Attach to Form 990 or Form 990-EZ.
Go to
www.irs.gov/Form990 for the latest information.
| (i) Name of supported organization | (ii) EIN | (iii) Type of organization (described on lines 1- 10 above (see instructions)) | (iv) Is the organization listed in your governing document? | (v) Amount of monetary support (see instructions) | (vi) Amount of other support (see instructions) | |
|---|---|---|---|---|---|---|
| Yes | No | |||||
|
Total |
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Calendar year (or fiscal year beginning in) ![]() |
(a) 2014 | (b) 2015 | (c) 2016 | (d) 2017 | (e) 2018 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 1 | Gifts, grants, contributions, and membership fees received. (Do not include any "unusual grant.") .. | ||||||
| 2 | Tax revenues levied for the organization's benefit and either paid to or expended on its behalf.... | ||||||
| 3 | The value of services or facilities furnished by a governmental unit to the organization without charge.. | ||||||
| 4 | Total. Add lines 1 through 3 | ||||||
| 5 | The portion of total contributions by each person (other than a governmental unit or publicly supported organization) included on line 1 that exceeds 2% of the amount shown on line 11, column (f).. | ||||||
| 6 | Public support. Subtract line 5 from line 4. | ||||||
Calendar year
(or fiscal year beginning in) ![]() |
(a) 2014 | (b) 2015 | (c) 2016 | (d) 2017 | (e) 2018 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 7 | Amounts from line 4.. | ||||||
| 8 | Gross income from interest, dividends, payments received on securities loans, rents, royalties and income from similar sources... | ||||||
| 9 | Net income from unrelated business activities, whether or not the business is regularly carried on.. | ||||||
| 10 | Other income. Do not include gain or loss from the sale of capital assets (Explain in Part VI.).. | ||||||
| 11 | Total support. Add lines 7 through 10 | ||||||
Calendar year (or fiscal year beginning in) ![]() |
(a) 2014 | (b) 2015 | (c) 2016 | (d) 2017 | (e) 2018 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 1 | Gifts, grants, contributions, and membership fees received. (Do not include any "unusual grants.") . | 162,715 | 799,024 | 961,739 | |||
| 2 | Gross receipts from admissions, merchandise sold or services performed, or facilities furnished in any activity that is related to the organization's tax-exempt purpose | ||||||
| 3 | Gross receipts from activities that are not an unrelated trade or business under section 513 ..... | ||||||
| 4 | Tax revenues levied for the organization's benefit and either paid to or expended on its behalf... | ||||||
| 5 | The value of services or facilities furnished by a governmental unit to the organization without charge | 25,000 | 25,000 | ||||
| 6 | Total. Add lines 1 through 5 | 162,715 | 824,024 | 986,739 | |||
| 7a | Amounts included on lines 1, 2, and 3 received from disqualified persons | 3,173 | 5,134 | 8,307 | |||
| b | Amounts included on lines 2 and 3 received from other than disqualified persons that exceed the greater of $5,000 or 1% of the amount on line 13 for the year. | ||||||
| c | Add lines 7a and 7b.. | 3,173 | 5,134 | 8,307 | |||
| 8 | Public support. (Subtract line 7c from line 6.) | 978,432 | |||||
Calendar year (or fiscal year beginning in) ![]() |
(a) 2014 | (b) 2015 | (c) 2016 | (d) 2017 | (e) 2018 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 9 | Amounts from line 6... | 162,715 | 824,024 | 986,739 | |||
| 10a | Gross income from interest, dividends, payments received on securities loans, rents, royalties and income from similar sources.. | ||||||
| b | Unrelated business taxable income (less section 511 taxes) from businesses acquired after June 30, 1975. | ||||||
| c | Add lines 10a and 10b. | ||||||
| 11 | Net income from unrelated business activities not included in line 10b, whether or not the business is regularly carried on. | ||||||
| 12 | Other income. Do not include gain or loss from the sale of capital assets (Explain in Part VI.) .. | ||||||
| 13 | Total support. (Add lines 9, 10c, 11, and 12.).. | 162,715 | 824,024 | 986,739 | |||
| Section A - Adjusted Net Income | (A) Prior Year |
(B) Current Year (optional) |
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| 1 | Net short-term capital gain | 1 | ||||
| 2 | Recoveries of prior-year distributions | 2 | ||||
| 3 | Other gross income (see instructions) | 3 | ||||
| 4 | Add lines 1 through 3 | 4 | ||||
| 5 | Depreciation and depletion | 5 | ||||
| 6 | Portion of operating expenses paid or incurred for production or collection of gross income or for management, conservation, or maintenance of property held for production of income (see instructions) | 6 | ||||
| 7 | Other expenses (see instructions) | 7 | ||||
| 8 | Adjusted Net Income (subtract lines 5, 6 and 7 from line 4) | 8 | ||||
| Section B - Minimum Asset Amount | (A) Prior Year |
(B) Current Year (optional) |
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| 1 | Aggregate fair market value of all non-exempt-use assets (see instructions for short tax year or assets held for part of year): | 1 | ||||
| a | Average monthly value of securities | 1a | ||||
| b | Average monthly cash balances | 1b | ||||
| c | Fair market value of other non-exempt-use assets | 1c | ||||
| d | Total (add lines 1a, 1b, and 1c) | 1d | ||||
| e |
Discount claimed for blockage or other factors (explain in detail in Part VI): |
|||||
| 2 | Acquisition indebtedness applicable to non-exempt use assets | 2 | ||||
| 3 | Subtract line 2 from line 1d | 3 | ||||
| 4 | Cash deemed held for exempt use. Enter 1-1/2% of line 3 (for greater amount, see instructions). | 4 | ||||
| 5 | Net value of non-exempt-use assets (subtract line 4 from line 3) | 5 | ||||
| 6 | Multiply line 5 by .035 | 6 | ||||
| 7 | Recoveries of prior-year distributions | 7 | ||||
| 8 | Minimum Asset Amount (add line 7 to line 6) | 8 | ||||
| Section C - Distributable Amount | Current Year | |||||
| 1 | Adjusted net income for prior year (from Section A, line 8, Column A) | 1 | ||||
| 2 | Enter 85% of line 1 | 2 | ||||
| 3 | Minimum asset amount for prior year (from Section B, line 8, Column A) | 3 | ||||
| 4 | Enter greater of line 2 or line 3 | 4 | ||||
| 5 | Income tax imposed in prior year | 5 | ||||
| 6 | Distributable Amount. Subtract line 5 from line 4, unless subject to emergency temporary reduction (see instructions) | 6 | ||||
| Section D - Distributions | Current Year | |
|---|---|---|
| 1 Amounts paid to supported organizations to accomplish exempt purposes | ||
|
2
Amounts paid to perform activity that directly furthers exempt purposes of supported organizations, in excess of income from activity |
||
| 3 Administrative expenses paid to accomplish exempt purposes of supported organizations | ||
| 4 Amounts paid to acquire exempt-use assets | ||
| 5 Qualified set-aside amounts (prior IRS approval required) | ||
| 6 Other distributions (describe in Part VI). See instructions | ||
| 7Total annual distributions. Add lines 1 through 6. | ||
|
8
Distributions to attentive supported organizations to which the organization is responsive (provide details in Part VI). See instructions |
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| 9 Distributable amount for 2018 from Section C, line 6 | ||
| 10 Line 8 amount divided by Line 9 amount | ||
| Section E - Distribution Allocations (see instructions) |
(i) Excess Distributions |
(ii) Underdistributions Pre-2018 |
(iii) Distributable Amount for 2018 |
|
|---|---|---|---|---|
|
1
Distributable amount for 2018 from Section C, line 6 |
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|
2
Underdistributions, if any, for years prior to 2018 (reasonable cause required-- explain in Part VI). See instructions. |
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| 3 Excess distributions carryover, if any, to 2018: | ||||
| a From 2013....... | ||||
| b From 2014....... | ||||
| c From 2015....... | ||||
| d From 2016....... | ||||
| e From 2017....... | ||||
| fTotal of lines 3a through e | ||||
| g Applied to underdistributions of prior years | ||||
| h Applied to 2018 distributable amount | ||||
|
i
Carryover from 2013 not applied (see instructions) |
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| j Remainder. Subtract lines 3g, 3h, and 3i from 3f. | ||||
| 4Distributions for 2018 from Section D, line 7: | ||||
| $ | ||||
| a Applied to underdistributions of prior years | ||||
| b Applied to 2018 distributable amount | ||||
| c Remainder. Subtract lines 4a and 4b from 4. | ||||
|
5
Remaining underdistributions for years prior to 2018, if any. Subtract lines 3g and 4a from line 2. If the amount is greater than zero, explain in Part VI. See instructions. |
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|
6
Remaining underdistributions for 2018. Subtract lines 3h and 4b from line 1. If the amount is greater than zero, explain in Part VI. See instructions. |
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7 Excess distributions carryover to 2019. Add lines 3j and 4c. |
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| 8 Breakdown of line 7: | ||||
| a Excess from 2014...... | ||||
| b Excess from 2015..... | ||||
| c Excess from 2016..... | ||||
| d Excess from 2017..... | ||||
| e Excess from 2018..... | ||||
| Facts And Circumstances Test |
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| Return Reference | Explanation |
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| Software ID: | |
| Software Version: |
Attach to Form 990 or 990-EZ.
Go to www.irs.gov/Form990 for the latest information.
| Return Reference | Explanation |
|---|---|
| FORM 990 - ORGANIZATION'S MISSION | ARTSNOW STRENGTHENS SUMMIT COUNTY BY ADVANCING ITS ARTS & CULTURE ASSETS AND BUILDING CONNECTIONS BETWEEN ARTS & CULTURE AND THE BROAD COMMUNITY. ARTSNOW: A. PROVIDES RESIDENTS OF SUMMIT COUNTY ACCESS TO INFORMATION ABOUT THE DIVERSE ARTS & CULTURE OFFERINGS AVAILABLE IN SUMMIT COUNTY. B. AGGREGATES AND ANALYZES DATA ABOUT ARTS & CULTURE TO DRIVE SECTOR IMPROVEMENT. C. ADVOCATES FOR ARTS & CULTURE ACROSS THE PUBLIC, PRIVATE AND NONPROFIT SECTORS. D. CONVENES AND CONNECTS MAKERS AND PRESENTERS TO STRENGTHEN THE SECTOR'S IMPACT AND RELEVANCE. E. BUILDS AND STRENGTHENS FUNDING FOR ARTS & CULTURE. |
| FORM 990, PAGE 2, PART III, LINE 4A | AKRON CULTURAL PLAN OBJECTIVES AND SUCCESSFUL DELIVERABLES OBJECTIVE 1: DISCOVERY 1.RESEARCH AND DOCUMENT AN INVENTORY OF EXISTING ART AND CULTURAL ASSETS THROUGHOUT AKRON. THE TEAM WILL WORK WITH STAFF TO DETERMINE WHAT CURRENT CULTURAL DESTINATIONS AND ATTRIBUTES ARE REVERED AND VALUED. THE TEAM WILL REVIEW PREVIOUSLY PREPARED PLANS FOR CITY-WIDE DEVELOPMENT IN ORDER TO EVALUATE THE RELATIONSHIP AND RELEVANCY OF ARTS AND CULTURE IN AKRON WITH OTHER PLANNING EFFORTS OVER THE LAST TWO DECADES. THIS WILL ALLOW THE TEAM TO DISCOVER POINTS OF CONNECTION AND SUPPORT IN OTHER ADOPTED PLANS. THE TEAM WILL BE FAMILIAR WITH THE FOLLOWING: A. ALL ARTS AND CULTURE WORK OF THE CITY OF AKRON, ARTSNOW, AND ANY OTHER CULTURAL PARTNERS B. AN INVENTORY OF EXISTING PUBLIC ART, INCLUDING A MAP OF THE EXISTING PUBLIC ART C. HISTORY OF AKRON ARTS AND CULTURE INITIATIVES AND INVESTMENTS D. NATIONAL ASSESSMENT OF CONDITIONS AND TRENDS IN ARTS AND CULTURE PLANNING AND PLACEMAKING, PAYING SPECIAL ATTENTION TO CITIES OF SIMILAR SIZE AND CHARACTER CITIES BOTH LOCALLY AND NATIONALLY. 2.DISCOVER THE CITY OF AKRON. THE TEAM MET WITH THE STAFF FOR AN INTENSE ORIENTATION. THIS IS ANTICIPATED TO BE A FULL DAY SESSION AND INCLUDE A TOUR OF THE CITY, HIGHLIGHTING EXISTING ART, CULTURAL, AND HISTORIC DESTINATIONS THROUGHOUT THE CITY. A STAFF PERSON WILL BE EXPECTED TO LEAD THIS TOUR. AN INITIAL MEETING WITH THE CULTURAL PLAN STEERING COMMITTEE WILL BE CONDUCTED IN TANDEM WITH THIS TOUR TO IDENTIFY AND REVIEW PLAN CONTEXT GOALS, ANTICIPATED SCHEDULE, SCOPE OF WORK, AND EXPECTED DELIVERABLES. 3.DESIGN A WORK PLAN AND DETAILED SCHEDULE OF THE OVERALL TIMELINE FOR THE CREATION OF THE CULTURAL PLAN. THIS WILL ADDRESS THE ROLE AND RESPONSIBILITY OF THE STAFF AND CONSULTANTS WITH SPECIFIC MILESTONES TO REACH WITHIN THE SCOPE OF THE PROJECT INCLUDING, BUT NOT LIMITED TO: TIMING OF ANY PROJECT MANAGEMENT MEETINGS, STAKEHOLDER MEETINGS, PUBLIC MEETINGS, AND PROJECT PRESENTATIONS. THIS WILL BE REFINED AND MONITORED BY BOTH THE STAFF AND THE TEAM PROJECT MANAGER. 4.DESIGN A PROJECT WEBSITE AND PROJECT COMMUNICATION PLAN. THE TEAM WILL CREATE A PROJECT WEBSITE THAT WILL ALLOW THE PUBLIC TO BE ENGAGED THROUGHOUT THE PLANNING PROCESS. THE WEBSITE WILL INCLUDE INFORMATION ON PLANNED EVENTS, IMAGES FROM PUBLIC ENGAGEMENT EVENTS, AN ONLINE SURVEY, A AKRON STORY SUBMISSION PLATFORM WITH AN ESRI STORYBOARDING MAP FOR PARTICIPANTS TO SUBMIT IMAGES OF ART FROM THEIR NEIGHBORHOODS, CULTURAL INSTITUTIONS AND EXPERIENCES WITHIN THEIR NEIGHBORHOODS AND ANY OTHER RELEVANT INFORMATION TO THE PLANNING PROCESS. OBJECTIVE 1 DELIVERABLES SUBMITTED A. WORK PLAN AND OVERALL TIMELINE OF THE PROJECT DEVELOP PROJECT WEBSITE B. COMMUNICATION PLAN STAKEHOLDER LIST OBJECTIVE 2: COMMUNITY INPUT GATHERING 1.DETERMINE EXISTING ATTITUDES AND PERCEPTIONS, OPPORTUNITIES AND CHALLENGES TO CREATING THE CULTURAL PLAN FOR THE CITY OF AKRON. UPON COMPLETION OF OBJECTIVE 1, THE TEAM WILL MEET WITH STAKEHOLDERS TO LISTEN AND LEARN ABOUT THE CITY. STAKEHOLDER MEETINGS MAY TAKE PLACE IN ONE ON ONE OR GROUP SESSIONS. DURING THIS SERIES OF MEETINGS, THE TEAM WILL DETERMINE AN INTERNAL VISION AND WILL DISCUSS THE PLAN FOR FULFILLING THE VISION. THE STAKEHOLDER LIST WILL BE PROVIDED BY THE STEERING COMMITTEE WITH INPUT FROM STAFF. TWO FOCUS GROUPS WILL BE FACILITATED BY LOCAL ARTISTS FOR LOCAL ARTISTS. THE TEAM WILL DEVELOP THE METHOD FOR INFORMATION GATHERING AT THESE FOCUS GROUPS AND WILL ACTIVELY PARTICIPATE IN THESE MEETINGS. TWO CREATIVE SECTOR FOCUS GROUPS WILL ALSO BE FACILITATED IN TWO DIFFERENT PARTS OF THE CITY. 2.DETERMINE OPTIMAL METHOD AND PROCESS FOR COMMUNITY ENGAGEMENT OPPORTUNITIES. THE TEAM WILL WORK WITH THE STAFF, THE STEERING COMMITTEE, AND ARTSNOW TO DESIGN AND FACILITATE A SERIES OF WORKSHOPS. THESE EVENTS WILL BE HIGHLY INTERACTIVE AND INCLUSIVE AND YIELD ESSENTIAL INSIGHT TO CRAFT A NARRATIVE ABOUT AKRON AND THE VALUES OF THE COMMUNITY. THE PROCESS WILL SEEK TO ENSURE THE MAXIMUM OPPORTUNITY FOR BROAD COMMUNITY ENGAGEMENT AND PARTICIPATION, ESPECIALLY FROM GROUPS THAT ARE OFTEN OVERLOOKED SUCH AS YOUNG ADULTS AND MINORITIES. THIS WILL BE COMPLETED THROUGH PARTNERING WITH ORGANIZATIONS SUCH AS NEIGHBORHOOD GROUPS OR CIVIC ORGANIZATIONS TO PRESENT EACH WORKSHOP. TO BEGIN THE COMMUNITY ENGAGEMENT FOR THE PLANNING PROCESS, THE TEAM ANTICIPATES HOSTING TWO EDUCATIONAL KICKOFF MEETINGS WITH A LECTURE BY A SEASONED PUBLIC ART CURATOR AND NATIONALLY RECOGNIZED PUBLIC ARTIST, AND WITH AN ADDITIONAL NATIONALLY RECOGNIZED LEADER IN THE ARTS AND CULTURE SECTOR. AFTER THE EDUCATIONAL KICKOFF MEETING, THE TEAM ANTICIPATES HOSTING TWO PUBLIC WORKSHOP SERIES THAT INCLUDES A SERIES OF WORKSHOPS HELD THROUGHOUT THE CITY AS WELL AS DOWNTOWN. THE TEAM ANTICIPATES HOSTING TWO WORKSHOP SERIES THROUGHOUT THE PROCESS. THE FIRST WORKSHOP SERIES WILL BE HOSTED AT THE BEGINNING OF THE PROCESS TO GATHER THE INITIAL INFORMATION, AND THE SECOND WILL BE HOSTED TO PRESENT THE RECOMMENDATIONS. A. CREATE. THE TEAM WILL WORK WITH STAFF, STEERING COMMITTEE, AND THE COMMISSION TO DESIGN THE SPECIFIC DETAILS FOR EACH WORKSHOP, INCLUDING SPECIFIC ENGAGEMENT ACTIVITIES, NECESSARY BACKGROUND RESEARCH, AND ESSENTIAL PRODUCTS. B. MARKET. THE TEAM WILL ASSIST WITH PROMOTING THE WORKSHOPS, INCLUDING DEVELOPING THE ALL MARKETING MATERIALS. THE TEAM WILL UTILIZE THE ARTS COMMUNITY, NEIGHBORHOOD ORGANIZATIONS, AND THE CITY TO PROMOTE THE WORKSHOPS WITHIN THEIR NETWORKS. C)FACILITATE. THE TEAM WILL LEAD AND FACILITATE AN INFORMATIVE AND ENGAGING PROGRAM. D)REPORT. THE PROJECT TEAM WILL PREPARE A DETAILED REPORT THAT INTERPRETS THE DATA AND IDENTIFIES KEY VALUES, PRIORITIES, VISION AND GOALS. OBJECTIVE 2 DELIVERABLES MET A. PROJECT KICKOFF LECTURE SERIES STAKEHOLDER MEETINGS (40-60 MEETINGS) REGIONAL ARTIST FOCUS GROUPS (2 MEETINGS) B. CREATIVE SECTOR FOCUS GROUPS (2 MEETINGS COMPLETED) PUBLIC WORKSHOP SERIES AND MATERIALS. C. PUBLIC ENGAGEMENT SUMMARY REPORT D. STEERING COMMITTEE MEETING 2 E. PRESENTATION OF FINDINGS FROM PUBLIC ENGAGEMENT OBJECTIVE 3: SYNTHESIZE IDEAS AND DEFINE STRATEGY 1.ARTICULATION OF A COMMON VISION FOR AKRON. BASED ON THE PUBLIC WORKSHOPS AND STAKEHOLDER MEETINGS, THE TEAM WILL EXTRACT THE STORY AKRON WANTS TO TELL TO THE OUTSIDE WORLD THROUGH ITS ARTS AND CULTURE STRATEGY AND COLLECTION. THIS NARRATIVE, THE "ESSENCE FRAMEWORK", IN ADDITION TO ANY EXISTING PLANS, WILL BECOME THE FOUNDATION ON WHICH THE CULTURAL PLAN IS BUILT. THE CULTURAL PLAN WILL INVIGORATE AND ENHANCE COMMUNITY-WIDE IDENTITY AND ADVOCACY WHILE PRACTICING EQUITABLE DISTRIBUTION OF ARTS AND CULTURE. THIS PLAN IS INTENDED TO PAVE THE WAY TOWARDS IMPROVEMENTS IN QUALITY OF LIFE, PLACEMAKING AND ECONOMIC DEVELOPMENT OPPORTUNITIES AND CONTINUED REVITALIZATION OF AKRON. THE PLAN WILL ALSO PROVIDE GUIDANCE AND DIRECTION FOR AKRON'S FIRST PUBLIC ART PROGRAM. THE FINAL CULTURAL PLAN WILL CONTAIN GOALS AND ACTION STEPS FOR ARTS AND CULTURE THAT ARE ACHIEVABLE WITHIN 1-3 YEARS, 4-7 YEARS, AS WELL AS LONG- TERM, 8-10 YEAR INITIATIVES. IT IS UNDERSTOOD THAT THE OBJECTIVES OF THE PLAN MAY BE SUBJECT TO CHANGE DURING THE PLANNING PROCESS. THE CULTURAL PLAN WILL COVER THE FOLLOWING TOPICS (IN NO PARTICULAR ORDER): PUBLIC ART PROGRAM: A. GUIDING PRINCIPLES FOR THE PUBLIC ART PROGRAM; B. INVENTORY OF EXISTING LOCAL PUBLIC ART PIECES AND PROGRAMS; C. IDENTIFICATION OF PUBLIC ART AND PUBLIC ART PROGRAM NEEDS AND ASPIRATIONS IN AKRON; D. IDENTIFICATION OF PUBLIC ART RELATED NEEDS IN THE COMMUNITY SUCH AS LEADERSHIP, GOVERNANCE STRUCTURE, AND RESOURCES; E. ASSISTANCE WITH IDENTIFYING A FRAMEWORK FOR DOCUMENTING AND MAINTAINING THE EXISTING AND FUTURE COLLECTION; F. OPPORTUNITIES THROUGHOUT THE CITY FOR ART IN THE PUBLIC REALM AS A WAY TO IMPROVE THE COMMUNITY WITH FUNDING REQUIRED TO UNDERTAKE EACH PROJECT; G. SPECIFIC LOCATIONS OF POTENTIAL PUBLIC ART OPPORTUNITIES INCLUDING SPECIAL ATTENTION PAID TO MAIN COMMERCIAL AREAS; H. RECOMMENDED PUBLIC ART POLICIES REQUIRED TO SUCCESSFULLY IMPLEMENT A STRONG PUBLIC ART PROGRAM; I. FRAMEWORK FOR IMPLEMENTING TEMPORARY AND PERMANENT ARTWORKS; J. IDENTIFICATION OF CULTURAL OPPORTUNITIES FOR PUBLIC ART AND EDUCATION; K. CONSIDERATION AND DEVELOPMENT OF A FLEXIBLE ECONOMIC-IMPACT MODEL THAT CAN BE UTILIZED TO EVALUATE THE ECONOMIC IMPACT OF PUBLIC ART IN SPECIFIC PROPOSED AREAS; L. REVIEW OF ARTIST/ARTWORK SELECTION CRITERIA AND PROCESS; M. PROJECTED MAINTENANCE REQUIREMENTS AND ASSOCIATED COSTS; N. RELEVANT PROPOSED POLICY INCLUDING: COLLECTION MANAGEMENT, MAINTENANCE, GIFT, ACQUISITION, GOVERNANCE, CONSERVATION, AND DEACCESSION POLICIES; GENERAL ARTS AND CULTURE RECOMMENDATIONS: A. A TEN-YEAR VISION AND MISSION FOR ARTS AND CULTURE THAT CAPTURES AKRON'S DESIRED SENSE OF PLACE, THE CITY'S CULTURAL ASSETS AND OPPORTUNITIES, AND INCORPORATES IMPLEMENTABLE OBJECTIVES; B. IDENTIFICATION OF THE CULTURE AND IDENTITY OF AKRON; C. NEIGHBORHOOD CULTURE AND IDENTITY; D. GUIDANCE FOR INVESTMENT IN ARTS AND CULTURE EXPERIENCES BASED ON WHERE HUBS |
| FORM 990, PAGE 2, PART III, LINE 4C | MURAL ARTS PHILADELPHIA / PUBLIC ART AND THE ENVIRONMENT AS PART OF THE BROAD REIMAGINING THE CIVIC COMMONS (RCC) EFFORT IN AKRON, ARTSNOW AND THE OHIO AND ERIE CANALWAY COALITION ALIGNED OUR EFFORTS AROUND ACTIVATING PUBLIC SPACE. LEVERAGING THE ARTS AND CREATIVITY AS A MEANS OF PULLING PEOPLE OUT OF THEIR HOMES AND INTO THE OUTDOOR SPACE OR THE COMMUNITY ROOMS WAS VERY SUCCESSFUL. DEMOGRAPHICS ON THE PUBLIC ENGAGEMENT IN OUTDOOR SPACES/PLAYGROUND TRENDED TO CHILDREN AND FAMILIES WHILE THE INDOOR ACTIVITIES WERE CREATED AS A WAY TO INVOLVE OLDER RESIDENTS. THE PLAYGROUND AND COMMON ENVIRONMENTAL AREA STILL PROVIDE CHALLENGES OF ACCESSIBILITY FOR RESIDENTS WITH MOBILITY CONCERNS AND THIS HAS BEEN SHARED WITH THE CITY AND RCC TO FURTHER INFORM THEIR WORK AND PRIORITIES AS RESOURCES BECOME AVAILABLE. BUILDING COMMUNITY AND THE IMPORTANCE OF CONNECTION, ESPECIALLY FOR CHILDREN AND AGING ADULTS, IS INCREDIBLY IMPORTANT AND BECAME A PRIORITY. READ MORE ABOUT THE FINAL INSTALLATION HERE: HTTPS://ARTSNOW.ORG/PARK- EAST-PROJECT-MURAL-INSTALL/ OUR PARTNERSHIP WITH THE UNIVERSITY OF AKRON THROUGH A STUDENT INTERN HERE: HTTPS://ARTSNOW.ORG/MEET-ALEXANDRIA-COUCH-ASSISTANT-ARTIST-IN-THE-PARK- EAST-PROJECT/ COMMUNITY INPUT ON PHASE II HERE: HTTPS://ARTSNOW.ORG/PARK-EAST-PROJECT- RESIDENTS-VOTE/ IN ALIGNING OUR EFFORTS WITH RCC, WE CAME INTO A PROCESS THAT WAS UNDERWAY WITH AN ESTABLISHED (ALBEIT LOOSE AND EASY TO WORK WITH) FRAMEWORK IN PLACE. BECAUSE OF THIS, OUR PROJECT WAS ONE-YEAR HOWEVER WE KNOW THE GOOD STEWARDSHIP OF RCC AND COMMUNITY LEADERS WILL CONTINUE TO ADVANCE PAST THE FINAL MURAL INSTALLATION DATE WHICH OCCURRED IN MID-AUGUST. ART AND CREATIVITY HAS BECOME AN ONGOING DISCUSSION WITHIN THE PLANNING OF ALPHA HOMES FOR THEIR RESIDENTS, AND ACCESSIBILITY TO PUBLIC SPACE IS ALWAYS ON THE MINDS OF RCC. CONTINUED WORK IN PARK EAST IS SCHEDULED FOR THIS FALL WITH THE INSTALLATION OF AN ACCESSIBILITY FRIENDLY PLAYGROUND SO CHILDREN OF ALL ABILITIES HAVE A BETTER CHANCE TO ENGAGE. FROM VOLUNTEERS, TO THE CORE TEAM, TO COMMUNITY MEMBERS HIRED TO ADDRESS THE WORK TO THE RESIDENTS, TO RESIDENTS THEMSELVES AND FINALLY ARTISTS WHO PARTICIPATED IN WORKSHOPS WE ESTIMATE AT BETWEEN 200-225 PARTICIPANTS. ENCOUNTERING SIGNIFICANT PUSHBACK FROM THE COMMUNITY RESIDENTS ON THE USE OF PORTRAITURE WAS A SUBSTANTIAL CHALLENGE. LEADERSHIP COMMUNICATED IN A TRANSPARENT MANNER WITH CITY OFFICIALS, RCC AND OHIO AND ERIE CANALWAY COALITION, MURAL ARTS PHILADELPHIA, AND THE RESIDENTS. THE RESOLUTION WAS TO REMOVE PORTRAITURE ENTIRELY GIVEN THE DESTRUCTION TO THE COMMUNITY AND THE PROCESS. THE CHALLENGE IN PHASE I REMAINED THE INABILITY OF THE ARTISTS TO FIND A PATH FORWARD, AT THAT TIME, TO WORK TOGETHER. SCOPE OF WORK, COMPENSATION, AND TIMELINE WERE ADJUSTED ACCORDINGLY AFTER MEDIATION EFFORTS DID NOT LEAD TO A RESOLUTION FOR FULL PARTNERSHIP. POSITIVE OUTCOMES: A. THE MURAL THAT WAS INSTALLED IS EXCELLENT AND THE RESIDENTS ARE THRILLED. B. MULTIPLE ARTISTS HAD THE ABILITY TO PARTICIPATE IN CAPACITY BUILDING WORKSHOPS WHICH WERE VERY WELL RECEIVED. C. PARTNERSHIPS DEVELOPED WITH THE UNIVERSITY OF AKRON, AKRON CIVIC COMMONS, OHIO AND ERIE CANALWAY COALITION, CITY OF AKRON, TORCHBEARERS, THE CONDO ASSOCIATION, AND ALPHA HOMES. D. FOUR ARTISTS HAD THE OPPORTUNITY TO WORK DEEPLY ON THIS PROJECT BETWEEN THE TWO PHASES AND PARTICIPATE IN ONE OF VERY FEW RESIDENCIES IN THE CITY. E. ARTSNOW WAS ABLE TO EXPERIENCE AND DRAFT LANGUAGE FOR CONTRACTS, LEGAL DOCUMENTS, COMMUNICATION STRATEGIES, AND PRESS RELEASES RELATIVE TO PUBLIC ART. F. THE SUBSTANTIAL NEED FOR A FORMAL PLAN FOR PUBLIC ART WAS PLAYED OUT AND CLEAR TO ALL PARTNERS AND ARTISTS INVOLVED. G. THE CONNECTION WITH SUCH A RENOWNED ORGANIZATION AS MURAL ARTS PHILADELPHIA HELPED TO ESTABLISH ARTSNOW IN SPITE OF OUR YOUNG AGE. |
| FORM 990, PAGE 2, PART III, LINE 4D | PARTNERSHIP: WE HIRED OUR FIRST PT EMPLOYEE FOCUSED ON THIS AREA, WE IDENTIFIED OPPORTUNITIES TO CONNECT ARTS/CULTURE WITH BUSINESS, FACILITATED ARTIST/ARTS ORGANIZATION EMPLOYMENT, AND ADVANCED A COLLABORATIVE NARRATIVE AROUND ARTS AND CULTURE AS CORE TO ECONOMIC DEVELOPMENT WITH PARTNERS SUCH AS THE GREATER AKRON CHAMBER. ADDITIONALLY, WE CREATED 17 NEW RELATIONSHIPS AND PROGRAMS BETWEEN LOCAL BUSINESS AND THE ARTS. |
| FORM 990, PAGE 6, PART VI, LINE 11B | FORM 990 WAS MADE AVAILABLE TO THE BOARD OF TRUSTEES FOR REVIEW PRIOR TO FILING. |
| FORM 990, PAGE 6, PART VI, LINE 12C | CONFLICT OF INTEREST DISCLOSURES ARE OBTAINED ANNUALLY OR UPON THE OCCURANCE OF A CONFLICT. IN ADDITION, MANAGEMENT AND THE BOARD OF TRUSTEES MONITOR THE ACTIVITIES OF THE ORGANIZATION ON A PERPETUAL BASIS FOR CONFLICTS OF INTEREST. ALL IDENTIFIED CONFLICTS OF INTEREST ARE BROUGHT TO THE BOARD OF TRUSTEES FOR EVALUATION AND RESOLUTION IN COMPLIANCE WITH THE POLICY. |
| FORM 990, PAGE 6, PART VI, LINE 15A | THE COMPENSATION OF THE EXECUTIVE DIRECTOR IS DETERMINED AND APPROVED BY THE BOARD OF TRUSTEES USING SALARY SURVEYS AND OTHER RELEVANT DATA ALONG WITH PERFORMANCE INDICATORS. |
| FORM 990, PAGE 6, PART VI, LINE 19 | SUCH DOCUMENTS WERE MADE AVAILABLE UPON REQUEST. |
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| Software Version: |