Attach to Form 990 or Form 990-EZ.
Go to
www.irs.gov/Form990 for the latest information.
| (i) Name of supported organization | (ii) EIN | (iii) Type of organization (described on lines 1- 10 above (see instructions)) | (iv) Is the organization listed in your governing document? | (v) Amount of monetary support (see instructions) | (vi) Amount of other support (see instructions) | |
|---|---|---|---|---|---|---|
| Yes | No | |||||
|
Total |
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Calendar year (or fiscal year beginning in) ![]() |
(a) 2014 | (b) 2015 | (c) 2016 | (d) 2017 | (e) 2018 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 1 | Gifts, grants, contributions, and membership fees received. (Do not include any "unusual grant.") .. | 9,563,518 | 3,512,413 | 13,367,403 | 4,748,770 | 7,956,095 | 39,148,199 |
| 2 | Tax revenues levied for the organization's benefit and either paid to or expended on its behalf.... | ||||||
| 3 | The value of services or facilities furnished by a governmental unit to the organization without charge.. | ||||||
| 4 | Total. Add lines 1 through 3 | 9,563,518 | 3,512,413 | 13,367,403 | 4,748,770 | 7,956,095 | 39,148,199 |
| 5 | The portion of total contributions by each person (other than a governmental unit or publicly supported organization) included on line 1 that exceeds 2% of the amount shown on line 11, column (f).. | ||||||
| 6 | Public support. Subtract line 5 from line 4. | 39,148,199 | |||||
Calendar year
(or fiscal year beginning in) ![]() |
(a) 2014 | (b) 2015 | (c) 2016 | (d) 2017 | (e) 2018 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 7 | Amounts from line 4.. | 9,563,518 | 3,512,413 | 13,367,403 | 4,748,770 | 7,956,095 | 39,148,199 |
| 8 | Gross income from interest, dividends, payments received on securities loans, rents, royalties and income from similar sources... | 9,116 | 15,260 | 8,398 | 10,230 | 13,104 | 56,108 |
| 9 | Net income from unrelated business activities, whether or not the business is regularly carried on.. | ||||||
| 10 | Other income. Do not include gain or loss from the sale of capital assets (Explain in Part VI.).. | ||||||
| 11 | Total support. Add lines 7 through 10 | 39,204,307 | |||||
Calendar year (or fiscal year beginning in) ![]() |
(a) 2014 | (b) 2015 | (c) 2016 | (d) 2017 | (e) 2018 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 1 | Gifts, grants, contributions, and membership fees received. (Do not include any "unusual grants.") . | ||||||
| 2 | Gross receipts from admissions, merchandise sold or services performed, or facilities furnished in any activity that is related to the organization's tax-exempt purpose | ||||||
| 3 | Gross receipts from activities that are not an unrelated trade or business under section 513 ..... | ||||||
| 4 | Tax revenues levied for the organization's benefit and either paid to or expended on its behalf... | ||||||
| 5 | The value of services or facilities furnished by a governmental unit to the organization without charge | ||||||
| 6 | Total. Add lines 1 through 5 | ||||||
| 7a | Amounts included on lines 1, 2, and 3 received from disqualified persons | ||||||
| b | Amounts included on lines 2 and 3 received from other than disqualified persons that exceed the greater of $5,000 or 1% of the amount on line 13 for the year. | ||||||
| c | Add lines 7a and 7b.. | ||||||
| 8 | Public support. (Subtract line 7c from line 6.) | ||||||
Calendar year (or fiscal year beginning in) ![]() |
(a) 2014 | (b) 2015 | (c) 2016 | (d) 2017 | (e) 2018 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 9 | Amounts from line 6... | ||||||
| 10a | Gross income from interest, dividends, payments received on securities loans, rents, royalties and income from similar sources.. | ||||||
| b | Unrelated business taxable income (less section 511 taxes) from businesses acquired after June 30, 1975. | ||||||
| c | Add lines 10a and 10b. | ||||||
| 11 | Net income from unrelated business activities not included in line 10b, whether or not the business is regularly carried on. | ||||||
| 12 | Other income. Do not include gain or loss from the sale of capital assets (Explain in Part VI.) .. | ||||||
| 13 | Total support. (Add lines 9, 10c, 11, and 12.).. | ||||||
| Section A - Adjusted Net Income | (A) Prior Year |
(B) Current Year (optional) |
||||
| 1 | Net short-term capital gain | 1 | ||||
| 2 | Recoveries of prior-year distributions | 2 | ||||
| 3 | Other gross income (see instructions) | 3 | ||||
| 4 | Add lines 1 through 3 | 4 | ||||
| 5 | Depreciation and depletion | 5 | ||||
| 6 | Portion of operating expenses paid or incurred for production or collection of gross income or for management, conservation, or maintenance of property held for production of income (see instructions) | 6 | ||||
| 7 | Other expenses (see instructions) | 7 | ||||
| 8 | Adjusted Net Income (subtract lines 5, 6 and 7 from line 4) | 8 | ||||
| Section B - Minimum Asset Amount | (A) Prior Year |
(B) Current Year (optional) |
||||
| 1 | Aggregate fair market value of all non-exempt-use assets (see instructions for short tax year or assets held for part of year): | 1 | ||||
| a | Average monthly value of securities | 1a | ||||
| b | Average monthly cash balances | 1b | ||||
| c | Fair market value of other non-exempt-use assets | 1c | ||||
| d | Total (add lines 1a, 1b, and 1c) | 1d | ||||
| e |
Discount claimed for blockage or other factors (explain in detail in Part VI): |
|||||
| 2 | Acquisition indebtedness applicable to non-exempt use assets | 2 | ||||
| 3 | Subtract line 2 from line 1d | 3 | ||||
| 4 | Cash deemed held for exempt use. Enter 1-1/2% of line 3 (for greater amount, see instructions). | 4 | ||||
| 5 | Net value of non-exempt-use assets (subtract line 4 from line 3) | 5 | ||||
| 6 | Multiply line 5 by .035 | 6 | ||||
| 7 | Recoveries of prior-year distributions | 7 | ||||
| 8 | Minimum Asset Amount (add line 7 to line 6) | 8 | ||||
| Section C - Distributable Amount | Current Year | |||||
| 1 | Adjusted net income for prior year (from Section A, line 8, Column A) | 1 | ||||
| 2 | Enter 85% of line 1 | 2 | ||||
| 3 | Minimum asset amount for prior year (from Section B, line 8, Column A) | 3 | ||||
| 4 | Enter greater of line 2 or line 3 | 4 | ||||
| 5 | Income tax imposed in prior year | 5 | ||||
| 6 | Distributable Amount. Subtract line 5 from line 4, unless subject to emergency temporary reduction (see instructions) | 6 | ||||
| Section D - Distributions | Current Year | |
|---|---|---|
| 1 Amounts paid to supported organizations to accomplish exempt purposes | ||
|
2
Amounts paid to perform activity that directly furthers exempt purposes of supported organizations, in excess of income from activity |
||
| 3 Administrative expenses paid to accomplish exempt purposes of supported organizations | ||
| 4 Amounts paid to acquire exempt-use assets | ||
| 5 Qualified set-aside amounts (prior IRS approval required) | ||
| 6 Other distributions (describe in Part VI). See instructions | ||
| 7Total annual distributions. Add lines 1 through 6. | ||
|
8
Distributions to attentive supported organizations to which the organization is responsive (provide details in Part VI). See instructions |
||
| 9 Distributable amount for 2018 from Section C, line 6 | ||
| 10 Line 8 amount divided by Line 9 amount | ||
| Section E - Distribution Allocations (see instructions) |
(i) Excess Distributions |
(ii) Underdistributions Pre-2018 |
(iii) Distributable Amount for 2018 |
|
|---|---|---|---|---|
|
1
Distributable amount for 2018 from Section C, line 6 |
||||
|
2
Underdistributions, if any, for years prior to 2018 (reasonable cause required-- explain in Part VI). See instructions. |
||||
| 3 Excess distributions carryover, if any, to 2018: | ||||
| a From 2013....... | ||||
| b From 2014....... | ||||
| c From 2015....... | ||||
| d From 2016....... | ||||
| e From 2017....... | ||||
| fTotal of lines 3a through e | ||||
| g Applied to underdistributions of prior years | ||||
| h Applied to 2018 distributable amount | ||||
|
i
Carryover from 2013 not applied (see instructions) |
||||
| j Remainder. Subtract lines 3g, 3h, and 3i from 3f. | ||||
| 4Distributions for 2018 from Section D, line 7: | ||||
| $ | ||||
| a Applied to underdistributions of prior years | ||||
| b Applied to 2018 distributable amount | ||||
| c Remainder. Subtract lines 4a and 4b from 4. | ||||
|
5
Remaining underdistributions for years prior to 2018, if any. Subtract lines 3g and 4a from line 2. If the amount is greater than zero, explain in Part VI. See instructions. |
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|
6
Remaining underdistributions for 2018. Subtract lines 3h and 4b from line 1. If the amount is greater than zero, explain in Part VI. See instructions. |
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|
7 Excess distributions carryover to 2019. Add lines 3j and 4c. |
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| 8 Breakdown of line 7: | ||||
| a Excess from 2014...... | ||||
| b Excess from 2015..... | ||||
| c Excess from 2016..... | ||||
| d Excess from 2017..... | ||||
| e Excess from 2018..... | ||||
| Facts And Circumstances Test |
|---|
| Return Reference | Explanation |
|---|
| Software ID: | |
| Software Version: |
Attach to Form 990 or 990-EZ.
Go to www.irs.gov/Form990 for the latest information.
| Return Reference | Explanation |
|---|---|
| FORM 990, PART III, LINE 4A - FIRST ACCOMPLISHMENT | "LARRY BELL: TIME MACHINES" WAS ON VIEW FROM NOVEMBER 1, 2018 THROUGH MARCH 10, 2019 AND WAS THE FIRST COMPREHENSIVE AMERICAN MUSEUM SURVEY OF THE ARTIST'S WORK IN NEARLY TWO DECADES. THE EXHIBITION FEATURED MAJOR BODIES OF BELL'S WORK, FROM THE HIS EARLY CUBE SERIES TO HIS LARGE-SCALE COLOR-GLASS INSTALLATIONS. "JUDY CHICAGO: A RECKONING," WAS ON VIEW FROM DECEMBER 4, 2018 THROUGH APRIL 21, 2019 AND WAS A MAJOR SURVEY OF WORKS BY THE PIONEERING FEMINIST ARTIST. THE EXHIBITION HIGHLIGHTED CHICAGO'S ICONOGRAPHIC TRANSITION FROM ABSTRACTION TO FIGURATION, AND EXPLORED THE WAYS IN WHICH THE ARTIST'S STRONG FEMINIST VOICE TRANSFORMS OUR UNDERSTANDING OF MODERNISM AND ITS TRADITIONS. "ETTORE SOTTSASS AND THE SOCIAL FACTORY" WAS ON VIEW FROM APRIL 18, 2019 THROUGH OCTOBER 6, 2019 AND SURVEYED THE WORK OF ITALIAN ARCHITECT AND DESIGNER ETTORE SOTTSASS, AND FOCUSED ON HIS MONUMENTAL FURNITURE, CONCEPTUAL PHOTOGRAPHY, AND SPECULATIVE DRAWINGS. "PAULO NAZARETH: MELEE" WAS ON VIEW FROM MAY 16, THROUGH OCTOBER 6, 2019. AN ARTIST WHO WORKS ACROSS MEDIUMS, NAZARETH USES PERFORMANCE AND SCULPTUREMONUMENTAL AND EPHEMERALTO CRITIQUE THE COLONIAL EXPERIENCE IN BRAZIL AND THE AMERICAS. HIS DURATIONAL PERFORMANCES AND INSTALLATIONS DRAW FROM HIS JOINT AFRICAN AND INDIGENOUS HERITAGE TO HIGHLIGHT MARGINALIZED HISTORICAL LEGACIES, NON-WESTERN COSMOVISIONS, AND POTENTIAL METHODS OF NONEXPLOITATIVE LIVING AND RELATING. CONCURRENTLY, THE FOLLOWING EXHIBITIONS WERE ON VIEW DURING FISCAL YEAR 2019 IN ICA MIAMI'S SMALLER FIRST FLOOR GALLERIES: A PRESENTATION OF WORK BY ROBERT GOBER FEATURES THE ICONIC SCULPTURE UNTITLED (199394) AND A PORTFOLIO OF SIGNIFICANT PHOTOGRAPHS, 19782000 (19782000), WHICH HAS BEEN ON VIEW SINCE DECEMBER 1, 2017. FROM DECEMBER 1, 2017 THROUGH JUNE 9, 2019, ICA MIAMI HOSTED AN EXTENDED-RUN INSTALLATION OF THE ARTIST CHRIS OFILI WHICH EVOLVED OVER THE COURSE OF ITS DURATION, WITH WORKS BEING ADDED AND/OR SUBTRACTED OVER TIME. FROM APRIL 26, 2018 THROUGH DECEMBER 2, 2018 ICA MIAMI PRESENTED A SERIES OF PAINTINGS BY FRANCIS ALS BASED ON THREE IMPORTANT MULTI-PANEL WORKS IN THE MUSEUM'S PERMANENT COLLECTION. FROM APRIL 26, 2018 THROUGH JANUARY 6, 2019, ICA MIAMI EXHIBITED "WALTER DARBY BANNARD: 1959-1962," A FOCUSED PRESENTATION OF A SERIES OF BREAKTHROUGH PAINTINGS THE ARTIST PRODUCED OVER A PERIOD OF SEVERAL YEARS, DURING WHICH HE ABANDONED GESTURAL BRUSHWORK AND DEVELOPED A PARED-DOWN GEOMETRIC VOCABULARY. THE EARLY WORKS PRESENTED HAVE RARELY AND ONLY RECENTLY BEEN EXHIBITED. FROM MAY 17, 2018 THROUGH OCTOBER 28, 2018, ICA MIAMI PRESENTED "DIAMOND STINGILY: LIFE IN MY POCKET," THE FIRST SOLO MUSEUM EXHIBITION BY THE EMERGING NEW YORK-BASED ARTIST. FOR HER PRESENTATION AT ICA MIAMI, STINGILY CREATED A NEW INSTALLATION THAT SAW THE ARTIST USING THE FORM OF THE READYMADE TO EXPLORE PERSONAL AND SHARED MEMORIES OF SUBURBAN LIFE, BLACK GIRLHOOD, AND RACIAL VIOLENCE. FROM JULY 13, 2018 THROUGH JANUARY 6, 2019, ICA MIAMI EXHIBITED WORK BY LOUISE BOURGEOIS. TAKING ITS DEPARTURE FROM A WORK IN ICA MIAMI'S PERMANENT COLLECTIONUNTITLED (2001)THE EXHIBITION HIGHLIGHTED A GROUP OF ICONIC SCULPTURES MADE OF CLOTHING AND FABRIC FROM THE ARTIST'S PERSONAL ARCHIVE. FROM NOVEMBER 1, 2018 THROUGH APRIL 14, 2019, ICA MIAMI PRESENTED "I DON'T WANNA WAIT FOR OUR LIVES TO BE OVER", WHICH MARKED THE FIRST SOLO MUSEUM EXHIBITION IN THE UNITED STATES FOR MANUEL SOLANO. WORKING ACROSS MEDIUMS, SOLANO EXPLORED ISSUES OF IDENTITY AND ITS FORMATION BY DRAWING FROM THEIR PERSONAL LIFE, MEMORIES, AND POPULAR CULTURE. FROM DECEMBER 4, 2018 THROUGH MAY 12, 2019, ICA MIAMI EXHIBITED "WILLIAM N. COPLEY: THE COFFIN THEY CARRY YOU OFF IN," WHICH FEATURED A GROUP OF PAINTINGS FROM 1956 TO 1958 HIGHLIGHTING THE ARTIST'S CRITICAL YET HUMOROUS PERSPECTIVE ON BOTH EUROPEAN AND AMERICAN CULTURE. FROM FEBRUARY 1, 2019 THROUGH JUNE 9, 2019, ICA MIAMI PRESENTED A MONUMENTAL SCULPTURE BY THE ARTIST ROBERT GROSVENOR. USING COMMONPLACE MATERIALS, MONUMENTAL SCALE, AND POETIC FORM, ROBERT GROSVENOR HAS PRODUCED SOME OF THE MOST RADICALLY UNIQUE SCULPTURES OF THE POSTWAR PERIOD. HIS WORKS MAINTAINS A RICH HISTORICAL DIALOGUE WITH MINIMALISM WHILE TRANSCENDING SOME OF ITS LIMITATIONS. COMPLEX AND ALLUSIVE, THE SCULPTURES ALSO ENGAGE SITE IN UNEXPECTED WAYS, PROVOKING PROFOUND AESTHETIC EXPERIENCES. FROM APRIL 18, 2019 THROUGH NOVEMBER 24, 2019, ICA MIAMI EXHIBITED "HLIT XISTZ," WHICH MARKED THE FIRST SOLO MUSEUM PROJECT FOR ERIC-PAUL RIEGE. WORKING ACROSS MEDIA, WITH AN EMPHASIS ON WOVEN SCULPTURE, WEARABLE ART, AND DURATIONAL PERFORMANCE, RIEGE EXPLORED THE WORLDVIEW FOSTERED BY DIN, OR NAVAJO, PHILOSOPHY AND ITS BEARING ON EVERYDAY EXPERIENCE. FROM MAY 16, THROUGH NOVEMBER 24, 2019, ICA MIAMI PRESENTED "PURVIS YOUNG: DRAWINGS," WHICH SHOWCASED A SELECTION OF THE ARTIST'S VIBRANT WORKS ON PAPER. OFTEN EXECUTED ON THE PAGES OF FOUND BOOKS AND LEDGERS, YOUNG'S DRAWINGS REHEARSE THE RANGE OF HIS MOTIFS AT A MORE INTIMATE SCALE. THEY ALSO REVEAL A DIVERSITY OF MEDIUMS THAT EXCEED THE USUAL PAINT AND ASSEMBLAGE PRACTICES THAT HE IS KNOWN FOR. THESE WORKS, WHICH INCORPORATE CRAYONS, BALLPOINT PENS, COLLAGE ELEMENTS, AND WATERCOLORS, ADD TO OUR UNDERSTANDING OF HIS EXPRESSIVE DEXTERITY. FROM JUNE 13, 2019 THROUGH APRIL 12, 2020, ICA MIAMI EXHIBITED AN INSTALLATION BY DAN FLAVIN. BUILDING ON PUERTO RICAN LIGHT (TO JEANIE BLAKE) 2 (1965) IN THE MUSEUM'S PERMANENT COLLECTION, ONE OF THE ARTIST'S EARLY SIGNATURE FLUORESCENT TUBE LIGHT SCULPTURES, ICA MIAMI PRESENTED A FOCUSED PRESENTATION OF HIS WORKS FROM THE MID-1960S. ON VIEW FROM JUNE 27, 2019 THROUGH NOVEMBER 24, 2019, "PORTALS" MARKED THE FIRST SOLO MUSEUM PROJECT FOR NEW YORK AND RICHMOND-BASED MULTIDISCIPLINARY ARTIST GUADALUPE MARAVILLA. AN INSTALLATION COMPRISING NEWLY COMMISSIONED SCULPTURES, "PORTALS" RESPONDED TO THE ARTIST'S GEO-CULTURAL DISPLACEMENT AND PERSONAL MYTHOLOGY, REFERENCING HIS OWN STORY AS PART OF THE FIRST WAVE OF UNDOCUMENTED CHILDREN TO ARRIVE IN THE UNITED STATES DUE TO THE CENTRAL AMERICAN CONFLICTS OF THE 1980S. WHILE TOUCHING ON THIS PERSONAL DIMENSION, "PORTALS" ALSO ADDRESSED CURRENT COLLECTIVE ANXIETIES THAT STEM FROM THE FRAUGHT POLITICAL CRISIS AT THE UNITED STATES-MEXICO BORDER. FROM JUNE 27, 2019 THROUGH NOVEMBER 24, 2019, ICA MIAMI PRESENTED A CURATED SELECTION OF WORKS BY HANK WILLIS THOMAS FEATURING EXAMPLES FROM THE ARTIST'S TWO "UNBRANDED" SERIES. THE FOLLOWING SCULPTURES WERE ON VIEW IN ICA MIAMI'S SCULPTURE GARDEN DURING FISCAL YEAR 2019: UNSPECIFIED PROMISE BY ARTIST DUO ALLORA & CALZADILLA HAS BEEN ON VIEW SINCE DECEMBER 1, 2017. THE SCULPTURE IS A CONTEMPORARY INTERPRETATION OF THE GRANITE MONUMENT THAT REFLECTS ON THE POLITICAL AND TECHNOLOGICAL ISSUES OF OUR TIME. DR. PEPPER BY MARK HANDFORTH HAS BEEN ON VIEW SINCE DECEMBER 1, 2017. THE WORK MARKED A MAJOR PUBLIC COMMISSION FOR THIS LEADING MIAMI-BASED ARTIST. EPICURUS BY CONCEPTUAL ARTIST PEDRO REYES HAS BEEN ON VIEW SINCE MAY 7, 2019. REYES IS AN ARTIST WHO PLAYFULLY INVESTIGATES FORM AND HISTORY, PEDRO REYES HAS RECENTLY CREATED A SERIES OF MONUMENTAL CARVED SCULPTURES IN VOLCANIC ROCK DEDICATED TO CANONIZING GREAT PHILOSOPHERS AND INTELLECTUALS. THROWBACK (1976) BY TONY SMITH HAS BEEN ON VIEW SINCE SEPTEMBER 19, 2019. THE SCULPTURE IS AN ICONIC MONUMENTAL SCULPTURE BY THE AMERICAN SCULPTOR, PAINTER, AND ARCHITECT TONY SMITH. THE WORK PRESENTED IN ICA MIAMI'S SCULPTURE GARDEN IS A UNIQUE WELDED STEEL SCULPTURE. A LARGER-SCALE VERSION OF THROWBACK WAS PRODUCED IN ALUMINUM IN AN EDITION OF 3 WITH 1 AP. THREE FIGURES AND FOUR BENCHES (1979), AN ICONIC SCULPTURE BY RENOWNED POP ARTIST GEORGE SEGAL, WAS ON VIEW FROM DECEMBER 1, 2017 THROUGH SEPTEMBER 1, 2019. SEGAL'S FIGURATIVE INSTALLATIONS IN STEEL AND PLASTER EXPLORE THE HUMAN FIGURE AS IT RELATES TO THE SURROUNDING ENVIRONMENT. ADDITIONALLY, FISCAL YEAR 2019 INCLUDED THE FOLLOWING EXHIBITIONS AND INSTALLATIONS: FROM DECEMBER 1, 2017 THROUGH NOVEMBER 18, 2018, CHARLES GAINES'S MULTI-PANEL INSTALLATION ACTIVATED ICA MIAMI'S CENTRAL STAIRWELL, AND EXPLORED THE ARTIST'S APPROACH TO SERIALITY THROUGH A UNIQUE VERTICAL COMPOSITION. FROM MARCH 2, 2019 THROUGH JUNE 30, 2019, ICA MIAMI, IN COLLABORATION WITH THE MIAMI DESIGN DISTRICT, PRESENTED THE FIRST PUBLIC PROJECT IN THE UNITED STATES BY YONA FRIEDMAN, SPACE-CHAIN PHANTASY-MIAMI 2019. ICA MIAMI'S PERMANENT COLLECTION CONTINUED TO ARTICULATE CORNERSTONE MOMENTS IN THE CAREERS OF SOME OF THE MOST SIGNIFICANT ARTISTS OF OUR TIME. FISCAL YEAR 2019 SAW SIGNIFICANT ADDITIONS TO THE COLLECTIONS FROM A DIVERSE AND WIDE RANGING GROUP OF ARTISTS. |
| FORM 990, PART III, LINE 4B - SECOND ACCOMPLISHMENT | EDUCATION AND OUTREACH ICA MIAMI'S YOUNG ARTISTS INITIATIVE IS AN APPLICATION-BASED ARTS PROGRAM DESIGNED FOR YOUNG ARTISTS (9TH-12TH GRADE) WHO ARE ENCOURAGED TO LOOK CRITICALLY AT CONTEMPORARY ART PRACTICES, WORK DIRECTLY WITH LEADING ARTISTS, AND FURTHER DEVELOP THEIR OWN PORTFOLIOS. ICA MIAMI'S YOUNG ARTISTS INITIATIVE ENGAGES STUDENTS IN AN INTENSIVE, 20-WEEK PROGRAM OFFERED IN TWO 10-WEEK SESSIONS THAT RELATES ART HISTORY TO CONTEMPORARY ART PRACTICE FOR HIGH SCHOOL STUDENTS WITH A FOCUS ON APPLICABLE SKILLS THAT PREPARE SELF-SELECTING STUDENTS FOR CAREERS IN CONTEMPORARY ART. DURING FISCAL YEAR 2019, APPROXIMATELY 40 STUDENTS PARTICIPATED IN EACH SEMESTER OF ICA MIAMI'S YOUNG ARTISTS INITIATIVE. ICA MIAMI'S OUTREACH PROGRAMS PRESENT THE DIVERSE WORKS OF CONTEMPORARY ARTISTS TO UNDER-RESOURCED YOUTHS AND YOUNG ADULTS IN THE MIAMI REGION. THROUGH A SERIES OF PARTNERSHIPS WITH MIAMI-DADE PUBLIC SCHOOLS AND LOCAL COMMUNITY ORGANIZATIONS, OUR CURRICULA AIM IS TO IMPROVE VISUAL LITERACY, WHILE EMPOWERING THE SOCIAL, CULTURAL AND GENDER-SPECIFIC IDENTITIES OF PARTICIPANTS. DURING FISCAL YEAR 2019, ICA MIAMI OFFERED OVER 60 WORKSHOPS SERVING OVER 400 PARTICIPANTS. ICA MIAMI, IN PARTNERSHIP WITH THE MIAMI DESIGN DISTRICT, ALSO HOSTS A MONTHLY "FAMILY DAY" ON THE SECOND SUNDAY OF EACH MONTH. FAMILIES AND OTHER COMMUNITY MEMBERS ARE INVITED TO SPEND AN AFTERNOON EXPLORING THE CULTURAL OFFERINGS OF THE MUSEUM THROUGH VARIOUS INTERACTIVE ACTIVITIES WHICH PROMOTE CREATIVITY AND CRITICAL THINKING, INCLUDING STORY TELLING SESSIONS, MUSICAL PERFORMANCES, AND ART MAKING ACTIVITIES. THE ACTIVITIES ARE TIED TO A THEME OR THE MUSEUMS CURRENT EXHIBITIONS. ANNUALLY WE SERVE OVER 5,000 PEOPLE ICA MIAMI ALSO OFFERS COMPLEMENTARY TOURS OF CURRENT EXHIBITIONS TO SCHOOLS, SUMMER CAMPS, AND ADULT ORGANIZATIONS. ICA HOSTED ABOUT 100 TOURS DURING FISCAL YEAR 2019, REACHING OVER 1,000 PARTICIPANTS. |
| FORM 990, PART III, LINE 4C - THIRD ACCOMPLISHMENT | PUBLIC PROGRAMS DURING FISCAL YEAR 2019, ICA MIAMI CONTINUED A ROBUST PROGRAM OF PUBLIC PRESENTATIONS, LECTURES, SEMINARS, FILM SCREENINGS, ARTISTS' TALKS, AND EVENTS. BUILDING ON THE STRUCTURE THAT DIVIDES THE INSTITUTION'S PUBLIC PROGRAMS INTO FOCUSED COMPONENTS, PROGRAMS AND EVENTS WERE DEVELOPED UNDER THE FOLLOWING RUBRICS: ART + RESEARCH CENTER, ICA IDEAS, ICA PERFORMS, AND ICA SPEAKS. THROUGH ART + RESEARCH CENTER, THE MUSEUM OFFERS FREE COLLEGE-LEVEL SEMINAR CLASSES, OPEN TO YOUNG ADULTS AND LIFELONG LEARNERS, COVERING A WIDE RANGE OF THEMES FROM CONTEMPORARY ART AND RECENT ART HISTORY. DURING FISCAL YEAR 2019, ICA MIAMI HOSTED INTENSIVE 4- WEEK FALL, SPRING AND SUMMER SEMESTERS. ICA IDEAS EXPANDS THE REACH AND MEANING OF EXHIBITIONS ON VIEW, WHILE PROVIDING DYNAMIC MODES OF CREATION AND INTERACTION OUTSIDE THE EXHIBITION FORMAT. FISCAL YEAR 2019 INCLUDED A CYCLE OF PROGRAMS THAT LOOKED AT THE WORK OF THREE PIONEERING ARTISTS WHO EMPLOYED THE PREVALENT GEOMETRIC LANGUAGES OF 1960S SCULPTURE TOWARD UNPRECEDENTED ENDS. TAKING ADVANTAGE OF MATERIALS AND INDUSTRIAL PROCESSES THAT BECAME AVAILABLE AFTER WORLD WAR II, PARTICULARLY IN CALIFORNIA, LARRY BELL ENGAGED IN A DEEP STUDY OF PERCEPTION AND EXPERIENCE. FEEDING ON THE POLITICAL CHARGE OF THE TIMES AND STRUGGLING AGAINST DOMINANT STRUCTURES, JUDY CHICAGO BEGAN HER CAREER IMBUING GEOMETRIC FORMS WITH FEMINIST CONCERNS ON HER WAY TO REDEVELOPING A RELATIONSHIP WITH VARIOUS LANGUAGES OF FIGURATION. ROBERT GROSVENOR USED MONUMENTAL GEOMETRIC FORMS TO EXPLORE BOTH INHERENT SCULPTURAL QUALITIES, SUCH AS VOLUME AND WEIGHT, AND THE ARCHITECTURAL TYPOLOGIES THAT DEFINE THE AMERICAN LANDSCAPE. ICA SPEAKS IS FOCUSED ON PROMOTING THE EXCHANGE OF ART AND IDEAS. IT FEATURES ARTISTS WHOSE WORK IS IN THE MUSEUM'S PERMANENT COLLECTION, AND HIGHLIGHTS THE STRENGTH OF THE INSTITUTION'S HOLDINGS THROUGH ORIGINAL SCHOLARSHIP. ON FEBRUARY 7, 2019, ICA MIAMI WELCOMED ARTIST RITA ACKERMANN TO ICA SPEAKS AT PARADISE PLAZA IN THE MIAMI DESIGN DISTRICT. THE OPPOSING IMPULSES OF CREATION AND DESTRUCTION MARK THE TOUCHSTONE OF NEW YORK-BASED ARTIST RITA ACKERMANN'S PRACTICE, WHICH CONTINUES TO EVOLVE AND MANIFEST ITSELF IN THE SHIFT FROM REPRESENTATION TO ABSTRACTION. ICA PERFORMS FOSTERS THE DEVELOPMENT OF NEW PERFORMANCE WORKS BY ENCOURAGING LEADING PERFORMANCE ARTISTS TO PRESENT NEW AND RECENT WORKS AT THE MUSEUM. ON FEBRUARY 23, 2019, ICA MIAMI PRESENTED A NEW SITE-SPECIFIC PERFORMANCE BY JUDY CHICAGO IN THE MIAMI DESIGN DISTRICT JUNGLE PLAZA ENTITLED A PURPLE POEM FOR MIAMI. ON JUNE 6, 2019, PAUL MAHEKE PRESENTED THE DISTANCE IS NOWHERE, A PERFORMANCE CREATED IN COLLABORATION WITH ARTIST AND FILMMAKER SOPHIE MALLETT IN 2018. COMBINING SOUND, TEXT, AND MOVEMENT, THE DISTANCE IS NOWHERE EXPLORED TRANSITIONAL SPACES, USING WATER AS A METAPHOR FOR THE PATHWAYS AMONG THE BODY, INFORMATION AND KNOWLEDGE, AND SOCIOPOLITICAL AND HISTORICAL CONCERNS. ACCOMPANIED BY MALLETT'S SCORE, MAHEKE'S COMPOSITION MOVED ACROSS A PLATFORM SITUATED IN THE OPEN SPACE OF THE SCULPTURE GARDEN, TRANSLATING SOUND AND TEXT INTO MOVEMENT. |
| FORM 990, PART VI, SECTION A, LINE 2 | THE TRUSTEES IRMA BRAMAN AND DEBI WESCHLER HAVE A FAMILY RELATIONSHIP. |
| FORM 990, PART VI, SECTION B, LINE 11B | A COMPLETE DRAFT OF FORM 990 WAS DISTRIBUTED TO, AND REVIEWED AND APPROVED BY, THE ORGANIZATION'S FINANCE COMMITTEE. |
| FORM 990, PART VI, SECTION B, LINE 12C | ENFORCEMENT OF CONFLICTS OF INTEREST EACH DIRECTOR, PRINCIPAL, OFFICER, KEY EMPLOYEE AND MEMBER OF A COMMITTEE WITH GOVERNING BOARD DELIGATED POWERS SHALL ANNUALLY SIGN A STATEMENT WHICH AFFIRMS THAT SUCH PERSON HAS RECEIVED A COPY OF THE CONFLICT OF INTEREST POLICY, HAS READ AND UNDERSTANDS THE POLICY, HAS AGREED TO COMPLY WITH THE POLICY AND UNDERSTANDS THAT THE ORGANIZATION IS CHARITABLE AND IN ORDER TO MAINTAIN ITS FEDERAL EXEMPTION IT MUST ENGAGE PRIMARILY IN ACTIVITIES WHICH ACCOMPLISH ONE OR MORE OF ITS TAX-EXEMPT PURPOSES. IN ADDITION, THE ORGANIZATION CONDUCTS PERIODIC REVIEWS WHICH INCLUDE WHETHER COMPENSATION ARRANGEMENTS AND BENEFITS ARE REASONABLE AND WHETHER PARTNERSHIPS, JOINT VENTURES, AND ARRANGEMENTS WITH MANAGEMENT ORGANIZATIONS CONFORM TO THE ORGANIZATION'S WRITTEN POLICIES, ARE PROPERLY RECORDED, REFLECT REASONABLE INVESTMENTS OR PAYMENTS FOR GOODS AND SERVICES, FURTHER CHARITABLE PURPOSES AND DO NOT RESULT IN INCREMENT, IMPERMISSIBLE PRIVATE BENEFIT OR IN AN EXCESS BENEFIT TRANSACTION. |
| FORM 990, PART VI, SECTION B, LINE 15 | COMPENSATION PROCESS FOR OFFICERS THE COMPENSATION PROCESS FOR KEY EMPLOYEES IS APPROVED BY THE ARTISTIC DIRECTOR IN CONSULTATION WITH THE DEPUTY DIRECTOR. SALARY IS DETERMINED BASED ON THE ORGANIZATION'S BUDGET GUIDELINES AND REVIEW OF THE AMERICAN ALLIANCE OF MUSEUM SALARY SURVEY. |
| FORM 990, PART VI, SECTION C, LINE 19 | GOVERNING DOCUMENT DISCLOSURE EXPLANATION GOVERNING DOCUMENTS ARE MADE AVAILABLE TO THE PUBLIC UPON REQUEST. |
| FORM 990, PART VI, LINE 15A - COMPENSATION PROCESS FOR TOP OFFICIAL | THE ORGANIZATION'S ARTISTIC DIRECTOR'S SALARY IS DETERMINED BY THE CO-CHAIRS OF THE BOARD OF TRUSTEES IN CONSULTATION WITH THE EXECUTIVE COMMITTEE. SALARY IS DETERMINED BASED ON THE ORGANIZATION'S BUDGET GUIDELINES AND REVIEW OF THE AMERICAN ALLIANCE OF MUSEUM SALARY SURVEY. |
| FORM 990, PART IX, LINE 24E | ART SHIPPING AND CRATING: PROGRAM SERVICE EXPENSES 362,148. MANAGEMENT AND GENERAL EXPENSES 0. FUNDRAISING EXPENSES 0. TOTAL EXPENSES 362,148. EQUIPMENT, STORAGE, REPAIR AND MAINTENANCE: PROGRAM SERVICE EXPENSES 208,788. MANAGEMENT AND GENERAL EXPENSES 8,442. FUNDRAISING EXPENSES 3,595. TOTAL EXPENSES 220,825. OTHER PRINTING, SIGNAGE, WAYFINDING: PROGRAM SERVICE EXPENSES 143,282. MANAGEMENT AND GENERAL EXPENSES 3,211. FUNDRAISING EXPENSES 7,176. TOTAL EXPENSES 153,669. MEALS AND CONSUMABLES: PROGRAM SERVICE EXPENSES 90,459. MANAGEMENT AND GENERAL EXPENSES 9,151. FUNDRAISING EXPENSES 44,855. TOTAL EXPENSES 144,465. UTILITIES: PROGRAM SERVICE EXPENSES 127,983. MANAGEMENT AND GENERAL EXPENSES 5,346. FUNDRAISING EXPENSES 3,050. TOTAL EXPENSES 136,379. PRINTING AND PUBLICATIONS: PROGRAM SERVICE EXPENSES 122,805. MANAGEMENT AND GENERAL EXPENSES 0. FUNDRAISING EXPENSES 0. TOTAL EXPENSES 122,805. DUES AND SUBSCRIPTIONS: PROGRAM SERVICE EXPENSES 73,324. MANAGEMENT AND GENERAL EXPENSES 6,252. FUNDRAISING EXPENSES 12,483. TOTAL EXPENSES 92,059. ARTIST AWARDS AND FEES: PROGRAM SERVICE EXPENSES 89,523. MANAGEMENT AND GENERAL EXPENSES 0. FUNDRAISING EXPENSES 2,450. TOTAL EXPENSES 91,973. CREDIT CARD, BANK AND OTHER FEES: PROGRAM SERVICE EXPENSES 7,063. MANAGEMENT AND GENERAL EXPENSES 26,312. FUNDRAISING EXPENSES 32,832. TOTAL EXPENSES 66,207. ART STORAGE: PROGRAM SERVICE EXPENSES 64,436. MANAGEMENT AND GENERAL EXPENSES 0. FUNDRAISING EXPENSES 0. TOTAL EXPENSES 64,436. GIFT SHOP PURCHASES: PROGRAM SERVICE EXPENSES 63,855. MANAGEMENT AND GENERAL EXPENSES 0. FUNDRAISING EXPENSES 0. TOTAL EXPENSES 63,855. OTHER MISC EXPENSES: PROGRAM SERVICE EXPENSES 58,193. MANAGEMENT AND GENERAL EXPENSES 407. FUNDRAISING EXPENSES 1,113. TOTAL EXPENSES 59,713. |
| FORM 990, PART XII, LINE 2C | THE ORGANIZATION HAS NOT CHANGED ITS OVERSIGHT PROCESS OR SELECTION PROCESS DURING THE TAX YEAR. |
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