Attach to Form 990 or Form 990-EZ.
Go to
www.irs.gov/Form990 for instructions and the latest information.
| (i) Name of supported organization | (ii) EIN | (iii) Type of organization (described on lines 1- 10 above (see instructions)) | (iv) Is the organization listed in your governing document? | (v) Amount of monetary support (see instructions) | (vi) Amount of other support (see instructions) | |
|---|---|---|---|---|---|---|
| Yes | No | |||||
|
Total |
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Calendar year
(or fiscal year beginning in)
![]() |
(a) 2017 | (b) 2018 | (c) 2019 | (d) 2020 | (e) 2021 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 1 | Gifts, grants, contributions, and membership fees received. (Do not include any "unusual grant.") .. | 8,428,127 | 10,510,398 | 4,605,016 | 7,752,873 | 7,868,220 | 39,164,634 |
| 2 | Tax revenues levied for the organization's benefit and either paid to or expended on its behalf.... | 0 | |||||
| 3 | The value of services or facilities furnished by a governmental unit to the organization without charge.. | 0 | |||||
| 4 | Total. Add lines 1 through 3 | 8,428,127 | 10,510,398 | 4,605,016 | 7,752,873 | 7,868,220 | 39,164,634 |
| 5 | The portion of total contributions by each person (other than a governmental unit or publicly supported organization) included on line 1 that exceeds 2% of the amount shown on line 11, column (f) .. | 7,044,149 | |||||
| 6 | Public support. Subtract line 5 from line 4. | 32,120,485 | |||||
Calendar year
(or fiscal year beginning in)
![]() |
(a) 2017 | (b) 2018 | (c) 2019 | (d) 2020 | (e) 2021 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 7 | Amounts from line 4.. | 8,428,127 | 10,510,398 | 4,605,016 | 7,752,873 | 7,868,220 | 39,164,634 |
| 8 | Gross income from interest, dividends, payments received on securities loans, rents, royalties and income from similar sources... | 10,230 | 13,104 | 14,497 | 10,515 | 5,008 | 53,354 |
| 9 | Net income from unrelated business activities, whether or not the business is regularly carried on.. | ||||||
| 10 | Other income. Do not include gain or loss from the sale of capital assets (Explain in Part VI.).. | 131,090 | 131,090 | ||||
| 11 | Total support. Add lines 7 through 10 | 42,569,166 | |||||
Calendar year (or fiscal year beginning in) ![]() |
(a) 2017 | (b) 2018 | (c) 2019 | (d) 2020 | (e) 2021 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 1 | Gifts, grants, contributions, and membership fees received. (Do not include any "unusual grants.") . | ||||||
| 2 | Gross receipts from admissions, merchandise sold or services performed, or facilities furnished in any activity that is related to the organization's tax-exempt purpose | ||||||
| 3 | Gross receipts from activities that are not an unrelated trade or business under section 513 ..... | ||||||
| 4 | Tax revenues levied for the organization's benefit and either paid to or expended on its behalf... | ||||||
| 5 | The value of services or facilities furnished by a governmental unit to the organization without charge | ||||||
| 6 | Total. Add lines 1 through 5 | ||||||
| 7a | Amounts included on lines 1, 2, and 3 received from disqualified persons | ||||||
| b | Amounts included on lines 2 and 3 received from other than disqualified persons that exceed the greater of $5,000 or 1% of the amount on line 13 for the year. | ||||||
| c | Add lines 7a and 7b.. | ||||||
| 8 | Public support. (Subtract line 7c from line 6.) | ||||||
Calendar year (or fiscal year beginning in) ![]() |
(a) 2017 | (b) 2018 | (c) 2019 | (d) 2020 | (e) 2021 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 9 | Amounts from line 6... | ||||||
| 10a | Gross income from interest, dividends, payments received on securities loans, rents, royalties and income from similar sources.. | ||||||
| b | Unrelated business taxable income (less section 511 taxes) from businesses acquired after June 30, 1975. | ||||||
| c | Add lines 10a and 10b. | ||||||
| 11 | Net income from unrelated business activities not included on line 10b, whether or not the business is regularly carried on. | ||||||
| 12 | Other income. Do not include gain or loss from the sale of capital assets (Explain in Part VI.) .. | ||||||
| 13 | Total support. (Add lines 9, 10c, 11, and 12.).. | ||||||
| Section A - Adjusted Net Income | (A) Prior Year |
(B) Current Year (optional) |
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| 1 | Net short-term capital gain | 1 | ||||
| 2 | Recoveries of prior-year distributions | 2 | ||||
| 3 | Other gross income (see instructions) | 3 | ||||
| 4 | Add lines 1 through 3 | 4 | ||||
| 5 | Depreciation and depletion | 5 | ||||
| 6 | Portion of operating expenses paid or incurred for production or collection of gross income or for management, conservation, or maintenance of property held for production of income (see instructions) | 6 | ||||
| 7 | Other expenses (see instructions) | 7 | ||||
| 8 | Adjusted Net Income (subtract lines 5, 6 and 7 from line 4) | 8 | ||||
| Section B - Minimum Asset Amount | (A) Prior Year |
(B) Current Year (optional) |
||||
| 1 | Aggregate fair market value of all non-exempt-use assets (see instructions for short tax year or assets held for part of year): | 1 | ||||
| a | Average monthly value of securities | 1a | ||||
| b | Average monthly cash balances | 1b | ||||
| c | Fair market value of other non-exempt-use assets | 1c | ||||
| d | Total (add lines 1a, 1b, and 1c) | 1d | ||||
| e |
Discount claimed for blockage or other factors (explain in detail in Part VI): |
|||||
| 2 | Acquisition indebtedness applicable to non-exempt use assets | 2 | ||||
| 3 | Subtract line 2 from line 1d | 3 | ||||
| 4 | Cash deemed held for exempt use. Enter 0.015 of line 3 (for greater amount, see instructions). | 4 | ||||
| 5 | Net value of non-exempt-use assets (subtract line 4 from line 3) | 5 | ||||
| 6 | Multiply line 5 by 0.035 | 6 | ||||
| 7 | Recoveries of prior-year distributions | 7 | ||||
| 8 | Minimum Asset Amount (add line 7 to line 6) | 8 | ||||
| Section C - Distributable Amount | Current Year | |||||
| 1 | Adjusted net income for prior year (from Section A, line 8, Column A) | 1 | ||||
| 2 | Enter 85% of line 1 | 2 | ||||
| 3 | Minimum asset amount for prior year (from Section B, line 8, Column A) | 3 | ||||
| 4 | Enter greater of line 2 or line 3 | 4 | ||||
| 5 | Income tax imposed in prior year | 5 | ||||
| 6 | Distributable Amount. Subtract line 5 from line 4, unless subject to emergency temporary reduction (see instructions) | 6 | ||||
| Section D - Distributions | Current Year | |
|---|---|---|
| 1 Amounts paid to supported organizations to accomplish exempt purposes | 1 | |
|
2
Amounts paid to perform activity that directly furthers exempt purposes of supported organizations, in excess of income from activity |
2 | |
| 3 Administrative expenses paid to accomplish exempt purposes of supported organizations | 3 | |
| 4 Amounts paid to acquire exempt-use assets | 4 | |
| 5 Qualified set-aside amounts (prior IRS approval required - provide details in Part VI) | 5 | |
| 6 Other distributions (describe in Part VI). See instructions | 6 | |
| 7Total annual distributions. Add lines 1 through 6. | 7 | |
|
8
Distributions to attentive supported organizations to which the organization is responsive (provide details in Part VI). See instructions |
8 | |
| 9 Distributable amount for 2021 from Section C, line 6 | 9 | |
| 10 Line 8 amount divided by Line 9 amount | 10 | |
| Section E - Distribution Allocations (see instructions) |
(i) Excess Distributions |
(ii) Underdistributions Pre-2021 |
(iii) Distributable Amount for 2021 |
|
|---|---|---|---|---|
| 1 Distributable amount for 2021 from Section C, line 6 | ||||
|
2
Underdistributions, if any, for years prior to 2021 (reasonable cause required-- explain in Part VI). See instructions. |
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| 3 Excess distributions carryover, if any, to 2021: | ||||
| a From 2016....... | ||||
| b From 2017....... | ||||
| c From 2018....... | ||||
| d From 2019....... | ||||
| e From 2020....... | ||||
| fTotal of lines 3a through e | ||||
| g Applied to underdistributions of prior years | ||||
| h Applied to 2021 distributable amount | ||||
|
i
Carryover from 2016 not applied (see instructions) |
||||
| j Remainder. Subtract lines 3g, 3h, and 3i from line 3f. | ||||
| 4Distributions for 2021 from Section D, line 7: | ||||
| $ | ||||
| a Applied to underdistributions of prior years | ||||
| b Applied to 2021 distributable amount | ||||
| c Remainder. Subtract lines 4a and 4b from line 4. | ||||
|
5
Remaining underdistributions for years prior to 2021, if any. Subtract lines 3g and 4a from line 2. If the amount is greater than zero, explain in Part VI. See instructions. |
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|
6
Remaining underdistributions for 2021. Subtract lines 3h and 4b from line 1. If the amount is greater than zero, explain in Part VI. See instructions. |
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|
7 Excess distributions carryover to 2022. Add lines 3j and 4c. |
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| 8 Breakdown of line 7: | ||||
| a Excess from 2017..... | ||||
| b Excess from 2018..... | ||||
| c Excess from 2019..... | ||||
| d Excess from 2020..... | ||||
| e Excess from 2021..... | ||||
| Facts And Circumstances Test |
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| Return Reference | Explanation |
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| Software ID: | |
| Software Version: |
Attach to Form 990 or 990-EZ.
Go to www.irs.gov/Form990 for the latest information.
| Return Reference | Explanation |
|---|---|
| FORM 990, PART I, LINE 1, DESCRIPTION OF ORGANIZATION MISSION: | IDEAS THROUGHOUT THE MIAMI REGION AND INTERNATIONALLY. THROUGH AN ENERGETIC CALENDAR OF EXHIBITIONS AND PROGRAMS, AND ITS COLLECTIONS, ICA MIAMI PROVIDES AN INTERNATIONAL PLATFORM FOR THE WORK OF ESTABLISHED AND EMERGING ARTISTS AND ADVANCES THE PUBLIC APPRECIATION AND UNDERSTANDING OF THE MOST INNOVATIVE AND EXPERIMENTAL ART OF OUR TIME. |
| FORM 990, PART III, LINE 1, DESCRIPTION OF ORGANIZATION MISSION: | EXHIBITIONS AND PROGRAMS, AND ITS COLLECTIONS, ICA MIAMI PROVIDES AN INTERNATIONAL PLATFORM FOR THE WORK OF ESTABLISHED AND EMERGING ARTISTS AND ADVANCES THE PUBLIC APPRECIATION AND UNDERSTANDING OF THE MOST INNOVATIVE AND EXPERIMENTAL ART OF OUR TIME. |
| FORM 990, PART III, LINE 4A - FIRST ACCOMPLISHMENT | EXHIBITIONS AND COLLECTIONS DURING FISCAL YEAR 2022, ICA MIAMI HOSTED A WIDE RANGE OF EXHIBITIONS FROM DIVERSE INTERNATIONAL ARTISTS. MAJOR EXHIBITIONS DURING FISCAL YEAR 2022 INCLUDED THE FOLLOWING; FROM MAY 12, 2022 TO OCTOBER 16, 2022, ICA MIAMI PRESENTED "FIRE FIGURE FANTASY: SELECTIONS FROM THE ICA COLLECTION," AN EXHIBITION THAT PRESENTED ARTWORKS THAT HAVE ENTERED THE ICA MIAMI COLLECTION OVER THE LAST SIX YEARS. IT INCLUDED PAINTINGS FROM SOME OF THE MOST SIGNIFICANT ARTISTS TO EMERGE DURING THIS PERIOD AROUND THE WORLD, WITH A PARTICULAR EMPHASIS ON THE AFRICAN DIASPORA, LATINX AND ASIAN-AMERICAN ARTISTS. IT ALSO INCLUDED AN IMPORTANT SELECTION OF ARTWORKS BY MIAMI-BASED ARTISTS. FROM NOVEMBER 30TH, 2021 TO APRIL 10, 2022, ICA MIAMI PRESENTED "HUGH HAYDEN: BOOGEY MEN," THE FIRST SOLO MUSEUM EXHIBITION FOR THE AMERICAN ARTIST HUGH HAYDEN, WHOSE INNOVATIVE WORK ACROSS MEDIUMS CREATES ANTHROPOMORPHIC FORMS THAT EXPLORE OUR RELATIONSHIP WITH THE NATURAL WORLD. FORMALLY TRAINED AS AN ARCHITECT, HAYDEN DEPLOYS LABORIOUS CARVING PROCESSES THAT RESULT IN DYNAMIC, SURREAL, AND CRITICAL RESPONSES TO PERSONAL EXPERIENCE AND SOCIAL AND CULTURAL ISSUES. FROM NOVEMBER 30TH, 2021 TO APRIL 10, 2022, ICA MIAMI PRESENTED "JAD FADOJUTIMI: YET, ANOTHER PATHETIC FALLACY," THE FIRST SOLO MUSEUM EXHIBITION FOR BLACK BRITISH ARTIST JAD FADOJUTIMI, WHOSE PAINTINGS UPDATE KEY ART HISTORICAL ELEMENTS OF TWENTIETH CENTURY PAINTINGS-GRIDS, WEBS, TRANSPARENCY AND LAYERING-TO SUGGEST PROCESSES OR ELEMENTS THAT ARE IN EXALTED SEARCH FOR THEIR FINAL FORMS, BLOSSOMING, OR IN MOVEMENT. HER COMPLEX IMAGES, WHICH USE A SURPRISING AND ELECTRIC COLOR PALETTE, CAN SUGGEST PLANTS AND GARLANDS, MICROSCOPIC ACTIVITY, MARINE LANDSCAPES, OR STAINED-GLASS WINDOWS, LINGERING AT THE CUSP OF ABSTRACTION AND FIGURATION, LANDSCAPE AND OBJECT. FROM OCTOBER 28, 2021 TO APRIL 17, 2022, ICA MIAMI PRESENTED "BETYE SAAR: SERIOUS MOONLIGHT," A SURVEY OF RARELY SEEN INSTALLATIONS THAT DATE FROM 1980 TO 1998, GATHERED FOR THE FIRST TIME. SAAR'S WORKS OFFERED A DEEP LOOK AT SPIRITUALITY AND COSMOLOGIES AS THEY RELATE TO AFRICAN AMERICAN EXPERIENCE AND THE AFRICAN DIASPORA. USING CHARGED OBJECTS TO CREATE RICH, NARRATIVE WORLDS, THESE IMMERSIVE WORKS EXPLORE CONCEPTS OF RITUAL AND COMMUNITY THROUGH BOTH CULTURAL SYMBOLS AND AUTOBIOGRAPHICAL REFERENCES. CONCURRENTLY, THE FOLLOWING EXHIBITIONS WERE ON VIEW DURING FISCAL YEAR 2021 IN ICA MIAMI'S SMALLER FIRST FLOOR GALLERIES: FROM APRIL 1, 2022 TO NOVEMBER 6, 2022, ICA MIAMI PRESENTED "CARLOS ALFONZO: LATE PAINTINGS," AN EXHIBITION THAT PRESENTED PAINTINGS THAT THE ARTIST PRODUCED DURING THE LAST YEAR OF HIS LIFE, BEFORE SUCCUMBING TO AIDS. IT WAS THE FIRST TIME THIS BODY OF WORK WAS GATHERED AND PRESENTED IN OVER TWO DECADES. FROM NOVEMBER 30TH, 2021 TO MAY 27, 2022, ICA MIAMI PRESENTED "SHUVANAI ASHOONA: DRAWINGS," THE FIRST SOLO U.S. MUSEUM EXHIBITION FOR THE INDIGENOUS ARTISTS SHUVANAI ASHOONA, WHOSE LARGE AND STRANGE DRAWINGS FOCUS ON THE PEOPLE AROUND HER AND ARCTIC LIFE AS IT HAS SHIFTED FROM LIVING OFF THE LAND TO SETTLED COMMUNITIES, REGISTERING EVERYDAY ACTIVITIES SUCH AS SEAL CLEANING, CLAM DIGGING, CHRISTMAS CELEBRATIONS, AND YOGA CLASSES. OTHER DRAWINGS REPRODUCE THE LANDSCAPE THAT ASHOONA INHABITS AND THE ANIMALS THAT POPULATE IT, INCLUDING WALRUSES, SEALS, AND FISH. THESE CREATURES AND THESE LANDSCAPES, HOWEVER, CAN TURN INTO MENACING, CAVERNOUS SETTINGS AND ENIGMATIC TENTACULAR FORMS, OFTEN GRAFTED TO HUMAN BODIES, THAT POPULATE A STRANGE AND EERIE WORLD. THE DRAWINGS ALSO INCORPORATE IMAGERY FROM POPULAR CULTURE AND HORROR FILMS, BIBLICAL REFERENCES, AND TRADITIONAL INUIT MOTIFS. FROM NOVEMBER 30TH, 2021 TO MAY 1, 2022, ICA MIAMI PRESENTED "HAROLD MENDEZ: AND, PERHAPS, HERE, BETWEEN," SOLO MUSEUM EXHIBITION FOR THE FIRST-GENERATION ARTIST HAROLD MENDEZ OF COLOMBIAN AND MEXICAN DESCENT. WORKING IN PHOTOGRAPHY, SCULPTURE, AND INSTALLATION, MENDEZ'S OBJECTS EXPLORE CULTURAL MEMORY, RITUAL, AND TRANSNATIONAL EXPERIENCES. THE POROUS BORDERS BETWEEN FICTION AND TRUTH, VISIBILITY AND ABSENCE, MATERIAL BLUNTNESS AND POETIC MOODS RUN THROUGH HIS WORK, MAKING A CASE FOR THE ARTICULATION OF COMPLEX NARRATIVES AS THE NECESSARY OUTCOME OF THE CULTURALLY RICH AND DEEPLY STRATIFIED SPACES OF THE AMERICAS. FROM NOVEMBER 30TH, 2021 TO MARCH 27, 2022, ICA MIAMI PRESENTED "WHAT ENDURES: ICA DIGITAL COMMISSIONS," AN EXHIBITION AND SCREENING PROGRAMS THAT PRESENTED IN PHYSICAL SPACE THE DIGITAL COMMISSIONS (FILMS AND VIDEOS) THAT ICA MIAMI COMMISSIONED DURING THE COVID-19 PANDEMIC IN AN EFFORT TO CONTINUE TO HAVE ARTISTS WORK DURING QUARANTINE. AMONG THE WORKS PRESENTED WERE NEW FILMS BY INDIGENOUS ARTISTS HOUSTON CYPRESS AND SKY HOPINKA, AFRICAN AMERICAN ARTISTS SABLE ELYSE SMITH AND FAREN HUMES, AMONG OTHERS. FROM NOVEMBER 30TH, 2021 TO MARCH 27, 2022, ICA MIAMI PRESENTED "ELLEN LESPERANCE: AMAZONKNIGHTS," SHOWCASED A SELECTION OF NEW AND EXISTING PAINTINGS AND TWO NEW SCULPTURES THAT PAY HOMAGE TO FEMINIST ACTIVISM. INSPIRED BY ACTIONS OF PROTEST THAT HAVE SHAPED THE TWENTIETH CENTURY, THE ARTIST PLUMBS HISTORICAL FOOTAGE AND PHOTOGRAPHS, SOURCING IMAGES OF PROTESTERS' HAND-KNITTED GARMENTS AND TRANSLATING THEM INTO PAINTINGS AND SCULPTURES. FROM NOVEMBER 30TH, 2021 TO OCTOBER 16 2022, ICA MIAMI PRESENTED "ANTHEA HAMILTON," A SITE-SPECIFIC COMMISSION FOR ICA MIAMI MAIN STAIRWELL FROM BLACK BRITISH ARTISTS ANTHEA HAMILTON, WHOSE WORK PLAYS WITH SCALE AND PROPORTION IN ORDER TO REFLECT ON THE PLEASURES AND POLITICS OF LOOKING AS THEY CONNECT FOUND IMAGERY AND NARRATIVES. THE FOLLOWING SCULPTURES WERE ON VIEW IN ICA MIAMI'S SCULPTURE GARDEN DURING FISCAL YEAR 2022: UNSPECIFIED PROMISE BY ARTIST DUO ALLORA & CALZADILLA HAS BEEN ON VIEW SINCE DECEMBER 1, 2017. THE SCULPTURE IS A CONTEMPORARY INTERPRETATION OF THE GRANITE MONUMENT THAT REFLECTS ON THE POLITICAL AND TECHNOLOGICAL ISSUES OF OUR TIME. DR. PEPPER BY MARK HANDFORTH HAS BEEN ON VIEW SINCE DECEMBER 1, 2017. THE WORK MARKED A MAJOR PUBLIC COMMISSION FOR THIS LEADING MIAMI-BASED ARTIST. EPICURUS BY CONCEPTUAL ARTIST PEDRO REYES HAS BEEN ON VIEW SINCE MAY 7, 2019. REYES IS AN ARTIST WHO PLAYFULLY INVESTIGATES FORM AND HISTORY, PEDRO REYES HAS RECENTLY CREATED A SERIES OF MONUMENTAL CARVED SCULPTURES IN VOLCANIC ROCK DEDICATED TO CANONIZING GREAT PHILOSOPHERS AND INTELLECTUALS. FROM APRIL 15 - SEPT 19, 2021, SOL LEWITT'S EIGHT UNIT CUBE (NO. 7402) (1976) EXPLORES THE BASIC FORM OF THE SQUARE AND THE MODULAR GRID, SOME OF THE PRIMARY ELEMENTS OF LEWITT'S WORK IN BOTH TWO AND THREE DIMENSIONS. FIRST INSTALLED ON THE GROUNDS OF THE UNITED NATIONS HEADQUARTERS IN NEW YORK CITY IN 1976 AS PART OF THE DAG HAMMARSKJOLD SCULPTURE PLAZA PROGRAM, THE TOWERING SCULPTURE COMPRISES EIGHT SEPARATE CUBIC UNITS THAT COMBINE TO FORM ONE LARGE WHITE CUBE. REPLICANT STONE BY DAMIN ORTEGA, A NEW COMMISSION WAS PRESENTED AS THE INAUGURAL RECIPIENT OF THE EZRATTI FAMILY PRIZE FOR SCULPTURE. ICA MIAMI'S PERMANENT COLLECTION CONTINUED TO ARTICULATE CORNERSTONE MOMENTS IN THE CAREERS OF SOME OF THE MOST SIGNIFICANT ARTISTS OF OUR TIME. FISCAL YEAR 2021 SAW SIGNIFICANT ADDITIONS TO THE COLLECTIONS FROM A DIVERSE AND WIDE-RANGING GROUP OF ARTISTS. |
| FORM 990, PART III, LINE 4B - SECOND ACCOMPLISHMENT | COMMUNICATIONS THROUGH ITS COMMUNICATIONS PROGRAM, ICA MIAMI COMMUNICATES ITS MISSION AND ACTIVITIES TO THE PUBLIC. THE COMMUNICATIONS PROGRAM ALSO INFORMS THE PUBLIC ABOUT CONTEMPORARY ART AND ITS IMPORTANCE IN OUR SOCIETY THROUGH VARIOUS FORMS OF MEDIA. ICA MIAMI HAS A COMPREHENSIVE MARKETING AND OUTREACH STRATEGY TO SUPPORT ENGAGEMENT WITH BOTH TOURISTS AND MIAMI RESIDENTS OF ALL AGES AND SOCIOECONOMIC BACKGROUNDS. THE MUSEUM EMPLOYS THREE FULL TIME STAFF DEDICATED TO MARKETING, COMMUNICATIONS, AND DIGITAL PRODUCTION AND WORKS WITH TWO PUBLIC RELATIONS FIRMS - THE PROMINENT INTERNATIONAL AGENCY RESNICOW AND ASSOCIATES AS WELL AS A LOCAL FIRM - TO ENSURE SIGNIFICANT AUDIENCE REACH AND PRESS ATTENTION ON THE LOCAL, NATIONAL, AND INTERNATIONAL LEVELS. KEY MARKETING AND PROMOTION STRATEGIES INCLUDE: 1. STRATEGICALLY PUBLISHING ANNUAL FULL-PAGE PRINT ADS IN PROMINENT INTERNATIONAL ART PUBLICATIONS SUCH AS ART IN AMERICA (READERSHIP: 180,000), ARTFORUM (343,000), AS WELL AS BOUTIQUE PUBLICATIONS SUCH AS CULTURED (45,000), AMONG OTHERS. 2. IMPLEMENTING A SERIES OF PROGRAMMATIC DIGITAL CAMPAIGNS WITH PROMINENT LOCAL DAILY PUBLICATIONS: MIAMI HERALD, MIAMI NEW TIMES, AND TIME OUT MIAMI. 3. THOROUGHLY RESEARCHED CPA/PPC SEARCH AND RESPONSIVE DISPLAY ADVERTISING CAMPAIGNS VIA GOOGLE ADWORDS. 4. VIDEO ADVERTISING-LONGFORM (90 SEC.), SHORT (15 SEC.), AND BUMPER (3-6 SEC.)-THAT BROADCASTS THE MUSEUM'S DIGITAL OUTPUT AND MISSION TO PROVIDE FREE AND OPEN ACCESS TO CONTEMPORARY ART TO A GLOBAL ARTS COMMUNITY. 5. POSTING INFORMATION ON ICA'S SOCIAL MEDIA PLATFORMS-FACEBOOK (47K FOLLOWERS), INSTAGRAM (52K FOLLOWERS), AND TWITTER (16.6K FOLLOWERS)-AND USING THESE PLATFORMS' PROGRAMMATIC ADVERTISING ENGINES TO ENGAGE TARGETED ONLINE AUDIENCES EXCEEDING 500,000, INCLUDING YOUTH AND FOREIGN VISITORS, AMONG OTHERS. 6. ORIGINAL VIDEO CONTENT DISTRIBUTED ACROSS ICA MIAMI'S MULTIPLE DIGITAL CHANNELS, INCLUDING ICA MIAMI'S DEDICATED VIDEO CHANNEL ON WWW.ICAMIAMI.ORG, YOUTUBE, AND ACROSS THE MUSEUM'S SOCIAL MEDIA PLATFORMS. 7. IMPROVING ICA MIAMI'S LOCAL SEO (SEARCH ENGINE OPTIMIZATION) VISIBILITY TO ENSURE INTERNET SEARCH QUERIES PRODUCE USEFUL INFORMATION PERTAINING TO THE MUSEUM AND ITS PUBLIC PROGRAMS. 8. IMPROVING ICA MIAMI'S WEB INFRASTRUCTURE TO BETTER UNDERSTAND AUDIENCES' PATHWAYS TO CONVERSATION (I.E., TICKET RESERVATIONS, MEMBERSHIP SALES, ENGAGEMENT ON VARIOUS LANDING PAGES, ETC.). 9. SENDING EMAIL INVITATIONS TO APPROXIMATELY 40,000 PEOPLE FOR THE EXHIBITION, RELATED PROGRAMS AND EVENTS. 10. INCLUDING INFORMATION ABOUT EXHIBITIONS AND PROGRAMS ON ICA MIAMI'S WEBSITE (MORE THAN 17,000 GLOBAL SESSIONS MONTHLY). 11. LISTING EVENT INFORMATION ON VARIOUS SOCIAL AND ONLINE EVENT AGGREGATORS, SUCH AS SOCIALMIAMI.COM, TROPICULT.COM, CULTUREOWL.COM, MIAMI.COM, MIAMINEWTIMES.COM, THENEWTROPIC.COM, EVENTBRITE.COM, AND OTHERS. 12. MAILING AND EMAILING PRESS RELEASES TO NATIONAL AND INTERNATIONAL MEDIA, INCLUDING MAJOR ART TRADE PUBLICATIONS. 13. HOSTING EXHIBITION OPENINGS FEATURING VARIOUS ACTIVATED SPONSORS, FEATURING LIVE PERFORMANCES FROM CUTTING-EDGE ARTISTS IN A FULLY INTERACTIVE SOCIAL ATMOSPHERE. 14. MAILING EXHIBITION RELATED MATERIALS TO OVER 900 ICA MIAMI MEMBERS. 15. FORMING MEDIA PARTNERSHIPS WITH PUBLICATIONS SUCH AS CULTURED MAGAZINE, WHICH INCLUDE FULL PAGE ADS IN THE MAGAZINE, SIGNIFICANT ONLINE EDITORIAL HIGHLIGHTING THE EXHIBITION, AND SPOTLIGHT EDITORIAL IN THE SPRING PRINT ISSUE. 16. CROSS-PROMOTIONAL OUTREACH WITH CITY AND COMMUNITY ORGANIZATIONS IN MIAMI SUCH AS GREATER MIAMI CONVENTION CENTER AND VISITORS BUREAU, FLORIDA INTERNATIONAL UNIVERSITY, AND PRISM CREATIVE, AMONG OTHERS. |
| FORM 990, PART III, LINE 4C - THIRD ACCOMPLISHMENT | PUBLIC PROGRAMS DURING FISCAL YEAR 2022, ICA MIAMI GENERATED A ROBUST PROGRAM OF PUBLIC PRESENTATIONS, LECTURES, SEMINARS, ARTISTS' TALKS, EVENTS, AND PODCASTS. BUILDING ON THE STRUCTURE THAT DIVIDES THE INSTITUTION'S PUBLIC PROGRAMS INTO FOCUSED COMPONENTS, PROGRAMS AND EVENTS WERE DEVELOPED UNDER THE FOLLOWING RUBRICS: KNIGHT FOUNDATION ART + RESEARCH CENTER, ICA IDEAS, ICA PERFORMS, AND ICA SPEAKS. THROUGH THE KNIGHT FOUNDATION ART + RESEARCH CENTER, THE MUSEUM OFFERS FREE COLLEGE-LEVEL SEMINAR CLASSES, OPEN TO YOUNG ADULTS AND LIFELONG LEARNERS, COVERING A WIDE RANGE OF THEMES FROM CONTEMPORARY ART AND RECENT ART HISTORY. IT ALSO HOSTS A NUMBER OF FREE, PUBLIC LECTURES 10 IN TOTAL DURING FISCAL YEAR 2022. DURING FISCAL YEAR 2022, ART + RESEARCH CENTER ALSO HOSTED INTENSIVE 4 WEEK-LONG SEMINARS IN FALL SEMESTER AND 2 WEEK-LONG SEMINARS IN SPRING SEMESTER, ALL OF WHICH FOCUSED ON THE OCEAN AS A SOURCE OF HISTORY AND KNOWLEDGE. LEADING PROFESSORS, THEORISTS AND ARTISTS EDWIDGE TAMALET TALBAYEV, ELIZABETH DELOUGHREY, CANDACE FUJIKANE, AYESHA HAMMED, S.A. SMYTHE, NICHOLAS R. JONES, AND CHRISTOPHER COZIER ADDRESSED HOW THE PRODUCTION OF CONTEMPORARY ART CAN CONTEND WITH SEA-BORNE NARRATIVES AND ARCHIVES. ICA MIAMI ALSO CONVENED ITS ANNUAL SUMMER INTENSIVE, WHICH HOSTED FOUR SEMINARS THAT LOOKED AT DIFFERENT ANCESTRAL AND INDIGENOUS PRACTICES IN RELATION TO CONTEMPORARY CULTURAL PRODUCTION. VISITING FACULTY INCLUDED MICHAEL TAUSSIG, STEPHANIA PANDOLFO, EDGAR GARCIA, AND RAVEN CHACON. FOR ITS PRESTIGIOUS ANNUAL "KEYNOTE LECTURE," ART + RESEARCH CENTER INVITED POET AND PLAYWRIGHT CLAUDIA RANKINE TO SPEAK. THE ART + RESEARCH CENTER LAUNCHED ITS PODCAST DURING FISCAL YEAR 2022. IT PRODUCED EIGHT EPISODES, IN WHICH A NUMBER OF SCHOLARS AND ARTISTS PARTICIPATED, INCLUDING ARCHEOLOGISTS ALANA FLEWELLEN AND JUSTIN DUNNAVANT, SCHOLARS KATHERINE MCKITTICK AND DEFORREST BROWN, JR., NOVELIST EDWIDGE DANTICAT, INDIGENOUS ACTIVIST DINA GILIO-WHITAKER, AND ARTIST ADBUL QADDIM HAQQ. ICA SPEAKS IS DEDICATED TO DEVELOPING NEW KNOWLEDGE AROUND THE ARTWORKS THAT ARE PART OF ICA MIAMI'S PERMANENT COLLECTION. FOR THIS PROGRAM, WE INVITED DIFFERENT ARTISTS THROUGHOUT THE YEAR, INCLUDING ISAAC JULIEN, LYLE ASHTON HARRIS, LOUIS FRATINO, STEPHANIE HEINZE, ELLEN LESPERANCE, LIZ DESCHENES, AND PAUL MPAGI SEPUYA. ICA PERFORMS FOSTERS THE DEVELOPMENT OF NEW PERFORMANCE WORKS BY ENCOURAGING LEADING PERFORMANCE ARTISTS TO PRESENT NEW AND RECENT WORKS AT THE MUSEUM. IN JANUARY 2022, THE ADAM WEINERT DANCERS COMPANY PERFORMED A NEWLY COMMISSIONED WORK DANCE OF THE AGES AT ICA MIAMI. |
| FORM 990, PART III, LINE 4D, OTHER PROGRAM SERVICES: | EDUCATION AND OUTREACH ICA MIAMI'S YOUNG ARTISTS INITIATIVE IS AN APPLICATION-BASED ARTS PROGRAM DESIGNED FOR YOUNG ARTISTS (10TH-12TH GRADE) WHO ARE ENCOURAGED TO LOOK CRITICALLY AT CONTEMPORARY ART PRACTICES, WORK DIRECTLY WITH LEADING ARTISTS, AND FURTHER DEVELOP THEIR OWN PORTFOLIOS. ICA MIAMI'S YOUNG ARTISTS INITIATIVE ENGAGES STUDENTS IN AN INTENSIVE, 18-WEEK PROGRAM OFFERED IN TWO SESSIONS THAT RELATES ART HISTORY TO CONTEMPORARY ART PRACTICE FOR HIGH SCHOOL STUDENTS WITH A FOCUS ON APPLICABLE SKILLS THAT PREPARE SELF-SELECTING STUDENTS FOR CAREERS IN CONTEMPORARY ART. DURING FISCAL YEAR 2022, APPROXIMATELY 30 STUDENTS PARTICIPATED IN THE PROGRAM THAT CONCLUDED WITH AN EXHIBITION IN OUR GALLERIES. OVER THE SUMMER ICA MIAMI OFFERED SUMMER PORTFOLIO PREP DESIGNED TO PREPARE INCOMING 7TH AND 8TH GRADE STUDENTS WHO INTEND TO APPLY TO MAGNET AND CHARTER ARTS SCHOOLS. IN ADDITION, WE ARE OFFERING OUR AFTER-SCHOOL PORTFOLIO PREP WITH PARTNER SCHOOLS HUBERT O'SIBLEY AND MORNINGSIDE K-8 CENTER. DURING FISCAL YEAR 2022 WE SERVED OVER 50 PARTICIPANTS IN OUR AFTER-SCHOOL PROGRAM AND SUMMER PROGRAM. ICA MIAMI'S OUTREACH PROGRAMS PRESENT THE DIVERSE WORKS OF CONTEMPORARY ARTISTS TO UNDER RESOURCED CHILDREN AND YOUTH IN THE MIAMI REGION. THROUGH A SERIES OF PARTNERSHIPS WITH MIAMI DADE PUBLIC SCHOOLS AND LOCAL COMMUNITY ORGANIZATIONS, OUR CURRICULA AIM IS TO IMPROVE VISUAL LITERACY, WHILE EMPOWERING THE SOCIAL, CULTURAL AND GENDER-SPECIFIC IDENTITIES OF PARTICIPANTS. DURING FISCAL YEAR 2022, ICA MIAMI OFFERED PROGRAMMING TO OUR COMMUNITY AND SCHOOL PARTNERS SERVING OVER 300 STUDENTS. ICA MIAMI ALSO HOSTED WEEKLY FAMILY SUNDAY WORKSHOPS DEVELOPED TO PROVIDE PROGRAMMING THAT IS ACCESSIBLE TO CHILDREN OF ALL ABILITIES. THESE WORKSHOPS WELCOME FAMILIES WITH CHILDREN WITH DISABILITIES AND ARE OPEN TO ALL CHILDREN. WORKSHOPS INCLUDE STORYTELLING, MOVEMENT AND YOGA, AND ART MAKING. OVER THE COURSE OF THE YEAR, WE SERVED OVER 200 FAMILIES. |
| FORM 990, PART VI, SECTION A, LINE 2: | THE TRUSTEES IRMA BRAMAN AND DEBI WECHSLER HAVE A FAMILY RELATIONSHIP. |
| FORM 990, PART VI, SECTION B, LINE 11B: | A COMPLETE DRAFT OF FORM 990 WAS DISTRIBUTED TO, AND REVIEWED AND APPROVED BY, THE ORGANIZATION'S FINANCE COMMITTEE. |
| FORM 990, PART VI, SECTION B, LINE 12C: | ENFORCEMENT OF CONFLICTS OF INTEREST EACH DIRECTOR, PRINCIPAL, OFFICER, KEY EMPLOYEE AND MEMBER OF A COMMITTEE INC. WITH GOVERNING BOARD DELEGATED POWERS SHALL ANNUALLY SIGN A STATEMENT WHICH AFFIRMS THAT SUCH PERSON HAS RECEIVED A COPY OF THE CONFLICT OF INTEREST POLICY, HAS READ AND UNDERSTANDS THE POLICY, HAS AGREED TO COMPLY WITH THE POLICY AND UNDERSTANDS THAT THE ORGANIZATION IS CHARITABLE AND IN ORDER TO MAINTAIN ITS FEDERAL EXEMPTION IT MUST ENGAGE PRIMARILY IN ACTIVITIES WHICH ACCOMPLISH ONE OR MORE OF ITS TAX-EXEMPT PURPOSES. IN ADDITION, THE ORGANIZATION CONDUCTS PERIODIC REVIEWS WHICH INCLUDE WHETHER COMPENSATION ARRANGEMENTS AND BENEFITS ARE REASONABLE AND WHETHER PARTNERSHIPS, JOINT VENTURES, AND ARRANGEMENTS WITH MANAGEMENT ORGANIZATIONS CONFORM TO THE ORGANIZATION'S WRITTEN POLICIES, ARE PROPERLY RECORDED, REFLECT REASONABLE INVESTMENTS OR PAYMENTS FOR GOODS AND SERVICES, FURTHER CHARITABLE PURPOSES AND DO NOT RESULT IN INCREMENT, IMPERMISSIBLE PRIVATE BENEFIT OR IN AN EXCESS BENEFIT TRANSACTION. |
| FORM 990, PART VI, SECTION B, LINE 15A: | COMPENSATION PROCESS FOR TOP OFFICIAL THE ORGANIZATION'S ARTISTIC DIRECTOR'S SALARY IS DETERMINED BY THE CO-CHAIRS OF THE BOARD OF TRUSTEES IN CONSULTATION WITH THE EXECUTIVE COMMITTEE. SALARY IS DETERMINED BASED ON THE ORGANIZATION'S BUDGET GUIDELINES AND REVIEW OF THE AMERICAN ALLIANCE OF MUSEUM SALARY SURVEY. |
| FORM 990, PART VI, SECTION B, LINE 15B: | COMPENSATION PROCESS FOR OFFICERS THE COMPENSATION PROCESS FOR OFFICERS IS APPROVED BY THE ARTISTIC DIRECTOR IN CONSULTATION WITH THE DEPUTY DIRECTOR. SALARY IS DETERMINED BASED ON THE ORGANIZATION'S BUDGET GUIDELINES AND REVIEW OF THE AMERICAN ALLIANCE OF MUSEUM SALARY SURVEY. |
| FORM 990, PART VI, SECTION C, LINE 19: | GOVERNING DOCUMENT DISCLOSURE EXPLANATION GOVERNING DOCUMENTS ARE MADE AVAILABLE TO THE PUBLIC UPON REQUEST. |
| FORM 990, PART XII, LINE 2C: | THE ORGANIZATION HAS NOT CHANGED ITS OVERSIGHT PROCESS OR SELECTION PROCESS DURING THE TAX YEAR. |
| FORM 990 PART IX LINE 24 - OTHER EXPENSES | DESCRIPTION:INDIRECT FUNDRAISING TOTAL EXPENSES:169698 FUNDRAISING:169698 |
| FORM 990 PART IX LINE 24 - OTHER EXPENSES | DESCRIPTION:ART STORAGE TOTAL EXPENSES:165012 PROGRAM SERVICES:165012 |
| FORM 990 PART IX LINE 24 - OTHER EXPENSES | DESCRIPTION:DUES AND SUBSCRIPTIONS TOTAL EXPENSES:159840 PROGRAM SERVICES:64468 MANAGEMENT AND GENERAL:69025 FUNDRAISING:26347 |
| FORM 990 PART IX LINE 24 - OTHER EXPENSES | DESCRIPTION:ARTIST AND SPEAKER FEES TOTAL EXPENSES:143169 PROGRAM SERVICES:143169 |
| FORM 990 PART IX LINE 24 - OTHER EXPENSES | DESCRIPTION:FABRICATION AND CONSERVATION TOTAL EXPENSES:108652 PROGRAM SERVICES:100394 MANAGEMENT AND GENERAL:7122 FUNDRAISING:1136 |
| FORM 990 PART IX LINE 24 - OTHER EXPENSES | DESCRIPTION:CREDIT CARD, BANK & OTHER FEES TOTAL EXPENSES:90199 MANAGEMENT AND GENERAL:42698 FUNDRAISING:47501 |
| FORM 990 PART IX LINE 24 - OTHER EXPENSES | DESCRIPTION:OTHER PRINTING TOTAL EXPENSES:58277 PROGRAM SERVICES:46887 MANAGEMENT AND GENERAL:10403 FUNDRAISING:987 |
| FORM 990 PART IX LINE 24 - OTHER EXPENSES | DESCRIPTION:RENTALS - EQUIP. & FURNITURE TOTAL EXPENSES:50253 PROGRAM SERVICES:45688 MANAGEMENT AND GENERAL:4565 |
| FORM 990 PART IX LINE 24 - OTHER EXPENSES | DESCRIPTION:MEALS AND CONSUMABLES TOTAL EXPENSES:46593 PROGRAM SERVICES:18136 MANAGEMENT AND GENERAL:17665 FUNDRAISING:10792 |
| FORM 990 PART IX LINE 24 - OTHER EXPENSES | DESCRIPTION:OTHER EXPENSES TOTAL EXPENSES:39962 PROGRAM SERVICES:18093 MANAGEMENT AND GENERAL:5272 FUNDRAISING:16597 |
| FORM 990 PART IX LINE 24 - OTHER EXPENSES | DESCRIPTION:BAD DEBT TOTAL EXPENSES:35000 FUNDRAISING:35000 |
| FORM 990 PART IX LINE 24 - OTHER EXPENSES | DESCRIPTION:EQUIPMENT PURCHASES TOTAL EXPENSES:8633 PROGRAM SERVICES:8331 MANAGEMENT AND GENERAL:259 FUNDRAISING:43 |
| FORM 990 PART IX LINE 24 - OTHER EXPENSES | DESCRIPTION:PRINTING AND PUBLICATIONS TOTAL EXPENSES:8061 PROGRAM SERVICES:8061 |
| FORM 990 PART IX LINE 24 - OTHER EXPENSES | DESCRIPTION:GIFT SHOP PURCHASES TOTAL EXPENSES:1995 MANAGEMENT AND GENERAL:1995 |
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