Attach to Form 990 or Form 990-EZ.
Go to
www.irs.gov/Form990 for instructions and the latest information.
| (i) Name of supported organization | (ii) EIN | (iii) Type of organization (described on lines 1- 10 above (see instructions)) | (iv) Is the organization listed in your governing document? | (v) Amount of monetary support (see instructions) | (vi) Amount of other support (see instructions) | |
|---|---|---|---|---|---|---|
| Yes | No | |||||
|
Total |
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Calendar year (or fiscal year beginning in) ![]() |
(a) 2016 | (b) 2017 | (c) 2018 | (d) 2019 | (e) 2020 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 1 | Gifts, grants, contributions, and membership fees received. (Do not include any "unusual grant.") .. | 4,825,751 | 5,945,488 | 6,035,832 | 7,074,312 | 16,598,961 | 40,480,344 |
| 2 | Tax revenues levied for the organization's benefit and either paid to or expended on its behalf.... | ||||||
| 3 | The value of services or facilities furnished by a governmental unit to the organization without charge.. | 207,624 | 209,055 | 246,652 | 259,662 | 330,754 | 1,253,747 |
| 4 | Total. Add lines 1 through 3 | 5,033,375 | 6,154,543 | 6,282,484 | 7,333,974 | 16,929,715 | 41,734,091 |
| 5 | The portion of total contributions by each person (other than a governmental unit or publicly supported organization) included on line 1 that exceeds 2% of the amount shown on line 11, column (f).. | 5,074,885 | |||||
| 6 | Public support. Subtract line 5 from line 4. | 36,659,206 | |||||
Calendar year
(or fiscal year beginning in) ![]() |
(a) 2016 | (b) 2017 | (c) 2018 | (d) 2019 | (e) 2020 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 7 | Amounts from line 4.. | 5,033,375 | 6,154,543 | 6,282,484 | 7,333,974 | 16,929,715 | 41,734,091 |
| 8 | Gross income from interest, dividends, payments received on securities loans, rents, royalties and income from similar sources... | 909,317 | 988,343 | 724,615 | 927,084 | 723,847 | 4,273,206 |
| 9 | Net income from unrelated business activities, whether or not the business is regularly carried on.. | ||||||
| 10 | Other income. Do not include gain or loss from the sale of capital assets (Explain in Part VI.).. | ||||||
| 11 | Total support. Add lines 7 through 10 | 46,007,297 | |||||
Calendar year (or fiscal year beginning in) ![]() |
(a) 2016 | (b) 2017 | (c) 2018 | (d) 2019 | (e) 2020 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 1 | Gifts, grants, contributions, and membership fees received. (Do not include any "unusual grants.") . | ||||||
| 2 | Gross receipts from admissions, merchandise sold or services performed, or facilities furnished in any activity that is related to the organization's tax-exempt purpose | ||||||
| 3 | Gross receipts from activities that are not an unrelated trade or business under section 513 ..... | ||||||
| 4 | Tax revenues levied for the organization's benefit and either paid to or expended on its behalf... | ||||||
| 5 | The value of services or facilities furnished by a governmental unit to the organization without charge | ||||||
| 6 | Total. Add lines 1 through 5 | ||||||
| 7a | Amounts included on lines 1, 2, and 3 received from disqualified persons | ||||||
| b | Amounts included on lines 2 and 3 received from other than disqualified persons that exceed the greater of $5,000 or 1% of the amount on line 13 for the year. | ||||||
| c | Add lines 7a and 7b.. | ||||||
| 8 | Public support. (Subtract line 7c from line 6.) | ||||||
Calendar year (or fiscal year beginning in) ![]() |
(a) 2016 | (b) 2017 | (c) 2018 | (d) 2019 | (e) 2020 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 9 | Amounts from line 6... | ||||||
| 10a | Gross income from interest, dividends, payments received on securities loans, rents, royalties and income from similar sources.. | ||||||
| b | Unrelated business taxable income (less section 511 taxes) from businesses acquired after June 30, 1975. | ||||||
| c | Add lines 10a and 10b. | ||||||
| 11 | Net income from unrelated business activities not included in line 10b, whether or not the business is regularly carried on. | ||||||
| 12 | Other income. Do not include gain or loss from the sale of capital assets (Explain in Part VI.) .. | ||||||
| 13 | Total support. (Add lines 9, 10c, 11, and 12.).. | ||||||
| Section A - Adjusted Net Income | (A) Prior Year |
(B) Current Year (optional) |
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| 1 | Net short-term capital gain | 1 | ||||
| 2 | Recoveries of prior-year distributions | 2 | ||||
| 3 | Other gross income (see instructions) | 3 | ||||
| 4 | Add lines 1 through 3 | 4 | ||||
| 5 | Depreciation and depletion | 5 | ||||
| 6 | Portion of operating expenses paid or incurred for production or collection of gross income or for management, conservation, or maintenance of property held for production of income (see instructions) | 6 | ||||
| 7 | Other expenses (see instructions) | 7 | ||||
| 8 | Adjusted Net Income (subtract lines 5, 6 and 7 from line 4) | 8 | ||||
| Section B - Minimum Asset Amount | (A) Prior Year |
(B) Current Year (optional) |
||||
| 1 | Aggregate fair market value of all non-exempt-use assets (see instructions for short tax year or assets held for part of year): | 1 | ||||
| a | Average monthly value of securities | 1a | ||||
| b | Average monthly cash balances | 1b | ||||
| c | Fair market value of other non-exempt-use assets | 1c | ||||
| d | Total (add lines 1a, 1b, and 1c) | 1d | ||||
| e |
Discount claimed for blockage or other factors (explain in detail in Part VI): |
|||||
| 2 | Acquisition indebtedness applicable to non-exempt use assets | 2 | ||||
| 3 | Subtract line 2 from line 1d | 3 | ||||
| 4 | Cash deemed held for exempt use. Enter 0.015 of line 3 (for greater amount, see instructions). | 4 | ||||
| 5 | Net value of non-exempt-use assets (subtract line 4 from line 3) | 5 | ||||
| 6 | Multiply line 5 by 0.035 | 6 | ||||
| 7 | Recoveries of prior-year distributions | 7 | ||||
| 8 | Minimum Asset Amount (add line 7 to line 6) | 8 | ||||
| Section C - Distributable Amount | Current Year | |||||
| 1 | Adjusted net income for prior year (from Section A, line 8, Column A) | 1 | ||||
| 2 | Enter 85% of line 1 | 2 | ||||
| 3 | Minimum asset amount for prior year (from Section B, line 8, Column A) | 3 | ||||
| 4 | Enter greater of line 2 or line 3 | 4 | ||||
| 5 | Income tax imposed in prior year | 5 | ||||
| 6 | Distributable Amount. Subtract line 5 from line 4, unless subject to emergency temporary reduction (see instructions) | 6 | ||||
| Section D - Distributions | Current Year | |
|---|---|---|
| 1 Amounts paid to supported organizations to accomplish exempt purposes | 1 | |
|
2
Amounts paid to perform activity that directly furthers exempt purposes of supported organizations, in excess of income from activity |
2 | |
| 3 Administrative expenses paid to accomplish exempt purposes of supported organizations | 3 | |
| 4 Amounts paid to acquire exempt-use assets | 4 | |
| 5 Qualified set-aside amounts (prior IRS approval required - provide details in Part VI) | 5 | |
| 6 Other distributions (describe in Part VI). See instructions | 6 | |
| 7Total annual distributions. Add lines 1 through 6. | 7 | |
|
8
Distributions to attentive supported organizations to which the organization is responsive (provide details in Part VI). See instructions |
8 | |
| 9 Distributable amount for 2020 from Section C, line 6 | 9 | |
| 10 Line 8 amount divided by Line 9 amount | 10 | |
| Section E - Distribution Allocations (see instructions) |
(i) Excess Distributions |
(ii) Underdistributions Pre-2020 |
(iii) Distributable Amount for 2020 |
|
|---|---|---|---|---|
| 1 Distributable amount for 2020 from Section C, line 6 | ||||
|
2
Underdistributions, if any, for years prior to 2019 (reasonable cause required-- explain in Part VI). See instructions. |
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| 3 Excess distributions carryover, if any, to 2020: | ||||
| a From 2015....... | ||||
| b From 2016....... | ||||
| c From 2017....... | ||||
| d From 2018....... | ||||
| e From 2019....... | ||||
| fTotal of lines 3a through e | ||||
| g Applied to underdistributions of prior years | ||||
| h Applied to 2020 distributable amount | ||||
|
i
Carryover from 2015 not applied (see instructions) |
||||
| j Remainder. Subtract lines 3g, 3h, and 3i from line 3f. | ||||
| 4Distributions for 2020 from Section D, line 7: | ||||
| $ | ||||
| a Applied to underdistributions of prior years | ||||
| b Applied to 2020 distributable amount | ||||
| c Remainder. Subtract lines 4a and 4b from line 4. | ||||
|
5
Remaining underdistributions for years prior to 2020, if any. Subtract lines 3g and 4a from line 2. If the amount is greater than zero, explain in Part VI. See instructions. |
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|
6
Remaining underdistributions for 2020. Subtract lines 3h and 4b from line 1. If the amount is greater than zero, explain in Part VI. See instructions. |
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|
7 Excess distributions carryover to 2021. Add lines 3j and 4c. |
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| 8 Breakdown of line 7: | ||||
| a Excess from 2016..... | ||||
| b Excess from 2017..... | ||||
| c Excess from 2018..... | ||||
| d Excess from 2019..... | ||||
| e Excess from 2020..... | ||||
| Facts And Circumstances Test |
|---|
| Return Reference | Explanation |
|---|---|
| SCHEDULE A, PART VI, LIST OF UNUSUAL GRANTS: | DESCRIPTION: CASH DATE: 06/30/21 AMOUNT: 15000000. |
| Software ID: | |
| Software Version: |
Attach to Form 990 or 990-EZ.
Go to www.irs.gov/Form990 for the latest information.
| Return Reference | Explanation |
|---|---|
| FORM 990, PART III, LINE 4A | ON THE EDGE OF THE WORLD: MASTERWORKS BY LAURITS ANDERSEN RING FROM SMKTHE NATIONAL GALLERY OF DENMARK FEBRUARY 1, 2020 - AUGUST 9, 2020 FOLLOWING AN EXTENSIVE, FIVE-MONTH-LONG RENOVATION OF ITS CHANGING GALLERY SPACES, THE BRUCE MUSEUM WAS PLEASED TO PRESENT A MAJOR NEW INTERNATIONAL EXHIBITION, ON THE EDGE OF THE WORLD: MASTERWORKS BY LAURITS ANDERSEN RING FROM SMKTHE NATIONAL GALLERY OF DENMARK. INITIATED BY THE AMERICAN FRIENDS OF STATENS MUSEUM FOR KUNST, THE NATIONAL GALLERY OF DENMARK, THE EXHIBITION OPENED ON SATURDAY, FEBRUARY 1, 2020, AND WAS ON VIEW IN THE MUSEUM'S NEWLY EXPANDED MAIN ART GALLERY THROUGH SUNDAY, AUGUST 9, 2020. L.A. RING (1854-1933), A REALIST AND SYMBOLIST PAINTER, IS CONSIDERED ONE OF THE MOST IMPORTANT FIGURES IN DANISH ART. THE NATIONAL GALLERY OF DENMARK HOLDS THE LARGEST COLLECTION OF RING'S PAINTINGS AND DRAWINGS IN THE WORLD; ON THE EDGE OF THE WORLD SHOWCASED 25 OF THE MOST IMPORTANT PIECES THAT REPRESENT THE KEY THEMES AND SHEER VARIETY AND COMPLEXITY OF HIS OEUVRE. THE EXHIBITION TRAVELED TO ONLY TWO U.S. VENUES. THE BRUCE MUSEUM WAS THE ONLY VENUE ON THE EAST COAST. THROUGH HIS ART, RING DESCRIBED A TIME OF GREAT UPHEAVAL IN DENMARK. THE PROCESSES OF INDUSTRIALIZATION CAUSED MAJOR CHANGES TO THE LABOR MARKET; NEW ENTERPRISES FLOURISHED, AND PEOPLE MOVED FROM THE COUNTRY TO THE CITIES. DENMARK WAS ON THE WAY TO BECOMING A MODERN SOCIETY. ALTHOUGH L.A. RING LIVED IN DENMARK ALL HIS LIFE, HIS WORKS DISPLAY CERTAIN PARALLELS TO THE LANDSCAPES OF AMERICAN REALISM AND NATURALISM. AND JUST AS L.A. RING WAS KEENLY INTERESTED IN HOW INDIVIDUAL MAN HANDLED THE EXISTENTIAL CHALLENGES ARISING AS A RESULT OF THE MODERN BREAKTHROUGH, SO TOO WERE MANY AMERICAN ARTISTS OF THE TIME. POISED BETWEEN REALISM AND SYMBOLISM, L.A. RING'S ART EXPLORES MANKIND'S INNER LIFE, WHICH FOR HIM WAS OFTEN INFUSED BY DEPRESSIVE IDEAS AND MELANCHOLY MOODS. DEATH AND THE PASSING OF ALL THINGS IS A RECURRING THEME IN HIS ART INCLUDING HIS MANY ZEALAND LANDSCAPES, WHICH COME TO FORM PERSONAL, DENSELY ATMOSPHERIC LANDSCAPES OF THE SOUL. HOWEVER, OTHER THEMES OF CLOSENESS AND INTIMACY ALSO FOUND THEIR WAY INTO HIS ART AFTER HE MARRIED THE LOVE OF HIS LIFE IN 1896: SIGRID, ELDEST DAUGHTER OF MASTER POTTER HERMAN KHLER. BOTH ASPECTS OF RING HIS MELANCHOLY AIR AND HIS JOY IN LIFE WERE REPRESENTED IN THE EXHIBITION, EDGE OF THE WORLD: MASTERWORKS BY LAURITS ANDERSEN RING FROM SMKTHE NATIONAL GALLERY OF DENMARK. THE EXHIBITION APPEALED TO ART LOVERS AS WELL AS AMERICANS IN GENERAL, AS IT PORTRAYS THE LIFE OF MANY EUROPEAN EMIGRANTS SETTLING IN THE U.S. AROUND 1900. UNDER THE SKIN FEBRUARY 1, 2020 - NOVEMBER 29, 2020 NATURE IS FULL OF BEAUTY, AT SCALES GREAT AND SMALL. UNDER THE SKIN HIGHLIGHTED A DOZEN RECENT DISCOVERIES THROUGH A COMBINATION OF REMARKABLE IMAGERY AND REAL BIOLOGICAL SPECIMENS. WHILE EACH REPRESENTS A RESEARCH BREAKTHROUGH, THESE STRIKING AND, IN MANY CASES, PRIZE-WINNING IMAGES CAN RIGHTFULLY BE CONSIDERED ART IN THEIR OWN RIGHT. UNDER THE SKIN SAMPLED IMAGES MADE POSSIBLE BY A REMARKABLE ARRAY OF TECHNOLOGIES, CT SCANNING, INFRARED CAMERAS, SCANNING ELECTRON MICROSCOPES AND MORETHAT ALLOW SCIENTISTS TO VISUALIZE THE MARVELS OF EVOLUTION THAT LIE BELOW THE SURFACE. ALL OF THE IMAGES PRESENTED IN THE EXHIBITION WERE CAPTURED IN THE LAST FIVE YEARS, THUS REPRESENTING THE CUTTING EDGE OF MODERN IMAGING. MANY SHOWCASED AMAZING DISCOVERIES THAT WERE UNDREAMT OF JUST A DECADE AGO. NATURAL HISTORY SPECIMENS FROM THE BRUCE MUSEUM AND ON LOAN FROM OTHER COLLECTIONS COMPLEMENTED EACH IMAGE AND REINFORCED THE ROLE OF MUSEUMS AS STEWARDS OF NATURAL HISTORY. VISITORS LEARNED HOW WE CAN PEER INTO THE INNER EAR OF A FROG SMALLER THAN A PISTACHIO, COUNT THE UNBORN BABIES INSIDE A PREGNANT TIGER SHARK, AND REVEAL THE AGE OF A TEN-TON DINOSAUR FROM MICROSCOPIC STRUCTURES IN ITS BONES. EXPLORING THE RELATIONSHIP BETWEEN LIGHT AND NATURE, VISITORS DISCOVERED THAT FLYING SQUIRRELS CAN GLOW A FLUORESCENT PINK, PELICAN POUCHES BURST INTO COLOR IN INFRARED, AND MACARONI PENGUINS HAVE INVENTED THEIR OWN SPECIAL BRAND OF THE COLOR YELLOW. BRUCE GOES DIGITAL MARCH 30, 2020 - PRESENT DURING THE CHALLENGING TIMES PRESENTED AS A RESULT OF THE GLOBAL PANDEMIC, THE BRUCE MUSEUM BROUGHT ITS EXHIBITIONS ONLINE FOR THOSE WHO COULD NOT OR WOULD NOT VISIT IN MUSEUM IN PERSON. THE BRUCE CONTINUES TO HOST THESE ONLINE EXHIBITIONS- FREE OF CHARGE - FOR THE ENJOYMENT OF ALL ON OUR WEBSITE, BRUCEMUSEUM.ORG. * ON THE EDGE OF THE WORLD: MASTERWORKS BY LAURITS ANDERSEN RING FROM SMKTHE NATIONAL GALLERY OF DENMARK *UNDER THE SKIN VIRTUAL EXHIBIT TOUR *HOUSE ON THE HILL: THE CHANGING FACE OF THE BRUCE MUSEUM. TO DATE, THE WEBSITE HAS HAD 2,200 VISITS BY 2,300 UNIQUE VISITORS WITH A COMBINED 10,000 PAGE VIEWS. THE EXHIBITION WAS ABLE TO BE INSTALLED ONSITE AS WELL. ICREATE 2020 JUNE 27, 2020 - AUGUST 2, 2020 EACH YEAR, THE BRUCE MUSEUM SHOWCASES THE ART OF HIGH SCHOOL STUDENTS THROUGHOUT CONNECTICUT, NEW JERSEY, AND NEW YORK IN THE ICREATE EXHIBITION. THIS ANNUAL JURIED COMPETITION, IN ITS 11TH CONSECUTIVE YEAR, FEATURED 55 WORKS OF FINE ART SELECTED FROM MORE THAN 850 SUBMISSIONS, AND 123 HIGH SCHOOLS REPRESENTED. THIS EXHIBITION CENTERED ON AN ARRAY OF WORKS INFUSED WITH THE CREATIVE SPIRIT AND IMPACTFUL VOICES OF BUDDING YOUNG ARTISTS. ICREATE SERVES AS AN OUTLET FOR THESE EMERGING ARTISTS, AMPLIFYING THE SCOPE OF THEIR PIECES' INFLUENCE AND PROVIDING THE COMMUNITY A GLIMPSE INTO LOCAL ARTISTIC POTENTIAL. THE WORKS ARE OF DIVERSE MEDIUMS AND EXPLORE DIFFERENT THEMES RANGING FROM CRITIQUES OF TRADITIONAL SOCIAL CONSTRUCTS TO SHARING TRIBUTES OF FAMILY AND FRIENDS, EXPRESSIONS OF CULTURAL DIVERSITY, COMMUNICATING THE IMPORTANCE OF HEALTH AND WELL-BEING, AND GENDER IDENTITY. FLOATING BEAUTY: WOMEN IN THE ART OF UKIYO-E SEPTEMBER 1, 2020 - NOVEMBER 1, 2020 FLOATING BEAUTY: WOMEN IN THE ART OF UKIYO-E EXAMINED HISTORICAL PERSPECTIVES ON WOMEN AND THEIR DEPICTION IN ART IN EDO PERIOD JAPAN (1615 1858). MADE UP ENTIRELY OF WOODBLOCK PRINTS CREATED IN THE UKIYO-E STYLE, THIS EXHIBITION HIGHLIGHTS FEMALE CHARACTERS IN LITERATURE, KABUKI THEATRE, AND POETRY; THE COURTESANS AND GEISHA OF THE YOSHIWARA DISTRICT; AND WIVES AND MOTHERS FROM DIFFERENT SOCIAL CLASSES PERFORMING THE DUTIES OF THEIR STATION, IN ORDER TO GAIN SOME INSIGHT INTO THE LIVES OF WOMEN IN PRE-MODERN JAPAN. FUN / NO FUN: CHILDREN'S BOOK ART BY JAMES STEVENSON MARCH 19, 2021 - MARCH 31, 2021 KIDS KNOW HIM AS THE AUTHOR AND ILLUSTRATOR OF HUNDREDS OF CHILDREN'S BOOKS THAT INDUCE FITS OF GIGGLES WITH SILLINESS VOICED IN AN HONEST, SIMPLE, AND GENTLE WAY. DEFTLY DRAWN WITH AN ASSURED LINE AND COLORED WITH SOFT WATERCOLOR WASHES, STEVENSON'S WHIMSICAL SKETCHES EVOKE A SENSE OF MEMORY AND NOSTALGIA. THE UNDERSTATED DRAWINGS ARE POPULATED BY A CAST OF CHARACTERS IN SETTINGS THAT STEVENSON CONJURED PRECISELY TO SUIT THE STORY. A 1990 NEW YORK TIMES ARTICLE ARTICULATES HOW MOVIES, A FAVORITE ENTERTAINMENT, WERE HIS INSPIRATION IN THE DEVELOPMENT OF CHILDREN'S BOOKS, ''YOU CAST, WRITE THE SCRIPT, SET DESIGN, FIND THE RIGHT ACTORS, PEOPLE YOU CARE ABOUT, HAVE THEM SAY THE RIGHT THINGS, FIND LOCATIONS, THE RIGHT STOVE FOR THE KITCHEN.'' IN A 2019 DOCUMENTARY, STEVENSON - LOST AND FOUND, HIS FAMILY DESCRIBES HOW THE SELF-TAUGHT ARTIST WAS ALWAYS SKETCHING AND THAT THE FAMILIAL SOUNDTRACK WAS ACCOMPANIED BY THE CONSTANT SCRATCHING OF HIS PEN ON PAPER. DEEP ARE HIS CONNECTIONS TO CONNECTICUT AND GREENWICH IN PARTICULAR. JIM GREW UP IN CROTON-ON-HUDSON IN WESTCHESTER COUNTY, RAISED HIS FAMILY OF NINE CHILDREN IN OLD BLACK POINT ON THE CONNECTICUT SHORE, AND SETTLED IN COS COB WITH HIS SECOND WIFE, JOSIE MERCK. THE BRUCE MUSEUM PRESENTED A FUN EXHIBITION OF STEVENSON'S CHILDREN'S BOOK ART FROM THE ARTIST'S ARCHIVES THAT EXPLORED THE SEASONAL DELIGHTS TO WHICH KIDS OF ALL AGES CAN RELATETHE JOYS OF BUILDING A SNOW FORT, TORMENTING YOUR FRIENDS WITH SKUNK CABBAGE, SUMMER CAMP CAMARADERIE, AND LEAPING INTO A LEAF PILE. ONLINE ONLY "SHE SWEEPS WITH MANY-COLORED BROOMS": PAINTINGS AND PRINTS BY EMILY MASON FEBRUARY 27, 2021 - MAY 23, 2021 "GET THE MIND OUT OF THE WAYLET THE PAINTING SPEAK." WITH THESE PHRASES, EMILY MASON (1932-2019) EXPRESSED HER DESIRE TO BE GUIDED BY INTUITION, ALLOWING EACH STROKE OF PAINT OR ALTERATION OF A PRINTING PLATE TO SUGGEST THE NEXT MOVE AS SHE CREATED A WORK OF ART. BORN INTO A FAMILY WITH AN ARTISTIC LEGACY THAT STRETCHED BACK TO EARLY AMERICAN REPUBLIC PAINTER JOHN TRUMBULL AND INCLUDED HER MOTHER, THE NOTED ABSTRACT PAINTER ALICE TRUMBULL MASON, EMILY MASON CARVED OUT A NUANCED ARTISTIC PATH OF HER OWN. MOVING BETWEEN EUROPE, NEW YORK CITY, AND NEW ENGLAND OVER THE COURSE OF HER LONG CAREER, SHE WAS EXPOSED TO A WIDE VARIETY OF ART MOVEMENTS, INCLUDING ABSTRACT EXPRESSIONISM AND COLOR FIELD PAINTING. |
| FORM 990, PART III, LINE 4A | "SHE SWEEPS WITH MANY-COLORED BROOMS": PAINTINGS AND PRINTS BY EMILY MASON FOCUSED ON TWO INTENSELY EXPERIMENTAL BODIES OF WORK AS SHE WRESTLED, IN EACH CASE, TO MASTER A NEW MEDIUM. MASON'S EARLY PAINTINGS IN OIL ON PAPER AND EARLY PRINTS ILLUMINATE A LIFETIME DEVOTED TO CREATIVE SPONTANEITY AND RICHLY DEMONSTRATE THE SUBTLE, COMPLEX, AND BEAUTIFUL ESTHETIC THAT WAS DISTINCTLY MASON'S OWN. ORGANIZED BY BRUCE MUSEUM THE SUSAN E. LYNCH EXECUTIVE DIRECTOR AND CEO ROBERT WOLTERSTORFF, BRUCE MUSEUM ADJUNCT CURATOR OF ART KENNETH E. SILVER, AND 2020-2021 BRUCE MUSEUM RESIDENT FELLOW H.S. MILLER, THE EXHIBITION WAS ACCOMPANIED BY A DIGITAL LECTURE SERIES AND NUMEROUS SPECIAL EVENTS. THE ROBERT R. WIENER MINERAL GALLERY PREVIEW MAY 8, 2021 - MAY 23, 2021 THE ROBERT R. WIENER MINERAL GALLERY WILL OPEN IN 2022 AS PART OF THE NEW BRUCE GRAND OPENING. THESE SIX MINERAL MASTERPIECES ARE PART OF A SMALL SNEAK PREVIEW. THE NEW GALLERY WILL SHOWCASE OVER ONE HUNDRED EXCEPTIONAL SPECIMENS, ARRANGED IN CUSTOM INSTALLATION TO HIGHLIGHT THE BRILLIANT COLORS, DAZZLING LUSTERS, AND FASCINATING CRYSTAL FORMS OF MINERALS FROM ALL ACROSS THE GLOBE. THIS DISPLAY AND THE NEW GALLERY ARE MADE POSSIBLE BY THE GENEROSITY OF MR. WIENER, WHO HAS ASSEMBLED ONE OF THE WORLD'S MOST EXTENSIVE MINERAL COLLECTIONS OVER THE COURSE OF FOUR DECADES. HE HAS MADE IT HIS MISSION TO SHARE THESE SPECIMENS FOR THE ENJOYMENT OF ALL, AND THE BRUCE MUSEUM IS PROUD TO BE THE FUTURE HOME TO A GALLERY THAT WILL THRILL GENERATIONS OF VISITORS. LET IN, LET GO APRIL 27, 2021 - MAY 30, 2021 LET IN, LET GO, A MULTI-SENSORY VIDEO PROJECTION INSTALLATION CREATED BY HOLLY DANGER, A VIDEO ARTIST BASED IN STAMFORD, CT, WHO HAS BROUGHT EXPERIENTIAL EVENTS AND IMMERSIVE INSTALLATIONS TO AUDIENCES AROUND THE WORLD. DANGER MIXES ANALOG AND DIGITAL LAYERS TO CREATE VIBRANT AUDIOVISUAL COLLAGES, AND PROJECTION MAPS THE WORK INTO SITE-SPECIFIC INSTALLATIONS. LET IN, LET GO EXPLORES THE SYNCHRONIZATION OF VIDEO, ART, AND SOUND AND HOW IT RELATES TO EMOTION, ENVIRONMENT, AND EXPERIENCE. THE IMAGERY WAS INSPIRED BY ELEMENTS FOUND IN NATURE AND DISCOVERING A DIGITAL REINVENTION OF THEIR FORM, COLOR, AND SYMMETRY. HOLLY DANGER TRANSFORMS ORDINARY SPACES INTO MOVING EXPERIENCES. SHE MIXES NATURAL AND DIGITAL ELEMENTS TOGETHER, CREATING VIBRANTLY COLORED, ABSTRACT, AUDIOVISUAL ART THAT IS PROJECTED ONTO NATURAL AND ARCHITECTURAL SURROUNDINGS. EACH WORK IS A SITE-SPECIFIC, ONE-OF-A-KIND EXPERIENCE THAT COMES TO LIFE WITH THE ENERGY AND PRESENCE OF THE VIEWER. ON VIEW IN THE MUSEUM'S MAIN GALLERY THROUGH SUNDAY, MAY 30, LET IN, LET GO, EXPLORED THE SYNCHRONIZATION OF VIDEO, ART, LIGHT, AND SOUND, AND HOW IT RELATES TO EMOTION, CONNECTION, AND EXPERIENCE. THE IMAGERY WAS INSPIRED BY ELEMENTS FOUND IN NATURE, AND DISCOVERING A DIGITAL REINVENTION OF THEIR FORM, COLOR, AND SYMMETRY. EDUCATIONAL PROGRAMS THE BRUCE MUSEUM'S PRIMARY GOAL IS TO EDUCATE OUR VISITORS. THE MUSEUM'S AUDIENCE ENGAGEMENT DEPARTMENT TAILORS EACH LEARNING EXPERIENCE TO MATCH OUR TARGETED AUDIENCE SEGMENTS IN THE COMMUNITY. HIGHLIGHTS FROM THE MUSEUM'S EDUCATIONAL PROGRAMMING AND PLANNING IN 2020-21 INCLUDE THE FOLLOWING. AS A RESULT OF THE COVID-19 PANDEMIC, THE BRUCE MUSEUM OFFERED MANY PROGRAMS AND EXHIBITIONS VIA DIGITAL OUTLETS, SUCH AS SOCIAL MEDIA, WEBSITES, AND E-NEWSLETTERS. THROUGH THESE MEANS, THE STAFF HAD 66,922 DIGITAL INTERACTIONS WITH SUPPORTERS AND FOLLOWERS OF THE BRUCE MUSEUM. THE STATISTICS BELOW PROVIDE TOTAL PROGRAM VISITS OR VIEWS FOR EACH DIGITAL OUTLET OVER THE COURSE OF FY21. YOUTH AND FAMILY PROGRAMS PROVIDE OPPORTUNITIES FOR INTERGENERATIONAL GROUPS TO INTERACT IN AN INFORMAL LEARNING ENVIRONMENT AND CREATE ENRICHING EXPERIENCES OUTSIDE OF A SCHOOL ENVIRONMENT FOR CHILDREN, WITH OR WITHOUT THEIR CAREGIVERS. TOTAL NUMBER OF PEOPLE REACHED THROUGH YOUTH AND FAMILY PROGRAMS: 78 PROGRAMS OFFERED WITH 3,786 VISITOR INTERACTIONS. SPANISH FAMILY PROGRAMMING DESPITE ANOTHER FISCAL YEAR BEING AFFECTED BY THE COVID-19 PANDEMIC, MANAGER OF YOUTH AND FAMILY PROGRAMS, MEGAN BROWN, WAS ABLE TO OFFER DIGITAL PROGRAMS IN SPANISH. THE TEAM OFFERED DIGITAL BRUCE BEGINNINGS IN SPANISH, A PROGRAM FOR CHILDREN THREE TO FIVE YEARS OLD AND THEIR CAREGIVERS. THIS WEEKLY PROGRAM WAS CHOSEN BECAUSE IT WAS THE EASIEST TO ADAPT TO SPANISH AND ALLOWED US TO OFFER ART AND SCIENCE CONTENT. YOUTH AND FAMILY PROGRAMS DEPARTMENT WAS ABLE TO OFFER PROGRAMS IN SPANISH THIS YEAR BECAUSE OF MUSEUM EDUCATOR GABRIELA PEREZ, WHO WAS FLUENT IN SPANISH, AND HAD PRIOR EXPERIENCE IN THE MUSEUM AS THE YOUTH AND FAMILY PROGRAMS INTERN. PEREZ OFTEN FACILITATED BRUCE BEGINNINGS WHEN SHE WAS AN INTERN AT THE MUSEUM. DURING THAT TIME, SHE INTERACTED WITH NUMEROUS FAMILIES, WHO UPON HEARING HER SPEAK SPANISH, SPOKE SPANISH THEMSELVES AND FELT SO WELCOMED THEY BECAME MUSEUM REGULARS. THE SPANISH DIGITAL BRUCE BEGINNING PROGRAMS ENDED UP BEING ONE OF THE MOST POPULAR VIRTUAL YOUTH AND FAMILY OFFERINGS. THE NUMBER OF VIEWS AND INTERACTIONS EXCEEDED THOSE OF ANY OTHER PROGRAM OFFERED IN ENGLISH. DIGITAL BRUCE BEGINNINGS VIDEOS HAD AN AVERAGE OF TWENTY VIEWS PER VIDEO, WHILE SPANISH DIGITAL BRUCE BEGINNING VIDEOS HAD AN AVERAGE OF THREE HUNDRED VIEWS PER VIDEO. SPANISH DIGITAL BRUCE BEGINNINGS HAD A VARIETY OF TOPICS, FOCUSING ON THE ART AND SCIENCE EXHIBITIONS FEATURED AT THE MUSEUM. THE VIDEOS ALSO WERE POPULAR REGARDLESS OF SUBJECT MATTER. SCHOOL AND TOUR SERVICES OFFER EDUCATIONAL PROGRAMS AND TOURS BASED ON PERMANENT AND CHANGING EXHIBITIONS, TO SCHOOL AND ADULT GROUPS. SCHOOL PROGRAMS INCLUDE INQUIRY-BASED DISCUSSIONS ABOUT OBJECTS ON VIEW AND REGULARLY INCLUDE A HANDS-ON EXPERIMENT OR ART-MAKING ACTIVITY. ADULT TOURS ARE ALSO INQUIRY-BASED AND PROVIDE AMPLE OPPORTUNITIES FOR VISITORS TO DISCUSS OBJECTS ON EXHIBIT WITH A TRAINED EDUCATOR. THE NUMBERS LISTED BELOW REFLECT PROGRAM PARTICIPATION THROUGH JULY 2020 TO JUNE 2021, WHICH INCLUDED A MIX OF IN PERSON AND VIRTUAL PROGRAMS. NUMBER OF PEOPLE REACHED THROUGH MUSEUM-BASED PROGRAMS: 155 PROGRAMS TAUGHT WITH 3,270 VISITOR INTERACTIONS. THROUGHOUT THE PANDEMIC, THE AUDIENCE ENGAGEMENT DEPARTMENT OFFERED OUTREACH PROGRAMS FOR SCHOOLS AND AFTERSCHOOL PROGRAMS THAT ALLOWED OUTSIDE EDUCATORS INTO THEIR TEACHING SPACES. DESPITE THE DIFFICULTIES OF TEACHING WHILE MASKED AND MAINTAINING SOCIAL DISTANCE IN A CLASSROOM SETTING, THE TEAM WAS EXCITED TO OFFER IN-PERSON EDUCATIONAL PROGRAMS IN SAFE SETTINGS. NUMBER OF PEOPLE REACHED THROUGH OFFSITE PROGRAMS: 72 PROGRAMS OFFERED TO 1,375 PARTICIPANTS |
| FORM 990, PART VI, SECTION A, LINE 6 | BMI HAS VARIOUS CLASSES OF MEMBERSHIP AS AUTHORIZED BY THE BOARD OF TRUSTEES. EACH CLASS IS ENTITLED TO ONE VOTE ON EACH MATTER SUBMITTED TO A VOTE OF THE MEMBERS, INCLUDING THE ELECTION OF TRUSTEES AT THE ANNUAL MEETING OF THE MEMBERS. THE PERSONS WHO COMPRISE A FAMILY MEMBERSHIP ARE ENTITLED TO ONE VOTE ON EACH MATTER. MEMBERS ARE NOT ENTITLED TO RECEIVE A SHARE OF THE ORGANIZATION'S PROFITS OR EXCESS DUES, OR A SHARE OF THE ORGANIZATION'S NET ASSETS UPON THE ORGANIZATION'S DISSOLUTION. |
| FORM 990, PART VI, SECTION A, LINE 7A | PURSUANT TO THE MANAGEMENT AGREEMENT BETWEEN BMI AND THE TOWN OF GREENWICH, THE TOWN OF GREENWICH DESIGNATES THREE TRUSTEES WITH VOTING RIGHTS TO THE BOARD OF BMI. THE MEMBERS OF BMI ELECT THE REMAINING TRUSTEES AT THE ANNUAL MEETING OF THE MEMBERS, BY A MAJORITY VOTE OF THE MEMBERS ENTITLED TO VOTE WHO ARE PRESENT IN PERSON OR BY WRITTEN PROXY. |
| FORM 990, PART VI, SECTION B, LINE 11B | BMI HAS ITS FORM 990 PREPARED BY AN OUTSIDE ACCOUNTING FIRM. ONCE THE FORM 990 IS PREPARED, IT IS PROVIDED TO THE AUDIT COMMITTEE FOR REVIEW, COMMENT, AND APPROVAL. ONCE APPROVED BY THE AUDIT COMMITTEE, A COMPLETE COPY OF THE RETURN IS DISTRIBUTED TO ALL MEMBERS OF THE BOARD OF TRUSTEES PRIOR TO FILING WITH THE INTERNAL REVENUE SERVICE. |
| FORM 990, PART VI, SECTION B, LINE 12C | BMI HAS A CONFLICT OF INTEREST POLICY WITHIN ITS CODE OF ETHICS WHICH COVERS THE BOARD OF TRUSTEES AS WELL AS THE ORGANIZATION'S STAFF AND VOLUNTEERS. ALL OFFICERS AND TRUSTEES ARE REQUIRED TO DISCLOSE ANNUALLY ANY POTENTIAL CONFLICTS OF INTEREST. PER THE TERMS OF THIS POLICY, A TRUSTEE SHOULD NOT VOTE ON, APPROVE, OR RECOMMEND APPROVAL OF A TRANSACTION BETWEEN THE MUSEUM AND THAT TRUSTEE OR IMMEDIATE FAMILY MEMBER, AND SHOULD DISCLOSE ANY POTENTIAL CONFLICT PRIOR TO A VOTE OR OTHER ACTION. IF SUCH TRUSTEE IS PRESENT WHEN A MATTER INVOLVING A POTENTIAL CONFLICT OF INTEREST IS CONSIDERED, HE OR SHE SHOULD LEAVE THE MEETING DURING THAT DISCUSSION AND/OR THE VOTE. ADDITIONALLY, THE POLICY REQUIRES CARE TO BE EXERCISED BY STAFF TO ASSURE THAT NO CONFLICT OR PERCEIVED CONFLICT ARISES BETWEEN THEMSELVES AND THE ORGANIZATION, AND THE STAFF MUST NOT COLLECT FOR THEMSELVES IN COMPETITION WITH THE MUSEUM. CONFLICT OF INTEREST RESTRICTIONS ARE ALSO EXPLAINED TO VOLUNTEERS AND OBSERVED BY THEM. THE EXECUTIVE DIRECTOR & CEO AND A COMMITTEE DETERMINE CONFLICTS AND REVIEW THE CONFLICTS ONCE DETERMINED. |
| FORM 990, PART VI, SECTION B, LINE 15A | THE EXECUTIVE COMMITTEE CONDUCTS AN ANNUAL COMPENSATION REVIEW OF THE EXECUTIVE DIRECTOR. COMPENSATION IS BASED ON HIS PERFORMANCE AND COMPARABILITY DATA TO MUSEUM INDUSTRY STANDARDS. THE BOARD APPROVES THE EXECUTIVE DIRECTOR'S COMPENSATION. THE COMPENSATION APPROVAL IS DOCUMENTED IN A LETTER FROM THE BOARD OF DIRECTORS TO THE EXECUTIVE DIRECTOR. |
| FORM 990, PART VI, SECTION C, LINE 18 | BMI'S FORM 990 IS AVAILABLE ON ITS WEBSITE, AS WELL AS GUIDESTAR, CHARITY NAVIGATOR, AND OTHER SIMILAR WEBSITES. |
| FORM 990, PART VI, SECTION C, LINE 19 | BMI'S FINANCIAL STATEMENTS ARE AVAILABLE ON ITS WEBSITE, AND ITS GOVERNING DOCUMENTS, AND CONFLICT OF INTEREST POLICY ARE AVAILABLE UPON WRITTEN REQUEST. |
| FORM 990, PART XI, LINE 9: | RECOVERY OF UNCOLLECTIBLE PLEDGES 129,614. |
| FORM 990. PART XI, LINE 2C: | BMI HAS AN AUDIT COMMITTEE THAT IS RESPONSIBLE FOR THE OVERSIGHT OF THE AUDIT OF ITS FINANCIAL STATEMENTS AND SELECTION OF AN INDEPENDENT ACCOUNTANT. THE PROCESS HAS NOT CHANGED FROM THE PRIOR YEAR. |
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