Attach to Form 990 or Form 990-EZ.
Go to
www.irs.gov/Form990 for instructions and the latest information.
| (i) Name of supported organization | (ii) EIN | (iii) Type of organization (described on lines 1- 10 above (see instructions)) | (iv) Is the organization listed in your governing document? | (v) Amount of monetary support (see instructions) | (vi) Amount of other support (see instructions) | |
|---|---|---|---|---|---|---|
| Yes | No | |||||
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Total |
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Calendar year
(or fiscal year beginning in)
![]() |
(a) 2018 | (b) 2019 | (c) 2020 | (d) 2021 | (e) 2022 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 1 | Gifts, grants, contributions, and membership fees received. (Do not include any "unusual grant.") .. | 25,072,456 | 18,723,103 | 12,827,623 | 32,528,853 | 23,269,776 | 112,421,811 |
| 2 | Tax revenues levied for the organization's benefit and either paid to or expended on its behalf.... | ||||||
| 3 | The value of services or facilities furnished by a governmental unit to the organization without charge.. | ||||||
| 4 | Total. Add lines 1 through 3 | 25,072,456 | 18,723,103 | 12,827,623 | 32,528,853 | 23,269,776 | 112,421,811 |
| 5 | The portion of total contributions by each person (other than a governmental unit or publicly supported organization) included on line 1 that exceeds 2% of the amount shown on line 11, column (f) .. | 12,795,155 | |||||
| 6 | Public support. Subtract line 5 from line 4. | 99,626,656 | |||||
Calendar year
(or fiscal year beginning in)
![]() |
(a) 2018 | (b) 2019 | (c) 2020 | (d) 2021 | (e) 2022 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 7 | Amounts from line 4.. | 25,072,456 | 18,723,103 | 12,827,623 | 32,528,853 | 23,269,776 | 112,421,811 |
| 8 | Gross income from interest, dividends, payments received on securities loans, rents, royalties and income from similar sources... | 1,157,507 | 905,569 | 889,944 | 1,304,485 | 2,039,305 | 6,296,810 |
| 9 | Net income from unrelated business activities, whether or not the business is regularly carried on.. | ||||||
| 10 | Other income. Do not include gain or loss from the sale of capital assets (Explain in Part VI.).. | ||||||
| 11 | Total support. Add lines 7 through 10 | 123,364,918 | |||||
Calendar year (or fiscal year beginning in) ![]() |
(a) 2018 | (b) 2019 | (c) 2020 | (d) 2021 | (e) 2022 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 1 | Gifts, grants, contributions, and membership fees received. (Do not include any "unusual grants.") . | ||||||
| 2 | Gross receipts from admissions, merchandise sold or services performed, or facilities furnished in any activity that is related to the organization's tax-exempt purpose | ||||||
| 3 | Gross receipts from activities that are not an unrelated trade or business under section 513 ..... | ||||||
| 4 | Tax revenues levied for the organization's benefit and either paid to or expended on its behalf... | ||||||
| 5 | The value of services or facilities furnished by a governmental unit to the organization without charge | ||||||
| 6 | Total. Add lines 1 through 5 | ||||||
| 7a | Amounts included on lines 1, 2, and 3 received from disqualified persons | ||||||
| b | Amounts included on lines 2 and 3 received from other than disqualified persons that exceed the greater of $5,000 or 1% of the amount on line 13 for the year. | ||||||
| c | Add lines 7a and 7b.. | ||||||
| 8 | Public support. (Subtract line 7c from line 6.) | ||||||
Calendar year (or fiscal year beginning in) ![]() |
(a) 2018 | (b) 2019 | (c) 2020 | (d) 2021 | (e) 2022 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 9 | Amounts from line 6... | ||||||
| 10a | Gross income from interest, dividends, payments received on securities loans, rents, royalties and income from similar sources.. | ||||||
| b | Unrelated business taxable income (less section 511 taxes) from businesses acquired after June 30, 1975. | ||||||
| c | Add lines 10a and 10b. | ||||||
| 11 | Net income from unrelated business activities not included on line 10b, whether or not the business is regularly carried on. | ||||||
| 12 | Other income. Do not include gain or loss from the sale of capital assets (Explain in Part VI.) .. | ||||||
| 13 | Total support. (Add lines 9, 10c, 11, and 12.).. | ||||||
| Section A - Adjusted Net Income | (A) Prior Year |
(B) Current Year (optional) |
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| 1 | Net short-term capital gain | 1 | ||||
| 2 | Recoveries of prior-year distributions | 2 | ||||
| 3 | Other gross income (see instructions) | 3 | ||||
| 4 | Add lines 1 through 3 | 4 | ||||
| 5 | Depreciation and depletion | 5 | ||||
| 6 | Portion of operating expenses paid or incurred for production or collection of gross income or for management, conservation, or maintenance of property held for production of income (see instructions) | 6 | ||||
| 7 | Other expenses (see instructions) | 7 | ||||
| 8 | Adjusted Net Income (subtract lines 5, 6 and 7 from line 4) | 8 | ||||
| Section B - Minimum Asset Amount | (A) Prior Year |
(B) Current Year (optional) |
||||
| 1 | Aggregate fair market value of all non-exempt-use assets (see instructions for short tax year or assets held for part of year): | 1 | ||||
| a | Average monthly value of securities | 1a | ||||
| b | Average monthly cash balances | 1b | ||||
| c | Fair market value of other non-exempt-use assets | 1c | ||||
| d | Total (add lines 1a, 1b, and 1c) | 1d | ||||
| e |
Discount claimed for blockage or other factors (explain in detail in Part VI): |
|||||
| 2 | Acquisition indebtedness applicable to non-exempt use assets | 2 | ||||
| 3 | Subtract line 2 from line 1d | 3 | ||||
| 4 | Cash deemed held for exempt use. Enter 0.015 of line 3 (for greater amount, see instructions). | 4 | ||||
| 5 | Net value of non-exempt-use assets (subtract line 4 from line 3) | 5 | ||||
| 6 | Multiply line 5 by 0.035 | 6 | ||||
| 7 | Recoveries of prior-year distributions | 7 | ||||
| 8 | Minimum Asset Amount (add line 7 to line 6) | 8 | ||||
| Section C - Distributable Amount | Current Year | |||||
| 1 | Adjusted net income for prior year (from Section A, line 8, Column A) | 1 | ||||
| 2 | Enter 85% of line 1 | 2 | ||||
| 3 | Minimum asset amount for prior year (from Section B, line 8, Column A) | 3 | ||||
| 4 | Enter greater of line 2 or line 3 | 4 | ||||
| 5 | Income tax imposed in prior year | 5 | ||||
| 6 | Distributable Amount. Subtract line 5 from line 4, unless subject to emergency temporary reduction (see instructions) | 6 | ||||
| Section D - Distributions | Current Year | |
|---|---|---|
| 1 Amounts paid to supported organizations to accomplish exempt purposes | 1 | |
|
2
Amounts paid to perform activity that directly furthers exempt purposes of supported organizations, in excess of income from activity |
2 | |
| 3 Administrative expenses paid to accomplish exempt purposes of supported organizations | 3 | |
| 4 Amounts paid to acquire exempt-use assets | 4 | |
| 5 Qualified set-aside amounts (prior IRS approval required - provide details in Part VI) | 5 | |
| 6 Other distributions (describe in Part VI). See instructions | 6 | |
| 7Total annual distributions. Add lines 1 through 6. | 7 | |
|
8
Distributions to attentive supported organizations to which the organization is responsive (provide details in Part VI). See instructions |
8 | |
| 9 Distributable amount for 2022 from Section C, line 6 | 9 | |
| 10 Line 8 amount divided by Line 9 amount | 10 | |
| Section E - Distribution Allocations (see instructions) |
(i) Excess Distributions |
(ii) Underdistributions Pre-2022 |
(iii) Distributable Amount for 2022 |
|
|---|---|---|---|---|
| 1 Distributable amount for 2022 from Section C, line 6 | ||||
|
2
Underdistributions, if any, for years prior to 2022 (reasonable cause required-- explain in Part VI).
See instructions. |
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| 3 Excess distributions carryover, if any, to 2022: | ||||
| a From 2017....... | ||||
| b From 2018....... | ||||
| c From 2019....... | ||||
| d From 2020....... | ||||
| e From 2021....... | ||||
| fTotal of lines 3a through e | ||||
| g Applied to underdistributions of prior years | ||||
| h Applied to 2022 distributable amount | ||||
|
i
Carryover from 2017 not applied (see instructions) |
||||
| j Remainder. Subtract lines 3g, 3h, and 3i from line 3f. | ||||
| 4Distributions for 2022 from Section D, line 7: | ||||
| $ | ||||
| a Applied to underdistributions of prior years | ||||
| b Applied to 2022 distributable amount | ||||
| c Remainder. Subtract lines 4a and 4b from line 4. | ||||
|
5
Remaining underdistributions for years prior to 2022, if any. Subtract lines 3g and 4a from line 2. If the amount is greater than zero, explain in Part VI. See instructions. |
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|
6
Remaining underdistributions for 2022. Subtract lines 3h and 4b from line 1. If the amount is greater than zero, explain in Part VI. See instructions. |
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|
7 Excess distributions carryover to 2023. Add lines 3j and 4c. |
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| 8 Breakdown of line 7: | ||||
| a Excess from 2018..... | ||||
| b Excess from 2019..... | ||||
| c Excess from 2020..... | ||||
| d Excess from 2021..... | ||||
| e Excess from 2022..... | ||||
| Facts And Circumstances Test |
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| Return Reference | Explanation |
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| Software ID: | |
| Software Version: |
Attach to Form 990 or 990-EZ.
Go to www.irs.gov/Form990 for the latest information.
| Return Reference | Explanation |
|---|---|
| FORM 990, PART III, LINE 4 - OTHER PROGRAM SERVICES: | EDUCATIONAL PROGRAMMING: THE MUSEUM'S EDUCATION AND VISITOR ENGAGEMENT DIVISION PRODUCES SCORES OF ACTIVITIES AND EVENTS EACH YEAR THAT REINFORCE THE MUSEUM'S COMMITMENT TO THE STUDY AND INTERPRETATION OF ROCK AND ROLL MUSIC AND ITS ROOTS. THE CONTENT OF THESE PROGRAMS HIGHLIGHT THE WORK OF ROCK AND ROLL HALL OF FAME INDUCTEES AND A BROAD SPECTRUM OF POPULAR MUSIC RANGING FROM THE BLUES, COUNTRY, AND GOSPEL OF THE EARLY 1900S TO THE CLASSIC ROCK OF THE 1960S TO THE HIP HOP AND POP SOUNDS OF TODAY. THESE PROGRAMS ARE PRESENTED IN A VARIETY OF FORMATS INCLUDING INTERVIEWS, PERFORMANCES, LECTURES, FILM SCREENINGS, MASTER CLASSES, CONFERENCES AT VENUES BOTH ON- AND OFF-SITE, AND ONLINE. THE ROCK & ROLL HALL OF FAME'S EDUCATION TEAM CREATED AND CURATED ASSETS ON OUR FREE ROCK HALL EDU ONLINE PLATFORM TO SUPPORT THE ROCK HALL'S COMMUNITY PARTNERSHIPS, TEACHER PROFESSIONAL DEVELOPMENT, AND INSTITUTIONAL PRIORITIES. OUR MUSIC & DISCOURSE COLLECTION PROVIDED EDUCATIONAL MATERIALS FOR THE CASE WESTERN RESERVE UNIVERSITY CITY-WIDE HUMANITIES FESTIVAL, WHILE OUR COLLECTIONS FOR ROCK & WOMEN'S RIGHTS AND NATIVE AMERICAN HERITAGE MONTH ALIGN WITH OUR BUILDING-WIDE DEIA INITIATIVES. WE MADE THE ENTIRE PLATFORM AVAILABLE IN SPANISH, INCREASING ACCESS AROUND THE GLOBE FOR TEACHERS TO USE ROCK & ROLL IN THEIR CLASSROOMS. IN SUMMER 2022, WE CREATED A NEW HYBRID ONSITE/ONLINE MODEL FOR OUR TEACHER SUMMIT. THIS CHANGE ALLOWED US TO PROVIDE 96 TEACHERS ACROSS THE US, CANADA AND MEXICO WITH IN-DEPTH PROFESSIONAL DEVELOPMENT ON BOTH OUR PEDAGOGICAL PHILOSOPHY AND HOW TO IMPLEMENT ROCK HALL EDU INTO THEIR TEACHING. THEY ATTENDED SESSIONS WITH OUR FAN ENGAGEMENT, CURATORIAL, AND LIBRARY & ARCHIVES STAFF AS WELL TO LEARN ABOUT ALL THE DIFFERENT VIRTUAL ASPECTS OF THE ROCK HALL THEY CAN ACCESS FROM THEIR CITIES. FALL 2022 SAW THE RETURN OF ONSITE PROGRAMS WITH A BRAND-NEW FORMAT. WE IMPLEMENTED THE BIGGEST REDESIGN OF OUR OFFERINGS IN 18 YEARS. WHEN TEACHERS BRING THEIR STUDENTS TO THE MUSEUM, THEY NOW HAVE A MENU OF OPTIONS TO CHOOSE FROM, INCLUDING ONLINE EDU COLLECTIONS TAILORED TO THEIR SUBJECTS, SELF-LED EXPERIENCES IN THE MUSEUM AVAILABLE ON THEIR MOBILE DEVICES THROUGH ROCK HALL EDU, AND ROCK HALL EDUCATOR-LED IMMERSIVE EVENTS IN OUR EXHIBITSINCLUDING THE INTERACTIVE MUSICAL INSTRUMENT EXHIBIT, THE GARAGE. TEACHERS CHOOSE ONE OF THREE THEME DAYS: FROM THE BRONX TO THE HALL (HIP-HOP HISTORY), "WE SHALL OVERCOME" (MUSIC AND SOCIAL JUSTICE), AND PLAY IT LOUD (MUSICAL INSTRUMENTS). THESE REVAMPED PROGRAMS HELP THE ROCK & ROLL HALL OF FAME COME TO LIFE FOR STUDENTS, GIVING THEM AN ENRICHING CULTURAL EXPERIENCE THROUGH HANDS-ON LEARNING. COMMUNITY PROGRAMS & PARTNERSHIPS: ROCK THE BLOCK COMMUNITY EVENTS: WE CONTINUED WITH OUR ANNUAL FREE ROCK THE BLOCK COMMUNITY DAYS, INCLUDING DR. MARTIN LUTHER KING, JR, FAM JAM, JUNETEENTH, AND ADDED A NEW ANNUAL EVENT, HISPANIC HERITAGE CELEBRATION. - DR. MARTIN LUTHER KING, JR WE CONTINUED WITH OUR VERY POPULAR VIRTUAL MLK DAY EVENT, WHICH HAS BEEN ABLE TO REACH A WORLD WIDE AUDIENCE, WHILE ALSO HOSTING THE FREE DAY AT THE MUSEUM WITH PROGRAMMING AND ACTIVATIONS. ON SITE THERE WAS A FOCUS ON ARTIFACTS THAT TIED DIRECTLY INTO THE LIFE AND LEGACY OF DR. KING. - JUNETEENTH - WE AGAIN HOSTED AN ALL DAY EVENT WITH COMMUNITY PERFORMANCES AND A CULMINATING PERFORMANCE CELEBRATING AFRICAN HERITAGE, MUSIC AND DANCE. - FAM JAM OUR IN PERSON FAMILY EVENT, FAN JAM, WAS EXTREMELY POPULAR THIS YEAR. WE HAD OVER A DOZEN LOCAL COMMUNITY PARTNERS, AS WELL AS SEVERAL PERFORMANCES ON OUR STAGE. FAMILIES WERE ABLE TO LEARN ABOUT LOCAL RESOURCES AND ENJOY A DAY OF MUSIC AND FUN FOR FREE ON OUR PLAZA. - HISPANIC HERITAGE CELEBRATION THIS WAS A NEW ROCK THE BLOCK EVENT IN 2022, AND MOVING FORWARD WILL BE INCLUDED IN OUR ANNUAL COMMUNITY CELEBRATIONS. WE WORKED TO BRING TOGETHER 15 COMMUNITY ORGANIZATIONS THAT ARE A PART OF THE LOCAL LATINO AND HISPANIC COMMUNITY IN NORTH EAST OHIO, TO CELEBRATE HISPANIC HERITAGE MONTH. THIS INCLUDED CELEBRATIONS OF CULTURE FROM VARIOUS COUNTRIES, SUCH AS PUERTO RICO, MEXICO, AND CHILE. IT WAS A VERY SUCCESSFUL WAY TO ENGAGE A PORTION OF THE LOCAL COMMUNITY WE WERE NOT PREVIOUSLY REACHING AND WE HAVE BEEN ABLE FORGE SOME MEANINGFUL PARTNERSHIPS WITH ALL OF THE ORGANIZATIONS THAT WE WORKED WITH FOR THIS NEW EVENT. COMMUNITY PARTNERSHIPS: IN ADDITION TO LARGE SCALE COMMUNITY EVENTS, WE ALSO WORK WITH SEVERAL COMMUNITY ORGANIZATIONS FOR LONGSTANDING PARTNERSHIPS AND COLLABORATIVE PROGRAMMING. SOME LARGE KEY PARTNERSHIPS INCLUDE STOP THE HATE WITH THE MALTZ MUSEUM, ROCK YOUR WORLD WITH STEAM WITH CMSD AND CLEVELAND PUBLIC LIBRARY. SOME NEW AND ADDITIONAL PARTNERSHIPS INCLUDED ORGANIZATIONS SUCH AT THE AMERICAN RED CROSS, CLEVELAND PLAYHOUSE, CLEVELAND NEIGHBORHOOD PROGRESS AND PIANO CLEVELAND. THE ROCK HALL'S ANNUAL BLACK HISTORY MONTH CELEBRATION IS A CORNERSTONE OF ITS PROGRAMMING AND OUTREACH, RECOGNIZING THE EXTRAORDINARY CONTRIBUTIONS THAT AFRICAN-AMERICANS HAVE MADE TO ROCK AND ROLL MUSIC. SINCE 1996, HIGHLIGHTS HAVE INCLUDED CONVERSATIONS WITH SOLOMON BURKE, HOLLAND-DOZIER-HOLLAND, RUTH BROWN, AL GREEN, BOBBY WOMACK, BOOTSY COLLINS, CHUCK D, RAHIEM, AND LITTLE ANTHONY AND THE IMPERIALS. IN 2022 OUR PROGRAMMING INCLUDED A MOTOWN EVENT, TEMPTATIONS VIRTUAL INTERVIEW, A POETRY EVENT WITH THE FOLGERS MUSEUM AND A VIRTUAL FAM JAM EVENT SPOTLIGHTING INCREDIBLE BLACK MUSICIANS. ROCK HALL LIVE!: POWERED BY PNC RETURNED IN 2022 WITH WEEKLY LIVE MUSIC FEATURING HOMEGROWN TALENT AND NATIONALLY TOURING ARTISTS, ALONG WITH NEW EXHIBITS AND PROGRAMMING FOR MUSEUM MEMBERS AND VISITORS. ROCK HALL LIVE! POWERED BY PNC IS ONE OF SEVERAL IMPORTANT COMMUNITY ENGAGEMENT AND EDUCATIONAL INITIATIVES SUPPORTED BY PNC BANK AND THE PNC FOUNDATION UNDER A MULTI-YEAR RELATIONSHIP FORMED IN 2018. - LUNCH BY THE LAKE: OUR LUNCH BY THE LAKE SERIES CONSISTED OF OUR INHOUSE MUSICIANS AND OUR ARTISTS IN RESIDENCE. THESE PRIMARILY TOOK PLACE ON THURSDAYS, FRIDAYS AND SATURDAYS AND ADDED SOME ATMOSPHERIC MUSIC TO OUR GUESTS VISITS AND THEIR LUNCH ON OUR PLAZA. - LIVE AND LOCAL: LIVE AND LOCAL WAS A FREE SERIES THAT TOOK PLACE ON THURSDAY AND SATURDAY EVENINGS AND RAN FROM JULY THROUGH EARLY SEPTEMBER. WE HOSTED SEVERAL LOCAL MUSICIANS AND BANDS, WHO EACH BROUGHT THEIR DIVERSE MUSICAL STYLES AND TALENTS TO OUR EXTERIOR PNC AND BEER GARDEN STAGES. - NATIONAL TOURING BANDS: WE HOSTED NATIONAL TOURING ACTS ON DESIGNATED FRIDAY EVENINGS THROUGH THE SUMMER. VIRTUAL PROGRAMMING: WHILE OUR SUMMER FOCUS WAS LIVE MUSIC ON OUR PLAZA, DURING THE COLDER MONTHS WE SHIFTED OUR FOCUS TO CREATING ENGAGING AND EXCITING VIRTUAL EVENTS THAT OUR AUDIENCES WOULD LOVE. WE HOSTED INTERVIEWS AND PERFORMANCES WITH ARTISTS SUCH AS BRITTANY SPENCER, LOL TOLHURST, BILL BRUFORD, JIMMIE ALLEN, JANN WENNER, JIMMY JAM AND TERRY LEWIS, DAPHNE BOOKS AND DAVID SPIRO. 2022 MUSEUM EXHIBITIONS: EXHIBIT OPENINGS IN 2022 BASELINE TO BASSLINE: 75 YEARS OF MUSIC & THE NBA FEBRUARY 17, 2022 APRIL 1, 2022 TO CELEBRATE THE NBA ALL-STAR GAME IN CLEVELAND THIS YEAR, WE BUILT AN EXHIBIT THAT EXPLORE THE CROSSOVER BETWEEN MUSIC AND BASKETBALL. FROM CAB CALLOWAY'S ZOOT SUIT AND WILL.I.AM'S "LET'S GET IT STARTED" ALL-STAR PROMO OUTFIT TO CHUCK D'S AIR JORDANS AND PLAYERS' FAVORITE SONGS, EXPLORE THE CULTURAL IMPACT OF THE SPORT, THE SWAGGER BEHIND ATHLETES AND ARTISTS AND THE POWER OF ROCK & ROLL. THE BEATLES: GET BACK TO LET IT BE MARCH 18, 2022 PRESENT EXPERIENCE ONE OF THE MOST ICONIC MOMENTS OF THE 20TH CENTURY BY STEPPING INSIDE THE BEATLES' JANUARY 1969 REHEARSALS, STUDIO SESSIONS AND LEGENDARY APPLE CORPS ROOFTOP CONCERT, THE BAND'S FINAL LIVE PERFORMANCE. FANS WILL GO ON THE BEATLES' CREATIVE JOURNEY THROUGH ORIGINAL INSTRUMENTS, CLOTHING AND HANDWRITTEN LYRICS USED BY THE BEATLES AND SEEN IN THE FILM, INCLUDING ITEMS LOANED DIRECTLY BY PAUL MCCARTNEY, RINGO STARR, AND THE ESTATES OF GEORGE HARRISON AND JOHN LENNON. THIS GROUNDBREAKING EXHIBIT IS AN IMMERSIVE COMPLEMENT TO PETER JACKSON'S DOCUSERIES, "THE BEATLES: GET BACK." HOTTER THAN JULY: THE BRUCE W. TALAMON R&B PHOTOGRAPHS JULY 27, 2022 - PRESENT THIS EXHIBIT IS AN ETHNOGRAPHIC STUDY OF A VISUAL REPRESENTATION OF BLACKNESS AND PERSONAL ANALYSIS OF A CULTURE DURING THE GOLDEN AGE OF SOUL, R&B AND FUNK (1972 - 1982). NAMED AFTER STEVIE WONDER'S 19TH STUDIO ALBUM - A KEY ROLE PLAYER IN CIVIL RIGHTS LEGISLATION, PIVOTAL MOMENTS FROM THE CULTURE SHIFTING TELEVISION SERIES SOUL TRAIN, AND GROUNDBREAKING CONCERTS INCLUDING WATTS STAX FESTIVAL. BRUCE TALAMON'S WORK PROVIDES A MEANINGFUL COUNTERPOINT TO THE VOYEURISM OF THOSE WHO HAVE MARGINALIZED BLACK CULTURE AS HIS PHOTOGRAPHS SHARE AN INSIDER'S VIEW. FROM THE SMOKE-FILLED CLUBS ON THE CRENSHAW STRIP IN SOUTH LOS ANGELES, TO THE LARGEST ARENAS AROUND THE WORLD, TALAMON WAS THERE, RECORDING THE FRENZY AND BEAUTY OF THE MUSIC. |
| FORM 990, PART III, LINE 4 - OTHER PROGRAM SERVICES (CONT.): | 2022 MUSEUM EXHIBITIONS (CONTINUED): CITIES & SOUNDS: PUNK AUGUST 10, 2022 PRESENT REFRESHED THE PUNK CASE TO FEATURE NEW ARTIFACTS FROM THE CLASH, BLONDIE, RICHARD HELL, AND SPOTLIGHTING THE PHILADELPHIA PUNK SCENE WITH BUNNYDRUMS, SPIDER SANDERS, DEAD MILKMEN, MORE FIENDS, AND THE STICK MEN. 2022 INDUCTEES NOVEMBER 1, 2022 PRESENT THE EXHIBIT HIGHLIGHTS THE 2022 CLASS (EMINEM, LIONEL RICHIE, PAT BENATAR, JUDAS PRIEST, EURYTHMICS, CARLY SIMON, DOLLY PARTON, DURAN DURAN, JIMMY JAM & TERRY LEWIS, SYLVIA ROBINSON, HARRY BELAFONTE, ELIZABETH COTTEN, ALLEN GRUBMAN, JIMMY IOVINE) AND THEIR IMPACT ON MUSIC HISTORY BY SHOWCASING MANY ICONIC ITEMS THAT SPAN THE ARTISTS' CAREERS. ONGOING EXHIBITS IN 2022 2021 INDUCTEES OCTOBER 22, 2021 OCTOBER 3, 2022 THE EXHIBIT HIGHLIGHTS THE 2021 CLASS (TINA TURNER, CHARLEY PATTON, CLARENCE AVANT, TODD RUNDGREN, JAY-Z, BILLY PRESTON, FOO FIGHTERS, RANDY RHODES, GIL SCOTT-HERON, THE GO-GO'S, CAROLE KING, KRAFTWERK, LL COOL J) AND THEIR IMPACT ON MUSIC HISTORY BY SHOWCASING MANY ICONIC ITEMS THAT SPAN THE ARTISTS' CAREERS. YOU DON'T KNOW IT FEELS: TOM PETTY'S WILDFLOWERS NOVEMBER 19, 2021 JANUARY 30, 2023 IN 1992, TOM PETTY WAS TRULY AT A CROSSROADS. THE SINGER-SONGWRITER'S MARRIAGE WAS FALLING APART AND THERE WERE TENSIONS WITH HIS BAND THE HEARTBREAKERS. HE HAD ALSO PARTED WAYS WITH HIS LONGTIME RECORD LABEL MCA FOR A NEW DEAL WITH WARNER BROS. WITH SO MANY CHANGES, IT WAS FITTING THAT PETTY DECIDED HIS NEXT RECORD WOULD BE A SOLO PROJECT. WILDFLOWERSWAS AN ECLECTIC WORK THAT INCLUDED MUCH MORE THAN PETTY'S FOLK-ROCK STOMPING GROUND. INCLUDED THEREIN WERE ALSO BLUESY NUMBERS AND CELTIC-FLAVORED BALLADS. PETTY INTENDED WILDFLOWERS TO BE A DOUBLE ALBUM; HOWEVER, THE RECORD LABEL PREFERRED A STANDARD COMMERCIAL LENGTH. THIS EXHIBIT TAKES A CLOSER LOOK AT THOSE WILDFLOWERS SESSIONS, CELEBRATING THE MONUMENTAL ALBUM'S 25TH ANNIVERSARY. AN ODD LITTLE PLACE: THE DIGITAL WORKS OF JERRY GARCIA (1992-1995) NFT COLLECTION AUGUST 5, 2021 JULY 5, 2022 THROUGHOUT HIS LIFE, GARCIA PAINTED WITH A PLAYFUL ENERGY AND A PALETTE OF VIBRANT COLORS. HIS WORKS DEPICTED ANIMALS, PEOPLE, LANDSCAPES, AND PSYCHEDELIC ABSTRACTIONS, INFLUENCED BY YEARS OF TOURING THE WORLD. JERRY GARCIA WAS AN EARLY ADOPTER OF DIGITAL ART, PAVING THE WAY FOR THE CURRENT DIGITAL AND NFT LANDSCAPE. THIS RARE AND NEVER-BEFORE-SEEN ARTWORK IS PRESENTED BY YELLOWHEART WHICH OPERATES ON LAYER 2 ON THE ETHEREUM BLOCKCHAIN. LEGENDS OF ROCK EXHIBITS JANUARY 2021 ONGOING STARTING IN JANUARY OF 2021 WE BEGAN TO SWAP ARTISTS INTO THE LEGENDS OF ROCK AREAS OF THE MAIN EXHIBIT HALL/L5/L6 THAT HAD NOT PREVIOUSLY HAD DISPLAYS IN THOSE AREAS TO GIVE THEM MORE OF A PRESENCE IN THE MUSEUM AND TO REST SOME OF THE ARTIFACTS THAT HAD BEEN ON DISPLAY FOR AN EXTENDED PERIOD. THE FOLLOWING IS THE LIST OF ARTISTS THAT HAD DISPLAYS CREATED DURING THE 2022 CALENDAR: THE MAMAS & THE PAPAS, MICHAEL JACKSON, WHITNEY HOUSTON, THE DOOBIE BROTHERS, METALLICA, NINE INCH NAILS, JOHN MELLENCAMP. ICONIC: BARON WOLMAN IMAGES OF AN ERA OCTOBER 17, 2020 PRESENT THIS EXHIBITION FEATURES PHOTOGRAPHS AND ARTIFACTS FROM THE COLLECTION OF BARON WOLMAN, ROLLING STONE MAGAZINE'S FIRST CHIEF PHOTOGRAPHER. IT'S BEEN SAID ALL ALONG: VOICES OF RAGE, HOPE AND EMPOWERMENT JULY 26, 2020 PRESENT THIS IS AN INTERACTIVE EXHIBIT SHOWCASING ROCK-THEMED, PLAYABLE PINBALL MACHINES COMBINED WITH HISTORIC MERCHANDISE AND ARTIFACTS TO EXPLORE THE ARTISTIC PORTRAYAL OF ARTISTS AND BANDS. ROCK & ROLL AND PINBALL HAVE A LOT IN COMMON. LOUD, COLORFUL, AND REBELLIOUS, IT WAS INEVITABLE THAT THE TWO WOULD COMBINE TO CELEBRATE ROCK'S ICONS. INSIDE THE EXHIBIT VISITORS WILL FIND MACHINES FEATURING ICONS SUCH AS KISS, GUNS 'N' ROSES, ALICE COOPER, DOLLY PARTON, THE WHO, ELTON JOHN AND MORE. ALL THE MACHINES ON DISPLAY ARE PLAYABLE BY VISITORS. IN MEMORIAM APRIL 7, 2018 PRESENT INSIDE THE HALL OF FAME GALLERY, THE IN MEMORIAM EXHIBIT IS DEDICATED TO DISPLAYING ITEMS FROM RECENTLY DEPARTED HALL OF FAME INDUCTEES AND ARTISTS. 2022 TRAVELING EXHIBITIONS THE BIGGEST SHOW ON TURF: 55 YEARS OF SUPER BOWL HALFTIME SHOWS (SUPER BOWL LVI EXPERIENCE LOS ANGELES CONVENTION CENTER) FEBRUARY 5, 2022 FEBRUARY 14, 2022 WITH A WORLDWIDE AUDIENCE THAT EXCEEDS 100 MILLION PEOPLE, THE SUPER BOWL HALFTIME SHOW IS THE MOST WATCHED MUSICAL EVENT IN THE WORLD. EACH HALFTIME PERFORMANCE COMES WITH A DIFFERENT VISION AND APPROACH. WHETHER ITS BRUCE SPRINGSTEEN'S DYNAMIC PERFORMANCE WITH MINIMALIST STAGING, BRUNO MARS' 1950'S-STYLE R&B REVUE, THE LAS VEGAS-STYLE SHOWGIRL SPECTACULAR FROM JENNIFER LOPEZ AND SHAKIRA, OR PRINCE'S RAIN-SOAKED STAGE IN THE SHAPE OF HIS ICONIC TRADEMARK SYMBOL THEY ALL BECOME DISTINCTIVE AND HISTORIC EVENTS OF OUR TIME. PART OF THE MACHINE: ROCK & PINBALL (BREWERY ARTS CENTER - CARSON CITY, NEVADA) JULY 23, 2022 JANUARY 2, 2023 ROCK & ROLL AND PINBALL HAVE A LOT IN COMMON. LOUD, COLORFUL, AND REBELLIOUS (BOTH ROCK AND PINBALL WERE BLAMED FOR CORRUPTING YOUTH), IT WAS INEVITABLE THAT THE TWO WOULD COMBINE TO CELEBRATE ROCK'S GREATEST. THIS INTERACTIVE EXHIBIT SHOWCASES ROCK-THEMED, PLAYABLE PINBALL MACHINES AND COMBINES THEM WITH MUSICAL INSTRUMENTS, COSTUMES AND ARTIFACTS ASSOCIATED WITH THE BANDS PORTRAYED IN THE EXHIBIT. |
| FORM 990, PART VI, SECTION A, LINE 2 | REPORTABLE RELATIONSHIPS: THE FOLLOWING INDIVIDUALS HAVE A BUSINESS RELATIONSHIP: JOHN SYKES AND ROB LIGHT. |
| FORM 990, PART VI, SECTION A, LINE 7A | ELECTION OF TRUSTEES: THERE ARE 10 TRUSTEES OF THE ROCK AND ROLL HALL OF FAME AND MUSEUM, INC. ("THE CORPORATION"). ROCK AND ROLL HALL OF FAME FOUNDATION, INC., A CHARITY RECOGNIZED BY THE INTERNAL REVENUE SERVICE (IRS) AS AN ORGANIZATION DESCRIBED IN INTERNAL REVENUE CODE (IRC) SECTION 501(C)(3), DESIGNATES INDIVIDUALS FOR NOMINATION FOR 5 OF THE 10 TRUSTEE POSITIONS AS CLASS A TRUSTEES, AND CLEVELAND ROCK AND ROLL, INC., A CHARITY RECOGNIZED BY THE IRS AS AN ORGANIZATION DESCRIBED IN IRC SECTION 501(C)(3), DESIGNATES INDIVIDUALS FOR NOMINATION FOR 5 OF THE 10 TRUSTEE POSITIONS AS CLASS B TRUSTEES. THE TRUSTEES OF THE CORPORATION THEN ELECT CLASS A AND CLASS B TRUSTEES FROM THOSE NOMINATED. |
| FORM 990, PART VI, SECTION B, LINE 11B | FORM 990 PROVIDED TO GOVERNING BODY: THE MUSEUM HAS DISTRIBUTED FORM 990 TO THE FULL BOARD OF DIRECTORS WITH THE EXCEPTION OF DONOR INFORMATION ON SCHEDULE B, WHICH IT DEEMS TO BE PRIVATE AND CONFIDENTIAL. AS SUCH, WE ARE REQUIRED TO ANSWER "NO" TO THE QUESTION ON LINE 11A EVEN THOUGH A COPY OF FORM (WITH REDACTED DONOR INFORMATION ON SCHEDULE B) WAS PROVIDED TO THE BOARD. |
| FORM 990, PART VI, SECTION B, LINE 11B | REVIEW OF FORM 990: FORM 990 IS REVIEWED INTERNALLY BY THE PRESIDENT AND CEO AND THE VICE PRESIDENT OF FINANCE. IT IS SUBMITTED FOR REVIEW TO THE FINANCE COMMITTEE OF THE BOARD OF DIRECTORS AND TO THE ROCK AND ROLL HALL OF FAME AND MUSEUM'S BOARD OF DIRECTORS. |
| FORM 990, PART VI, SECTION B, LINE 12C | MONITORING AND ENFORCEMENT OF CONFLICT POLICY: AN ANNUAL QUESTIONNAIRE IS SENT TO ALL OFFICERS, DIRECTORS, TRUSTEES AND KEY EMPLOYEES. IF A TRANSACTION ARISES IN WHICH AN INDIVIDUAL HAS A CONFLICT, THE PERSON IS EXCUSED FROM THE MEETING FOR THE DISCUSSION AND VOTE BY DISINTERESTED TRUSTEES OR COMMITTEE MEMBERS. THE TRUSTEES AND/OR COMMITTEE MEMBERS BASE THEIR DECISION ON ALL THE FACTS AND CIRCUMSTANCES PRESENTED AND CONSIDER WHETHER THE TRANSACTION IS IN THE BEST INTERESTS OF THE MUSEUM. PROPER RECORDS OF THE BOARD, COMMITTEE, OR SUBCOMMITTEE ARE MAINTAINED TO VERIFY THAT THE CONFLICT OF INTEREST POLICY HAS BEEN FOLLOWED. |
| FORM 990, PART VI, SECTION B, LINE 15 | COMPENSATION REVIEW AND APPROVAL: IN 2021, THE ROCK HALL'S COMPENSATION COMMITTEE HIRED AN OUTSIDE CONSULTANT TO REVIEW THE JOB DESCRIPTIONS AND ASSOCIATED COMPENSATION FOR THE PRESIDENT & CEO THE VICE PRESIDENTS. IN JANUARY, 2023, THE ROCK HALL'S COMPENSATION COMMITTEE HIRED THE SAME OUTSIDE CONSULTANT TO REVIEW AND RECOMMEND PARAMETERS FOR THE PRESIDENT AND CEO'S DEFERRED COMPENSATION. THE CONSULTANT'S FINDINGS WERE REVIEWED AND APPROVED BY THE COMPENSATION COMMITTEE OF THE BOARD OF DIRECTORS. THE COMPENSATION COMMITTEE MEMBERS ARE INDEPENDENT OF THE CEO AND VICE PRESIDENTS. THE COMMITTEE'S DELIBERATIONS AND APPROVAL OF COMPENSATION ARE COMMUNICATED TO SENIOR MANAGEMENT BY THE COMPENSATION COMMITTEE CHAIR. |
| FORM 990, PART VI, SECTION C, LINE 19 | AVAILABILITY OF DOCUMENTS: THE MUSEUM MAKES ITS CONFLICT OF INTEREST POLICY AND FINANCIAL STATEMENTS AVAILABLE UPON REQUEST. THE MUSEUM DOES NOT MAKE ITS GOVERNING DOCUMENTS AVAILABLE TO THE PUBLIC. |
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