Attach to Form 990 or Form 990-EZ.
Go to
www.irs.gov/Form990 for instructions and the latest information.
| (i) Name of supported organization | (ii) EIN | (iii) Type of organization (described on lines 1- 10 above (see instructions)) | (iv) Is the organization listed in your governing document? | (v) Amount of monetary support (see instructions) | (vi) Amount of other support (see instructions) | |
|---|---|---|---|---|---|---|
| Yes | No | |||||
|
Total |
||||||
Calendar year (or fiscal year beginning in) ![]() |
(a) 2015 | (b) 2016 | (c) 2017 | (d) 2018 | (e) 2019 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 1 | Gifts, grants, contributions, and membership fees received. (Do not include any "unusual grant.") .. | ||||||
| 2 | Tax revenues levied for the organization's benefit and either paid to or expended on its behalf.... | ||||||
| 3 | The value of services or facilities furnished by a governmental unit to the organization without charge.. | ||||||
| 4 | Total. Add lines 1 through 3 | ||||||
| 5 | The portion of total contributions by each person (other than a governmental unit or publicly supported organization) included on line 1 that exceeds 2% of the amount shown on line 11, column (f).. | ||||||
| 6 | Public support. Subtract line 5 from line 4. | ||||||
Calendar year
(or fiscal year beginning in) ![]() |
(a) 2015 | (b) 2016 | (c) 2017 | (d) 2018 | (e) 2019 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 7 | Amounts from line 4.. | ||||||
| 8 | Gross income from interest, dividends, payments received on securities loans, rents, royalties and income from similar sources... | ||||||
| 9 | Net income from unrelated business activities, whether or not the business is regularly carried on.. | ||||||
| 10 | Other income. Do not include gain or loss from the sale of capital assets (Explain in Part VI.).. | ||||||
| 11 | Total support. Add lines 7 through 10 | ||||||
Calendar year (or fiscal year beginning in) ![]() |
(a) 2015 | (b) 2016 | (c) 2017 | (d) 2018 | (e) 2019 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 1 | Gifts, grants, contributions, and membership fees received. (Do not include any "unusual grants.") . | 51,992 | 38,878 | 50,615 | 56,544 | 37,302 | 235,331 |
| 2 | Gross receipts from admissions, merchandise sold or services performed, or facilities furnished in any activity that is related to the organization's tax-exempt purpose | 122,738 | 143,841 | 140,321 | 165,841 | 134,004 | 706,745 |
| 3 | Gross receipts from activities that are not an unrelated trade or business under section 513 ..... | ||||||
| 4 | Tax revenues levied for the organization's benefit and either paid to or expended on its behalf... | ||||||
| 5 | The value of services or facilities furnished by a governmental unit to the organization without charge | ||||||
| 6 | Total. Add lines 1 through 5 | 174,730 | 182,719 | 190,936 | 222,385 | 171,306 | 942,076 |
| 7a | Amounts included on lines 1, 2, and 3 received from disqualified persons | ||||||
| b | Amounts included on lines 2 and 3 received from other than disqualified persons that exceed the greater of $5,000 or 1% of the amount on line 13 for the year. | ||||||
| c | Add lines 7a and 7b.. | ||||||
| 8 | Public support. (Subtract line 7c from line 6.) | 942,076 | |||||
Calendar year (or fiscal year beginning in) ![]() |
(a) 2015 | (b) 2016 | (c) 2017 | (d) 2018 | (e) 2019 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 9 | Amounts from line 6... | 174,730 | 182,719 | 190,936 | 222,385 | 171,306 | 942,076 |
| 10a | Gross income from interest, dividends, payments received on securities loans, rents, royalties and income from similar sources.. | ||||||
| b | Unrelated business taxable income (less section 511 taxes) from businesses acquired after June 30, 1975. | ||||||
| c | Add lines 10a and 10b. | ||||||
| 11 | Net income from unrelated business activities not included in line 10b, whether or not the business is regularly carried on. | ||||||
| 12 | Other income. Do not include gain or loss from the sale of capital assets (Explain in Part VI.) .. | ||||||
| 13 | Total support. (Add lines 9, 10c, 11, and 12.).. | 174,730 | 182,719 | 190,936 | 222,385 | 171,306 | 942,076 |
| Section A - Adjusted Net Income | (A) Prior Year |
(B) Current Year (optional) |
||||
| 1 | Net short-term capital gain | 1 | ||||
| 2 | Recoveries of prior-year distributions | 2 | ||||
| 3 | Other gross income (see instructions) | 3 | ||||
| 4 | Add lines 1 through 3 | 4 | ||||
| 5 | Depreciation and depletion | 5 | ||||
| 6 | Portion of operating expenses paid or incurred for production or collection of gross income or for management, conservation, or maintenance of property held for production of income (see instructions) | 6 | ||||
| 7 | Other expenses (see instructions) | 7 | ||||
| 8 | Adjusted Net Income (subtract lines 5, 6 and 7 from line 4) | 8 | ||||
| Section B - Minimum Asset Amount | (A) Prior Year |
(B) Current Year (optional) |
||||
| 1 | Aggregate fair market value of all non-exempt-use assets (see instructions for short tax year or assets held for part of year): | 1 | ||||
| a | Average monthly value of securities | 1a | ||||
| b | Average monthly cash balances | 1b | ||||
| c | Fair market value of other non-exempt-use assets | 1c | ||||
| d | Total (add lines 1a, 1b, and 1c) | 1d | ||||
| e |
Discount claimed for blockage or other factors (explain in detail in Part VI): |
|||||
| 2 | Acquisition indebtedness applicable to non-exempt use assets | 2 | ||||
| 3 | Subtract line 2 from line 1d | 3 | ||||
| 4 | Cash deemed held for exempt use. Enter 1-1/2% of line 3 (for greater amount, see instructions). | 4 | ||||
| 5 | Net value of non-exempt-use assets (subtract line 4 from line 3) | 5 | ||||
| 6 | Multiply line 5 by .035 | 6 | ||||
| 7 | Recoveries of prior-year distributions | 7 | ||||
| 8 | Minimum Asset Amount (add line 7 to line 6) | 8 | ||||
| Section C - Distributable Amount | Current Year | |||||
| 1 | Adjusted net income for prior year (from Section A, line 8, Column A) | 1 | ||||
| 2 | Enter 85% of line 1 | 2 | ||||
| 3 | Minimum asset amount for prior year (from Section B, line 8, Column A) | 3 | ||||
| 4 | Enter greater of line 2 or line 3 | 4 | ||||
| 5 | Income tax imposed in prior year | 5 | ||||
| 6 | Distributable Amount. Subtract line 5 from line 4, unless subject to emergency temporary reduction (see instructions) | 6 | ||||
| Section D - Distributions | Current Year | |
|---|---|---|
| 1 Amounts paid to supported organizations to accomplish exempt purposes | ||
|
2
Amounts paid to perform activity that directly furthers exempt purposes of supported organizations, in excess of income from activity |
||
| 3 Administrative expenses paid to accomplish exempt purposes of supported organizations | ||
| 4 Amounts paid to acquire exempt-use assets | ||
| 5 Qualified set-aside amounts (prior IRS approval required) | ||
| 6 Other distributions (describe in Part VI). See instructions | ||
| 7Total annual distributions. Add lines 1 through 6. | ||
|
8
Distributions to attentive supported organizations to which the organization is responsive (provide details in Part VI). See instructions |
||
| 9 Distributable amount for 2019 from Section C, line 6 | ||
| 10 Line 8 amount divided by Line 9 amount | ||
| Section E - Distribution Allocations (see instructions) |
(i) Excess Distributions |
(ii) Underdistributions Pre-2019 |
(iii) Distributable Amount for 2019 |
|
|---|---|---|---|---|
| 1 Distributable amount for 2019 from Section C, line 6 | ||||
|
2
Underdistributions, if any, for years prior to 2019 (reasonable cause required-- explain in Part VI). See instructions. |
||||
| 3 Excess distributions carryover, if any, to 2019: | ||||
| a From 2014....... | ||||
| b From 2015....... | ||||
| c From 2016....... | ||||
| d From 2017....... | ||||
| e From 2018....... | ||||
| fTotal of lines 3a through e | ||||
| g Applied to underdistributions of prior years | ||||
| h Applied to 2019 distributable amount | ||||
|
i
Carryover from 2014 not applied (see instructions) |
||||
| j Remainder. Subtract lines 3g, 3h, and 3i from 3f. | ||||
| 4Distributions for 2019 from Section D, line 7: | ||||
| $ | ||||
| a Applied to underdistributions of prior years | ||||
| b Applied to 2019 distributable amount | ||||
| c Remainder. Subtract lines 4a and 4b from 4. | ||||
|
5
Remaining underdistributions for years prior to 2019, if any. Subtract lines 3g and 4a from line 2. If the amount is greater than zero, explain in Part VI. See instructions. |
||||
|
6
Remaining underdistributions for 2019. Subtract lines 3h and 4b from line 1. If the amount is greater than zero, explain in Part VI. See instructions. |
||||
|
7 Excess distributions carryover to 2020. Add lines 3j and 4c. |
||||
| 8 Breakdown of line 7: | ||||
| a Excess from 2015..... | ||||
| b Excess from 2016..... | ||||
| c Excess from 2017..... | ||||
| d Excess from 2018..... | ||||
| e Excess from 2019..... | ||||
| Facts And Circumstances Test |
|---|
| Return Reference | Explanation |
|---|
| Software ID: | |
| Software Version: |
Attach to Form 990 or 990-EZ.
Go to www.irs.gov/Form990 for the latest information.
| Return Reference | Explanation |
|---|---|
| FORM 990-EZ, PART I, LINE 10 | CASH CONTRIBUTION: 8,925 RELATIONSHIP: N/A |
| FORM 990-EZ, PART I, LINE 16 | EXPENSES ADVERTISING AND PROMOTION 4,541 OFFICE EXPENSES 4,182 INFORMATION TECHNOLOGY 9,253 TRAVEL 395 INTEREST 1,322 INSURANCE 4,266 PAYMENT PROCESSING FEES 2,758 MEMBERSHIP DUES 579 PERFORMANCE SUPPLIES 9,500 TOTAL 36,796 |
| FORM 990-EZ, PART II, LINE 24 | ACCOUNTS RECEIVABLE 4,516 0 INVENTORIES FOR SALE OR USE 0 827 INVENTORIES 540 0 TOTAL 5,056 827 |
| FORM 990-EZ, PART II, LINE 26 | ACCOUNTS PAYABLE AND ACCRUED EXPENSES 2,360 7,837 LOANS FROM OFFICERS 8,393 8,393 MORTGAGE AND OTHER NOTES PAYABLE 15,005 15,005 |
| FORM 990-EZ, PART III | TO INSPIRE THE NEXT GENERATION OF COMPASSIONATE LEADERS WHILE PRESENTING THE HIGHEST QUALITY OF CLASSICAL DANCE TO AUDIENCES OF ALL AGES AND CULTURES THROUGH PROFESSIONAL-STYLE PERFORMANCES AND COMMUNITY ENGAGEMENT WITH CREATIVE INITIATIVES. |
| FORM 990-EZ, PART III, LINE 28 | FOR THE STORYBOOK SEASON OF 2019-2020, THE COMPANY WAS SET TO PRODUCE THREE MAIN-STAGE PROGRAMS - THE FALL SHOWCASE (2 PERFORMANCES), THE NUTCRACKER (4 PERFORMANCES), AND GALA PERFORMANCE (2 PERFORMANCES), - AND TWO ANCILLARY PROGRAMS SERVICING FAMILIES OF SMALLER CHILDREN. PROGRAM SERVICE ACCOMPLISHMENTS: THE FALL SHOWCASE FEATURED A NEW, ORIGINAL BALLET, AROUND THE WORLD IN 80 DAYS, ADAPTED BY EXECUTIVE ARTISTIC DIRECTOR KRISTIN KINGSLEY FROM THE BOOK BY JULES VERNE. THESE PERFORMANCES FEATURED 33 MIDDLE AND HIGH SCHOOL AGED PERFORMERS AND 1 PROFESSIONAL GUEST ARTIST. THE MUSIC WAS COMPRISED OF PIECES COMPOSED BY ROBERT SCHUMANN, EDVARD GRIEG, THOMAS ARNE, AND PERCY GRAINGER. THIS PRODUCTION PREMIERED AT LONGMONTS STEWART AUDITORIUM AT THE CITY OF LONGMONT MUSEUM, AND WAS ACCOMPANIED BY SOLO PIANIST DEVON NEWBURN. 1 PROFESSIONAL LIGHTING CREW MEMBER CREATED LIGHTING FOR THIS PERFORMANCE. 21 VOLUNTEERS GAVE OVER 102 HOURS TO ALTER COSTUMES AND BUILD SETS AND PROPS. AUDIENCES TOTALED 326 AND AN INSPIRED CREATIVE MADE A PHOTOGRAPHY OPPORTUNITY FOR THE COMMUNITY IN THE LOBBY AT THE EVENT. OUR 8TH ANNUAL PRODUCTION OF THE NUTCRACKER FEATURED 113 YOUTH PERFORMERS RANGING IN AGES FROM 5 TO 18 YEARS OLD (CULLED FROM LOCAL DANCE STUDIOS), 1 PROFESSIONAL GUEST ARTIST, AND 11 ADULT/TEEN VOLUNTEER PERFORMERS. THIS PERFORMANCE MARKED OUR FIRST NUTCRACKER WITH AN IN-HOUSE ORCHESTRA COMPRISED OF 32 FREELANCE PROFESSIONAL MUSICIANS (WEVE PREVIOUSLY HIRED AMATEUR COMMUNITY ORCHESTRAS), PLUS CONDUCTOR, RICK THOMAS. THE NUTCRACKER IS A TRADITIONAL HOLIDAY BALLET AND WAS CHOREOGRAPHED BY KRISTEN DEMAREE, MATTHEW HELMS, KRISTIN KINGSLEY, AND STEPHANIE TULEY. THE NIWOT HIGH SCHOOL STUDENT TECHNICAL CREW WAS LED BY DAVID DENMAN (PRODUCTION STAGE MANAGER AND LIGHTING DESIGNER) AND JASON WATKINS (STAGE TECHNOLOGY TEACHER). MR. DENMAN BRINGS HIS PRODUCTION MANAGEMENT BACKGROUND TO THIS YOUNG CREW. HE IS THE BUSINESS AGENT FOR THE I.A.T.S.E. LOCAL 229 SERVING NORTHERN COLORADO AND SOUTHERN WYOMING. PAIGE DENMAN, DAUGHTER OF DAVID DENMAN, WAS GIVEN THE OPPORTUNITY TO INTERN AS THE STAGE MANAGER. IT WAS EXCITING TO SEE OUR MISSION COME TO LIFE IN THAT CSB IS FOSTERING THE NEXT GENERATION OF LEADERS BOTH ON STAGE AND BEHIND THE SCENES. BRYAN STADTHERR SERVED AS OUR TECHNICAL DIRECTOR. OVER 114 VOLUNTEERS GAVE OVER 550 HOURS ALTERING COSTUMES, BUILDING SETS AND PROPS, AND OTHER WORK BEHIND-THE-SCENES TO MAKE THIS PRODUCTION A REALITY. SVVSD NATIONAL HONOR SOCIETY STUDENTS USHERED AT THIS EVENT UNDER THE GUIDANCE OF VOLUNTEER KAREN KRUSE AND BOARD MEMBER KIMBERLY TAYLOR. AUDIENCES TOTALED 2305. THE GALA PERFORMANCE, FEATURING THE LION, THE WITCH AND THE WARDROBE WOULD HAVE CULMINATED THE COMPANYS 8TH YEAR AS A NONPROFIT AND ITS 22ND ANNIVERSARY PERFORMANCE SEASON. DUE TO COVID-19, THE PRODUCTION REHEARSALS ENDED MARCH 12, 2020. THIS PRODUCTION CONSISTED OF A 3-ACT, CLASSICAL BALLET COMPOSED BY ELGAR AND ARRANGED BY CONDUCTOR RICK THOMAS. 80 YOUTH DANCERS WERE CAST AND HAD BEEN REHEARSING WEEKLY. THEY RANGED IN AGE FROM 5 TO 18 YEARS OLD (CULLED FROM LOCAL DANCE STUDIOS), 1 PROFESSIONAL GUEST ARTISTS, AND 4 TEEN/ADULT VOLUNTEER PERFORMERS. EXECUTIVE ARTISTIC DIRECTOR KRISTIN KINGSLEY CHOREOGRAPHED THE BALLET BASED ON THE BOOK OF THE SAME NAME BY C.S. LEWIS UNDER THE RIGHTS FROM THE CS LEWIS COMPANY LTD IN ENGLAND. PROFESSIONAL MUSICIANS WERE BEING CONTRACTED TO PLAY IN IN-HOUSE ORCHESTRA CONDUCTED BY RICK THOMAS. THE NIWOT HIGH SCHOOL STUDENT TECHNICAL CREW WAS LED BY DAVID DENMAN (PRODUCTION STAGE MANAGER AND LIGHTING DESIGNER), JASON WATKINS (STAGE TECHNOLOGY TEACHER), AND BRYAN STADTHERR (TECHNICAL DIRECTOR). VOLUNTEERS WERE IN THE PROCESS OF ALTERING COSTUMES. THIS PERFORMANCE WAS CANCELLED DUE TO HEALTH CONCERNS FOR THE COMMUNITY. A FINANCIAL LOSS WAS INCURRED BASED ON THE PERFORMANCE CANCELLATION THROUGH TICKET SALES, PRORATED PERFORMANCE FEES, AND BOUTIQUE MERCHANDISE SALES. ADDITIONAL ANNUAL ANCILLARY PROGRAMS INCLUDE THE SUGAR PLUM TEA PARTY (FALL) AND PETIT BALLET (SPRING), WHICH WAS CANCELLED DUE TO COVID-19. THESE PROGRAMS FOCUS ON SERVICING FAMILIES WITH SMALLER CHILDREN AND INCORPORATE EDUCATIONAL NARRATIVES TO KEEP YOUNG CHILDREN ENGAGED WHILE INTRODUCING THEM TO CLASSICAL BALLET. IN 2019, CSB CREATED TWO CASTS TO SERVE THE HIGH DEMAND OF PERFORMING AT THE SUGAR PLUM TEA PARTY. 50 YOUTH PERFORMERS DANCED OVER THE TWO DAY EVENT. CSB EXCEEDED PAST VOLUNTEER NUMBERS WITH 132 VOLUNTEERS GIVING OVER 2579 HOURS TO HELP US SERVE OUR AUDIENCE MEMBERS. AUDIENCES TOTALED 386 FOR THE SUGAR PLUM TEA PARTY. PROGRAM SERVICE ACCOMPLISHMENTS: YOUTH PERFORMERS CULTIVATE A VARIETY OF SOFT SKILLS THAT HELP PREPARE THEM FOR THEIR FUTURE ENDEAVORS, WHETHER OR NOT THEY CHOOSE TO PURSUE DANCE AS A PROFESSIONAL CAREER. DURING THE REHEARSAL PROCESS, STUDENTS MUST LEARN TO BE ATTENTIVE, DETAIL-ORIENTED SELF-ADVOCATES WHO ARE AWARE OF THEIR RESPONSIBILITIES AND THE NEEDS OF THOSE AROUND THEM. THEY LEARN TO WORK COLLABORATIVELY TO SOLVE PROBLEMS AND TO RESPOND RESPECTFULLY AND KINDLY WHEN OTHERS NEED THEIR HELP. THEY DEVELOP A STRONG WORK ETHIC VIA THIS PROCESS, REMAINING COMMITTED TO THEIR OWN EXCELLENCE AS WELL AS THE COLLABORATIVE SUCCESS OF THE OVERALL PRODUCTION. DURING PERFORMANCE, THE STUDENTS MUST PERFORM WITH CLARITY AND HONESTY BEFORE LARGE AUDIENCES. THEY MUST REACT PROACTIVELY TO THE CHALLENGES THAT LIVE PERFORMANCE CAN BRING, BE IT A DROPPED PROP OR A MISSED NOTE IN THE ORCHESTRA. THROUGH LIVE PERFORMANCE, STUDENTS REALIZE THEY CAN PREPARE AND WORK TO IMPROVE THEIR PERSONAL SUCCESS; HOWEVER, THE OVERALL SUCCESS OF THE PRODUCTION REQUIRES THE COLLABORATION OF HUNDREDS OF INDIVIDUALS, INCLUDING STAFF, VOLUNTEERS, STAGE HANDS, AND OTHER PERFORMERS. THESE ARE POWERFUL LESSONS THAT HELP OUR ALUM SUCCEED NOW AND IN THE FUTURE. ALUM ERIN DRUMMY (2016) GRADUATED WITH A BA IN POLITICAL SCIENCE FROM TAYLOR UNIVERSITY IN 2020. AFTER THE GALA PERFORMANCE WAS CANCELLED, ERIN DRUMMY SPOKE TO THE SENIORS IN THE PERFORMANCE COMPANY TO UPLIFT THEM AFTER THE CRUSHING CANCELLATION OF THEIR FINAL PERFORMANCE. ALL WERE GIVEN AN IDEA ABOUT THE TRANSITION FROM HIGH SCHOOL TO UNIVERSITY. ASHLEY NICOLL (2016) GRADUATED WITH A BA AND A MASTERS DEGREE IN MARINE BIOLOGY AND BIOLOGICAL OCEANOGRAPHY FROM THE UNIVERSITY OF CALIFORNIA SAN DIEGO. NOW ASHLEY IS A TEACHING ASSISTANT AT SCRIPPS INSTITUTION OF OCEANOGRAPHY. BOTH OF THESE ALUMS WERE HIGH ACHIEVING, GIFTED DANCERS WITH CSB AND NOW ARE CARING, HIGHLY MOTIVATED YOUNG WOMEN GIVING BACK TO SOCIETY. SENIORS OF CSB HAD A ROUGH END OF THE SEASON WITH CANCELLATIONS OF GALA PERFORMANCE AND PETIT BALLET. BASED ON THE DESIRE TO CELEBRATE THE SENIORS OF 2020 AND INTRODUCE THE 2021 SENIORS OF THE PERFORMING COMPANY, A NEW PROGRAM WAS INTRODUCED AND PUT IN PLACE FOR THE 2020/21 SEASON: GARDEN PARTY. THE 2020 SENIORS PERSEVERED. OF THE FIVE 2020 ALUM, ONE WAS ACCEPTED INTO THE DANCE PROGRAM OF COLORADO STATE UNIVERSITY. TWO ARE PURSUING DEGREES AT UNIVERSITY OF COLORADO BOULDER. ONE IS ENROLLED AT NAROPA. THE FIFTH IS TAKING COMMUNITY CLASSES AND WORKING PART-TIME LOCALLY. PERFORMERS IN THE MIDDLE AND HIGH SCHOOL LEVES CONTINUE TO TRAIN AT LOCAL BALLET SCHOOLS AND AUDITION FOR SUMMER INTENSIVE BALLET PROGRAMS WITH COLORADO BALLET, KANSAS CITY BALLET, BOSTON BALLET, THE JILLANA SCHOOL, MILWAUKEE BALLET, AND HOUSTON BALLET. CENTENNIAL STATE BALLET CULTIVATES A THRIVING BOYS BALLET PROGRAM. BOYS IN BALLET DEVELOP STRENGTH, DISCIPLINE, STAMINA, BALANCE, AND LEADERSHIP SKILLS. THE CHALLENGE, EFFORT, AND CAMARADERIE DURING REHEARSALS AND PERFORMANCES ARE WHAT MOTIVATE AND EXCITE OUR YOUNG GENTLEMEN TO BECOME STRONG MALE ROLE MODELS IN BOTH THE BALLET WORLD AND THEIR RESPECTIVE COMMUNITIES. IN 2019/20 CENTENNIAL STATE BALLETS BOARD OF DIRECTORS COMMITTED TO EXPANDING THE STUDENT SCHOLARSHIP PROGRAM. SCHOLARSHIPS ARE AWARDED TO STUDENTS BASED ON PROVEN FINANCIAL NEED AND MERIT. BOULDER BODY WEAR, A LOCAL DANCE BOUTIQUE SHOP, COLLABORATES TO ASSIST CSB SCHOLARSHIP RECIPIENTS WITH DISCOUNTED AND/OR FREE MERCHANDISE. CENTENNIAL STATE BALLET IS PROUD TO REPORT 100% BOARD GIVING VIA DIRECT CONTRIBUTIONS, IN-KIND CONTRIBUTIONS OF GOODS OR SERVICES, AND/OR VOLUNTEERISM. A PART TIME EMPLOYEE WAS HIRED AS COMMUNICATIONS COORDINATOR TO FACILITATE THE DISSEMINATION OF INFORMATION AND INTERFACE WITH PERFORMERS, VOLUNTEERS, AND THE COMMUNITY AT LARGE. CENTENNIAL STATE BALLET IS PROUD TO BE A FOUNDING MEMBER OF THE LONGMONT PERFORMING ARTS INITIATIVE (LPAI). LPAI IS A COLLABORATIVE GROUP FOCUSED TOWARDS THE ADVOCACY AND SUPPORT OF THE PERFORMING ARTS AND IS COMPRISED OF LONGMONTS MAJOR NONPROFIT PERFORMING ARTS ORGANIZATIONS. CURRENT MEMBERS INCLUDE CENTENNIAL STATE BALLET, LONGMONT CHORALE, LONGMONT CONCERT BAND, LONGMONT SYMPHONY, LONGMONT YOUTH SYMPHONY, AND LONGS PEAK CHORUS. WE BELIEVE A NEED EXISTS FOR A STRONG PERFORMING ARTS PRESENCE THAT PROVIDES ENTERTAINMENT AND OTHER ARTS-RELATED SERVICES TO THE COMMUNITY. CREATING, COLLABORATING, AND COMMUNICATING COOPER |
| Software ID: | |
| Software Version: |