICHEL BASQUIAT: ONE MASTER ARTIST / TWO MASTERPIECES; PURVIS YOUNG: 91; SACRED DIAGRAMS: VODOU FLAGS FROM THE GESSEN COLLECTIONS (SEPTEMBER 21 THROUGH FEBRUARY 23, 2020) THESE THREE EXHIBITIONS ARE PART OF THE SERIES ORDINARY/EXTRAORDINARY: ASSEMBLAGE IN THREE ACTS. THE SERIES SIMULTANEOUSLY PRESENTS THREE DISCRETE SHOWS FOCUSED ON WORKS BY JEAN-MICHEL BASQUIAT, PURVIS YOUNG, AND A SELECTION OF 20TH- AND 21ST-CENTURY HAITIAN VODOU FLAGS. THE USE OF FOUND OBJECTS, SUCH AS DISCARDED WOOD AND TEXTILES, FORMALLY LINKS THE EXHIBITIONS TOGETHER. MORE IMPORTANTLY, HISTORICAL AND SOCIO-ECONOMIC NARRATIVES INFORMED BY THE AFRO-CARIBBEAN DIASPORA, THE BLACK EXPERIENCE IN AMERICA, AS WELL AS EUROPEAN ARTISTIC INFLUENCES, UNITE THE ARTISTS FEATURED IN THE SERIES. ALTHOUGH EACH IS A STAND-ALONE SHOW, VIEWED TOGETHER, THE SERIES EXPLORES PROVOCATIVE PORTRAYALS OF RACE, IDENTITY, SPIRITUALITY, SURVIVAL, AND HOPE IN A RANGE OF ASSEMBLAGE OBJECTS AND COMPOSITIONS. JEAN-MICHEL BASQUIAT: ONE MASTER ARTIST / TWO MASTERPIECES FOCUSES ON TWO UNIQUE BASQUIAT ARTWORKS: YELLOW DOOR (1985) AND UNTITLED (WORD ON WOOD) (1985). THE EXHIBITION WILL EXAMINE THE ARTIST'S VISUAL VOCABULARY IN AN INTIMATE PRESENTATION OF THESE TWO IMPORTANT PAINTINGS. JEAN-MICHEL BASQUIAT: ONE MASTER ARTIST / TWO MASTERPIECES EXPLORES THE ARTIST'S USE OF FOUND MATERIALS, TEXT, AND PORTRAITURE AS A MEANS TO EXPLORE SOCIO-POLITICAL THEMES AND SELF-IDENTITY. RELATED MATERIALS WILL FURTHER ADDRESS HOW BASQUIAT'S ART SIGNIFIED NEW DIRECTIONS IN ABSTRACT FIGURATION AND 20TH-CENTURY PAINTING. THIS SHOW IS PART OF THE FALL EXHIBITION SERIES ORDINARY/EXTRAORDINARY: ASSEMBLAGE IN THREE ACTS. THE EXHIBITION PURVIS YOUNG: 91 PRESENTS FOR THE FIRST TIME THE DEPTH OF THE PURVIS YOUNG (AMERICAN, 1943-2010) HOLDINGS IN THE TAMPA MUSEUM OF ART'S PERMANENT COLLECTION. IN 2004, THE RUBELL FAMILY FOUNDATION GIFTED 91 WORKS BY YOUNG TO THE MUSEUM, ONE OF THE LARGEST DONATIONS OF THE ARTIST'S WORK IN THE SOUTHEAST. YOUNG, A SELF-TAUGHT ARTIST, CREATED THOUSANDS OF ASSEMBLAGES WITH IMAGERY OF PROTESTERS, PREGNANT WOMEN, AND WARRIORS ON WOOD REMNANTS, CABINETS, AND DOORS. THE ARTWORKS REFLECT YOUNG'S EXPERIENCES AND OBSERVATIONS LIVING IN OVERTOWN, MIAMI. SACRED DIAGRAMS: HAITIAN VODOU FLAGS FROM THE GESSEN COLLECTION EXAMINES THE TRADITION AND ARTISTRY OF HAITIAN VODOU FLAGS. OFTEN MADE OF DISCARDED BURLAP BAGS, REPURPOSED FABRIC, BEADS, AND SEQUINS, VODOU FLAGS REPRESENT HAITI'S SPIRITUALLY RICH YET OFTEN MISUNDERSTOOD VODOU RELIGION. GUEST CURATOR AND ARTIST EDOUARD DUVAL-CARRI (HAITIAN, B. 1954) EXAMINES THE ROLE OF VODOU FLAGS AND FLAGMAKERS WITHIN HAITI'S DYNAMIC VISUAL CULTURE. SACRED DIAGRAMS HIGHLIGHTS VINTAGE CEREMONIAL FLAGS FROM THE 1950S AND 1960S, AS WELL AS EXPLORES RECENT INTERPRETATIONS OF VODOU FLAGS BY ARTISTS CLOTAIRE BAZILE, MYRLANDE CONSTANT, MIREILLE DELICE DELISME, SILVA JOSEPH, DUBREUS LHERISSON, EDGAR JEAN LOUIS, ANTOINE OLEYANT, YVES TELEMAQUE, AND GEORGE VALRIS. THE MUSEUM WAS ALSO PROUD TO HAVE PRESENTED A WIDE RANGE OF EDUCATION OPPORTUNITIES TO THE PUBLIC. WITH A STRONG EMPHASIS ON EDUCATING THE PUBLIC ABOUT MODERN, CONTEMPORARY AND ANCIENT ART, 2019 PROGRAMS AT THE MUSEUM INCLUDED TWO EXHIBITIONS DEDICATED TO ANCIENT GREEK AND ROMAN ART AND ELEVEN MODERN AND CONTEMPORARY CURATED EXHIBITIONS INFORMING CONTENT OF A DOZEN MONTHLY EDUCATION PROGRAM OFFERINGS, TOGETHER REPRESENTING CLOSE TO 200 INDIVIDUAL EDUCATION OPPORTUNITIES DURING THE COURSE OF THE YEAR. TO ENHANCE THE VOICE OF THE STAFF, 25% OF THE EXHIBITIONS WERE LEASED FROM AND CURATED BY NATIONALLY RECOGNIZED INSTITUTIONS AND THEIR STAFF, 20 PROFESSIONAL TEACHING ARTISTS WERE EMPLOYED TO INSTRUCT STUDIO ART CLASSES, AND AROUND 20 GUEST SCHOLARS, ARTISTS, AND COLLECTORS WERE ENGAGED TO SHARE SPECIALIZED INSTRUCTION AND INFORMATION IN FORMAL AND INFORMAL PUBLIC PRESENTATIONS. IN CARRYING OUT OUR MISSION, REACHING OUR OBJECTIVES AND PROVIDING ACTIVITIES TO THE COMMUNITY, THE MUSEUM PARTNERS WITH ARTS AGENCIES AND COMMUNITY NON-PROFITS ORGANIZATIONS. IN 2019, THE MUSEUM ENJOYED PARTNERSHIPS WITH THE TAMPA BAY FOUNDATION FOR MENTAL HEALTH AND THE UNIVERSITY OF SOUTH FLORIDA HONORS COLLEGE FOR CONNECTIONS, A FREE MENTAL HEALTHCARE COMMUNITY ART ENGAGEMENT PROGRAM. THAT PROGRAM GREW FROM 84 PARTICIPANTS AND 7 STUDENT FACILITATORS TO OVER 900 PARTICIPANTS REPRESENTING THE COMMUNITY AND 16 NON-PROFIT AND FOR PROFIT COMMUNITY PARTNERS. IN ADDITION, CONNECTIONS AS A CREDITED CAPSTONE COURSE IN THE HONORS COLLEGE OF USF, IN 2019 THE MUSEUM TRAINED 40 STUDENT FACILITATORS TO DELIVER GALLERY PROGRAMS TO COMMUNITY PARTICIPANTS, AND USF INVESTED IN A HALF-TIME TWENTY-HOUR A WEEK INTERN TO WORK AT THE MUSEUM TO ADMINISTER THE CONNECTIONS PROGRAM. INTERNSHIPS WERE ALSO ONGOING AS A RESULT OF A RELATIONSHIP WITH THE UNIVERSITY OF TAMPA (UT). IN 2019, THE UNIVERSITY OF TAMPA GENEROUSLY FUNDED A HALF-TIME SOCIAL MEDIA INTERNSHIP FOR A STUDENT TO WORK IN THE MUSEUM'S MARKETING AND COMMUNICATIONS DIVISION. IN ADDITION, ART THERAPY STUDENTS AT UT ASSISTED THE MUSEUM IN PROVIDING ART SPACE, AN ART EDUCATION OUTREACH PROGRAM FOR THOSE ECONOMICALLY IF NOT ENVIRONMENTALLY DISADVANTAGED, WE WORKED WITH THE SPRING, WHICH PROVIDES SUPPORT FOR VICTIMS OF DOMESTIC VIOLENCE; REDEFINING REFUGE, WHICH PROVIDES SUPPORT FOR VICTIMS OF HUMAN TRAFFICKING; AND PORTICO, A BRANCH OF THE HYDE PARK METHODIST CHURCH PROVIDING SERVICES TO THE HOMELESS IN DOWNTOWN TAMPA. THE MUSEUM ALSO CONTINUED THEIR PARTNERSHIP WITH THE LIGHTNING FOUNDATION AND THE VINIK FAMILY FOUNDATION IN OUR YOUTH COUNCIL AND THE COMMUNITY HEROES PROGRAM, WHICH PROVIDED TEENAGERS WORK EXPERIENCE IN TEACHING OTHER TEENS HOW TO DEVELOP, MANAGE, AND MARKET MUSEUM PROGRAMS FOR TEENAGERS. MONDAY MEDITATION TOOK PLACE AT THE MUSEUM IN PARTNERSHIP WITH THE PARBAWATIYA KADAMPA BUDDHIST CENTER. THE STUDIO ART PROGRAM AT THE MUSEUM IN 2019 CONTINUED ITS PARTNERSHIP WITH THE CITY OF TAMPA AND HILLSBOROUGH COUNTY AND THE JEWISH COMMUNITY CENTER TO OFFER OFFSITE CLASSES AT THE JCC FOR YOUTH AND ADULTS. IN 2019 THE OFF-SITE STUDIO ART PROGRAMS EXPANDED TO WINTHROP ARTS FACTORY IN RIVERVIEW, FIREHOUSE CULTURAL CENTER IN RUSKIN, AND COUNTY RECREATION CENTERS IN THONOTOSASSA, WEST CHASE AND KEYSTONE. THESE WERE BUT A FEW OF THE ANNUAL PARTNERSHIPS IN PLACE IN 2019. THE MUSEUM OFFERED FREE, DOCENT-LED TOURS OF MUSEUM EXHIBITIONS TO ALL HILLSBOROUGH COUNTY SCHOOLS, ADULTS AND SENIORS. TEACHER PREVIEWS WERE HELD TWICE IN 2019 AND TEACHERS FROM ALL OVER THE COUNTY WERE INVITED INTO THE MUSEUM FOR FREE, TO SEE HOW THE ART CAN BE INCORPORATED INTO THEIR CLASSROOM EXPERIENCE; THESE PROGRAMS WERE DESIGNED TO BE CROSS-CURRICULAR LINKED TO FLORIDA STANDARDS. A MUSEUM FUNDED RESOURCE, ART LINE OFFERED FREE BUS TRIPS TO AND FROM THE TAMPA MUSEUM OF ART FOR K-12 SCHOOL GROUPS PARTICIPATING IN OUR FREE SCHOOL TOURS PROGRAM, EACH SUBSIDIZED AND SPONSORED BY INDIVIDUALS AND CORPORATIONS. THE MUSEUM OFFERED EVENING LECTURES AND PANEL DISCUSSIONS RELATED TO EXHIBITIONS ON DISPLAY AND THE MUSEUM HOSTED INFORMAL "THIRTY ON THURSDAY" PROGRAMS, WHICH HIGHLIGHT CURRENT EXHIBITIONS AND ARTISTS. YOUTH COUNCIL AND EVENTS LAUNCHED IN THE WINTER AND RAN THROUGH THE FALL OF 2019; THIS UNIQUE PROGRAM ESTABLISHED IN 2016 FOR TEENS IN HILLSBOROUGH COUNTY FOCUSES ON LEADERSHIP, CREATIVITY AND THE ARTS AND CULTURE INDUSTRY. YOUTH EVENTS WERE DIVERSE IN OFFERING, DESIGNED AND COORDINATED IN CONSULTATION WITH THE YOUTH COUNCIL, A GROUP OF 11 HIGH SCHOOL STUDENTS SELECTED THROUGH AN APPLICATION PROCESS. IN THE SPRING OF 2019, THE YOUTH COUNCIL JURIED AND HOSTED ITS THIRD ANNUAL TEEN JURIED FILM FESTIVAL, FEATURING 20 SELECTED FILMS BY OVER 200 OF OUR REGION'S TEEN SUBMISSIONS, A TEEN JURIED ART EXHIBITION, A SILENT DISCO, A JURIED ARTS EXHIBITION, AND INFORMAL TEEN NIGHTS AT THE MUSEUM. ART ON THE HOUSE CONTINUED TO BE HELD EVERY THURSDAY, WHEN THE MUSEUM OFFERED PAY-AS-YOU-WILL ADMISSION TO ALL VISITORS FROM 4 TO 8 P.M. ON THE LAST FRIDAY OF EACH MONTH, THE MUSEUM ALSO PARTICIPATED IN DOWNTOWN TAMPA'S "FOURTH FRIDAY" PROGRAM, IN WHICH VISITORS ATTENDED DOWNTOWN ARTS AND CULTURAL VENUES THAT EXTENDED THEIR HOURS AND OFFER FREE OR SPECIAL ADMISSIONS. ART SPOT, A SATURDAY MORNING FREE DROP-IN PROGRAM OFFERED CHILDREN AND THEIR FAMILIES THE OPPORTUNITY TO EXPLORE THEIR OWN CREATIVITY BY VISITING THE GALLERIES AND CREATING ART RELATED TO THE EXHIBITION. ART SPOT WAS ALWAYS TIED DIRECTLY TO THE EXHIBITIONS ON VIEW. THREE FAMILY FREE DAYS SCHEDULED SATURDAYS DURING THE YEAR OFFERED FAMILY ACTIVITIES AND DOCENT-LED TOURS, LIVE ENTERTAINMENT, AND PAY-AS-YOU-WILL ADMISSION (BY INDIVIDUAL DONATION OR FREE) TO FAMILIES IN ORDER FOR THEM TO ENJOY A MEANINGFUL ART EXPERIENCE TOGETHER. |
| FORM 990, PART III, LINE 4A, CONTINUED: | ART SPOT, A SATURDAY MORNING FREE DROP-IN PROGRAM OFFERED CHILDREN AND THEIR FAMILIES THE OPPORTUNITY TO EXPLORE THEIR OWN CREATIVITY BY VISITING THE GALLERIES AND CREATING ART RELATED TO THE EXHIBITION. ART SPOT WAS ALWAYS TIED DIRECTLY TO THE EXHIBITIONS ON VIEW. THREE FAMILY FREE DAYS SCHEDULED SATURDAYS DURING THE YEAR OFFERED FAMILY ACTIVITIES AND DOCENT-LED TOURS, LIVE ENTERTAINMENT, AND PAY-AS-YOU-WILL ADMISSION (BY INDIVIDUAL DONATION OR FREE) TO FAMILIES IN ORDER FOR THEM TO ENJOY A MEANINGFUL ART EXPERIENCE TOGETHER. STUDIO ART AND SUMMER ART CAMPS TRANSFORMED OUR CLASSROOMS INTO A LAB FOR STUDENTS TO LEARN ABOUT AND EXPERIMENT WITH DIFFERENT ART TECHNIQUES IN 17 HALF-DAY PROGRAMS. SOME OF THE SUMMER ART CAMPS WERE SPECIFICALLY TIED DIRECTLY TO EXHIBITIONS ON VIEW TO INSPIRE TECHNIQUE, CONTENT, OR THEME. ART SPACE, FOR OVER ELEVEN YEARS IS A PARTNERSHIP PROGRAM WITH COMMUNITY ORGANIZATIONS TO PROVIDE QUALITY ENGAGEMENT WITH THE VISUAL ARTS TO ECONOMICALLY AND ENVIRONMENTALLY DISADVANTAGED POPULATIONS. IN 2019, ART SPACE WAS HELD 51 TIMES FOR STUDENTS AND THEIR FAMILIES. FINALLY, WITH CONNECTIONS, THE MUSEUM WELCOMED THOSE STRUGGLING WITH MENTAL HEALTH ISSUES SUCH AS ANXIETY, DEPRESSION, ALZHEIMER'S AND DEMENTIA TO VISIT THE MUSEUM WITH THEIR FAMILY FOR FREE DURING DESIGNATED DATES AND TIMES THROUGHOUT THE YEAR. GUESTS PARTOOK IN SPECIALIZED GALLERY TOURS AND ENGAGED IN CONVERSATIONS ABOUT ART FACILITATED BY MUSEUM STAFF TRAINED STUDENT-DOCENTS FROM UNIVERSITY OF SOUTH FLORIDA'S HONORS COLLEGE. ALL 86 SESSIONS HELD IN 2019 FEATURED DISCUSSIONS IN THE GALLERY DEVELOPED FROM EXHIBITION CONTENT. CONTINUED IN 2019 WAS THE PROGRAM MUSIC AT THE MUSEUM, A PARTNERSHIP WITH THE UNIVERSITY OF TAMPA'S MUSIC DEPARTMENT. EVERY FIRST WEDNESDAY OF THE MONTH, PERFORMING ARTISTS, OPERA, JAZZ, THEATRE AND MUSIC STUDENTS PERFORMED AT THE MUSEUM BETWEEN SEPTEMBER AND MAY. |
| FORM 990, PART VI, SECTION B, LINE 11B | THE FINANCE COMMITTEE OF THE BOARD OF TRUSTEES APPROVES THE FORM 990 BEFORE IT IS FILED. |
| FORM 990, PART VI, SECTION B, LINE 12C | ANNUALLY, THE MUSEUM SENDS THE CONFLICT OF INTEREST POLICY TO EACH BOARD MEMBER, WITH THE REQUIREMENT THAT IT MUST BE SIGNED AND RETURNED TO THE ORGANIZATION WITHIN 30 DAYS OF THE BOARD MEMBER'S RECEIPT OF POLICY. SERVICE ON THE BOARD IS CONTINGENT UPON THE COMPLETION OF THE FORM. |
| FORM 990, PART VI, SECTION B, LINE 15 | THE EXECUTIVE COMMITTEE OF THE BOARD OF TRUSTEES ANNUALLY EVALUATES THE PERFORMANCE OF THE EXECUTIVE DIRECTOR IN PERSON AND PROVIDES THEM WITH FEEDBACK FROM THE EXECUTIVE COMMITTEE AND THE ENTIRE BOARD OF TRUSTEES RECEIVED DURING THE COURSE OF THE YEAR. COMPENSATION IS DETERMINED BY THE EXECUTIVE COMMITTEE AND IS BASED ON PERFORMANCE AND AN ANALYSIS OF COMPENSATION PAID FOR SIMILAR POSITIONS IN SIMILAR ORGANIZATIONS AS DETERMINED BY THE EXECUTIVE COMMITTEE. |
| FORM 990, PART VI, SECTION C, LINE 18 | TMAOSE ALLOWS THE PUBLIC TO VIEW ITS FORM 990 AND FINANCIAL STATEMENTS ON THEIR WEBSITE. |
| FORM 990, PART VI, SECTION C, LINE 19 | AT THIS TIME, TMAOSE ALLOWS THE PUBLIC TO VIEW ITS FORM 990 AND FINANCIAL STATEMENTS UPON REQUEST OF THE DOCUMENTS AND ON THEIR OWN WEBSITE. |
| FORM 990, PART XI, LINE 9: | LOSS ON NEW MARKETS TAX TRANSACTION -178,929. |
| FORM 990, PART XII, LINE 2C, FINANCIAL STATEMENTS AND REPORTING: | THE PROCESS FOR OVERSIGHT OF THE AUDIT AND SELECTION OF AN INDEPENDENT ACCOUNTANT HAS NOT CHANGED FROM THE PRIOR YEAR. |
| FORM 990, PART XI, LINE 9 | THE ORGANIZATION ENTERED INTO SEVERAL DEBT AND RECEIVABLE TRANSACTIONS DURING 2014 IN ORDER TO MAKE ADDITIONAL FUNDS AVAILABLE TO IT THROUGH THE NEW MARKETS TAX CREDIT ("NMTC") PROGRAM. TAMPA MUSEUM OF ART OPERATIONS AND SPECIAL EVENTS, INC. (TMAOS) WAS FORMED ON APRIL 25, 2014 TO ACCEPT THE FUNDS FROM THE NMTC ON MAY 15, 2014. PROCEEDS FROM THE NMTC WERE USED BY THE MUSEUM TO PAY OFF SHORT-TERM DEBT, EXPAND OPERATING CAPITAL, HIRE PERSONNEL, AND SECURE FUTURE EXHIBITIONS. THE MUSEUM ENTERED INTO A LEASE AGREEMENT WITH THE CITY OF TAMPA IN FEBRUARY 2010. THE MUSEUM THEN ENTERED INTO A TRANSFER OF LEASEHOLD INTEREST IN RELATION TO THE NMTC WHICH TRANSFERRED THE OPERATIONS, MANAGEMENT AND ADMINISTRATION OF THE LEASED PREMISES (THE MUSEUM) TO TMAOS AS OF MAY 2014. THE PURCHASE PRICE OF THIS LEASEHOLD INTEREST WAS $5,425,000, OF WHICH $5,118,401 WAS PAID IN CASH AND FINANCED THROUGH THE NMTC, AND $306,599 WAS DEEMED A CONTRIBUTION FROM THE MUSEUM. THE ASSOCIATED LEASEHOLD INTEREST LIABILITY AND ASSETS WERE ELIMINATED AS A RESULT OF THE TERMINATION OF THE NMTC AGREEMENT. THESE LOANS WERE FORGIVEN AND AN ASSOCIATED LOSS OF $178,929 WAS RECOGNIZED DURING THE YEAR ENDED DECEMBER 31, 2019 BY TMAOS. THE ORGANIZATION'S TERMINATION OF THE NEW MARKETS TAX CREDIT TRANSACTION RESULTED IN A NET CONSOLIDATED GAIN OF $838,781 DURING THE YEAR ENDED DECEMBER 31, 2019. |
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