Attach to Form 990 or Form 990-EZ.
Go to
www.irs.gov/Form990 for instructions and the latest information.
| (i) Name of supported organization | (ii) EIN | (iii) Type of organization (described on lines 1- 10 above (see instructions)) | (iv) Is the organization listed in your governing document? | (v) Amount of monetary support (see instructions) | (vi) Amount of other support (see instructions) | |
|---|---|---|---|---|---|---|
| Yes | No | |||||
|
Total |
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Calendar year (or fiscal year beginning in) ![]() |
(a) 2015 | (b) 2016 | (c) 2017 | (d) 2018 | (e) 2019 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 1 | Gifts, grants, contributions, and membership fees received. (Do not include any "unusual grant.") .. | ||||||
| 2 | Tax revenues levied for the organization's benefit and either paid to or expended on its behalf.... | ||||||
| 3 | The value of services or facilities furnished by a governmental unit to the organization without charge.. | ||||||
| 4 | Total. Add lines 1 through 3 | ||||||
| 5 | The portion of total contributions by each person (other than a governmental unit or publicly supported organization) included on line 1 that exceeds 2% of the amount shown on line 11, column (f).. | ||||||
| 6 | Public support. Subtract line 5 from line 4. | ||||||
Calendar year
(or fiscal year beginning in) ![]() |
(a) 2015 | (b) 2016 | (c) 2017 | (d) 2018 | (e) 2019 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 7 | Amounts from line 4.. | ||||||
| 8 | Gross income from interest, dividends, payments received on securities loans, rents, royalties and income from similar sources... | ||||||
| 9 | Net income from unrelated business activities, whether or not the business is regularly carried on.. | ||||||
| 10 | Other income. Do not include gain or loss from the sale of capital assets (Explain in Part VI.).. | ||||||
| 11 | Total support. Add lines 7 through 10 | ||||||
Calendar year (or fiscal year beginning in) ![]() |
(a) 2015 | (b) 2016 | (c) 2017 | (d) 2018 | (e) 2019 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 1 | Gifts, grants, contributions, and membership fees received. (Do not include any "unusual grants.") . | 432,927 | 493,622 | 582,761 | 451,396 | 534,717 | 2,495,423 |
| 2 | Gross receipts from admissions, merchandise sold or services performed, or facilities furnished in any activity that is related to the organization's tax-exempt purpose | 245,850 | 179,591 | 166,961 | 175,301 | 103,856 | 871,559 |
| 3 | Gross receipts from activities that are not an unrelated trade or business under section 513 ..... | ||||||
| 4 | Tax revenues levied for the organization's benefit and either paid to or expended on its behalf... | ||||||
| 5 | The value of services or facilities furnished by a governmental unit to the organization without charge | ||||||
| 6 | Total. Add lines 1 through 5 | 678,777 | 673,213 | 749,722 | 626,697 | 638,573 | 3,366,982 |
| 7a | Amounts included on lines 1, 2, and 3 received from disqualified persons | 5,000 | 15,000 | 10,000 | 5,000 | 26,000 | 61,000 |
| b | Amounts included on lines 2 and 3 received from other than disqualified persons that exceed the greater of $5,000 or 1% of the amount on line 13 for the year. | ||||||
| c | Add lines 7a and 7b.. | 5,000 | 15,000 | 10,000 | 5,000 | 26,000 | 61,000 |
| 8 | Public support. (Subtract line 7c from line 6.) | 3,305,982 | |||||
Calendar year (or fiscal year beginning in) ![]() |
(a) 2015 | (b) 2016 | (c) 2017 | (d) 2018 | (e) 2019 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 9 | Amounts from line 6... | 678,777 | 673,213 | 749,722 | 626,697 | 638,573 | 3,366,982 |
| 10a | Gross income from interest, dividends, payments received on securities loans, rents, royalties and income from similar sources.. | 276 | 278 | 1,835 | 876 | 281 | 3,546 |
| b | Unrelated business taxable income (less section 511 taxes) from businesses acquired after June 30, 1975. | ||||||
| c | Add lines 10a and 10b. | 276 | 278 | 1,835 | 876 | 281 | 3,546 |
| 11 | Net income from unrelated business activities not included in line 10b, whether or not the business is regularly carried on. | ||||||
| 12 | Other income. Do not include gain or loss from the sale of capital assets (Explain in Part VI.) .. | ||||||
| 13 | Total support. (Add lines 9, 10c, 11, and 12.).. | 679,053 | 673,491 | 751,557 | 627,573 | 638,854 | 3,370,528 |
| Section A - Adjusted Net Income | (A) Prior Year |
(B) Current Year (optional) |
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| 1 | Net short-term capital gain | 1 | ||||
| 2 | Recoveries of prior-year distributions | 2 | ||||
| 3 | Other gross income (see instructions) | 3 | ||||
| 4 | Add lines 1 through 3 | 4 | ||||
| 5 | Depreciation and depletion | 5 | ||||
| 6 | Portion of operating expenses paid or incurred for production or collection of gross income or for management, conservation, or maintenance of property held for production of income (see instructions) | 6 | ||||
| 7 | Other expenses (see instructions) | 7 | ||||
| 8 | Adjusted Net Income (subtract lines 5, 6 and 7 from line 4) | 8 | ||||
| Section B - Minimum Asset Amount | (A) Prior Year |
(B) Current Year (optional) |
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| 1 | Aggregate fair market value of all non-exempt-use assets (see instructions for short tax year or assets held for part of year): | 1 | ||||
| a | Average monthly value of securities | 1a | ||||
| b | Average monthly cash balances | 1b | ||||
| c | Fair market value of other non-exempt-use assets | 1c | ||||
| d | Total (add lines 1a, 1b, and 1c) | 1d | ||||
| e |
Discount claimed for blockage or other factors (explain in detail in Part VI): |
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| 2 | Acquisition indebtedness applicable to non-exempt use assets | 2 | ||||
| 3 | Subtract line 2 from line 1d | 3 | ||||
| 4 | Cash deemed held for exempt use. Enter 1-1/2% of line 3 (for greater amount, see instructions). | 4 | ||||
| 5 | Net value of non-exempt-use assets (subtract line 4 from line 3) | 5 | ||||
| 6 | Multiply line 5 by .035 | 6 | ||||
| 7 | Recoveries of prior-year distributions | 7 | ||||
| 8 | Minimum Asset Amount (add line 7 to line 6) | 8 | ||||
| Section C - Distributable Amount | Current Year | |||||
| 1 | Adjusted net income for prior year (from Section A, line 8, Column A) | 1 | ||||
| 2 | Enter 85% of line 1 | 2 | ||||
| 3 | Minimum asset amount for prior year (from Section B, line 8, Column A) | 3 | ||||
| 4 | Enter greater of line 2 or line 3 | 4 | ||||
| 5 | Income tax imposed in prior year | 5 | ||||
| 6 | Distributable Amount. Subtract line 5 from line 4, unless subject to emergency temporary reduction (see instructions) | 6 | ||||
| Section D - Distributions | Current Year | |
|---|---|---|
| 1 Amounts paid to supported organizations to accomplish exempt purposes | ||
|
2
Amounts paid to perform activity that directly furthers exempt purposes of supported organizations, in excess of income from activity |
||
| 3 Administrative expenses paid to accomplish exempt purposes of supported organizations | ||
| 4 Amounts paid to acquire exempt-use assets | ||
| 5 Qualified set-aside amounts (prior IRS approval required) | ||
| 6 Other distributions (describe in Part VI). See instructions | ||
| 7Total annual distributions. Add lines 1 through 6. | ||
|
8
Distributions to attentive supported organizations to which the organization is responsive (provide details in Part VI). See instructions |
||
| 9 Distributable amount for 2019 from Section C, line 6 | ||
| 10 Line 8 amount divided by Line 9 amount | ||
| Section E - Distribution Allocations (see instructions) |
(i) Excess Distributions |
(ii) Underdistributions Pre-2019 |
(iii) Distributable Amount for 2019 |
|
|---|---|---|---|---|
| 1 Distributable amount for 2019 from Section C, line 6 | ||||
|
2
Underdistributions, if any, for years prior to 2019 (reasonable cause required-- explain in Part VI). See instructions. |
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| 3 Excess distributions carryover, if any, to 2019: | ||||
| a From 2014....... | ||||
| b From 2015....... | ||||
| c From 2016....... | ||||
| d From 2017....... | ||||
| e From 2018....... | ||||
| fTotal of lines 3a through e | ||||
| g Applied to underdistributions of prior years | ||||
| h Applied to 2019 distributable amount | ||||
|
i
Carryover from 2014 not applied (see instructions) |
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| j Remainder. Subtract lines 3g, 3h, and 3i from 3f. | ||||
| 4Distributions for 2019 from Section D, line 7: | ||||
| $ | ||||
| a Applied to underdistributions of prior years | ||||
| b Applied to 2019 distributable amount | ||||
| c Remainder. Subtract lines 4a and 4b from 4. | ||||
|
5
Remaining underdistributions for years prior to 2019, if any. Subtract lines 3g and 4a from line 2. If the amount is greater than zero, explain in Part VI. See instructions. |
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|
6
Remaining underdistributions for 2019. Subtract lines 3h and 4b from line 1. If the amount is greater than zero, explain in Part VI. See instructions. |
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|
7 Excess distributions carryover to 2020. Add lines 3j and 4c. |
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| 8 Breakdown of line 7: | ||||
| a Excess from 2015..... | ||||
| b Excess from 2016..... | ||||
| c Excess from 2017..... | ||||
| d Excess from 2018..... | ||||
| e Excess from 2019..... | ||||
| Facts And Circumstances Test |
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| Return Reference | Explanation |
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| Software ID: | |
| Software Version: |
Attach to Form 990 or 990-EZ.
Go to www.irs.gov/Form990 for the latest information.
| Return Reference | Explanation |
|---|---|
| FORM 990 - ORGANIZATION'S MISSION | THE CLEVELAND MODERN DANCE ASSOCIATION (DANCECLEVELAND) WAS ESTABLISHED TO FOSTER AN APPRECIATION OF MODERN DANCE IN THE GREATER CLEVELAND AREA. IT'S MISSION IS "TO BRING THE PASSION AND VERVE OF MODERN AND CONTEMPORARY DANCE TO THE HEARTS AND MINDS OF NORTHEAST OHIO. DANCECLEVELAND'S MISSION IS ACCOMPLISHED PRIMARILY THROUGH DANCE WORKSHOPS, AND CONCERTS. DANCECLEVELAND DERIVES ITS REVENUE PRIMARILY FROM TICKET SALES, DONATIONS, AND GRANTS. |
| FORM 990, PAGE 1, PART I, LINE 6 | THE ALL VOLUNTEER BOARD MONITORS THE ORGANIZATIONS FINANCES AND ENSURES THAT DANCECLEVELAND'S MISSION IS ACCOMPLISHED. VOLUNTEERS ACT AS USHERS AND GUIDES AT THE VARIOUS PERFORMANCES. |
| FORM 990, PAGE 2, PART III, LINE 4B | PRESENTER DANCECLEVELAND IS PROUD TO BE ONE OF JUST A HANDFUL OF STAND-ALONE, DANCE ONLY PRESENTERS IN THE US. OUR SUCCESS OVER THE PAST SIX DECADES IS EVIDENCED BY THE NEARLY 400 WORLD-CLASS DANCE COMPANIES THAT HAVE PERFORMED HERE IN OUR CURATED SEASONS, DANCECLEVELAND'S HISTORY MIRRORS THAT IF THE ART FORM ITSELF, HIGHLIGHTED BY THE COMPANIES WE HAVE PRESENTED AT THE HEIGHT OF THEIR ARTISTIC TRAJECTORIES. WE HAVE REMAINED ON THE CUTTING EDGE OF THE ART FORM AND PRIDE OURSELVES ON THE OPEN, COLLABORATIVE RELATIONSHIPS WE HAVE WITH OTHER PRESENTERS AND ARTISTS ACROSS THE COUNTRY, WHICH ENABLES US TO CONTINUALLY KEEP OUR FINGER ON THE PULSE OF WHAT IS NEW IN MODERN DANCE AND WHAT OUR AUDIENCES WILL BENEFIT FROM SEEING. OUR CURATORIAL PROCESS INCLUDES A FOCUS ON PRESENTING ARTISTS WHO ARE OFTEN UNDER-REPRESENTED IN THE FIELD, INCLUDING ARTISTS OF COLOR AND FEMALE DANCE MAKERS. DANCECLEVELAND IS COMMITTED TO EQUITY, ENSURING THE DIVERSITY OF OUR NORTHEAST OHIO COMMUNITY IS REFLECTED ON STAGE. THE 2019-2020 SEASON INCLUDED PERFORMANCES BY MALPASO, BALLETX, PARSONS DANCE COMPANY, RUBBERBAND DANCE, AND CIE HERVE KOUBI. WE ALSO HAD A PERFORMANCE OF STEPHEN PETRONIO DANCE THAT WAS SCHEDULED FOR MARCH 2020 THAT HAD TO BE CANCELED DUE TO THE CORONAVIRUS PANDEMIC. DANCECLEVELAND IS COMMITTED TO BUILDING NEW AUDIENCES FOR DANCE BY CREATING BRIDGES OF UNDERSTANDING ABOUT CONTEMPORARY DANCE AS WELL AS THE CREATIVE PROCESS. WE HAVE SUCCESSFULLY EMPLOYED AN INNOVATIVE AUDIENCE DEVELOPMENT MODEL OVER THE LAST SEVERAL YEARS, UTILIZING OUR DANCE ADVANCE TEAM, A COMMUNITY-BASED TEAM OF INFLUENCERS WHO BRING THEIR CIRCLES AND NETWORKS TO PERFORMANCES TO BRING NEW AUDIENCE MEMBERS TO OUR CONCERT SERIES. DANCECLEVELAND REACHES AN AUDIENCE WITH A GREAT DIVERSITY OF AGE, ETHNICITY, PHYSICAL ABILITY, LIFESTYLE, SOCIO-ECONOMIC BACKGROUNDS, AND EXPERIENCE WITH THE ART FORM OF DANCE. THE JOYFUL, EXPRESSIVE ATTENDEES OF OUR PERFORMANCES HAVE OFTEN BEEN CITED BY OTHER ARTS PRESENTERS AS ONE OF THE MOST UNIQUELY FUN AND ENGAGED BASES IN THE PERFORMING ARTS WORLD. WE CREATE A WELCOMING AND INCLUSIVE PERFORMANCE SERIES BY KEEPING TICKET PRICES STRATEGICALLY LOW, OFFERING FREE TICKETS TO EACH PERFORMANCE TO UNDERSERVED COMMUNITIES IN OUR REGION, PLANNING FAMILY-FRIENDLY MATINEES AND PRE-PERFORMANCE FAMILY ACTIVITIES (FOR SELECT ENGAGEMENTS), OFFERING FREE COMMUNITY EVENTS, AND BY TAPPING INTO THE RESOURCES OF PLAYHOUSE SQUARE TO OFFER A FULLY ACCESSIBLE EXPERIENCE FOR GUESTS WITH DISABILITIES. COLLABORATOR AS A SMALL ORGANIZATION, WE THRIVE BECAUSE OF OUR COLLABORATIVE RELATIONSHIPS IN THE COMMUNITY WHICH HAVE THE TWOFOLD BENEFIT OF REDUCING OUR FINANCIAL RISK WHILE MAXIMIZING OUR POTENTIAL TO BRING THE FINEST DANCE COMPANIES IN THE WORLD TO CLEVELAND. WE PRIDE OURSELVES ON BEING CURATORIALLY BOLD AND FISCALLY CONSERVATIVE, WHICH ENABLES US TO BE NIMBLE AND REACTIVE TO TESTING NEW IDEAS, ENDEAVORS, AND PARTNERSHIPS. DANCECLEVELAND'S VIBRANCY, RELEVANCY, REACH, AND LONG-STANDING REPUTATION OF EXCELLENCE REST ON THE STRENGTH OF A SMALL-YET-MIGHTY STAFF TEAM, A VISIONARY BOARD OF DIRECTORS, AN ARMY OF DEDICATED VOLUNTEERS, AND AN ANNUALLY CHANGING LINEUP OF MODERN DANCE LUMINARIES. CREATIVITY, COLLABORATION, AND SHEER ELBOW GREASE HELP US TO GENERATE AN EQUITABLE VARIETY OF PERFORMANCES, RELATED MASTERCLASSES, DANCE WORKSHOPS AND RESIDENCIES, AND A SUMMER DANCE FESTIVAL ANNUALLY. WE CAREFULLY VET INDIVIDUAL PARTNERS AGAINST RIGOROUS STANDARDS FOR CREATIVE AND PROFESSIONAL INTEGRITY AND ENJOY THE PRIVILEGE OF WORKING WITH IN-DEMAND ARTISTS WHO CHALLENGE AND INSPIRE THE AUDIENCES WE SERVE. FREQUENT PARTNERS INCLUDE CUYAHOGA COMMUNITY COLLEGE, PLAYHOUSE SQUARE, AMERICAN DANCE FESTIVAL, THE UNIVERSITY OF AKRON, AND CLEVELAND STATE UNIVERSITY. WE FREQUENTLY WORK IN A CO-PRESENTING MODEL, BRINGING OUR CURATORIAL EXPERTISE TO THE TABLE AS WE STRETCH OUR SMALL ORGANIZATION'S RESOURCES THROUGH PARTNERS' MARKETING AND MEDIA BUYING REACH, PRODUCTION AND SPACE RESOURCES, AND HUMAN RESOURCES. CO-PRESENTING ENABLES US TO MINIMIZE OUR FINANCIAL RISK AND EXPAND OUR REACH TO NEW AUDIENCES, MANY OF WHOM GO ON TO BE A LOYAL, REPEAT BASE OF SUPPORTERS. DANCECLEVELAND EXTENSIVELY ENGAGES THE COMMUNITY THROUGH EDUCATIONAL PROGRAMMING IN UNDERSERVED COMMUNITIES, PROFESSIONAL DEVELOPMENT OPPORTUNITIES FOR THE LOCAL DANCE COMMUNITY, AND AUDIENCE DEVELOPMENT ACTIVITIES THAT SUPPORT ITS GOAL OF CREATING A VIBRANT DANCE COMMUNITY IN NORTHEAST OHIO. |
| FORM 990, PAGE 2, PART III, LINE 4C | SUMMER DANCE WORKSHOP: THE ADF IN CLE SUMMER DANCE WORKSHOP, PRESENTED IN COLLABORATION WITH PLAYHOUSE SQUARE, IS A FIVE-DAY WORKSHOP WITH TWO TRACKS FOR HIGH SCHOOL AND PRE-PROFESSIONAL STUDENTS. THE DAILY OFFERINGS INCLUDE CLASSES IN MODERN DANCE AND HIP HOP. STUDENTS ALSO PARTICIPATE IN A CREATIVE PROCESS CLASS THAT RESULTS IN NEW WORKS TO BE PRESENTED AT THE END OF THE WORKSHOP SHOWCASE. STUDENT SCHOLARSHIPS ARE MADE AVAILABLE TO MAKE THIS WORKSHOP AS EQUITABLE AS POSSIBLE. READ TO LEARNDANCE TO MOVE: PRESCHOOL AND KINDERGARTEN CHILDREN IMPROVE THEIR READING READINESS AND EMBRACE CREATIVE MOVEMENT THROUGH DANCECLEVELAND'S INNOVATIVE READ TO LEARNDANCE TO MOVE PROGRAM, WHICH IS OFFERED FREE OF CHARGE TO CLASSROOMS IN THE CLEVELAND METROPOLITAN SCHOOL DISTRICT. PROFESSIONAL LOCAL DANCERS MAKE REPEATED VISITS TO MULTIPLE CLASSROOMS EIGHT TIMES TO READ DANCE-THEMED BOOKS TO THE CHILDREN, TEACH MOVEMENT BASED ON THE BOOKS, AND INTRODUCE SIX FORMS OF DANCE. AT THE END OF THE PROGRAM, EACH CHILD RECEIVES A NEW BOOK TO TAKE HOME. IN THE 19-20 SCHOOL YEAR, DANCECLEVELAND REACHED 261 STUDENTS FROM UNDER- RESOURCED CLEVELAND METROPOLITAN SCHOOL DISTRICT CLASSROOMS WHILE ALSO EXTENDING THIS INNOVATIVE MODEL TO A LIVE VIRTUAL FORMAT OF SIX CLASSES DELIVERED VIA FACEBOOK LIVE AND YOUTUBE. ALL SIX CLASSES HAVE OVER 3,000 VIEWS COLLECTIVELY. |
| FORM 990, PAGE 2, PART III, LINE 4D | MASTER CLASSES: EDUCATIONAL SUCCESS LIES IN OUR ABILITY TO PROVIDE DIRECT AND FREE HANDS-ON DANCE EXPERIENCES AT THE ADVANCED PROFESSIONAL LEVELS TO DANCERS IN OUR COMMUNITY AS WELL AS SPECIAL CLASSES FOR EARLY DANCE STUDENTS. PROFESSIONAL, PRE-PROFESSIONAL AND STUDENT DANCERS ARE INVITED TO ATTEND FREE MASTER CLASSES LED BY MEMBERS OF THE VISITING DANCE COMPANIES WE PRESENT, THEREBY HONING THEIR TECHNIQUES, ENHANCING THEIR EXPRESSIVENESS, AND NETWORKING WITH THE VERY BEST IN THEIR FIELD. DANCER PROFESSIONAL DEVELOPMENT WORKSHOP: FOCUSING ON THE FUTURE OF OUR NORTHEAST OHIO DANCE STUDENTS, DANCECLEVELAND IS PROUD TO PROVIDE THIS ONE DAY SEMINAR AS A RESOURCE FOR DANCE STUDENTS AGED 12-18 AND THEIR PARENTS. IT IS DESIGNED TO PROVIDE INFORMATION FROM CURRENT PROFESSIONALS IN THE DANCE FIELDS, EXPLORING CAREER OPTIONS FOR DANCERS, STEPS TO TAKE IN HIGH SCHOOL, RESUME AND PORTFOLIO BUILDING AND MUCH MORE COMMUNITY PROGRAMS: HUNDREDS OF MIDDLE AND HIGH SCHOOL STUDENTS, AS WELL AS INTERESTED COMMUNITY MEMBERS, ARE INTRODUCED TO DANCE THROUGH COMMUNITY RESIDENCIES THAT INCLUDE MOVEMENT CLASSES, DEMONSTRATIONS AND CONVERSATIONS WITH VISITING ARTISTS. OUR SUMMER FESTIVAL, ADF IN CLE, TAKES THIS TO A WHOLE NEW LEVEL. IN PARTNERSHIP WITH PLAYHOUSE SQUARE, WE OFFER A FREE OUTDOOR EXERCISE CLASSES, DANCE DEMONSTRATIONS, A "DANCING IN THE STREETS" COMMUNITY DANCE LESSONS, A SILENT DANCE PARTY, AND MORE. AUDIENCE ENGAGEMENT ACTIVITIES: EACH PERFORMANCE IS ACCOMPANIED BY AN INVIGORATING SERIES OF AUDIENCE ENGAGEMENT ACTIVITIES, WHICH WILL ENHANCE THE PERFORMANCE EXPERIENCE AND ENABLE AUDIENCE MEMBERS TO ESTABLISH SPECIAL CONNECTIONS TO THE VISITING COMPANIES THROUGH INFORMATIONAL ON-LINE VIDEOS AND INFORMATIONAL E-BLASTS, PRE-PERFORMANCE LECTURES, POST-PERFORMANCE Q&A SESSIONS AND THE DANCE MATTERS NEWSLETTERS. ADVOCACY: WE ARE NOT AN ADVOCACY ORGANIZATION, HOWEVER, WE RECOGNIZE THAT WE HAVE A VOICE TO OFFER RELATING, IN PARTICULAR, TO PUBLIC FUNDING FOR THE ARTS. WE REGULARLY REMIND OUR AUDIENCES AND SUPPORTERS OF HOW SIGNIFICANT THE FUNDING WE RECEIVE FROM CUYAHOGA ARTS AND CULTURE, THE OHIO ARTS COUNCIL AND THE NATIONAL ENDOWMENT FOR THE ARTS. EXECUTIVE DIRECTOR PAM YOUNG SERVES ON THE DANCE/USA BOARD OF DIRECTORS AND REGULARLY PARTICIPATES IN AN ADVOCACY DAY ON CAPITOL HILL TO EXPRESS HER AND THE ORGANIZATION'S NEED FOR ONGOING FUNDING FOR THE NEA. STUDENT DANCE SHOWCASE: THE SUMMER DANCE FESTIVAL ALSO INCLUDES A FREE CURATED STUDENT SHOWCASE PERFORMANCE AT THE ALLEN THEATRE, PLAYHOUSE SQUARE, FEATURING YOUNG DANCE STUDENTS FROM STUDIOS ACROSS NORTHEAST OHIO. STUDENTS HAVE A THRILLING, VALUABLE DEVELOPMENT EXPERIENCE IN HAVING THE OPPORTUNITY TO PERFORM UNDER PROFESSIONAL PRODUCTION STANDARDS. THROUGH THESE EXTENSIVE EFFORTS, AS WELL AS PARTNERSHIPS WITH ORGANIZATIONS THROUGHOUT THE AREA, DANCECLEVELAND WILL WELCOME MORE THAN 15,000 ADULTS AND STUDENTS FROM THROUGHOUT AND BEYOND THE 12-COUNTY NORTHEAST OHIO REGION TO ITS PERFORMANCES, EDUCATIONAL PROGRAMS AND OUTREACH ACTIVITIES. |
| FORM 990, PAGE 6, PART VI, LINE 11B | THE FORM 990 IS PROVIDED TO THE FINANCE COMMITTEE FOR REVIEW AND APPROVAL PRIOR TO FILING. |
| FORM 990, PAGE 6, PART VI, LINE 12C | BOARD MEMBERS MUST SIGN A CONFLICT OF INTEREST STATEMENT ON WHICH THEY CONFIRM THAT THEY HAVE READ THE ORGANIZATION'S CONFLICT OF INTEREST POLICY, AND THEY MUST LIST ANY BUSINESS RELATIONSHIPS THEY HAVE WITH THE ORGANIZATION OR ANY OTHER BOARD MEMBER. |
| FORM 990, PAGE 6, PART VI, LINE 15A | THE EXECUTIVE DIRECTOR'S COMPENSATION IS DETERMINED BY THE EXECUTIVE COMMITTEE OF THE BOARD OF DIRECTORS BASED UPON A REVIEW OF OTHER NONPROFIT ORGANIZATIONS' FORM 990, INDUSTRY STANDARDS, AND AVAILABLE RESOURCES OF THE ORGANIZATION. |
| FORM 990, PAGE 6, PART VI, LINE 19 | ALL SUCH DOCUMENTS ARE MADE AVAILABLE UPON WRITTEN REQUEST. |
| Software ID: | |
| Software Version: |