Attach to Form 990 or Form 990-EZ.
Go to
www.irs.gov/Form990 for instructions and the latest information.
| (i) Name of supported organization | (ii) EIN | (iii) Type of organization (described on lines 1- 10 above (see instructions)) | (iv) Is the organization listed in your governing document? | (v) Amount of monetary support (see instructions) | (vi) Amount of other support (see instructions) | |
|---|---|---|---|---|---|---|
| Yes | No | |||||
|
Total |
||||||
Calendar year (or fiscal year beginning in) ![]() |
(a) 2015 | (b) 2016 | (c) 2017 | (d) 2018 | (e) 2019 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 1 | Gifts, grants, contributions, and membership fees received. (Do not include any "unusual grant.") .. | 6,547,969 | 4,825,751 | 5,945,488 | 6,035,832 | 7,074,312 | 30,429,352 |
| 2 | Tax revenues levied for the organization's benefit and either paid to or expended on its behalf.... | ||||||
| 3 | The value of services or facilities furnished by a governmental unit to the organization without charge.. | 207,624 | 207,624 | 209,055 | 246,652 | 259,662 | 1,130,617 |
| 4 | Total. Add lines 1 through 3 | 6,755,593 | 5,033,375 | 6,154,543 | 6,282,484 | 7,333,974 | 31,559,969 |
| 5 | The portion of total contributions by each person (other than a governmental unit or publicly supported organization) included on line 1 that exceeds 2% of the amount shown on line 11, column (f).. | 639,021 | |||||
| 6 | Public support. Subtract line 5 from line 4. | 30,920,948 | |||||
Calendar year
(or fiscal year beginning in) ![]() |
(a) 2015 | (b) 2016 | (c) 2017 | (d) 2018 | (e) 2019 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 7 | Amounts from line 4.. | 6,755,593 | 5,033,375 | 6,154,543 | 6,282,484 | 7,333,974 | 31,559,969 |
| 8 | Gross income from interest, dividends, payments received on securities loans, rents, royalties and income from similar sources... | 1,258,526 | 909,317 | 988,343 | 724,615 | 927,084 | 4,807,885 |
| 9 | Net income from unrelated business activities, whether or not the business is regularly carried on.. | ||||||
| 10 | Other income. Do not include gain or loss from the sale of capital assets (Explain in Part VI.).. | ||||||
| 11 | Total support. Add lines 7 through 10 | 36,367,854 | |||||
Calendar year (or fiscal year beginning in) ![]() |
(a) 2015 | (b) 2016 | (c) 2017 | (d) 2018 | (e) 2019 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 1 | Gifts, grants, contributions, and membership fees received. (Do not include any "unusual grants.") . | ||||||
| 2 | Gross receipts from admissions, merchandise sold or services performed, or facilities furnished in any activity that is related to the organization's tax-exempt purpose | ||||||
| 3 | Gross receipts from activities that are not an unrelated trade or business under section 513 ..... | ||||||
| 4 | Tax revenues levied for the organization's benefit and either paid to or expended on its behalf... | ||||||
| 5 | The value of services or facilities furnished by a governmental unit to the organization without charge | ||||||
| 6 | Total. Add lines 1 through 5 | ||||||
| 7a | Amounts included on lines 1, 2, and 3 received from disqualified persons | ||||||
| b | Amounts included on lines 2 and 3 received from other than disqualified persons that exceed the greater of $5,000 or 1% of the amount on line 13 for the year. | ||||||
| c | Add lines 7a and 7b.. | ||||||
| 8 | Public support. (Subtract line 7c from line 6.) | ||||||
Calendar year (or fiscal year beginning in) ![]() |
(a) 2015 | (b) 2016 | (c) 2017 | (d) 2018 | (e) 2019 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 9 | Amounts from line 6... | ||||||
| 10a | Gross income from interest, dividends, payments received on securities loans, rents, royalties and income from similar sources.. | ||||||
| b | Unrelated business taxable income (less section 511 taxes) from businesses acquired after June 30, 1975. | ||||||
| c | Add lines 10a and 10b. | ||||||
| 11 | Net income from unrelated business activities not included in line 10b, whether or not the business is regularly carried on. | ||||||
| 12 | Other income. Do not include gain or loss from the sale of capital assets (Explain in Part VI.) .. | ||||||
| 13 | Total support. (Add lines 9, 10c, 11, and 12.).. | ||||||
| Section A - Adjusted Net Income | (A) Prior Year |
(B) Current Year (optional) |
||||
| 1 | Net short-term capital gain | 1 | ||||
| 2 | Recoveries of prior-year distributions | 2 | ||||
| 3 | Other gross income (see instructions) | 3 | ||||
| 4 | Add lines 1 through 3 | 4 | ||||
| 5 | Depreciation and depletion | 5 | ||||
| 6 | Portion of operating expenses paid or incurred for production or collection of gross income or for management, conservation, or maintenance of property held for production of income (see instructions) | 6 | ||||
| 7 | Other expenses (see instructions) | 7 | ||||
| 8 | Adjusted Net Income (subtract lines 5, 6 and 7 from line 4) | 8 | ||||
| Section B - Minimum Asset Amount | (A) Prior Year |
(B) Current Year (optional) |
||||
| 1 | Aggregate fair market value of all non-exempt-use assets (see instructions for short tax year or assets held for part of year): | 1 | ||||
| a | Average monthly value of securities | 1a | ||||
| b | Average monthly cash balances | 1b | ||||
| c | Fair market value of other non-exempt-use assets | 1c | ||||
| d | Total (add lines 1a, 1b, and 1c) | 1d | ||||
| e |
Discount claimed for blockage or other factors (explain in detail in Part VI): |
|||||
| 2 | Acquisition indebtedness applicable to non-exempt use assets | 2 | ||||
| 3 | Subtract line 2 from line 1d | 3 | ||||
| 4 | Cash deemed held for exempt use. Enter 1-1/2% of line 3 (for greater amount, see instructions). | 4 | ||||
| 5 | Net value of non-exempt-use assets (subtract line 4 from line 3) | 5 | ||||
| 6 | Multiply line 5 by .035 | 6 | ||||
| 7 | Recoveries of prior-year distributions | 7 | ||||
| 8 | Minimum Asset Amount (add line 7 to line 6) | 8 | ||||
| Section C - Distributable Amount | Current Year | |||||
| 1 | Adjusted net income for prior year (from Section A, line 8, Column A) | 1 | ||||
| 2 | Enter 85% of line 1 | 2 | ||||
| 3 | Minimum asset amount for prior year (from Section B, line 8, Column A) | 3 | ||||
| 4 | Enter greater of line 2 or line 3 | 4 | ||||
| 5 | Income tax imposed in prior year | 5 | ||||
| 6 | Distributable Amount. Subtract line 5 from line 4, unless subject to emergency temporary reduction (see instructions) | 6 | ||||
| Section D - Distributions | Current Year | |
|---|---|---|
| 1 Amounts paid to supported organizations to accomplish exempt purposes | ||
|
2
Amounts paid to perform activity that directly furthers exempt purposes of supported organizations, in excess of income from activity |
||
| 3 Administrative expenses paid to accomplish exempt purposes of supported organizations | ||
| 4 Amounts paid to acquire exempt-use assets | ||
| 5 Qualified set-aside amounts (prior IRS approval required) | ||
| 6 Other distributions (describe in Part VI). See instructions | ||
| 7Total annual distributions. Add lines 1 through 6. | ||
|
8
Distributions to attentive supported organizations to which the organization is responsive (provide details in Part VI). See instructions |
||
| 9 Distributable amount for 2019 from Section C, line 6 | ||
| 10 Line 8 amount divided by Line 9 amount | ||
| Section E - Distribution Allocations (see instructions) |
(i) Excess Distributions |
(ii) Underdistributions Pre-2019 |
(iii) Distributable Amount for 2019 |
|
|---|---|---|---|---|
| 1 Distributable amount for 2019 from Section C, line 6 | ||||
|
2
Underdistributions, if any, for years prior to 2019 (reasonable cause required-- explain in Part VI). See instructions. |
||||
| 3 Excess distributions carryover, if any, to 2019: | ||||
| a From 2014....... | ||||
| b From 2015....... | ||||
| c From 2016....... | ||||
| d From 2017....... | ||||
| e From 2018....... | ||||
| fTotal of lines 3a through e | ||||
| g Applied to underdistributions of prior years | ||||
| h Applied to 2019 distributable amount | ||||
|
i
Carryover from 2014 not applied (see instructions) |
||||
| j Remainder. Subtract lines 3g, 3h, and 3i from 3f. | ||||
| 4Distributions for 2019 from Section D, line 7: | ||||
| $ | ||||
| a Applied to underdistributions of prior years | ||||
| b Applied to 2019 distributable amount | ||||
| c Remainder. Subtract lines 4a and 4b from 4. | ||||
|
5
Remaining underdistributions for years prior to 2019, if any. Subtract lines 3g and 4a from line 2. If the amount is greater than zero, explain in Part VI. See instructions. |
||||
|
6
Remaining underdistributions for 2019. Subtract lines 3h and 4b from line 1. If the amount is greater than zero, explain in Part VI. See instructions. |
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|
7 Excess distributions carryover to 2020. Add lines 3j and 4c. |
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| 8 Breakdown of line 7: | ||||
| a Excess from 2015..... | ||||
| b Excess from 2016..... | ||||
| c Excess from 2017..... | ||||
| d Excess from 2018..... | ||||
| e Excess from 2019..... | ||||
| Facts And Circumstances Test |
|---|
| Return Reference | Explanation |
|---|
| Software ID: | |
| Software Version: |
Attach to Form 990 or 990-EZ.
Go to www.irs.gov/Form990 for the latest information.
| Return Reference | Explanation |
|---|---|
| FORM 990, PART III, LINE 4A | SUMMER WITH THE AVERYS [MILTON | SALLY | MARCH] MAY 11, 2019 - SEPTEMBER 1, 2019 ON MAY 11, 2019, THE BRUCE MUSEUM OPENED SUMMER WITH THE AVERYS [MILTON | SALLY | MARCH]. FEATURING LANDSCAPES, SEASCAPES, BEACH SCENES, AND FIGURAL COMPOSITIONSAS WELL AS RARELY SEEN TRAVEL SKETCHBOOKSTHE EXHIBITION TOOK AN INNOVATIVE APPROACH TO THE SUPERB WORK PRODUCED BY THE AVERY FAMILY. ALONG WITH CANONICAL PAINTINGS BY MILTON AVERY, THE SHOW OFFERED A UNIQUE OPPORTUNITY TO BECOME ACQUAINTED WITH THE REMARKABLE ART CREATED BY AVERY'S WIFE SALLY AND THEIR DAUGHTER MARCH. ORGANIZED BY KENNETH E. SILVER, SILVER PROFESSOR OF ART HISTORY AT NEW YORK UNIVERSITY AND BRUCE MUSEUM ADJUNCT CURATOR OF ART, ASSISTED BY STEPHANIE GUYET, BRUCE MUSEUM ZVI GRUNBERG FELLOW, 2018-19, THE EXHIBITION WAS ACCOMPANIED BY A SCHOLARLY CATALOGUE, FEATURING FULL-COLOR ILLUSTRATIONS OF ALL THE WORKS IN THE SHOW. EDUCATIONAL PROGRAMMING INCLUDED LECTURES AND AN AUDIO GUIDE. ASSEMBLING ART: WORKS BY VIN GIULIANI AUGUST 3, 2019 - SEPTEMBER 15, 2019 ASSEMBLING ART: WORKS BY VIN GIULIANI DISPLAYED THE CREATIONS OF GREENWICH NATIVE VINCENT "VIN" GIULIANI, WHO TRANSFORMED SCRAP WOOD, TRINKETS, AND A COLORFUL VARIETY OF FOUND OBJECTS INTO ARTISTIC ASSEMBLAGES THAT REPRESENT EVERYTHING FROM KITSCHY AMERICANA TO QUESTIONS ABOUT THE HUMAN PSYCHE. INSPIRED BY POP ART'S MOCKERY OF AMERICAN CONSUMERISM, GIULIANI COMBINED EVERYDAY OBJECTS TO ILLUSTRATE ECONOMIC, SOCIAL, AND POLITICAL ISSUES OF THE 1960S AND 1970S. VIN GIULIANI GREW UP IN GREENWICH, CT, WITH HIS BROTHER JOHN AND HIS PARENTS AMALIA AND NICOLA. THEY LIVED AT 353 GREENWICH AVENUE WHERE HIS FATHER RAN A SHOE REPAIR SHOP. GIULIANI ATTENDED GREENWICH HIGH SCHOOL, WHERE HE WAS AN AVID ART STUDENT AND CONTRIBUTOR TO THE SCHOOL'S YEARBOOK. AFTER GRADUATING IN 1948, GIULIANI STUDIED ART AT THE PRATT INSTITUTE IN NEW YORK. HE CONTINUED TO LIVE IN GREENWICH AND WORKED AS A GRAPHIC DESIGNER WHILE DEVELOPING HIS SIGNATURE STYLE OF ASSEMBLAGE ART. THE WORKS ON VIEW IN THE BANTLE LECTURE GALLERY WERE DONATED TO THE MUSEUM'S PERMANENT ART COLLECTION BY THE GIULIANI FAMILY AND INCLUDE A NUMBER OF DRAWINGS ON SKETCH PAPER. PRECISE RENDERINGS OF ELEMENTS THAT APPEAR IN HIS ASSEMBLAGES, THE IMAGES APPEAR MORE LIKE BLUEPRINTS THAN SKETCHES. THE DRAWINGS DEMONSTRATE HOW THE DESIGN AND REVISION PROCESS WORKED FOR GIULIANI AS WELL AS HIS TALENT AS A GRAPHIC ARTIST. THIS EXHIBITION ALSO FEATURED A FAMILY-FRIENDLY ART ASSEMBLY ZONE. USING FOUND OBJECTS PROVIDED BY THE MUSEUM, PARTICIPANTS OF ALL AGES CREATED UNIQUE PIECES INSPIRED BY GIULIANI'S WORK AND BY THEIR OWN EXPERIENCES AND IMAGINATIONS. GALLERY HAPPENING: DRAWING ON THE GALLERY WALLS ONLINE PRESENTATION SEPTEMBER 8, 2019 - JANUARY 9, 2020 BRUCE CONSTRUCKS AND THE PUBLIC CELEBRATION OF THE CAMPAIGN FOR THE NEW BRUCE ON SEPTEMBER 8, PROVIDED A UNIQUE OPPORTUNITY FOR THE COMMUNITY TO PAINT ON THE GALLERY WALLS. "ALLOWING VISITORS TO CREATE WAS THE BEST," A MUSEUM GUEST DEFINITIVELY EXPRESSED. BRUCE MUSEUM STAFF WERE AWED BY THE COLLECTIVE CREATIVITY LEFT ON DISPLAY THROUGH JANUARY OF 2020. BRUCE CONSTRUCKS, THE SPIRITED LAUNCH OF THE PUBLIC PHASE OF THE CAMPAIGN FOR THE NEW BRUCE, ATTRACTED WELL OVER 1,000 MUSEUM MEMBERS AND SUPPORTERS FROM THROUGHOUT THE COMMUNITY ON SEPTEMBER 8. THANK YOU TO ALL WHO ATTENDED AND TO OUR GENEROUS FRIENDS AND NEIGHBORS FOR HELPING CELEBRATE THIS MOMENTOUS OCCASION! THIS FUN AFTERNOON OF FREE, FAMILY-ORIENTED ACTIVITIES INCLUDED THE RARE CHANCE TO DRAW ON THE MUSEUM'S GALLERY WALLS BEFORE THE START OF RENOVATION WORK. THE EVENT ALSO SERVED AS AN OPPORTUNITY FOR BRUCE STAFF AND CAMPAIGN LEADERS TO THANK SUPPORTERS OF THE NEW BRUCE AND INVITE THE ENTIRE COMMUNITY TO JOIN THESE BENEFACTORS IN REIMAGINING THE BRUCE MUSEUM. CONTEMPORARY ARTISTS/TRADITIONAL FORMS: CHINESE BRUSHWORK SEPTEMBER 28, 2019 - DECEMBER 8, 2019 CONTEMPORARY ARTISTS/TRADITIONAL FORMS: CHINESE BRUSHWORK FEATURED THE U.S. DEBUT OF 15 PIECES OF CONTEMPORARY CHINESE BRUSHWORK GIFTED TO THE TOWN OF GREENWICH AS PART OF THE 2019 U.S.-CHINA ART AND CULTURE EXCHANGE. THE EXHIBITION INTRODUCED VISITORS TO THE BASIC TOOLS AND CONCEPTS THAT INFORM THESE WORKS OF ART AND PRESENTS THESE PIECES IN THEIR HISTORICAL AND PRESENT-DAY CONTEXTS. ALSO KNOWN AS WATER-PAINTING, BRUSHWORK HAS A LONG AND ILLUSTRIOUS HISTORY IN CHINA. THE ART FORM DEVELOPED DIRECTLY FROM THE PRACTICE OF CALLIGRAPHY, OR "BEAUTIFUL WRITING," SOMETIME DURING THE HAN DYNASTY (220-589 AD). TRADITIONALLY, BRUSHWORK WAS NOT PRACTICED BY PROFESSIONAL ARTISTS BUT BY AMATEURS COLLOQUIALLY KNOWN AS SCHOLAR ARTISTS, WHO PRIDED THEMSELVES ON THEIR MASTERY OF CALLIGRAPHY AND INCORPORATED PAINTING INTO THEIR POEMS. TODAY THE LEGACY OF THE SCHOLAR ARTIST LIVES ON IN CHINA AND IN THE CREATION OF THESE CONTEMPORARY WORKS OF ART. COLLECTING REIMAGINED: A 2D CURIOSITY CABINET DECEMBER 14, 2019 - MARCH 29, 2020 THE PRACTICE OF COLLECTING OBJECTS AND PUTTING THEM ON DISPLAY IN CABINETS OF CURIOSITIES REACHED ITS PEAK AMONG EUROPEAN COLLECTORS, SCIENTISTS, AND ROYALTY DURING THE 16TH AND 17TH CENTURIES. THE PURPOSES OF THESE ROOMS VARIED, FROM SHOWCASING PRIZED POSSESSIONS TO SERVING AS EDUCATIONAL TOOLS. SOME CABINET OWNERS EVEN ASPIRED TO THE METAPHYSICAL IN THEIR DESIRE TO CREATE A MICROCOSM OF THE UNIVERSE THROUGH THEIR COLLECTIONS. ON VIEW DECEMBER 14, 2019 THROUGH MARCH 29, 2020, COLLECTING REIMAGINED: A 2D CURIOSITY CABINET WAS CURATED BY H.S. MILLER, THE MUSEUM'S ZVI GRUNBERG RESIDENT FELLOW 2019-20. THE EXHIBITION WAS BASED ON A CHAPTER OF THE MASTER'S DISSERTATION MILLER COMPLETED WHILE STUDYING AT THE UNIVERSITY OF EDINBURGH IN SCOTLAND. DRAWING INSPIRATION FROM THESE CABINETS ON PAPER, THIS EXHIBITION USES PRINTED WORKS, PHOTOGRAPHS, MEDALS, TEXTILES, AND SCRIMSHAW FROM THE BRUCE MUSEUM COLLECTIONS TO CREATE A CABINET FILLED WITH TWO-DIMENSIONAL DEPICTIONS OF TYPICAL THREE-DIMENSIONAL CABINET OBJECTS. ON THE EDGE OF THE WORLD: MASTERWORKS BY LAURITS ANDERSEN RING FROM SMKTHE NATIONAL GALLERY OF DENMARK FEBRUARY 1, 2020 - AUGUST 9, 2020 FOLLOWING AN EXTENSIVE, FIVE-MONTH-LONG RENOVATION OF ITS CHANGING GALLERY SPACES, THE BRUCE MUSEUM WAS PLEASED TO PRESENT A MAJOR NEW INTERNATIONAL EXHIBITION, ON THE EDGE OF THE WORLD: MASTERWORKS BY LAURITS ANDERSEN RING FROM SMKTHE NATIONAL GALLERY OF DENMARK. INITIATED BY THE AMERICAN FRIENDS OF STATENS MUSEUM FOR KUNST, THE NATIONAL GALLERY OF DENMARK, THE EXHIBITION OPENED ON SATURDAY, FEBRUARY 1, 2020, AND WAS ON VIEW IN THE MUSEUM'S NEWLY EXPANDED MAIN ART GALLERY THROUGH SUNDAY, AUGUST 9, 2020. L.A. RING (1854-1933), A REALIST AND SYMBOLIST PAINTER, IS CONSIDERED ONE OF THE MOST IMPORTANT FIGURES IN DANISH ART. THE NATIONAL GALLERY OF DENMARK HOLDS THE LARGEST COLLECTION OF RING'S PAINTINGS AND DRAWINGS IN THE WORLD; ON THE EDGE OF THE WORLD SHOWCASED 25 OF THE MOST IMPORTANT PIECES THAT REPRESENT THE KEY THEMES AND SHEER VARIETY AND COMPLEXITY OF HIS OEUVRE. THE EXHIBITION TRAVELED TO ONLY TWO U.S. VENUES. THE BRUCE MUSEUM WAS THE ONLY VENUE ON THE EAST COAST. THROUGH HIS ART, RING DESCRIBED A TIME OF GREAT UPHEAVAL IN DENMARK. THE PROCESSES OF INDUSTRIALIZATION CAUSED MAJOR CHANGES TO THE LABOR MARKET; NEW ENTERPRISES FLOURISHED, AND PEOPLE MOVED FROM THE COUNTRY TO THE CITIES. DENMARK WAS ON THE WAY TO BECOMING A MODERN SOCIETY. ALTHOUGH L.A. RING LIVED IN DENMARK ALL HIS LIFE, HIS WORKS DISPLAY CERTAIN PARALLELS TO THE LANDSCAPES OF AMERICAN REALISM AND NATURALISM. AND JUST AS L.A. RING WAS KEENLY INTERESTED IN HOW INDIVIDUAL MAN HANDLED THE EXISTENTIAL CHALLENGES ARISING AS A RESULT OF THE MODERN BREAKTHROUGH, SO TOO WERE MANY AMERICAN ARTISTS OF THE TIME. POISED BETWEEN REALISM AND SYMBOLISM, L.A. RING'S ART EXPLORES MANKIND'S INNER LIFE, WHICH FOR HIM WAS OFTEN INFUSED BY DEPRESSIVE IDEAS AND MELANCHOLY MOODS. DEATH AND THE PASSING OF ALL THINGS IS A RECURRING THEME IN HIS ART INCLUDING HIS MANY ZEALAND LANDSCAPES, WHICH COME TO FORM PERSONAL, DENSELY ATMOSPHERIC LANDSCAPES OF THE SOUL. HOWEVER, OTHER THEMES OF CLOSENESS AND INTIMACY ALSO FOUND THEIR WAY INTO HIS ART AFTER HE MARRIED THE LOVE OF HIS LIFE IN 1896: SIGRID, ELDEST DAUGHTER OF MASTER POTTER HERMAN KHLER. BOTH ASPECTS OF RING HIS MELANCHOLY AIR AND HIS JOY IN LIFE WERE REPRESENTED IN THE EXHIBITION, EDGE OF THE WORLD: MASTERWORKS BY LAURITS ANDERSEN RING FROM SMKTHE NATIONAL GALLERY OF DENMARK. THE EXHIBITION APPEALED TO ART LOVERS AS WELL AS AMERICANS IN GENERAL, AS IT PORTRAYS THE LIFE OF MANY EUROPEAN EMIGRANTS SETTLING IN THE U.S. AROUND 1900. |
| FORM 990, PART III, LINE 4A | UNDER THE SKIN FEBRUARY 1, 2020 - NOVEMBER 29, 2020 NATURE IS FULL OF BEAUTY, AT SCALES GREAT AND SMALL. UNDER THE SKIN HIGHLIGHTED A DOZEN RECENT DISCOVERIES THROUGH A COMBINATION OF REMARKABLE IMAGERY AND REAL BIOLOGICAL SPECIMENS. WHILE EACH REPRESENTS A RESEARCH BREAKTHROUGH, THESE STRIKING AND, IN MANY CASES, PRIZE-WINNING IMAGES CAN RIGHTFULLY BE CONSIDERED ART IN THEIR OWN RIGHT. UNDER THE SKIN SAMPLED IMAGES MADE POSSIBLE BY A REMARKABLE ARRAY OF TECHNOLOGIESCT SCANNING, INFRARED CAMERAS, SCANNING ELECTRON MICROSCOPES AND MORETHAT ALLOW SCIENTISTS TO VISUALIZE THE MARVELS OF EVOLUTION THAT LIE BELOW THE SURFACE. ALL OF THE IMAGES PRESENTED IN THE EXHIBITION WERE CAPTURED IN THE LAST FIVE YEARS, THUS REPRESENTING THE CUTTING EDGE OF MODERN IMAGING. MANY SHOWCASED AMAZING DISCOVERIES THAT WERE UNDREAMT OF JUST A DECADE AGO. NATURAL HISTORY SPECIMENS FROM THE BRUCE MUSEUM AND ON LOAN FROM OTHER COLLECTIONS COMPLEMENTED EACH IMAGE AND REINFORCED THE ROLE OF MUSEUMS AS STEWARDS OF NATURAL HISTORY. VISITORS LEARNED HOW WE CAN PEER INTO THE INNER EAR OF A FROG SMALLER THAN A PISTACHIO, COUNT THE UNBORN BABIES INSIDE A PREGNANT TIGER SHARK, AND REVEAL THE AGE OF A TEN-TON DINOSAUR FROM MICROSCOPIC STRUCTURES IN ITS BONES. EXPLORING THE RELATIONSHIP BETWEEN LIGHT AND NATURE, VISITORS DISCOVERED THAT FLYING SQUIRRELS CAN GLOW A FLUORESCENT PINK, PELICAN POUCHES BURST INTO COLOR IN INFRARED, AND MACARONI PENGUINS HAVE INVENTED THEIR OWN SPECIAL BRAND OF THE COLOR YELLOW. BRUCE GOES DIGITAL MARCH 30, 2020 - PRESENT DURING THE CHALLENGING TIMES PRESENTED AS A RESULT OF THE GLOBAL PANDEMIC, THE BRUCE MUSEUM BROUGHT ITS EXHIBITIONS ONLINE FOR THOSE WHO COULD NOT OR WOULD NOT VISIT IN MUSEUM IN PERSON. THE BRUCE CONTINUES TO HOST THESE ONLINE EXHIBITIONS- FREE OF CHARGE - FOR THE ENJOYMENT OF ALL ON THE WEBSITE BRUCEMUSEUM.ORG. - ON THE EDGE OF THE WORLD: MASTERWORKS BY LAURITS ANDERSEN RING FROM SMKTHE NATIONAL GALLERY OF DENMARK - UNDER THE SKIN VIRTUAL EXHIBIT TOUR - HOUSE ON THE HILL: THE CHANGING FACE OF THE BRUCE MUSEUM. TO DATE, THE WEBSITE HAS HAD 2,200 VISITS BY 2,300 UNIQUE VISITORS WITH A COMBINED 10,000 PAGE VIEWS. THE EXHIBITION WAS ABLE TO BE INSTALLED ONSITE AS WELL. ICREATE 2020 JUNE 27, 2020 - AUGUST 2, 2020 EACH YEAR, THE BRUCE MUSEUM SHOWCASES THE ART OF HIGH SCHOOL STUDENTS THROUGHOUT CONNECTICUT, NEW JERSEY, AND NEW YORK IN THE ICREATE EXHIBITION. THIS ANNUAL JURIED COMPETITION, IN ITS 11TH CONSECUTIVE YEAR, FEATURED 55 WORKS OF FINE ART SELECTED FROM MORE THAN 850 SUBMISSIONS, AND 123 HIGH SCHOOLS REPRESENTED. THIS EXHIBITION CENTERED ON AN ARRAY OF WORKS INFUSED WITH THE CREATIVE SPIRIT AND IMPACTFUL VOICES OF BUDDING YOUNG ARTISTS. ICREATE SERVES AS AN OUTLET FOR THESE EMERGING ARTISTS, AMPLIFYING THE SCOPE OF THEIR PIECES' INFLUENCE AND PROVIDING THE COMMUNITY A GLIMPSE INTO LOCAL ARTISTIC POTENTIAL. THE WORKS ARE OF DIVERSE MEDIUMS AND EXPLORE DIFFERENT THEMES RANGING FROM CRITIQUES OF TRADITIONAL SOCIAL CONSTRUCTS TO SHARING TRIBUTES OF FAMILY AND FRIENDS, EXPRESSIONS OF CULTURAL DIVERSITY, COMMUNICATING THE IMPORTANCE OF HEALTH AND WELL-BEING, AND GENDER IDENTITY. EDUCATIONAL PROGRAMS THE BRUCE MUSEUM'S PRIMARY GOAL IS TO EDUCATE OUR VISITORS. THE MUSEUM'S AUDIENCE ENGAGEMENT DEPARTMENT TAILORS EACH LEARNING EXPERIENCE TO MATCH OUR TARGETED AUDIENCE SEGMENTS IN THE COMMUNITY. HIGHLIGHTS FROM THE MUSEUM'S EDUCATIONAL PROGRAMMING AND PLANNING IN 2019-2020 INCLUDE THE FOLLOWING: - THIS YEAR, THE MUSEUM HAD OVER 37,000 VISITOR INTERACTIONS THROUGH EDUCATIONAL PROGRAMS, BOTH IN-PERSON AND DIGITALLY. - YOUTH AND FAMILY PROGRAMS PROVIDE OPPORTUNITIES FOR INTERGENERATIONAL GROUPS TO INTERACT IN AN INFORMAL LEARNING ENVIRONMENT AND CREATE ENRICHING EXPERIENCES OUTSIDE OF A SCHOOL ENVIRONMENT FOR CHILDREN, WITH OR WITHOUT THEIR CAREGIVERS. THE NUMBERS LISTED REFLECT PROGRAM PARTICIPATION THROUGH MARCH 2020, AFTER WHICH THE MUSEUM WAS CLOSED FOR THE COVID-19 PANDEMIC. TOTAL NUMBER OF PEOPLE REACHED THROUGH YOUTH AND FAMILY PROGRAMS: 161 PROGRAMS TAUGHT WITH 2,445 VISITOR INTERACTIONS. - YOUTH AND FAMILY PROGRAMS BEGAN OFFERING FAMILY PROGRAMS ON SATURDAYS AND SUNDAYS DURING FY19/20. PRIOR TO THIS, FAMILY PROGRAMS WERE ONLY OFFERED ON SUNDAYS. THE CHANGE TOOK EFFECT IN SEPTEMBER 2019 FOR BOTH WEEKEND FAMILY PROGRAMS: ART ADVENTURES AND SCIENCE SOLVERS. PROGRAMS WERE OFFERED ON BOTH DAYS OF THE WEEKEND WITH THE SAME PROGRAM BEING OFFERED ON BOTH DAYS. - SCHOOL AND TOUR SERVICES OFFER EDUCATIONAL PROGRAMS AND TOURS BASED ON CHANGING EXHIBITIONS AND OUR PERMANENT EXHIBITION, CHANGES IN OUR LAND, TO SCHOOL AND ADULT GROUPS. SCHOOL PROGRAMS INCLUDE INQUIRY-BASED DISCUSSIONS ABOUT OBJECTS ON VIEW AND REGULARLY INCLUDE A HANDS-ON EXPERIMENT OR ART-MAKING ACTIVITY. ADULT TOURS ARE ALSO INQUIRY-BASED AND PROVIDE AMPLE OPPORTUNITIES FOR VISITORS TO DISCUSS OBJECTS ON EXHIBIT WITH A TRAINED EDUCATOR. THE NUMBERS LISTED BELOW REFLECT PROGRAM PARTICIPATION THROUGH MARCH 2020 AFTER WHICH THE MUSEUM WAS CLOSED FOR THE COVID-19 PANDEMIC. NUMBER OF PEOPLE REACHED THROUGH MUSEUM-BASED PROGRAMS: 380 PROGRAMS TAUGHT WITH 5,760 VISITOR INTERACTIONS. - NEIGHBORHOOD COLLABORATIVE IS A PROGRAM THAT SERVES AT-RISK STUDENTS AND OPERATES UNDER THE RESEARCH-BASED PRINCIPLE THAT MULTIPLE VISITS TO THE MUSEUM ARE MORE BENEFICIAL THAN A SINGLE VISIT. NEIGHBORHOOD COLLABORATIVE IS GENEROUSLY SUPPORTED BY GIFTS FROM INDIVIDUALS AND FOUNDATIONS. THIS FUND ALLOWS THE AUDIENCE ENGAGEMENT DEPARTMENT TO WAIVE PROGRAM FEES AND COVER TRANSPORTATION COSTS FOR QUALIFIED GROUPS. THE NUMBERS LISTED BELOW REFLECT PROGRAM PARTICIPATION THROUGH MARCH 2020 AFTER WHICH THE MUSEUM WAS CLOSED FOR THE COVID-19 PANDEMIC. NUMBER OF PEOPLE REACHED THROUGH NEIGHBORHOOD COLLABORATIVE PROGRAMS: 180 PROGRAMS DELIVERED, EQUALING 2,815 STUDENTS (DUPLICATE COUNT). - AT THE REQUEST OF THE MEDIA COORDINATOR, AND IN COLLABORATION WITH THE LANGUAGE ARTS DEPARTMENT AT CENTRAL MIDDLE SCHOOL, CORINNE FLAX DEVELOPED A SERIES OF PRESENTATIONS THAT FOCUS ON UNDERSTANDING HOW IMAGERY AND MESSAGING IS USED IN ADVERTISING. SPECIFIC TOPICS ADDRESSED IN THESE PROGRAMS WERE GREENWASHING, VIRTUE SIGNALING, MISLEADING ICONOGRAPHY, AND THE PSYCHOLOGY OF MARKETING IN CONNECTION WITH GRAPHIC DESIGN. THESE LESSONS HELPED STUDENTS PREPARE FOR THE FINAL PROJECT, AN EXPLORATION OF THE REPRESENTATION OF RACE AND DIVERSITY IN POPULAR MEDIA. - DURING THIS FISCAL YEAR, THE BRUCE MUSEUM EDUCATORS WORKED WITH 1,246 PARTICIPANTS FROM GREENWICH-BASED SCHOOLS AND ORGANIZATIONS. |
| FORM 990, PART IV, LINE 8: | THE TOWN OF GREENWICH, CONNECTICUT OWNS THE ENTIRE MUSEUM COLLECTION. THE ORGANIZATION OPERATES THE FACILITY AND MAINTAINS THE EXHIBITS PER AN AGREEMENT WITH THE TOWN OF GREENWICH. THE ORGANIZATION PROVIDES SECURITY AND PERFORMS RESTORATION AND PRESERVATION AS NEEDED TO MAINTAIN THE COLLECTION FOR EXHIBITION. |
| FORM 990, PART VI, SECTION A, LINE 6 | BRUCE MUSEUM, INC. HAS VARIOUS CLASSES OF MEMBERSHIP AS AUTHORIZED BY THE BOARD OF TRUSTEES. EACH CLASS IS ENTITLED TO ONE VOTE ON EACH MATTER SUBMITTED TO A VOTE OF THE MEMBERS, INCLUDING THE ELECTION OF TRUSTEES AT THE ANNUAL MEETING OF THE MEMBERS. THE PERSONS WHO COMPRISE A FAMILY MEMBERSHIP ARE ENTITLED TO ONE VOTE ON EACH MATTER. MEMBERS ARE NOT ENTITLED TO RECEIVE A SHARE OF THE ORGANIZATION'S PROFITS OR EXCESS DUES, OR A SHARE OF THE ORGANIZATION'S NET ASSETS UPON THE ORGANIZATION'S DISSOLUTION. |
| FORM 990, PART VI, SECTION A, LINE 7A | THE MEMBERS OF THE BRUCE MUSEUM, INC. ELECT THE TRUSTEES, OTHER THAN THE EX-OFFICIO TRUSTEES, AT THE ANNUAL MEETING OF THE MEMBERS, BY A MAJORITY VOTE OF THE MEMBERS ENTITLED TO VOTE WHO ARE PRESENT IN PERSON OR BY WRITTEN PROXY. |
| FORM 990, PART VI, SECTION B, LINE 11B | THE ORGANIZATION HAS ITS FORM 990 PREPARED BY AN OUTSIDE ACCOUNTING FIRM AND IS PROVIDED TO THE AUDIT COMMITTEE FOR REVIEW, COMMENT, AND APPROVAL. ONCE APPROVED BY THE AUDIT COMMITTEE, A COMPLETE COPY OF THE RETURN IS DISTRIBUTED TO THE ALL MEMBERS OF THE BOARD OF TRUSTEES PRIOR TO FILING WITH THE INTERNAL REVENUE SERVICE. |
| FORM 990, PART VI, SECTION B, LINE 12C | THE ORGANIZATION HAS A CONFLICT OF INTEREST POLICY WITHIN ITS CODE OF ETHICS WHICH COVERS THE BOARD OF TRUSTEES AS WELL AS THE ORGANIZATION'S STAFF AND VOLUNTEERS. ALL OFFICERS AND TRUSTEES ARE REQUIRED TO DISCLOSE ANNUALLY ANY POTENTIAL CONFLICTS OF INTEREST. PER THE TERMS OF THIS POLICY, A TRUSTEE SHOULD NOT VOTE ON, APPROVE, OR RECOMMEND APPROVAL OF A TRANSACTION BETWEEN THE MUSEUM AND THAT TRUSTEE OR IMMEDIATE FAMILY MEMBER, AND SHOULD DISCLOSE ANY POTENTIAL CONFLICT PRIOR TO A VOTE OR OTHER ACTION. IF SUCH TRUSTEE IS PRESENT WHEN A MATTER INVOLVING A POTENTIAL CONFLICT OF INTEREST IS CONSIDERED, HE OR SHE SHOULD LEAVE THE MEETING DURING THAT DISCUSSION AND/OR THE VOTE. ADDITIONALLY, THE POLICY REQUIRES CARE TO BE EXERCISED BY STAFF TO ASSURE THAT NO CONFLICT OR PERCEIVED CONFLICT ARISES BETWEEN THEMSELVES AND THE ORGANIZATION, AND THE STAFF MUST NOT COLLECT FOR THEMSELVES IN COMPETITION WITH THE MUSEUM. CONFLICT OF INTEREST RESTRICTIONS ARE ALSO EXPLAINED TO VOLUNTEERS AND OBSERVED BY THEM. THE CEO AND A COMMITTEE DETERMINE CONFLICTS AND REVIEW THE CONFLICTS ONCE DETERMINED. |
| FORM 990, PART VI, SECTION B, LINE 15A | THE EXECUTIVE COMMITTEE CONDUCTS AN ANNUAL COMPENSATION REVIEW OF THE EXECUTIVE DIRECTOR. COMPENSATION IS BASED ON HIS PERFORMANCE AND COMPARABILITY DATA TO MUSEUM INDUSTRY STANDARDS. THE BOARD APPROVES THE EXECUTIVE DIRECTOR'S COMPENSATION. THE COMPENSATION APPROVAL IS DOCUMENTED IN A LETTER FROM THE BOARD OF DIRECTORS TO THE EXECUTIVE DIRECTOR. |
| FORM 990, PART VI, SECTION C, LINE 18 | THE ORGANIZATION'S FORM 990 IS AVAILABLE ON THEIR WEBSITE, AS WELL AS GUIDESTAR, CHARITY NAVIGATOR, AND OTHER SIMILAR WEBSITES. |
| FORM 990, PART VI, SECTION C, LINE 19 | THE ORGANIZATION'S FINANCIAL STATEMENTS, GOVERNING DOCUMENTS, AND CONFLICT OF INTEREST POLICY ARE AVAILABLE UPON WRITTEN REQUEST TO THE ORGANIZATION. |
| FORM 990, PART XI, LINE 9: | RECOVERY OF UNCOLLECTIBLE PLEDGES 112,402. |
| FORM 990. PART XI, LINE 2C: | THE ORGANIZATION'S PROCESSES FOR THE SELECTION OF AN INDEPENDENT ACCOUNTANT AND OVERSIGHT OF ITS AUDITED FINANCIAL STATEMENTS HAVE NOT CHANGED FROM THE PRIOR YEAR. |
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