Attach to Form 990 or Form 990-EZ.
Go to
www.irs.gov/Form990 for the latest information.
| (i) Name of supported organization | (ii) EIN | (iii) Type of organization (described on lines 1- 10 above (see instructions)) | (iv) Is the organization listed in your governing document? | (v) Amount of monetary support (see instructions) | (vi) Amount of other support (see instructions) | |
|---|---|---|---|---|---|---|
| Yes | No | |||||
|
Total |
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Calendar year (or fiscal year beginning in) ![]() |
(a) 2014 | (b) 2015 | (c) 2016 | (d) 2017 | (e) 2018 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 1 | Gifts, grants, contributions, and membership fees received. (Do not include any "unusual grant.") .. | 7,761,480 | 5,388,124 | 6,464,257 | 5,549,257 | 7,016,415 | 32,179,533 |
| 2 | Tax revenues levied for the organization's benefit and either paid to or expended on its behalf.... | 0 | |||||
| 3 | The value of services or facilities furnished by a governmental unit to the organization without charge.. | 0 | |||||
| 4 | Total. Add lines 1 through 3 | 7,761,480 | 5,388,124 | 6,464,257 | 5,549,257 | 7,016,415 | 32,179,533 |
| 5 | The portion of total contributions by each person (other than a governmental unit or publicly supported organization) included on line 1 that exceeds 2% of the amount shown on line 11, column (f).. | 6,740,822 | |||||
| 6 | Public support. Subtract line 5 from line 4. | 25,438,711 | |||||
Calendar year
(or fiscal year beginning in) ![]() |
(a) 2014 | (b) 2015 | (c) 2016 | (d) 2017 | (e) 2018 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 7 | Amounts from line 4.. | 7,761,480 | 5,388,124 | 6,464,257 | 5,549,257 | 7,016,415 | 32,179,533 |
| 8 | Gross income from interest, dividends, payments received on securities loans, rents, royalties and income from similar sources... | 889,207 | 704,748 | 993,695 | 1,371,445 | 833,811 | 4,792,906 |
| 9 | Net income from unrelated business activities, whether or not the business is regularly carried on.. | ||||||
| 10 | Other income. Do not include gain or loss from the sale of capital assets (Explain in Part VI.).. | 216,206 | 105,576 | 144,024 | 108,275 | 47,600 | 621,681 |
| 11 | Total support. Add lines 7 through 10 | 37,748,903 | |||||
Calendar year (or fiscal year beginning in) ![]() |
(a) 2014 | (b) 2015 | (c) 2016 | (d) 2017 | (e) 2018 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 1 | Gifts, grants, contributions, and membership fees received. (Do not include any "unusual grants.") . | ||||||
| 2 | Gross receipts from admissions, merchandise sold or services performed, or facilities furnished in any activity that is related to the organization's tax-exempt purpose | ||||||
| 3 | Gross receipts from activities that are not an unrelated trade or business under section 513 ..... | ||||||
| 4 | Tax revenues levied for the organization's benefit and either paid to or expended on its behalf... | ||||||
| 5 | The value of services or facilities furnished by a governmental unit to the organization without charge | ||||||
| 6 | Total. Add lines 1 through 5 | ||||||
| 7a | Amounts included on lines 1, 2, and 3 received from disqualified persons | ||||||
| b | Amounts included on lines 2 and 3 received from other than disqualified persons that exceed the greater of $5,000 or 1% of the amount on line 13 for the year. | ||||||
| c | Add lines 7a and 7b.. | ||||||
| 8 | Public support. (Subtract line 7c from line 6.) | ||||||
Calendar year (or fiscal year beginning in) ![]() |
(a) 2014 | (b) 2015 | (c) 2016 | (d) 2017 | (e) 2018 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 9 | Amounts from line 6... | ||||||
| 10a | Gross income from interest, dividends, payments received on securities loans, rents, royalties and income from similar sources.. | ||||||
| b | Unrelated business taxable income (less section 511 taxes) from businesses acquired after June 30, 1975. | ||||||
| c | Add lines 10a and 10b. | ||||||
| 11 | Net income from unrelated business activities not included in line 10b, whether or not the business is regularly carried on. | ||||||
| 12 | Other income. Do not include gain or loss from the sale of capital assets (Explain in Part VI.) .. | ||||||
| 13 | Total support. (Add lines 9, 10c, 11, and 12.).. | ||||||
| Section A - Adjusted Net Income | (A) Prior Year |
(B) Current Year (optional) |
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| 1 | Net short-term capital gain | 1 | ||||
| 2 | Recoveries of prior-year distributions | 2 | ||||
| 3 | Other gross income (see instructions) | 3 | ||||
| 4 | Add lines 1 through 3 | 4 | ||||
| 5 | Depreciation and depletion | 5 | ||||
| 6 | Portion of operating expenses paid or incurred for production or collection of gross income or for management, conservation, or maintenance of property held for production of income (see instructions) | 6 | ||||
| 7 | Other expenses (see instructions) | 7 | ||||
| 8 | Adjusted Net Income (subtract lines 5, 6 and 7 from line 4) | 8 | ||||
| Section B - Minimum Asset Amount | (A) Prior Year |
(B) Current Year (optional) |
||||
| 1 | Aggregate fair market value of all non-exempt-use assets (see instructions for short tax year or assets held for part of year): | 1 | ||||
| a | Average monthly value of securities | 1a | ||||
| b | Average monthly cash balances | 1b | ||||
| c | Fair market value of other non-exempt-use assets | 1c | ||||
| d | Total (add lines 1a, 1b, and 1c) | 1d | ||||
| e |
Discount claimed for blockage or other factors (explain in detail in Part VI): |
|||||
| 2 | Acquisition indebtedness applicable to non-exempt use assets | 2 | ||||
| 3 | Subtract line 2 from line 1d | 3 | ||||
| 4 | Cash deemed held for exempt use. Enter 1-1/2% of line 3 (for greater amount, see instructions). | 4 | ||||
| 5 | Net value of non-exempt-use assets (subtract line 4 from line 3) | 5 | ||||
| 6 | Multiply line 5 by .035 | 6 | ||||
| 7 | Recoveries of prior-year distributions | 7 | ||||
| 8 | Minimum Asset Amount (add line 7 to line 6) | 8 | ||||
| Section C - Distributable Amount | Current Year | |||||
| 1 | Adjusted net income for prior year (from Section A, line 8, Column A) | 1 | ||||
| 2 | Enter 85% of line 1 | 2 | ||||
| 3 | Minimum asset amount for prior year (from Section B, line 8, Column A) | 3 | ||||
| 4 | Enter greater of line 2 or line 3 | 4 | ||||
| 5 | Income tax imposed in prior year | 5 | ||||
| 6 | Distributable Amount. Subtract line 5 from line 4, unless subject to emergency temporary reduction (see instructions) | 6 | ||||
| Section D - Distributions | Current Year | |
|---|---|---|
| 1 Amounts paid to supported organizations to accomplish exempt purposes | ||
|
2
Amounts paid to perform activity that directly furthers exempt purposes of supported organizations, in excess of income from activity |
||
| 3 Administrative expenses paid to accomplish exempt purposes of supported organizations | ||
| 4 Amounts paid to acquire exempt-use assets | ||
| 5 Qualified set-aside amounts (prior IRS approval required) | ||
| 6 Other distributions (describe in Part VI). See instructions | ||
| 7Total annual distributions. Add lines 1 through 6. | ||
|
8
Distributions to attentive supported organizations to which the organization is responsive (provide details in Part VI). See instructions |
||
| 9 Distributable amount for 2018 from Section C, line 6 | ||
| 10 Line 8 amount divided by Line 9 amount | ||
| Section E - Distribution Allocations (see instructions) |
(i) Excess Distributions |
(ii) Underdistributions Pre-2018 |
(iii) Distributable Amount for 2018 |
|
|---|---|---|---|---|
|
1
Distributable amount for 2018 from Section C, line 6 |
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|
2
Underdistributions, if any, for years prior to 2018 (reasonable cause required-- explain in Part VI). See instructions. |
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| 3 Excess distributions carryover, if any, to 2018: | ||||
| a From 2013....... | ||||
| b From 2014....... | ||||
| c From 2015....... | ||||
| d From 2016....... | ||||
| e From 2017....... | ||||
| fTotal of lines 3a through e | ||||
| g Applied to underdistributions of prior years | ||||
| h Applied to 2018 distributable amount | ||||
|
i
Carryover from 2013 not applied (see instructions) |
||||
| j Remainder. Subtract lines 3g, 3h, and 3i from 3f. | ||||
| 4Distributions for 2018 from Section D, line 7: | ||||
| $ | ||||
| a Applied to underdistributions of prior years | ||||
| b Applied to 2018 distributable amount | ||||
| c Remainder. Subtract lines 4a and 4b from 4. | ||||
|
5
Remaining underdistributions for years prior to 2018, if any. Subtract lines 3g and 4a from line 2. If the amount is greater than zero, explain in Part VI. See instructions. |
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|
6
Remaining underdistributions for 2018. Subtract lines 3h and 4b from line 1. If the amount is greater than zero, explain in Part VI. See instructions. |
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|
7 Excess distributions carryover to 2019. Add lines 3j and 4c. |
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| 8 Breakdown of line 7: | ||||
| a Excess from 2014...... | ||||
| b Excess from 2015..... | ||||
| c Excess from 2016..... | ||||
| d Excess from 2017..... | ||||
| e Excess from 2018..... | ||||
| Facts And Circumstances Test |
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| Return Reference | Explanation |
|---|
| Software ID: | |
| Software Version: |
Attach to Form 990 or 990-EZ.
Go to www.irs.gov/Form990 for the latest information.
| Return Reference | Explanation |
|---|---|
| PROGRAM SERVICE ACTIVITY | FORM 990, PART III, LINE 4A: ACTIVITY 1: CJM AUDIENCES IN FISCAL YEAR 2019, THE CJM ACCOMPLISHED ITS MISSION TO MAKE THE DIVERSITY OF JEWISH EXPERIENCE RELEVANT TO TWENTY FIRST CENTURY AUDIENCES THROUGH ITS EXHIBITIONS, EDUCATION PROGRAMS, AND THE STRATEGIC DISTRIBUTION OF DIGITAL MEDIA. KEY FISCAL YEAR 2019 METRICS INCLUDE: - 500,000 VISITORS TO THECJM.ORG - 62,000 ON-SITE VISITORS (50% ARE JEWISH) - 8,000+ PRE-K THROUGH UNIVERSITY STUDENTS, TEACHERS, AND FAMILY MEMBERS ATTENDED EDUCATION PROGRAMS - EDUCATION PROGRAMS SERVED 111 SCHOOLS, INCLUDING 34 JEWISH DAY SCHOOLS AND SYNAGOGUE SCHOOLS - 586 TEENS AGED 1318 ENGAGED IN TEEN PROGRAMS - 1,000+ INTERACTIVE TOURS OF THE CJM'S EXHIBITIONS AND BUILDING WERE CONDUCTED BY DOCENTS AND MUSEUM EDUCATORS - 7,500 VISITORS ATTENDED FREE DAYS AT THE CJM INCLUDING THE ANNUAL COMMUNITY FREE DAY ON DECEMBER 25, FOUR FAMILY ARTBASH SUNDAYS, CULTURE FOR COMMUNITY DAY ON MARCH 21, AND MONTHLY FREE FIRST TUESDAYS EXHIBITIONS THE CJM PRESENTED SEVEN EXHIBITIONS SPANNING FISCAL YEAR 2019. THESE EXHIBITIONS HAD PROFOUND, POSITIVE IMPACT ON THE CJMS STRATEGIC OBJECTIVES TO ELEVATE ITS PROFILE REGIONALLY AND NATIONALLY, BOLSTER CRITICAL AND POPULAR ACCLAIM IN THE SPHERE OF JEWISH CULTURAL INSTITUTIONS AND THE MUSEUM WORLD, AND INCREASE PARTICIPATION AMONG DIVERSE AND ENGAGED AUDIENCES. THE EXHIBITIONS SERVED TO AMPLIFY THE CJMS CORE VALUES BY SHOWCASING THE RICHNESS OF THE JEWISH EXPERIENCE FROM A VARIETY OF PERSPECTIVES AND ACTIVELY ENGAGING VISITORS THROUGH INNOVATIVE PUBLIC PROGRAMS, WHICH STIMULATED THE EXPRESSION OF DIVERSE VIEWPOINTS. CONTRAPTION: REDISCOVERING CALIFORNIA JEWISH ARTISTS FEBRUARY 22-JULY 29, 2018 THIS ORIGINAL CJM EXHIBITION FEATURED WORK BY SIXTEEN CALIFORNIA-BASED ARTISTS OF JEWISH DESCENT. THE ARTISTS-BOTH HISTORICAL AND CONTEMPORARY- WERE REPRESENTED BY WORK REFERRING TO THE MACHINE EITHER LITERALLY OR METAPHORICALLY. AMONG WORKS BY LIVING ARTISTS WERE LARGE-SCALE MECHANICAL INSTALLATIONS BY BERNIE LUBELL AND SHERI SIMONS, AS WELL AS CERAMICS, DRAWINGS, SCULPTURE, AND PAINTINGS BY NED KAHN, BELLA FELDMAN, HOWARD FRIED, AND ANNABETH ROSEN. OTHER LIVING ARTISTS REPRESENTED IN THE EXHIBITION INCLUDED JUDITH BELZER, CAROL BERNARD, AND MIRIAM DYM. HISTORICAL ARTISTS REPRESENTED IN THE EXHIBITION INCLUDED EDWARD BIBERMAN, BORIS DEUTSCH, RUBE GOLDBERG, JOHN GUTMAN, BRUCE HANDELSMAN, RICHARD KAMLER, AND IRVING NORMAN. A COMPREHENSIVE CATALOG OF THE EXHIBITION WAS PUBLISHED BY HIRMER VERLAG, A PROMINENT FINE ARTS PRESS. THE ART OF RUBE GOLDBERG MARCH 15JULY 8, 2018 THIS EXHIBITION EXPLORED THE CAREER OF RUBE GOLDBERG (18831970), ONE OF THE MOST CELEBRATED AND INFLUENTIAL CARTOONISTS OF ALL TIME. MARKING THE FIRST COMPREHENSIVE RETROSPECTIVE EXHIBITION OF GOLDBERGS WORK SINCE 1970, THE PRESENTATION BROUGHT TOGETHER NEVER-BEFORE-SEEN ORIGINAL DRAWINGS AND PREPARATORY SKETCHES ALONGSIDE RARE PHOTOGRAPHS, FILMS, LETTERS, AND MEMORABILIA FROM THE GOLDBERG FAMILY ARCHIVES. LEW THE JEW AND HIS CIRCLE: ORIGINS OF AMERICAN TATTOO JULY 26, 2018JUNE 9, 2019 "LEW THE JEW" ALBERTS (18801954) WAS ONE OF THE MOST INFLUENTIAL ARTISTS TATTOOING IN NYCS BOWERY AT THE BEGINNING OF THE TWENTIETH CENTURY. THIS EXHIBITION INCLUDED PREVIOUSLY UNPUBLISHED AND RARE ORIGINAL TATTOO ARTWORK, PHOTOS, AND CORRESPON-DENCE BETWEEN LEW AND SAN FRANCISCO TATTOO ARTISTS "BROOKLYN JOE" LIEBER AND C. J. "POP" EDDY. IN THAT CASE: HAVRUTA IN CONTEMPORARY ART-OXOSSI AYOFEMI AND RISA WECHSLER JULY 26, 2018JANUARY 14, 2020 OAKLAND-BASED VISUAL ARTIST OXOSSI AYOFEMI PARTNERED WITH RENOWNED STANFORD UNIVERSITY PHYSICIST RISA WECHSLER TO PRESENT BLACK MATTER, AN EXHIBITION EXPLORING THE NATURE OF THE ELUSIVE DARK MATTER THAT FILLS THE UNIVERSE, IMAGERY OF PRESENCE AND ABSENCE, AND LATENT ABUNDANCE IN AFRICAN AMERICAN CULTURE. VEILED MEANINGS: FASHIONING JEWISH DRESS, FROM THE COLLECTION OF THE ISRAEL MUSEUM, JERUSALEM AUGUST 30, 2018JANUARY 6, 2019 THE FIRST COMPREHENSIVE EXHIBITION DRAWN FROM THE ISRAEL MUSEUMS WORLD-RENOWNED COLLECTION OF JEWISH WARDROBE TO BE PRESENTED IN THE UNITED STATES FEATURED MORE THAN 100 ARTICLES OF CLOTHING SPANNING THE EIGHTEENTH TO TWENTIETH CENTURIES FROM OVER TWENTY COUNTRIES ACROSS FOUR CONTINENTS. THE EXHIBITION INVOLVED CLOSE COLLABORATION BETWEEN THE CJM AND THE CURATORIAL TEAM AT THE ISRAEL MUSEUM, INCLUDING EXHIBITION CURATOR EFRAT ASSAF-SHAPIRA, WHO VISITED THE CJM FOR TWELVE DAYS TO ASSIST WITH THE INSTALLATION, MEET WITH STAFF, LEAD TOURS, AND PRESENT PUBLIC PROGRAMS. SHOW ME AS I WANT TO BE SEEN FEBRUARY 7JULY 7, 2019 TAKING THE WORK OF FRENCH JEWISH ARTIST AND WRITER CLAUDE CAHUN (18941954) AND HER LIFELONG LOVER AND COLLABORATOR MARCEL MOORE (18921972) AS ITS STARTING POINT, THIS EXHIBITION EXAMINED THE EMPOWERED REPRESENTATION OF FLUID AND COMPLEX GENDER, ETHNIC, AND RACIAL IDENTITY. CAHUN (BORN LUCY SCHWOB) AND MOORE (BORN SUZANNE MALHERBE) WERE PIONEERS IN THEIR BOLD REPRESENTATIONS OF AN UNFIXED SELF. THIS EXHIBITION POSITIONED THEIR WORK IN DIALOGUE WITH TEN CONTEMPORARY ARTISTS-NICOLE EISENMAN, RHONDA HOLBERTON, HIWA K, YOUNG JOON KWAK, ZANELE MUHOLI, TOYIN OJIH ODUTOLA, GABBY ROSENBERG, TSCHABALALA SELF, DAVINA SEMO, AND ISABEL YELLIN. DARIA MARTIN: TONIGHT THE WORLD JUNE 27, 2019FEBRUARY 23, 2020 DARIA MARTINS NEW INSTALLATION, CO-COMMISSIONED WITH BARBICAN, LONDON, COMBINES COMPUTER GAMING TECHNOLOGY AND FILM TO EXPLORE THE SUBCONSCIOUS MEMORIES OF HER GRANDMOTHER, ARTIST SUSI STIASSNI. AS A TEENAGER, STIASSNI AND HER FAMILY FLED THEN CZECHOSLOVAKIA FROM THE IMMINENT NAZI OCCUPATION, EVENTUALLY SETTLING IN MARIN COUNTY, WHERE MARTIN WAS BORN AND RAISED. AN IMMERSIVE AND ATMOSPHERIC ENVIRONMENT, TONIGHT THE WORLD STAGES A SERIES OF INTIMATE ENCOUNTERS WITH AN EXTENSIVE ARCHIVE OF STIASSNIS DREAM DIARIES. THE MULTIMEDIA EXHIBITION INCLUDES REFUGE, A COMPUTER GAME BASED ON A 3-D RENDERING OF THE VILLA STIASSNI, AND CUL- MINATES IN AN ORIGINAL FILM BRINGING STIASSNIS DREAMS TO LIFE SHOT ONSITE AT THE PRESENT-DAY VILLA STIASSNI. PROGRAM AND EDUCATION HIGHLIGHTS DURING 20182019, THE CJM PRESENTED A FULL ARRAY OF PROGRAMMING FOR YOUNG ADULTS, TEENS, FAMILIES, AND K12 STUDENTS AND TEACHERS. THESE EXPERIENCES OFFERED NEW PERSPECTIVES ON IDENTITY AND PROMOTED COMMUNITY CONNECTIONS ANCHORED IN JEWISH CULTURE AND VALUES. TEXTILE LAB IN CONNECTION WITH THE EXHIBITION VEILED MEANINGS: FASHIONING JEWISH DRESS FROM THE COLLECTION OF THE ISRAEL MUSEUM, JERUSALEM, THE CJM CREATED A UNIQUE, INTERACTIVE TEXTILE LAB IN THE STEPHEN AND MARIBELLE LEAVITT YUD GALLERY ADJACENT TO THE EXHIBITION. THE TEXTILE LAB COMPRISED A HANDS-ON, EDUCATIONAL INSTALLATION THAT ENABLED VISITORS TO EXPLORE WEAVING ON A GIANT LOOM, DRAPING ON DRESS FORMS, AND EMBROIDERING PATTERNS INSPIRED BY THE EXHIBITION. A VIDEO NOOK FEATURED INTERVIEWS WITH BAY AREA COMMUNITY MEMBERS WITH FAMILIES FROM REGIONS REPRESENTED IN THE EXHIBITION. ADDITIONAL EDUCATIONAL PRESENTATIONS ALSO MADE USE OF THE TEXTILE LAB, INCLUDING A SERIES OF HANDS-ON WORKSHOPS PRESENTED IN PARTNERSHIP WITH THE SAN FRANCISCO SCHOOL OF NEEDLEWORK AND DESIGN. MANY OF THE 2,000+ K-12 STUDENTS AND TEACHERS WHO TOURED THE EXHIBITION ALSO PARTICIPATED IN ARTIST-LED WORKSHOPS IN THE TEXTILE LAB. ACCESS PROGRAMS THE CJM OFFERS A WIDE ARRAY OF ACCESS PROGRAMS OFFERED FREE OF CHARGE TO FULFILL A COMMUNITY NEED FOR HIGH-QUALITY, INDIVIDUALIZED OPPORTUNITIES FOR SENIORS AND PEOPLE WITH DISABILITIES. IN FISCAL YEAR 2019, THE CJM CONTINUED THIS LONGSTANDING DEDICATION TO ACCESSIBILITY, EXPANDING AN ALREADY EXTENSIVE RANGE OF PROGRAMMING FOR VISITORS WITH INTELLECTUAL, PHYSICAL, OR SOCIAL BARRIERS TO PARTICIPATION. THESE INCLUDED VERBAL DESCRIPTION TOURS OF EXHIBITIONS FOR VISITORS WITH IMPAIRED VISION, AMERICAN SIGN LANGUAGE TOURS FOR THE HEARING IMPAIRED, AND MULTISENSORY TOURS FOR INDIVIDUALS WITH EARLY-STAGE ALZHEIMERS AND THEIR CARE PARTNERS. THE ANNUAL SUPERFEST: INTERNATIONAL DISABILITY FILM FESTIVAL, PRESENTED ON OCTOBER 21, 2018 IN PARTNERSHIP WITH THE LONGMORE INSTITUTE ON DISABILITY AT SAN FRANCISCO STATE UNIVERSITY AND LIGHTHOUSE FOR THE BLIND AND VISUALLY IMPAIRED, ENGAGED A SOLD-OUT AUDIENCE OF 220 IN THE CJMS RICHARD AND RHODA GOLDMAN HALL. PROGRAMS DESIGNED TO SERVE SENIORS IN THE BAY AREA WERE OFFERED MONTHLY ON FREE FIRST TUESDAYS. IN ADDITION TO WELCOMING SENIORS TO EXHIBITION TOURS, THE CJM PRESENTED ART-MAKING WORKSHOPS AND CREATIVE AGING: DANCE FOR LIFE PROGRAMS FEATURING GUIDED MOVEMENT EXERCISES WITH LIVE MUSIC. |
| PROGRAM SERVICE ACTIVITY CONTINUED... | THE CJM CONTINUED TO PARTNER WITH BAY AREA SOCIAL SERVICE AGENCIES TO PROVIDE ACCESS TO THE MUSEUM FOR UNDER-SERVED, LOW-INCOME INDIVIDUALS. RECENT PARTNERS INCLUDE: ALZHEIMERS ASSOCIATION, NORTHERN CALIFORNIA AND NEVADA CHAPTER; ELDER CARE ALLIANCE; JEWISH LEARNING WORKS INCLUDE; PAUL K. LONGMORE INSTITUTE ON DISABILITY AT SAN FRANCISCO STATE UNIVERSITY; LIGHTHOUSE FOR THE BLIND AND VISUALLY IMPAIRED; SAN FRANCISCO DEPARTMENT OF AGING AND ADULT SERVICES; SAN FRANCISCO DEPARTMENT OF VETERAN'S AFFAIRS; SAN FRANCISCO MAYOR'S OFFICE ON DISABILITY; THE STONEWALL PROJECT, SAN FRANCISCO AIDS FOUNDATION; SUPPORT FOR FAMILIES OF CHILDREN WITH DISABILITIES. YOUNG ADULT PROGRAMS DESIGNED TO APPEAL TO YOUNG ADULTS, THREE NIGHT AT THE JEWSEUM PROGRAMS WERE PRESENTED IN 20182019, EACH TAILORED TO A SPECIFIC THEME RELATED TO JEWISH HOLIDAYS AND MUSEUM EXHIBITIONS; ADORNMENT (SEPTEMBER 13, 2018); SHIMMER (DECEMBER 6, 2018); AND PURIM CABARET (MARCH 21, 2019). NIGHT AT THE JEWSEUM PROVIDED OCCASIONS FOR ATTENDEES TO SOCIALIZE AND LEARN IN THE CONTEXT OF RE-IMAGINED, INFORMAL JEWISH EDUCATIONAL EXPERIENCES. ON SUNDAY, JUNE 9, A FREE, ALL-DAY ZINE FEST, SHOW ME YOUR STORIES, WAS PRESENTED, FEATURING AN ARRAY OF HANDS-ON ACTIVITIES PROMOTING CREATIVE AND INCLUSIVE SELF-EXPRESSION. IN ADDITION, THE FOLLOWING PROGRAMS WITH SPECIAL APPEAL TO YOUNG ADULT AUDIENCES WERE PRESENTED: YARN: STORYTELLING WITH HEATHER GOLD AND FRIENDS, A COMEDY STORYTELLING PERFORMANCE (JULY 12, 2018); PORCHLIGHT: TATTOO TALES, STORYTELLING ABOUT TATTOOS PRESENTED IN CONJUNCTION WITH THE CJM EXHIBITION LEW THE JEW AND HIS CIRCLE: ORIGINS OF AMERICAN TATTOO (AUGUST 16, 2018); SEPHARDIC LEGACY PRESENTED BY THE LADINO PROJECT-A NIGHT OF MUSIC AND DANCE (OCTOBER 4, 2018). THE SIMPSONS AND OTHER JEWISH FAMILIES-MIKE REISS (OCTOBER 18, 2018); AND SHALOM BOLLYWOOD: THE UNTOLD STORY OF INDIAN CINEMA (JANUARY 3, 2019). TEEN PROGRAMS THE CENTERPIECE OF THE CJM TEEN PROGRAMS IS THE TEEN ART CONNECT (TAC) INTERNSHIP, A YEARLONG, PAID INTERNSHIP AT THE CJM THAT PROVIDES HANDS-ON WORK EXPERIENCE, APPRENTICESHIPS, PROFESSIONAL DEVELOPMENT WORKSHOPS, AND SKILL-BUILDING ARTS ACTIVITIES. TAC INTERNS PLANNED AND PRODUCED A SERIES OF EVENTS FOR THEIR PEERS ENGAGING 586 TEEN PARTICIPANTS OVER THE COURSE OF THE YEAR. ACTIVITIES INCLUDED TEEN-LED ARCHITECTURE TOURS, ARTIST WORKSHOPS, PANEL DISCUSSIONS, ART-MAKING ACTIVITIES, AND THE TEEN-CURATED EXHIBITION WHAT WE HOLD: A YOUTH AUDIO PROJECT DESCRIBED BELOW. EACH OF THESE PROGRAMS PROVIDED OPPORTUNITIES FOR TEENS TO EXPLORE CREATIVE EXPRESSIONS OF JEWISH IDENTITY. TEENS ALSO TOURED THE CJM'S EXHIBITION VEILED MEANINGS: FASHIONING JEWISH DRESS, FROM THE COLLECTION OF THE ISRAEL MUSEUM, JERUSALEM ACQUIRING KNOWLEDGE OF A SPECTRUM OF CULTURES IN THE JEWISH DIASPORA, AND EXPLORING CONNECTIONS WITH THEIR OWN PERSONAL ORIGINS AND FAMILY HISTORIES. WHAT WE HOLD: A YOUTH AUDIO PROJECT IS THE SIXTH INSTALLMENT IN THE CJM'S SERIES HIGHLIGHTING YOUTH VOICES. FOR THIS PROJECT, TEENS INTERVIEWED A FAMILY MEMBER OR LOVED ONE TO INVESTIGATE AND REFLECT ON WHAT ASPECTS OF THEIR IDENTITIES ARE INFLUENCED BY CULTURAL INHERITANCE AND FAMILY LIFE. OVER THE COURSE OF THREE MONTHS, TEENS MET WITH A THEATER ARTIST, A PODCAST DEVELOPER, AND YOUTH EDUCATORS TO LEARN THE CRAFTS OF STORYTELLING, INTERVIEWING, STORYBOARDING, AND PODCAST EDITING. THIS ENGAGEMENT RESULTED IN THE CREATION OF MORE THAN FIFTY NEW RECORDINGS THAT OFFER A COMPELLING WINDOW INTO IDENTITY AND INTERGENERATIONAL VALUES. THE AUDIO DOCUMENTARIES ARE AVAILABLE TO THE PUBLIC IN A NEWLY-DESIGNED, NEWLY-DESIGNED, DIGITAL LISTENING ROOM AT THE MUSEUM AS WELL AS AN INTERACTIVE WEBSITE THAT CAN BE SEARCHED BY THEME, WHATWEHOLD-THECJM.ORG. FAMILY PROGRAMS FAMILY ARTBASH SUNDAYS ARE THE CJM'S SPECIAL PROGRAM FOR PRESCHOOL-AGED CHILDREN AND THEIR FAMILIES. FOUR SPECIALLY-DESIGNED DAYS OF INTERACTIVE WORKSHOPS AND PERFORMANCES WERE PRESENTED FREE-OF-CHARGE ON SEPTEMBER 23 AND DECEMBER 9, 2018, AND JANUARY 13 AND MARCH 17, 2019. THE ZIM ZOOM FAMILY ROOM IS A DEDICATED SPACE FOR INTERGENERATIONAL ARTS ACTIVITIES ESPECIALLY DESIGNED FOR THE CJM'S YOUNGEST VISITORS AND IS OPEN TO FAMILIES DURING ALL MUSEUM HOURS. DROP-IN ART STUDIOS OFFERED HANDS-ON ART MAKING ACTIVITIES RELATED TO EXHIBITIONS AND SEASONAL JEWISH THEMES TWO SUNDAYS EACH MONTH AND ON SELECT HOLIDAYS. ART PUSHCART OFFERED SIMILAR OPPORTUNITIES IN THE GALLERIES ON ALTERNATE SUNDAYS. K-12 SCHOOL AND TEACHER PROGRAMS THE CJM IS AMONG THE BAY AREA'S MOST IMPORTANT ARTS EDUCATION RESOURCES FOR K12 STUDENTS AND TEACHERS DURING SCHOOL HOURS. INTERACTIVE TOURS OF EXHIBITIONS AND THE ARCHITECTURE OF THE CJM BUILDING LED BY PROFESSIONAL EDUCATORS ARE THE CENTERPIECE OF THE PROGRAMS. ONLINE CURRICULUM RESOURCE MATERIALS ENHANCE TEACHERS' ABILITY TO INCORPORATE TOUR CONTENT IN THE CLASSROOM. ART-MAKING WORKSHOPS DEEPEN STUDENTS' LEARNING AND FOSTER CREATIVITY. ALL TOURS AND ACCOMPANYING ART-MAKING WORKSHOPS ARE FREE OF CHARGE TO ALL SCHOOLS. THE FOLLOWING K12 PROGRAMS WERE OFFERED DURING FISCAL YEAR 2019: PAST TO PRESENT: A SAN FRANCISCO NEIGHBORHOOD FROM THE GOLD RUSH TO TODAY PROVIDES AN INTEGRATED SET OF ARTS EXPERIENCES FOCUSED ON THE CJM'S HISTORIC BUILDING. STUDENTS LEARN ABOUT SAN FRANCISCO HISTORY EMBEDDED IN THE BUILDING AND NEIGHBORHOOD, AS WELL AS IN DOCUMENTS FROM THE GOLD RUSH AND TURN-OF-THE-CENTURY SAN FRANCISCO. STUDENTS EXPLORE HISTORICAL AND MODERN DESIGN CONCEPTS THROUGH ART-MAKING ACTIVITIES. RESILIENCE, HOLOCAUST, AND THE ARCHITECTURE OF LIFE FEATURES HOLOCAUST SURVIVORS PRESENTING FIRST-HAND ACCOUNTS OF THEIR LIVES. TOURS AND ART MAKING CONNECT THESE PRESENTATIONS WITH SYMBOLISM EMBEDDED IN THE ARCHITECTURE OF THE CJM'S BUILDING, DESIGNED BY POLISH-AMERICAN ARCHITECT DANIEL LIBESKIND, HIMSELF A CHILD OF HOLOCAUST SURVIVORS. CLOTHING, CULTURE, HERITAGE, AND MIGRATION FOCUSED ON THREE THEMES RELATED TO VEILED MEANINGS: FASHIONING JEWISH DRESS, FROM THE COLLECTION OF THE ISRAEL MUSEUM, JERUSALEM-STORIES AND TRADITIONS OF DIVERSE CULTURES, GEOGRAPHY AND MAPS, AND CLOTHING AND LIFESTYLE, THEN AND NOW. PROGRAMS TAUGHT AGAINST STEREOTYPES AND BROUGHT TO LIGHT THE IDEA THAT, LIKE MANY CULTURES, JEWISH PEOPLE LIVE ALL OVER THE WORLD, AND REPRESENT GLOBAL DIVERSITY. IN THIS CONTEXT, THE TEXTILE LAB FUNCTIONED AS A MAKER SPACE WHERE STUDENTS AND TEACHERS WERE GUIDED IN HANDS-ON CREATIVE EXPLORATION OF FABRICS, CLOTHING DESIGN, WEAVING, DRAPING, AND EMBROIDERY. JEWS AND TATTOOS FEATURED EXHIBITION TOURS AND ART MAKING WORKSHOPS RELATED TO THE EXHIBITION LEW THE JEW AND HIS CIRCLE: ORIGINS OF AMERICAN TATTOO. THE EXHIBITION FEATURED PREVIOUSLY UNPUBLISHED ORIGINAL TATTOO ART BY "LEW THE JEW" ALBERTS, A PIONEERING ARTIST IN THE EMERGING TATTOO INDUSTRY OF THE EARLY TWENTIETH CENTURY. BLACK MATTER-OXOSSI AYOFEMI AND RISA WECHSLER EXPLORES IMAGES BY ARTIST OXOSSI AYOFEMI THAT PORTRAY BLACK POWER, DESERTS, CITIES, WATERFALLS, AND BREAK DANCING AS SOURCES AND MODELS OF CONTINUOUS ENERGY. IMAGES DEVELOPED BY STANFORD UNIVERSITY COSMOLOGIST AND PHYSICIST DR. RISA WESCHLER, WHO PARTNERED WITH AYOFEMI ON THE EXHIBITION, PROVIDE A CONTRASTING PERSPECTIVE. TEENS HAVE OPPORTUNITIES TO EXPLORE THESE THEMES AND RESPOND WITH ORIGINAL ART. PORTRAITURE, IDENTITY, AND REPRESENTATION EXPLORED PERSONAL AND CULTURAL IDENTITY THROUGH THE EXHIBITION SHOW ME AS I WANT TO BE SEEN. STUDENTS VIEWED AND RESPONDED TO PHOTOGRAPHS BY JEWISH SURREALIST ARTIST CLAUDE CAHUN AND PORTRAITURE BY CONTEMPORARY ARTISTS IN THE EXHIBITION. THEY WERE GUIDED IN ARTMAKING ACTIVITIES TO PORTRAY THEIR OWN PERSONAL AND CULTURAL IDENTITIES. FORM 990, PART VI, SECTION A, LINE 2 DOROTHY SAXE AND DAVID SAXE HAVE A FAMILY RELATIONSHIP. FORM 990 REVIEW PROCESS FORM 990, PART VI, SECTION B, LINE 11B: THE BOARD OF TRUSTEES DELEGATED REVIEW AND APPROVAL OF THE FORM 990 TO THE AUDIT COMMITTEE. GRANT THORNTON LLP AND THE ORGANIZATION'S FINANCE STAFF WORK TOGETHER TO GATHER THE REQUIRED INFORMATION NECESSARY TO COMPLETE THE FORM. THE INITIAL DRAFT FORM 990 IS REVIEWED BY GRANT THORNTON LLP AND THE ORGANIZATION'S MANAGEMENT. AFTER THE FORM IS DISCUSSED AND REVIEWED, RECOMMENDED CHANGES ARE REFLECTED ON THE FORM AND AN UPDATED FORM 990 IS PREPARED. THE AUDIT COMMITTEE REVIEWS THE UPDATED FORM 990 AND, ONCE SATISFIED WITH THE RETURN, THE AUDIT COMMITTEE APPROVES THE RETURN FOR FILING WITH THE IRS. THE AUDIT COMMITTEE FURTHER REVIEWS THE FORM 990 WITH THE FINANCE COMMITTEE AND THEN PROVIDES A COMPLETE COPY OF THE FORM TO THE BOARD OF TRUSTEES PRIOR TO IT BEING FILED WITH THE IRS. |
| MONITORING AND ENFORCEMENT OF CONFLICT OF INTEREST POLICY | FORM 990, PART VI, SECTION B, LINE 12: THE MUSEUM HAS A CONFLICT OF INTEREST POLICY THAT COVERS TRUSTEES AND THE PRINCIPAL OFFICERS OF THE MUSEUM AND EACH MEMBER OF A COMMITTEE WITH BOARD-DELEGATED POWERS. THE POLICY PROVIDES FOR A SYSTEMATIC AND ONGOING PROCESS REQUIRING INDIVIDUALS WHO HAVE DECISION-MAKING RESPONSIBILITIES TO DISCLOSE AND ADDRESS POTENTIAL AND ACTUAL CONFLICTS OF INTEREST. COVERED INDIVIDUALS ARE REQUIRED TO COMPLETE AN ANNUAL STATEMENT DISCLOSING ANY CONFLICTS OF INTEREST AND HAVE A DUTY TO UPDATE THE DISCLOSURE FOR ANY POTENTIAL CONFLICTS OF INTEREST THAT ARISE DURING THE YEAR. EACH TRUSTEE AND PRINCIPAL OFFICER OF THE MUSEUM AND EACH MEMBER OF A COMMITTEE WITH BOARD-DELEGATED POWERS ANNUALLY COMPLETES AND SIGNS THE CONFLICT OF INTEREST STATEMENT AND DISCLOSURE FORM. TO ENSURE THE MUSEUM OPERATES IN A MANNER CONSISTENT WITH ITS CHARITABLE PURPOSES AND DOES NOT ENGAGE IN ACTIVITIES THAT COULD JEOPARDIZE ITS TAX-EXEMPT STATUS, PERIODIC REVIEWS ARE CONDUCTED. THE PERIODIC REVIEWS, AT A MINIMUM, INCLUDE THE FOLLOWING: (A) REVIEW OF COMPENSATION ARRANGEMENTS AND BENEFITS, OR ACQUISITION OR DE-ACQUISITION OF MUSEUM PROPERTY WITH DISQUALIFIED PERSONS AND INTERESTED DIRECTORS, IF ANY, TO ENSURE THAT THE TRANSACTIONS ARE REASONABLE, BASED ON COMPETENT SURVEY INFORMATION, AND THE RESULT OF ARM'S LENGTH BARGAINING. (B) REVIEW OF PARTNERSHIPS, JOINT VENTURES, AND ARRANGEMENTS WITH MANAGEMENT ORGANIZATIONS, IF ANY, TO ENSURE THAT THE ARRANGEMENTS CONFORM TO THE MUSEUM'S WRITTEN POLICIES, ARE PROPERLY RECORDED, REFLECT REASONABLE INVESTMENT OR PAYMENTS FOR GOODS AND SERVICES, FURTHER CHARITABLE PURPOSES AND DO NOT RESULT IN INUREMENT, IMPERMISSIBLE PRIVATE BENEFIT, IN AN EXCESS BENEFIT TRANSACTION, OR IN A SELF-DEALING TRANSACTION. WHEN CONDUCTING THE PERIODIC REVIEWS AS ABOVE PROVIDED, THE MUSEUM MAY, AS NECESSARY, USE OUTSIDE EXPERTS. IF OUTSIDE EXPERTS ARE USED, THEIR USE DOES NOT RELIEVE THE BOARD OF ITS RESPONSIBILITY FOR ENSURING THAT PERIODIC REVIEWS ARE CONDUCTED. |
| PROCESS OF DETERMINING COMPENSATION OF EXEC. DIR. & KEY EMPLOYEES | FORM 990, PART VI, SECTION B, LINES 15A AND 15B: FOR CHANGES IN COMPENSATION FOR THE EXECUTIVE DIRECTOR AND CHIEF OPERATING OFFICER, THE BOARD DELEGATED REVIEW AND APPROVAL TO THE EXECUTIVE COMMITTEE. THIS COMMITTEE COMPARED THE PROPOSED SALARY AND BENEFITS TO SALARIES AND BENEFITS PAID BY SIMILARLY-SITUATED ORGANIZATIONS FOR FUNCTIONALLY-COMPARABLE POSITIONS IN THE SAN FRANCISCO BAY AREA. FOR OTHER KEY EMPLOYEES, THE EXECUTIVE DIRECTOR AND CHIEF OPERATING OFFICER CONDUCT REVIEWS OF COMPARABLE POSITIONS AND APPROVE SALARIES AND BENEFITS. |
| Documents Made Available to the Public | FORM 990, PART VI, SECTION C, LINE 19: THE GOVERNING DOCUMENTS AND CONFLICT OF INTEREST POLICY ARE NOT MADE AVAILABLE TO THE PUBLIC. THE FINANCIAL STATEMENTS ARE AVAILABLE UPON REQUEST. |
| Other Changes in Net Assets | Form 990, Part XI, Line 9: THE OTHER CHANGES IN NET ASSETS CONSISTS OF A CHANGE IN THE VALUE OF THE BENEFICIAL INTEREST IN REMAINDER TRUST OF $ 152,503 AND UNREALIZED LOSS ON SWAP OF $(532,705). |
| FORM 990 PART IX LINE 11G | DESCRIPTION:CONTRACTORS & CONSULTANTS TOTAL FEES:535155 |
| FORM 990 PART IX LINE 11G | DESCRIPTION:SECURITY TOTAL FEES:689714 |
| FORM 990 PART IX LINE 11G | DESCRIPTION:JANITORIAL TOTAL FEES:185909 |
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