Attach to Form 990 or Form 990-EZ.
Go to
www.irs.gov/Form990 for instructions and the latest information.
| (i) Name of supported organization | (ii) EIN | (iii) Type of organization (described on lines 1- 10 above (see instructions)) | (iv) Is the organization listed in your governing document? | (v) Amount of monetary support (see instructions) | (vi) Amount of other support (see instructions) | |
|---|---|---|---|---|---|---|
| Yes | No | |||||
|
Total |
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Calendar year (or fiscal year beginning in) ![]() |
(a) 2016 | (b) 2017 | (c) 2018 | (d) 2019 | (e) 2020 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 1 | Gifts, grants, contributions, and membership fees received. (Do not include any "unusual grant.") .. | 1,965,817 | 6,394,993 | 3,008,922 | 3,089,448 | 4,118,212 | 18,577,392 |
| 2 | Tax revenues levied for the organization's benefit and either paid to or expended on its behalf.... | ||||||
| 3 | The value of services or facilities furnished by a governmental unit to the organization without charge.. | ||||||
| 4 | Total. Add lines 1 through 3 | 1,965,817 | 6,394,993 | 3,008,922 | 3,089,448 | 4,118,212 | 18,577,392 |
| 5 | The portion of total contributions by each person (other than a governmental unit or publicly supported organization) included on line 1 that exceeds 2% of the amount shown on line 11, column (f).. | 3,182,304 | |||||
| 6 | Public support. Subtract line 5 from line 4. | 15,395,088 | |||||
Calendar year
(or fiscal year beginning in) ![]() |
(a) 2016 | (b) 2017 | (c) 2018 | (d) 2019 | (e) 2020 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 7 | Amounts from line 4.. | 1,965,817 | 6,394,993 | 3,008,922 | 3,089,448 | 4,118,212 | 18,577,392 |
| 8 | Gross income from interest, dividends, payments received on securities loans, rents, royalties and income from similar sources... | 540,284 | 509,823 | 580,585 | 567,420 | 567,571 | 2,765,683 |
| 9 | Net income from unrelated business activities, whether or not the business is regularly carried on.. | ||||||
| 10 | Other income. Do not include gain or loss from the sale of capital assets (Explain in Part VI.).. | 74,954 | 136,340 | 16,713 | 18,438 | 18,780 | 265,225 |
| 11 | Total support. Add lines 7 through 10 | 21,608,300 | |||||
Calendar year (or fiscal year beginning in) ![]() |
(a) 2016 | (b) 2017 | (c) 2018 | (d) 2019 | (e) 2020 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 1 | Gifts, grants, contributions, and membership fees received. (Do not include any "unusual grants.") . | ||||||
| 2 | Gross receipts from admissions, merchandise sold or services performed, or facilities furnished in any activity that is related to the organization's tax-exempt purpose | ||||||
| 3 | Gross receipts from activities that are not an unrelated trade or business under section 513 ..... | ||||||
| 4 | Tax revenues levied for the organization's benefit and either paid to or expended on its behalf... | ||||||
| 5 | The value of services or facilities furnished by a governmental unit to the organization without charge | ||||||
| 6 | Total. Add lines 1 through 5 | ||||||
| 7a | Amounts included on lines 1, 2, and 3 received from disqualified persons | ||||||
| b | Amounts included on lines 2 and 3 received from other than disqualified persons that exceed the greater of $5,000 or 1% of the amount on line 13 for the year. | ||||||
| c | Add lines 7a and 7b.. | ||||||
| 8 | Public support. (Subtract line 7c from line 6.) | ||||||
Calendar year (or fiscal year beginning in) ![]() |
(a) 2016 | (b) 2017 | (c) 2018 | (d) 2019 | (e) 2020 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 9 | Amounts from line 6... | ||||||
| 10a | Gross income from interest, dividends, payments received on securities loans, rents, royalties and income from similar sources.. | ||||||
| b | Unrelated business taxable income (less section 511 taxes) from businesses acquired after June 30, 1975. | ||||||
| c | Add lines 10a and 10b. | ||||||
| 11 | Net income from unrelated business activities not included in line 10b, whether or not the business is regularly carried on. | ||||||
| 12 | Other income. Do not include gain or loss from the sale of capital assets (Explain in Part VI.) .. | ||||||
| 13 | Total support. (Add lines 9, 10c, 11, and 12.).. | ||||||
| Section A - Adjusted Net Income | (A) Prior Year |
(B) Current Year (optional) |
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| 1 | Net short-term capital gain | 1 | ||||
| 2 | Recoveries of prior-year distributions | 2 | ||||
| 3 | Other gross income (see instructions) | 3 | ||||
| 4 | Add lines 1 through 3 | 4 | ||||
| 5 | Depreciation and depletion | 5 | ||||
| 6 | Portion of operating expenses paid or incurred for production or collection of gross income or for management, conservation, or maintenance of property held for production of income (see instructions) | 6 | ||||
| 7 | Other expenses (see instructions) | 7 | ||||
| 8 | Adjusted Net Income (subtract lines 5, 6 and 7 from line 4) | 8 | ||||
| Section B - Minimum Asset Amount | (A) Prior Year |
(B) Current Year (optional) |
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| 1 | Aggregate fair market value of all non-exempt-use assets (see instructions for short tax year or assets held for part of year): | 1 | ||||
| a | Average monthly value of securities | 1a | ||||
| b | Average monthly cash balances | 1b | ||||
| c | Fair market value of other non-exempt-use assets | 1c | ||||
| d | Total (add lines 1a, 1b, and 1c) | 1d | ||||
| e |
Discount claimed for blockage or other factors (explain in detail in Part VI): |
|||||
| 2 | Acquisition indebtedness applicable to non-exempt use assets | 2 | ||||
| 3 | Subtract line 2 from line 1d | 3 | ||||
| 4 | Cash deemed held for exempt use. Enter 0.015 of line 3 (for greater amount, see instructions). | 4 | ||||
| 5 | Net value of non-exempt-use assets (subtract line 4 from line 3) | 5 | ||||
| 6 | Multiply line 5 by 0.035 | 6 | ||||
| 7 | Recoveries of prior-year distributions | 7 | ||||
| 8 | Minimum Asset Amount (add line 7 to line 6) | 8 | ||||
| Section C - Distributable Amount | Current Year | |||||
| 1 | Adjusted net income for prior year (from Section A, line 8, Column A) | 1 | ||||
| 2 | Enter 85% of line 1 | 2 | ||||
| 3 | Minimum asset amount for prior year (from Section B, line 8, Column A) | 3 | ||||
| 4 | Enter greater of line 2 or line 3 | 4 | ||||
| 5 | Income tax imposed in prior year | 5 | ||||
| 6 | Distributable Amount. Subtract line 5 from line 4, unless subject to emergency temporary reduction (see instructions) | 6 | ||||
| Section D - Distributions | Current Year | |
|---|---|---|
| 1 Amounts paid to supported organizations to accomplish exempt purposes | 1 | |
|
2
Amounts paid to perform activity that directly furthers exempt purposes of supported organizations, in excess of income from activity |
2 | |
| 3 Administrative expenses paid to accomplish exempt purposes of supported organizations | 3 | |
| 4 Amounts paid to acquire exempt-use assets | 4 | |
| 5 Qualified set-aside amounts (prior IRS approval required - provide details in Part VI) | 5 | |
| 6 Other distributions (describe in Part VI). See instructions | 6 | |
| 7Total annual distributions. Add lines 1 through 6. | 7 | |
|
8
Distributions to attentive supported organizations to which the organization is responsive (provide details in Part VI). See instructions |
8 | |
| 9 Distributable amount for 2020 from Section C, line 6 | 9 | |
| 10 Line 8 amount divided by Line 9 amount | 10 | |
| Section E - Distribution Allocations (see instructions) |
(i) Excess Distributions |
(ii) Underdistributions Pre-2020 |
(iii) Distributable Amount for 2020 |
|
|---|---|---|---|---|
| 1 Distributable amount for 2020 from Section C, line 6 | ||||
|
2
Underdistributions, if any, for years prior to 2019 (reasonable cause required-- explain in Part VI). See instructions. |
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| 3 Excess distributions carryover, if any, to 2020: | ||||
| a From 2015....... | ||||
| b From 2016....... | ||||
| c From 2017....... | ||||
| d From 2018....... | ||||
| e From 2019....... | ||||
| fTotal of lines 3a through e | ||||
| g Applied to underdistributions of prior years | ||||
| h Applied to 2020 distributable amount | ||||
|
i
Carryover from 2015 not applied (see instructions) |
||||
| j Remainder. Subtract lines 3g, 3h, and 3i from line 3f. | ||||
| 4Distributions for 2020 from Section D, line 7: | ||||
| $ | ||||
| a Applied to underdistributions of prior years | ||||
| b Applied to 2020 distributable amount | ||||
| c Remainder. Subtract lines 4a and 4b from line 4. | ||||
|
5
Remaining underdistributions for years prior to 2020, if any. Subtract lines 3g and 4a from line 2. If the amount is greater than zero, explain in Part VI. See instructions. |
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|
6
Remaining underdistributions for 2020. Subtract lines 3h and 4b from line 1. If the amount is greater than zero, explain in Part VI. See instructions. |
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|
7 Excess distributions carryover to 2021. Add lines 3j and 4c. |
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| 8 Breakdown of line 7: | ||||
| a Excess from 2016..... | ||||
| b Excess from 2017..... | ||||
| c Excess from 2018..... | ||||
| d Excess from 2019..... | ||||
| e Excess from 2020..... | ||||
| Facts And Circumstances Test |
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| Return Reference | Explanation |
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| Software ID: | |
| Software Version: |
Attach to Form 990 or 990-EZ.
Go to www.irs.gov/Form990 for the latest information.
| Return Reference | Explanation |
|---|---|
| FORM 990, PAGE 2, LINE 4A | ALL THE WILD PLACES: ELIOT PORTER CROSMAN GALLERY THOUGH MAY 3, 2021 ELIOT FURNESS PORTER (19011990) IS BEST KNOWN FOR HIS ROLE IN ESTABLISHING COLOR PHOTOGRAPHY AS AN IMPORTANT ART FORM. GIVEN HIS FIRST CAMERA AT THE AGE OF ELEVEN, PORTER BEGAN CHALLENGING HIMSELF FIRST BY PHOTOGRAPHING BIRDS, FIRST AROUND HIS WINETKA HOME AND THEN AT THE FAMILY'S SUMMER HOME ON GREAT SPRUCE HEAD ISLAND OFF THE COAST OF DEER ISLE IN MAINE'S PENOBSCOT BAY. HE GAVE UP A CAREER AS A MEDICAL RESEARCHER IN ORDER TO DEVOTE HIMSELF TO HIS ART ENCOURAGED BY A SUCCESSFUL ONE-PERSON EXHIBITION OF HIS BLACK AND WHITE WORK AT ALFRED STIEGLITZ'S RENOWNED AN AMERICAN PLACE GALLERY IN NEW YORK. HIS PASSION FOR NATURE IN ALL ITS COLORS LED HIM TO TEACH HIMSELF THE DYE TRANSFER PROCESS, BECOMING ONE OF THE FIRST PHOTOGRAPHERS TO DEVOTE HIMSELF FULL TIME TO COLOR, AND GAINING TWO GUGGENHEIM FOUNDATION GRANTS IN THE PROCESS. HIS LOVE OF THE OUTDOORS DREW HIM TO THE WRITINGS OF HENRY DAVID THOREAU, AND TO CREATING PHOTOGRAPHIC INTERPRETATIONS OF CERTAIN THOREAU PASSAGES WORK THAT CULMINATED IN HIS FIRST BOOK WITH THE SIERRA CLUB, IN WILDNESS IS THE PRESERVATION OF THE WORLD. HE TRAVELLED BETWEEN NEW ENGLAND AND THE SOUTHWEST, TO CALIFORNIA AND THE BAJA PENINSULA, TO THE GALAPAGOS ISLANDS AND TO AFRICA, FOCUSING INCREASINGLY ON NATURE'S DETAILS, BECOMING A POWERFUL ADVOCATE FOR ENVIRONMENTAL CONCERNS. HIS TWENTY-SIX PHOTOGRAPHIC PORTFOLIOS AND BOOKS MADE OVER HIS LIFETIME HAVE BROUGHT HIS LUSH PORTRAYALS OF NATURE'S DETAILS TO THE APPRECIATION OF ADVENTURERS AND ENVIRONMENTALISTS. THE FARNSWORTH'S COLLECTION OF ELIOT PORTER PHOTOGRAPHS WAS EXPANDED IN 2017 DUE TO A GENEROUS GIFT OF THREE PORTFOLIOS CONSISTING OF TWENTY-EIGHT DYE TRANSFER PRINTS FROM THE FRIENDS OF THE FARNSWORTH COLLECTION, A MUSEUM SUPPORT GROUP THAT PROVIDES FUNDS FOR ACQUISITIONS. THIS EXHIBITION AND THE ACCOMPANYING CATALOGUE WERE PREPARED BY CURATOR JANE BIANCO. TRANSFORMING THE ORDINARY: WOMEN IN AMERICAN BOOK COVER DESIGN LIBRARY GALLERY THROUGH MARCH 6, 2022 TRANSFORMING THE ORDINARY: WOMEN IN AMERICAN BOOK COVER DESIGN EXAMINES THE HEYDAY OF BOOK COVER DESIGN FROM THE 1890S THROUGH THE 1930S, A TIME OF GREAT ARTISTIC EXPERIMENTATION INFLUENCED BY THE AESTHETICS OF THE ART NOUVEAU AND THE ARTS AND CRAFTS MOVEMENTS. DURING THIS PERIOD, WOMEN CREATED THOUSANDS OF BOOK COVER DESIGNS FOR THE MASS MARKET, FROM SIMPLE ONE-COLOR STAMPED DESIGNS TO MORE ELABORATE MULTI-COLOR DESIGNS, SOME WHICH WERE STUNNINGLY BEAUTIFUL WORKS OF ART IN AND OF THEMSELVES. ORGANIZED BY REGISTRAR ANGELA WALDRON AND DRAWN PRIMARILY FROM THE LIBRARY'S COLLECTION, THE DECORATIVE COVERS FEATURED IN THE PRESENTATION ARE BY SOME OF THE BEST KNOWN AND MOST PROLIFIC COVER DESIGNERS OF THE PERIOD, SUCH AS MARGARET ARMSTRONG, AMY SACKER, BERTHA STUART, SARAH WYMAN WHITMAN, AND THE DECORATIVE DESIGNERS. BETSY WYETH: PARTNER AND MUSE WYETH STUDY CENTER GALLERY MARCH 20, 2021 MAY 8, 2022 BETSY JAMES WYETH (19212020) PASSED AWAY LAST SPRING AT THE AGE OF NINETY-EIGHT, AND THIS EXHIBITION FEATURES A SELECTION OF PORTRAITS DRAWN AND PAINTED BY HER HUSBAND, ANDREW. BETSY WAS HIS MOST TRUSTED CRITIC, BUSINESS MANAGER, AND MUSE. SHE WAS ALSO A MOTHER, AUTHOR, FILMMAKER, AND ARCHIVIST, AND SHE OFTEN SELECTED THE TITLES FOR ANDREW'S PAINTINGS. HE SAID THAT "SHE MADE ME SEE MORE CLEARLY WHAT I WANTED, AND THAT "BETSY GALVANIZED ME AT THE TIME I NEEDED IT. SHE'S MADE ME INTO A PAINTER I WOULD NOT HAVE BEEN OTHERWISE." BETSY APPEARS IN ANDREW'S PAINTINGS FROM THE SUMMER THEY MET, IN 1939, TO THE SUMMER BEFORE HIS DEATH, IN 2009. DEPICTING BETSY AS CURIOUS, CONFIDENT, AND DETERMINED, THE WORKS IN THIS SHOW, DRAWN FROM THE COUPLE'S PERSONAL COLLECTION, OFFER A GLIMPSE INTO BETSY'S LIFE RARELY SEEN OUTSIDE HER FAMILY CIRCLE. BETSY'S INTEREST IN ARCHITECTURE, HISTORY, ISLANDS, COOKING, BIRDWATCHING, AND KNITTING ARE EVIDENT IN THESE WORKS AND IN MANY OF ANDREW'S OTHER PAINTINGS. BETSY'S GIFT: THE WORKS OF N.C., ANDREW, AND JAMIE WYETH HADLOCK GALLERY MARCH 27, 2021 MAY 8, 2022 UPON HER PASSING IN 2020, BETSY WYETH LEFT THE FARNSWORTH ART MUSEUM TWENTY-SEVEN WORKS BY THE THREE GENERATIONS OF WYETH ARTISTS: FIVE PAINTINGS AND ONE DRAWING BY N.C. WYETH, HER FATHER-IN-LAW; TWO WATERCOLORS BY ANDREW WYETH, HER HUSBAND; AND SEVEN PAINTINGS AND TWELVE WORKS ON PAPER BY JAMIE, HER AND ANDY'S SON. TOGETHER, THESE WORKS SIGNIFICANTLY ENHANCE THE MUSEUM'S ALREADY NATIONALLY RENOWNED COLLECTION OF WORKS BY THIS IMPORTANT GROUP OF AMERICAN ARTISTS. THIS EXHIBITION IS DEDICATED TO BETSY WYETH'S LONG-TIME SUPPORT OF THE FARNSWORTH. WOMEN OF VISION ROTHSCHILD GALLERY APRIL 17, 2021 MARCH 6, 2022 THIS EXHIBITION CELEBRATES THE ACHIEVEMENTS OF THIRTEEN WOMEN, PAST AND PRESENT ARTISTS, WRITERS, AND PHILANTHROPISTS WHO HAVE MADE SIGNIFICANT CONTRIBUTIONS TO MAINE'S ARTISTIC AND CULTURAL LIFE. THEY INCLUDE THE MUSEUM'S FOUNDER, LUCY COPELAND FARNSWORTH; ARTISTS BERENICE ABBOTT, KATHARINE BRADFORD, CIG HARVEY LOUISE NEVELSON, MOLLY NEPTUNE PARKER, AND MARGUERITE ZORACH; POET EDNA ST. VINCENT MILLAY; AND PHILANTHROPISTS LINDA BEAN, EDITH R. DIXON, ELIZABETH B. NOYCE, MAUREEN ROTHSCHILD, AND PHYLLIS WYETH. THE SHOW WILL INCLUDE EXAMPLES OF THE ARTISTS' WORKS AS WELL AS WORKS GIVEN BY THEM. THEIR ACHIEVEMENTS WILL ALSO BE RECOGNIZED IN SUMMER 2021 AS RECIPIENTS OF THE MAINE IN AMERICA AWARD, GIVEN ANNUALLY BY THE FARNSWORTH ART MUSEUM. ROBERT INDIANA: THE HARTLEY ELEGIES CROSMAN GALLERY MAY 29, 2021 THROUGH MARCH 27, 2022 THIS EXHIBITION FEATURES TEN SILKSCREEN PRINTS BY ROBERT INDIANA (1928-2018), ONE OF AMERICA'S BEST KNOWN PAINTERS AND SCULPTORS OF THE POP ART GENERATION. THESE PRINTS, ALONG WITH EIGHTEEN RELATED PAINTINGS, ARE KNOWN AS THE HARTLEY ELEGIES. DONE BETWEEN 1989 AND 1994 THEY WERE INSPIRED BY THE WORK OF THE PROMINENT AMERICAN MODERNIST MARSDEN HARTLEY (1877-1946). THEY REFER TO A SERIES OF PAINTINGS HARTLEY DID BETWEEN 1914 AND 1915 WHILE HE WAS IN BERLIN, CONSIDERED AMONG THE MOST IMPORTANT WORKS IN HIS CAREER THAT ESTABLISHED HIS PLACE AMONG AMERICAN AVANT-GARDE ARTISTS AS THEY EXPERIMENTED WITH THE NEW LANGUAGE OF ABSTRACTION. HAVING DISCOVERED THAT HARTLEY SPENT PART OF THE SUMMER OF 1938 IN A BUILDING NEAR HIS OWN HOME AND STUDIO ON VINALHAVEN, INDIANA DECIDED TO LEARN MORE ABOUT HARTLEY'S WORK. HE EVENTUALLY FOCUSED ON HIS SO-CALLED WAR MOTIF PAINTINGS THAT HE DID IN MEMORY OF HIS FRIEND AND PRESUMED LOVER, KARL VON FREYBURG, KILLED IN OCTOBER 1914 AFTER JOINING THE GERMAN ARMY SHORTLY AFTER WORLD WAR I BROKE OUT IN EUROPE. INSPIRED BY THESE WORKS, INDIANA EMBARKED ON HIS OWN COMMEMORATIVE SERIES OF PAINTINGS AND SILKSCREEN PRINTS. DONE IN RECTANGULAR, DIAMOND, AND TONDO FORMAT, THESE TWENTY-EIGHT WORKS WERE A HOMAGE TO HARTLEY, WITH WHOM HE FELT A STRONG CONNECTION. THE TEN LARGE-SCALE SILKSCREEN PRINTS OF INDIANA'S HARTLEY ELEGIES COMPRISE A VISUAL POEM ON THE TWO ARTISTS' SHARED INTERESTS IN RADICAL FORMAL VOCABULARIES, AND THEIR INNOVATIVE COMBINATIONS OF WORDS AND NUMBERS INTO THEIR BOLDLY COLORED GEOMETRIC COMPOSITIONS. THEY WERE ALSO A CODED COMMENTARY ON THEIR LIVES AS GAY MEN, AS WELL AS THEIR EXPERIENCES OF LIVING AND WORKING IN MAINE AFTER LEAVING THE ARTISTIC CENTER OF NEW YORK THAT EARLIER HAD NOURISHED THEIR CAREERS. INDIANA PRINTS IN THIS EXHIBITION WERE A GIFT OF THE FRIENDS OF THE FARNSWORTH COLLECTION, A GROUP THAT PROVIDES FINANCIAL SUPPORT FOR THE MUSEUM TO ACQUIRE WORKS FOR THE COLLECTION; AND OF THE SUROVEK PRINT GALLERY IN PALM BEACH, FLORIDA GEORGE TICE / ANDREW WYETH: PARALLEL VISIONS LOWER GALLERY, WYETH CENTER JUNE 12 THROUGH DECEMBER 31, 2021 IN 1970 AMERICAN PHOTOGRAPHER GEORGE TICE CAME TO MAINE, ESPECIALLY INTERESTED IN THE AREA AROUND THE MIDCOAST WHERE HE DISCOVERED THE PLACES WHERE THE OLDER PAINTER AND WATERCOLORIST ANDREW WYETH HAD BEEN WORKING SINCE THE LATE 1930S. HE CAME TO ADMIRE WYETH'S WORKS AND CHOSE SOME OF THE SAME LOCALES AND SUBJECTS FOR HIS OWN PHOTOGRAPHS. HE GRADUALLY PRODUCED A SIGNIFICANT BODY OF WORK THAT BEARS MORE THAN A SIMILARITY IN SUBJECT MATTER TO WYETH'S. THIS EXHIBITION WILL FEATURE WORKS BY TICE AND WYETH, SIDE BY SIDE, AS MEANS OF EXPLORING THE SIMILARITY AND DIFFERENCES BETWEEN THEIR WORKS, IN COMPOSITION AS WELL AS TEMPERAMENT. THE SHOW IS THE FIRST TO EXAMINE THE CONNECTION BETWEEN THESE TWO NATIONALLY KNOWN AMERICAN ARTISTS, AND WILL BE ACCOMPANIED BY AN ILLUSTRATED CATALOGUE. |
| FORM 990, PAGE 2, LINE 4B | THE FARNSWORTH'S EDUCATION DEPARTMENT WENT THROUGH A LOT OF GROWTH AND TRANSITION DURING THIS PERIOD, IN PART DUE TO THE GLOBAL PANDEMIC, BUT IN PART AS WELL DUE TO THE HIRING OF A NEW DIRECTOR, AND HAS NOW TRANSITIONED TO BEING CALLED THE LEARNING AND ENGAGEMENT DEPARTMENT AS OF JULY 2021. THIS NEW NAME CHANGE REFLECTS THE ANTICIPATED GROWTH OF THE DEPARTMENT AND ITS MISSION IN MAKING PROGRAMMATIC OFFERINGS MORE ACCESSIBLE, MORE INCLUSIVE, WITH STRONGER CONNECTIONS BEING MADE IN THE STUDIO, THEATRE, LECTURE, MUSIC, EDUCATION, AND BROADER PUBLIC PROGRAMMING PARTNERSHIPS AND INITIATIVES. OUR COMMUNITY PARTNERS CURRENTLY INCLUDE SOCIAL AND COMMUNITY SERVICE ORGANISATIONS, LOCAL THEATRES AND MUSIC GROUPS, CULTURAL HISTORIANS AND ART HISTORIANS, AND OTHER MUSEUMS, SCHOOLS, COLLEGES AND UNIVERSITIES AND NON-PROFITS STATEWIDE, REGIONALLY, AND NATIONALLY. ARTS IN EDUCATION PROGRAM FY21 IN COMPLIANCE WITH SCHOOL POLICY DURING THE COVID-19 PANDEMIC, THERE WERE NO DIRECT STUDENT ENGAGEMENTS ON-SITE OR OFF-SITE FOR OCTOBER 2020 SEPTEMBER 2021. AEP HAS ENGAGED WITH STUDENTS INDIRECTLY THROUGH THE LESSONS AND RESOURCES OFFERED TO PARTNERING EDUCATORS AND FREE TO THE PUBLIC THROUGH OUR ONLINE PLATFORMS. ENGAGEMENTS WITH EDUCATORS HAVE BEEN RESTRICTED TO ONLINE VIDEO CONFERENCING AND PHONE COMMUNICATIONS. WE ARE DEVELOPING PROCESSES FOR COLLECTING STATISTICAL DATA FOR REMOTE LEARNING THROUGH OUR ONLINE PLATFORMS. THE ONLINE CLASSROOM HAS GROWN AUDIENCE ENGAGEMENT SIGNIFICANTLY DURING THIS PERIOD. CONVERSATIONS HAVE BEEN ONGOING WITH EDUCATORS AND ADMINISTRATORS AND SCHOOL BOARDS REGULARLY ON SHAPING THE SCHOOL PROGRAMS AT THE FARNSWORTH MOVING FORWARD, IN LIGHT OF THE PANDEMIC, BUT ALSO KEEPING IN MIND THE INTERDISCIPLINARY NATURE OF SCHOOL PROGRAMS AND CURRICULA NEEDS, AND ENGAGING WITH STUDENTS IN NEW AND DYNAMIC WAYS ON-SITE IN THE FUTURE. ENGAGING WITH STUDENTS, EDUCATORS AND THE COMMUNITY HAS TRANSPIRED IN NEW WAYS. THE ONLINE CLASSROOM HAS BEEN A SUCCESS OVER THIS PAST YEAR WITH ART ACTIVITIES, VIDEOS, AND EDUCATIONAL CONTENT AS THE FARNSWORTH HAS PARTNERED WITH MANY TEACHING ARTISTS AND COMMUNITY MEMBERS IN PROVIDING FREE ACCESS TO EDUCATORS AND ADMINISTRATORS. IN FALL 2020, 706 VIEWS OF THE SITE WERE RECORDED, AND DURING JAN SEPT 2021, 4,353 VISITS TO THE ONLINE ARTS IN EDUCATION SITE. IN SPRING OF 2021, 500 ART ACTIVITY KITS WERE MADE AND DISTRIBUTED TO SCHOOLS AND FAMILIES IN NEED TO ENCOURAGE CREATIVE ART MAKING AT HOME DURING THE PANDEMIC. ALSO IN SPRING, AN ART EDUCATORS WORKSHOP WAS HELD WITH VICTORIA WYETH, ON ZOOM, AND THERE WERE 27 PARTICIPANTS. FALL FAMILY FESTIVAL CENTERED AROUND PUMPKIN CARVING AT HOME, AND 250 PUMPKINS WERE DISTRIBUTED TO SCHOOLS AND THOSE IN NEED, INCLUDING 75 DISTRIBUTED TO KIDS THROUGH THE LANDING PLACE, NORTHSTAR PROGRAM OCEANSIDE HIGH SCHOOL, RSU13 AFTERSCHOOL CONSORTIUM AND THOMASTON GRAMMAR SCHOOL. SHARE THE WONDER, AN ANNUAL COMMUNITY EVENT NORMALLY HELD ON-SITE DRAWING HUNDREDS OF PEOPLE, WAS MOVED ONLINE IN 2020, AND 33 DAYS OF FREE ONLINE CONTENT WAS SHARED WITH AREA SCHOOLS, ONLINE, AND ON SOCIAL MEDIA ENCOMPASSING MULTI-CULTURAL STORYTELLING, ART-MAKING ACTIVITES FROM TEACHING ARTISTS, AND CREATIVE FAMILY ACTIVITIES. DOCENT PROGRAM AND PUBLIC PROGRAMS THE DOCENT PROGRAM AT THE FARNSWORTH IS A VITAL ELEMENT OF OUR MISSION TO CONNECT THE PUBLIC WITH ART, AND AFTER A TIME PERIOD OF NOT DOING PUBLIC TOURS DUE TO THE PANDEMIC, COLLECTIONS HIGHLIGHT TOURS WERE CREATED TO CONNECT TO THE PUBLIC IN NEW WAYS. THESE TOURS WERE OFFERED TWO TIMES DURING THE DAY, FREE OF CHARGE, 3-4 DAYS A WEEK, WITH AS MANY AS 12-15 PEOPLE PER TOUR. TOURS INCLUDED MOST ASKED ABOUT PAINTINGS AND SCULPTURES, A BIT OF HISTORY ABOUT THE FOUNDER LUCY FARNSWORTH, AND INFORMATION ON THE MUSEUM. LECTURE PROGRAMS THROUGHOUT THE YEAR HAVE BEEN VIRTUAL ON ZOOM, AND PARTICIPATION HAS CONTINUED TO GROW. PROGRAMS SUCH AS TO THE EDGE OF WHAT'S POSSIBLE: THE ART AND LIFE OF DALE CHIHULY WITH HENRY ADAMS; CRYSTAL BRIDGES: BUILDING THE COLLECTION WITH CHRISTOPHER B. CROSMAN; TRANSFORMING THE ORDINARY: WOMEN IN AMERICAN BOOK COVER DESIGN WITH ANGELA WALDRON; TRAVELS WITH VINCENT: A MUSEUM CONSERVATOR AND EXHIBITION ADVENTURES WITH SARAH FISHER; MUSE DES BEAUX ARTS: AN EKPHRASTIC READING WITH CARL LITTLE; ECOPOETRY: VOICES FROM THE EARTH IN CRISIS, A FARNSWORTH MUSEUM PROGRAM FOR EARTH DAY; ALL PROVED TO BE POPULAR IN FY21 - NUMBERS OF PARTICIPANTS DURING FY21 HAVE TOTALED 1,542; WITH MANY NEW ATTENDEES WHO HAD NEVER PARTICIPATED IN ANY PROGRAM AT THE FARNSWORTH BEFORE. STUDIO PROGRAMS HAVE BEEN A COMBINATION OF ZOOM OR IN-PERSON, WITH PARTICIPANTS FROM ALL OVER MAINE, NEW ENGLAND, AND THE UNITED STATES. ADULT CLASSES WITH TEACHING ARTISTS SUCH AS PAINTING WITH ANDREW WYETH: A WATERCOLOR WORKSHOP WITH BARBARA THOMAS; KEEPING A NATURE JOURNAL WITH SHERRIE YORK; PAINTERS' FORUM WITH ROB POLLIEN; ADVENTURES IN WORD AND IMAGE WITH JODI PALOMI; AND IMPROVISATION REPRISE! WITH RYAN JACKSON HAVE ATTRACTED NUMEROUS AUDIENCES FROM MAINE AND OTHER PARTS OF THE COUNTRY, FOR A TOTAL OF 1,058 PEOPLE |
| FORM 990, PART VI, SECTION B, LINE 11B | LINE 11A EXPLANATION - THE 990 IS REVIEWED BY THE BOARD OF TRUSTEES PRIOR TO FILING. |
| FORM 990, PART VI, SECTION B, LINE 12C | IN ACCORDANCE WITH THE POLICY, BOARD MEMBERS ARE REQUIRED TO SIGN AN ANNUAL CONFLICT OF INTEREST DISCLOSURE AND TO REPORT TO THE PRESIDENT ANY CONFLICTS THAT ARISE DURING THE YEAR. |
| FORM 990, PART VI, SECTION B, LINE 15 | BOARD OF TRUSTEES ARE VOLUNTEERS. THE BOARD OF TRUSTEES DETERMINES THE COMPENSATION OF THE EXECUTIVE DIRECTOR USING MARKET VALUE COMPARISONS AND DATA FROM THE AMERICAN ASSOCIATION OF MUSEUM'S SALARY SURVEY. THE EXECUTIVE DIRECTOR DETERMINES COMPENSATION OF OTHER OFFICERS USING THE SAME PROCESS. |
| FORM 990, PART VI, SECTION C, LINE 19 | THE ANNUAL AUDIT AND 990 REPORTS ARE POSTED ON THE MUSEUM'S WEBSITE. OTHER DOCUMENTS ARE PROVIDED UPON REQUEST. |
| FORM 990, PART XI, LINE 9: | CHANGE IN BENEFICIAL INTEREST 877,669. TRANSFER TO FARNSWORTH REAL ESTATE -701,000. |
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