Attach to Form 990 or Form 990-EZ.
Go to
www.irs.gov/Form990 for instructions and the latest information.
| (i) Name of supported organization | (ii) EIN | (iii) Type of organization (described on lines 1- 10 above (see instructions)) | (iv) Is the organization listed in your governing document? | (v) Amount of monetary support (see instructions) | (vi) Amount of other support (see instructions) | |
|---|---|---|---|---|---|---|
| Yes | No | |||||
|
Total |
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Calendar year (or fiscal year beginning in) ![]() |
(a) 2015 | (b) 2016 | (c) 2017 | (d) 2018 | (e) 2019 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 1 | Gifts, grants, contributions, and membership fees received. (Do not include any "unusual grant.") .. | ||||||
| 2 | Tax revenues levied for the organization's benefit and either paid to or expended on its behalf.... | ||||||
| 3 | The value of services or facilities furnished by a governmental unit to the organization without charge.. | ||||||
| 4 | Total. Add lines 1 through 3 | ||||||
| 5 | The portion of total contributions by each person (other than a governmental unit or publicly supported organization) included on line 1 that exceeds 2% of the amount shown on line 11, column (f).. | ||||||
| 6 | Public support. Subtract line 5 from line 4. | ||||||
Calendar year
(or fiscal year beginning in) ![]() |
(a) 2015 | (b) 2016 | (c) 2017 | (d) 2018 | (e) 2019 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 7 | Amounts from line 4.. | ||||||
| 8 | Gross income from interest, dividends, payments received on securities loans, rents, royalties and income from similar sources... | ||||||
| 9 | Net income from unrelated business activities, whether or not the business is regularly carried on.. | ||||||
| 10 | Other income. Do not include gain or loss from the sale of capital assets (Explain in Part VI.).. | ||||||
| 11 | Total support. Add lines 7 through 10 | ||||||
Calendar year (or fiscal year beginning in) ![]() |
(a) 2015 | (b) 2016 | (c) 2017 | (d) 2018 | (e) 2019 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 1 | Gifts, grants, contributions, and membership fees received. (Do not include any "unusual grants.") . | 46,749 | 54,477 | 73,986 | 102,852 | 115,298 | 393,362 |
| 2 | Gross receipts from admissions, merchandise sold or services performed, or facilities furnished in any activity that is related to the organization's tax-exempt purpose | 84,772 | 80,899 | 60,068 | 11,274 | 19,073 | 256,086 |
| 3 | Gross receipts from activities that are not an unrelated trade or business under section 513 ..... | ||||||
| 4 | Tax revenues levied for the organization's benefit and either paid to or expended on its behalf... | 40,000 | 35,000 | 35,000 | 38,000 | 40,000 | 188,000 |
| 5 | The value of services or facilities furnished by a governmental unit to the organization without charge | ||||||
| 6 | Total. Add lines 1 through 5 | 171,521 | 170,376 | 169,054 | 152,126 | 174,371 | 837,448 |
| 7a | Amounts included on lines 1, 2, and 3 received from disqualified persons | 3,686 | 4,200 | 6,000 | 29,650 | 3,000 | 46,536 |
| b | Amounts included on lines 2 and 3 received from other than disqualified persons that exceed the greater of $5,000 or 1% of the amount on line 13 for the year. | 66,486 | 58,349 | 41,679 | 5,000 | 171,514 | |
| c | Add lines 7a and 7b.. | 70,172 | 62,549 | 47,679 | 34,650 | 3,000 | 218,050 |
| 8 | Public support. (Subtract line 7c from line 6.) | 619,398 | |||||
Calendar year (or fiscal year beginning in) ![]() |
(a) 2015 | (b) 2016 | (c) 2017 | (d) 2018 | (e) 2019 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 9 | Amounts from line 6... | 171,521 | 170,376 | 169,054 | 152,126 | 174,371 | 837,448 |
| 10a | Gross income from interest, dividends, payments received on securities loans, rents, royalties and income from similar sources.. | 5 | 143 | 1,245 | 3,627 | 2,103 | 7,123 |
| b | Unrelated business taxable income (less section 511 taxes) from businesses acquired after June 30, 1975. | ||||||
| c | Add lines 10a and 10b. | 5 | 143 | 1,245 | 3,627 | 2,103 | 7,123 |
| 11 | Net income from unrelated business activities not included in line 10b, whether or not the business is regularly carried on. | ||||||
| 12 | Other income. Do not include gain or loss from the sale of capital assets (Explain in Part VI.) .. | ||||||
| 13 | Total support. (Add lines 9, 10c, 11, and 12.).. | 171,526 | 170,519 | 170,299 | 155,753 | 176,474 | 844,571 |
| Section A - Adjusted Net Income | (A) Prior Year |
(B) Current Year (optional) |
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| 1 | Net short-term capital gain | 1 | ||||
| 2 | Recoveries of prior-year distributions | 2 | ||||
| 3 | Other gross income (see instructions) | 3 | ||||
| 4 | Add lines 1 through 3 | 4 | ||||
| 5 | Depreciation and depletion | 5 | ||||
| 6 | Portion of operating expenses paid or incurred for production or collection of gross income or for management, conservation, or maintenance of property held for production of income (see instructions) | 6 | ||||
| 7 | Other expenses (see instructions) | 7 | ||||
| 8 | Adjusted Net Income (subtract lines 5, 6 and 7 from line 4) | 8 | ||||
| Section B - Minimum Asset Amount | (A) Prior Year |
(B) Current Year (optional) |
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| 1 | Aggregate fair market value of all non-exempt-use assets (see instructions for short tax year or assets held for part of year): | 1 | ||||
| a | Average monthly value of securities | 1a | ||||
| b | Average monthly cash balances | 1b | ||||
| c | Fair market value of other non-exempt-use assets | 1c | ||||
| d | Total (add lines 1a, 1b, and 1c) | 1d | ||||
| e |
Discount claimed for blockage or other factors (explain in detail in Part VI): |
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| 2 | Acquisition indebtedness applicable to non-exempt use assets | 2 | ||||
| 3 | Subtract line 2 from line 1d | 3 | ||||
| 4 | Cash deemed held for exempt use. Enter 1-1/2% of line 3 (for greater amount, see instructions). | 4 | ||||
| 5 | Net value of non-exempt-use assets (subtract line 4 from line 3) | 5 | ||||
| 6 | Multiply line 5 by .035 | 6 | ||||
| 7 | Recoveries of prior-year distributions | 7 | ||||
| 8 | Minimum Asset Amount (add line 7 to line 6) | 8 | ||||
| Section C - Distributable Amount | Current Year | |||||
| 1 | Adjusted net income for prior year (from Section A, line 8, Column A) | 1 | ||||
| 2 | Enter 85% of line 1 | 2 | ||||
| 3 | Minimum asset amount for prior year (from Section B, line 8, Column A) | 3 | ||||
| 4 | Enter greater of line 2 or line 3 | 4 | ||||
| 5 | Income tax imposed in prior year | 5 | ||||
| 6 | Distributable Amount. Subtract line 5 from line 4, unless subject to emergency temporary reduction (see instructions) | 6 | ||||
| Section D - Distributions | Current Year | |
|---|---|---|
| 1 Amounts paid to supported organizations to accomplish exempt purposes | ||
|
2
Amounts paid to perform activity that directly furthers exempt purposes of supported organizations, in excess of income from activity |
||
| 3 Administrative expenses paid to accomplish exempt purposes of supported organizations | ||
| 4 Amounts paid to acquire exempt-use assets | ||
| 5 Qualified set-aside amounts (prior IRS approval required) | ||
| 6 Other distributions (describe in Part VI). See instructions | ||
| 7Total annual distributions. Add lines 1 through 6. | ||
|
8
Distributions to attentive supported organizations to which the organization is responsive (provide details in Part VI). See instructions |
||
| 9 Distributable amount for 2019 from Section C, line 6 | ||
| 10 Line 8 amount divided by Line 9 amount | ||
| Section E - Distribution Allocations (see instructions) |
(i) Excess Distributions |
(ii) Underdistributions Pre-2019 |
(iii) Distributable Amount for 2019 |
|
|---|---|---|---|---|
| 1 Distributable amount for 2019 from Section C, line 6 | ||||
|
2
Underdistributions, if any, for years prior to 2019 (reasonable cause required-- explain in Part VI). See instructions. |
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| 3 Excess distributions carryover, if any, to 2019: | ||||
| a From 2014....... | ||||
| b From 2015....... | ||||
| c From 2016....... | ||||
| d From 2017....... | ||||
| e From 2018....... | ||||
| fTotal of lines 3a through e | ||||
| g Applied to underdistributions of prior years | ||||
| h Applied to 2019 distributable amount | ||||
|
i
Carryover from 2014 not applied (see instructions) |
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| j Remainder. Subtract lines 3g, 3h, and 3i from 3f. | ||||
| 4Distributions for 2019 from Section D, line 7: | ||||
| $ | ||||
| a Applied to underdistributions of prior years | ||||
| b Applied to 2019 distributable amount | ||||
| c Remainder. Subtract lines 4a and 4b from 4. | ||||
|
5
Remaining underdistributions for years prior to 2019, if any. Subtract lines 3g and 4a from line 2. If the amount is greater than zero, explain in Part VI. See instructions. |
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|
6
Remaining underdistributions for 2019. Subtract lines 3h and 4b from line 1. If the amount is greater than zero, explain in Part VI. See instructions. |
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|
7 Excess distributions carryover to 2020. Add lines 3j and 4c. |
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| 8 Breakdown of line 7: | ||||
| a Excess from 2015..... | ||||
| b Excess from 2016..... | ||||
| c Excess from 2017..... | ||||
| d Excess from 2018..... | ||||
| e Excess from 2019..... | ||||
| Facts And Circumstances Test |
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| Return Reference | Explanation |
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| Software ID: | |
| Software Version: |
Attach to Form 990 or 990-EZ.
Go to www.irs.gov/Form990 for the latest information.
| Return Reference | Explanation |
|---|---|
| FORM 990 - ORGANIZATION'S MISSION | THE CENTER FOR DOCUMENTARY EXPRESSION AND ART (CDEA) IS DEDICATED TO USING THE TOOLS OF DOCUMENTARY WORKORAL HISTORY, PHOTOGRAPHY, FILM MAKING, NARRATIVE WRITING, VISUAL ART, AND MUSIC TO HELP UTAHNS LOOK INWARD TO BETTER UNDERSTAND OUR STATE'S PAST AND PRESENT AND TO GAZE OUTWARD TO DISCOVER OUR MULTI-FACETED CONNECTION TO THE NATION AND THE WORLD. CDEA CREATES AND SUPPORTS PROJECTS THAT EXAMINE AND HONOR THE CULTURAL, SPIRITUAL, AND ETHNIC IDENTITIES OF OUR NATION'S DIVERSE POPULATION IN FORUMS WHEREIN WE CAN ACKNOWLEDGE DIFFERENCES, ESTABLISH COMMON GROUND, AND HENCE, BUILD COMMUNITY. |
| FORM 990, PAGE 2, PART III, LINE 4A | DOCUMENTARY PROJECTS RESULTING IN MAJOR EXHIBITS THE DEVELOPMENT OF DOCUMENTARY PROJECTS RESULTING IN MAJOR, TRAVELING EXHIBITS WITH BOOKS AND FILMS, OR OTHER EXPRESSIONS OF DOCUMENTARY WORK, IS ONGOING. ON THE AV-ERAGE, DOCUMENTARY PROJECTS THAT RESULT IN A MAJOR EXHIBIT TAKE FOUR-TO-SIX YEARS TO RESEARCH, DEVELOP, DESIGN, AND PRODUCE. BETWEEN 2006-2011, THE ORGANIZATION COMPLETED A MAJOR EXHIBIT TITLED, THIS LIGHT OF OURS: ACTIVIST PHOTOGRAPHERS OF THE CIVIL RIGHTS MOVEMENT. THIS PROJECT PRESENTED THE CIVIL RIGHTS MOVEMENT THROUGH THE WORK AND VOICES OF EIGHT MEN AND ONE WOMAN WHO DOCUMENTED THE NATIONAL STRUGGLE AGAINST SEGREGATION AND OTHER FORMS OF RACE-BASED DISENFRANCHISEMENT FROM WITHIN THE MOVEMENT. THE EXHIBIT INAUGURATED THE HUMAN RIGHTS GALLERY AT THE LEONARDO: AN ART, SCIENCE, AND TECHNOLOGY CENTER, IN DOWNTOWN SALT LAKE CITY, IN OCTOBER 2011, AND REMAINED AVAILABLE TO THE UTAH PUBLIC FOR NINE MONTHS, OR UNTIL JUNE 2012. THE PRESENTATION OF THIS LIGHT OF OURS INCLUDED CELL-PHONE ACCESSIBLE, AUDIO GUIDES FOR YOUTH AND ADULTS; A FREE, SIX-PAGE BROCHURE FOR USE BY STUDENTS AND THE GENERAL PUBLIC; A 53PG CURRICULUM GUIDE FOR GRADES 7-12; AND A 251PG BOOK PUBLISHED BY THE UNIVERSITY PRESS OF MISSISSIPPI. THE ORGANIZATION ALSO ORGANIZED A MONTH-LONG SYMPOSIA AT THREE UTAH UNIVERSITIES AND A COMMUNITY COLLEGE INVOLVING LOCAL AND NATIONAL ACTIVISTS AND HISTORIANS. CDEA ALSO PARTNERED WITH UTAH'S PBS AFFILIATE, KUED-TV, TO CREATE UTAH'S FREEDOM RIDERS, A 30 MINUTE FILM PRESENTING UTAH'S CIVIL RIGHTS ACTIVISTS. MORE THAN 58,000 PEOPLE VISITED THE DISPLAY IN UTAH, WITH ABOUT NINE PERCENT OF VISI-TORS BEING K-16 STUDENTS. IN 2013, FOLLOWING THE EXHIBIT'S DEBUT, THE ORGANIZATION'S EXECUTIVE DIRECTOR LESLIE KELEN WAS RETAINED BY THE UTAH STATE BOARD OF EDUCATION (USBE) TO CREATE AN EIGHT-WEEK, ON-LINE COURSE TO INTRODUCE UTAH PUBLIC SCHOOL TEACHERS TO THE CIVIL RIGHTS MOVEMENT. DIRECTOR KELEN HAS TAUGHT THE CLASS ON AN ANNUAL BASIS SINCE 2013. IN FALL 2013, THIS LIGHT OF OURS: ACTIVIST PHOTOGRAPHERS OF THE CIVIL RIGHTS MOVE-MENT STARTED TRAVELING OUTSIDE UTAH. A FIVE-YEAR PERIOD (2013- 2018) WAS SET ASIDE FOR THE EXHIBIT'S INITIAL NATIONAL TOUR. THIS TOURING PERIOD CULMINATED WITH THE EXHIBIT'S DISPLAY AT THE IRVING ARTS CENTER IN IRVING, TEXAS, BETWEEN JANUARY-MARCH 2018. IN MAY 2018, THE ORGANIZATION CONTRACTED WITH THE MALTZ MUSEUM OF JEWISH HERIT-AGE, LOCATED IN CLEVELAND, OHIO, TO CARRY OUT A SECOND FIVE-YEAR TOUR. THIS TOUR WILL RUN TO MAY 2023. THE EXHIBIT IS CURRENTLY ON DISPLAY AT THE BULLOCK SATE HISTORY MUSEUM, IN AUSTIN, TEXAS. NEW DOCUMENTARY PROJECTS AND POTENTIAL EXHIBITS SINCE 2016-17, THE ORGANIZATION HAS CONDUCTED RESEARCH AIMED AT DEVELOPING TWO INTERRELATED PROJECTS. THE FIRST IS TITLED, WHEN YOU LIVE IN THIS WORLD: AN ORAL HIS-TORY. THIS PROJECT WILL USE HUNDREDS OF ORAL HISTORIES CREATED BY THE ORGANIZATION BETWEEN 1982-1989, AND 1998-2003 TO CONVEY THE 20TH AND 21ST CENTURY STORY OF UTAH'S ETHNIC AND MINORITY PEOPLE. WHEN YOU LIVE IN THIS WORLD INVOLVES REEDITING, EXPANDING, AND REDESIGNING THE ORGANIZATION'S FOUNDATIONAL BOOK, MISSING STORIES: AN ORAL HISTORY OF ETHNIC AND MINORITY GROUPS IN UTAH, WHICH WAS FIRST PUBLISHED BY THE UNIVERSITY OF UTAH PRESS IN 1995 AS A PART OF UTAH'S STATE CENTENNIAL CELEBRA-TIONS. UNLIKE MISSING STORIES, WHICH USED ORAL HISTORIES TO PRESENT EIGHT, 20TH CEN-TURY, COMMUNITY PROFILES, WHEN YOU LIVE IN THIS WORLD WILL USE A GEOGRAPH-IC/CHRONOLOGICAL/THEMATIC FORMAT TO CONVEY A PEOPLE'S HISTORY OF 20TH AND 21ST CEN-TURY UTAH WITH BROAD APPEAL TO UTAH EDUCATORS AND THE GENERAL PUBLIC. THE SECOND (AND INTERRELATED ENDEAVOR) IS TITLED, MY AMERICA: STORIES OF UTAH'S IMMIGRANTS, MIGRANTS, AND REFUGEES. MY AMERICA IS CONCEIVED OF AS A SERIES OF SHORT (UNDER 8 MINUTES LONG) VIDEOS THAT TELL THE STORIES OF IMMIGRANTS, MIGRANTS, AND REFUGEES WHO LEFT THEIR PLACES OF ORIGIN IN THE 1924-1965 AND 1965 TO-THE PRE-SENT PERIODS AND RELOCATED TO UTAH BECAUSE OF ECONOMIC OPPORTUNITIES, GOVERNMENT COMPULSION, OR TO ESCAPE PERSECUTION. THE ORGANIZATION IS PREPARING TO USE THESE VIDEOS ON A WEBSITE THAT FEATURES WHEN YOU LIVE IN THIS WORLD. THE GOAL WILL BE TO UTILIZE THE VIDEOS AS AN INTRODUCTION TO THE MORE FULLY-COVERED SUBJECT OF MIGRATION IN THE BOOK. NEW MAJOR EXHIBIT UNDER CONSIDERATION IN 2018, MATT HERRON, CURATOR FOR THIS LIGHT OF OURS: ACTIVIST PHOTOGRAPHERS OF THE CIVIL RIGHTS MOVEMENT, SENT THE ORGANIZATION A PROPOSAL TO UNDERTAKE A NEW MAJOR EXHIBIT SIMILAR IN SCOPE TO THIS LIGHT OF OURS. TENTATIVELY TITLED, WORKING IN THE FIELDS: THE LIVES AND STRUGGLES OF THOSE WHO FEED US, THIS PROJECT WOULD ASSEM-BLE THE WORK OF FIFTEEN ACTIVIST PHOTOGRAPHERS WHO DOCUMENTED THE "LIVES AND STRUG-GLES" OF CALIFORNIA FARM WORKERS FROM THE MID-1930S ERA UNTIL THE PRESENT. WORKING IN THE FIELDS ALSO WOULD PRESENT CESAR CHAVEZ'S TWENTY-FIVE-YEAR CAMPAIGN (1955-1980) TO BUILD THE UNITED FARM WORKERS UNION, THE FIRST NATIONAL UNION TO REPRESENT FARM WORKERS, AND THE EFFORTS OF CALIFORNIA GROWERS TO KEEP THE UFW FROM SUCCEED-ING. MUCH LIKE THIS LIGHT OF OURS, WHICH FOCUSED ON THE BLACK-LED CIVIL RIGHTS MOVEMENT, WORKING IN THE FIELDS WILL FOCUS ON CHICANO-LATINO LED EFFORTS, WHICH HAD (AND CONTINUE TO HAVE) FAR-REACHING IMPLICATIONS FOR LATINO CIVIL AND HUMAN RIGHTS ACTIVITIES. THE PROJECT SEEKS TO DEVELOP A TRAVELING PHOTO EXHIBIT; BI-LINGUAL AUDIO GUIDES; AN EXHIBIT PUBLICATION; AND, POSSIBLY, A SHORT FILM. WORKING IN THE FIELDS: THE LIVES AND STRUGGLES OF THOSE WHO FEED US WILL BE DESIGNED TO TRAVEL TO AMERICAN AND INTERNATIONAL MUSEUMS. IN LATE-JANUARY 2019 AND, MORE RECENTLY, IN SEPTEMBER 2019 THE ORGANIZATION MET WITH MATT HERRON AND DAVID BACON, AN ACTIVIST FARMWORKER-PHOTOGRAPHER (AND PO-TENTIAL EXHIBIT CO-CURATOR), IN NORTHERN CALIFORNIA TO DEVELOP A PRELIMINARY SELECTION OF IMAGES AND EXPLORE THE THE UNIVERSITY OF CALIFORNIA STATE MUSEUM AS A VEN-UE. CURRENT PLANS (FY 19-20) CALL FOR THE SELECTION OF THREE SCHOLAR ADVISORS AND TWO FILMMAKERS TO FORM A PROJECT TEAM. WE ALSO ARE INTERESTED IN EXPLORING A PART-NERSHIP WITH THE UNIVERSITY OF CALIFORNIA, CENTER FOR HUMANITIES, IN MERCED, CA, AS A MAJOR PROJECT SPONSOR. |
| FORM 990, PAGE 2, PART III, LINE 4B | DOCUMENTARY PROJECTS RESULTING IN EXHIBITS THAT TEACH (ETT)- ARTISTS/SCHOLARS-IN-RESIDENCE (ASIR) PROGRAMS EXHIBITS THAT TEACH DISPLAYS ARE SMALLER THAN MAJOR EXHIBITS AND ARE DESIGNED FOR USE IN UTAH'S K-12 PUBLIC SCHOOLS, PUBLIC LIBRARIES, AND RURAL MUSEUMS. EXHIBITS CONTAIN PHOTOGRAPHS AND ORAL HISTORIES (WITH RELATED DIDACTIC TEXT). THEY ARE GENER-ALLY BOOKED FROM FOUR-TO-EIGHT WEEKS AT EACH EDUCATIONAL SITE. FIVE EXHIBITS THAT TEACH DISPLAYS ARE CURRENTLY AVAILABLE. IN ORDER OF THEIR DEVELOPMENT, THEY ARE: - FACES AND VOICES OF REFUGEE YOUTH (2002); - SACRED IMAGES: A VISION OF NATIVE AMERICAN ROCK ART (2007); - CEREMONIES: A TALE OF SISTER CITIES (2008); - REAWAKENED BEAUTY: THE PAST, PRESENT, AND FUTURE OF THE JORDAN RIVER (2009); AND - JUSTICE-MEMORY-ACTIVISM (2014). THREE OF THE EXHIBITS (SACRED IMAGES; REAWAKENED BEAUTY; AND JUSTICE- MEMORY-ACTIVISM) ARE ACCOMPANIED BY CDEA-DESIGNED ARTISTS/SCHOLARS-IN- RESIDENCE (ASIR) PROGRAMS. ASIR PROGRAMS ENGAGE STUDENTS IN INTENSIVE, LONG-TERM, PLACE-BASED PROJECTS THAT PROMOTE STUDY AND PRACTICE OF THE DOCUMENTARY ARTS; GENERATE ORIGINAL STUDENT ART; AND INTEGRATE ARTS LEARNING WITH LEARNING IN OTHER SUBJECTS. EXHIBITS THAT TEACH DISPLAYS AND ARTISTS/SCHOLARS-IN-RESIDENCE PROGRAMS ENABLE STUDENTS TO CREATE ORIGINAL ART WHILE EXPLORING SUCH VARIED SUBJECTS AS: UTAH HISTO-RY, UTAH'S CULTURAL DIVERSITY, INDIGENOUS CULTURES, INDIGENOUS ART, ECOLOGY, BIOLO-GY, ENVIRONMENTAL SCIENCE, IMMIGRATION, DISCRIMINATION AND RACISM, CROSS CUL-TURAL COMMUNICATION, AND RESOLVING CONFLICT NONVIOLENTLY. OVER THE PAST EIGHTEEN MONTHS, SACRED IMAGES: A VISION OF NATIVE AMERICAN ROCK ART-ARTISTS/SCHOLARS-IN-RESIDENCE PROGRAM WAS PRESENTED AT MOUNTAIN VIEW HIGH SCHOOL IN THE ALPINE SCHOOL DISTRICT. REAWAKENED BEAUTY: THE PAST, PRESENT, AND FUTURE OF THE JORDAN RIVER-ARTISTS/SCHOLARS-IN-RESIDENCE PROGRAM WAS PRESENTED AT BRIGHTON HIGH SCHOOL, IN THE CANYONS SCHOOL DISTRICT. AND JUSTICE-MEMORY-ACTIVISM-ARTISTS/SCHOLARS-IN-RESIDENCE PROGRAM WAS PRESENTED AT THE MCGILLIS SCHOOL IN SALT LAKE CITY. |
| FORM 990, PAGE 6, PART VI, LINE 11B | THE CENTER FOR DOCUMENTARY EXPRESSION AND ART'S BOARD CHAIR AND EXECUTIVE DIRECTOR MEET AND REVIEW THE 990. THE 990 IS ALSO REVIEWED BY THE MEMBERS OF THE BOARD OF DIRECTORS. |
| FORM 990, PAGE 6, PART VI, LINE 12C | THE ORGANIZATION HAS A WRITTEN CONFLICT OF INTEREST POLICY. THIS POLICY REQUIRES THAT ALL BOARD MEMBERS AND MANAGEMENT ANNUALLY REVIEW THE POLICY AND DISCLOSE ANY POTENTIAL CONFLICT OF INTEREST. IF POTENTIAL CONFLICTS OF INTEREST ARE DISCLOSED, THE EXECUTIVE COMMITTEE REVIEWS THOSE CONFLICTS TO DETERMINE THE MOST APPROPRIATE COURSE OF ACTION. TYPICALLY, THIS INCLUDES RECUSAL FROM VOTE ON ITEMS FOR WHICH THE BOARD MEMBER HAS A REAL OR POTENTIAL CONFLICT OF INTEREST. |
| FORM 990, PAGE 6, PART VI, LINE 15A | THE EXECUTIVE DIRECTOR'S COMPENSATION IS DETERMINED BY THE BOARD OF DIRECTORS DURING THE BUDGETING PROCESS EACH YEAR. THE BOARD OF DIRECTORS CONSIDERS MARKET RATES IN DETERMINING A REASONABLE LEVEL OF COMPENSATION. THE APPROVAL OF THE BUDGET, INCLUDING THE EXECUTIVE DIRECTOR'S COMPENSATION, IS DOCUMENTED. |
| FORM 990, PAGE 6, PART VI, LINE 19 | GOVERNING DOCUMENTS ARE MADE AVAILABLE UPON REQUEST. |
| FORM 990, PART IX, LINE 11G | CONTRACTED SERVICES 10,126 2,128 85 |
| Software ID: | |
| Software Version: |