Attach to Form 990 or Form 990-EZ.
Go to
www.irs.gov/Form990 for instructions and the latest information.
| (i) Name of supported organization | (ii) EIN | (iii) Type of organization (described on lines 1- 10 above (see instructions)) | (iv) Is the organization listed in your governing document? | (v) Amount of monetary support (see instructions) | (vi) Amount of other support (see instructions) | |
|---|---|---|---|---|---|---|
| Yes | No | |||||
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Total |
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Calendar year
(or fiscal year beginning in)
![]() |
(a) 2019 | (b) 2020 | (c) 2021 | (d) 2022 | (e) 2023 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 1 | Gifts, grants, contributions, and membership fees received. (Do not include any "unusual grant.") .. | 90,569,567 | 100,932,172 | 45,684,079 | 15,579,396 | 48,078,520 | 300,843,734 |
| 2 | Tax revenues levied for the organization's benefit and either paid to or expended on its behalf .... | ||||||
| 3 | The value of services or facilities furnished by a governmental unit to the organization without charge.. | ||||||
| 4 | Total. Add lines 1 through 3 | 90,569,567 | 100,932,172 | 45,684,079 | 15,579,396 | 48,078,520 | 300,843,734 |
| 5 | The portion of total contributions by each person (other than a governmental unit or publicly supported organization) included on line 1 that exceeds 2% of the amount shown on line 11, column (f) .. | 117,265,420 | |||||
| 6 | Public support. Subtract line 5 from line 4. | 183,578,314 | |||||
Calendar year
(or fiscal year beginning in)
![]() |
(a) 2019 | (b) 2020 | (c) 2021 | (d) 2022 | (e) 2023 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 7 | Amounts from line 4.. | 90,569,567 | 100,932,172 | 45,684,079 | 15,579,396 | 48,078,520 | 300,843,734 |
| 8 | Gross income from interest, dividends, payments received on securities loans, rents, royalties and income from similar sources... | 2,223 | 1,300 | 335 | 345 | 2,006,165 | 2,010,368 |
| 9 | Net income from unrelated business activities, whether or not the business is regularly carried on.. | ||||||
| 10 | Other income. Do not include gain or loss from the sale of capital assets (Explain in Part VI.).. | 1,192,349 | 163,547 | 352,569 | 1,028,496 | 1,134,455 | 3,871,416 |
| 11 | Total support. Add lines 7 through 10 | 306,725,518 | |||||
Calendar year (or fiscal
year beginning in) ![]() |
(a) 2019 | (b) 2020 | (c) 2021 | (d) 2022 | (e) 2023 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 1 | Gifts, grants, contributions, and membership fees received. (Do not include any "unusual grants.") . | ||||||
| 2 | Gross receipts from admissions, merchandise sold or services performed, or facilities furnished in any activity that is related to the organization's tax-exempt purpose | ||||||
| 3 | Gross receipts from activities that are not an unrelated trade or business under section 513 ..... | ||||||
| 4 | Tax revenues levied for the organization's benefit and either paid to or expended on its behalf... | ||||||
| 5 | The value of services or facilities furnished by a governmental unit to the organization without charge | ||||||
| 6 | Total. Add lines 1 through 5 | ||||||
| 7a | Amounts included on lines 1, 2, and 3 received from disqualified persons | ||||||
| b | Amounts included on lines 2 and 3 received from other than disqualified persons that exceed the greater of $5,000 or 1% of the amount on line 13 for the year. | ||||||
| c | Add lines 7a and 7b.. | ||||||
| 8 | Public support. (Subtract line 7c from line 6.) | ||||||
Calendar year
(or fiscal year beginning in)
![]() |
(a) 2019 | (b) 2020 | (c) 2021 | (d) 2022 | (e) 2023 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 9 | Amounts from line 6... | ||||||
| 10a | Gross income from interest, dividends, payments received on securities loans, rents, royalties and income from similar sources.. | ||||||
| b | Unrelated business taxable income (less section 511 taxes) from businesses acquired after June 30, 1975. | ||||||
| c | Add lines 10a and 10b. | ||||||
| 11 | Net income from unrelated business activities not included on line 10b, whether or not the business is regularly carried on. | ||||||
| 12 | Other income. Do not include gain or loss from the sale of capital assets (Explain in Part VI.) .. | ||||||
| 13 | Total support. (Add lines 9, 10c, 11, and 12.).. | ||||||
| Section A - Adjusted Net Income | (A) Prior Year |
(B) Current Year (optional) |
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| 1 | Net short-term capital gain | 1 | ||||
| 2 | Recoveries of prior-year distributions | 2 | ||||
| 3 | Other gross income (see instructions) | 3 | ||||
| 4 | Add lines 1 through 3 | 4 | ||||
| 5 | Depreciation and depletion | 5 | ||||
| 6 | Portion of operating expenses paid or incurred for production or collection of gross income or for management, conservation, or maintenance of property held for production of income (see instructions) | 6 | ||||
| 7 | Other expenses (see instructions) | 7 | ||||
| 8 | Adjusted Net Income (subtract lines 5, 6 and 7 from line 4) | 8 | ||||
| Section B - Minimum Asset Amount | (A) Prior Year |
(B) Current Year (optional) |
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| 1 | Aggregate fair market value of all non-exempt-use assets (see instructions for short tax year or assets held for part of year): | 1 | ||||
| a | Average monthly value of securities | 1a | ||||
| b | Average monthly cash balances | 1b | ||||
| c | Fair market value of other non-exempt-use assets | 1c | ||||
| d | Total (add lines 1a, 1b, and 1c) | 1d | ||||
| e |
Discount claimed for blockage or other factors (explain in detail in Part VI): |
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| 2 | Acquisition indebtedness applicable to non-exempt use assets | 2 | ||||
| 3 | Subtract line 2 from line 1d | 3 | ||||
| 4 | Cash deemed held for exempt use. Enter 0.015 of line 3 (for greater amount, see instructions). | 4 | ||||
| 5 | Net value of non-exempt-use assets (subtract line 4 from line 3) | 5 | ||||
| 6 | Multiply line 5 by 0.035 | 6 | ||||
| 7 | Recoveries of prior-year distributions | 7 | ||||
| 8 | Minimum Asset Amount (add line 7 to line 6) | 8 | ||||
| Section C - Distributable Amount | Current Year | |||||
| 1 | Adjusted net income for prior year (from Section A, line 8, Column A) | 1 | ||||
| 2 | Enter 85% of line 1 | 2 | ||||
| 3 | Minimum asset amount for prior year (from Section B, line 8, Column A) | 3 | ||||
| 4 | Enter greater of line 2 or line 3 | 4 | ||||
| 5 | Income tax imposed in prior year | 5 | ||||
| 6 | Distributable Amount. Subtract line 5 from line 4, unless subject to emergency temporary reduction (see instructions) | 6 | ||||
| Section D - Distributions | Current Year | |
|---|---|---|
| 1 Amounts paid to supported organizations to accomplish exempt purposes | 1 | |
|
2
Amounts paid to perform activity that directly furthers exempt purposes of supported organizations, in excess of income from activity |
2 | |
| 3 Administrative expenses paid to accomplish exempt purposes of supported organizations | 3 | |
| 4 Amounts paid to acquire exempt-use assets | 4 | |
| 5 Qualified set-aside amounts (prior IRS approval required - provide details in Part VI) | 5 | |
| 6 Other distributions (describe in Part VI). See instructions | 6 | |
| 7Total annual distributions. Add lines 1 through 6. | 7 | |
|
8
Distributions to attentive supported organizations to which the organization is responsive (provide details in Part VI). See instructions |
8 | |
| 9 Distributable amount for 2023 from Section C, line 6 | 9 | |
| 10 Line 8 amount divided by Line 9 amount | 10 | |
| Section E - Distribution Allocations (see instructions) |
(i) Excess Distributions |
(ii) Underdistributions Pre-2023 |
(iii) Distributable Amount for 2023 |
|
|---|---|---|---|---|
| 1 Distributable amount for 2023 from Section C, line 6 | ||||
|
2
Underdistributions, if any, for years prior to 2023 (reasonable cause required-- explain in Part VI).
See instructions. |
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| 3 Excess distributions carryover, if any, to 2023: | ||||
| a From 2018....... | ||||
| b From 2019....... | ||||
| c From 2020....... | ||||
| d From 2021....... | ||||
| e From 2022....... | ||||
| fTotal of lines 3a through e | ||||
| g Applied to underdistributions of prior years | ||||
| h Applied to 2023 distributable amount | ||||
|
i
Carryover from 2018 not applied (see instructions) |
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| j Remainder. Subtract lines 3g, 3h, and 3i from line 3f. | ||||
| 4Distributions for 2023 from Section D, line 7: | ||||
| $ | ||||
| a Applied to underdistributions of prior years | ||||
| b Applied to 2023 distributable amount | ||||
| c Remainder. Subtract lines 4a and 4b from line 4. | ||||
|
5
Remaining underdistributions for years prior to 2023, if any. Subtract lines 3g and 4a from line 2. If the amount is greater than zero, explain in Part VI. See instructions. |
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|
6
Remaining underdistributions for 2023. Subtract lines 3h and 4b from line 1. If the amount is greater than zero, explain in Part VI. See instructions. |
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7 Excess distributions carryover to 2024. Add lines 3j and 4c. |
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| 8 Breakdown of line 7: | ||||
| a Excess from 2019..... | ||||
| b Excess from 2020..... | ||||
| c Excess from 2021..... | ||||
| d Excess from 2022..... | ||||
| e Excess from 2023..... | ||||
| Facts And Circumstances Test |
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| Return Reference | Explanation |
|---|---|
| SCHEDULE A, PART II, LINE 10, EXPLANATION OF OTHER INCOME: | FOOD AND BEVERAGE - 2019 AMOUNT: $ 1,018,022. 2020 AMOUNT: $ 71,684. 2021 AMOUNT: $ 162,131. 2022 AMOUNT: $ 860,553. 2023 AMOUNT: $ 971,087. STATE TAX REFUND - 2019 AMOUNT: $ 34,000. 2020 AMOUNT: $ 31,329. 2021 AMOUNT: $ 12,957. CORP CREDIT CARD CASHBACK - 2019 AMOUNT: $ 6,662. 2020 AMOUNT: $ 15,543. CLEANING DEPOSITS - 2021 AMOUNT: $ 50,000. OTHER - 2020 AMOUNT: $ 44,991. 2021 AMOUNT: $ 12,341. 2022 AMOUNT: $ 53,453. 2023 AMOUNT: $ 10,533. LICENSING - 2022 AMOUNT: $ 25,000. GROSS FUNDRAISING INCOME - 2019 AMOUNT: $ 133,665. 2021 AMOUNT: $ 115,140. 2022 AMOUNT: $ 89,490. 2023 AMOUNT: $ 152,835. |
| Software ID: | |
| Software Version: |
| Return Reference | Explanation |
|---|---|
| FORM 990, PART I, LINE 1 | WE PRODUCE AND WELCOME INNOVATIVE ART AND IDEAS, ACROSS ALL FORMS OF CREATIVITY, TO BUILD A SHARED UNDERSTANDING OF OUR RAPIDLY CHANGING WORLD AND A MORE EQUITABLE SOCIETY. |
| FORM 990, PART III, LINE 4A (CONTINUED) | LIVE PERFORMANCE PROGRAMMING MISTY BY ARINZ KENE (MARCH 3 - APRIL 2): IN A PERFORMANCE THAT IS PART POEM, PART CONCERT, PART CONFESSION, OLIVIER AWARD NOMINEE ARINZ KENE SELF-CONSCIOUSLY WRESTLES WITH CULTURAL REPRESENTATION AND IDENTITY POLITICS AS THEY PERTAIN TO A NEW PLAY HE HAS BEEN COMMISSIONED TO WRITE. KENE MADE HIS U.S. STAGE DEBUT WITH THIS RIVETING PRODUCTION DIRECTED BY OMAR ELERIAN. A PULSATING ORIGINAL SCORE COMPOSED BY KENE, ADRIAN MCLEOD, AND SHILOH COKE WAS PERFORMED BY A LIVE BAND FEATURING CO-MUSICAL DIRECTORS LIAM GODWIN (KEYS/SYNTH) AND NADINE LEE (DRUMS/BASS). THE NEW YORK TIMES WROTE, "THE PRODUCTION IS BEAUTIFULLY ATMOSPHERIC, PROPULSIVE AND OFTEN A SENSORY FEAT." KAGAMI (JUNE 7 - JULY 9): CREATED BY LEGENDARY COMPOSER, PRODUCER, ARTIST, AND ENVIRONMENTAL ACTIVIST RYUICHI SAKAMOTO (YELLOW MAGIC ORCHESTRA, THE LAST EMPEROR, THE REVENANT) AND TIN DRUM, KAGAMI ("MIRROR" IN JAPANESE) REPRESENTED A NEW KIND OF CONCERT, FUSING DIMENSIONAL MOVING PHOTOGRAPHY WITH THE REAL WORLD TO CREATE A NEVER-BEFORE-EXPERIENCED MIXED REALITY PRESENTATION. AUDIENCES WORE OPTICALLY TRANSPARENT DEVICES TO VIEW THE VIRTUAL SAKAMOTO PERFORMING ON PIANO ALONGSIDE DIMENSIONAL ART ALIGNED WITH THE MUSIC. PRESENTED IN SURROUND SOUND, THE EXPERIENCE WAS BOTH COLLECTIVE AND INDIVIDUAL, INVITING OBSERVERS TO CONNECT TO THE WORK AND EACH OTHER THROUGHOUT. WHILE AUDIENCES COULD VIEW THE SHOW IN A SEATED FORMAT, THEY WERE ALSO FREE TO WANDER AND EXPLORE DURING THE HOUR-LONG EVENT. SONIC SPHERE (JUNE 16 - JULY 30): SONIC SPHERE, A VAST, 65-FOOT-DIAMETER SPHERICAL CONCERT HALL SUSPENDED IN AIR IN THE SHED'S SOARING, 115-FOOT-TALL MCCOURT, WAS THE CREATION OF ARTISTS ED COOKE, MERIJN ROYAARDS, AND NICHOLAS CHRISTIE, ALONGSIDE THE SONIC SPHERE AND SHED TEAMS. THIS REVOLUTIONARY NEW ARCHITECTURAL SPACE FEATURED IMMERSIVE, 3-D SOUND AND LIGHT EXPLORATIONS OF MUSIC BY BOUNDARY-PUSHING ARTISTS, INCLUDING THE XX, STEVE REICH, PYOTR TCHAIKOVSKY, CARL CRAIG, YUN PINKU, IGOR LEVIT, AND MORE. WITHIN THE SPHERE, PARTICIPANTS WERE SURROUNDED BY MORE THAN 100 SPEAKERS THAT MOVED SOUND ABOVE, BELOW, THROUGH, AND AROUND THE FULLY IMMERSIVE SPACE. SOUND AND LIGHT WAVES WERE SCULPTED INTO SPATIALIZED, TEMPORAL ARCHITECTURES. SONIC SPHERE CREATED HYPERREAL AND DEEPLY MULTISENSORY, SHARED EXPERIENCES. HERE WE ARE (SEPTEMBER 28 - JANUARY 21): THE WORLD PREMIERE OF THE FINAL MUSICAL BY COMPOSER STEPHEN SONDHEIM. WITH A BOOK BY DAVID IVES AND DIRECTED BY JOE MANTELLO, THE PRODUCTION FEATURED FRANCOIS BATTISTE, TRACIE BENNETT, BOBBY CANNAVALE, MICAELA DIAMOND, AMBER GRAY, JIN HA, RACHEL BAY JONES, DENIS O'HARE, STEVEN PASQUALE, DAVID HYDE PIERCE, AND JEREMY SHAMOS. HERE WE ARE IS BASED ON TWO LUIS BUUEL FILMS, "THE DISCREET CHARM OF THE BOURGEOISIE AND "THE EXTERMINATING ANGEL." IT FOLLOWS A GROUP OF FRIENDS AS THEY ARE CHASING BRUNCH TO THE BRINK OF APOCALYPSE. |
| FORM 990, PART III, LINE 4B (CONTINUED) | VISUAL ARTS PROGRAMMING THE YANOMAMI STRUGGLE (FEBRUARY 3 - APRIL 16): THE YANOMAMI STRUGGLE WAS A COMPREHENSIVE EXHIBITION DEDICATED TO THE COLLABORATION AND FRIENDSHIP BETWEEN ARTIST AND ACTIVIST CLAUDIA ANDUJAR AND THE YANOMAMI PEOPLE, ONE OF THE LARGEST INDIGENOUS GROUPS LIVING IN AMAZONIA TODAY. THE EXHIBITION, PRESENTED IN PARTNERSHIP WITH FONDATION CARTIER POUR L'ART CONTEMPORAIN, INCLUDED MORE THAN 80 DRAWINGS AND PAINTINGS BY YANOMAMI ARTISTS ANDRE TANIKI, EHUANA YAIRA, JOSECA MOKAHESI, ORLANDO NAKI UXIMA, PORACO HIKO, SHEROANAWE HAKIHIIWE, AND VITAL WARASI. VISITORS ALSO ENCOUNTERED NEW VIDEO WORKS BY CONTEMPORARY YANOMAMI FILMMAKERS AIDA HARIKA, EDMAR TOKORINO, MORZANIEL IRAMARI, AND ROSEANE YARIANA. THESE WORKS WERE PRESENTED ALONGSIDE MORE THAN 200 PHOTOGRAPHS BY CLAUDIA ANDUJAR THAT TRACE THE ARTIST'S EXPERIENCES WITH THE YANOMAMI OVER FIVE DECADES AND CONTINUE TO RAISE VISIBILITY FOR THEIR STRUGGLE TO PROTECT THEIR LAND, PEOPLE, AND CULTURE. THE WORKS BY THESE CONTEMPORARY YANOMAMI ARTISTS WERE ON VIEW IN NEW YORK FOR THE FIRST TIME AT THE SHED, BRINGING TOGETHER THE MOST EXTENSIVE PRESENTATION OF YANOMAMI ART IN THE US TO DATE. |
| FORM 990, PART III, LINE 4C (CONTINUED) | CIVIC PROGRAMS PERICLES (JUNE 3): IN ITS SECOND YEAR IN RESIDENCY AT THE SHED, THE FIRE ENSEMBLE, LED BY ARTISTIC DIRECTOR AND OPEN CALL ALUM TROY ANTHONY, PRESENTED A WORKSHOP READING OF ANTHONY'S NEW MUSICAL ADAPTATION OF SHAKESPEARE'S PERICLES. ORIGINALLY COMMISSIONED BY THE PUBLIC THEATER, PERICLES FEATURED 60 CHOIR MEMBERS, 10 ACTORS, AND EXPLORES THEMES OF GRIEF AND HARD-WON JOY. THE FIRE ENSEMBLE'S COLLECTIVE APPROACH CENTERS INTERGENERATIONAL BIPOC COMMUNITIES; PERICLES COMBINES INFLUENCES FROM BLACK MUSICAL TRADITIONS INCLUDING GOSPEL AND R&B WITH SHAKESPEAREAN VERSE TO OFFER AN UPDATED TAKE ON SHIPWRECKS, PIRATES, JOUSTING TOURNAMENTS, AND EPIC JOURNEYS. THE FREE PUBLIC PERFORMANCE WAS LED BY DIRECTOR TORYA BEARD AND MADE ACCESSIBLE TO DEAF AUDIENCES BY DIRECTOR OF ARTISTIC SIGN LANGUAGE GABRIEL SILVA. IT WAS THE FIRST TIME THE WORK HAD BEEN SHARED PUBLICLY. SUMMER SWAY (AUGUST 11-26): SUMMER SWAY RETURNED IN ITS SECOND YEAR TO TAKE OVER THE SHED'S OUTDOOR, PUBLIC PLAZA. OUR COMMUNITY JOINED US AS WE CELEBRATED THE SEASON WITH THE JOY AND LIBERATION THAT MUSIC AND DANCE GIVE US. DJS AND SPECIAL GUESTS FROM ACROSS THE CITY SPUN FOR US ON FRIDAY AND SATURDAY EVENINGS. WE ENJOYED MUSIC AND MORE BY NEW YORK'S MOST INNOVATIVE AND CREATIVE DJS AND MUSICAL ARTISTS WHO CONTINUE TO REINTERPRET AND MIX SOUNDS OF HIP HOP, HOUSE, AFROBEATS, SALSA, REGGAE, AND MORE. DJS INCLUDED AQ, THE SALSA PROJECT, DJ JFUSE, REINALDO DE JESUS, SOUL SUMMIT, NUEVAYORKINOS, DJ UNDOCUBOUGIE, DJ ULTRA VIOLET, BR0NZ3_G0DD3SS, DJ ELISE, AND DJ MOMA. WEST SIDE FEST (SEPTEMBER 30): THE SHED AND OUR NEIGHBORS IN THE WEST SIDE CULTURAL NETWORK CAME TOGETHER FOR THE FIRST WEST SIDE FEST: A DAY OF FREE ADMISSION, SPECIAL INDOOR AND OUTDOOR PROGRAMMING, CRAFTS FOR KIDS, ARTMAKING FOR ALL AGES, AND MORE. THE FESTIVAL WRAPPED UP WITH A BLOCK PARTY AT THE SHED, FEATURING DANCE SETS BY THE DRAGON SISTERS AND LADIES OF HIP-HOP, AS WELL AS ONGOING DJ SETS BY RIOBAMBA, BEARCAT, AND ASHLEY VENOM. OTHER ORGANIZATIONS WHO PARTICIPATED IN WEST SIDE FEST INCLUDE THE WHITNEY MUSEUM OF AMERICAN ART, POSTER HOUSE, HILL ARTS FOUNDATION, HUDSON RIVER PARK, WESTBETH ARTISTS RESIDENCE, LITTLE ISLAND, WEST VILLAGE REHEARSAL CO-OP, THE LESBIAN, GAY, BISEXUAL, TRANSGENDER COMMUNITY CENTER, THE NEW YORK CITY AIDS MEMORIAL PARK, NEW YORK LIVE ARTS, THE KITCHEN, THE RUBIN MUSEUM OF ART, THE HIGH LINE, AND THE CENTER FOR ART, RESEARCH AND ALLIANCES (CARA). SPARKS! (NOVEMBER 20): AS PART OF THE ETHOS OF THE FIRE ENSEMBLE, CREATIVE DIRECTOR TROY ANTHONY IMAGINED A WAY OF WORKING THAT IS TRANSFERABLEFROM ARTIST TO ARTIST, COMMUNITY TO COMMUNITY. IN SPARKS!, A SPECIAL OPEN REHEARSAL FOR THE FIRE ENSEMBLE'S CHOIR COMMUNITY, ANTHONY WELCOMED GUEST ARTISTS SEAN M. STAROWITZ, GOGO YEMA (PROFESSIONALLY KNOWN AS JILLIAN WALKER), JAIME CEPERO, AND JOHN-MICHAEL LYLES TO HIGHLIGHT SELECTIONS FROM COLLABORATIVE WORKS IN PROGRESS, ALONGSIDE SELECTIONS OF HIS OWN WORKS IN DEVELOPMENT. SPARKS! FOLLOWED FULL-SCALE WORKSHOP PRODUCTIONS AND READINGS PRESENTED OVER THE PAST TWO YEARS AS PART OF THE FIRE ENSEMBLE'S INCUBATION AT THE SHED. THIS OPEN REHEARSAL PEELED BACK THE LAYERS OF THE CREATIVE PROCESS EVEN FURTHER TO THE EARLIEST STAGES OF A PROJECT'S DEVELOPMENT, REVEALING THE COLLABORATIVE CHEMISTRY THAT DETERMINES THE TRAJECTORY OF NEW ARTWORKS. OPEN CALL 2023 GROUP EXHIBITION (NOVEMBER 4 - JANUARY 21): THE OPEN CALL 2023 GROUP EXHIBITION FEATURED NEW ARTWORKS BY EMERGING NYC ARTISTS WHO INTERSECT THEIR PERSONAL STORIES WITH GLOBAL HISTORY, PROPOSING CARE- AND COMMUNITY-BASED RESPONSES TO THE URGENT ISSUES OF OUR TIME. THE EXHIBITION PRESENTED THE WORK OF ARTISTS SELECTED AS PART OF OPEN CALL, A LARGE-SCALE COMMISSIONING PROGRAM FOR EARLY-CAREER, NYC-BASED ARTISTS. OPEN CALL ARTISTS WHO PRESENTED IN THE EXHIBITION INCLUDE MINNE ATAIRU, JAKE BRUSH, CATHY LINH CHE & CHRISTOPHER RADCLIFF, ARMANDO GUADALUPE CORTS, LIZANIA CRUZ, BRYAN FERNANDEZ, LUIS A. GUTIERREZ, JEFFREY MERIS, CALLI ROCHE, AND SANDY WILLIAMS IV. |
| FORM 990, PART III, LINE 1, DESCRIPTION OF ORGANIZATION MISSION | THE SHED IS A NEW CULTURAL INSTITUTION OF AND FOR THE 21ST CENTURY. WE PRODUCE AND WELCOME INNOVATIVE ART AND IDEAS, ACROSS ALL FORMS OF CREATIVITY, TO BUILD A SHARED UNDERSTANDING OF OUR RAPIDLY CHANGING WORLD AND A MORE EQUITABLE SOCIETY. IN OUR HIGHLY ADAPTABLE BUILDING ON MANHATTAN'S WEST SIDE, THE SHED BRINGS TOGETHER ESTABLISHED AND EMERGING ARTISTS TO CREATE NEW WORK IN FIELDS RANGING FROM POP TO CLASSICAL MUSIC, PAINTING TO DIGITAL MEDIA, THEATER TO LITERATURE, AND SCULPTURE TO DANCE. WE SEEK OPPORTUNITIES TO COLLABORATE WITH CULTURAL PEERS AND COMMUNITY ORGANIZATIONS, WORK WITH LIKE-MINDED PARTNERS, AND PROVIDE UNIQUE SPACES FOR PRIVATE EVENTS. THE SHED WAS DESIGNED TO BREAK WITH THE TRADITIONS THAT SEPARATE ART FORMS AND AUDIENCES. BY MINIMIZING SOCIAL AND ECONOMIC BARRIERS TO ENTRY, WE OFFER A WARM, WELCOMING SPACE FOR INNOVATION AND DIALOGUE. EMBRACING TECHNOLOGY, WE WORK WITH CREATIVE THINKERS AND PARTNERS TO CREATE TRANSFORMATIONAL DIGITAL EXPERIENCES ON-SITE AND ONLINE. USING OUR FLEXIBLE INFRASTRUCTURE AND OPERATIONAL CAPABILITIES, WE CAN PRODUCE PERFORMANCES, EXHIBITIONS, EVENTS, AND GATHERINGS OF ALMOST ANY TYPE IN EXPANSIVE, MULTI USE VENUES THAT ALLOW FOR SOCIAL DISTANCING. DRIVEN BY OUR BELIEF THAT ACCESS TO NEW ART AND IDEAS IS A RIGHT, NOT A PRIVILEGE, WE PRESENT ENGAGING EXPERIENCES AND FORGE DEEP BONDS BETWEEN OUR ARTISTS AND AUDIENCES. AS AN INDEPENDENT NONPROFIT THAT VALUES INVENTION, EQUITY, AND GENEROSITY, WE ARE COMMITTED TO ADVANCING ART FORMS, ADDRESSING THE URGENT ISSUES OF OUR TIME, AND MAKING OUR WORK IMPACTFUL, SUSTAINABLE, AND RELEVANT TO THE LOCAL COMMUNITY, THE CULTURAL SECTOR, NEW YORK CITY, AND BEYOND. |
| FORM 990, PART VI, SECTION A, LINE 2 | RELATIONSHIPS BETWEEN BOARD MEMBERS KEN WONG IS COO/DIRECTOR OF INTERNATIONAL DEVELOPMENT FOR RELATED COMPANIES. DEAN SHAPIRO IS SVP INVESTMENTS/HEAD OF US DEVELOPMENT FOR OXFORD PROPERTIES GROUP. RELATED AND OXFORD ARE GENERAL PARTNERS IN THE HUDSON YARDS DEVELOPMENT. |
| FORM 990, PART VI, SECTION B, LINE 11B | REVIEW OF FORM 990 FORM 990 IS PROVIDED TO THE ENTIRE BOARD OF DIRECTORS OF THE ORGANIZATION FOR REVIEW BEFORE THE RETURN IS FILED WITH THE IRS. |
| FORM 990, PART VI, SECTION B, LINE 12C | CONFLICT OF INTEREST POLICY REVIEW IMMEDIATELY UPON ELECTION TO THE BOARD, ALL DIRECTORS SHALL DISCLOSE ANY RELEVANT INTEREST WHICH MAY POSE CONFLICT OF INTEREST QUESTIONS, DISCLOSURE SHALL INCLUDE ANY INTEREST, FINANCIAL OR OTHERWISE, IN ANY CORPORATION, ORGANIZATION, OR PARTNERSHIP WHICH PROVIDES PROFESSIONAL OR OTHER SERVICES TO THE CORPORATION. WHEN ANY MATTER COMES BEFORE THE BOARD OR ANY COMMITTEE OF THE BOARD IN WHICH A DIRECTOR HAS AN INTEREST, THE DIRECTOR WHO HAS AN INTEREST SHALL PROMPTLY AND FULLY DISCLOSE HIS OR HER INTEREST TO THE BOARD OR COMMITTEE PRIOR TO ITS ACTING ON THE MATTER. SUCH DISCLOSURE SHALL INCLUDE ANY RELEVANT AND MATERIAL FACTS KNOWN TO SUCH PERSON ABOUT THE CONTRACT OR TRANSACTION THAT MIGHT REASONABLY BE CONSTRUED TO BE ADVERSE TO THE CORPORATION. BOARD MEMBERS ARE REQUIRED, ANNUALLY, TO SIGN AN AFFIDAVIT TO DISCLOSE WHETHER OR NOT A CONFLICT EXISTS. |
| FORM 990, PART VI, SECTION B, LINE 15 | COMPENSATION REVIEW COMPENSATION FOR THE ARTISTIC DIRECTOR AND THE CEO ARE REVIEWED AND DETERMINED ANNUALLY BY THE SHED'S INDEPENDENT BOARD OF DIRECTORS. THE MOST RECENT REVIEW FOR THE ARTISTIC DIRECTOR OCCURED IN JANUARY 2023. THE MOST RECENT REVIEW FOR THE CEO OCCURED IN OCTOBER 2023. COMPENSATION FOR OTHER SENIOR MANAGEMENT POSITIONS BELOW THE EXECUTIVE LEVEL ARE REVIEWED AND DETERMINED BY THE CEO, THE CHIEF PEOPLE OFFICER AND THE CHIEF FINANCIAL AND ADMINISTRAIVE OFFICER. COMPENSATION REVIEW INCLUDES INPUT FROM INDEPENDENT SOURCES AND COMPARATIVE DATA FROM SIMILARLY SITUATED ORGANIZATIONS. THE APPROVAL PROCESS IS CONTEMPORANEOUSLY DOCUMENTED IN THE BOARD MEETING MINUTES. |
| FORM 990, PART VI, SECTION C, LINE 19 | AVAILABILITY OF DOCUMENTS TO THE PUBLIC THE ORGANIZATION MAKES ITS CERTIFICATE OF INCORPORATION, BYLAWS, AND FINANCIAL STATEMENTS AVAILABLE TO THE PUBLIC UPON REQUEST. REQUESTS FOR REVIEWING THE ORGANIZATION'S DOCUMENTS SHOULD BE ADDRESSED TO THE ORGANIZATION IN CARE OF PETER GEE AS NOTED IN PART VI, SECTION C, LINE 20. |
| FORM 990, PART XI, LINE 9: | DISCOUNT FOUNDING CAPITAL CAMPAIGN REVENUE 348,359. |
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