Attach to Form 990 or Form 990-EZ.
Go to
www.irs.gov/Form990 for instructions and the latest information.
| (i) Name of supported organization | (ii) EIN | (iii) Type of organization (described on lines 1- 10 above (see instructions)) | (iv) Is the organization listed in your governing document? | (v) Amount of monetary support (see instructions) | (vi) Amount of other support (see instructions) | |
|---|---|---|---|---|---|---|
| Yes | No | |||||
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Total |
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Calendar year
(or fiscal year beginning in)
![]() |
(a) 2018 | (b) 2019 | (c) 2020 | (d) 2021 | (e) 2022 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 1 | Gifts, grants, contributions, and membership fees received. (Do not include any "unusual grant.") .. | 12,150,076 | 15,796,561 | 18,194,343 | 18,928,827 | 18,750,251 | 83,820,058 |
| 2 | Tax revenues levied for the organization's benefit and either paid to or expended on its behalf.... | ||||||
| 3 | The value of services or facilities furnished by a governmental unit to the organization without charge.. | ||||||
| 4 | Total. Add lines 1 through 3 | 12,150,076 | 15,796,561 | 18,194,343 | 18,928,827 | 18,750,251 | 83,820,058 |
| 5 | The portion of total contributions by each person (other than a governmental unit or publicly supported organization) included on line 1 that exceeds 2% of the amount shown on line 11, column (f) .. | 7,158,048 | |||||
| 6 | Public support. Subtract line 5 from line 4. | 76,662,010 | |||||
Calendar year
(or fiscal year beginning in)
![]() |
(a) 2018 | (b) 2019 | (c) 2020 | (d) 2021 | (e) 2022 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 7 | Amounts from line 4.. | 12,150,076 | 15,796,561 | 18,194,343 | 18,928,827 | 18,750,251 | 83,820,058 |
| 8 | Gross income from interest, dividends, payments received on securities loans, rents, royalties and income from similar sources... | 173,554 | 1,133,234 | 874,951 | 2,181,739 | ||
| 9 | Net income from unrelated business activities, whether or not the business is regularly carried on.. | ||||||
| 10 | Other income. Do not include gain or loss from the sale of capital assets (Explain in Part VI.).. | 239,905 | 124,289 | 4,411 | 244,328 | 431,160 | 1,044,093 |
| 11 | Total support. Add lines 7 through 10 | 87,108,249 | |||||
Calendar year (or fiscal year beginning in) ![]() |
(a) 2018 | (b) 2019 | (c) 2020 | (d) 2021 | (e) 2022 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 1 | Gifts, grants, contributions, and membership fees received. (Do not include any "unusual grants.") . | ||||||
| 2 | Gross receipts from admissions, merchandise sold or services performed, or facilities furnished in any activity that is related to the organization's tax-exempt purpose | ||||||
| 3 | Gross receipts from activities that are not an unrelated trade or business under section 513 ..... | ||||||
| 4 | Tax revenues levied for the organization's benefit and either paid to or expended on its behalf... | ||||||
| 5 | The value of services or facilities furnished by a governmental unit to the organization without charge | ||||||
| 6 | Total. Add lines 1 through 5 | ||||||
| 7a | Amounts included on lines 1, 2, and 3 received from disqualified persons | ||||||
| b | Amounts included on lines 2 and 3 received from other than disqualified persons that exceed the greater of $5,000 or 1% of the amount on line 13 for the year. | ||||||
| c | Add lines 7a and 7b.. | ||||||
| 8 | Public support. (Subtract line 7c from line 6.) | ||||||
Calendar year (or fiscal year beginning in) ![]() |
(a) 2018 | (b) 2019 | (c) 2020 | (d) 2021 | (e) 2022 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 9 | Amounts from line 6... | ||||||
| 10a | Gross income from interest, dividends, payments received on securities loans, rents, royalties and income from similar sources.. | ||||||
| b | Unrelated business taxable income (less section 511 taxes) from businesses acquired after June 30, 1975. | ||||||
| c | Add lines 10a and 10b. | ||||||
| 11 | Net income from unrelated business activities not included on line 10b, whether or not the business is regularly carried on. | ||||||
| 12 | Other income. Do not include gain or loss from the sale of capital assets (Explain in Part VI.) .. | ||||||
| 13 | Total support. (Add lines 9, 10c, 11, and 12.).. | ||||||
| Section A - Adjusted Net Income | (A) Prior Year |
(B) Current Year (optional) |
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| 1 | Net short-term capital gain | 1 | ||||
| 2 | Recoveries of prior-year distributions | 2 | ||||
| 3 | Other gross income (see instructions) | 3 | ||||
| 4 | Add lines 1 through 3 | 4 | ||||
| 5 | Depreciation and depletion | 5 | ||||
| 6 | Portion of operating expenses paid or incurred for production or collection of gross income or for management, conservation, or maintenance of property held for production of income (see instructions) | 6 | ||||
| 7 | Other expenses (see instructions) | 7 | ||||
| 8 | Adjusted Net Income (subtract lines 5, 6 and 7 from line 4) | 8 | ||||
| Section B - Minimum Asset Amount | (A) Prior Year |
(B) Current Year (optional) |
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| 1 | Aggregate fair market value of all non-exempt-use assets (see instructions for short tax year or assets held for part of year): | 1 | ||||
| a | Average monthly value of securities | 1a | ||||
| b | Average monthly cash balances | 1b | ||||
| c | Fair market value of other non-exempt-use assets | 1c | ||||
| d | Total (add lines 1a, 1b, and 1c) | 1d | ||||
| e |
Discount claimed for blockage or other factors (explain in detail in Part VI): |
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| 2 | Acquisition indebtedness applicable to non-exempt use assets | 2 | ||||
| 3 | Subtract line 2 from line 1d | 3 | ||||
| 4 | Cash deemed held for exempt use. Enter 0.015 of line 3 (for greater amount, see instructions). | 4 | ||||
| 5 | Net value of non-exempt-use assets (subtract line 4 from line 3) | 5 | ||||
| 6 | Multiply line 5 by 0.035 | 6 | ||||
| 7 | Recoveries of prior-year distributions | 7 | ||||
| 8 | Minimum Asset Amount (add line 7 to line 6) | 8 | ||||
| Section C - Distributable Amount | Current Year | |||||
| 1 | Adjusted net income for prior year (from Section A, line 8, Column A) | 1 | ||||
| 2 | Enter 85% of line 1 | 2 | ||||
| 3 | Minimum asset amount for prior year (from Section B, line 8, Column A) | 3 | ||||
| 4 | Enter greater of line 2 or line 3 | 4 | ||||
| 5 | Income tax imposed in prior year | 5 | ||||
| 6 | Distributable Amount. Subtract line 5 from line 4, unless subject to emergency temporary reduction (see instructions) | 6 | ||||
| Section D - Distributions | Current Year | |
|---|---|---|
| 1 Amounts paid to supported organizations to accomplish exempt purposes | 1 | |
|
2
Amounts paid to perform activity that directly furthers exempt purposes of supported organizations, in excess of income from activity |
2 | |
| 3 Administrative expenses paid to accomplish exempt purposes of supported organizations | 3 | |
| 4 Amounts paid to acquire exempt-use assets | 4 | |
| 5 Qualified set-aside amounts (prior IRS approval required - provide details in Part VI) | 5 | |
| 6 Other distributions (describe in Part VI). See instructions | 6 | |
| 7Total annual distributions. Add lines 1 through 6. | 7 | |
|
8
Distributions to attentive supported organizations to which the organization is responsive (provide details in Part VI). See instructions |
8 | |
| 9 Distributable amount for 2022 from Section C, line 6 | 9 | |
| 10 Line 8 amount divided by Line 9 amount | 10 | |
| Section E - Distribution Allocations (see instructions) |
(i) Excess Distributions |
(ii) Underdistributions Pre-2022 |
(iii) Distributable Amount for 2022 |
|
|---|---|---|---|---|
| 1 Distributable amount for 2022 from Section C, line 6 | ||||
|
2
Underdistributions, if any, for years prior to 2022 (reasonable cause required-- explain in Part VI).
See instructions. |
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| 3 Excess distributions carryover, if any, to 2022: | ||||
| a From 2017....... | ||||
| b From 2018....... | ||||
| c From 2019....... | ||||
| d From 2020....... | ||||
| e From 2021....... | ||||
| fTotal of lines 3a through e | ||||
| g Applied to underdistributions of prior years | ||||
| h Applied to 2022 distributable amount | ||||
|
i
Carryover from 2017 not applied (see instructions) |
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| j Remainder. Subtract lines 3g, 3h, and 3i from line 3f. | ||||
| 4Distributions for 2022 from Section D, line 7: | ||||
| $ | ||||
| a Applied to underdistributions of prior years | ||||
| b Applied to 2022 distributable amount | ||||
| c Remainder. Subtract lines 4a and 4b from line 4. | ||||
|
5
Remaining underdistributions for years prior to 2022, if any. Subtract lines 3g and 4a from line 2. If the amount is greater than zero, explain in Part VI. See instructions. |
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|
6
Remaining underdistributions for 2022. Subtract lines 3h and 4b from line 1. If the amount is greater than zero, explain in Part VI. See instructions. |
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|
7 Excess distributions carryover to 2023. Add lines 3j and 4c. |
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| 8 Breakdown of line 7: | ||||
| a Excess from 2018..... | ||||
| b Excess from 2019..... | ||||
| c Excess from 2020..... | ||||
| d Excess from 2021..... | ||||
| e Excess from 2022..... | ||||
| Facts And Circumstances Test |
|---|
| Return Reference | Explanation |
|---|---|
| SCHEDULE A, PART II, LINE 10, EXPLANATION OF OTHER INCOME: | FUNDRAISING INCOME - 2018 AMOUNT: $ 128,390. 2019 AMOUNT: $ 35,600. 2021 AMOUNT: $ 90,880. 2022 AMOUNT: $ 101,270. FOOD SERVICES - 2018 AMOUNT: $ 111,515. 2019 AMOUNT: $ 88,689. 2020 AMOUNT: $ 4,411. 2021 AMOUNT: $ 87,529. 2022 AMOUNT: $ 169,449. CORPORATE EXCHANGE REVENUE - 2021 AMOUNT: $ 65,919. 2022 AMOUNT: $ 160,441. |
| Software ID: | |
| Software Version: |
Attach to Form 990 or 990-EZ.
Go to www.irs.gov/Form990 for the latest information.
| Return Reference | Explanation |
|---|---|
| FORM 990, PART III, LINE 4A | ROSE B. SIMPSON: LEGACIES AUGUST 11, 2022 - JANUARY 29, 2023 FOTENE DEMOULAS GALLERY THE ART WORK OF ROSE B. SIMPSON (B. 1983 IN SANTA CLARA PUEBLO, NM) ENCOMPASSES CERAMIC SCULPTURE, METALS, PERFORMANCE, INSTALLATION, WRITING, AND AUTOMOBILE DESIGN, OFFERING POIGNANT REFLECTIONS ON THE HUMAN CONDITION. HER FIGURATIVE CERAMIC SCULPTURES, FOR WHICH SHE IS BEST KNOWN, OFTEN INCORPORATE METAL, WOOD, LEATHER, FABRIC, AND FOUND OBJECTS, AND EXPRESS COMPLEX PSYCHOLOGICAL STATES, SPIRITUALITY, WOMEN'S STRENGTH, AND POST-APOCALYPTIC VISIONS OF THE WORLD. PART OF A MULTIGENERATIONAL, MATRILINEAL LINEAGE OF ARTISTS WORKING WITH CLAY, SIMPSON CALLS FORTH INDIGENOUS KNOWLEDGE AND CURATIVE ASPECTS OF WORKING WITH CLAY TO HEAL GENERATIONAL TRAUMA AND FOSTER AN INTERNALIZED NOTION OF SUSTAINABILITY. AN ENROLLED MEMBER OF THE PUEBLO OF SANTA CLARA, NEW MEXICO (KHAAP'O OWINGEH), SIMPSON DRAWS ON PROCESSES OF PRODUCING CLAY POTTERY IN PRACTICE SINCE THE 6TH CENTURY, CONNECTING TRADITION AND KNOWLEDGE WITH HER OWN PLACE IN THE WORLD TODAY. FROM INTIMATELY SCALED WORKS, TO MONUMENTAL STANDING FIGURES, THIS TIGHTLY CONCEIVED EXHIBITION WILL FEATURE A PRESENTATION OF THE ARTIST'S SIGNATURE CERAMIC SCULPTURES ALONGSIDE NEW WORKS. ORGANIZED BY JEFFREY DE BLOIS, ASSOCIATE CURATOR AND PUBLICATIONS MANAGER. JORDAN NASSAR: FANTASY AND TRUTH AUGUST 11, 2022 - JANUARY 29, 2023 PAUL AND CATHERINE BUTTENWIESER GALLERY JORDAN NASSAR'S SOLO EXHIBITION, HIS FIRST IN BOSTON, PRESENTS A SELECTION OF HIS INTRICATE EMBROIDERED AND MIXED MEDIA WORKS. NASSAR (B. 1985 IN NEW YORK) DRAWS ON TRADITIONAL PALESTINIAN CRAFT TECHNIQUES TO INVESTIGATE IDEAS OF HOME, LAND, AND MEMORY. HIS WORK, WHICH HE CREATES IN COLLABORATION WITH PALESTINIAN EMBROIDERS AND CRAFTSPERSONS, COMBINES GEOMETRIC PATTERNS WITH ABSTRACTED LANDSCAPES, IMBUED, IN THE ARTIST'S WORDS, "WITH YEARNING, WHILE HOPEFUL AND BEAUTIFUL." THROUGH COMPLEX PATTERNING AND A UNIQUE ATTENDANCE TO FORM AND COLOR, THE PAINTERLY AESTHETIC OF NASSAR'S EMBROIDERY ALLOWS THE ARTIST TO EXPLORE RELATIONSHIPS BETWEEN CRAFT AND HISTORY IN NEW CONTEMPORARY DIALOGUES. ORGANIZED BY ANNI A. PULLAGURA, CURATORIAL ASSISTANT. TO BEGIN AGAIN: ARTISTS AND CHILDHOOD OCTOBER 6, 2022 - FEBRUARY 26, 2023 BRIDGITT AND BRUCE EVANS AND KAREN AND BRIAN CONWAY GALLERIES SWEEPING SURVEY OF 20TH AND 21ST CENTURY ART FEATURING WORK BY NJIDEKA AKUNYILI CROSBY, FRANCIS ALYS, JEAN-MICHEL BASQUIAT, JORDAN CASTEEL, PAUL KLEE, GLENN LIGON, OSCAR MURILLO, FAITH RINGGOLD, AND MORE. CHILDHOOD, A SUBJECT OF UNIVERSAL SIGNIFICANCE AND PERSONAL EXPERIENCE, PROVIDES A COMPELLING FRAMEWORK FOR UNDERSTANDING THE PAST AND IMAGINING THE FUTURE. TO BEGIN AGAIN: ARTISTS AND CHILDHOOD INVESTIGATES THE INFLUENCE OF CHILDREN AND CHILDHOOD ON VISUAL ARTISTS FROM THE EARLY 20TH CENTURY TO TODAY. WHILE ARTISTS HAVE LONG BEEN INSPIRED BY CHILDREN (BY THEIR IMAGINATION, CREATIVITY, AND UNIQUE WAYS OF SEEING AND BEING IN THE WORLD) THE FIELD OF ART HISTORY HAS LARGELY UNDERVALUED THE INFLUENCE OF CHILDREN AND THE SUBJECT OF CHILDHOOD. THROUGH VIBRANT WORKS OF ART, THIS EXHIBITION ILLUSTRATES THE DIVERSE EXPERIENCES OF CHILDHOOD AND ENGAGES CHILDHOOD AS AN INTELLECTUAL QUERY INTO LANGUAGE AND LEARNING. THE SIX THEMATIC SECTIONS OF TO BEGIN AGAIN EXPLORE HOW ARTISTS HAVE GRAPPLED WITH TIMELY ISSUES OF SELF-EXPRESSION, CREATIVITY, POWER, CARE, LABOR, AND LEARNING THROUGH THEIR ENGAGEMENT WITH CHILDHOOD. "CHILDREN ARE THE WAYS THE WORLD BEGINS AGAIN AND AGAIN." - JUNE JORDAN THE EXHIBITION FEATURES AN INTERNATIONAL AND INTERGENERATIONAL GROUP OF 40 ARTISTS WHOSE WORKS IN PAINTING, SCULPTURE, PHOTOGRAPHY, INSTALLATION, AND VIDEO OFFER DISTINCTIVE VIEWPOINTS AND EXPERIENCES. THE FEATURED ARTISTS, MANY PARENTS THEMSELVES, HAVE MADE ARTWORK THAT INVOLVES CHILDREN AS COLLABORATORS; MIMICS THEIR WAYS OF DRAWING OR TELLING STORIES; AND ADDRESSES IDEAS OF INNOCENCE, SPONTANEITY, AND DEPENDENCY CLOSELY ASSOCIATED WITH CHILDREN. THESE ARTWORKS, ALONG WITH A SELECTION OF WORKS MADE BY YOUNG PEOPLE, REVEAL THE MULTIFORM IDEA OF CHILDHOOD AS THE FOUNDATION UPON WHICH SOCIETY IS BUILT, IMAGINED, AND NEGOTIATED. TO BEGIN AGAIN INVITES AUDIENCES OF ALL AGES TO CONSIDER HOW CHILDREN AND CHILDHOOD HAVE INSPIRED ARTISTS IN MAKING THEIR WORK, AND, IN TURN, HOW THEIR WORK REFLECTS, CONTRIBUTES TO, AND CHALLENGES PERCEPTIONS OF CHILDHOOD. ORGANIZED BY RUTH ERICKSON, MANNION FAMILY SENIOR CURATOR, WITH JEFFREY DE BLOIS, ASSOCIATE CURATOR AND PUBLICATIONS MANAGER. BARBARA KRUGER NOVEMBER 5, 2022 - JANUARY 21, 2024 SANDRA AND GERALD FINEBERG ART WALL FOR MORE THAN 40 YEARS, BARBARA KRUGER (B. 1945 IN NEWARK, NJ) HAS BEEN A CONSISTENT, CRITICAL OBSERVER OF CONTEMPORARY CULTURE. IN THE EARLY 1980S, KRUGER PERFECTED A SIGNATURE STYLE OF WORDS AND IMAGES EXTRACTED FROM MASS MEDIA AND RECOMPOSED INTO MEMORABLE, GRAPHIC ARTWORKS. HER ICONIC WORKS, SUCH AS UNTITLED (I SHOP THEREFORE I AM), 1987, AND UNTITLED (YOUR BODY IS A BATTLEGROUND), 1989, COMBINE CROPPED, BLACK-AND-WHITE PHOTOGRAPHIC IMAGES WITH PROVOCATIVE SHORT TEXTS PRINTED ON SOLID COLORED BARS. OFTEN THESE WORKS ADDRESS VIEWERS DIRECTLY WITH PERSONAL PRONOUNS, LIKE "YOU AND "ME," WHILE CONFOUNDING CLEAR NOTIONS OF WHO IS SPEAKING. KRUGER'S PRODIGIOUS WORK HAS COME TO REPRESENT DEBATES ON WOMEN'S RIGHTS, IDENTITY, CONSUMERISM, AND CAPITALISM RAGING SINCE THE 80S. RIGOROUSLY COMPOSED, HER WORKS HAVE OCCUPIED A RANGE OF MEDIA AND SPACES, INCLUDING WALLS, BILLBOARDS, VIDEO PROJECTIONS, AND AN ARRAY OF CONSUMER PRODUCTS. SINCE THE 1990S, KRUGER HAS ALSO CREATED LARGE-SCALE INSTALLATIONS OF HER TEXT-BASED ART, TRANSFORMING LOBBIES, ELEVATORS, AND BUILDINGS WITH HER SIGNATURE AESTHETIC AND POINTED CONTENT. CONTINUING IN THIS VEIN, KRUGER WILL CREATE A BRAND-NEW WORK FOR THE ICA THAT SPEAKS, AS HER WORK HAS DONE FOR MORE THAN FOUR DECADES, TO CONTEMPORARY SOCIAL AND POLITICAL DYNAMICS. ORGANIZED BY RUTH ERICKSON, MANNION FAMILY SENIOR CURATOR. XAVIERA SIMMONS JANUARY 25, 2023 - MAY 31, 2023 THIRD FLOOR LOBBY XAVIERA SIMMONS PURSUES A RESEARCH-BASED PRACTICE THAT SPANS PHOTOGRAPHY, PERFORMANCE, VIDEO, SOUND, SCULPTURE, AND INSTALLATION, AND EXPLORES THE EXPERIENCES, MEMORIES, AND HISTORIES OF AFRICAN DIASPORAS. IN THE SERIES SUNDOWN (2018-PRESENT), REFERENCING "SUNDOWN TOWNS" WHERE MANY BLACK AMERICANS ARE NOT WELCOMED IN PUBLIC SPACE AFTER DARK, SIMMONS UTILIZES CLOTHING, PROPS, BACKDROPS, AND HISTORIC PHOTOGRAPHS TO MINE AND REFLECT ON BLACK EXPERIENCE ACROSS TIME. SUNDOWN (NUMBER TWELVE) (2018) IS IN THE MUSEUM'S PERMANENT COLLECTION AND WAS FEATURED IN THE EXHIBITION WHEN HOME WON'T LET YOU STAY: MIGRATION THROUGH CONTEMPORARY ART, ON VIEW AT THE ICA IN 2019. ORGANIZED BY YUTONG SHI, CURATORIAL ASSISTANT. MARIA BERRIO: THE CHILDREN'S CRUSADE FEBRUARY 16, 2023 - AUGUST 6, 2023 FOTENE DEMOULAS GALLERY NEW YORK BASED ARTIST MARIA BERRIO (BORN 1982 IN BOGOTA, COLOMBIA) CRAFTS HER LARGE-SCALE PAINTINGS THROUGH A UNIQUE, METICULOUS PROCESS OF COLLAGING TORN PIECES OF JAPANESE PAPER WITH WATERCOLOR TO CREATE RIVETING, MAGICAL SCENES. SPURRED BY CONTEMPORARY SOCIAL AND POLITICAL REALITIES, THE ARTIST LISTS POETRY, FOLKLORE, AND THE REALMS OF MAGIC AS HER SOURCES OF INSPIRATION TO IMAGINE ALTERNATIVE VIEWS OF PRESENT-DAY REALITIES, ESPECIALLY THOSE FACED BY MIGRANTS, WOMEN, AND CHILDREN. THIS EXHIBITION WILL PRESENT A SELECTION OF NEW AND EXISTING WORKS FROM BERRIO'S SERIES THE CHILDREN'S CRUSADE. THIS SERIES BLENDS THE HISTORY OF THE CHILDREN'S CRUSADE OF 1212 WITH THE CONTEMPORARY MASS MOVEMENT OF PEOPLES ACROSS BORDERS. WHILE THE ACTUAL EVENTS OF THE CHILDREN'S CRUSADE, IN WHICH THOUSANDS OF CHILDREN, LEGENDS SAY, TREKKED THROUGH ITALY AND FRANCE TO CONVERT MUSLIMS TO CHRISTIANITY, CONTINUE TO BE A SUBJECT OF DEBATE AMONG HISTORIANS, LEGENDS OF MIRACLES AND TRAGEDIES HAVE INSPIRED AN ABUNDANCE OF STORIES, SONGS, AND ARTWORK OVER CENTURIES. BERRIO DRAWS INSPIRATION FROM THESE DIVERSE SOURCES TO REFLECT ON THE CONTEMPORARY REALITIES FACING MIGRANTS AND UNACCOMPANIED MINORS TODAY. SOME OF HER WORKS REIMAGINE THE CHILD MIGRANT THROUGH SUCH FIGURES AS BIRDS AND HUMAN-ANIMAL HYBRIDS AND MEDITATE ON ISSUES OF FLIGHT, FREEDOM, CONTROL, AND PROTECTION. OTHER WORKS EVOKE DISPLACEMENT, LOSS, AND THE UNKNOWN THROUGH DETAILED LANDSCAPES AND NATURE SCENES. ENERGIZED BY THE CONTACT POINT BETWEEN REALITY AND MAGIC, THE ARTIST FRAMES HER EXHIBITIONS AS FICTIONAL STORIES, WITH EACH PAINTING SERVING AS A SCENE FROM AN UNFOLDING AND OTHERWORLDLY TALE AND ACCOMPANIED BY A NARRATIVE TEXT. HER NEW PAINTINGS CONTINUE HER ENDURING INTEREST IN RELATIONS BETWEEN HUMANS AND NATURE, DEPICTING HER CHILD PROTAGONISTS IN COMMUNE, CONFLICT, OR UNCERTAIN RELATION WITH NATURE AND ANIMALS. ORGANIZED BY RUTH ERICKSON, MANNION FAMILY SENIOR CURATOR. |
| FORM 990, PART III, LINE 4A | NEW ON VIEW FEBRUARY 16, 2023 - AUGUST 6, 2023 PAUL AND CATHERINE BUTTENWIESER GALLERY NEW ON VIEW PRESENTS A SMALL SELECTION OF WORKS ON VIEW AT THE MUSEUM FOR THE FIRST TIME, INCLUDING SEVERAL RECENTLY ACQUIRED WORKS TO THE PERMANENT COLLECTION. EXPLORING THEMES SUCH AS DOMESTICITY AND PHOTOGRAPHY IN AN EXPANDED FIELD, NEW ON VIEW DEMONSTRATES THAT WORKS RECENTLY ADDED TO THE ICA'S COLLECTION BUILD ON ITS STRENGTHS BY TAKING THEM IN EXPANSIVE NEW DIRECTIONS. ORGANIZED BY JEFFREY DE BLOIS, ASSOCIATE CURATOR AND PUBLICATIONS MANAGER. SIMONE LEIGH APRIL 6, 2023 - SEPTEMBER 4, 2023 BRIDGITT AND BRUCE EVANS AND KAREN AND BRIAN CONWAY GALLERIES SIMONE LEIGH (B. 1967, CHICAGO) REPRESENTED THE UNITED STATES AT THE 2022 VENICE BIENNALE, ONE OF THE LARGEST AND MOST IMPORTANT CONTEMPORARY ART EXHIBITIONS IN THE WORLD. SELECTIONS FROM LEIGH'S LANDMARK VENICE PRESENTATION ARE MAKING THEIR U.S. PREMIERE IN BOSTON, JOINED BY KEY WORKS FROM THROUGHOUT HER CAREER, PROVIDING A HOLISTIC UNDERSTANDING OF THE ARTIST'S PRODUCTION IN CERAMIC, BRONZE, AND VIDEO. FOR OVER TWO DECADES, LEIGH HAS EMBRACED A POLYPHONIC ARTISTIC VOCABULARY THAT ELABORATES ON BLACK FEMINIST THOUGHT, AN INTELLECTUAL TRADITION WHICH VALUES AND CENTERS THE EXPERIENCES OF BLACK WOMEN. INFORMED BY A RIGOROUS ATTENTION TO A WIDE SWATH OF HISTORICAL PERIODS, GEOGRAPHIES, AND ARTISTIC TRADITIONS OF AFRICA AND THE AFRICAN DIASPORA, LEIGH OFTEN COMBINES THE FEMALE BODY WITH DOMESTIC VESSELS OR ARCHITECTURAL ELEMENTS TO POINT TO UNACKNOWLEDGED ACTS OF LABOR AND CARE, PARTICULARLY AMONG AND FOR BLACK WOMEN. CLAY FORMS THE BASIS OF MOST OF LEIGH'S ARTWORKS, INCLUDING HER BRONZE SCULPTURES, WHICH ARE FIRST MODELED IN CLAY. THE ARTIST PUSHES THE MEDIUM'S POSSIBILITIES THROUGH SCALE AND METHOD, CHALLENGING CONVENTIONAL, HIERARCHICAL FINE ARTS HISTORIES, WHICH CAN STILL ATTACH TO CERAMICS ASSOCIATIONS AROUND WOMEN'S LABOR, DECORATION, DOMESTIC CRAFTS, AND UTILITY. THIS EXHIBITION TRACES THE ARTIST'S UNIQUE VISUAL LANGUAGE THROUGH SIGNATURE MOTIFS, INCLUDING COWRIE SHELLS, BRAIDING, ROSETTES, FACE VESSELS, AND EYELESS FACES. THROUGH LEIGH'S RE-PERFORMING OF THESE FORMS IN VARYING MATERIALS AND SCALES, NEW STRUCTURES OF THOUGHT AND MEANINGS EMERGE, EACH CONSISTENTLY CENTERING THE EXPERIENCES AND INTELLECTUAL LABOR OF BLACK FEMMES. ACCOMPANIED BY A MAJOR MONOGRAPH, THIS EXHIBITION OFFERS VISITORS A TIMELY OPPORTUNITY TO EXPERIENCE THE COMPLEX AND PROFOUNDLY MOVING WORK OF THIS GROUNDBREAKING ARTIST. SIMONE LEIGH WILL TOUR TO THE HIRSHHORN MUSEUM AND SCULPTURE GARDEN IN WASHINGTON, D.C. (NOVEMBER 2023 - MARCH 2024) AND A JOINT PRESENTATION AT THE LOS ANGELES COUNTY MUSEUM OF ART (LACMA) AND CALIFORNIA AFRICAN AMERICAN MUSEUM (CAAM) IN LOS ANGELES (JUNE 2024 - JANUARY 2025). ORGANIZED BY EVA RESPINI, DEPUTY DIRECTOR FOR CURATORIAL AFFAIRS AND BARBARA LEE CHIEF CURATOR, WITH ANNI A. PULLAGURA, CURATORIAL ASSISTANT. GUADALUPE MARAVILLA: MARIPOSA RELMAPAGO MAY 25, 2023 - SEPTEMBER 4, 2023 ICA WATERSHED GUADALUPE MARAVILLA (B. 1976 IN SAN SALVADOR, EL SALVADOR) GROUNDS HIS SCULPTURE, PAINTING, PERFORMANCE, AND LARGE-SCALE INSTALLATION IN ACTIVISM AND HEALING, INFORMED BY HIS PERSONAL STORY OF MIGRATION, ILLNESS, AND RECOVERY. AT THE AGE OF EIGHT, MARAVILLA FLED EL SALVADOR'S CIVIL WAR AS AN UNACCOMPANIED MINOR AND MADE A PERILOUS JOURNEY THROUGH CENTRAL AMERICA TO REUNITE WITH FAMILY IN THE UNITED STATES. IN THE 2010S, MARAVILLA WAS DIAGNOSED WITH COLON CANCER, AN ILLNESS HE LINKS TO GENERATIONAL TRAUMA AND THE STRESSES OF BEING UNDOCUMENTED, AND DURING THE RECOVERY PROCESS, HE WAS INTRODUCED TO ANCIENT METHODS OF HEALING, INCLUDING THE USE OF SOUND. THIS LIFE EVENT SHIFTED MARAVILLA'S PRACTICES, AND HE HAS SINCE WORKED TIRELESSLY TO RAISE AWARENESS OF TRAUMA AND EXPAND ACCESS TO HEALING, NURTURING COLLECTIVE NARRATIVES WITH A SENSE OF PERSEVERANCE AND HUMANITY. THIS EXHIBITION PRESENTS A SELECTION OF RECENT SCULPTURES AND PAINTINGS BY MARAVILLA. AT ITS CENTER IS MARIPOSA RELAMPAGO (LIGHTNING BUTTERFLY), A NEWLY COMMISSIONED WORK FOR THE ICA WATERSHED AND THE ARTIST'S LARGEST SCULPTURE TO DATE. MARIPOSA RELAMPAGO IS PART OF THE ARTIST'S DISEASE THROWER SERIES, SCULPTURES THAT INCORPORATE NATURAL MATERIALS, HANDMADE OBJECTS, AND ITEMS COLLECTED BY THE ARTIST WHILE RETRACING HIS MIGRATORY ROUTE TO BECOME SHRINES AND HEALING INSTRUMENTS. EVERY SCULPTURE INCLUDES METAL GONGS THAT ARE ACTIVATED BY THE ARTIST DURING PUBLIC SOUND BATHS TO DEPLOY THE POWERS OF VIBRATIONAL SOUND AS A FORM OF HEALING. MARAVILLA'S ARTWORKS CONTAIN A COSMOLOGY OF POTENT SYMBOLS AND OBJECTS THAT CONNECT THE ARTIST'S PERSONAL JOURNEY WITH ANCIENT PRACTICES OF THE INDIGENOUS MAYAN PEOPLES; DIVERSE SPIRITUAL AND FOLK BELIEFS; AND CONTEMPORARY CRISES OF DISEASE, ECOLOGY, AND WAR. WE INVITE YOU TO EXPLORE THIS EXHIBITION AND COME BACK FOR ONE OF THE MANY PROGRAMS OFFERED IN COLLABORATION WITH EAST BOSTON ORGANIZATIONS AND INDIVIDUALS WHO SUPPORT COMMUNITY HEALING AND WELL-BEING. ORGANIZED BY RUTH ERICKSON, MANNION FAMILY SENIOR CURATOR, WITH YUTONG SHI, CURATORIAL ASSISTANT. |
| FORM 990, PART III, LINE 4B | ADULT & INTERPRETIVE PROGRAMS SELECT LECTURE PROGRAMS WERE MADE AVAILABLE BOTH ONLINE AND IN-PERSON. ALL LECTURES LISTED WERE OFFERED ON-SITE UNLESS OTHERWISE NOTED BELOW. ADULT PROGRAMS SERVED 1,550 PEOPLE THROUGH LECTURES, WORKSHOPS, GALLERY TALKS AND MORE. ADULT WORKSHOPS AND PROGRAMS (VIRTUAL) * VIRTUAL TEACHER OPEN HOUSE: SIMONE LEIGH ADULT WORKSHOPS AND PROGRAMS * GALLERY TALK: JEFFREY DE BLOIS ON ROSE B. SIMPSON: LEGACIES * GALLERY TALK: JOEL CHRISTIAN GILL ON TO BEGIN AGAIN: ARTISTS AND CHILDHOOD * GALLERY TALK: RUTH ERICKSON ON TO BEGIN AGAIN: ARTISTS AND CHILDHOOD * GALLERY TALK: ANNI PULLAGURA ON JORDAN NASSAR: FANTASY AND TRUTH * GALLERY TALK: MARIA BERRIO * GALLERY TALK: TAYLOR DAVIS ON TAYLOR DAVIS SELECTS: INVISIBLE GROUND OF SYMPATHY * GALLERY TALK: TESSA HAAS ON SIMONE LEIGH * ICA WATERSHED COMMUNITY DINNER AND SOUND BATH WITH GUADALUPE MARAVILLA LECTURE PROGRAMS (VIRTUAL) * AIGA BOSTON + ICA PRESENT JESSICA HISCHE WITH KATHERINE HUGHES LECTURE PROGRAMS * AIGA BOSTON + ICA PRESENT LOUISE SANDHAUS WITH DOUG SCOTT, ANNE THOMPSON AND RAMON TEJADA * FROM VENICE TO BOSTON: A BEHIND THE SCENES LOOK AT PRESENTING SIMONE LEIGH AT THE BIENNALE AND BEYOND * THE ARTIST'S VOICE: DEBORAH ROBERTS WITH RUTH ERICKSON * THE ARTIST'S VOICE: ROSE B. SIMPSON WITH JEFF DE BLOIS * THE ARTIST'S VOICE: SHARON HAYES WITH RUTH ERICKSON * THE ARTIST'S VOICE: SIMONE LEIGH WITH RASHIDA BUMBRAY FAMILY PROGRAMS OVER THE PAST FISCAL YEAR, FAMILY PROGRAMS WELCOMED 10,259 VISITORS FOR ARTMAKING IN THE ART LAB. FAMILY PROGRAMS ALSO DISTRIBUTED 12,800 GALLERY GAMES RESOURCE CARDS TO VISITORS OVER THE COURSE OF THE FISCAL YEAR. IN FISCAL YEAR 2023, WATERSHED CLASSROOM KITS WERE DISTRIBUTED TO THE EAST BOSTON NEIGHBORHOOD HEALTH CENTER AND THE FOLLOWING BOSTON PUBLIC LIBRARY BRANCHES: * HONAN-ALLSTON * LOWER MILLS * ADAMS STREET * CODMAN SQUARE * FIELD'S CORNER * EAST BOSTON IN FISCAL YEAR 2023, 100 CLASSROOM ART KITS CONNECTED TO THE SPRING 2023 SIMONE LEIGH EXHIBITION AND ICA COLLECTION WERE DISTRIBUTED TO THE FOLLOWING BOSTON PUBLIC SCHOOLS: * BOSTON ARTS ACADEMY * BOSTON COMMUNITY LEADERSHIP ACADEMY * BOSTON DAY & EVENING ACADEMY * BOSTON GREEN ACADEMY * BOSTON INTERNATIONAL HIGH SCHOOL & NEWCOMERS ACADEMY * BOSTON LATIN SCHOOL * CHARLESTOWN HIGH SCHOOL * CURLEY ELEMENTARY * COMMUNITY ACADEMY * DEARBORN STEM ACADEMY * DR. WILLIAM W. HENDERSON K-12 INCLUSION SCHOOL * EAST BOSTON HIGH SCHOOL * EDWARD M. KENNEDY ACADEMY OF HEALTH CAREERS * ELLIS MENDELL ELEMENTARY * EVERETT ELEMENTARY * ENGLISH HIGH SCHOOL * EXCEL HIGH SCHOOL * FENWAY HIGH SCHOOL * JEREMIAH E. BURKE HIGH SCHOOL * JOHN D. O'BRYANT SCHOOL OF MATH & SCIENCE * JOSIAH QUINCY UPPER SCHOOL * JOYCE KILMER UPPER SCHOOL * MADISON PARK TECHNICAL VOCATIONAL HIGH SCHOOL * MARY LYON PILOT HIGH SCHOOL * MELVIN H. KING SOUTH END ACADEMY * NEW MISSION HIGH SCHOOL * RAFAEL HERNANDEZ DUAL LANGUAGE K-8 SCHOOL * SNOWDEN INTERNATIONAL HIGH SCHOOL * TECH BOSTON ACADEMY * WINSHIP ELEMENTARY * YOUNG ACHIEVERS SCIENCE & MATH PILOT K-8 EXTENDED YOUTH PROGRAMS * ART (CO)LAB PLAY DATES * RHYTHMIC VIEWS * STUNNING SHAPES * SEEING ME * PUPPETS! (ACT I) * PUPPETS! (ACT II) * POWER MOVES * STORY SHAPERS * MADE BY HAND * SELF-LOVE PLAY DATES (VIRTUAL) * FAMILY VIRTUAL CINEMA ART LAB * BRIDGING CREATIVITY: ART LAB FROM HOME TO HERE WITH MEL TAING, LJ-BAPTISTE, MITHSUCA BERRY, AND MAYA ERDELYI * CAN YOU SEE ME? BY ELISA HAMILTON FAMILY WORKSHOPS AND PROGRAMS * WATERSHED FAMILY DAY * DECEMBER SCHOOL VACATION WEEK: ELISA HAMILTON, CAN YOU SEE ME? * FEBRUARY SCHOOL VACATION WEEK: CAN YOU SEE ME? "IDENTITY ZINES" * APRIL SCHOOL VACATION WEEK: "WONDER WHEELS" COMMUNITY PARTNERSHIPS THE ICA COLLABORATED WITH NUMEROUS ORGANIZATIONS THROUGHOUT FY23. BELOW IS A LIST OF SELECT PARTNER ORGANIZATIONS. * BOSTON PUBLIC SCHOOLS ARTS CREDIT PROGRAM PARTNER SCHOOLS - BOSTON COMMUNITY LEADERSHIP ACADEMY - BOSTON DAY AND EVENING ACADEMY - BOSTON INTERNATIONAL NEWCOMERS ACADEMY - CHARLESTOWN HIGH SCHOOL - EAST BOSTON HIGH SCHOOL - ENGLISH HIGH SCHOOL - EXCEL HIGH SCHOOL - FENWAY HIGH SCHOOL - GREATER EGLESTON HIGH SCHOOL - NEW MISSION HIGH SCHOOL - O'BRYANT SCHOOL OF MATHEMATICS & SCIENCE - SNOWDEN INTERNATIONAL SCHOOL * COMMUNITY PARTNER ORGANIZATIONS (SELECT LIST) - AIGA BOSTON - BOSTON PUBLIC LIBRARY - BOSTON PUBLIC SCHOOLS - BOSTON UNIVERSITY: UPWARD BOUND - BOSTON INTERNATIONAL KIDS FILM FESTIVAL - CATHOLIC CHARITIES TEEN CENTER AT ST. PETER'S - DESIGN STUDIO FOR SOCIAL INTERVENTION - EAST BOSTON NEIGHBORHOOD HEALTH CENTER - EAST BOSTON SOCIAL CENTERS - EMERSON COLLEGE - FRUGAL BOOKSTORE - HARVARD GRADUATE SCHOOL OF EDUCATION - HAUS OF GLITTER - MAYOR'S OFFICE OF NEIGHBORHOOD SERVICES - MATTAPAN LIBRARY - MATTAPAN TEEN CENTER - PANLYFE PROJECT - PEGGY GUGGENHEIM COLLECTION, VENICE - PUPPET SHOWPLACE THEATER - SALSA Y CONTROL - SCOUT FILM FESTIVAL - UMASS BOSTON: URBAN SCHOLARS - URBANITY DANCE CO. - VERONICA ROBLES CULTURAL CENTER - ZUMIX TOUR AND GROUP VISIT PROGRAMS THE TOURS AND GROUP VISIT PROGRAMS OFFERS GUIDED AND SELF-GUIDED VISITS FOR ALL AGE GROUPS. IN THE K-12 AGE GROUP ALONE, 4,943 PEOPLE WERE SERVED THROUGH 238 GROUP VISITS. A TOTAL OF 3,518 COLLEGE AND UNIVERSITY, ADULT AND SENIOR VISITORS ATTENDED 219 SELF-GUIDED VISITS, GUIDED VISITS, AND PUBLIC TOURS IN FY23. TEEN PROGRAMS TEEN PROGRAMS SERVED A TOTAL OF 4,123 YOUTH THROUGH IN-PERSON AFTER SCHOOL PROGRAMS AND EVENTS IN FY23. IN ADDITION, TEEN PROGRAMS SERVED 405 TEENS THROUGH VIRTUAL PROGRAMS. THE TEEN GALLERY, LOCATED IN SEAPORT STUDIO, WELCOMED 850 VISITORS FOR GALLERY OPENINGS AND TEEN EXHIBITION VIEWING. ALL PROGRAMS ARE LISTED BELOW. EDUCATIONAL RESOURCES AND STUDENT FILMS CREATED THROUGH ICA TEEN PROGRAMS WERE ALSO ACCESSIBLE VIA THE ICATEENS.ORG WEBSITE AND SOCIAL MEDIA CHANNELS. ARTIST ENCOUNTERS & INTERVIEWS * ARTIST INTERVIEW: GUADALUPE MARAVILLA * ARTIST INTERVIEW: SUZANNE BOCANEGRA * TELLING YOUR STORY INTERVIEWS AT WATERSHED FAMILY DAY: TEEN DIGITAL COOPERATIVE EXTENDED TEEN PROGRAMS * FAST FORWARD THURSDAY * FAST FORWARD FRIDAY * MUSIC PRODUCTION: AMP * PHOTOGRAPHY COLLECTIVE * PHOTOGRAPHY: SPECIAL FOCUS (FALL 2022; SPRING 2023) * TEEN ARTS COUNCIL (SUMMER 2022; SCHOOL YEAR 2022-2023) * TEEN DIGITAL COOPERATIVE * TEEN EXHIBITIONS PROGRAM (SUMMER 2022; SCHOOL YEAR 2022-2023) * ALUMNI CONVENING PLANNING COMMITTEE (VIRTUAL) TEEN ARTS COUNCIL IN SUMMER 2022, STUDENTS FROM THE FOLLOWING SCHOOLS WERE REPRESENTED IN THE TEEN ARTS COUNCIL: * BOSTON ARTS ACADEMY * BOSTON LATIN ACADEMY * BOSTON LATIN SCHOOL * BROOKLINE HIGH SCHOOL * FENWAY HIGH SCHOOL * GREATER EGELSTON HIGH SCHOOL * O'BRYANT SCHOOL OF MATHEMATICS & SCIENCE * SOMERVILLE HIGH SCHOOL * WINCHESTER HIGH SCHOOL IN SUMMER 2022, STUDENTS FROM THE FOLLOWING SCHOOLS WERE REPRESENTED IN TEEN EXHIBITIONS PROGRAM: * BOSTON ARTS ACADEMY * BOSTON LATIN ACADEMY * BOSTON LATIN SCHOOL * CHARLESTOWN HIGH SCHOOL * INTERNATIONAL SCHOOL OF BOSTON * O'BRYANT SCHOOL OF MATHEMATICS & SCIENCE * MALDEN HIGH SCHOOL * PIONEER CHARTER SCHOOL OF SCIENCE IN SCHOOL YEAR 2022-2023, STUDENTS FROM THE FOLLOWING SCHOOLS WERE REPRESENTED IN THE TEEN ARTS COUNCIL: * BOSTON ARTS ACADEMY * BOSTON INTERNATIONAL NEWCOMERS ACADEMY * BOSTON LATIN ACADEMY * BOSTON LATIN SCHOOL * BROOKLINE HIGH SCHOOL * EXCEL CHARTER HIGH * O'BRYANT SCHOOL OF MATHEMATICS & SCIENCE * JOSIAH QUINCY UPPER SCHOOL * REVERE HIGH SCHOOL * ROXBURY LATIN SCHOOL * SAUGUS HIGH SCHOOL * SOMERVILLE HIGH SCHOOL IN SCHOOL YEAR 2022-2023, STUDENTS FROM THE FOLLOWING SCHOOLS WERE REPRESENTED IN THE TEEN EXHIBITION PROGRAM: * BOSTON ARTS ACADEMY * BOSTON INTERNATIONAL NEWCOMERS ACADEMY * BOSTON LATIN ACADEMY * BOSTON LATIN SCHOOL * CHARLESTOWN HIGH SCHOOL * INTERNATIONAL SCHOOL OF BOSTON * O'BRYANT SCHOOL OF MATHEMATICS & SCIENCE * MALDEN HIGH SCHOOL * PIONEER CHARTER SCHOOL OF SCIENCE WALL TALK SCHOOL PARTNERSHIP PROGRAM PARTNERS * BOSTON COLLEGIATE CHARTER SCHOOL * BOSTON COMMUNITY LEADERSHIP ACADEMY * CHARLESTOWN HIGH SCHOOL * EXCEL HIGH SCHOOL * MARTIN LUTHER KING JR. HIGH SCHOOL * MCKAY K-8 SCHOOL * GREATER EGLESTON HIGH SCHOOL * MCKINLEY SOUTH END ACADEMY * RAFAEL HERNANDEZ SCHOOL TEEN NIGHTS TEEN NIGHTS WERE PLANNED AND HOSTED BY TEEN ARTS COUNCIL. IN FY23, THE ICA WELCOMED OVER 1,530 TEENS TO THE MUSEUM FOR TEEN NIGHTS. * SUMMER TEEN NIGHT: WHAT IS IDENTITY? (A PLACE FOR US) * FALL TEEN NIGHT: AFTER THE AFTER * SPRING TEEN NIGHT: GROOVEMENT |
| FORM 990, PART III, LINE 4B | TEEN NEW MEDIA WORKSHOPS * UMASS BOSTON: URBAN SCHOLARS + UPWARD BOUND PHOTOGRAPHY AND MUSIC PRODUCTION * TELLING YOUR STORY: TDC FOR CATHOLIC CHARITIES TEEN CENTER * TELLING YOUR STORY: TDC WORKSHOPS AT WATERSHED FAMILY DAY * TAC WITH ZUMIX: RADIO EXCHANGE OTHER WORKSHOPS * TAC EXCHANGE WITH DESIGN STUDIO FOR SOCIAL INTERVENTION (DS4SI): INPUBLIC SUMMER SERIES 2022 * TAC FINGERPAINTING + FOUR SQUARE WORKSHOP WITH DS4SI: INPUBLIC (WILD RUMPUS) * BUILDING COMMUNITY THROUGH CREATIVE ICEBREAKERS: TAC FOR CATHOLIC CHARITIES TEEN CENTER * EXPLORING CONNECTIONS: TEP FOR HARLEM LACROSSE AT TECH BOSTON ACADEMY * CONTEMPORARY CONNECTIONS EDUCATOR WORKSHOP * ICA TEENS FALL KICKOFF: OPEN HOUSE * TEP EXCHANGE WITH DZIDZOR AZAGLO AND CRYSTAL BI: THE WILDERNESS PROJECT (VIRTUAL) * CREATIVE COMMUNITY NETWORK WORKSHOP AT EMERSON COLLEGE * EDUCATOR GATHERING AT SEAPORT STUDIO * SCOUT FILM FESTIVAL WORKSHOPS * COMMUNITY VIOLENCE IMPACT MEETING WITH THE MAYOR'S OFFICE OF NEIGHBORHOOD SERVICES OTHER EVENTS * ICA TEENS ULTRAFUSION: HOLIDAY GATHERING + CONVERSE GIVEAWAY * THE CURRENT: HEART TO HEART * FENWAY PROJECT WEEK * SIDES OF ME: TEP OPEN MIC * SIDES OF ME: TEP BRACELET MAKING * SIDES OF ME: TEP GAMES AND GAMING TEEN EXHIBITIONS & SHOWCASES * AMP MID-YEAR PERFORMANCE * TEEN GALLERY EXHIBITION: SIDES OF ME * TEEN GALLERY EXHIBITION: THE STORIES THAT MAKE US * NIGHT LIFE: PHOTOGRAPHY EXHIBITION AT HARVARD GSE GUTMAN LIBRARY * WINTER SHOWCASE * SPRING SHOWCASE * WALLTALK READING JAM ALUMNI PROGRAMS (VIRTUAL) * TEEN CONVENING: ALUMNI * COMMUNAL DINNER + CREATIVE WORKSHOP: CREATIVE CARE AND HEALING * COMMUNAL DINNER + CREATIVE WORKSHOP: ART, PLACE, & DRAWING |
| FORM 990, PART VI, SECTION B, LINE 11B | FORM 990 IS REVIEWED BY THE ICA'S CFO FOR COMPLETENESS AND THEN IS FORWARDED TO THE ICA'S AUDIT COMMITTEE FOR REVIEW AND DISCUSSION WITH OUTSIDE INDEPENDENT ACCOUNTANTS. THE AUDIT COMMITTEE IS RESPONSIBLE FOR APPROVING THE FORM 990 FOR SUBMITTAL TO THE IRS. PRIOR TO SENDING THE FORM 990 TO THE IRS THE ICA'S CFO WILL SEND A COPY OF THE DOCUMENT TO EACH ICA TRUSTEE. |
| FORM 990, PART VI, SECTION B, LINE 12C | EACH FALL, THE ICA REQUIRES ALL ITS TRUSTEES TO DISCLOSE ANY CONFLICT OF INTEREST ON A DISCLOSURE STATEMENT. THE PURPOSE OF THE CONFLICT OF INTEREST POLICY IS TO GIVE GUIDANCE TO THE ICA'S LEADERS ABOUT AREAS OF CONFLICT OF INTEREST SO THAT CONFLICTS, REAL OR PERCEIVED, MAY BE IDENTIFIED EARLY, DISCLOSED, AND RESOLVED APPROPRIATELY. IDEALLY, THIS POLICY WILL PROTECT THE ICA'S INTERESTS WHEN IT IS CONTEMPLATING ENTERING INTO A TRANSACTION OR ARRANGEMENT THAT MIGHT BENEFIT THE PRIVATE INTERESTS OF AN OFFICER OR TRUSTEE. IN CONNECTION WITH ANY ACTUAL OR POSSIBLE CONFLICT OF INTEREST, A FIDUCIARY SHALL DISCLOSE ALL MATERIAL FACTS TO THE PRESIDENT, CHAIRPERSON OR DIRECTOR AT THE EARLIEST POSSIBLE TIME AFTER THE SITUATION BECOMES KNOWN TO THE FIDUCIARY. THE FIDUCIARY SHALL ALSO DISCLOSE SUCH MATTERS ON AN ANNUAL BASIS AT THE TIME THE FIDUCIARY SIGNS THE ANNUAL STATEMENT OF THIS POLICY, OR OTHER REPORTING AND CERTIFICATION PROCEDURES AS THE BOARD OF TRUSTEES SHALL REQUIRE FROM TIME TO TIME. AFTER DISCLOSURE OF THE FINANCIAL INTEREST AND ALL MATERIAL FACTS, AND AFTER ANY DISCUSSION WITH THE FIDUCIARY, THE EXECUTIVE COMMITTEE OF THE BOARD SHALL FINALLY DETERMINE WHETHER ANY CONFLICT OF INTEREST EXISTS. IF THE FIDUCIARY IS PRESENT FOR THIS DISCUSSION, THEN THE FIDUCIARY SHALL LEAVE THE EXECUTIVE COMMITTEE OF THE BOARD MEETING WHILE THE DETERMINATION OF CONFLICT OF INTEREST IS DISCUSSED AND VOTED UPON. IF THE EXECUTIVE COMMITTEE OF THE BOARD DETERMINES THAT A CONFLICT EXISTS WITH RESPECT TO A TRANSACTION, THE EXECUTIVE COMMITTEE OF THE BOARD SHALL: (A)ALLOW THE FIDUCIARY TO MAKE A PRESENTATION TO THE EXECUTIVE COMMITTEE OF THE BOARD, BUT AFTER SUCH PRESENTATION, THE FIDUCIARY WITH THE FINANCIAL INTEREST SHALL LEAVE THE MEETING DURING THE DISCUSSION OF, AND THE VOTE ON, THE TRANSACTION THAT INVOLVES THE CONFLICT OF INTEREST; (B)APPOINT, IF THE EXECUTIVE COMMITTEE OF THE BOARD DEEMS IT APPROPRIATE TO DO SO, A NON INTERESTED PERSON OR COMMITTEE TO INVESTIGATE ALTERNATIVES TO THE TRANSACTION; (C)DETERMINE, BY A MAJORITY VOTE OF THE NON INTERESTED TRUSTEE MEMBERS OF THE EXECUTIVE COMMITTEE PRESENT, WHETHER THE TRANSACTION IS IN THE ICA'S BEST INTEREST AND FOR ITS OWN BENEFIT; IS FAIR AND REASONABLE TO THE ICA; AND, AFTER EXERCISING DUE DILIGENCE, DETERMINE WHETHER THE ICA CAN OBTAIN A MORE ADVANTAGEOUS TRANSACTION WITH REASONABLE EFFORTS UNDER THE CIRCUMSTANCES; AND (D)TAKE APPROPRIATE ACTION WITH RESPECT TO ANY VIOLATION OF THIS CONFLICT OF INTEREST POLICY. |
| FORM 990, PART VI, SECTION B, LINE 15 | THE COMPENSATION FOR THE DIRECTOR IS REVIEWED AND APPROVED BY THE ICA'S COMPENSATION COMMITTEE. THIS COMMITTEE ALSO REVIEWS THE COMPENSATION FOR THE ICA'S SENIOR MANAGEMENT TEAM (CHIEF OPERATING AND CHIEF FINANCIAL OFFICER, CHIEF CURATOR, DEPUTY DIRECTOR OF PUBLIC ENGAGEMENT AND PLANNING, DIRECTOR OF DEVELOPMENT, DIRECTOR OF EDUCATION AND DIRECTOR OF PERFORMING AND MEDIA ARTS) BUT FINAL COMPENSATION FOR THE SENIOR MANAGEMENT TEAM IS DETERMINED BY THE DIRECTOR. THE COMPENSATION COMMITTEE USES THE ANNUAL SALARY SURVEY FROM THE AMERICAN ASSOCIATION OF MUSEUM DIRECTORS AND FORM 990 DATA FROM SIMILAR ORGANIZATIONS. |
| FORM 990, PART VI, SECTION C, LINE 19 | THE ORGANIZATION MAKES ITS GOVERNING DOCUMENTS, CONFLICT OF INTEREST POLICY, FORM 990, AND AUDITED FINANCIAL STATEMENTS AVAILABLE TO THE PUBLIC UPON REQUEST FOR THE SAME PERIOD OF DISCLOSURE AS SET FORTH IN SECTION 6104(D). IN ADDITION, THE ORGANIZATION'S FORM 990 WITHOUT SCHEDULE B IS AVAILABLE VIA GUIDESTAR AND THE MASSACHUSETTS ATTORNEY GENERAL'S WEBSITE. |
| FORM 990, PART IX, LINE 11G | CONSULTANTS AND CONTRACTORS: PROGRAM SERVICE EXPENSES 708,663. MANAGEMENT AND GENERAL EXPENSES 81,005. FUNDRAISING EXPENSES 11,258. TOTAL EXPENSES 800,926. PHOTOGRAPHY SERVICES: PROGRAM SERVICE EXPENSES 58,982. MANAGEMENT AND GENERAL EXPENSES 0. FUNDRAISING EXPENSES 0. TOTAL EXPENSES 58,982. OUTSIDE SERVICES: PROGRAM SERVICE EXPENSES 1,491,859. MANAGEMENT AND GENERAL EXPENSES 44,707. FUNDRAISING EXPENSES 8,050. TOTAL EXPENSES 1,544,616. |
| FORM 990, PART XI, LINE 9: | GAIN ON SPLIT INTEREST AGREEMENT 11,567. LOSSES FROM UNCONDITIONAL PROMISES TO GIVE WRITE OFFS AND ALLOWANCES -22,545. |
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