Attach to Form 990 or Form 990-EZ.
Go to
www.irs.gov/Form990 for instructions and the latest information.
| (i) Name of supported organization | (ii) EIN | (iii) Type of organization (described on lines 1- 10 above (see instructions)) | (iv) Is the organization listed in your governing document? | (v) Amount of monetary support (see instructions) | (vi) Amount of other support (see instructions) | |
|---|---|---|---|---|---|---|
| Yes | No | |||||
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Total |
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Calendar year
(or fiscal year beginning in)
![]() |
(a) 2019 | (b) 2020 | (c) 2021 | (d) 2022 | (e) 2023 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 1 | Gifts, grants, contributions, and membership fees received. (Do not include any "unusual grant.") .. | 1,285,331 | 3,488,243 | 3,576,826 | 3,039,354 | 5,362,272 | 16,752,026 |
| 2 | Tax revenues levied for the organization's benefit and either paid to or expended on its behalf .... | ||||||
| 3 | The value of services or facilities furnished by a governmental unit to the organization without charge.. | 60,000 | 60,000 | 60,000 | 60,000 | 60,000 | 300,000 |
| 4 | Total. Add lines 1 through 3 | 1,345,331 | 3,548,243 | 3,636,826 | 3,099,354 | 5,422,272 | 17,052,026 |
| 5 | The portion of total contributions by each person (other than a governmental unit or publicly supported organization) included on line 1 that exceeds 2% of the amount shown on line 11, column (f) .. | ||||||
| 6 | Public support. Subtract line 5 from line 4. | 17,052,026 | |||||
Calendar year
(or fiscal year beginning in)
![]() |
(a) 2019 | (b) 2020 | (c) 2021 | (d) 2022 | (e) 2023 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 7 | Amounts from line 4.. | 1,345,331 | 3,548,243 | 3,636,826 | 3,099,354 | 5,422,272 | 17,052,026 |
| 8 | Gross income from interest, dividends, payments received on securities loans, rents, royalties and income from similar sources... | 55,840 | 55,840 | ||||
| 9 | Net income from unrelated business activities, whether or not the business is regularly carried on.. | ||||||
| 10 | Other income. Do not include gain or loss from the sale of capital assets (Explain in Part VI.).. | ||||||
| 11 | Total support. Add lines 7 through 10 | 17,107,866 | |||||
Calendar year (or fiscal
year beginning in) ![]() |
(a) 2019 | (b) 2020 | (c) 2021 | (d) 2022 | (e) 2023 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 1 | Gifts, grants, contributions, and membership fees received. (Do not include any "unusual grants.") . | ||||||
| 2 | Gross receipts from admissions, merchandise sold or services performed, or facilities furnished in any activity that is related to the organization's tax-exempt purpose | ||||||
| 3 | Gross receipts from activities that are not an unrelated trade or business under section 513 ..... | ||||||
| 4 | Tax revenues levied for the organization's benefit and either paid to or expended on its behalf... | ||||||
| 5 | The value of services or facilities furnished by a governmental unit to the organization without charge | ||||||
| 6 | Total. Add lines 1 through 5 | ||||||
| 7a | Amounts included on lines 1, 2, and 3 received from disqualified persons | ||||||
| b | Amounts included on lines 2 and 3 received from other than disqualified persons that exceed the greater of $5,000 or 1% of the amount on line 13 for the year. | ||||||
| c | Add lines 7a and 7b.. | ||||||
| 8 | Public support. (Subtract line 7c from line 6.) | ||||||
Calendar year
(or fiscal year beginning in)
![]() |
(a) 2019 | (b) 2020 | (c) 2021 | (d) 2022 | (e) 2023 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 9 | Amounts from line 6... | ||||||
| 10a | Gross income from interest, dividends, payments received on securities loans, rents, royalties and income from similar sources.. | ||||||
| b | Unrelated business taxable income (less section 511 taxes) from businesses acquired after June 30, 1975. | ||||||
| c | Add lines 10a and 10b. | ||||||
| 11 | Net income from unrelated business activities not included on line 10b, whether or not the business is regularly carried on. | ||||||
| 12 | Other income. Do not include gain or loss from the sale of capital assets (Explain in Part VI.) .. | ||||||
| 13 | Total support. (Add lines 9, 10c, 11, and 12.).. | ||||||
| Section A - Adjusted Net Income | (A) Prior Year |
(B) Current Year (optional) |
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| 1 | Net short-term capital gain | 1 | ||||
| 2 | Recoveries of prior-year distributions | 2 | ||||
| 3 | Other gross income (see instructions) | 3 | ||||
| 4 | Add lines 1 through 3 | 4 | ||||
| 5 | Depreciation and depletion | 5 | ||||
| 6 | Portion of operating expenses paid or incurred for production or collection of gross income or for management, conservation, or maintenance of property held for production of income (see instructions) | 6 | ||||
| 7 | Other expenses (see instructions) | 7 | ||||
| 8 | Adjusted Net Income (subtract lines 5, 6 and 7 from line 4) | 8 | ||||
| Section B - Minimum Asset Amount | (A) Prior Year |
(B) Current Year (optional) |
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| 1 | Aggregate fair market value of all non-exempt-use assets (see instructions for short tax year or assets held for part of year): | 1 | ||||
| a | Average monthly value of securities | 1a | ||||
| b | Average monthly cash balances | 1b | ||||
| c | Fair market value of other non-exempt-use assets | 1c | ||||
| d | Total (add lines 1a, 1b, and 1c) | 1d | ||||
| e |
Discount claimed for blockage or other factors (explain in detail in Part VI): |
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| 2 | Acquisition indebtedness applicable to non-exempt use assets | 2 | ||||
| 3 | Subtract line 2 from line 1d | 3 | ||||
| 4 | Cash deemed held for exempt use. Enter 0.015 of line 3 (for greater amount, see instructions). | 4 | ||||
| 5 | Net value of non-exempt-use assets (subtract line 4 from line 3) | 5 | ||||
| 6 | Multiply line 5 by 0.035 | 6 | ||||
| 7 | Recoveries of prior-year distributions | 7 | ||||
| 8 | Minimum Asset Amount (add line 7 to line 6) | 8 | ||||
| Section C - Distributable Amount | Current Year | |||||
| 1 | Adjusted net income for prior year (from Section A, line 8, Column A) | 1 | ||||
| 2 | Enter 85% of line 1 | 2 | ||||
| 3 | Minimum asset amount for prior year (from Section B, line 8, Column A) | 3 | ||||
| 4 | Enter greater of line 2 or line 3 | 4 | ||||
| 5 | Income tax imposed in prior year | 5 | ||||
| 6 | Distributable Amount. Subtract line 5 from line 4, unless subject to emergency temporary reduction (see instructions) | 6 | ||||
| Section D - Distributions | Current Year | |
|---|---|---|
| 1 Amounts paid to supported organizations to accomplish exempt purposes | 1 | |
|
2
Amounts paid to perform activity that directly furthers exempt purposes of supported organizations, in excess of income from activity |
2 | |
| 3 Administrative expenses paid to accomplish exempt purposes of supported organizations | 3 | |
| 4 Amounts paid to acquire exempt-use assets | 4 | |
| 5 Qualified set-aside amounts (prior IRS approval required - provide details in Part VI) | 5 | |
| 6 Other distributions (describe in Part VI). See instructions | 6 | |
| 7Total annual distributions. Add lines 1 through 6. | 7 | |
|
8
Distributions to attentive supported organizations to which the organization is responsive (provide details in Part VI). See instructions |
8 | |
| 9 Distributable amount for 2023 from Section C, line 6 | 9 | |
| 10 Line 8 amount divided by Line 9 amount | 10 | |
| Section E - Distribution Allocations (see instructions) |
(i) Excess Distributions |
(ii) Underdistributions Pre-2023 |
(iii) Distributable Amount for 2023 |
|
|---|---|---|---|---|
| 1 Distributable amount for 2023 from Section C, line 6 | ||||
|
2
Underdistributions, if any, for years prior to 2023 (reasonable cause required-- explain in Part VI).
See instructions. |
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| 3 Excess distributions carryover, if any, to 2023: | ||||
| a From 2018....... | ||||
| b From 2019....... | ||||
| c From 2020....... | ||||
| d From 2021....... | ||||
| e From 2022....... | ||||
| fTotal of lines 3a through e | ||||
| g Applied to underdistributions of prior years | ||||
| h Applied to 2023 distributable amount | ||||
|
i
Carryover from 2018 not applied (see instructions) |
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| j Remainder. Subtract lines 3g, 3h, and 3i from line 3f. | ||||
| 4Distributions for 2023 from Section D, line 7: | ||||
| $ | ||||
| a Applied to underdistributions of prior years | ||||
| b Applied to 2023 distributable amount | ||||
| c Remainder. Subtract lines 4a and 4b from line 4. | ||||
|
5
Remaining underdistributions for years prior to 2023, if any. Subtract lines 3g and 4a from line 2. If the amount is greater than zero, explain in Part VI. See instructions. |
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6
Remaining underdistributions for 2023. Subtract lines 3h and 4b from line 1. If the amount is greater than zero, explain in Part VI. See instructions. |
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7 Excess distributions carryover to 2024. Add lines 3j and 4c. |
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| 8 Breakdown of line 7: | ||||
| a Excess from 2019..... | ||||
| b Excess from 2020..... | ||||
| c Excess from 2021..... | ||||
| d Excess from 2022..... | ||||
| e Excess from 2023..... | ||||
| Facts And Circumstances Test |
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| Return Reference | Explanation |
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| Software ID: | |
| Software Version: |
| Return Reference | Explanation |
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| FORM 990, PART III, LINE 4A: | AS OF 2023, THE TAMPA MUSEUM OF ART'S PERMANENT COLLECTION NOW COMPRISES OVER 8,000 OBJECTS. THE MUSEUM PRIMARILY COLLECTS CLASSICAL ANTIQUITIES (903 OBJECTS), 19TH-CENTURY PHOTOGRAPHY AND PRINTS EMPHASIZING WORKS THAT RELATE TO THE CLASSICAL COLLECTION (APPROXIMATELY 1,300 OBJECTS), MODERN AND CONTEMPORARY ART IN A VARIETY OF MEDIA (OVER 5,778 OBJECTS), WITH AN EMPHASIS ON PHOTOGRAPHY, ART CREATED AFTER 1970, AND NEW MEDIA. THE MUSEUM CARES FOR AND COLLECTS WORKS BY NATIONALLY AND INTERNATIONALLY RECOGNIZED ARTISTS IN A RANGE OF TECHNIQUES AND MEDIUMS, MANY OF WHOM HAVE TIES TO FLORIDA AND THE TAMPA BAY REGION. THE MUSEUM RECOGNIZES THAT ITS ACQUISITIONS TODAY ARE SETTING STANDARDS FOR FUTURE COLLECTING ACTIVITY AND BUILDING A FOUNDATION FOR EXHIBITIONS AND EDUCATION PROGRAMMING. THE MUSEUM CELEBRATED ITS 103RD ANNIVERSARY IN 2023 AND OPENED ADDITIONAL EXHIBITION PROGRAM SPACE REDESIGNED FROM BACK-OF-THE-HOUSE STORAGE SPACE WITH THE FINAL GALLERY OPENING IN APRIL. TWO 800 SQUARE FEET PROMENADE GALLERIES, TWO 1,600 SQUARE FEET GALLERIES AND ONE 3,000 SQUARE FOOT GALLERY WERE COMPLETED ON THE SECOND FLOOR AND THE FORMER 4,000 SQUARE FOOT ENTRANCE LOBBY WAS TRANSFORMED INTO A FLEXIBLE GALLERY FOR HANGING SCULPTURE AND LARGE-SCALE TWO-DIMENSIONAL ART ON THE WALLS. THE FORMER MUSEUM STORE WAS ENLARGED BY 600 SQUARE FEET FOR A TOTAL OF 1,200 SQUARE FEET AND RELOCATED ALONG WITH ITS VISITOR SERVICE DESK TO THE WEST SIDE OF THE MUSEUM. THROUGH THE YEAR, THE TAMPA MUSEUM OF ART CONTINUED TO RAISE REVENUE AND ALLOCATE ITS RESOURCES TOWARD PROGRAM MANAGEMENT AND PRESENTATION OF COLLECTIONS, COLLECTIONS' CARE AND MANAGEMENT, AND A PROVIDE A ROBUST SCHEDULE OF EXHIBITION AND EDUCATION PROGRAMS TO SERVE THE TAMPA BAY COMMUNITY, ALBEIT VIRTUAL AS WELL AS IN PERSON. AS A RESULT OF COMPLETING THE RENOVATION OF THE WEST LOBBY TO THE MUSEUM, INCREASING OUR SQUARE FOOTAGE OF THE STORE, AND REDESIGNING THE FIRST-FLOOR ATRIUM INTO A SCULPTURE GALLERY WE COMPLETED THE TRANSFORMATION OF REDESIGNED PUBLIC SPACES ON THE FIRST FLOOR OF THE MUSEUM. THIS COMPLETION OF THESE SPACES AND THOSE ON THE SECOND FLOOR ALLOWED US TO EXTEND THREE EXHIBITIONS INTO 2023 AND FEATURE AN ADDITIONAL TEN IMPORTANT TRAVELING AND IN-HOUSE CURATED EXHIBITIONS FOR THE TAMPA BAY COMMUNITY AND BEYOND, EACH OUTLINED BRIEFLY BELOW. EARLY FLORIDA ART: THE FRANKEL COLLECTION ON VIEW THROUGH JANUARY 23, 2023 COLLECTOR DR. ALFRED FRANKEL HAS STUDIED AND COLLECTED THE PAINTINGS OF EARLY FLORIDA ARTISTS FOR THE PAST 40 YEARS. AFTER MEETING ARTHUR TUBERVILLE IN THE 1980S, AN ANTIQUES DEALER BASED IN TAMPA, HE STARTED TO COLLECT RELATIVELY UNKNOWN ARTISTS CAPTURING FLORIDA'S UNTAMED LANDSCAPE. TO DATE, DR.FRANKEL HAS ACQUIRED OVER 200 WORKS OF ART. HIS HOLDINGS NOT ONLY DEPICT FLORIDA'S RAW BEAUTY, BUT THE COLLECTION REVEALS HOW LOCAL ARTISTS FROM MIAMI TO TAMPA, AND ORLANDO AND GAINESVILLE, WERE INFLUENTIAL IN DEVELOPING ART COMMUNITIES ACROSS THE STATE IN THE EARLY 20TH CENTURY. FOR EXAMPLE, PAINTER HARRY BIERCE PLAYED A SIGNIFICANT ROLE IN SHAPING THE ART SCENE IN TAMPA. DR. FRANKEL HAS EXTENSIVELY RESEARCHED THE ARTISTS IN HIS VAST COLLECTION, WHICH HAS RESULTED IN THE SELF-PUBLICATION OF THE BOOKS, ARTISTS OF OLD FLORIDA, 1840-1960 AND THE DICTIONARY OF FLORIDA ARTISTS. |
| FORM 990, PART III, LINE 4A: | ANCIENT ART FROM THE MIDDLE EAST: HIGHLIGHTS FROM THE KARAM COLLECTION ON VIEW THROUGH MARCH 26, 2023 IN 1998, DR. FARID KARAM AND HIS WIFE JEHANNE GENEROUSLY DONATED 149 OBJECTS TO THE SPECIAL COLLECTIONS OF THE UNIVERSITY OF SOUTH FLORIDA (USF) LIBRARIES. THE AUTHENTIC ANTIQUITIES ORIGINATE FROM ANCIENT SYRIA, PHOENICIA, EGYPT, GREECE AND THE ARAB WORLD. IN DATE THEY RANGE FROM THE BRONZE AGE TO THE EARLY ISLAMIC PERIOD (CA. FIFTEENTH CENTURY BCE-THIRTEENTH CENTURY CE). THE METAL, STONE, GLASS AND CERAMIC ARTEFACTS INCLUDE COSMETIC AND MEDICAL IMPLEMENTS, UTILITY VESSELS AND OIL LAMPS, AS WELL AS SCULPTURE AND FIGURINES. THIS PRESENTATION OF HIGHLIGHTS IS THE FIRST TIME THE KARAM COLLECTION OF LEBANESE ANTIQUITIES IS ON DISPLAY FOR THE GENERAL PUBLIC. THE SELECTION REVEALS DR. KARAM'S PROFOUND INTEREST IN THE DIVERSITY OF ANCIENT CULTURES FOUND IN THE EASTERN MEDITERRANEAN. PURVIS YOUNG: REDOUX ON VIEW THROUGH JUNE 30, 2024 INSPIRED BY THE SUCCESS OF THE EXHIBITION PURVIS YOUNG: 91 IN 2019, THE MUSEUM WILL REMOUNT ITS PURVIS YOUNG COLLECTION AS ONE OF THE FIRST SEVERAL LONG-TERM DISPLAYS OF THE PERMANENT COLLECTION. IN 2024, THE RUBELL FAMILY FOUNDATION GIFTED 91 PAINTINGS TO THE MUSEUM BY YOUNG (AMERICAN, 1943-2010). BASED ON THE OVERTOWN NEIGHBORHOOD OF MIAMI, FLORIDA, YOUNG'S PAINTINGS REFLECT HIS OBSERVATIONS OF DAILY LIFE AND THE FIGHT FOR SOCIAL JUSTICE, HOPE FOR HIS COMMUNITY, IMMIGRATION AND OTHERNESS, AS WELL AS THE FRAGILE BALANCE BETWEEN LIFE AND DEATH. HE RENDERED HIS WORK ON FOUND OBJECTS, ITEMS HE DISCOVERED IN THIS NEIGHBORHOOD. DISCARDED WOOD, WINDOWS, FURNITURE FRAGMENTS, CABINETS, DOORS, CARPET, FABRIC, STRING, AND CABLES. ALTHOUGH HIS MEANS WERE LIMITED, YOUNG IS RECOGNIZED ACROSS THE GLOBE FOR HIS REMARKABLE PAINTING PRACTICES AND HIS CONTRIBUTIONS TO THE CULTURAL LANDSCAPE OF FLORIDA. ALL IN FAVOR: NEW WORKS IN THE PERMANENT COLLECTION ON VIEW THROUGH JULY 23, 2023 OVER THE PAST FIVE YEARS THE TAMPA MUSEUM OF ART HAS RECEIVED A RECORD NUMBER OF GIFTS TO THE PERMANENT COLLECTION. THE EXHIBITION, ALL IN FAVOR: NEW WORKS IN THE PERMANENT COLLECTION, HIGHLIGHTS THE MANY RECENT WORKS THAT HAVE ENTERED TMA'S HOLDINGS, RANGING FROM ANCIENT GLASS AND BRONZE OBJECTS TO CONTEMPORARY PAINTINGS AND SCULPTURES FROM TODAY'S LEADING ARTISTS. ARTISTS ON VIEW INCLUDE THE COLLECTIVE ASSUME VIVID ASTRO FOCUS (AVAF), CHRISTO, JANE CORRIGAN, MITCHELL JOHNSON, SUCHITRA MATTAI, SIMPHIWE NDZUBE, ROGER PALMER, DAISY PATTON, JAUME PLENSA, CLAUDIA RYAN, JOHN SCOTT, AND OTHERS. COLLECTIONS MAY BE DESCRIBED AS THE HEART OF ANY MUSEUM. AT THEIR BEST, COLLECTIONS SHOULD INSPIRE MUSEUM STAFF AND INFLUENCE EXHIBITION AND EDUCATION PROGRAMMING. MORE IMPORTANTLY, COLLECTIONS SHOULD REFLECT THE COMMUNITY AT LARGE AND CREATE A LASTING IMPRESSION ON VISITORS. IT IS COMMON FOR MUSEUM OBJECTS TO BECOME LIKE OLD FRIENDS, WITH VISITORS RETURNING AGAIN AND AGAIN TO SEE THEIR FAVORITE WORK OR ARTIST ON VIEW. ACQUISITIONS, OR WORKS COLLECTED BY A MUSEUM, CAN DEFINE A MUSEUM AND TELL ITS STORY. THESE OBJECTS NOT ONLY REFLECT THE INSTITUTION'S EVOLVING VISION AND MISSION OVER TIME BUT ALSO HIGHLIGHT SOCIO-POLITICAL EVENTS AND IDEOLOGIES, CREATIVE CHOICES AND NUANCES IN ARTISTIC TECHNIQUE, AS WELL AS TECHNOLOGICAL ADVANCES THAT DEFINE SPECIFIC PERIODS AND GENRES OF ART. AIR FER MER: DOMINIQUE LABAUVIE ON VIEW THROUGH JULY 23, 2023 ARTIST DOMINIQUE LABAUVIE (FRENCH, B. 1948) UNITES LANGUAGE, BOTH HIS NATIVE FRENCH AND ENGLISH, WITH IMAGE IN HIS ARCHITECTONIC STEEL SCULPTURES. AIR FER MER, THE TITLE OF THE OUTDOOR INSTALLATION ON THE SULLIVAN TERRACE, AS WELL AS THE TITLE OF ONE THE SCULPTURES ON VIEW, REFLECTS THE ARTIST'S PLAY ON LANGUAGE-"AIR FER MER" SPOKEN ALOUD SOUNDS LIKE "PHMRE," THE FRENCH WORD FOR "EPHEMERAL." EPHEMERALITY EMBODIES THE ESSENCE OF LABAUVIE'S ART. ALTHOUGH HIS MEDIUM OF INDUSTRIAL STEEL SUGGESTS A SENSE OF PERMANENCE, LABAUVIE AIMS TO CAPTURE FLEETING MOMENTS IN HIS SCULPTURE-FROM THE MOVEMENT OF LIGHT AND SHADOWS, TO THE PASSAGE OF TIME AND LIFE UNFOLDING AROUND US. "AIR FER MER" ALSO TRANSLATES TO IRON, AIR, SEA-A FITTING DESCRIPTION OF THE OBJECTS' RELATIONSHIP TO THE NATURAL WORLD. IN THIS UNIQUE SETTING, FOUR OF LABAUVIE'S SCULPTURES EXIST IN HARMONY WITH THE HILLSBOROUGH RIVER AND TAMPA SKYLINE. PRELUDE: AN INTRODUCTION TO THE PERMANENT COLLECTION ON VIEW THROUGH JANUARY 2026 PRELUDE: TMA COLLECTS FEATURES WORKS REPRESENTATIVE OF THE INSTITUTION'S COLLECTING HISTORY AND MISSION. THE COLLECTION IS UNIQUE-WITH SIGNIFICANT HOLDINGS OF ANCIENT GREEK AND ROMAN ART, AS WELL AS INCREASED ACQUISITIONS OF MODERN AND CONTEMPORARY ART. WITH EIGHT MAIN CATEGORIES, THE COLLECTION FEATURES A BREADTH OF OBJECTS: CLASSICAL ANTIQUITIES, PRINTS AND PHOTOGRAPHS RELATED TO CLASSICAL ANTIQUITY, PAINTING, DECORATIVE ARTS AND SCULPTURE, PHOTOGRAPHY, WORKS ON PAPER, AND NEW MEDIA, VIDEO, AND INSTALLATION ART. TIME AND PLACE WILL PRESENT UNIQUE INSIGHT INTO HOW THE COLLECTION AND IDENTITY OF THE MUSEUM HAVE EVOLVED AS IT HAS GROWN FROM A SMALL LOCAL ARTS ORGANIZATION TO THE CITY'S PREEMINENT MUSEUM OF ART. TIME FOR CHANGE: ART AND SOCIAL UNREST IN THE JORGE PEREZ COLLECTION ON VIEW THROUGH AUGUST 27, 2023 TIME FOR CHANGE: ART AND SOCIAL UNREST IN THE JORGE M. PEREZ COLLECTION USES CONTEMPORARY ART TO EXPLORE CONFLICTS AND CONTRADICTIONS OF CONTEMPORARY SOCIETY, AS WELL AS ANALYZE HISTORICAL EVENTS AND REFRAME THEM WITHIN THE PRESENT. AN INTEREST IN THE MARGINALIZED, THE MARGINAL AND THE MARGINS (OF SOCIETY, OF HISTORY) IS WHAT BRINGS TOGETHER THE WORKS IN THE EXHIBITION. TIME FOR CHANGE WAS FIRST PRESENTED AS THE INAUGURAL EXHIBITION IN DECEMBER 2020 AT EL ESPACIO 23, A CONTEMPORARY ART SPACE FOUNDED BY COLLECTOR AND PHILANTHROPIST JORGE M. PEREZ. FEATURING ARTISTS FROM ACROSS THE GLOBE, THE EXHIBITION HIGHLIGHTS WORKS THAT ADDRESS UNREST THROUGH ALLEGORY, METAPHOR OR VEILED ALLUSION. TIME FOR CHANGE: ART AND SOCIAL UNREST IN THE JORGE M. PEREZ COLLECTION IS ORGANIZED BY EL ESPACIO 23. |
| FORM 990, PART III, LINE 4A: | JACOB HASHIMOTO: THIS PARTICLE OF DUST ON VIEW THROUGH JANUARY 2025 THE TAMPA MUSEUM OF ART'S ATRIUM IS TRANSFORMED BY JACOB HASHIMOTO'S SITE-SPECIFIC INSTALLATION THIS PARTICLE OF DUST. CREATED FROM OVER 2,500 HANDMADE KITES, THIS PARTICLE OF DUST IS A SITE-SPECIFIC INSTALLATION AND UNIQUE TO THE TAMPA MUSEUM OF ART'S ARCHITECTURE. THE INSTALLATION REPRESENTS JACOB HASHIMOTO'S EXPLORATION OF ABSTRACT LANDSCAPE AND HIS INTEREST IN BLURRING THE BOUNDARIES BETWEEN PAINTING AND SCULPTURE. THIS PARTICLE OF DUST EVOKES THE EXPERIENCE OF OBSERVING THE NIGHT SKY THROUGH VARIOUS CLOUD CLUSTERS. THOUSANDS OF TRANSPARENT AND OPAQUE WHITE DISCS HANG SUSPENDED FROM A BESPOKE ARMATURE. NAVY BLUE KITES, IMPRINTED WITH WHITE AND CERULEAN BLUE STAR PATTERNS, HANG AMIDST THE CLOUD SHAPES AND CATCH THE LIGHT AS THE SUN RISES OVER THE MUSEUM AND DIPS INTO THE HORIZON OVER THE HILLSBOROUGH RIVER. DEPENDING ON ONE'S VANTAGE POINT, EITHER FROM THE LOBBY, STAIRWELL, OR GALLERIES, THE EXPERIENCE OF THIS PARTICLE OF DUST SHIFTS-FROM BELOW THE CLOUDSCAPE APPEARS TO DRIFT INTO THE SKY WHILE AT EYE-LEVEL THE VIEWER LOOKS DIRECTLY INTO THE STARS. HASHIMOTO BEGAN MAKING KITE SCULPTURES TWENTY-YEARS AGO WHILE AN ART STUDENT IN CHICAGO. INSPIRED BY TRADITIONAL CHINESE KITE MAKING IN THE CITY OF WEIFANG, WHERE THE ARTFORM OF SCULPTURAL DRAGON KITES ORIGINATED, HASHIMOTO HAS MADE HUNDREDS OF THOUSANDS OF KITES FROM JAPANESE PAPER AND RESIN. HE APPRECIATES KITES AS A UNIVERSAL OBJECT OF JOY THAT IS RECOGNIZED ACROSS THE GLOBE. TRANSFORMED INTO MONUMENTAL ARTWORKS, HASHIMOTO'S KITES CONVEY HAPPINESS, WONDER, AND SERENITY. LIFE & DEATH IN ANTIQUITY: INTRODUCTION TO THE ANCIENT COLLECTION JANUARY 13, 2023 - FALL 2026 THE TAMPA MUSEUM OF ART PURCHASED ITS FIRST ANCIENT ARTWORK IN 1981, A BLACK-FIGURE COLUMN KRATER, PERHAPS DEPICTING THE WEDDING PROCESSION OF PELEUS AND THETIS. FIVE YEARS LATER THE MUSEUM'S ANTIQUITIES COLLECTION QUADRUPLED IN SIZE WITH THE SINGLE ACQUISITION OF THE PROMINENT COLLECTION OF JOSEPH VEACH NOBLE. THE PERMANENT COLLECTION CURRENTLY HOLDS ABOUT 575 ANCIENT ARTEFACTS, IN ADDITION TO OVER 100 LONG-TERM LOANS FROM PRIVATE COLLECTIONS. MORE THAN THREE-QUARTERS OF THE MUSEUM'S ANTIQUITIES ARE REPRESENTATIVE OF ANCIENT GREECE AND ITALY, PARTICULARLY ATHENS AND ROME. THE ANCIENT WORLD ENCOMPASSED A MUCH WIDER DIVERSITY OF TRADITIONS, HOWEVER, OF WHICH SOME CAN BE ENCOUNTERED IN THIS INTRODUCTION TO THE MUSEUM'S ANTIQUITIES COLLECTION. THE GALLERY DISPLAY WILL HIGHLIGHT ASPECTS OF EVERYDAY LIFE AND DEATH, AS WELL AS ENTERTAINMENT AND RELIGION, TRADE AND POLITICS. YOUNG AT ART 2023: ARTWORK FROM HILLSBOROUGH COUNTY PUBLIC AND PRIVATE SCHOOLS, GRADES K-8 JANUARY 14 THROUGH FEBRUARY 12, 2023 EACH YEAR THE TAMPA MUSEUM OF ART INVITES HILLSBOROUGH COUNTY ART TEACHERS TO SUBMIT A STUDENT'S ARTWORK FOR THE YOUNG AT ART STUDENT EXHIBITION. THE MUSEUM CELEBRATES THE CREATIVITY OF THIS YEAR'S 131 SUBMISSIONS FROM STUDENTS IN KINDERGARTEN THROUGH EIGHTH GRADE. THIS IS A COLLABORATIVE EXHIBITION CELEBRATES AND ACKNOWLEDGES THE DEDICATION AND SUPPORT OF THE VISUAL ARTS BY THE STUDENTS, EDUCATORS, SCHOOL STAFF AND ADMINISTRATION, THE HILLSBOROUGH COUNTY SCHOOL BOARD, THE HILLSBOROUGH EDUCATION FOUNDATION AND THE FAMILIES AND FRIENDS OF THE ARTISTS, 131 OF WHOM ARE REPRESENTED. TRAVELS THROUGH ITALY: A 19TH CENTURY PHOTOGRAPHIC VOYAGE JANUARY 27 - JULY 9, 2023 TRAVEL IN THE 19TH CENTURY WAS DIFFICULT, EXPENSIVE, AND TIME-CONSUMING. PRIOR TO THE DISCOVERY OF PHOTOGRAPHY IN 1839, THE MAJORITY OF AMERICANS LEARNED ONLY ABOUT THE WONDERS OF EXOTIC LANDS OVERSEAS THROUGH STORIES, DRAWINGS AND PAINTINGS. BASED ON THE TMA'S PHOTOGRAPHY COLLECTION, TRAVELS THROUGH ITALY WILL TAKE THE VISITORS ON A VIRTUAL TRIP TO FIVE CITIES OF 19TH-CENTURY ITALY. ORGANIZING THE PHOTOGRAPHS BY LOCATION WILL ALLOW A VIEW OF ROME, VATICAN CITY, FLORENCE, VENICE AND POMPEII. THERE IS ALSO THE OPPORTUNITY TO DISPLAY TRAVEL ALBUMS TO ILLUSTRATE HOW A PERSON MIGHT ENCOUNTER THE IMAGES AT THE TIME. FEATURED ARE WELL-KNOWN PHOTOGRAPHERS GIORGIO SOMMER, FRANCIS FRITH, ROBERT MACPHERSON AND THE ALINARI STUDIO. 14TH CONGRESSIONAL DISTRICT AND NEXT GENERATION HIGH SCHOOL ART COMPETITION EXHIBITION FEBRUARY 4 THROUGH APRIL 16, 2023 THIS ANNUAL HIGH SCHOOL ART EXHIBITION FEATURES EXEMPLARY WORK CREATED BY HIGH SCHOOL STUDENTS THROUGHOUT THE 14TH CONGRESSIONAL DISTRICT AND HILLSBOROUGH COUNTY. STUDENTS COMPETE FOR TWO TOP PRIZES: THE MUSEUM CHOICE AWARD AND THE CONGRESSIONAL CHOICE AWARD. THE ARTWORK SELECTED FOR THE CONGRESSIONAL CHOICE AWARD WILL CONTINUE TO REPRESENT THE DISTRICT IN THE NATIONAL CONGRESSIONAL HIGH SCHOOL ART COMPETITION, HANGING IN THE CANNON TUNNEL OF THE U.S. CAPITOL FOR ONE YEAR. ADDITIONALLY, THE RECIPIENT OF THIS AWARD RECEIVES A TRIP TO WASHINGTON, D.C. TO ATTEND THE NATIONAL AWARDS CEREMONY IN JUNE 2023. THE 14TH CONGRESSIONAL DISTRICT AND NEXT GENERATION HIGH SCHOOL ART COMPETITION IS PRESENTED IN PARTNERSHIP WITH THE OFFICE OF U.S. REPRESENTATIVE, KATHY CASTOR. WITH THIS YEAR'S EXHIBITION PROGRAM, THE MUSEUM CELEBRATES THE CREATIVITY OF THIS YEAR'S 59 SUBMISSIONS FROM STUDENTS IN KINDERGARTEN THROUGH EIGHTH GRADE. WE WOULD ALSO ACKNOWLEDGE THE DEDICATION AND SUPPORT OF THE VISUAL ARTS BY THE EDUCATORS, SCHOOL STAFF AND ADMINISTRATION, THE HILLSBOROUGH COUNTY SCHOOL BOARD, THE HILLSBOROUGH EDUCATION FOUNDATION AND THE FAMILIES AND FRIENDS OF THE ARTISTS, 43 OF WHOM ARE REPRESENTED IN THE SHOW. SALMAN TOOR: NO ORDINARY LOVE FEBRUARY 23 THROUGH JUNE 4, 2023 SALMAN TOOR: NO ORDINARY LOVE FEATURED MORE THAN 45 PAINTINGS AND WORKS ON PAPER MADE BETWEEN 2019 AND 2022, THAT WEAVE TOGETHER MOTIFS FOUND IN HISTORICAL PAINTINGS WITH RECOGNIZABLE 21ST-CENTURY MOMENTS TO CREATE NEW WORLDS BASED IN TOOR'S IMAGINATION. THE EXHIBITION CAPTURES THE WAYS IN WHICH TOOR UPENDS ART HISTORY TO CENTER BROWN, QUEER FIGURES AND TO INVESTIGATE OUTDATED CONCEPTS OF POWER AND SEXUALITY. TOOR (PAKISTANI, B. 1983) LIVES AND WORKS IN NEW YORK CITY, BUT GREW UP IN LAHORE, HIS BIRTHPLACE IN PAKISTAN. SHAPED BY THESE VIEWPOINTS, TOOR'S ARTISTIC PRACTICE EXPLORES HIS HOPES AND ANXIETIES ABOUT THE QUEER EXPERIENCE IN BOTH HIS ANCESTRAL AND ADOPTED COUNTRIES. THROUGHOUT HIS WORK, TOOR BLURS SENSUAL PLEASURE WITH SATIRE AND MINES HIS DEEP KNOWLEDGE OF THE EUROPEAN, AMERICAN, AND SOUTH ASIAN PAINTERLY TRADITION. THIS EXHIBITION IS ORGANIZED BY THE BALTIMORE MUSEUM OF ART AND IS TOURING ACROSS THE COUNTRY. |
| FORM 990, PART III, LINE 4A: | IDENTITY IN ANTIQUITY FEBRUARY 23, 2023 - JANUARY 18, 2025 THIS GALLERY DISPLAY OF THE TMA'S ANTIQUITIES COLLECTION CENTERS ON THE THEME OF IDENTITY, ESPECIALLY THE ASPECTS OF ETHNICITY, GENDER AND INTIMACY. ACROSS THE ANCIENT MEDITERRANEAN, PEOPLE WILL HAVE FELT SOME SENSE OF GROUP IDENTITY AS BELONGING TO A TRIBE, RACE, CULTURE, OR CIVILIZATION. THEY WILL HAVE RECOGNIZED DIFFERENCES BETWEEN MEN AND WOMEN AND WILL HAVE EXPERIENCED DESIRES AND MORAL CONSTRAINTS. FEELINGS OF IDENTITY COULD ALSO BE EXPRESSED IN OPPOSITION TO OTHER GROUPS, SUCH AS GREEKS VS. PERSIANS OR SCYTHIANS, ROMANS VS. GAULS OR GERMANS, MEN VS. WOMEN. IN OUR MODERN SOCIETY MANY MORE EXPRESSIONS OF IDENTITY ARE RECOGNIZED THAT MAY INVOKE A SENSE OF BELONGING OR FORM EXCLUSIVE ALLIANCES. IN ANTIQUITY EXPRESSIONS OF IDENTITY COULD NOT ALWAYS BE ARTICULATED EXPLICITLY BECAUSE THE TERMINOLOGY FOR VOICING THOUGHTS ABOUT PERSONAL, SEXUAL, CULTURAL AND NATIONAL FRAMES OF IDENTITY DID NOT EXIST. IDENTITY IN ANTIQUITY: ETHNICITY, GENDER & SEXUALITY WILL ILLUSTRATE THESE ASPECTS BASED PREDOMINANTLY ON THE MUSEUM'S OWN COLLECTION. ESTERIO SEGURA: GOODBYE MY LOVE FEBRUARY 25, 2023 - MARCH 2025 A NEW ACQUISITION TO THE MUSEUM'S PERMANENT COLLECTION, GOODBYE MY LOVE REPRESENTS ESTERIO SEGURA'S (CUBAN, B. 1970) ONGOING EXPLORATION OF THE MEANING OF AIRPLANES AND FLIGHT. PRODUCED IN MULTIPLE EDITIONS AT DIFFERENT SCALES, THIS VERSION IS NEARLY THE LARGEST. IN DESCRIBING THE SERIES, SEGURA EXPLAINED, "IN THIS WORK, THE REFERENCE TO THE AIRPLANE HYBRIDIZES WITH A REFERENCE TO ANOTHER WELL-KNOWN UNIVERSAL SYMBOL: A SIMPLIFIED IMAGE OF THE HEART. THIS IS FUSED WITH AN EASILY UNDERSTOOD TITLE WITH SEVERAL MEANINGS, FROM THE MOST CORNY AND SENTIMENTAL TO THE MOST CONTROVERSIAL, FROM A POLITICAL AND SOCIAL STANDPOINT. WITH THIS WORK, I REFERENCE THE EXPERIENCE OF UPROOTING, NOSTALGIA, MEMORY, LOSS-HOW WE EXPERIENCE THE BREAKDOWN OF EVERYTHING WE LOVE. "BORN IN SANTIAGO DE CUBA, ESTERIO SEGURA IS A GRADUATE OF THE RENOWNED ART SCHOOL INSTITUTO SUPERIOR DE ARTE IN HAVANA. HE WORKS IN A RANGE OF MEDIA-FROM PAINTING AND PRINTMAKING TO SCULPTURE AND DRAWING-AND EXPLORES THEMES RELATED TO CUBA'S COMPLEX SOCIO-POLITICAL HISTORY SUCH AS ISOLATION, IMMIGRATION, DESIRE, AND FREEDOM. SEGURA'S SCULPTURE LA HISTORIA SE MUERDE LA COLA (HISTORY BITES ITS TAIL) IS CURRENTLY ON VIEW IN THE EXHIBITION TIME FOR CHANGE: ART AND SOCIAL UNREST IN THE JORGE M. PEREZ COLLECTION. GOOD-BYE MY LOVE IS PRESENTED AS PART OF THE EXHIBITION PRELUDE: AN INTRODUCTION TO THE PERMANENT COLLECTION ON VIEW IN THE PATEL NORTH ATRIUM GALLERY. FLOURISH: THE ART OF NAAEM KHAN MARCH 3 THROUGH MAY 28, 2023 AS PART OF THE ONGOING SERIES EXPLORING THE INTERSECTION OF ART AND FASHION, THE TAMPA MUSEUM OF ART PRESENTED A SERIES OF PAINTINGS BY GLOBALLY RENOWNED FASHION DESIGNER NAEEM KHAN. KHAN WORKS INDEPENDENTLY, AS WELL COLLABORATIVELY WITH ARTIST STANLEY CASSELMAN AS THE COLLECTIVE KACE, TO CREATE LARGE-SCALE WORKS INSPIRED BY HIS ONGOING EXPLORATION OF FLORA, LIGHT, AND COLOR. FIVE MONUMENTAL WORKS, COMPRISED OF PAINT AND SEQUINS, WERE ON VIEW IN THE ATRIUM AND REPRESENT THE ARTIST'S INAUGURAL MUSEUM EXHIBITION. FLEURISH: THE ART OF NAEEM KHAN IS PRESENTED IN CONJUNCTION WITH CITY: FASHION + ART + CULTURE. BORN AND RAISED IN MUMBAI, KHAN GREW UP IN A WORLD SURROUNDED BY CULTURE, ARCHITECTURE, ART, HISTORY AND DESIGN. AS A BOY, HE CULTIVATED A VAST KNOWLEDGE OF TEXTILES UNDER THE WATCHFUL EYES OF HIS GRANDFATHER AND FATHER, BOTH OF WHOM DESIGNED INTRICATE CLOTHING WORN BY INDIAN ROYAL FAMILIES. KHAN ULTIMATELY MOVED TO THE UNITED STATES AS A TEENAGER TO BECOME A DESIGNER AND LAUNCHED HIS CAREER AS AN APPRENTICE FOR LEGENDARY AMERICAN DESIGNER HALSTON AT THE AGE OF 20. KHAN EVENTUALLY MERGED THIS DESIGN PHILOSOPHY WITH THE KNOWLEDGE HE GAINED FROM HIS FAMILY'S BUSINESS TO NURTURE HIS OWN UNIQUE STYLE, AND THE NAEEM KHAN DESIGN AESTHETIC WAS BORN. KHAN LAUNCHED HIS EPONYMOUS COLLECTION IN 2003 AND BEGAN SELLING AT BERGDORF GOODMAN, NEIMAN MARCUS AND SAKS FIFTH AVENUE. SINCE THEN HIS COLLECTIONS HAVE ADORNED GLAMOROUS WOMEN AROUND THE WORLD, INCLUDING BEYONCE, JENNIFER LOPEZ, TAYLOR SWIFT, RACHEL MCADAMS, FIRST LADY MICHELLE OBAMA, QUEEN NOOR OF JORDAN, AND THE DUCHESS OF CAMBRIDGE, KATE MIDDLETON, AMONG OTHERS. IN 2008, HE WAS INDUCTED AS A MEMBER OF THE PRESTIGIOUS COUNCIL OF FASHION DESIGNERS OF AMERICA AND MOST RECENTLY LAUNCHED THE NAEEM KHAN BRIDAL COLLECTION IN 2013. TODAY THE NAEEM KHAN READY-TO-WEAR AND BRIDAL COLLECTIONS ARE SOLD AT MORE THAN 150 RETAIL OUTLETS ACROSS THE WORLD. DRAPO VODOU: HAITIAN VODOU FLAGS FROM THE PERMANENT COLLECTION MARCH 19, 2023 THROUGH JANUARY 30, 2025 THE TAMPA MUSEUM OF ART'S COLLECTION NOW INCLUDES ONE OF THE LARGEST COLLECTIONS OF DRAPO VODOU (HAITIAN VODOU FLAGS) IN THE SOUTHEAST. THESE NEWLY ACQUIRED WORKS, LARGELY GIFTED BY THE GESSEN COLLECTION, WILL REMAIN ON VIEW FOR AN EXTENDED DISPLAY. THE FLAGS WILL BE PRESENTED IN A ROTATION OF THREE GROUPINGS. THE FIRST GROUPING WILL FOCUS ON FLAGMAKERS' VARIOUS DEPICTIONS OF HAITIAN DEITIES, INCLUDING ST. JACQUES, ERZULIE, GRAN BOIS, AND PAPA ZAK. DEPICTIONS OF WOMEN AND FEMALE DEITIES WILL BE THE FOCUS OF THE SECOND GROUPING. THE FINAL GROUP WILL SURVEY THE FIRST, SECOND, AND THIRD GENERATIONS OF FLAGMAKERS AND THE EVOLUTION OF THE GENRE FROM RITUAL ART TO HIGH ART. C. PAUL JENNEWEIN: ART DECO BRONZE SCULPTURE FROM THE PERMANENT COLLECTION MARCH 19, 2023 THROUGH JANUARY 30, 2025 C. PAUL JENNEWEIN'S (GERMAN-AMERICAN, 1890-1978) ARTWORK REVEALS THE INSPIRATION OF THE ANCIENT WORLD WHILE ALSO ENGAGING WITH THE NEW SCULPTURAL STYLES OF HIS TIME, MERGING ART DECO WITH THE NEO-CLASSICAL TRADITION. IN 1978, THE TAMPA BAY ART CENTER, PREDECESSOR OF THE TAMPA MUSEUM OF ART, RECEIVED A BEQUEST OF 2,600 OBJECTS INCLUDING FINISHED ARTWORKS, AS WELL AS PREPARATORY DRAWINGS, PLASTER CASTS, AND MOLDS FOR THE NUMEROUS COMMISSIONS JENNEWEIN RECEIVED DURING HIS PROLIFIC CAREER. STARTING IN FALL 2022, THE MUSEUM WILL PRESENT JENNEWEIN'S EARLY SCULPTURES FOR AN EXTENDED TWO-YEAR DISPLAY. TAKING PICTURES: WOMEN OF INDEPENDENT SPIRIT APRIL 16 - OCTOBER 8, 2023 TAKING PICTURES: WOMEN OF INDEPENDENT SPIRIT CELEBRATED THE ANONYMOUS WOMEN WHO SHAPED THE EVOLUTION OF VERNACULAR PHOTOGRAPHY OR "FOUND PHOTOGRAPHY." THE RESULT OF A YEARLONG COLLABORATION BETWEEN JULIE SAUL AND CARLY RIES, THIS EXHIBITION BRINGS TOGETHER PHOTOGRAPHS FROM THE COLLECTION OF PETER J. COHEN, A PHOTOGRAPHIC ARCHIVE SPANNING THE ANALOG ERA FROM THE 1890S THROUGH THE 1990S. AS PHOTOGRAPHY GATHERED MOMENTUM AS A MEDIUM FOR SELF-EXPRESSION, SO DID WOMEN: IN PORTRAITS AND PERFORMANCES FOR THE CAMERA, WE SEE WOMEN SEEKING OUT NEW WAYS OF BEING IN THE WORLD, LIVING OUT NEW FORMS OF INDEPENDENCE, PLAYING WITH THE POSSIBILITY OF DIFFERENT IDENTITIES, AND SHARING AN IMPULSE TO CREATE FROM BEHIND THE LENS AND IN FRONT OF THE CAMERA. HAITIAN PAINTINGS FROM THE ARTHUR ALBRECHT TRUST MAY 11, 2023 - JANUARY 14, 2024 THE ARTHUR R. ALBRECHT COLLECTION OF THE TAMPA MUSEUM OF ART INCLUDES OVER 75 ARTWORKS FROM HAITI'S MOST PROMINENT PAINTERS INCLUDING RIGAUD BENOIT, WILSON BIGAUD, PREFETE DUFFAUT, AND PHILOME OBIN. RARELY IF EVER SEEN BY THE PUBLIC, THE WORKS PRESENT AN OVERVIEW OF THE MAJOR DEVELOPMENTS IN HAITIAN PAINTING FROM THE 1960S-80S. HIGHLIGHTS FROM THE ALBRECHT COLLECTION INCLUDE PAINTINGS BY THE FIRST GENERATION OF ARTISTS TO TRAIN AT LE CENTRE D'ART (THE ART CENTER), HAITI'S PREMIER ART SCHOOL IN PORT-AU-PRINCE, AND A SELECTION OF CAP HAITIAN WORKS BY THE OBIN FAMILY. CREATED UNDER THE IMPETUS OF THE AMERICAN WATERCOLORIST DEWITT PETERS AND HAITIAN INTELLECTUALS MAURICE BORNO AMONG OTHERS, THE CENTER WAS CONCEIVED AS A TRAINING AND PRODUCTION SPACE FOR ARTISTS AND HAS SINCE BECOME THE BENCHMARK FOR THE GLOBAL DISSEMINATION OF HAITIAN ART AND INFORMED CREATION AND SELECTION OF WORKS ON VIEW IN THE ARTHUR ALBRECHT COLLECTION. PEPE MAR: MYTH AND MAGIC JULY 6, 2023 THROUGH FEBRUARY 18, 2024 THE TAMPA MUSEUM OF ART PRESENTED PEPE MAR: ALL OR NOTHING, THE FIRST SURVEY OF THE ARTIST'S PRACTICE. ALL OR NOTHING INCLUDES FIFTY WORKS FROM PEPE MAR'S (BORN 1977, REYNOSA, MEXICO) DIVERSE PRACTICE IN COLLAGE, SCULPTURE, CERAMICS, AND PAINTING. MAR HAS DEVELOPED A HIGHLY UNIQUE PERSONAL STYLE IN WHICH HE EQUALLY MIXES AND INNOVATES CRAFT, OP ART, PAINTING, AND IDENTITY POLITICS. THE ARTIST OFTEN EXPLORES THEMES RELATED TO CULTURAL ISOLATION AND IDENTITY, RITUALS AND MYTHOLOGIES, AND CONSUMER CONSUMPTION AND EXCESS. RECENT PROJECTS ILLUMINATE QUEER HISTORY AND ICONS-THE PLACES, EVENTS, AND PEOPLE OFTEN OVERLOOKED OR MARGINALIZED IN HISTORICAL NARRATIVES. HIS WORK HAS BEEN EXHIBITED THROUGHOUT THE US AND ABROAD AND IS INCLUDED IN PRIVATE AND PUBLIC COLLECTIONS. MAR RECEIVED HIS BFA FROM CALIFORNIA COLLEGE OF ART, SAN FRANCISCO, AND HIS MFA FROM FLORIDA INTERNATIONAL UNIVERSITY. MAR LIVES AND WORKS IN MIAMI. |
| FORM 990, PART III, LINE 4A: | FRONTIERS OF IMPRESSIONISM: PAINTINGS FROM THE WORCESTER ART MUSEUM SEPTEMBER 23, 2023 THROUGH JANUARY 7, 2024 OVER THE PAST 125 YEARS, THE WORCESTER ART MUSEUM ASSEMBLED A STUNNING COLLECTION OF AMERICAN AND EUROPEAN PAINTINGS THAT TELL THE STORY OF IMPRESSIONISM'S ROOTS AND EMERGENCE IN FRANCE AND ITS SUBSEQUENT EXPANSION TO THE UNITED STATES, GERMANY, SCANDINAVIA, AND BEYOND. FRONTIERS OF IMPRESSIONISM: PAINTINGS FROM THE WORCESTER ART MUSEUM INCLUDES 53 WORKS BY OVER 30 ARTISTS-INCLUDING CLAUDE MONET, PIERRE-AUGUSTE RENOIR, CAMILLE PISSARRO, MARY CASSATT, CHILDE HASSAM, AND MAX SLEVOGT. TOGETHER, THEY DEMONSTRATE IMPRESSIONISM'S INTERNATIONAL ALLURE AND ITS NATIONAL ADAPTATIONS CAPTURED IN SUBJECTS FROM MONET'S FAMED GIVERNY LILY POND TO THE NATURAL WONDERS OF THE GRAND CANYON. FRONTIERS OF IMPRESSIONISM: PAINTINGS FROM THE WORCESTER ART MUSEUM IS ORGANIZED BY THE WORCESTER ART MUSEUM. FRONTIERS OF IMPRESSIONISM WILL DEMONSTRATE FIRSTHAND THE QUALITIES THAT DEFINED IMPRESSIONIST PAINTING: A DEDICATION TO CAPTURING ON CANVAS WHAT THE EYE PERCEIVES, AN INCLINATION TO PAINTING EN PLEIN AIR (OUTDOORS), AND AN ADHERENCE TO A PAINTERLY TECHNIQUE CHARACTERIZED BY LIGHTER, LOOSER BRUSHWORK. MOVE THROUGH THE EXHIBITION'S SIX SECTIONS, WHICH GROUP ARTWORKS TO INVESTIGATE THE REVOLUTIONARY ROOTS OF IMPRESSIONISM AND THE EMERGENCE OF LANDSCAPE AS A RUPTURE TO THE HIERARCHY OF GENRES, PARIS AS THE EPICENTER OF IMPRESSIONISM, NETWORKS OF IMPRESSIONISM AND THE EXPANSION OF STYLES THROUGHOUT EUROPE AND THE UNITED STATES, THE DISTINCTLY AMERICAN IMPRESSIONISM, HOW ARTISTS DEFIED THE LIMITS OF IMPRESSIONISM, AND THE USE OF IMPRESSIONISM IN CAPTURING THE FRONTIER OF THE AMERICAN WEST. EDUCATION FOCUSED ACTIVITIES TMA CURRENTLY SERVES CHILDREN AND ADULTS THROUGH 160+ ONSITE AND OFFSITE EDUCATION PROGRAMS, CLASSES AND EVENTS AND YEAR-ROUND EDUCATIONAL ACTIVITIES. ALMOST A THIRD OF ADULTS AND OVER 35% OF STUDENTS PARTICIPATING IN TMA PROGRAMS QUALIFY AS LOW-INCOME. PROVIDING TOURS FOR STUDENTS IN GRADES K-12, THEY CURRENTLY SERVE OVER 6,000 STUDENTS PER YEAR, WITH APPROXIMATELY 35% OF THOSE STUDENTS CONSIDERED LOW-INCOME OR FROM TITLE 1 SCHOOLS. WITH THIS PROJECT AND THROUGH A REVISED AGREEMENT WITH HILLSBOROUGH COUNTY, TMA EXPECTS TO SERVE A MINIMUM OF 24,000 K-12 STUDENTS IN 2024 ON SCHOOL TOURS AS A RESULT OF A FEDERAL DEPARTMENT OF EDUCATION GRANT IN COLLABORATION WITH HILLSBOROUGH PUBLIC SCHOOL DISTRICT. THE NEW 8,000 SQUARE FOOT ON-SITE EDUCATION CENTER THAT OPENED IN 2022 ALLOWS FOR YEAR-ROUND STUDIO ART CLASSES FOR CHILDREN AND ADULTS, AS WELL AS LECTURES, PROGRAMS AND TOURS THAT PROVIDE CHILDREN, TEENS, AND ADULTS WITH OPPORTUNITIES TO DISCOVER NEW PERSPECTIVES AND LEARN DIFFERENT ART-MAKING TECHNIQUES. THE MUSEUM OFFERS SCHOLARSHIP OPPORTUNITIES THROUGH PHILANTHROPY AND FREE TEEN PROGRAMS. IN ADDITION TO SERVING ALL AGE GROUPS, THE MUSEUM ALSO PROVIDED FREE ACCESS PROGRAMS FOR MILITARY AND THEIR FAMILIES THROUGH BLUE STAR MUSEUMS AS WELL AS SNAP BENEFIT RECIPIENTS, INDIVIDUALS WITH MENTAL & PHYSICAL HEALTH CHALLENGES, ECONOMICALLY AND ENVIRONMENTALLY DISADVANTAGED YOUTH, ART EDUCATORS, AND MORE! LIKEWISE, THROUGH UNIQUE COMMUNITY PARTNERSHIPS, THE MUSEUM CURRENTLY OFFERS OUTREACH PROGRAMS THAT PROVIDE ART-THERAPY-INFORMED INTERVENTIONS AND MEANINGFUL MODES OF SELF-EXPRESSION TO VULNERABLE SEGMENTS OF THE POPULATION. THEY ALSO PARTNER WITH UT, USF AND HCC TO TRAIN UNIVERSITY STUDENTS TO TEACH AND PROVIDE THESE PROGRAMS. EXHIBITION SPACES WERE EXPANDED FROM 14,800 TO MORE THAN 32,000 SQ. FT, WHICH OPENED NEW OPPORTUNITIES FOR EDUCATION PROGRAMS. THIS ENHANCED THE VIEWING EXPERIENCE WITH SIX ADDITIONAL GALLERY EXPERIENCES, TWO OF WHICH EQUIPPED FOR MULTI-MEDIA EXPERIENCES, A RENOVATED SCULPTURE GALLERY, AND A FLEXIBLE REGIONAL ART GALLERY PROVIDES FOR MORE LEARNING OPPORTUNITIES. EXPANDING THE GALLERIES MEANT THE TAMPA MUSEUM OF ART WAS FOR THE FIRST TIME ABLE TO DISPLAY MORE OF ITS PERMANENT COLLECTION YEAR-ROUND AND FOR LONGER PERIODS OF TIME AND EXPAND OUR SCHOOL TOUR PROGRAMS. THIS ALSO GAVE TEACHERS THE OPPORTUNITY TO BUILD CURRICULUM AROUND LONG-TERM EXHIBITIONS THAT STUDENTS CAN VISIT IN-PERSON. TAMPA MUSEUM OF ART ADDITIONAL OUTREACH AND PROGRAM DETAILS ART THERAPY FOR MENTAL HEALTH DISORDERS: IN PARTNERSHIP WITH THE UNIVERSITY OF SOUTH FLORIDA, TMA'S CONNECTIONS PROGRAM PROVIDES 100 UNIQUE THREE-HOUR CLASSES AFFILIATED WITH 17 COUNTY-WIDE AGENCIES FOCUSED ON MENTAL HEALTH THROUGH ART AND ARTMAKING AND PROVIDING TRAINING TO UNDERGRADUATE STUDENTS WHO FACILITATE INTERACTIONS WITH WORKS OF ART FOR INDIVIDUALS WITH MEDICAL CONDITIONS SUCH AS DEMENTIA, EARLY ONSET ALZHEIMER'S DISEASE, DEPRESSION, SUBSTANCE ABUSE DISORDERS AND PTSD. IMPACT: THE PROGRAM WILL GROW FROM 1,300 TO 10,500 PARTICIPANTS ANNUALLY. VICTIMS OF HUMAN TRAFFICKING & DOMESTIC VIOLENCE, CHILDREN AGING OUT OF FOSTER CARE, AND MORE: IN PARTNERSHIP WITH USF, THE UNIVERSITY OF TAMPA, THE SPRING OF TAMPA BAY (DOMESTIC VIOLENCE), REDEFINING REFUGE (HUMAN TRAFFICKING), THE PORTICO (HOMELESS POPULATIONS), THE CHILDREN'S HOME NETWORK AND THE HILLSBOROUGH COUNTY DEPARTMENT OF CHILDREN SERVICES (AT-RISK TEENS AGING OUT OF FOSTER CARE), THE ART SPACE PROGRAM ENGAGES AT-RISK CHILDREN AND ADULTS IN THERAPEUTIC ART SESSIONS WHILE PROVIDING ART THERAPY EDUCATION FOR UNDERGRADUATE AND GRADUATE STUDENTS MAJORING IN PRE-MED, BEHAVIORAL HEALTH, PSYCHOLOGY AND THE LIKE. IMPACT: THIS PROGRAM EXPANDED OVER THE YEARS FROM 300 TO 1,200 PARTICIPANTS ANNUALLY IN 2023. K-12 SCHOOL TOURS & STUDIO CLASSES: THE K-12 SCHOOL TOUR PROGRAM CURRENTLY SERVES OVER 197 SCHOOLS IN THE REGION WITH APPROXIMATELY 30% OF THOSE SCHOOLS CATEGORIZED AS TITLE 1 IN DISTRICTS WITH THE HIGHEST STUDENT CONCENTRATION OF POVERTY. TMA IS THE ONLY CULTURAL ASSET THAT PROVIDES SCHOOL TOURS FREE OF CHARGE AND PAYS TO BUS STUDENTS FROM LOCAL SCHOOLS TO THE MUSEUM. IN PARTNERSHIP WITH HILLSBOROUGH COUNTY, NON-PROFIT ORGANIZATIONS AND RECREATION CENTERS, THE MUSEUM'S STUDIO ART PROGRAM PROVIDES ON- AND OFF-SITE ART INSTRUCTION TO CHILDREN, ADULTS, AND TEENS ACROSS THE TAMPA BAY REGION. IMPACT: TMA CURRENTLY HOSTS APPROXIMATELY 6,000 STUDENTS A YEAR FOR K-12 SCHOOL TOURS AND ANTICIPATES AN INCREASE OF UP TO 40,000 STUDENTS BY 2025. ON AND OFF-SITE STUDIO PROGRAM ATTENDANCE IS PROJECTED TO INCREASE FROM 1,200 TO 5,500 ANNUALLY. BLUE STAR PROGRAM: THE MUSEUM CURRENTLY OFFERS FREE GENERAL ADMISSION FOR ACTIVE MILITARY AND VETERANS FROM MEMORIAL DAY THROUGH LABOR DAY. THE PROJECT WILL ALLOW TMA TO PROVIDE FREE GENERAL ADMISSION TO ACTIVE MILITARY AND VETERANS YEAR-ROUND. IMPACT: OVER 6,000 RESIDENTS OF MACDILL AIRFORCE BASE AND CLOSE TO 100,000 VETERANS IN HILLSBOROUGH COUNTY, OF WHICH 14.7% LIVE IN POVERTY, WILL BENEFIT FROM THIS PROGRAM. MUSEUMS FOR ALL: MUSEUMS FOR ALL IS A SIGNATURE ACCESS PROGRAM OF THE INSTITUTE OF MUSEUM AND LIBRARY SERVICES (IMLS), ADMINISTERED BY THE ASSOCIATION OF CHILDREN'S MUSEUMS (ACM), TO ENCOURAGE PEOPLE OF ALL BACKGROUNDS TO VISIT MUSEUMS REGULARLY AND BUILD LIFELONG MUSEUM-GOING HABITS. THE PROGRAM SUPPORTS FREE MUSEUM ADMISSION FOR INDIVIDUALS AND FAMILIES RECEIVING FOOD ASSISTANCE (SNAP) BENEFITS. MUSEUMS FOR ALL IS PART OF THE TAMPA MUSEUM OF ART'S BROAD COMMITMENT TO SEEK, INCLUDE, AND WELCOME ALL AUDIENCES. |
| FORM 990, PART VI, SECTION B, LINE 11B | THE FINANCE COMMITTEE OF THE BOARD OF TRUSTEES APPROVES THE FORM 990 BEFORE IT IS FILED. |
| FORM 990, PART VI, SECTION B, LINE 12C | ANNUALLY, THE MUSEUM SENDS THE CONFLICT OF INTEREST POLICY TO EACH BOARD MEMBER, WITH THE REQUIREMENT THAT IT MUST BE SIGNED AND RETURNED TO THE ORGANIZATION WITHIN 30 DAYS OF THE BOARD MEMBER'S RECEIPT OF POLICY. SERVICE ON THE BOARD IS CONTINGENT UPON THE COMPLETION OF THE FORM. |
| FORM 990, PART VI, SECTION B, LINE 15 | THE EXECUTIVE COMMITTEE OF THE BOARD OF TRUSTEES ANNUALLY EVALUATES THE PERFORMANCE OF THE EXECUTIVE DIRECTOR IN PERSON AND PROVIDES THEM WITH FEEDBACK FROM THE EXECUTIVE COMMITTEE AND THE ENTIRE BOARD OF TRUSTEES RECEIVED DURING THE COURSE OF THE YEAR. COMPENSATION IS DETERMINED BY THE EXECUTIVE COMMITTEE AND IS BASED ON PERFORMANCE AND AN ANALYSIS OF COMPENSATION PAID FOR SIMILAR POSITIONS IN SIMILAR ORGANIZATIONS AS DETERMINED BY THE EXECUTIVE COMMITTEE. |
| FORM 990, PART VI, SECTION C, LINE 18 | THE MUSEUM MAKES ITS FORM 990 AVAILABLE TO THE PUBLIC UPON REQUEST AND ON THEIR WEBSITE. |
| FORM 990, PART VI, SECTION C, LINE 19 | THE MUSEUM ALLOWS THE PUBLIC TO VIEW ITS FORM 990 AND FINANCIAL STATEMENTS ON THEIR WEBSITE. |
| FORM 990, PART XII, 2C, FINANCIAL STATEMENTS AND REPORTING: | THE PROCESS FOR OVERSIGHT OF THE AUDIT AND SELECTION OF AN INDEPENDENT ACCOUNTANT HAS NOT CHANGED FROM THE PRIOR YEAR. |
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