Attach to Form 990 or Form 990-EZ.
Go to
www.irs.gov/Form990 for instructions and the latest information.
| (i) Name of supported organization | (ii) EIN | (iii) Type of organization (described on lines 1- 10 above (see instructions)) | (iv) Is the organization listed in your governing document? | (v) Amount of monetary support (see instructions) | (vi) Amount of other support (see instructions) | |
|---|---|---|---|---|---|---|
| Yes | No | |||||
|
Total |
||||||
Calendar year (or fiscal year beginning in) ![]() |
(a) 2015 | (b) 2016 | (c) 2017 | (d) 2018 | (e) 2019 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 1 | Gifts, grants, contributions, and membership fees received. (Do not include any "unusual grant.") .. | 3,512,413 | 13,367,403 | 4,748,770 | 7,956,095 | 3,638,232 | 33,222,913 |
| 2 | Tax revenues levied for the organization's benefit and either paid to or expended on its behalf.... | ||||||
| 3 | The value of services or facilities furnished by a governmental unit to the organization without charge.. | ||||||
| 4 | Total. Add lines 1 through 3 | 3,512,413 | 13,367,403 | 4,748,770 | 7,956,095 | 3,638,232 | 33,222,913 |
| 5 | The portion of total contributions by each person (other than a governmental unit or publicly supported organization) included on line 1 that exceeds 2% of the amount shown on line 11, column (f).. | ||||||
| 6 | Public support. Subtract line 5 from line 4. | 33,222,913 | |||||
Calendar year
(or fiscal year beginning in) ![]() |
(a) 2015 | (b) 2016 | (c) 2017 | (d) 2018 | (e) 2019 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 7 | Amounts from line 4.. | 3,512,413 | 13,367,403 | 4,748,770 | 7,956,095 | 3,638,232 | 33,222,913 |
| 8 | Gross income from interest, dividends, payments received on securities loans, rents, royalties and income from similar sources... | 15,260 | 8,398 | 10,230 | 13,104 | 14,497 | 61,489 |
| 9 | Net income from unrelated business activities, whether or not the business is regularly carried on.. | ||||||
| 10 | Other income. Do not include gain or loss from the sale of capital assets (Explain in Part VI.).. | ||||||
| 11 | Total support. Add lines 7 through 10 | 33,284,402 | |||||
Calendar year (or fiscal year beginning in) ![]() |
(a) 2015 | (b) 2016 | (c) 2017 | (d) 2018 | (e) 2019 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 1 | Gifts, grants, contributions, and membership fees received. (Do not include any "unusual grants.") . | ||||||
| 2 | Gross receipts from admissions, merchandise sold or services performed, or facilities furnished in any activity that is related to the organization's tax-exempt purpose | ||||||
| 3 | Gross receipts from activities that are not an unrelated trade or business under section 513 ..... | ||||||
| 4 | Tax revenues levied for the organization's benefit and either paid to or expended on its behalf... | ||||||
| 5 | The value of services or facilities furnished by a governmental unit to the organization without charge | ||||||
| 6 | Total. Add lines 1 through 5 | ||||||
| 7a | Amounts included on lines 1, 2, and 3 received from disqualified persons | ||||||
| b | Amounts included on lines 2 and 3 received from other than disqualified persons that exceed the greater of $5,000 or 1% of the amount on line 13 for the year. | ||||||
| c | Add lines 7a and 7b.. | ||||||
| 8 | Public support. (Subtract line 7c from line 6.) | ||||||
Calendar year (or fiscal year beginning in) ![]() |
(a) 2015 | (b) 2016 | (c) 2017 | (d) 2018 | (e) 2019 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 9 | Amounts from line 6... | ||||||
| 10a | Gross income from interest, dividends, payments received on securities loans, rents, royalties and income from similar sources.. | ||||||
| b | Unrelated business taxable income (less section 511 taxes) from businesses acquired after June 30, 1975. | ||||||
| c | Add lines 10a and 10b. | ||||||
| 11 | Net income from unrelated business activities not included in line 10b, whether or not the business is regularly carried on. | ||||||
| 12 | Other income. Do not include gain or loss from the sale of capital assets (Explain in Part VI.) .. | ||||||
| 13 | Total support. (Add lines 9, 10c, 11, and 12.).. | ||||||
| Section A - Adjusted Net Income | (A) Prior Year |
(B) Current Year (optional) |
||||
| 1 | Net short-term capital gain | 1 | ||||
| 2 | Recoveries of prior-year distributions | 2 | ||||
| 3 | Other gross income (see instructions) | 3 | ||||
| 4 | Add lines 1 through 3 | 4 | ||||
| 5 | Depreciation and depletion | 5 | ||||
| 6 | Portion of operating expenses paid or incurred for production or collection of gross income or for management, conservation, or maintenance of property held for production of income (see instructions) | 6 | ||||
| 7 | Other expenses (see instructions) | 7 | ||||
| 8 | Adjusted Net Income (subtract lines 5, 6 and 7 from line 4) | 8 | ||||
| Section B - Minimum Asset Amount | (A) Prior Year |
(B) Current Year (optional) |
||||
| 1 | Aggregate fair market value of all non-exempt-use assets (see instructions for short tax year or assets held for part of year): | 1 | ||||
| a | Average monthly value of securities | 1a | ||||
| b | Average monthly cash balances | 1b | ||||
| c | Fair market value of other non-exempt-use assets | 1c | ||||
| d | Total (add lines 1a, 1b, and 1c) | 1d | ||||
| e |
Discount claimed for blockage or other factors (explain in detail in Part VI): |
|||||
| 2 | Acquisition indebtedness applicable to non-exempt use assets | 2 | ||||
| 3 | Subtract line 2 from line 1d | 3 | ||||
| 4 | Cash deemed held for exempt use. Enter 1-1/2% of line 3 (for greater amount, see instructions). | 4 | ||||
| 5 | Net value of non-exempt-use assets (subtract line 4 from line 3) | 5 | ||||
| 6 | Multiply line 5 by .035 | 6 | ||||
| 7 | Recoveries of prior-year distributions | 7 | ||||
| 8 | Minimum Asset Amount (add line 7 to line 6) | 8 | ||||
| Section C - Distributable Amount | Current Year | |||||
| 1 | Adjusted net income for prior year (from Section A, line 8, Column A) | 1 | ||||
| 2 | Enter 85% of line 1 | 2 | ||||
| 3 | Minimum asset amount for prior year (from Section B, line 8, Column A) | 3 | ||||
| 4 | Enter greater of line 2 or line 3 | 4 | ||||
| 5 | Income tax imposed in prior year | 5 | ||||
| 6 | Distributable Amount. Subtract line 5 from line 4, unless subject to emergency temporary reduction (see instructions) | 6 | ||||
| Section D - Distributions | Current Year | |
|---|---|---|
| 1 Amounts paid to supported organizations to accomplish exempt purposes | ||
|
2
Amounts paid to perform activity that directly furthers exempt purposes of supported organizations, in excess of income from activity |
||
| 3 Administrative expenses paid to accomplish exempt purposes of supported organizations | ||
| 4 Amounts paid to acquire exempt-use assets | ||
| 5 Qualified set-aside amounts (prior IRS approval required) | ||
| 6 Other distributions (describe in Part VI). See instructions | ||
| 7Total annual distributions. Add lines 1 through 6. | ||
|
8
Distributions to attentive supported organizations to which the organization is responsive (provide details in Part VI). See instructions |
||
| 9 Distributable amount for 2019 from Section C, line 6 | ||
| 10 Line 8 amount divided by Line 9 amount | ||
| Section E - Distribution Allocations (see instructions) |
(i) Excess Distributions |
(ii) Underdistributions Pre-2019 |
(iii) Distributable Amount for 2019 |
|
|---|---|---|---|---|
| 1 Distributable amount for 2019 from Section C, line 6 | ||||
|
2
Underdistributions, if any, for years prior to 2019 (reasonable cause required-- explain in Part VI). See instructions. |
||||
| 3 Excess distributions carryover, if any, to 2019: | ||||
| a From 2014....... | ||||
| b From 2015....... | ||||
| c From 2016....... | ||||
| d From 2017....... | ||||
| e From 2018....... | ||||
| fTotal of lines 3a through e | ||||
| g Applied to underdistributions of prior years | ||||
| h Applied to 2019 distributable amount | ||||
|
i
Carryover from 2014 not applied (see instructions) |
||||
| j Remainder. Subtract lines 3g, 3h, and 3i from 3f. | ||||
| 4Distributions for 2019 from Section D, line 7: | ||||
| $ | ||||
| a Applied to underdistributions of prior years | ||||
| b Applied to 2019 distributable amount | ||||
| c Remainder. Subtract lines 4a and 4b from 4. | ||||
|
5
Remaining underdistributions for years prior to 2019, if any. Subtract lines 3g and 4a from line 2. If the amount is greater than zero, explain in Part VI. See instructions. |
||||
|
6
Remaining underdistributions for 2019. Subtract lines 3h and 4b from line 1. If the amount is greater than zero, explain in Part VI. See instructions. |
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|
7 Excess distributions carryover to 2020. Add lines 3j and 4c. |
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| 8 Breakdown of line 7: | ||||
| a Excess from 2015..... | ||||
| b Excess from 2016..... | ||||
| c Excess from 2017..... | ||||
| d Excess from 2018..... | ||||
| e Excess from 2019..... | ||||
| Facts And Circumstances Test |
|---|
| Return Reference | Explanation |
|---|
| Software ID: | |
| Software Version: |
Attach to Form 990 or 990-EZ.
Go to www.irs.gov/Form990 for the latest information.
| Return Reference | Explanation |
|---|---|
| FORM 990, PART III, LINE 4A - FIRST ACCOMPLISHMENT | EXHIBITIONS AND COLLECTIONS DURING FISCAL YEAR 2020, ICA MIAMI HOSTED A WIDE RANGE OF EXHIBITIONS FROM A DIVERSE GROUP OF ARTISTS. MAJOR EXHIBITIONS DURING FISCAL YEAR 2020 INCLUDED THE FOLLOWING; "STERLING RUBY" WAS ON VIEW FROM NOVEMBER 7, 2019 FEBRUARY 2, 2020. THE EXHIBITION FEATURES OVER 100 WORKS THAT DEMONSTRATE THE RELATIONSHIP BETWEEN MATERIAL TRANSFORMATION IN RUBY'S PRACTICE AND THE RAPID EVOLUTION OF CONTEMPORARY CULTURE, INSTITUTIONS, AND LABOR. SPANNING MORE THAN TWO DECADES OF THE ARTIST'S CAREER, THE EXHIBITION FEATURES AN ARRAY OF WORKS CREATED IN VARIOUS MEDIUMS, FROM HIS RENOWNED CERAMICS AND PAINTINGS TO LESSER-KNOWN DRAWINGS AND INSTALLATIONS. "ALLAN MCCOLLUM: WORKS SINCE 1969" WAS ON VIEW FROM MARCH 26, 2020 TO JAN 17, 2021. THIS EXHIBITION WAS THE FIRST US MUSEUM RETROSPECTIVE FOR AMERICAN ARTIST ALLAN MCCOLLUM. SINCE THE LATE 1960S, MCCOLLUM HAS CREATED WORKS THAT EXAMINE THE ART OBJECT'S RELATIONSHIP TO UNIQUENESS, CONTEXT, AND VALUE, AS WELL AS TO THE MUSEUM THAT COLLECTS, VALUES, AND PRESERVES IT. THIS EXHIBITION SURVEYS MCCOLLUM'S OUTPUT OVER MORE THAN FIVE DECADES, AND MAKES INQUIRIES INTO THE ARTIST'S SERIES OF "REGIONAL PROJECTS CREATED SINCE THE 1990S. IN HIS WORK MCCOLLUM HAS USED THE IDEA OF THE COLLECTION TO EXPLORE HOW WE REMEMBER, CARE FOR, AND PRIVILEGE VARIOUS MATERIAL ARTIFACTS. CONCURRENTLY, THE FOLLOWING EXHIBITIONS WERE ON VIEW DURING FISCAL YEAR 2020 IN ICA MIAMI'S SMALLER FIRST FLOOR GALLERIES: A PRESENTATION OF WORK BY ROBERT GOBER FEATURES THE ICONIC SCULPTURE UNTITLED (199394) AND A PORTFOLIO OF SIGNIFICANT PHOTOGRAPHS, (19782000), WHICH HAS BEEN ON VIEW SINCE DECEMBER 1, 2017. FROM DECEMBER 3, 2019 THROUGH APRIL 26, 2020, ICA MIAMI HOSTED "AGUSTN FERNNDEZ: ARMADURAS." WITH AN INTRIGUING AND UNIQUE BODY OF WORK THAT FINDS ITS EARLY ROOTS IN CUBA AND A TRANSFORMATIVE INFLUENCE ABROAD, AGUSTN FERNNDEZ (B. 1928, HAVANA; D. 2006, NEW YORK) IS A MAJOR FIGURE AMONG CUBAN ARTISTS AND WITHIN THE INTERNATIONAL MODERNIST MOVEMENT THAT CONTEXTUALIZES HIS WORK. FROM DECEMER 3, 2019 THROUGH APRIL 19, 2020 ICA MIAMI PRESENTED CARLOS SANDOVAL DE LEN. FOR HIS EXHIBITION AT ICA MIAMI, CARLOS SANDOVAL DE LEN CREATES A SITE-SPECIFIC, LARGE-SCALE ARCHITECTURAL INSTALLATION THAT INCORPORATES BOTH NEW AND EXISTING SCULPTURES. IN THESE WORKS, SANDOVAL DE LEN DECONSTRUCTS, REPURPOSES, MANIPULATES, AND HYBRIDIZES RAW, INDUSTRIAL MATERIALS WITH FOUND OBJECTS, INCORPORATING BRICKS, EARTH, DISCARDED CLOTHES, VOLCANIC PEARLS, INDUSTRIAL SOAP, BULLET-PROOF PLEXIGLASS, PIZZA BOXES, ARMADILLO SHELLS, AND SOUVENIRS, AMONG OTHER MATERIALS. FROM DECEMBER 3, 2019 THROUGH APRIL 26,2020, ICA MIAMI EXHIBITED THE MODERN WAY TO SHOWER, 2019, A NEWLY COMMISSIONED VIDEO BY ANIMATOR AND INSTALLATION ARTIST WONG PING (B. 1984, HONG KONG). WITH A SIGNATURE STYLE THAT IS BOTH PSYCHEDELIC AND PROVOCATIVE AND NARRATIVES THAT ARE RICHLY SYMBOLIC, ENGAGING AND ABSURD, WONG PING CREATES EPISODIC CINEMATIC TALES THAT ARE PROFOUNDLY UNIVERSAL, WHILE OFTEN DEEPLY PSYCHOLOGICAL AND PERSONAL. WONG'S ANIMATED VIDEOS AND INSTALLATIONS HUMOROUSLY ALLEGORIZE CONTEMPORARY ISSUES OF SEXUALITY, CULTURE, POLITICS, AND POWER. OFTEN ALLUDING TO FABLE AND FICTION, ADOPTING NARRATIVE FORMS SUCH AS THE DETECTIVE NOVEL AND CREATING ANTHROPOMORPHIC CHARACTERS, WONG'S VISUAL LANGUAGE EXPOSES CRUDE REALITIES WHILE OFFERING A SPACE FOR REFLECTION THROUGH FANTASY, HUMOR AND SHARED EXPERIENCE. FROM DECEMBER 3, 2019 THROUGH JULY 30,2020, ICA MIAMI EXHIBITED LOUISE NEVELSON. BUILDING ON THE LEGACIES OF CUBISM, CONSTRUCTIVISM, AND ABSTRACT EXPRESSIONISM, THE ARTIST'S FAMED WOODEN CONSTRUCTIONS TRANSLATE FOUND OBJECTS INTO PERSONAL YET ABSTRACT PORTALS. AFTER WORKING IN PAINTING, CLAY, AND CARVED WOOD, NEVELSON EMBARKED UPON HER SIGNATURE MONOCHROMATIC ASSEMBLAGES MADE OF FOUND WOOD IN THE 1950S PAINTED BLACK, WHITE, AND EVEN GOLD TO HARMONIZE THE DIVERGENT SURFACES OF HER MATERIALS. A PIONEERING FEMALE SCULPTOR, NEVELSON IS AMONG THE MOST SIGNIFICANT AMERICAN SCULPTORS OF THE TWENTIETH CENTURY. FROM JULY 8, 2020 THROUGH APRIL 25, 2021, ICA MIAMI PRESENTED "TOMS ESSON: THE GOAT," THE FIRST SOLO MUSEUM PRESENTATION FOR CUBAN PAINTER TOMS ESSON. ON THIS OCCASION, ICA MIAMI BRINGS TOGETHER WORKS SPANNING HIS THIRTY-YEAR STUDIO PRACTICE ALONGSIDE A SITE-SPECIFIC MURAL AND A COMMISSIONED REINTERPRETATION OF HIS EARLY PAINTING INSTALLATIONS. FROM JULY 8, 2020 THROUGH MAY 2, 2021, ICA MIAMI EXHIBITED AN INSTALLATION BY VIVIAN CACCURI. A LARGE EMBROIDERY ON NETTING, VIVIAN CACCURI'S MOSQUITO SHRINE II (2020) TELLS THE STORY OF THE ARRIVAL OF EUROPEAN COLONISTS TO THE "NEW WORLD" THROUGH THE LENS OF THE MOSQUITO. THE ALLEGORY FEATURES THE INSECT AS A DERANGED PARAMILITARY FORCE, ALLUDING TO THE POWER OF TROPICAL NATURE AND THE DISASTER OF MAN-MADE STRUCTURESPOORLY PLANNED ARTIFICIAL DAMS, SUGAR PLANTATIONS, SLAVERYTHAT HAVE MADE MOSQUITOS BOTH UBIQUITOUS AND DEADLY. ON VIEW FROM JULY 31, 2020 THROUGH NOVEMBER 22, 2020, A CONFRONTATIONAL STAND-UP CUTOUT IMAGE OF THE COMIC BOOK CHARACTER THE INCREDIBLE HULK RENDERED AT HUMAN SCALE, ARTHUR JAFA'S LERAGE (2017) IS A KIND OF SELF-PORTRAIT BY ARTIST, FILMMAKER, AND CINEMATOGRAPHER ARTHUR JAFA, AS EXPLAINED IN A 2019 INTERVIEW WITH T MAGAZINE. THIS WORK BUILDS ON THE ARTIST'S CHILDHOOD FASCINATION WITH SCIENCE FICTION FILMS, COMICS, AND FANZINES WHILE EXPLORING HIS COMPLEX IDENTIFICATION WITH THE CHARACTERS WHO INHABIT THEM. ON VIEW FROM SEPTEMBER 23, 2020 THROUGH NOVEMBER 21, 2021, ICA MIAMI PRESENTS "EKTACHROME ARCHIVE," A SEMINAL BODY OF WORK BY NEW YORK-BASED ARTIST LYLE ASHTON HARRIS (B. 1965, BRONX, NEW YORK; LIVES IN NEW YORK).COMPRISING THIRTY-SIX DOCUMENTARY PHOTOGRAPHS AND FIFTEEN JOURNALS DATING FROM THE EARLY 1990S, THE INSTALLATION CHRONICLES THE EMERGENCE OF A NEW GENERATION OF BLACK CULTURAL PRODUCERS AND SCHOLARS IN THE WAKE OF THE BLACK ARTS MOVEMENT AND THE CONSERVATIVE TURN OF THE 1980S, AND AMID A CONTINUING AIDS EPIDEMIC. AMONG THE FIGURES PROMINENT IN THESE DOCUMENTS ARE LATE FILMMAKER MARLON RIGGS, CURATOR THELMA GOLDEN, ACTIVIST SCHOLARS BELL HOOKS AND MICHELE WALLACE, AND ARTISTS GLENN LIGON, GARY SIMMONS, AND CARRIE MAE WEEMS. THE FOLLOWING SCULPTURES WERE ON VIEW IN ICA MIAMI'S SCULPTURE GARDEN DURING FISCAL YEAR 2020: UNSPECIFIED PROMISE BY ARTIST DUO ALLORA & CALZADILLA HAS BEEN ON VIEW SINCE DECEMBER 1, 2017. THE SCULPTURE IS A CONTEMPORARY INTERPRETATION OF THE GRANITE MONUMENT THAT REFLECTS ON THE POLITICAL AND TECHNOLOGICAL ISSUES OF OUR TIME. DR. PEPPER BY MARK HANDFORTH HAS BEEN ON VIEW SINCE DECEMBER 1, 2017. THE WORK MARKED A MAJOR PUBLIC COMMISSION FOR THIS LEADING MIAMI-BASED ARTIST. EPICURUS BY CONCEPTUAL ARTIST PEDRO REYES HAS BEEN ON VIEW SINCE MAY 7, 2019. REYES IS AN ARTIST WHO PLAYFULLY INVESTIGATES FORM AND HISTORY, PEDRO REYES HAS RECENTLY CREATED A SERIES OF MONUMENTAL CARVED SCULPTURES IN VOLCANIC ROCK DEDICATED TO CANONIZING GREAT PHILOSOPHERS AND INTELLECTUALS. THROWBACK (1976) BY TONY SMITH HAS BEEN ON VIEW SINCE SEPTEMBER 19, 2019. THE SCULPTURE IS AN ICONIC MONUMENTAL SCULPTURE BY THE AMERICAN SCULPTOR, PAINTER, AND ARCHITECT TONY SMITH. THE WORK PRESENTED IN ICA MIAMI'S SCULPTURE GARDEN IS A UNIQUE WELDED STEEL SCULPTURE. A LARGER-SCALE VERSION OF THROWBACK WAS PRODUCED IN ALUMINUM IN AN EDITION OF 3 WITH 1 AP. REPLICANT STONE BY DAMIN ORTEGA, A NEW COMMISSION WAS PRESENTED AS THE INAUGURAL RECIPIENT OF THE EZRATTI FAMILY PRIZE FOR SCULPTURE. ADDITIONALLY, FISCAL YEAR 2020 INCLUDED THE FOLLOWING EXHIBITIONS AND INSTALLATIONS: ON VIEW FROM OCTOBER 12, 2019 TO JANUARY 31, 2020 WAS "YAYOI KUSAMA: ALL THE ETERNAL LOVE I HAVE FOR THE PUMPKINS". ICA MIAMI PRESENTED A SPECIAL OFF-SITE EXHIBITION OF ARTIST YAYOI KUSAMA'S ALL THE ETERNAL LOVE I HAVE FOR THE PUMPKINS IN THE MIAMI DESIGN DISTRICT, MARKING THE FIRST TIME THAT ONE OF KUSAMA'S SIGNATURE "INFINITY MIRROR ROOMS" WILL BE ON VIEW IN MIAMI. ICA MIAMI'S PERMANENT COLLECTION CONTINUED TO ARTICULATE CORNERSTONE MOMENTS IN THE CAREERS OF SOME OF THE MOST SIGNIFICANT ARTISTS OF OUR TIME. FISCAL YEAR 2020 SAW SIGNIFICANT ADDITIONS TO THE COLLECTIONS FROM A DIVERSE AND WIDE RANGING GROUP OF ARTISTS. |
| FORM 990, PART III, LINE 4B - SECOND ACCOMPLISHMENT | EDUCATION AND OUTREACH ICA MIAMI'S YOUNG ARTISTS INITIATIVE IS AN APPLICATION-BASED ARTS PROGRAM DESIGNED FOR YOUNG ARTISTS (9TH-12TH GRADE) WHO ARE ENCOURAGED TO LOOK CRITICALLY AT CONTEMPORARY ART PRACTICES, WORK DIRECTLY WITH LEADING ARTISTS, AND FURTHER DEVELOP THEIR OWN PORTFOLIOS. ICA MIAMI'S YOUNG ARTISTS INITIATIVE ENGAGES STUDENTS IN AN INTENSIVE, 20-WEEK PROGRAM OFFERED IN TWO 10-WEEK SESSIONS THAT RELATES ART HISTORY TO CONTEMPORARY ART PRACTICE FOR HIGH SCHOOL STUDENTS WITH A FOCUS ON APPLICABLE SKILLS THAT PREPARE SELF-SELECTING STUDENTS FOR CAREERS IN CONTEMPORARY ART. DURING FISCAL YEAR 2019, APPROXIMATELY 60 STUDENTS PARTICIPATED IN THE PROGRAM THAT CONCLUDED WITH AN EXHIBITION IN OUR GALLERIES. OVER THE SUMMER ICA MIAMI OFFERED VIRTUAL PORTFOLIO PREP DESIGNED TO PREPARE INCOMING 7TH AND 8TH GRADE STUDENTS WHO INTEND TO APPLY TO MAGNET AND CHARTER ARTS SCHOOLS. IN ADDITION, WE ARE OFFERING OUR NEW VIRTUAL HIGH SCHOOL PORTFOLIO PREP, SPECIFICALLY DESIGNED FOR STUDENTS INTERESTED IN FURTHERING THEIR ARTS EDUCATION, ADVANCING THEIR PORTFOLIO DEVELOPMENT AND LEARNING BEST PRACTICES ON HOW TO DIGITIZE THEIR WORK. DURING FISCAL YEAR 2019 WE SERVED OVER 20 PARTICIPANTS. ICA MIAMI'S OUTREACH PROGRAMS PRESENT THE DIVERSE WORKS OF CONTEMPORARY ARTISTS TO UNDER-RESOURCED YOUTHS AND YOUNG ADULTS IN THE MIAMI REGION. THROUGH A SERIES OF PARTNERSHIPS WITH MIAMI-DADE PUBLIC SCHOOLS AND LOCAL COMMUNITY ORGANIZATIONS, OUR CURRICULA AIM IS TO IMPROVE VISUAL LITERACY, WHILE EMPOWERING THE SOCIAL, CULTURAL AND GENDER-SPECIFIC IDENTITIES OF PARTICIPANTS. DURING FISCAL YEAR 2019, ICA MIAMI OFFERED PROGRAMMING TO OUR COMMUNITY AND SCHOOL PARTNERS SERVING OVER 200 STUDENTS. ICA MIAMI, IN PARTNERSHIP WITH THE MIAMI DESIGN DISTRICT, ALSO HOSTS A MONTHLY "FAMILY DAY" ON THE SECOND SUNDAY OF EACH MONTH. FAMILIES AND OTHER COMMUNITY MEMBERS ARE INVITED TO SPEND AN AFTERNOON EXPLORING THE CULTURAL OFFERINGS OF THE MUSEUM THROUGH VARIOUS INTERACTIVE ACTIVITIES WHICH PROMOTE CREATIVITY AND CRITICAL THINKING, INCLUDING STORY TELLING SESSIONS, MUSICAL PERFORMANCES, AND ART MAKING ACTIVITIES. THE ACTIVITIES ARE TIED TO A THEME OR THE MUSEUM'S CURRENT EXHIBITIONS. ANNUALLY WE SERVE OVER 5,000 PEOPLE. |
| FORM 990, PART III, LINE 4C - THIRD ACCOMPLISHMENT | PUBLIC PROGRAMS DURING THE FIRST HALF OF FISCAL YEAR 2020, ICA MIAMI CONTINUED A ROBUST PROGRAM OF PUBLIC PRESENTATIONS, LECTURES, SEMINARS, FILM SCREENINGS, ARTISTS' TALKS, AND EVENTS IN PERSON. AND DURING THE SECOND HALF OF FISCAL YEAR 2020, AS COVID SET IN, ICA MIAMI MIGRATED ITS PROGRAM OF PUBLIC PRESENTATIONS, LECTURES, SEMINARS, FILM SCREENINGS, ARTISTS' TALKS, AND EVENTS TO DIFFERENT DIGITAL FORMATS. BUILDING ON THE STRUCTURE THAT DIVIDES THE INSTITUTION'S PUBLIC PROGRAMS INTO FOCUSED COMPONENTS, PROGRAMS AND EVENTS WERE DEVELOPED UNDER THE FOLLOWING RUBRICS: ART + RESEARCH CENTER, ICA IDEAS, ICA PERFORMS, AND ICA DIGITAL COMMISSIONS. THROUGH ART + RESEARCH CENTER, THE MUSEUM OFFERS FREE COLLEGE-LEVEL SEMINAR CLASSES, OPEN TO YOUNG ADULTS AND LIFELONG LEARNERS, COVERING A WIDE RANGE OF THEMES FROM CONTEMPORARY ART AND RECENT ART HISTORY. DURING FISCAL YEAR 2020, ICA MIAMI HOSTED INTENSIVE 4- WEEK FALL, SPRING AND SUMMER SEMESTERS, AS WELL AS FOUR LECTURES AND A ONE-DAY SYMPOSIUM ON RACE IN THE AMERICAS. THE ART + RESEARCH CENTER ALSO INAUGURATED ITS ANNUAL KEYNOTE LECTURE WITH WRITER HILTON ALS AND ITS SERIES OF PODCASTS. ICA IDEAS EXPANDS THE REACH AND MEANING OF EXHIBITIONS ON VIEW, WHILE PROVIDING DYNAMIC MODES OF CREATION AND INTERACTION OUTSIDE THE EXHIBITION FORMAT. FISCAL YEAR 2020 INCLUDED PROGRAMS THAT LOOKED AT THE WORK OF ARTISTS STERLING RUBY AND PAULO NAZARETH. ICA PERFORMS FOSTERS THE DEVELOPMENT OF NEW PERFORMANCE WORKS BY ENCOURAGING LEADING PERFORMANCE ARTISTS TO PRESENT NEW AND RECENT WORKS AT THE MUSEUM. ON FEBRUARY 2020, ICA MIAMI COMMISSIONED THE MAYOR NEW WORK, COMPANY COMPANY, FROM CHOREOGRAPHER JEROME BEL. THE CHOREOGRAPHY SOUGHT TO DEMOCRATIZE PERFORMANCE BY ENGAGING DIFFERENTLY-ABLED BODIES. ON MARCH 27, 2020, ICA MIAMI HOSTED ADAM WEINERT'S DANCE OF THE AGES. ON SEPTEMBER 3, 2020, ICA MIAMI PREMIERED A NEW WORK PRODUCED FOR DIGITAL SPACE BY THE MICHAEL CLARK DANCE COMPANY. ICA DIGITAL COMMISSIONS IS A PROGRAM THROUGH WHICH ICA MIAMI COMMISSIONS NEW WORKS FROM ARTISTS INTENDED TO FUNCTION IN THE DIGITAL REALM. THE PROGRAM WAS INAUGURATED DURING FISCAL YEAR 2020 AND, IN ITS FIRST YEAR, COMMISSION NEW WORKS FROM EIGHT MIAMI-BASED ARTISTTARA LONG, FAREN HUMES, TERENCE PRICE II, DOMINGO CASTILLO, CHRISTINE BRACHE, DEIRDRE KEOUGH, GEOVANNA GONZALEZ, AND ARAMIS GUTIERREZ. |
| FORM 990, PART VI, SECTION A, LINE 2 | THE TRUSTEES IRMA BRAMAN AND DEBI WESCHLER HAVE A FAMILY RELATIONSHIP. |
| FORM 990, PART VI, SECTION B, LINE 11B | A COMPLETE DRAFT OF FORM 990 WAS DISTRIBUTED TO, AND REVIEWED AND APPROVED BY, THE ORGANIZATION'S FINANCE COMMITTEE. |
| FORM 990, PART VI, SECTION B, LINE 12C | ENFORCEMENT OF CONFLICTS OF INTEREST EACH DIRECTOR, PRINCIPAL, OFFICER, KEY EMPLOYEE AND MEMBER OF A COMMITTEE WITH GOVERNING BOARD DELIGATED POWERS SHALL ANNUALLY SIGN A STATEMENT WHICH AFFIRMS THAT SUCH PERSON HAS RECEIVED A COPY OF THE CONFLICT OF INTEREST POLICY, HAS READ AND UNDERSTANDS THE POLICY, HAS AGREED TO COMPLY WITH THE POLICY AND UNDERSTANDS THAT THE ORGANIZATION IS CHARITABLE AND IN ORDER TO MAINTAIN ITS FEDERAL EXEMPTION IT MUST ENGAGE PRIMARILY IN ACTIVITIES WHICH ACCOMPLISH ONE OR MORE OF ITS TAX-EXEMPT PURPOSES. IN ADDITION, THE ORGANIZATION CONDUCTS PERIODIC REVIEWS WHICH INCLUDE WHETHER COMPENSATION ARRANGEMENTS AND BENEFITS ARE REASONABLE AND WHETHER PARTNERSHIPS, JOINT VENTURES, AND ARRANGEMENTS WITH MANAGEMENT ORGANIZATIONS CONFORM TO THE ORGANIZATION'S WRITTEN POLICIES, ARE PROPERLY RECORDED, REFLECT REASONABLE INVESTMENTS OR PAYMENTS FOR GOODS AND SERVICES, FURTHER CHARITABLE PURPOSES AND DO NOT RESULT IN INCREMENT, IMPERMISSIBLE PRIVATE BENEFIT OR IN AN EXCESS BENEFIT TRANSACTION. |
| FORM 990, PART VI, SECTION B, LINE 15 | COMPENSATION PROCESS FOR OFFICERS THE COMPENSATION PROCESS FOR KEY EMPLOYEES IS APPROVED BY THE ARTISTIC DIRECTOR IN CONSULTATION WITH THE DEPUTY DIRECTOR. SALARY IS DETERMINED BASED ON THE ORGANIZATION'S BUDGET GUIDELINES AND REVIEW OF THE AMERICAN ALLIANCE OF MUSEUM SALARY SURVEY. |
| FORM 990, PART VI, SECTION C, LINE 19 | GOVERNING DOCUMENT DISCLOSURE EXPLANATION GOVERNING DOCUMENTS ARE MADE AVAILABLE TO THE PUBLIC UPON REQUEST. |
| FORM 990, PART VI, LINE 15A - COMPENSATION PROCESS FOR TOP OFFICIAL | THE ORGANIZATION'S ARTISTIC DIRECTOR'S SALARY IS DETERMINED BY THE CO-CHAIRS OF THE BOARD OF TRUSTEES IN CONSULTATION WITH THE EXECUTIVE COMMITTEE. SALARY IS DETERMINED BASED ON THE ORGANIZATION'S BUDGET GUIDELINES AND REVIEW OF THE AMERICAN ALLIANCE OF MUSEUM SALARY SURVEY. |
| FORM 990, PART IX, LINE 24E | EQUIPMENT, STORAGE, REPAIR AND MAINTENANCE: PROGRAM SERVICE EXPENSES 241,560. MANAGEMENT AND GENERAL EXPENSES 3,277. FUNDRAISING EXPENSES 26,070. TOTAL EXPENSES 270,907. ARTIST AWARDS AND FEES: PROGRAM SERVICE EXPENSES 197,255. MANAGEMENT AND GENERAL EXPENSES 0. FUNDRAISING EXPENSES 6,700. TOTAL EXPENSES 203,955. UTILITIES: PROGRAM SERVICE EXPENSES 120,818. MANAGEMENT AND GENERAL EXPENSES 5,262. FUNDRAISING EXPENSES 3,896. TOTAL EXPENSES 129,976. ART STORAGE: PROGRAM SERVICE EXPENSES 106,993. MANAGEMENT AND GENERAL EXPENSES 0. FUNDRAISING EXPENSES 0. TOTAL EXPENSES 106,993. PRINTING AND PUBLICATIONS: PROGRAM SERVICE EXPENSES 99,553. MANAGEMENT AND GENERAL EXPENSES 0. FUNDRAISING EXPENSES 0. TOTAL EXPENSES 99,553. DUES AND SUBSCRIPTIONS: PROGRAM SERVICE EXPENSES 67,070. MANAGEMENT AND GENERAL EXPENSES 4,103. FUNDRAISING EXPENSES 23,147. TOTAL EXPENSES 94,320. OTHER PRINTING, SIGNAGE, WAYFINDING: PROGRAM SERVICE EXPENSES 83,064. MANAGEMENT AND GENERAL EXPENSES 1,560. FUNDRAISING EXPENSES 5,651. TOTAL EXPENSES 90,275. MEALS AND CONSUMABLES: PROGRAM SERVICE EXPENSES 45,645. MANAGEMENT AND GENERAL EXPENSES 1,737. FUNDRAISING EXPENSES 24,769. TOTAL EXPENSES 72,151. CREDIT CARD, BANK AND OTHER FEES: PROGRAM SERVICE EXPENSES 12,292. MANAGEMENT AND GENERAL EXPENSES 21,420. FUNDRAISING EXPENSES 31,129. TOTAL EXPENSES 64,841. OTHER MISC EXPENSES: PROGRAM SERVICE EXPENSES 52,071. MANAGEMENT AND GENERAL EXPENSES 3,271. FUNDRAISING EXPENSES 2,538. TOTAL EXPENSES 57,880. GIFT SHOP PURCHASES: PROGRAM SERVICE EXPENSES 31,447. MANAGEMENT AND GENERAL EXPENSES 0. FUNDRAISING EXPENSES 0. TOTAL EXPENSES 31,447. BAD DEBT EXPENSE: PROGRAM SERVICE EXPENSES 0. MANAGEMENT AND GENERAL EXPENSES 0. FUNDRAISING EXPENSES 23,000. TOTAL EXPENSES 23,000. |
| FORM 990, PART XII, LINE 2C | THE ORGANIZATION HAS NOT CHANGED ITS OVERSIGHT PROCESS OR SELECTION PROCESS DURING THE TAX YEAR. |
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