Attach to Form 990 or Form 990-EZ.
Go to
www.irs.gov/Form990 for instructions and the latest information.
| (i) Name of supported organization | (ii) EIN | (iii) Type of organization (described on lines 1- 10 above (see instructions)) | (iv) Is the organization listed in your governing document? | (v) Amount of monetary support (see instructions) | (vi) Amount of other support (see instructions) | |
|---|---|---|---|---|---|---|
| Yes | No | |||||
|
Total |
||||||
Calendar year (or fiscal year beginning in) ![]() |
(a) 2016 | (b) 2017 | (c) 2018 | (d) 2019 | (e) 2020 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 1 | Gifts, grants, contributions, and membership fees received. (Do not include any "unusual grant.") .. | 2,242,075 | 1,852,492 | 1,348,742 | 1,285,331 | 3,488,243 | 10,216,883 |
| 2 | Tax revenues levied for the organization's benefit and either paid to or expended on its behalf.... | ||||||
| 3 | The value of services or facilities furnished by a governmental unit to the organization without charge.. | 60,000 | 60,000 | 60,000 | 60,000 | 60,000 | 300,000 |
| 4 | Total. Add lines 1 through 3 | 2,302,075 | 1,912,492 | 1,408,742 | 1,345,331 | 3,548,243 | 10,516,883 |
| 5 | The portion of total contributions by each person (other than a governmental unit or publicly supported organization) included on line 1 that exceeds 2% of the amount shown on line 11, column (f).. | 469,452 | |||||
| 6 | Public support. Subtract line 5 from line 4. | 10,047,431 | |||||
Calendar year
(or fiscal year beginning in) ![]() |
(a) 2016 | (b) 2017 | (c) 2018 | (d) 2019 | (e) 2020 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 7 | Amounts from line 4.. | 2,302,075 | 1,912,492 | 1,408,742 | 1,345,331 | 3,548,243 | 10,516,883 |
| 8 | Gross income from interest, dividends, payments received on securities loans, rents, royalties and income from similar sources... | 58,766 | 58,766 | 73,458 | 55,840 | 246,830 | |
| 9 | Net income from unrelated business activities, whether or not the business is regularly carried on.. | ||||||
| 10 | Other income. Do not include gain or loss from the sale of capital assets (Explain in Part VI.).. | ||||||
| 11 | Total support. Add lines 7 through 10 | 10,763,713 | |||||
Calendar year (or fiscal year beginning in) ![]() |
(a) 2016 | (b) 2017 | (c) 2018 | (d) 2019 | (e) 2020 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 1 | Gifts, grants, contributions, and membership fees received. (Do not include any "unusual grants.") . | ||||||
| 2 | Gross receipts from admissions, merchandise sold or services performed, or facilities furnished in any activity that is related to the organization's tax-exempt purpose | ||||||
| 3 | Gross receipts from activities that are not an unrelated trade or business under section 513 ..... | ||||||
| 4 | Tax revenues levied for the organization's benefit and either paid to or expended on its behalf... | ||||||
| 5 | The value of services or facilities furnished by a governmental unit to the organization without charge | ||||||
| 6 | Total. Add lines 1 through 5 | ||||||
| 7a | Amounts included on lines 1, 2, and 3 received from disqualified persons | ||||||
| b | Amounts included on lines 2 and 3 received from other than disqualified persons that exceed the greater of $5,000 or 1% of the amount on line 13 for the year. | ||||||
| c | Add lines 7a and 7b.. | ||||||
| 8 | Public support. (Subtract line 7c from line 6.) | ||||||
Calendar year (or fiscal year beginning in) ![]() |
(a) 2016 | (b) 2017 | (c) 2018 | (d) 2019 | (e) 2020 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 9 | Amounts from line 6... | ||||||
| 10a | Gross income from interest, dividends, payments received on securities loans, rents, royalties and income from similar sources.. | ||||||
| b | Unrelated business taxable income (less section 511 taxes) from businesses acquired after June 30, 1975. | ||||||
| c | Add lines 10a and 10b. | ||||||
| 11 | Net income from unrelated business activities not included in line 10b, whether or not the business is regularly carried on. | ||||||
| 12 | Other income. Do not include gain or loss from the sale of capital assets (Explain in Part VI.) .. | ||||||
| 13 | Total support. (Add lines 9, 10c, 11, and 12.).. | ||||||
| Section A - Adjusted Net Income | (A) Prior Year |
(B) Current Year (optional) |
||||
| 1 | Net short-term capital gain | 1 | ||||
| 2 | Recoveries of prior-year distributions | 2 | ||||
| 3 | Other gross income (see instructions) | 3 | ||||
| 4 | Add lines 1 through 3 | 4 | ||||
| 5 | Depreciation and depletion | 5 | ||||
| 6 | Portion of operating expenses paid or incurred for production or collection of gross income or for management, conservation, or maintenance of property held for production of income (see instructions) | 6 | ||||
| 7 | Other expenses (see instructions) | 7 | ||||
| 8 | Adjusted Net Income (subtract lines 5, 6 and 7 from line 4) | 8 | ||||
| Section B - Minimum Asset Amount | (A) Prior Year |
(B) Current Year (optional) |
||||
| 1 | Aggregate fair market value of all non-exempt-use assets (see instructions for short tax year or assets held for part of year): | 1 | ||||
| a | Average monthly value of securities | 1a | ||||
| b | Average monthly cash balances | 1b | ||||
| c | Fair market value of other non-exempt-use assets | 1c | ||||
| d | Total (add lines 1a, 1b, and 1c) | 1d | ||||
| e |
Discount claimed for blockage or other factors (explain in detail in Part VI): |
|||||
| 2 | Acquisition indebtedness applicable to non-exempt use assets | 2 | ||||
| 3 | Subtract line 2 from line 1d | 3 | ||||
| 4 | Cash deemed held for exempt use. Enter 0.015 of line 3 (for greater amount, see instructions). | 4 | ||||
| 5 | Net value of non-exempt-use assets (subtract line 4 from line 3) | 5 | ||||
| 6 | Multiply line 5 by 0.035 | 6 | ||||
| 7 | Recoveries of prior-year distributions | 7 | ||||
| 8 | Minimum Asset Amount (add line 7 to line 6) | 8 | ||||
| Section C - Distributable Amount | Current Year | |||||
| 1 | Adjusted net income for prior year (from Section A, line 8, Column A) | 1 | ||||
| 2 | Enter 85% of line 1 | 2 | ||||
| 3 | Minimum asset amount for prior year (from Section B, line 8, Column A) | 3 | ||||
| 4 | Enter greater of line 2 or line 3 | 4 | ||||
| 5 | Income tax imposed in prior year | 5 | ||||
| 6 | Distributable Amount. Subtract line 5 from line 4, unless subject to emergency temporary reduction (see instructions) | 6 | ||||
| Section D - Distributions | Current Year | |
|---|---|---|
| 1 Amounts paid to supported organizations to accomplish exempt purposes | 1 | |
|
2
Amounts paid to perform activity that directly furthers exempt purposes of supported organizations, in excess of income from activity |
2 | |
| 3 Administrative expenses paid to accomplish exempt purposes of supported organizations | 3 | |
| 4 Amounts paid to acquire exempt-use assets | 4 | |
| 5 Qualified set-aside amounts (prior IRS approval required - provide details in Part VI) | 5 | |
| 6 Other distributions (describe in Part VI). See instructions | 6 | |
| 7Total annual distributions. Add lines 1 through 6. | 7 | |
|
8
Distributions to attentive supported organizations to which the organization is responsive (provide details in Part VI). See instructions |
8 | |
| 9 Distributable amount for 2020 from Section C, line 6 | 9 | |
| 10 Line 8 amount divided by Line 9 amount | 10 | |
| Section E - Distribution Allocations (see instructions) |
(i) Excess Distributions |
(ii) Underdistributions Pre-2020 |
(iii) Distributable Amount for 2020 |
|
|---|---|---|---|---|
| 1 Distributable amount for 2020 from Section C, line 6 | ||||
|
2
Underdistributions, if any, for years prior to 2019 (reasonable cause required-- explain in Part VI). See instructions. |
||||
| 3 Excess distributions carryover, if any, to 2020: | ||||
| a From 2015....... | ||||
| b From 2016....... | ||||
| c From 2017....... | ||||
| d From 2018....... | ||||
| e From 2019....... | ||||
| fTotal of lines 3a through e | ||||
| g Applied to underdistributions of prior years | ||||
| h Applied to 2020 distributable amount | ||||
|
i
Carryover from 2015 not applied (see instructions) |
||||
| j Remainder. Subtract lines 3g, 3h, and 3i from line 3f. | ||||
| 4Distributions for 2020 from Section D, line 7: | ||||
| $ | ||||
| a Applied to underdistributions of prior years | ||||
| b Applied to 2020 distributable amount | ||||
| c Remainder. Subtract lines 4a and 4b from line 4. | ||||
|
5
Remaining underdistributions for years prior to 2020, if any. Subtract lines 3g and 4a from line 2. If the amount is greater than zero, explain in Part VI. See instructions. |
||||
|
6
Remaining underdistributions for 2020. Subtract lines 3h and 4b from line 1. If the amount is greater than zero, explain in Part VI. See instructions. |
||||
|
7 Excess distributions carryover to 2021. Add lines 3j and 4c. |
||||
| 8 Breakdown of line 7: | ||||
| a Excess from 2016..... | ||||
| b Excess from 2017..... | ||||
| c Excess from 2018..... | ||||
| d Excess from 2019..... | ||||
| e Excess from 2020..... | ||||
| Facts And Circumstances Test |
|---|
| Return Reference | Explanation |
|---|
| Software ID: | |
| Software Version: |
Attach to Form 990 or 990-EZ.
Go to www.irs.gov/Form990 for the latest information.
| Return Reference | Explanation |
|---|---|
| FORM 990, PART III, LINE 4A: | IN 2020, THE TAMPA MUSEUM OF ART'S PERMANENT COLLECTION COMPRISED OVER 8,400 OBJECTS. THE MUSEUM PRIMARILY COLLECTS CLASSICAL ANTIQUITIES (665 OBJECTS), 19TH-CENTURY PHOTOGRAPHY AND PRINTS EMPHASIZING WORKS THAT RELATE TO THE CLASSICAL COLLECTION (APPROXIMATELY 1,300 OBJECTS), MODERN AND CONTEMPORARY ART IN A VARIETY OF MEDIA (OVER 6,400 OBJECTS), WITH AN EMPHASIS ON PHOTOGRAPHY, ART CREATED AFTER 1970, AND NEW MEDIA. THE MUSEUM COLLECTS WORKS BY NATIONALLY AND INTERNATIONALLY RECOGNIZED ARTISTS IN A RANGE OF TECHNIQUES AND MEDIUMS, MANY OF WHOM HAVE TIES TO FLORIDA AND THE TAMPA BAY REGION. THE MUSEUM RECOGNIZES THAT ITS ACQUISITIONS TODAY ARE SETTING STANDARDS FOR FUTURE COLLECTING ACTIVITY AND BUILDING A FOUNDATION FOR EXHIBITIONS AND EDUCATION PROGRAMMING. THE MUSEUM CELEBRATED ITS 100TH ANNIVERSARY IN 2020 AND THE 100TH ANNIVERSARY OF THE WOMAN'S RIGHT TO VOTE, THE SAME YEAR THE COVID-19 PANDEMIC SHUT DOWN THE MUSEUM TO THE PUBLIC FOR TWO MONTHS AND LIMITED OUR RESOURCES AND PROGRAMMING FOR THE REST OF THE YEAR. FOLLOWING THE CLOSURE ON MARCH 16 AND THE REOPENING OF THE MUSEUM ON JUNE 1, THE MUSEUM SAW AN 80% DROP IN ATTENDANCE, GENERAL ADMISSION, STORE SALES, AND COMMISSIONS FROM FOOD AND BEVERAGE SALES. MEMBERSHIP FELL BY 30% AS DID INDIVIDUAL CONTRIBUTIONS, AND SPONSORSHIPS, AND TWO FUNDRAISERS WERE CANCELLED. HOWEVER, THE MUSEUM RECEIVED PPP AND A CARES ACT GRANT FROM HILLSBOROUGH COUNTY THAT ASSISTED THE MUSEUM IN RETAINING ALL BUT FOUR MEMBERS OF THE STAFF AND RETROFITTED THE MUSEUM TRANSACTIONAL STATIONS FOR SOCIAL DISTANCING TO HELP PREVENT THE SPREAD OF COVID-19. THE FUNDS WERE ALSO USED TO COMPLETELY OUTFIT THE MUSEUM WITH THE TECHNOLOGY NEEDED TO TAKE OUR PROGRAMS, DESIGNED FOR CONVENING OF PEOPLE AT THE MUSEUM, TO A VIRTUAL PLATFORM. WE ALSO RECONSIDERED OUR ANNUAL FALL GALA FUNDRAISER AS A HYBRID VIRTUAL EXPERIENCE WITH A LIVE AUCTION AND THROUGH THE GENEROSITY OF THE COMMUNITY WAS ABLE TO HIT A HISTORIC AVERAGE OF FUNDRAISING FOR THAT EVENT. THE MUSEUM DID NOT LAYOFF STAFF, ALTHOUGH IT DOWNSIZED ITS TEAM BY FOUR ADMINISTRATIVE POSITIONS AS A PRECAUTIONARY REORGANIZATION DUE TO HISTORIC DROPS IN ATTENDANCE AND EARNED INCOME. HOWEVER, THE TAMPA MUSEUM OF ART CONTINUED TO RAISE REVENUE AND ALLOCATE ITS RESOURCES TOWARD PROGRAM MANAGEMENT AND PRESENTATION OF COLLECTIONS, COLLECTIONS' CARE AND MANAGEMENT, AND A ROBUST SCHEDULE OF EXHIBITION AND EDUCATION PROGRAMS TO SERVE THE TAMPA BAY COMMUNITY, ALBEIT VIRTUAL AS WELL AS IN PERSON. IN 2020, ALTHOUGH WE HAD TO POSTPONE TWO EXHIBITIONS AND EXTENDED THE LOAN PERIOD AND EXHIBITION RUN TIME ON THREE EXHIBITIONS, WE FEATURED NINE IMPORTANT TRAVELING AND IN-HOUSE CURATED EXHIBITIONS FOR THE TAMPA BAY COMMUNITY AND BEYOND, EACH OUTLINED BRIEFLY BELOW. THE MAKING OF A MUSEUM: 100 YEARS, 100 WORKS (THROUGH MARCH 15, 2020) IN CELEBRATION OF THE TAMPA MUSEUM OF ART'S 100TH ANNIVERSARY IN 2020, THE EXHIBITION THE MAKING OF A MUSEUM: 100 YEARS, 100 WORKS FROM THE PERMANENT COLLECTION, FEATURED WORKS REPRESENTATIVE OF THE INSTITUTION'S COLLECTING HISTORY AND MISSION. THE COLLECTION IS UNIQUE-WITH SIGNIFICANT HOLDINGS OF ANCIENT GREEK AND ROMAN ART, AS WELL AS INCREASED ACQUISITIONS OF MODERN AND CONTEMPORARY ART. WITH EIGHT MAIN CATEGORIES, THE COLLECTION FEATURES A BREADTH OF OBJECTS: CLASSICAL ANTIQUITIES, PRINTS AND PHOTOGRAPHS RELATED TO CLASSICAL ANTIQUITY, THE C. PAUL JENNEWEIN ARCHIVE, PAINTING, DECORATIVE ARTS AND SCULPTURE, PHOTOGRAPHY, WORKS ON PAPER, AND NEW MEDIA, VIDEO, AND INSTALLATION ART. THE MAKING OF A MUSEUM: 100 YEARS, 100 WORKS PRESENTED UNIQUE INSIGHTS INTO HOW THE COLLECTION AND IDENTITY OF THE MUSEUM HAVE EVOLVED AS IT HAS GROWN FROM A SMALL LOCAL ARTS ORGANIZATION TO THE CITY'S PREEMINENT MUSEUM OF ART. MODERN WOMEN: MODERN VISION - WORKS FROM THE BANK OF AMERICA COLLECTION (FEBRUARY 20 THROUGH OCTOBER 25, 2020) SINCE PHOTOGRAPHY'S INCEPTION IN THE MID-NINETEENTH CENTURY, WOMEN HAVE STOOD AMONG ITS ARTISTIC AND TECHNOLOGICAL PIONEERS. MODERN WOMEN: MODERN VISION FEATURED 100 WORKS FROM THE BANK OF AMERICA COLLECTION BY LEADING ARTISTS OF THE TWENTIETH AND EARLY TWENTY-FIRST CENTURIES. THE EXHIBITION WAS ORGANIZED IN SIX THEMATIC SECTIONS: MODERNIST INNOVATORS, DOCUMENTARY PHOTOGRAPHY AND THE NEW DEAL, PHOTO LEAGUE, MODERN MASTERS, EXPLORING THE ENVIRONMENT, AND THE GLOBAL CONTEMPORARY LENS. EACH SECTION EXAMINES THE PHOTOGRAPHERS' ROLE IN FORGING NEW DIRECTIONS AND METHODS IN PHOTOGRAPHY, AS WELL AS HOW THE MEDIUM HAS EVOLVED WITH THE ADVENT OF NEW DIGITAL AND STUDIO PRACTICES. ARTISTS FEATURED IN THIS EXHIBITION INCLUDE BERENICE ABBOTT, DIANE ARBUS, TINA BARNEY, BERND BECHER AND HILLA BECHER, MARGARET BOURKE-WHITE, ESTHER BUBLEY, IMOGEN CUNNINGHAM, RINEKE DIJKSTRA, CANDIDA HFER, BARBARA KRUGER, DOROTHEA LANGE, NIKKI S. LEE, HELEN LEVITT, SONIA HANDELMAN MEYER, DODO JIN MING, RUTH ORKIN, CINDY SHERMAN, CARRIE MAE WEEMS, AND OTHERS. 14TH CONGRESSIONAL DISTRICT AND NEXT GENERATION HIGH SCHOOL ART COMPETITION 2020 (MARCH 7 THROUGH APRIL 19, 2020) THIS ANNUAL HIGH SCHOOL ART EXHIBITION FEATURES EXEMPLARY WORK CREATED BY HIGH SCHOOL STUDENTS THROUGHOUT THE 14TH CONGRESSIONAL DISTRICT AND HILLSBOROUGH COUNTY. STUDENTS COMPETE FOR TWO TOP PRIZES: THE MUSEUM CHOICE AWARD AND THE CONGRESSIONAL CHOICE AWARD. THE ARTWORK SELECTED FOR THE CONGRESSIONAL CHOICE AWARD WILL CONTINUE TO REPRESENT THE DISTRICT IN THE NATIONAL CONGRESSIONAL HIGH SCHOOL ART COMPETITION, HANGING IN THE CANNON TUNNEL OF THE U.S. CAPITOL FOR ONE YEAR. ADDITIONALLY, THE RECIPIENT OF THIS AWARD RECEIVES A TRIP TO WASHINGTON, D.C. TO ATTEND THE NATIONAL AWARDS CEREMONY IN JUNE 2020. THE 14TH CONGRESSIONAL DISTRICT AND NEXT GENERATION HIGH SCHOOL ART COMPETITION IS PRESENTED IN PARTNERSHIP WITH THE OFFICE OF U.S. REPRESENTATIVE, KATHY CASTOR. SKETCHES AND SCULPTURES: A STUDY OF C. PAUL JENNEWEIN (JUNE 13 THROUGH FEBRUARY 28, 2021) C. PAUL JENNEWEIN'S (GERMAN-AMERICAN, 1890-1978) ARTWORK REVEALS THE INSPIRATION OF THE ANCIENT WORLD WHILE ALSO ENGAGING WITH THE NEW SCULPTURAL STYLES OF HIS TIME, MERGING ART DECO WITH THE NEO-CLASSICAL TRADITION. IN 1978, THE TAMPA BAY ART CENTER, PREDECESSOR OF THE TAMPA MUSEUM OF ART, RECEIVED A BEQUEST OF 2,600 OBJECTS INCLUDING FINISHED ARTWORKS, AS WELL AS PREPARATORY DRAWINGS, PLASTER CASTS, AND MOLDS FOR THE NUMEROUS COMMISSIONS JENNEWEIN RECEIVED DURING HIS PROLIFIC CAREER. SKETCHES AND SCULPTURES: A STUDY OF C. PAUL JENNEWEIN HIGHLIGHTS THIS EXTENSIVE ARCHIVE. THE EXHIBITION PRESENTS AN OVERVIEW OF THE ARTIST'S EARLY SCULPTURES AND FOUR MAJOR COMMISSIONS EXECUTED BETWEEN 1925 AND 1940 THAT DEFINED JENNEWEIN AS ONE OF THE MOST SIGNIFICANT SCULPTORS OF HIS DAY. SKETCHES AND SCULPTURE: A STUDY OF C. PAUL JENNEWEIN IS PART OF THE TAMPA MUSEUM OF ART'S CENTENNIAL EXHIBITION SERIES CELEBRATING 100 YEARS. HER STORY: STORIES OF ANCIENT HEROINES AND EVERYDAY WOMEN (JULY 9, 2020, THROUGH JUNE 19, 2022) IN CELEBRATION OF THE 100TH ANNIVERSARY OF WOMEN'S SUFFRAGE, THE TAMPA MUSEUM OF ART PRESENTS A SERIES OF EXHIBITIONS FOCUSED ON THE ACHIEVEMENTS OF WOMEN IN THE ARTS. HERSTORY: STORIES OF ANCIENT HEROINES AND EVERYDAY WOMEN EXPLORES THE STORY OF WOMEN IN THE ANCIENT WORLD THROUGH THE DEPICTIONS OF GODDESSES, HEROINES, MYTHOLOGICAL CHARACTERS, AND EVERYDAY WOMEN IN THE MUSEUM'S COLLECTION OF CLASSICAL ANTIQUITIES. THE EXHIBITION HIGHLIGHTS OBJECTS THAT SPEAK TO THE ROLE OF WOMEN IN THE ANCIENT WORLD, THEIR MYTHS, AND STORIES, FROM APHRODITE AND ATHENA TO AMAZON WARRIORS TO WOMEN OF THE EVERYDAY. THESE ROLES ARE EXAMINED THROUGH THE MUSEUM'S COLLECTION OF STATUES, FRAGMENTS, VESSELS, AND OBJECTS FROM DAILY LIFE. FRANK STELLA: ILLUSTRATIONS AFTER EL LISSITZKY'S HAD GADYA FROM THE COLLECTION OF BNY MELLON (JUNE 1 THROUGH SEPTEMBER 27, 2020) FRANK STELLA (AMERICAN, B. 1936) CREATED THE SERIES ILLUSTRATIONS AFTER EL LISSITZKY'S HAD GADYA (1984) AFTER SEEING ARTIST EL LISSITZKY'S ARTWORK AT THE TEL AVIV MUSEUM OF ART. BETWEEN 1917 AND 1919, LISSITZKY (RUSSIAN, 1890-1941) COMPLETED IMAGERY FOR A CHILDREN'S BOOK OF "HAD GADYA", AN ALLEGORICAL SONG SUNG AT THE CLOSE OF THE PASSOVER SEDER. LISSITZKY'S MODERNIST INTERPRETATION OF THE TRADITIONAL SONG HIGHLIGHTED THE INFLUENCE OF THE RUSSIAN AVANT-GARDE IN HIS WORK, AS HE DEPICTED CHARACTERS AND SCENES IN "HAD GADYA" WITH ABSTRACT FORMS AND INTERLOCKING GEOMETRIC SHAPES. INSPIRED BY LISSITZKY'S "HAD GADYA", STELLA PRODUCED A SUITE OF PRINTS CORRESPONDING TO THE ARTIST'S IMAGERY. RATHER THAN RE-INTERPRET THE SONG, STELLA RESPONDED TO LISSITZKY'S ABSTRACTIONS WITH HIS OWN SIGNATURE VIBRANT PALETTE AND CURVILINEAR GESTURES. THE EXHIBITION FEATURES STELLA'S COMPLETE PORTFOLIO OF TWELVE PRINTS, EACH UNIQUE IN TECHNIQUE AND COLOR. |
| FORM 990, PART III, LINE 4A, CONTINUED: | FRANK STELLA: WHAT YOU SEE (JUNE 1 THROUGH SEPTEMBER 27, 2020) IN CONJUNCTION WITH FRANK STELLA: ILLUSTRATIONS AFTER EL LISSITZKY'S HAD GADYA, THE TAMPA MUSEUM OF ART HAS ORGANIZED FRANK STELLA: WHAT YOU SEE, A PENDANT EXHIBITION FEATURING WORKS BY FRANK STELLA IN REGIONAL COLLECTIONS, INCLUDING THE TAMPA MUSEUM OF ART'S PERMANENT COLLECTION. THE EXHIBITION IS INSPIRED BY STELLA'S QUOTE "WHAT YOU SEE IS WHAT YOU SEE," THE ARTIST'S FAMED DESCRIPTION OF HIS ART AS NOTED IN A 1964 INTERVIEW. THE INTIMATE SELECTION OF WORKS PROVIDES AN OVERVIEW OF STELLA'S OEUVRE FROM HIS EXPLORATION OF MINIMAL FORMS IN THE 1960S AND 1970S, TO THE CREATION OF LYRICAL MULTI-MEDIA COMPOSITIONS IN THE LATE 1990S. FRANK STELLA: WHAT YOU SEE PRESENTS A SNAPSHOT VIEW OF ONE OF TODAY'S MOST INFLUENTIAL LIVING ARTISTS. FIGURE FORWARD: SELECTIONS FROM THE PERMANENT COLLECTION (OCTOBER 22, 2020, THROUGH MAY 9, 2021) REPRESENTATIONS OF THE BODY VARY FROM PERSON TO PERSON, ARTIST TO ARTIST. THE WORKS FEATURED IN FIGURE FORWARD: SELECTIONS FROM THE PERMANENT COLLECTION DEMONSTRATE DIFFERENT APPROACHES TO FIGURATION FROM THE 18TH-CENTURY TO THE PRESENT THROUGH THE TAMPA MUSEUM OF ART'S PERMANENT COLLECTION. PORTRAITURE AND FIGURATION ANCHOR THE MODERN AND CONTEMPORARY COLLECTION, WITH WORKS IN A RANGE OF MEDIA BY ARTISTS SUCH AS JOSE CLEMENTE OROZCO, FRANCISCO GOYA, LOUISE NEVELSON, FAIRFIELD PORTER, LORNA SIMPSON, AND RAFAEL SOYER. THE EXHIBITION ALSO HIGHLIGHTS RECENT ACQUISITIONS BY ALEX KATZ, YIGAL OZERI, AND PEPE MAR. FIGURE FORWARD EXPANDS ON THE FIGURATIVE WORK INCLUDED IN THE SHOW THE MAKING OF A MUSEUM: 100 YEARS, 100 WORKS. FIGURE FORWARD: SELECTIONS FROM THE PERMANENT COLLECTION IS PART OF THE TAMPA MUSEUM OF ART'S CENTENNIAL EXHIBITION SERIES CELEBRATING 100 YEARS. LIVING COLOR: THE ART OF THE HIGHWAYMEN (NOVEMBER 9, 2020, THROUGH MARCH 28, 2021) THE HIGHWAYMEN ARE A GROUP OF AFRICAN AMERICAN ARTISTS CELEBRATED FOR THEIR DISTINCTIVE PAINTINGS OF FLORIDA'S NATURAL ENVIRONMENT. WORKING IN AND AROUND THE FORT PIERCE AREA BEGINNING IN THE 1950S, THESE SELF-TAUGHT ARTISTS DEPICTED THE STATE'S SCENIC COASTLINE AND WILD BACKCOUNTRY, OFTEN IN DAZZLING COMBINATIONS OF COLOR AND TONE. BRILLIANT TROPICAL SUNSETS, WINDBLOWN PALMS, TOWERING SUNLIT CLOUDS, AND BLOOMING ROYAL POINCIANA TREES ARE AMONG THE MANY SUBJECTS THAT HAVE BECOME ICONIC IMAGES OF FLORIDA, IN PART BECAUSE OF THE PAINTINGS THAT THE HIGHWAYMEN CREATED. LIVING COLOR: THE ART OF THE HIGHWAYMEN FOCUSES ON WORK PRODUCED FROM THE 1950S TO THE 1980S BY A CORE GROUP OF THE HIGHWAYMEN INCLUDING AL BLACK, MARY ANN CARROLL, WILLIE DANIELS, JOHNNY DANIELS, JAMES GIBSON, ALFRED HAIR, ROY MCLENDON, HAROLD NEWTON, SAM NEWTON, WILLIE REAGAN, AND LIVINGSTON ROBERTS. THE EXHIBITION BRINGS SPECIAL ATTENTION ON TWO KEY ARTISTS, HAROLD NEWTON, AND ALFRED HAIR, AND PRESENTS EXTENSIVE EXAMPLES OF THEIR WORK. DRAWN FROM FIVE PRIVATE COLLECTIONS, LIVING COLOR ALSO CONSIDERS THE ROLE OF COLLECTORS IN PRESERVING THE LEGACY OF THESE ARTISTS AND THEIR EXTRAORDINARY LIFE STORIES. IN 2020, ALTHOUGH WE HAD TO POSTPONE ALL EDUCATION PROGRAMS AND FUNDRAISERS AT THE MUSEUM AS OF MARCH 16, FOR THE FIRST TEN WEEKS OF 2020, WE CONDUCTED BUSINESS AS USUAL WITH THE FOLLOWING PROGRAMS, EACH OUTLINED BRIEFLY BELOW. THE MUSEUM WAS PROUD TO HAVE PRESENTED A WIDE RANGE OF EDUCATION OPPORTUNITIES TO THE PUBLIC. WITH A STRONG EMPHASIS ON EDUCATING THE PUBLIC ABOUT MODERN, CONTEMPORARY, AND ANCIENT ART, 2020 PROGRAMS AT THE MUSEUM INCLUDED ONE ONGOING EXHIBITION DEDICATED TO ANCIENT GREEK AND ROMAN ART AND EIGHT OTHER CURATED EXHIBITIONS INFORMING CONTENT OF A DOZEN MONTHLY EDUCATION PROGRAM OFFERINGS. TO ENHANCE THE VOICE OF THE STAFF, 25% OF THE EXHIBITIONS WERE LEASED FROM AND CURATED BY NATIONALLY RECOGNIZED INSTITUTIONS AND THEIR STAFF, PROFESSIONAL TEACHING ARTISTS WERE EMPLOYED TO INSTRUCT STUDIO ART CLASSES, AND AROUND GUEST SCHOLARS, ARTISTS, AND COLLECTORS WERE ENGAGED TO SHARE SPECIALIZED INSTRUCTION AND INFORMATION IN FORMAL AND INFORMAL PUBLIC PRESENTATIONS. IN CARRYING OUT OUR MISSION, REACHING OUR OBJECTIVES AND PROVIDING ACTIVITIES TO THE COMMUNITY, THE MUSEUM PARTNERS WITH ARTS AGENCIES AND COMMUNITY NON-PROFITS ORGANIZATIONS. IN 2020, THE MUSEUM ENJOYED PARTNERSHIPS WITH THE TAMPA BAY FOUNDATION FOR MENTAL HEALTH AND THE UNIVERSITY OF SOUTH FLORIDA HONORS COLLEGE FOR CONNECTIONS, A FREE MENTAL HEALTHCARE COMMUNITY ART ENGAGEMENT PROGRAM. IN ADDITION, CONNECTIONS AS A CREDITED CAPSTONE COURSE IN THE HONORS COLLEGE OF USF, IN 2020 THE MUSEUM TRAINED 20 STUDENT FACILITATORS TO DELIVER GALLERY PROGRAMS TO COMMUNITY PARTICIPANTS, AND USF INVESTED IN A HALF-TIME TWENTY-HOUR A WEEK INTERN TO WORK AT THE MUSEUM TO ADMINISTER THE CONNECTIONS PROGRAM. INTERNSHIPS WERE ALSO ONGOING AS A RESULT OF A RELATIONSHIP WITH THE UNIVERSITY OF TAMPA (UT). IN 2020, THE UNIVERSITY OF TAMPA GENEROUSLY FUNDED A HALF-TIME SOCIAL MEDIA INTERNSHIP FOR A STUDENT TO WORK IN THE MUSEUM'S MARKETING AND COMMUNICATIONS DIVISION. IN ADDITION, ART THERAPY STUDENTS AT UT ASSISTED THE MUSEUM IN PROVIDING ART SPACE, AN ART EDUCATION OUTREACH PROGRAM FOR THOSE ECONOMICALLY IF NOT ENVIRONMENTALLY DISADVANTAGED, WE WORKED WITH THE SPRING, WHICH PROVIDES SUPPORT FOR VICTIMS OF DOMESTIC VIOLENCE; REDEFINING REFUGE, WHICH PROVIDES SUPPORT FOR VICTIMS OF HUMAN TRAFFICKING; AND PORTICO, A BRANCH OF THE HYDE PARK METHODIST CHURCH PROVIDING SERVICES TO THE HOMELESS IN DOWNTOWN TAMPA. THE MUSEUM ALSO CONTINUED THEIR PARTNERSHIP WITH THE LIGHTNING FOUNDATION AND THE VINIK FAMILY FOUNDATION IN OUR YOUTH COUNCIL AND THE COMMUNITY HEROES PROGRAM, WHICH PROVIDED TEENAGERS WORK EXPERIENCE IN TEACHING OTHER TEENS HOW TO DEVELOP, MANAGE, AND MARKET MUSEUM PROGRAMS FOR TEENAGERS. MONDAY MEDITATION TOOK PLACE AT THE MUSEUM IN PARTNERSHIP WITH THE PARBAWATIYA KADAMPA BUDDHIST CENTER. THE STUDIO ART PROGRAM AT THE MUSEUM IN 2020 CONTINUED ITS PARTNERSHIP WITH THE CITY OF TAMPA AND HILLSBOROUGH COUNTY AND THE JEWISH COMMUNITY CENTER TO OFFER OFFSITE CLASSES AT THE JCC FOR YOUTH AND ADULTS. IN 2020 THE OFF-SITE STUDIO ART PROGRAMS EXPANDED TO WINTHROP ARTS FACTORY IN RIVERVIEW, FIREHOUSE CULTURAL CENTER IN RUSKIN, AND COUNTY RECREATION CENTERS IN THONOTOSASSA, WEST CHASE, AND KEYSTONE. THESE WERE BUT A FEW OF THE ANNUAL PARTNERSHIPS IN PLACE AT THE OPENING OF 2020. THE MUSEUM OFFERED FREE, DOCENT-LED TOURS OF MUSEUM EXHIBITIONS TO ALL HILLSBOROUGH COUNTY SCHOOLS, ADULTS AND SENIORS. TEACHER PREVIEWS WERE HELD ONCE IN 2020 AND TEACHERS FROM ALL OVER THE COUNTY WERE INVITED INTO THE MUSEUM FOR FREE, TO SEE HOW THE ART CAN BE INCORPORATED INTO THEIR CLASSROOM EXPERIENCE; THESE PROGRAMS WERE DESIGNED TO BE CROSS-CURRICULAR LINKED TO FLORIDA STANDARDS. A MUSEUM FUNDED RESOURCE, ART LINE OFFERED FREE BUS TRIPS TO AND FROM THE TAMPA MUSEUM OF ART FOR K-12 SCHOOL GROUPS PARTICIPATING IN OUR FREE SCHOOL TOURS PROGRAM, EACH SUBSIDIZED AND SPONSORED BY INDIVIDUALS AND CORPORATIONS. THE MUSEUM OFFERED EVENING LECTURES AND PANEL DISCUSSIONS RELATED TO EXHIBITIONS ON DISPLAY AND THE MUSEUM HOSTED INFORMAL "THIRTY ON THURSDAY" PROGRAMS, WHICH HIGHLIGHT CURRENT EXHIBITIONS AND ARTISTS. YOUTH COUNCIL AND EVENTS LAUNCHED IN THE WINTER AND RAN THROUGH THE FIRST QUARTER OF 2020; THIS UNIQUE PROGRAM ESTABLISHED IN 2016 FOR TEENS IN HILLSBOROUGH COUNTY FOCUSES ON LEADERSHIP, CREATIVITY AND THE ARTS AND CULTURE INDUSTRY. YOUTH EVENTS WERE DIVERSE IN OFFERING, DESIGNED AND COORDINATED IN CONSULTATION WITH THE YOUTH COUNCIL, A GROUP OF 11 HIGH SCHOOL STUDENTS SELECTED THROUGH AN APPLICATION PROCESS. IN THE SPRING OF 2019, THE YOUTH COUNCIL JURIED AND HOSTED ITS THIRD ANNUAL TEEN JURIED FILM FESTIVAL, FEATURING SELECTED FILMS BY OVER 200 OF OUR REGION'S TEEN SUBMISSIONS, A TEEN JURIED ART EXHIBITION, A SILENT DISCO, A JURIED ARTS EXHIBITION, AND INFORMAL TEEN NIGHTS AT THE MUSEUM. ART ON THE HOUSE CONTINUED TO BE HELD EVERY THURSDAY, WHEN THE MUSEUM OFFERED PAY-AS-YOU-WILL ADMISSION TO ALL VISITORS FROM 4 TO 8 P.M. ON THE LAST FRIDAY OF EACH MONTH, THE MUSEUM ALSO PARTICIPATED IN DOWNTOWN TAMPA'S "FOURTH FRIDAY" PROGRAM, IN WHICH VISITORS ATTENDED DOWNTOWN ARTS AND CULTURAL VENUES THAT EXTENDED THEIR HOURS AND OFFER FREE OR SPECIAL ADMISSIONS. ART SPOT, A SATURDAY MORNING FREE DROP-IN PROGRAM OFFERED CHILDREN AND THEIR FAMILIES THE OPPORTUNITY TO EXPLORE THEIR OWN CREATIVITY BY VISITING THE GALLERIES AND CREATING ART RELATED TO THE EXHIBITION. ART SPOT WAS ALWAYS TIED DIRECTLY TO THE EXHIBITIONS ON VIEW AND WAS OFFERED THROUGH MARCH 16, 2020. THE PROGRAM THEN WENT VIRTUAL AS A WEBINAR AND CONTINUED TO BE PRESENTED THROUGH THE END OF THE YEAR. ONE FAMILY FREE DAYS SCHEDULED IN MARCH BEFORE SHUTTING DOWN, OFFERED FAMILY ACTIVITIES AND DOCENT-LED TOURS, LIVE ENTERTAINMENT, AND PAY-AS-YOU-WILL ADMISSION (BY INDIVIDUAL DONATION OR FREE) TO FAMILIES FOR THEM TO ENJOY A MEANINGFUL ART EXPERIENCE TOGETHER. |
| FORM 990, PART III, LINE 4A, CONTINUED: | ART SPACE, FOR OVER TWELVE YEARS IS A PARTNERSHIP PROGRAM WITH COMMUNITY ORGANIZATIONS TO PROVIDE QUALITY ENGAGEMENT WITH THE VISUAL ARTS TO ECONOMICALLY AND ENVIRONMENTALLY DISADVANTAGED POPULATIONS. THAT PROGRAM WAS POSTPONED AFTER MARCH 16, 2020, THROUGH THE REST OF THE YEAR. FINALLY, WITH CONNECTIONS, THE MUSEUM WELCOMED THOSE STRUGGLING WITH MENTAL HEALTH ISSUES SUCH AS ANXIETY, DEPRESSION, ALZHEIMER'S, AND DEMENTIA TO VISIT THE MUSEUM WITH THEIR FAMILY FOR FREE DURING DESIGNATED DATES AND TIMES THROUGHOUT THE YEAR. GUESTS PARTOOK IN SPECIALIZED GALLERY TOURS AND ENGAGED IN CONVERSATIONS ABOUT ART FACILITATED BY MUSEUM STAFF TRAINED STUDENT-DOCENTS FROM UNIVERSITY OF SOUTH FLORIDA'S HONORS COLLEGE. ALL SESSIONS HELD UP TO MARCH 16, 2020, FEATURED DISCUSSIONS IN THE GALLERY DEVELOPED FROM EXHIBITION CONTENT. CONTINUED THROUGH FEBRUARY OF 2020 WAS THE PROGRAM MUSIC AT THE MUSEUM, A PARTNERSHIP WITH THE UNIVERSITY OF TAMPA'S MUSIC DEPARTMENT. EVERY FIRST WEDNESDAY OF THE MONTH, PERFORMING ARTISTS, OPERA, JAZZ, THEATRE, AND MUSIC STUDENTS WAS OTHERWISE SCHEDULED TO BE PERFORMED AT THE MUSEUM BETWEEN SEPTEMBER AND MAY. MUSEUMS FROM HOME WAS CREATED TO BETTER LINK THE COMMUNITY AT HOME WITH OUR PROGRAMS. STUDIO ART PROGRAMS FOR TEENAGERS AND ADULTS IMMEDIATELY WENT VIRTUAL ON A MONTHLY BASIS AND ONCE OUTDOOR PROGRAMMING WAS PERMITTED WITH SOCIAL DISTANCING, A PLEIN AIR PAINTING CLASS WAS SCHEDULED MONTHLY AT REGIONAL PARKS. ART SPOT WAS TURNED INTO A MONTHLY VIRTUAL PROGRAM. ONE COULD TUNE IN THE FIRST SATURDAY OF EVERY MONTH AT 9 AM FOR A FOLLOW-ALONG ART VIDEO. 6 VIRTUAL ART SPOT ACTIVITIES ALLOWED PARTICIPANTS OF ALL AGES AND ANY SKILL LEVEL TO LEARN A NEW SKILL AND CREATE SOMETHING UNIQUE WITH PROJECTS INSPIRED BY ARTWORK ON EXHIBITION AT THE TAMPA MUSEUM OF ART. VIRTUAL ART RECESS WAS CREATED FOR THOSE AT HOME FOR PARTICIPANTS TO SET ASIDE A CREATIVE MOMENT EACH DAY TO TEMPORARILY SUSPEND THE STRESS OF SELF-ISOLATION. EACH DAY WE POSTED A FUN AND EASY ART ACTIVITY THAT ONE COULD DO IN 20 MINUTES OR LESS. TMA ART RECESS USED FOUND OBJECTS, THINGS THAT YOU HAVE AROUND THE HOME, OR THAT YOU CAN FIND IN NATURE. ALL LECTURES AND PRESENTATIONS WENT VIRTUAL, AND THE MUSEUM HELD 20 LIVE VIRTUAL PROGRAMS WITH GUEST SPEAKERS ACROSS THE REGION, COUNTRY, AND WESTERN EUROPE, EIGHT OF WHICH ARE NOW FOUND ON OUR YOUTUBE CHANNEL. |
| FORM 990, PART VI, SECTION B, LINE 11B | THE FINANCE COMMITTEE OF THE BOARD OF TRUSTEES APPROVES THE FORM 990 BEFORE IT IS FILED. |
| FORM 990, PART VI, SECTION B, LINE 12C | ANNUALLY, THE MUSEUM SENDS THE CONFLICT OF INTEREST POLICY TO EACH BOARD MEMBER, WITH THE REQUIREMENT THAT IT MUST BE SIGNED AND RETURNED TO THE ORGANIZATION WITHIN 30 DAYS OF THE BOARD MEMBER'S RECEIPT OF POLICY. SERVICE ON THE BOARD IS CONTINGENT UPON THE COMPLETION OF THE FORM. |
| FORM 990, PART VI, SECTION B, LINE 15 | THE EXECUTIVE COMMITTEE OF THE BOARD OF TRUSTEES ANNUALLY EVALUATES THE PERFORMANCE OF THE EXECUTIVE DIRECTOR IN PERSON AND PROVIDES THEM WITH FEEDBACK FROM THE EXECUTIVE COMMITTEE AND THE ENTIRE BOARD OF TRUSTEES RECEIVED DURING THE COURSE OF THE YEAR. COMPENSATION IS DETERMINED BY THE EXECUTIVE COMMITTEE AND IS BASED ON PERFORMANCE AND AN ANALYSIS OF COMPENSATION PAID FOR SIMILAR POSITIONS IN SIMILAR ORGANIZATIONS AS DETERMINED BY THE EXECUTIVE COMMITTEE. |
| FORM 990, PART VI, SECTION C, LINE 18 | THE MUSEUM MAKES ITS FORM 990 AVAILABLE TO THE PUBLIC UPON REQUEST AND ON THEIR WEBSITE. |
| FORM 990, PART VI, SECTION C, LINE 19 | THE MUSEUM ALLOWS THE PUBLIC TO VIEW ITS FORM 990 AND FINANCIAL STATEMENTS ON THEIR WEBSITE. |
| FORM 990, PART XII, 2C, FINANCIAL STATEMENTS AND REPORTING: | THE PROCESS FOR OVERSIGHT OF THE AUDIT AND SELECTION OF AN INDEPENDENT ACCOUNTANT HAS NOT CHANGED FROM THE PRIOR YEAR. |
| Software ID: | |
| Software Version: |