Attach to Form 990 or Form 990-EZ.
Go to
www.irs.gov/Form990 for instructions and the latest information.
| (i) Name of supported organization | (ii) EIN | (iii) Type of organization (described on lines 1- 10 above (see instructions)) | (iv) Is the organization listed in your governing document? | (v) Amount of monetary support (see instructions) | (vi) Amount of other support (see instructions) | |
|---|---|---|---|---|---|---|
| Yes | No | |||||
|
Total |
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Calendar year (or fiscal year beginning in) ![]() |
(a) 2015 | (b) 2016 | (c) 2017 | (d) 2018 | (e) 2019 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 1 | Gifts, grants, contributions, and membership fees received. (Do not include any "unusual grant.") .. | 16,245,379 | 28,640,744 | 59,115,731 | 17,814,728 | 11,906,180 | 133,722,762 |
| 2 | Tax revenues levied for the organization's benefit and either paid to or expended on its behalf.... | ||||||
| 3 | The value of services or facilities furnished by a governmental unit to the organization without charge.. | ||||||
| 4 | Total. Add lines 1 through 3 | 16,245,379 | 28,640,744 | 59,115,731 | 17,814,728 | 11,906,180 | 133,722,762 |
| 5 | The portion of total contributions by each person (other than a governmental unit or publicly supported organization) included on line 1 that exceeds 2% of the amount shown on line 11, column (f).. | 32,880,578 | |||||
| 6 | Public support. Subtract line 5 from line 4. | 100,842,184 | |||||
Calendar year
(or fiscal year beginning in) ![]() |
(a) 2015 | (b) 2016 | (c) 2017 | (d) 2018 | (e) 2019 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 7 | Amounts from line 4.. | 16,245,379 | 28,640,744 | 59,115,731 | 17,814,728 | 11,906,180 | 133,722,762 |
| 8 | Gross income from interest, dividends, payments received on securities loans, rents, royalties and income from similar sources... | 687,453 | 700,438 | 301,604 | 452,008 | 1,012,990 | 3,154,493 |
| 9 | Net income from unrelated business activities, whether or not the business is regularly carried on.. | ||||||
| 10 | Other income. Do not include gain or loss from the sale of capital assets (Explain in Part VI.).. | 87,535 | 33,123 | 47,822 | 43,596 | 13,157 | 225,233 |
| 11 | Total support. Add lines 7 through 10 | 137,102,488 | |||||
Calendar year (or fiscal year beginning in) ![]() |
(a) 2015 | (b) 2016 | (c) 2017 | (d) 2018 | (e) 2019 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 1 | Gifts, grants, contributions, and membership fees received. (Do not include any "unusual grants.") . | ||||||
| 2 | Gross receipts from admissions, merchandise sold or services performed, or facilities furnished in any activity that is related to the organization's tax-exempt purpose | ||||||
| 3 | Gross receipts from activities that are not an unrelated trade or business under section 513 ..... | ||||||
| 4 | Tax revenues levied for the organization's benefit and either paid to or expended on its behalf... | ||||||
| 5 | The value of services or facilities furnished by a governmental unit to the organization without charge | ||||||
| 6 | Total. Add lines 1 through 5 | ||||||
| 7a | Amounts included on lines 1, 2, and 3 received from disqualified persons | ||||||
| b | Amounts included on lines 2 and 3 received from other than disqualified persons that exceed the greater of $5,000 or 1% of the amount on line 13 for the year. | ||||||
| c | Add lines 7a and 7b.. | ||||||
| 8 | Public support. (Subtract line 7c from line 6.) | ||||||
Calendar year (or fiscal year beginning in) ![]() |
(a) 2015 | (b) 2016 | (c) 2017 | (d) 2018 | (e) 2019 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 9 | Amounts from line 6... | ||||||
| 10a | Gross income from interest, dividends, payments received on securities loans, rents, royalties and income from similar sources.. | ||||||
| b | Unrelated business taxable income (less section 511 taxes) from businesses acquired after June 30, 1975. | ||||||
| c | Add lines 10a and 10b. | ||||||
| 11 | Net income from unrelated business activities not included in line 10b, whether or not the business is regularly carried on. | ||||||
| 12 | Other income. Do not include gain or loss from the sale of capital assets (Explain in Part VI.) .. | ||||||
| 13 | Total support. (Add lines 9, 10c, 11, and 12.).. | ||||||
| Section A - Adjusted Net Income | (A) Prior Year |
(B) Current Year (optional) |
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| 1 | Net short-term capital gain | 1 | ||||
| 2 | Recoveries of prior-year distributions | 2 | ||||
| 3 | Other gross income (see instructions) | 3 | ||||
| 4 | Add lines 1 through 3 | 4 | ||||
| 5 | Depreciation and depletion | 5 | ||||
| 6 | Portion of operating expenses paid or incurred for production or collection of gross income or for management, conservation, or maintenance of property held for production of income (see instructions) | 6 | ||||
| 7 | Other expenses (see instructions) | 7 | ||||
| 8 | Adjusted Net Income (subtract lines 5, 6 and 7 from line 4) | 8 | ||||
| Section B - Minimum Asset Amount | (A) Prior Year |
(B) Current Year (optional) |
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| 1 | Aggregate fair market value of all non-exempt-use assets (see instructions for short tax year or assets held for part of year): | 1 | ||||
| a | Average monthly value of securities | 1a | ||||
| b | Average monthly cash balances | 1b | ||||
| c | Fair market value of other non-exempt-use assets | 1c | ||||
| d | Total (add lines 1a, 1b, and 1c) | 1d | ||||
| e |
Discount claimed for blockage or other factors (explain in detail in Part VI): |
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| 2 | Acquisition indebtedness applicable to non-exempt use assets | 2 | ||||
| 3 | Subtract line 2 from line 1d | 3 | ||||
| 4 | Cash deemed held for exempt use. Enter 1-1/2% of line 3 (for greater amount, see instructions). | 4 | ||||
| 5 | Net value of non-exempt-use assets (subtract line 4 from line 3) | 5 | ||||
| 6 | Multiply line 5 by .035 | 6 | ||||
| 7 | Recoveries of prior-year distributions | 7 | ||||
| 8 | Minimum Asset Amount (add line 7 to line 6) | 8 | ||||
| Section C - Distributable Amount | Current Year | |||||
| 1 | Adjusted net income for prior year (from Section A, line 8, Column A) | 1 | ||||
| 2 | Enter 85% of line 1 | 2 | ||||
| 3 | Minimum asset amount for prior year (from Section B, line 8, Column A) | 3 | ||||
| 4 | Enter greater of line 2 or line 3 | 4 | ||||
| 5 | Income tax imposed in prior year | 5 | ||||
| 6 | Distributable Amount. Subtract line 5 from line 4, unless subject to emergency temporary reduction (see instructions) | 6 | ||||
| Section D - Distributions | Current Year | |
|---|---|---|
| 1 Amounts paid to supported organizations to accomplish exempt purposes | ||
|
2
Amounts paid to perform activity that directly furthers exempt purposes of supported organizations, in excess of income from activity |
||
| 3 Administrative expenses paid to accomplish exempt purposes of supported organizations | ||
| 4 Amounts paid to acquire exempt-use assets | ||
| 5 Qualified set-aside amounts (prior IRS approval required) | ||
| 6 Other distributions (describe in Part VI). See instructions | ||
| 7Total annual distributions. Add lines 1 through 6. | ||
|
8
Distributions to attentive supported organizations to which the organization is responsive (provide details in Part VI). See instructions |
||
| 9 Distributable amount for 2019 from Section C, line 6 | ||
| 10 Line 8 amount divided by Line 9 amount | ||
| Section E - Distribution Allocations (see instructions) |
(i) Excess Distributions |
(ii) Underdistributions Pre-2019 |
(iii) Distributable Amount for 2019 |
|
|---|---|---|---|---|
| 1 Distributable amount for 2019 from Section C, line 6 | ||||
|
2
Underdistributions, if any, for years prior to 2019 (reasonable cause required-- explain in Part VI). See instructions. |
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| 3 Excess distributions carryover, if any, to 2019: | ||||
| a From 2014....... | ||||
| b From 2015....... | ||||
| c From 2016....... | ||||
| d From 2017....... | ||||
| e From 2018....... | ||||
| fTotal of lines 3a through e | ||||
| g Applied to underdistributions of prior years | ||||
| h Applied to 2019 distributable amount | ||||
|
i
Carryover from 2014 not applied (see instructions) |
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| j Remainder. Subtract lines 3g, 3h, and 3i from 3f. | ||||
| 4Distributions for 2019 from Section D, line 7: | ||||
| $ | ||||
| a Applied to underdistributions of prior years | ||||
| b Applied to 2019 distributable amount | ||||
| c Remainder. Subtract lines 4a and 4b from 4. | ||||
|
5
Remaining underdistributions for years prior to 2019, if any. Subtract lines 3g and 4a from line 2. If the amount is greater than zero, explain in Part VI. See instructions. |
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|
6
Remaining underdistributions for 2019. Subtract lines 3h and 4b from line 1. If the amount is greater than zero, explain in Part VI. See instructions. |
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|
7 Excess distributions carryover to 2020. Add lines 3j and 4c. |
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| 8 Breakdown of line 7: | ||||
| a Excess from 2015..... | ||||
| b Excess from 2016..... | ||||
| c Excess from 2017..... | ||||
| d Excess from 2018..... | ||||
| e Excess from 2019..... | ||||
| Facts And Circumstances Test |
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| Return Reference | Explanation |
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| Software ID: | |
| Software Version: |
Attach to Form 990 or 990-EZ.
Go to www.irs.gov/Form990 for the latest information.
| Return Reference | Explanation |
|---|---|
| PART III - LINE 1 | THE STUDIO MUSEUM IN HARLEM IS A CONTEMPORARY ART MUSEUM THAT FOCUSES ON THE WORK OF ARTISTS OF AFRICAN DESCENT - AS WELL AS WORK THAT HAS BEEN INSPIRED AND INFLUENCED BY AFRICAN CULTURE - PAST AND PRESENT; THROUGH ITS EXHIBITIONS, ARTIST-IN-RESIDENCE PROGRAMS, EDUCATION AND PUBLIC PROGRAMMING, PERMANENT COLLECTION AND ARCHIVAL AND RESEARCH FACILITIES. THE STUDIO MUSEUM IN HARLEM IS COMMITTED TO SERVING AS A UNIQUE RESOURCE TO ITS LOCAL COMMUNITY, AND TO NATIONAL AND INTERNATIONAL ARENAS, BY MAKING ART AND EXHIBITIONS CONCRETE AND PERSONAL FOR EACH VIEWER. THE MUSEUM PROVIDES A CONTEXT WITHIN WHICH TO ADDRESS CONTEMPORARY AND HISTORICAL ISSUES, PRESENTED THROUGH ART, CREATED BY ARTISTS OF AFRICAN DESCENT. THE STUDIO MUSEUM IN HARLEM'S PURPOSE IS: A) TO PRESENT HISTORICAL, CONTEMPORARY AND FUTURE TRENDS IN THE WORK OF AFRICAN AMERICAN ARTISTS AND ARTISTS OF AFRICAN DESCENT: TO HIGHLIGHT THEIR CONTRIBUTIONS TO WORLD ART HISTORY, AND TO PROVIDE AUDIENCES WITH OPPORTUNITIES TO EXPLORE THE ISSUES PRESENTED THROUGH THE WORK OF THESE ARTISTS. B) TO DEVELOP A PERMANENT COLLECTION THAT DOCUMENTS THE CONTRIBUTIONS OF AFRICAN AMERICAN ARTISTS AND ARTISTS OF AFRICAN DESCENT TO WORLD ART HISTORY, AND THAT REFLECTS THE CONTEXT WITHIN WHICH THE MUSEUM FUNCTIONS. C) TO OFFER AFRICAN AMERICAN ARTISTS AND ARTISTS OF AFRICAN DESCENT GREATER ACCESS TO THE NATIONAL AND INTERNATIONAL ART WORLD, SPECIFICALLY THROUGH THE MUSEUM'S EXHIBITIONS AND ARTIST-IN-RESIDENCE PROGRAMS. D) TO CULTIVATE PRESENT AND FUTURE AUDIENCES AND SUPPORTERS OF THE MUSEUM THROUGH MEMBERSHIP ACTIVITIES, WHICH PROVIDE AN AWARENESS OF THE CREATIVE PROCESS, THAT BRIDGES THE GAP BETWEEN THE STUDIO EXPERIENCE AND THE MUSEUM VISIT. E) TO PROVIDE INTERDISCIPLINARY, MULTI-DIMENSIONAL EDUCATIONAL AND PUBLIC PROGRAMS, WHICH EXPAND THE CONCEPT OF LEARNING AND ENHANCE A SENSE OF IDENTITY, SELF-ESTEEM AND SELF-KNOWLEDGE OF THE STUDIO MUSEUM IN HARLEM'S AUDIENCES. |
| PART III - LINE 4A - CURATORIAL | THROUGH CURATORIAL PROJECTS IN FISCAL YEAR 20, THE STUDIO MUSEUM PRESENTED HIGHLY ACCLAIMED EXHIBITIONS THAT EMBODIED OUR COMMITMENT TO CHAMPIONING ARTISTS OF AFRICAN DESCENT AND OFFERING FRESH PERSPECTIVES ON CONTEMPORARY ART FOR VISITORS OF ALL AGES. THROUGH THE WORK OF STUDIO MUSEUM ASSOCIATE CURATOR, PERMANENT COLLECTIONS CONNIE CHOI; AND ASSOCIATE CURATOR, EXHIBITIONS LEGACY RUSSELL, THE STUDIO MUSEUM DREW ITSELF BOLDLY ONTO THE CONTEMPORARY ART WORLD MAP THROUGH ITS DETERMINATION TO SHARE A DIVERSITY OF ARTISTS' PERSPECTIVES. OUR CURATORIAL PROJECTS EMBRACED OUR INHARLEM MOMENT THROUGH PRESENTING ARTISTS FROM AROUND THE WORLD IN PARTNERSHIP WITH COMMUNITY PARTNERS. BEYOND THE ARTIST LIST, OUR CURATORIAL PROJECTS SERVED AS A SPRINGBOARD TO ACTIVATE DIALOGUE BETWEEN OUR CURATORS, OUR ARTISTS AND OUR GROWING BASE OF LOCAL AND INTERNATIONAL SUPPORTERS. |
| PART III - LINE 4B - EDUCATION AND PUBLIC PROGRAMS | WHEN THE STUDIO MUSEUM CLOSED IN JULY 2018 FOR CONSTRUCTION, IT FULLY USHERED IN INHARLEM PROGRAMMING, DEEPLY ENGAGING COMMUNITY PARTNERS IN SIGNATURE MUSEUM PROGRAMS. OUR NEW INITIATIVE, FIND ART HERE, BRINGS THE MUSEUM'S PERMANENT COLLECTION INTO SCHOOLS, LIBRARIES, AND SERVICE CENTERS THROUGHOUT HARLEM. FIND ART HERE INCLUDES A UNIQUE SUITE OF PUBLIC PROGRAMS AND EDUCATION INITIATIVES, INCLUDING COLLECTIONS-BASED CURRICULUM MATERIALS ANCHORED IN ARTS EDUCATION AND VISUAL LITERACY. PARTNER INSTITUTIONS THROUGHOUT HARLEM RECEIVED A HIGH-QUALITY REPRODUCTION OF ARTWORK, CHOSEN IN COLLABORATION WITH EACH PARTNER SITE'S ADMINISTRATION. THE MUSEUM LAUNCHED THE STUDIO MUSEUM INSTITUTE, A PROFESSIONAL DEVELOPMENT AND LEADERSHIP PROGRAM THAT INCLUDES A BI-ANNUAL MUSEUM EDUCATION PRACTICUM, WHICH PROVIDES 26 EMERGING ARTS AND CULTURAL EDUCATORS WITH FREE INTENSIVE PROFESSIONAL DEVELOPMENT AND TRAINING. IN FISCAL YEAR 20, OUR SCHOOL AND COMMUNITY PROGRAM PARTNERED 13 TEACHING ARTISTS WITH 8 TITLE 1 PUBLIC SCHOOLS, 1 CHARTER SCHOOL, 5 COMMUNITY BASED ORGANIZATIONS, AND 14 SCHOOLS IN NYC, SERVING 450 STUDENTS, 250 PARENTS, AND 55 TEACHERS. FAMILY PROGRAMS OFFERED HANDS-ON ART EXPERIENCES FOR APPROXIMATELY 1,500 LOCAL CHILDREN AND THEIR FAMILIES. OUR YOUTH PHOTOGRAPHY RESIDENCY, EXPANDING THE WALLS, PROVIDED 15 HIGH SCHOOL STUDENTS WITH THE RESOURCES THEY NEED TO SUCCEED CREATIVELY AND PROFESSIONALLY IN THE CLASSROOM AND COMMUNITY, OFFERING UNPRECEDENTED ACCESS TO OUR STAFF AND COLLECTIONS. THE TEEN LEADERSHIP COUNCIL ACCOMMODATES YOUTH INTERESTED IN ENGAGING WITH STUDIO MUSEUM PROGRAMS. ARTS & MINDS PROVIDES PEOPLE WITH DEMENTIA AND THEIR CAREGIVERS WITH ART MAKING EXPERIENCES AND DISCUSSION ON ARTWORKS IN LOCAL GALLERIES. PAID AND VOLUNTEER INTERNSHIPS ENGAGED 25 COLLEGE STUDENTS AND 2 HIGH SCHOOL STUDENTS WITH IN DEPTH EXPERIENCES ACROSS MUSEUM DEPARTMENTS. THE PUBLIC PROGRAMS & COMMUNITY ENGAGEMENT DEPARTMENT ORGANIZED FREE PUBLIC PROGRAMS, ENGAGING ARTISTS AND CULTURAL PRODUCERS, PRESENTED IN PARTNERSHIP WITH CULTURAL PARTNERS. |
| PART III - LINE 4C - EXHIBITIONS | THE STUDIO MUSEUM IS IN CONSTRUCTION ON A NEW PURPOSE-BUILT FACILITY THAT WILL BETTER FULFILL OUR MISSION AND SERVE OUR DIVERSE AUDIENCES. DURING THIS TIME, THE MUSEUM PRESENTS INHARLEM, AN INITIATIVE THAT TAKES SIGNATURE PROGRAMS AND EXHIBITS TO PARTNER AND SATELLITE LOCATIONS. THE CHLO BASS: WAYFINDING EXHIBIT WAS THE CONCEPTUAL ARTIST'S FIRST INSTITUTIONAL SOLO EXHIBITION. THIS MONUMENTAL COMMISSION FEATURED TWENTY-FOUR SITE-SPECIFIC SCULPTURES THAT GESTURE TOWARD THE STRUCTURAL AND VISUAL VERNACULAR OF PUBLIC WAYFINDING SIGNAGE. THE EXHIBITION BEGINS WITH AND REVOLVES AROUND THREE CENTRAL QUESTIONS, POETICALLY PENNED BY THE ARTIST AND FEATURED THROUGHOUT THE PARK IN BILLBOARD FORM: HOW MUCH OF CARE IS PATIENCE? HOW MUCH OF LIFE IS COPING? HOW MUCH OF LOVE IS ATTENTION? BLACK REFRACTIONS: HIGHLIGHTS FROM THE STUDIO MUSEUM IN HARLEM, FEATURING 100 WORKS FROM THE MUSEUM'S PERMANENT COLLECTION, LAUNCHED ITS TRAVEL TO SIX NATIONAL MUSEUMS IN JANUARY 2019. DOZIE KANU: FUNCTION PRESENTED NIGERIAN-AMERICAN ARTIST DOZIE KANU IN HIS FIRST MUSEUM SOLO EXHIBITION. THIS EXHIBITION MAPPED OUT THE ARC OF KANU'S PRACTICE OVER THE LAST THREE YEARS, EXPLORING THE TENSIONS BETWEEN FORM AND FUNCTION, AFRICAN AND AFRICAN-AMERICAN, AND ART AND DESIGN AS EMBEDDED IN THE ACT OF OBJECT-MAKING. PROJECTS 110: MICHAEL ARMITAGE PRESENTED EIGHT PAINTINGS THAT, IN THE ARTIST'S WORDS, EXPLORE "PARALLEL CULTURAL HISTORIES." HERE, AS IN HIS WORK MORE WIDELY, ARMITAGE PUT CONTEMPORARY VISUAL CULTURE IN DIALOGUE WITH ART HISTORY AND THE LEGACY OF MODERNISM AS IT VEERS TOWARDAND BREAKS FROMTHE WEST. THREE SEASONS OF HARLEM POSTCARDS WAS PRESENTED AT STUDIO MUSEUM 127 FEATURING 12 ARTISTS, A PROJECT THAT INVITES CONTEMPORARY ARTISTS FROM DIVERSE BACKGROUNDS TO REFLECT ON HARLEM. |
| FORM 990, PART VI, SECTION B, LINE 11B | THE FORM 990 IS REVIEWED BY THE MEMBERS OF THE BOARD PRIOR TO FILING WITH THE INTERNAL REVENUE SERVICE. |
| FORM 990, PART VI, SECTION B, LINE 12C | BOARD MEMBERS ARE REQUIRED TO SIGN THE CONFLICT OF INTEREST POLICY ANNUALLY. ALL STAFF ARE REQUIRED TO COMPLETE A DISCLOSURE FORM IF THERE IS A QUESTION OF A CONFLICT. |
| FORM 990, PART VI, SECTION B, LINE 15 | AN AD HOC COMMITTEE OF THE BOARD OF DIRECTORS WORKS WITH AN INDEPENDENT CONSULTANT TO REVIEW CURRENT INDUSTRY COMPENSATION PARAMETERS. THEIR FINDINGS AND RECOMMENDATIONS ARE THEN REVIEWED BY THE EXECUTIVE COMMITTEE OF THE BOARD OF TRUSTEES. THE EXECUTIVE COMMITTEE THEN MAKES A DETERMINATION REGARDING APPROPRIATE COMPENSATION LEVELS. |
| FORM 990, PART VI, SECTION C, LINE 19 | THE MUSEUM DOES NOT MAKE ITS GOVERNING DOCUMENTS AND CONFLICT OF INTEREST POLICY AVAILABLE TO THE PUBLIC. THE MUSEUM'S FINANCIAL STATEMENTS ARE POSTED ON THE INTERNET. |
| PART I - PART XII - FINANCIAL STATEMENT & REPORTING | PLEASE BE ADVISED THE AUDIT OF THE BOOKS AND RECORDS OF THE STUDIO MUSEUM IN HARLEM HAS NOT BEEN COMPLETED. THEREFORE, CHANGES TO THE BOOKS AND RECORDS MAY BE REQUIRED, AND IF SO, THE ENCLOSED TAX RETURN MAY NEED TO BE AMENDED. |
| Software ID: | |
| Software Version: |