Attach to Form 990 or Form 990-EZ.
Go to
www.irs.gov/Form990 for instructions and the latest information.
| (i) Name of supported organization | (ii) EIN | (iii) Type of organization (described on lines 1- 10 above (see instructions)) | (iv) Is the organization listed in your governing document? | (v) Amount of monetary support (see instructions) | (vi) Amount of other support (see instructions) | |
|---|---|---|---|---|---|---|
| Yes | No | |||||
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Total |
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Calendar year
(or fiscal year beginning in)
![]() |
(a) 2018 | (b) 2019 | (c) 2020 | (d) 2021 | (e) 2022 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 1 | Gifts, grants, contributions, and membership fees received. (Do not include any "unusual grant.") .. | 1,348,742 | 1,285,331 | 3,488,243 | 3,576,826 | 3,039,354 | 12,738,496 |
| 2 | Tax revenues levied for the organization's benefit and either paid to or expended on its behalf.... | ||||||
| 3 | The value of services or facilities furnished by a governmental unit to the organization without charge.. | 60,000 | 60,000 | 60,000 | 60,000 | 60,000 | 300,000 |
| 4 | Total. Add lines 1 through 3 | 1,408,742 | 1,345,331 | 3,548,243 | 3,636,826 | 3,099,354 | 13,038,496 |
| 5 | The portion of total contributions by each person (other than a governmental unit or publicly supported organization) included on line 1 that exceeds 2% of the amount shown on line 11, column (f) .. | ||||||
| 6 | Public support. Subtract line 5 from line 4. | 13,038,496 | |||||
Calendar year
(or fiscal year beginning in)
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(a) 2018 | (b) 2019 | (c) 2020 | (d) 2021 | (e) 2022 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 7 | Amounts from line 4.. | 1,408,742 | 1,345,331 | 3,548,243 | 3,636,826 | 3,099,354 | 13,038,496 |
| 8 | Gross income from interest, dividends, payments received on securities loans, rents, royalties and income from similar sources... | 73,458 | 55,840 | 129,298 | |||
| 9 | Net income from unrelated business activities, whether or not the business is regularly carried on.. | ||||||
| 10 | Other income. Do not include gain or loss from the sale of capital assets (Explain in Part VI.).. | ||||||
| 11 | Total support. Add lines 7 through 10 | 13,167,794 | |||||
Calendar year (or fiscal year beginning in) ![]() |
(a) 2018 | (b) 2019 | (c) 2020 | (d) 2021 | (e) 2022 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 1 | Gifts, grants, contributions, and membership fees received. (Do not include any "unusual grants.") . | ||||||
| 2 | Gross receipts from admissions, merchandise sold or services performed, or facilities furnished in any activity that is related to the organization's tax-exempt purpose | ||||||
| 3 | Gross receipts from activities that are not an unrelated trade or business under section 513 ..... | ||||||
| 4 | Tax revenues levied for the organization's benefit and either paid to or expended on its behalf... | ||||||
| 5 | The value of services or facilities furnished by a governmental unit to the organization without charge | ||||||
| 6 | Total. Add lines 1 through 5 | ||||||
| 7a | Amounts included on lines 1, 2, and 3 received from disqualified persons | ||||||
| b | Amounts included on lines 2 and 3 received from other than disqualified persons that exceed the greater of $5,000 or 1% of the amount on line 13 for the year. | ||||||
| c | Add lines 7a and 7b.. | ||||||
| 8 | Public support. (Subtract line 7c from line 6.) | ||||||
Calendar year (or fiscal year beginning in) ![]() |
(a) 2018 | (b) 2019 | (c) 2020 | (d) 2021 | (e) 2022 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 9 | Amounts from line 6... | ||||||
| 10a | Gross income from interest, dividends, payments received on securities loans, rents, royalties and income from similar sources.. | ||||||
| b | Unrelated business taxable income (less section 511 taxes) from businesses acquired after June 30, 1975. | ||||||
| c | Add lines 10a and 10b. | ||||||
| 11 | Net income from unrelated business activities not included on line 10b, whether or not the business is regularly carried on. | ||||||
| 12 | Other income. Do not include gain or loss from the sale of capital assets (Explain in Part VI.) .. | ||||||
| 13 | Total support. (Add lines 9, 10c, 11, and 12.).. | ||||||
| Section A - Adjusted Net Income | (A) Prior Year |
(B) Current Year (optional) |
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| 1 | Net short-term capital gain | 1 | ||||
| 2 | Recoveries of prior-year distributions | 2 | ||||
| 3 | Other gross income (see instructions) | 3 | ||||
| 4 | Add lines 1 through 3 | 4 | ||||
| 5 | Depreciation and depletion | 5 | ||||
| 6 | Portion of operating expenses paid or incurred for production or collection of gross income or for management, conservation, or maintenance of property held for production of income (see instructions) | 6 | ||||
| 7 | Other expenses (see instructions) | 7 | ||||
| 8 | Adjusted Net Income (subtract lines 5, 6 and 7 from line 4) | 8 | ||||
| Section B - Minimum Asset Amount | (A) Prior Year |
(B) Current Year (optional) |
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| 1 | Aggregate fair market value of all non-exempt-use assets (see instructions for short tax year or assets held for part of year): | 1 | ||||
| a | Average monthly value of securities | 1a | ||||
| b | Average monthly cash balances | 1b | ||||
| c | Fair market value of other non-exempt-use assets | 1c | ||||
| d | Total (add lines 1a, 1b, and 1c) | 1d | ||||
| e |
Discount claimed for blockage or other factors (explain in detail in Part VI): |
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| 2 | Acquisition indebtedness applicable to non-exempt use assets | 2 | ||||
| 3 | Subtract line 2 from line 1d | 3 | ||||
| 4 | Cash deemed held for exempt use. Enter 0.015 of line 3 (for greater amount, see instructions). | 4 | ||||
| 5 | Net value of non-exempt-use assets (subtract line 4 from line 3) | 5 | ||||
| 6 | Multiply line 5 by 0.035 | 6 | ||||
| 7 | Recoveries of prior-year distributions | 7 | ||||
| 8 | Minimum Asset Amount (add line 7 to line 6) | 8 | ||||
| Section C - Distributable Amount | Current Year | |||||
| 1 | Adjusted net income for prior year (from Section A, line 8, Column A) | 1 | ||||
| 2 | Enter 85% of line 1 | 2 | ||||
| 3 | Minimum asset amount for prior year (from Section B, line 8, Column A) | 3 | ||||
| 4 | Enter greater of line 2 or line 3 | 4 | ||||
| 5 | Income tax imposed in prior year | 5 | ||||
| 6 | Distributable Amount. Subtract line 5 from line 4, unless subject to emergency temporary reduction (see instructions) | 6 | ||||
| Section D - Distributions | Current Year | |
|---|---|---|
| 1 Amounts paid to supported organizations to accomplish exempt purposes | 1 | |
|
2
Amounts paid to perform activity that directly furthers exempt purposes of supported organizations, in excess of income from activity |
2 | |
| 3 Administrative expenses paid to accomplish exempt purposes of supported organizations | 3 | |
| 4 Amounts paid to acquire exempt-use assets | 4 | |
| 5 Qualified set-aside amounts (prior IRS approval required - provide details in Part VI) | 5 | |
| 6 Other distributions (describe in Part VI). See instructions | 6 | |
| 7Total annual distributions. Add lines 1 through 6. | 7 | |
|
8
Distributions to attentive supported organizations to which the organization is responsive (provide details in Part VI). See instructions |
8 | |
| 9 Distributable amount for 2022 from Section C, line 6 | 9 | |
| 10 Line 8 amount divided by Line 9 amount | 10 | |
| Section E - Distribution Allocations (see instructions) |
(i) Excess Distributions |
(ii) Underdistributions Pre-2022 |
(iii) Distributable Amount for 2022 |
|
|---|---|---|---|---|
| 1 Distributable amount for 2022 from Section C, line 6 | ||||
|
2
Underdistributions, if any, for years prior to 2022 (reasonable cause required-- explain in Part VI).
See instructions. |
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| 3 Excess distributions carryover, if any, to 2022: | ||||
| a From 2017....... | ||||
| b From 2018....... | ||||
| c From 2019....... | ||||
| d From 2020....... | ||||
| e From 2021....... | ||||
| fTotal of lines 3a through e | ||||
| g Applied to underdistributions of prior years | ||||
| h Applied to 2022 distributable amount | ||||
|
i
Carryover from 2017 not applied (see instructions) |
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| j Remainder. Subtract lines 3g, 3h, and 3i from line 3f. | ||||
| 4Distributions for 2022 from Section D, line 7: | ||||
| $ | ||||
| a Applied to underdistributions of prior years | ||||
| b Applied to 2022 distributable amount | ||||
| c Remainder. Subtract lines 4a and 4b from line 4. | ||||
|
5
Remaining underdistributions for years prior to 2022, if any. Subtract lines 3g and 4a from line 2. If the amount is greater than zero, explain in Part VI. See instructions. |
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|
6
Remaining underdistributions for 2022. Subtract lines 3h and 4b from line 1. If the amount is greater than zero, explain in Part VI. See instructions. |
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|
7 Excess distributions carryover to 2023. Add lines 3j and 4c. |
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| 8 Breakdown of line 7: | ||||
| a Excess from 2018..... | ||||
| b Excess from 2019..... | ||||
| c Excess from 2020..... | ||||
| d Excess from 2021..... | ||||
| e Excess from 2022..... | ||||
| Facts And Circumstances Test |
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| Return Reference | Explanation |
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| Software ID: | |
| Software Version: |
Attach to Form 990 or 990-EZ.
Go to www.irs.gov/Form990 for the latest information.
| Return Reference | Explanation |
|---|---|
| FORM 990, PART III, LINE 4A: | IN 2022, THE TAMPA MUSEUM OF ART'S PERMANENT COLLECTION COMPRISED OVER 7,541 OBJECTS. THE MUSEUM PRIMARILY COLLECTS CLASSICAL ANTIQUITIES (625 OBJECTS), 19TH-CENTURY PHOTOGRAPHY AND PRINTS EMPHASIZING WORKS THAT RELATE TO THE CLASSICAL COLLECTION (APPROXIMATELY 1,300 OBJECTS), MODERN AND CONTEMPORARY ART IN A VARIETY OF MEDIA (OVER 5,615 OBJECTS), WITH AN EMPHASIS ON PHOTOGRAPHY, ART CREATED AFTER 1970, AND NEW MEDIA. THE MUSEUM COLLECTS WORKS BY NATIONALLY AND INTERNATIONALLY RECOGNIZED ARTISTS IN A RANGE OF TECHNIQUES AND MEDIUMS, MANY OF WHOM HAVE TIES TO FLORIDA AND THE TAMPA BAY REGION. THE MUSEUM RECOGNIZES THAT ITS ACQUISITIONS TODAY ARE SETTING STANDARDS FOR FUTURE COLLECTING ACTIVITY AND BUILDING A FOUNDATION FOR EXHIBITIONS AND EDUCATION PROGRAMMING. THE MUSEUM CELEBRATED ITS 102ND ANNIVERSARY IN 2022 AND OPENED ITS NEW VINIK EDUCATION CENTER, 8,000 SQUARE FEET OF ADDITIONAL EDUCATION PROGRAM SPACE REDESIGNED FROM BACK-OF-THE-HOUSE DRY STORAGE SPACE IN MAY. A NEW GRAND EDUCATION LOBBY ACCOMMODATING GENERAL VISITORS ENTERING THE MUSEUM ON THE EAST SIDE OF THE BUILDING WAS DESIGNED TO WELCOME TWO- TO THREE-SCHOOL BUSLOADS OF STUDENTS ON TOUR AT THE MUSEUM AND PROVIDE FOR OFFERING SEQUESTERED ENTRANCE TO CLASSES WHILE THE GALLERIES ARE CLOSED POST-5:00 PM. THE CENTER NOW BOASTS TWO NEW CLASSROOM FACILITIES DEDICATED TO TWO- AND THREE-DIMENSIONAL ART WITH A FOCUS ON ASSEMBLAGE, COLLAGE, LIFE DRAWING, AND PAINTING AS WELL AS WHEEL-THROWING, COIL BUILDING, AND SLAB ROLLING CLASSES. A DOCENT/VOLUNTEER LOUNGE WAS DESIGNED TO ACCOMMODATE RESOURCES AND A CONFERENCE AREA FOR OUR TOUR GUIDES AND A NEW ROOM DESIGNED FOR A KILN WAS OPENED. THE ONLY EXISTING CLASSROOM PRIOR TO REDESIGN WAS RENOVATED TO OFFER TECH CLASSES IN GRAPHIC DESIGN, DIGITAL PHOTOGRAPHY, AND MULTI-MEDIA EDITING AND PRODUCING, AND THE FLAT FLOOR LECTURE HALL WAS REDESIGNED TO ALSO OFFER REGIONAL ART EXHIBITIONS AND FAMILY EDUCATION PROGRAMS. THE RESULTS WERE IMMEDIATE. THE MUSEUM QUADRUPLED ITS CAMPS AND CLASSES AND STARTED OFFERING STUDENT CLASSES YEAR-ROUND. IN 2022, THE MUSEUM SAW CLOSE TO 10,000 EDUCATION PROGRAM PARTICIPANTS. THROUGHOUT THE YEAR, THE TAMPA MUSEUM OF ART CONTINUED TO RAISE REVENUE AND ALLOCATE ITS RESOURCES TOWARD PROGRAM MANAGEMENT AND PRESENTATION OF COLLECTIONS, COLLECTIONS CARE, AND MANAGEMENT, AND PROVIDE A ROBUST SCHEDULE OF EXHIBITION AND EDUCATION PROGRAMS TO SERVE THE TAMPA BAY COMMUNITY, ALBEIT VIRTUAL AS WELL AS IN PERSON. AS A RESULT OF COMPLETING THE RENOVATION OF THE WEST LOBBY TO THE MUSEUM, INCREASING OUR SQUARE FOOTAGE OF THE STORE, AND REDESIGNING THE FIRST-FLOOR ATRIUM INTO A SCULPTURE GALLERY WE COMPLETED THE TRANSFORMATION OF 6,000 SQUARE FEET OF REDESIGNED PUBLIC SPACES ON THE FIRST FLOOR OF THE MUSEUM. ADDITIONALLY, THE MUSEUM ONBOARDED A NEW 3,000-SQUARE-FOOT GALLERY ON THE SECOND FLOOR AND RELOCATED THE STORAGE OF THE PERMANENT COLLECTION INTO A NEW 4,000-SQUARE-FOOT STORAGE ROOM. THIS ALLOWED US TO EXTEND THREE EXHIBITIONS INTO 2022 AND FEATURE AN ADDITIONAL TEN IMPORTANT TRAVELING AND IN-HOUSE CURATED EXHIBITIONS FOR THE TAMPA BAY COMMUNITY AND BEYOND, EACH OUTLINED BRIEFLY BELOW. AN IRRESISTIBLE URGE TO CREATE: FLORIDA OUTSIDER ART FROM THE MONROE FAMILY COLLECTION ON VIEW THROUGH MAY 22, 2022 DURING THE LAST SEVERAL DECADES, THE WORK OF OUTSIDER ARTISTS HAS COME TO THE FOREFRONT OF OUR THINKING ABOUT THE NATURE OF ART AS THEIR PAINTINGS AND SCULPTURES HAVE MADE THEIR WAY INTO FINE ART MUSEUMS HANGING ALONGSIDE NEW AND TIME-TESTED PAINTINGS AND SCULPTURES. TO DATE, COLLECTOR GARY MONROE HAS ACQUIRED NEARLY A THOUSAND PIECES OF OUTSIDER ART, INCLUDING WORKS BY RUBY WILLIAMS, EDDY MUMMA, FRANK RITCHIE, AND JESSE AARON. AN IRRESISTIBLE URGE TO CREATE INCLUDED 86 WORKS AND FEATURE OBJECTS BY SEVERAL SELF-TAUGHT ARTISTS FROM FLORIDA'S WEST COAST AND CENTRAL REGION. A PUBLICATION ACCOMPANIES THE EXHIBITION WITH AN ESSAY BY GARY MONROE, A DISCUSSION BY BOCA MUSEUM OF ART SENIOR CURATOR KATHY GONCHAROV ABOUT THE CHANGING NOMENCLATURE OF SELF-TAUGHT AND FOLK ARTISTS, AND A SPECIALLY COMMISSIONED POEM BY CAMPBELL MCGRATH ABOUT ARTISTS' URGE TO CREATE. AN IRRESISTIBLE URGE TO CREATE: FLORIDA OUTSIDER ART FROM THE MONROE FAMILY COLLECTION IS ORGANIZED BY THE BOCA RATON MUSEUM OF ART. AIR FER MER: DOMINIQUE LABAUVIE ON VIEW 2022 THROUGH JULY 23, 2023 ARTIST DOMINIQUE LABAUVIE (FRENCH, B. 1948) UNITES LANGUAGE, BOTH HIS NATIVE FRENCH AND ENGLISH, WITH IMAGES IN HIS ARCHITECTONIC STEEL SCULPTURES.AIR FER MER, THE TITLE OF THE OUTDOOR INSTALLATION ON THE SULLIVAN TERRACE, AS WELL AS THE TITLE OF ONE OF THE SCULPTURES ON VIEW, REFLECTS THE ARTIST'S PLAY ON LANGUAGE- "AIR FER MER" SPOKEN ALOUD SOUNDS LIKE "PHMRE," THE FRENCH WORD FOR "EPHEMERAL." EPHEMERALITY EMBODIES THE ESSENCE OF LABAUVIE'S ART. ALTHOUGH HIS MEDIUM OF INDUSTRIAL STEEL SUGGESTS A SENSE OF PERMANENCE, LABAUVIE AIMS TO CAPTURE FLEETING MOMENTS IN HIS SCULPTURE-FROM THE MOVEMENT OF LIGHT AND SHADOWS TO THE PASSAGE OF TIME AND LIFE UNFOLDING AROUND US. "AIR FER MER" ALSO TRANSLATES TO IRON, AIR, SEA-A FITTING DESCRIPTION OF THE OBJECT'S RELATIONSHIP TO THE NATURAL WORLD. IN THIS UNIQUE SETTING, FOUR OF LABAUVIE'S SCULPTURES EXIST IN HARMONY WITH THE HILLSBOROUGH RIVER AND TAMPA SKYLINE. ANCIENT ART FROM THE MIDDLE EAST: HIGHLIGHTS FROM THE KARAM COLLECTION ON VIEW 2022 THROUGH MARCH 26, 2023 IN 1998, DR. FARID KARAM AND HIS WIFE JEHANNE GENEROUSLY DONATED 149 OBJECTS TO THE SPECIAL COLLECTIONS OF THE UNIVERSITY OF SOUTH FLORIDA (USF) LIBRARIES. THE AUTHENTIC ANTIQUITIES ORIGINATE FROM ANCIENT SYRIA, PHOENICIA, EGYPT, GREECE, AND THE ARAB WORLD. IN DATE, THEY RANGE FROM THE BRONZE AGE TO THE EARLY ISLAMIC PERIOD (CA. FIFTEENTH-CENTURY BCE-THIRTEENTH-CENTURY CE). THE METAL, STONE, GLASS, AND CERAMIC ARTIFACTS INCLUDE COSMETIC AND MEDICAL IMPLEMENTS, UTILITY VESSELS, AND OIL LAMPS, AS WELL AS SCULPTURES AND FIGURINES. THIS PRESENTATION OF HIGHLIGHTS IS THE FIRST TIME THE KARAM COLLECTION OF LEBANESE ANTIQUITIES IS ON DISPLAY FOR THE PUBLIC. THE SELECTION REVEALS DR. KARAM'S PROFOUND INTEREST IN THE DIVERSITY OF ANCIENT CULTURES FOUND IN THE EASTERN MEDITERRANEAN. YOUNG AT ART 2022: ARTWORK FROM HILLSBOROUGH COUNTY PUBLIC AND PRIVATE SCHOOLS, GRADES K-8 JANUARY 14 THROUGH FEBRUARY 12, 2022 EACH YEAR THE TAMPA MUSEUM OF ART INVITES HILLSBOROUGH COUNTY ART TEACHERS TO SUBMIT A STUDENT'S ARTWORK FOR THE YOUNG AT ART STUDENT EXHIBITION. THE MUSEUM CELEBRATES THE CREATIVITY OF THIS YEAR'S 131 SUBMISSIONS FROM STUDENTS IN KINDERGARTEN THROUGH EIGHTH GRADE. THIS IS A COLLABORATIVE EXHIBITION THAT CELEBRATES AND ACKNOWLEDGES THE DEDICATION AND SUPPORT OF THE VISUAL ARTS BY THE STUDENTS, EDUCATORS, SCHOOL STAFF AND ADMINISTRATION, THE HILLSBOROUGH COUNTY SCHOOL BOARD, THE HILLSBOROUGH EDUCATION FOUNDATION, AND THE FAMILIES AND FRIENDS OF THE ARTISTS, 131 OF WHOM ARE REPRESENTED. 14TH CONGRESSIONAL DISTRICT AND NEXT GENERATION HIGH SCHOOL ART COMPETITION EXHIBITION MARCH 12 THROUGH APRIL 10, 2022 THIS ANNUAL HIGH SCHOOL ART EXHIBITION FEATURES EXEMPLARY WORK CREATED BY HIGH SCHOOL STUDENTS THROUGHOUT THE 14TH CONGRESSIONAL DISTRICT AND HILLSBOROUGH COUNTY. STUDENTS COMPETE FOR TWO TOP PRIZES: THE MUSEUM CHOICE AWARD AND THE CONGRESSIONAL CHOICE AWARD. THE ARTWORK SELECTED FOR THE CONGRESSIONAL CHOICE AWARD WILL CONTINUE TO REPRESENT THE DISTRICT IN THE NATIONAL CONGRESSIONAL HIGH SCHOOL ART COMPETITION, HANGING IN THE CANNON TUNNEL OF THE U.S. CAPITOL FOR ONE YEAR. ADDITIONALLY, THE RECIPIENT OF THIS AWARD RECEIVES A TRIP TO WASHINGTON, D.C. TO ATTEND THE NATIONAL AWARDS CEREMONY IN JUNE 2022. THE 14TH CONGRESSIONAL DISTRICT AND NEXT GENERATION HIGH SCHOOL ART COMPETITION IS PRESENTED IN PARTNERSHIP WITH THE OFFICE OF U.S. REPRESENTATIVE, KATHY CASTOR. POETRY IN PAINT: THE ARTISTS OF OLD TAMPA BAY AUGUST 18, 2022, THROUGH JANUARY 16, 2023, COLLECTOR DR. ALFRED FRANKEL HAS STUDIED AND COLLECTED THE PAINTINGS OF EARLY FLORIDA ARTISTS FOR THE PAST 40 YEARS. AFTER MEETING ARTHUR TUBERVILLE IN THE 1980S, AN ANTIQUE DEALER BASED IN TAMPA, HE STARTED TO COLLECT RELATIVELY UNKNOWN ARTISTS CAPTURING FLORIDA'S UNTAMED LANDSCAPE. TO DATE, DR. FRANKEL HAS ACQUIRED OVER 200 WORKS OF ART. HIS HOLDINGS NOT ONLY DEPICT FLORIDA'S RAW BEAUTY, BUT THE COLLECTION REVEALS HOW LOCAL ARTISTS FROM MIAMI TO TAMPA, AND ORLANDO AND GAINESVILLE, WERE INFLUENTIAL IN DEVELOPING ART COMMUNITIES ACROSS THE STATE IN THE EARLY 20TH CENTURY. FOR EXAMPLE, PAINTER HARRY BIERCE PLAYED A SIGNIFICANT ROLE IN SHAPING THE ART SCENE IN TAMPA. DR. FRANKEL HAS EXTENSIVELY RESEARCHED THE ARTISTS IN HIS VAST COLLECTION, WHICH HAS RESULTED IN THE SELF-PUBLICATION OF THE BOOKS, ARTISTS OF OLD FLORIDA, 1840-1960 AND THE DICTIONARY OF FLORIDA ARTISTS. |
| FORM 990, PART III, LINE 4A, CONTINUED: | DAWOUD BEY & CARRIE MAE WEEMS: IN DIALOGUE JULY 21 - OCTOBER 23, 2022 DAWOUD BEY & CARRIE MAE WEEMS: IN DIALOGUE IS ORGANIZED BY THE GRAND RAPIDS ART MUSEUM, WITH PRESENTING SUPPORT GENEROUSLY PROVIDED BY MILLERKNOLL. ADDITIONAL SUPPORT IS PROVIDED BY WEGE FOUNDATION, AGNES GUND, THE NATIONAL ENDOWMENT FOR THE ARTS, AND EENHOORN, LLC. DAWOUD BEY & CARRIE MAE WEEMS: IN DIALOGUE BRINGS TOGETHER A FOCUSED SELECTION OF WORK FROM A PERIOD OF OVER FORTY YEARS BY TWO OF TODAY'S MOST IMPORTANT AND INFLUENTIAL PHOTO-BASED ARTISTS. DAWOUD BEY AND CARRIE MAE WEEMS, BOTH BORN IN 1953, CAME OF AGE DURING A PERIOD OF DRAMATIC CHANGE IN THE AMERICAN SOCIAL LANDSCAPE. SINCE MEETING AT THE STUDIO MUSEUM IN HARLEM IN 1976, THE TWO ARTISTS HAVE BEEN INTELLECTUAL COLLEAGUES AND COMPANIONS. OVER THE FOLLOWING FIVE DECADES, BEY AND WEEMS HAVE EXPLORED AND ADDRESSED SIMILAR THEMES: RACE, CLASS, REPRESENTATION, AND SYSTEMS OF POWER, CREATING WORK THAT IS GROUNDED IN SPECIFIC AFRICAN AMERICAN EVENTS AND REALITIES WHILE SIMULTANEOUSLY SPEAKING TO A MULTITUDE OF HUMAN CONDITIONS. THIS EXHIBITION, FOR THE FIRST TIME, BRINGS THEIR WORK TOGETHER TO SHED LIGHT ON THEIR UNIQUE TRAJECTORIES AND MODES OF PRESENTATION, AND THEIR SHARED CONSCIOUSNESS AND PRINCIPLES. THIS EXHIBITION PAIRS THE TWO ARTISTS' WORK IN FIVE SECTIONS THAT EMPHASIZE BOTH THEIR DISTINCT ARTISTIC APPROACHES AND THEIR SHARED INTERESTS AND CONCERNS: EARLY WORK, BROADENING THE SCOPE, RESURRECTING BLACK HISTORIES, MEMORIAL AND REQUIEM, AND REVELATIONS IN THE LANDSCAPE. ALSO FEATURED IN THE EXHIBITION ARE VIDEOS BY BEY AND WEEMS THAT SHOW THEIR APPROACHES TO THE MOVING PHOTOGRAPHIC IMAGE AS AN EXTENSION OF THEIR STILL PHOTOGRAPHIC SERIES. PURVIS YOUNG: REDOUX JUNE 18, 2022 THROUGH JUNE 30, 2024 INSPIRED BY THE SUCCESS OF THE EXHIBITION PURVIS YOUNG: 91 IN 2019, THE MUSEUM WILL REMOUNT ITS PURVIS YOUNG COLLECTION AS ONE OF THE FIRST SEVERAL LONG-TERM DISPLAYS OF THE PERMANENT COLLECTION. IN 2024, THE RUBELL FAMILY FOUNDATION GIFTED 91 PAINTINGS TO THE MUSEUM BY YOUNG (AMERICAN, 1943-2010). BASED ON THE OVERTOWN NEIGHBORHOOD OF MIAMI, FLORIDA, YOUNG'S PAINTINGS REFLECT HIS OBSERVATIONS OF DAILY LIFE AND THE FIGHT FOR SOCIAL JUSTICE, HOPE FOR HIS COMMUNITY, IMMIGRATION, AND OTHERNESS, AS WELL AS THE FRAGILE BALANCE BETWEEN LIFE AND DEATH. HE RENDERED HIS WORK ON FOUND OBJECTS, ITEMS HE DISCOVERED IN THIS NEIGHBORHOOD. DISCARDED WOOD, WINDOWS, FURNITURE FRAGMENTS, CABINETS, DOORS, CARPET, FABRIC, STRING, AND CABLES. ALTHOUGH HIS MEANS WERE LIMITED, YOUNG IS RECOGNIZED ACROSS THE GLOBE FOR HIS REMARKABLE PAINTING PRACTICES AND HIS CONTRIBUTIONS TO THE CULTURAL LANDSCAPE OF FLORIDA. ALL IN FAVOR: NEW WORKS IN THE PERMANENT COLLECTION JUNE 20, 2022, THROUGH JULY 23, 2023 OVER THE PAST FIVE YEARS, THE TAMPA MUSEUM OF ART HAS RECEIVED A RECORD NUMBER OF GIFTS TO THE PERMANENT COLLECTION. THE EXHIBITION,ALL IN FAVOR: NEW WORKS IN THE PERMANENT COLLECTION, HIGHLIGHTS THE MANY RECENT WORKS THAT HAVE ENTERED TMA'S HOLDINGS, RANGING FROM ANCIENT GLASS AND BRONZE OBJECTS TO CONTEMPORARY PAINTINGS AND SCULPTURES FROM TODAY'S LEADING ARTISTS. ARTISTS ON VIEW INCLUDE THE COLLECTIVE ASSUME VIVID ASTRO FOCUS (AVAF), CHRISTO, JANE CORRIGAN, MITCHELL JOHNSON, SUCHITRA MATTAI, SIMPHIWE NDZUBE, ROGER PALMER, DAISY PATTON, JAUME PLENSA, CLAUDIA RYAN, JOHN SCOTT, AND OTHERS. COLLECTIONS MAY BE DESCRIBED AS THE HEART OF ANY MUSEUM. AT THEIR BEST, COLLECTIONS SHOULD INSPIRE MUSEUM STAFF AND INFLUENCE EXHIBITION AND EDUCATION PROGRAMMING. MORE IMPORTANTLY, COLLECTIONS SHOULD REFLECT THE COMMUNITY AT LARGE AND CREATE A LASTING IMPRESSION ON VISITORS. IT IS COMMON FOR MUSEUM OBJECTS TO BECOME LIKE OLD FRIENDS, WITH VISITORS RETURNING, AGAIN AND AGAIN, TO SEE THEIR FAVORITE WORK OR ARTIST IN VIEW. ACQUISITIONS, OR WORKS COLLECTED BY A MUSEUM, CAN DEFINE A MUSEUM, AND TELL ITS STORY. THESE OBJECTS NOT ONLY REFLECT THE INSTITUTION'S EVOLVING VISION AND MISSION OVER TIME BUT ALSO HIGHLIGHT SOCIO-POLITICAL EVENTS AND IDEOLOGIES, CREATIVE CHOICES, AND NUANCES IN ARTISTIC TECHNIQUE, AS WELL AS TECHNOLOGICAL ADVANCES THAT DEFINE SPECIFIC PERIODS AND GENRES OF ART. PRELUDE: AN INTRODUCTION TO THE PERMANENT COLLECTION SEPTEMBER 28, 2022, THROUGH JANUARY 2026 PRELUDE: TMA COLLECTS FEATURES WORKS REPRESENTATIVE OF THE INSTITUTION'S COLLECTING HISTORY AND MISSION. THE COLLECTION IS UNIQUE-WITH SIGNIFICANT HOLDINGS OF ANCIENT GREEK AND ROMAN ART, AS WELL AS INCREASED ACQUISITIONS OF MODERN AND CONTEMPORARY ART. WITH EIGHT MAIN CATEGORIES, THE COLLECTION FEATURES A BREADTH OF OBJECTS: CLASSICAL ANTIQUITIES, PRINTS, AND PHOTOGRAPHS RELATED TO CLASSICAL ANTIQUITY, PAINTING, DECORATIVE ARTS AND SCULPTURE, PHOTOGRAPHY, WORKS ON PAPER, NEW MEDIA, VIDEO, AND INSTALLATION ART. TIME AND PLACE WILL PRESENT A UNIQUE INSIGHT INTO HOW THE COLLECTION AND IDENTITY OF THE MUSEUM HAVE EVOLVED AS IT HAS GROWN FROM A SMALL LOCAL ARTS ORGANIZATION TO THE CITY'S PREEMINENT MUSEUM OF ART. TIME FOR CHANGE: ART AND SOCIAL UNREST IN THE JORGE PREZ COLLECTION NOVEMBER 3, 2022, THROUGH AUGUST 27, 2023 TIME FOR CHANGE: ART AND SOCIAL UNREST IN THE JORGE M. PREZ COLLECTION USES CONTEMPORARY ART TO EXPLORE CONFLICTS AND CONTRADICTIONS OF CONTEMPORARY SOCIETY, AS WELL AS ANALYZE HISTORICAL EVENTS AND REFRAME THEM WITHIN THE PRESENT. AN INTEREST IN THE MARGINALIZED, THE MARGINAL, AND THE MARGINS (OF SOCIETY, OF HISTORY) IS WHAT BRINGS TOGETHER THE WORKS IN THE EXHIBITION. TIME FOR CHANGE WAS FIRST PRESENTED AS THE INAUGURAL EXHIBITION IN DECEMBER 2020 AT EL ESPACIO 23, A CONTEMPORARY ART SPACE FOUNDED BY COLLECTOR AND PHILANTHROPIST JORGE M. PREZ. FEATURING ARTISTS FROM ACROSS THE GLOBE, THE EXHIBITION HIGHLIGHTS WORKS THAT ADDRESS UNREST THROUGH ALLEGORY, METAPHOR, OR VEILED ALLUSION. TIME FOR CHANGE: ART AND SOCIAL UNREST IN THE JORGE M. PREZ COLLECTION IS ORGANIZED BY EL ESPACIO 23. JACOB HASHIMOTO: THIS PARTICLE OF DUST NOVEMBER 21, 2022, THROUGH JANUARY 2025 THE TAMPA MUSEUM OF ART'S ATRIUM IS TRANSFORMED BY JACOB HASHIMOTO'S SITE-SPECIFIC INSTALLATION THIS PARTICLE OF DUST. CREATED FROM OVER 2,500 HANDMADE KITES, THIS PARTICLE OF DUST IS A SITE-SPECIFIC INSTALLATION AND UNIQUE TO THE TAMPA MUSEUM OF ART'S ARCHITECTURE. THE INSTALLATION REPRESENTS JACOB HASHIMOTO'S EXPLORATION OF ABSTRACT LANDSCAPE AND HIS INTEREST IN BLURRING THE BOUNDARIES BETWEEN PAINTING AND SCULPTURE. THIS PARTICLE OF DUST EVOKES THE EXPERIENCE OF OBSERVING THE NIGHT SKY THROUGH VARIOUS CLOUD CLUSTERS. THOUSANDS OF TRANSPARENT AND OPAQUE WHITE DISCS HANG SUSPENDED FROM A BESPOKE ARMATURE. NAVY BLUE KITES, IMPRINTED WITH WHITE AND CERULEAN BLUE STAR PATTERNS, HANG AMIDST THE CLOUD SHAPES, AND CATCH THE LIGHT AS THE SUN RISES OVER THE MUSEUM AND DIPS INTO THE HORIZON OVER THE HILLSBOROUGH RIVER. DEPENDING ON ONE'S VANTAGE POINT, EITHER FROM THE LOBBY, STAIRWELL, OR GALLERIES, THE EXPERIENCE OF THIS PARTICLE OF DUST SHIFTS-FROM BELOW THE CLOUDSCAPE APPEARS TO DRIFT INTO THE SKY WHILE AT EYE LEVEL THE VIEWER LOOKS DIRECTLY INTO THE STARS. HASHIMOTO BEGAN MAKING KITE SCULPTURES TWENTY YEARS AGO WHILE AN ART STUDENT IN CHICAGO. INSPIRED BY TRADITIONAL CHINESE KITE MAKING IN THE CITY OF WEIFANG, WHERE THE ART FORM OF SCULPTURAL DRAGON KITES ORIGINATED, HASHIMOTO HAS MADE HUNDREDS OF THOUSANDS OF KITES FROM JAPANESE PAPER AND RESIN. HE APPRECIATES KITES AS A UNIVERSAL OBJECT OF JOY THAT IS RECOGNIZED ACROSS THE GLOBE. TRANSFORMED INTO MONUMENTAL ARTWORKS, HASHIMOTO'S KITES CONVEY HAPPINESS, WONDER, AND SERENITY. |
| FORM 990, PART III, LINE 4A, CONTINUED: | THE MUSEUM WAS PROUD TO HAVE PRESENTED A WIDE RANGE OF EDUCATION OPPORTUNITIES TO THE PUBLIC. WITH A STRONG EMPHASIS ON EDUCATING THE PUBLIC ABOUT MODERN, CONTEMPORARY, AND ANCIENT ART, 2022 PROGRAMS AT THE MUSEUM INCLUDED ONE ONGOING EXHIBITION DEDICATED TO ANCIENT GREEK AND ROMAN ART AND EIGHT OTHER CURATED EXHIBITIONS INFORMING THE CONTENT OF A DOZEN MONTHLY EDUCATION PROGRAM OFFERINGS. TO ENHANCE THE VOICE OF THE STAFF, 25% OF THE EXHIBITIONS WERE LEASED FROM AND CURATED BY NATIONALLY RECOGNIZED INSTITUTIONS AND THEIR STAFF, PROFESSIONAL TEACHING ARTISTS WERE EMPLOYED TO INSTRUCT STUDIO ART CLASSES, AND GUEST SCHOLARS, ARTISTS, AND COLLECTORS WERE ENGAGED TO SHARE SPECIALIZED INSTRUCTION AND INFORMATION IN FORMAL AND INFORMAL PUBLIC PRESENTATIONS. IN CARRYING OUT OUR MISSION, REACHING OUR OBJECTIVES, AND PROVIDING ACTIVITIES TO THE COMMUNITY, THE MUSEUM PARTNERS WITH ARTS AGENCIES AND COMMUNITY NON-PROFIT ORGANIZATIONS. IN 2022, THE MUSEUM ENJOYED PARTNERSHIPS WITH THE TAMPA BAY FOUNDATION FOR MENTAL HEALTH AND THE UNIVERSITY OF SOUTH FLORIDA HONORS COLLEGE FOR CONNECTIONS, A FREE MENTAL HEALTHCARE COMMUNITY ART ENGAGEMENT PROGRAM. IN ADDITION, CONNECTIONS AS A CREDITED CAPSTONE COURSE IN THE HONORS COLLEGE OF USF, 2022 RESUMED WITH THE TRAINING OF 40 STUDENT FACILITATORS TO DELIVER GALLERY PROGRAMS TO COMMUNITY PARTICIPANTS, AND USF INVESTED IN A HALF-TIME TWENTY-HOUR A-WEEK INTERN TO WORK AT THE MUSEUM TO ADMINISTER THE CONNECTIONS PROGRAM. INTERNSHIPS WERE ALSO ONGOING AS A RESULT OF A RELATIONSHIP WITH THE UNIVERSITY OF TAMPA (UT). IN 2022, THE UNIVERSITY OF TAMPA CONTINUED TO GENEROUSLY FUND A HALF-TIME SOCIAL MEDIA INTERNSHIP FOR A STUDENT TO WORK IN THE MUSEUM'S MARKETING AND COMMUNICATIONS DIVISION. IN ADDITION, ART THERAPY STUDENTS AT UT ASSISTED THE MUSEUM IN PROVIDING ART SPACE, AN ART EDUCATION OUTREACH PROGRAM FOR THOSE ECONOMICALLY IF NOT ENVIRONMENTALLY DISADVANTAGED, WE WORKED WITH THE SPRING, WHICH PROVIDES SUPPORT FOR VICTIMS OF DOMESTIC VIOLENCE; REDEFINING REFUGE, WHICH PROVIDES SUPPORT FOR VICTIMS OF HUMAN TRAFFICKING; AND PORTICO, A BRANCH OF THE HYDE PARK METHODIST CHURCH PROVIDING SERVICES TO THE HOMELESS IN DOWNTOWN TAMPA. THE MUSEUM ALSO CONTINUED THEIR PARTNERSHIP WITH THE LIGHTNING FOUNDATION AND THE VINIK FAMILY FOUNDATION IN OUR YOUTH COUNCIL AND THE COMMUNITY HEROES PROGRAM, WHICH PROVIDED TEENAGERS WITH WORK EXPERIENCE IN TEACHING OTHER TEENS HOW TO DEVELOP, MANAGE, AND MARKET MUSEUM PROGRAMS FOR TEENAGERS. THE STUDIO ART PROGRAM AT THE MUSEUM IN 2022 QUADRUPLED ITS OFFERINGS ON SITE WITH THE OPENING OF THE VINIK EDUCATION CENTER, MOVING FROM 112 REGISTRANTS FOR SUMMER CAMPS AND CLASSES TO OVER 400 WITH A WAITING LIST AND WATCHING OUR STUDENTS' TAKING CLASSES AND VISITING THE GALLERIES ON TOUR INCREASE FROM 6,000 TO 10,000 VISITORS. WE ALSO CONTINUED OUR PARTNERSHIP WITH THE CITY OF TAMPA AND HILLSBOROUGH COUNTY AND THE JEWISH COMMUNITY CENTER TO OFFER OFFSITE CLASSES AT THE JCC FOR YOUTH AND ADULTS. IN 2022 THE OFF-SITE STUDIO ART PROGRAMS CONTINUED WITH WINTHROP ARTS FACTORY IN RIVERVIEW, FIREHOUSE CULTURAL CENTER IN RUSKIN, AND COUNTY RECREATION CENTERS IN THONOTOSASSA, WEST CHASE, AND KEYSTONE. THESE WERE BUT A FEW OF THE ANNUAL PARTNERSHIPS IN PLACE AT THE OPENING OF 2022. TEACHER PREVIEWS WERE HELD IN THE SPRING AND THE FALL OF 2022 AND TEACHERS FROM ALL OVER THE COUNTY WERE INVITED INTO THE MUSEUM FOR FREE, TO SEE HOW THE ART CAN BE INCORPORATED INTO THEIR CLASSROOM EXPERIENCE; THESE PROGRAMS WERE DESIGNED TO BE CROSS-CURRICULAR LINKED TO FLORIDA STANDARDS. A MUSEUM FUNDED RESOURCE, ART LINE OFFERED FREE BUS TRIPS TO AND FROM THE TAMPA MUSEUM OF ART FOR K-12 SCHOOL GROUPS PARTICIPATING IN OUR FREE SCHOOL TOURS PROGRAM, EACH SUBSIDIZED AND SPONSORED BY INDIVIDUALS AND CORPORATIONS. WE FELT FORTUNATE WE WERE ABLE TO USE THOSE FUNDS AND CARRY FORWARD SOME OF THOSE SCHOLARSHIPS TO 2022. THE MUSEUM OFFERED EVENING LECTURES VIRTUAL AND IN-PERSON DISCUSSIONS RELATED TO EXHIBITIONS ON DISPLAY AND THE MUSEUM HOSTED INFORMAL LECTURE PROGRAMS ON SUNDAYS, WHICH HIGHLIGHTED CURRENT EXHIBITIONS AND ARTISTS. ART ON THE HOUSE CONTINUED TO BE HELD EVERY THURSDAY WHEN THE MUSEUM OFFERED PAY-AS-YOU-WILL ADMISSION TO ALL VISITORS FROM 4 TO 8 P.M. ON THE LAST FRIDAY OF EACH MONTH, THE MUSEUM ALSO PARTICIPATED IN DOWNTOWN TAMPA'S "FOURTH FRIDAY" PROGRAM, IN WHICH VISITORS ATTENDED DOWNTOWN ARTS AND CULTURAL VENUES THAT EXTENDED THEIR HOURS AND OFFER FREE OR SPECIAL ADMISSIONS. FOUR FAMILY FREE DAYS WERE HELD AS A RESULT OF FUNDING PROVIDED BY THE HILLSBOROUGH COUNTY CHILDREN'S BOARD AND FAMILY ACTIVITIES AND DOCENT-LED TOURS, LIVE ENTERTAINMENT, AND PAY-AS-YOU-WILL ADMISSION (BY INDIVIDUAL DONATION OR FREE) WERE OFFERED TO FAMILIES FOR THEM TO ENJOY A MEANINGFUL ART EXPERIENCE TOGETHER. ART SPACE, FOR OVER FOURTEEN YEARS, IS A PARTNERSHIP PROGRAM WITH COMMUNITY ORGANIZATIONS TO PROVIDE QUALITY ENGAGEMENT WITH THE VISUAL ARTS TO ECONOMICALLY AND ENVIRONMENTALLY DISADVANTAGED POPULATIONS. THAT PROGRAM RESUMED IN 2022 WITH OUR UNIVERSITY OF TAMPA ART THERAPY FACULTY PARTNERS. FINALLY, WITH CONNECTIONS, THE MUSEUM WELCOMED THOSE STRUGGLING WITH MENTAL HEALTH ISSUES SUCH AS ANXIETY, DEPRESSION, ALZHEIMER'S, AND DEMENTIA TO VISIT THE MUSEUM WITH THEIR FAMILY FOR FREE DURING DESIGNATED DATES AND TIMES THROUGHOUT THE YEAR. IN THOSE PROGRAMS, PARTICIPANTS PARTOOK IN SPECIALIZED GALLERY TOURS AND ENGAGED IN CONVERSATIONS ABOUT ART FACILITATED BY MUSEUM STAFF TRAINED STUDENT-DOCENTS FROM THE UNIVERSITY OF SOUTH FLORIDA'S HONORS COLLEGE. ALL SESSIONS HELD IN 2022 FEATURED DISCUSSIONS IN THE GALLERY DEVELOPED FROM EXHIBITION CONTENT. SOME VIRTUAL PROGRAMS CONTINUED EARLY IN 2022, INCLUDING MUSEUMS FROM HOME WHICH WAS CREATED TO BETTER LINK THE COMMUNITY AT HOME WITH OUR PROGRAMS BUT ARE PRIMARILY NOW FOUND ON OUR YOUTUBE CHANNEL RATHER THAN SCHEDULED DAYS AND TIMES TO PARTICIPATE. STUDIO ART PROGRAMS FOR TEENAGERS AND ADULTS WERE REINTRODUCED IN PERSON, ALTHOUGH SOME CONTINUED IN A WEBINAR-LIKE FASHION FROM THE MUSEUM AND ON ITS YOUTUBE CHANNEL. A PLEIN AIR PAINTING CLASS SCHEDULED MONTHLY AT REGIONAL PARKS IN 2020 DUE TO THE PANDEMIC HAS NOW CONTINUED WELL INTO 2022 AS A FORMAL PROGRAM OFFERED YEAR-ROUND. FINALLY, ALL LECTURES AT THE MUSEUM RESUMED IN PERSON, AND THOSE OFFERED IN HYBRID OR VIRTUAL DUE TO THE PANDEMIC DIMINISHED WITH THE COMMUNITY WISHING TO ATTEND THOSE PROGRAMS IN PERSON. IN ALL, THE MUSEUM HELD 10 IN-PERSON LECTURES WITH GUEST SPEAKERS FROM ACROSS THE REGION AND COUNTRY. |
| FORM 990, PART VI, SECTION B, LINE 11B | THE FINANCE COMMITTEE OF THE BOARD OF TRUSTEES APPROVES THE FORM 990 BEFORE IT IS FILED. |
| FORM 990, PART VI, SECTION B, LINE 12C | ANNUALLY, THE MUSEUM SENDS THE CONFLICT OF INTEREST POLICY TO EACH BOARD MEMBER, WITH THE REQUIREMENT THAT IT MUST BE SIGNED AND RETURNED TO THE ORGANIZATION WITHIN 30 DAYS OF THE BOARD MEMBER'S RECEIPT OF POLICY. SERVICE ON THE BOARD IS CONTINGENT UPON THE COMPLETION OF THE FORM. |
| FORM 990, PART VI, SECTION B, LINE 15 | THE EXECUTIVE COMMITTEE OF THE BOARD OF TRUSTEES ANNUALLY EVALUATES THE PERFORMANCE OF THE EXECUTIVE DIRECTOR IN PERSON AND PROVIDES THEM WITH FEEDBACK FROM THE EXECUTIVE COMMITTEE AND THE ENTIRE BOARD OF TRUSTEES RECEIVED DURING THE COURSE OF THE YEAR. COMPENSATION IS DETERMINED BY THE EXECUTIVE COMMITTEE AND IS BASED ON PERFORMANCE AND AN ANALYSIS OF COMPENSATION PAID FOR SIMILAR POSITIONS IN SIMILAR ORGANIZATIONS AS DETERMINED BY THE EXECUTIVE COMMITTEE. |
| FORM 990, PART VI, SECTION C, LINE 18 | THE MUSEUM MAKES ITS FORM 990 AVAILABLE TO THE PUBLIC UPON REQUEST AND ON THEIR WEBSITE. |
| FORM 990, PART VI, SECTION C, LINE 19 | THE MUSEUM ALLOWS THE PUBLIC TO VIEW ITS FORM 990 AND FINANCIAL STATEMENTS ON THEIR WEBSITE. |
| FORM 990, PART XII, 2C, FINANCIAL STATEMENTS AND REPORTING: | THE PROCESS FOR OVERSIGHT OF THE AUDIT AND SELECTION OF AN INDEPENDENT ACCOUNTANT HAS NOT CHANGED FROM THE PRIOR YEAR. |
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