Attach to Form 990 or Form 990-EZ.
Go to
www.irs.gov/Form990 for instructions and the latest information.
| (i) Name of supported organization | (ii) EIN | (iii) Type of organization (described on lines 1- 10 above (see instructions)) | (iv) Is the organization listed in your governing document? | (v) Amount of monetary support (see instructions) | (vi) Amount of other support (see instructions) | |
|---|---|---|---|---|---|---|
| Yes | No | |||||
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Total |
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Calendar year
(or fiscal year beginning in)
![]() |
(a) 2019 | (b) 2020 | (c) 2021 | (d) 2022 | (e) 2023 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 1 | Gifts, grants, contributions, and membership fees received. (Do not include any "unusual grant.") .. | 10,761,253 | 17,760,368 | 13,507,338 | 13,367,807 | 8,831,234 | 64,228,000 |
| 2 | Tax revenues levied for the organization's benefit and either paid to or expended on its behalf .... | 0 | |||||
| 3 | The value of services or facilities furnished by a governmental unit to the organization without charge.. | 0 | |||||
| 4 | Total. Add lines 1 through 3 | 10,761,253 | 17,760,368 | 13,507,338 | 13,367,807 | 8,831,234 | 64,228,000 |
| 5 | The portion of total contributions by each person (other than a governmental unit or publicly supported organization) included on line 1 that exceeds 2% of the amount shown on line 11, column (f) .. | 900,750 | |||||
| 6 | Public support. Subtract line 5 from line 4. | 63,327,250 | |||||
Calendar year
(or fiscal year beginning in)
![]() |
(a) 2019 | (b) 2020 | (c) 2021 | (d) 2022 | (e) 2023 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 7 | Amounts from line 4.. | 10,761,253 | 17,760,368 | 13,507,338 | 13,367,807 | 8,831,234 | 64,228,000 |
| 8 | Gross income from interest, dividends, payments received on securities loans, rents, royalties and income from similar sources... | 2,339,123 | 1,594,008 | 7,091,043 | 1,014,911 | 1,383,234 | 13,422,319 |
| 9 | Net income from unrelated business activities, whether or not the business is regularly carried on.. | ||||||
| 10 | Other income. Do not include gain or loss from the sale of capital assets (Explain in Part VI.).. | 12,295 | 52,424 | 332,125 | 895,918 | 84,758 | 1,377,520 |
| 11 | Total support. Add lines 7 through 10 | 79,106,227 | |||||
Calendar year (or fiscal
year beginning in) ![]() |
(a) 2019 | (b) 2020 | (c) 2021 | (d) 2022 | (e) 2023 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 1 | Gifts, grants, contributions, and membership fees received. (Do not include any "unusual grants.") . | ||||||
| 2 | Gross receipts from admissions, merchandise sold or services performed, or facilities furnished in any activity that is related to the organization's tax-exempt purpose | ||||||
| 3 | Gross receipts from activities that are not an unrelated trade or business under section 513 ..... | ||||||
| 4 | Tax revenues levied for the organization's benefit and either paid to or expended on its behalf... | ||||||
| 5 | The value of services or facilities furnished by a governmental unit to the organization without charge | ||||||
| 6 | Total. Add lines 1 through 5 | ||||||
| 7a | Amounts included on lines 1, 2, and 3 received from disqualified persons | ||||||
| b | Amounts included on lines 2 and 3 received from other than disqualified persons that exceed the greater of $5,000 or 1% of the amount on line 13 for the year. | ||||||
| c | Add lines 7a and 7b.. | ||||||
| 8 | Public support. (Subtract line 7c from line 6.) | ||||||
Calendar year
(or fiscal year beginning in)
![]() |
(a) 2019 | (b) 2020 | (c) 2021 | (d) 2022 | (e) 2023 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 9 | Amounts from line 6... | ||||||
| 10a | Gross income from interest, dividends, payments received on securities loans, rents, royalties and income from similar sources.. | ||||||
| b | Unrelated business taxable income (less section 511 taxes) from businesses acquired after June 30, 1975. | ||||||
| c | Add lines 10a and 10b. | ||||||
| 11 | Net income from unrelated business activities not included on line 10b, whether or not the business is regularly carried on. | ||||||
| 12 | Other income. Do not include gain or loss from the sale of capital assets (Explain in Part VI.) .. | ||||||
| 13 | Total support. (Add lines 9, 10c, 11, and 12.).. | ||||||
| Section A - Adjusted Net Income | (A) Prior Year |
(B) Current Year (optional) |
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| 1 | Net short-term capital gain | 1 | ||||
| 2 | Recoveries of prior-year distributions | 2 | ||||
| 3 | Other gross income (see instructions) | 3 | ||||
| 4 | Add lines 1 through 3 | 4 | ||||
| 5 | Depreciation and depletion | 5 | ||||
| 6 | Portion of operating expenses paid or incurred for production or collection of gross income or for management, conservation, or maintenance of property held for production of income (see instructions) | 6 | ||||
| 7 | Other expenses (see instructions) | 7 | ||||
| 8 | Adjusted Net Income (subtract lines 5, 6 and 7 from line 4) | 8 | ||||
| Section B - Minimum Asset Amount | (A) Prior Year |
(B) Current Year (optional) |
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| 1 | Aggregate fair market value of all non-exempt-use assets (see instructions for short tax year or assets held for part of year): | 1 | ||||
| a | Average monthly value of securities | 1a | ||||
| b | Average monthly cash balances | 1b | ||||
| c | Fair market value of other non-exempt-use assets | 1c | ||||
| d | Total (add lines 1a, 1b, and 1c) | 1d | ||||
| e |
Discount claimed for blockage or other factors (explain in detail in Part VI): |
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| 2 | Acquisition indebtedness applicable to non-exempt use assets | 2 | ||||
| 3 | Subtract line 2 from line 1d | 3 | ||||
| 4 | Cash deemed held for exempt use. Enter 0.015 of line 3 (for greater amount, see instructions). | 4 | ||||
| 5 | Net value of non-exempt-use assets (subtract line 4 from line 3) | 5 | ||||
| 6 | Multiply line 5 by 0.035 | 6 | ||||
| 7 | Recoveries of prior-year distributions | 7 | ||||
| 8 | Minimum Asset Amount (add line 7 to line 6) | 8 | ||||
| Section C - Distributable Amount | Current Year | |||||
| 1 | Adjusted net income for prior year (from Section A, line 8, Column A) | 1 | ||||
| 2 | Enter 85% of line 1 | 2 | ||||
| 3 | Minimum asset amount for prior year (from Section B, line 8, Column A) | 3 | ||||
| 4 | Enter greater of line 2 or line 3 | 4 | ||||
| 5 | Income tax imposed in prior year | 5 | ||||
| 6 | Distributable Amount. Subtract line 5 from line 4, unless subject to emergency temporary reduction (see instructions) | 6 | ||||
| Section D - Distributions | Current Year | |
|---|---|---|
| 1 Amounts paid to supported organizations to accomplish exempt purposes | 1 | |
|
2
Amounts paid to perform activity that directly furthers exempt purposes of supported organizations, in excess of income from activity |
2 | |
| 3 Administrative expenses paid to accomplish exempt purposes of supported organizations | 3 | |
| 4 Amounts paid to acquire exempt-use assets | 4 | |
| 5 Qualified set-aside amounts (prior IRS approval required - provide details in Part VI) | 5 | |
| 6 Other distributions (describe in Part VI). See instructions | 6 | |
| 7Total annual distributions. Add lines 1 through 6. | 7 | |
|
8
Distributions to attentive supported organizations to which the organization is responsive (provide details in Part VI). See instructions |
8 | |
| 9 Distributable amount for 2023 from Section C, line 6 | 9 | |
| 10 Line 8 amount divided by Line 9 amount | 10 | |
| Section E - Distribution Allocations (see instructions) |
(i) Excess Distributions |
(ii) Underdistributions Pre-2023 |
(iii) Distributable Amount for 2023 |
|
|---|---|---|---|---|
| 1 Distributable amount for 2023 from Section C, line 6 | ||||
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2
Underdistributions, if any, for years prior to 2023 (reasonable cause required-- explain in Part VI).
See instructions. |
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| 3 Excess distributions carryover, if any, to 2023: | ||||
| a From 2018....... | ||||
| b From 2019....... | ||||
| c From 2020....... | ||||
| d From 2021....... | ||||
| e From 2022....... | ||||
| fTotal of lines 3a through e | ||||
| g Applied to underdistributions of prior years | ||||
| h Applied to 2023 distributable amount | ||||
|
i
Carryover from 2018 not applied (see instructions) |
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| j Remainder. Subtract lines 3g, 3h, and 3i from line 3f. | ||||
| 4Distributions for 2023 from Section D, line 7: | ||||
| $ | ||||
| a Applied to underdistributions of prior years | ||||
| b Applied to 2023 distributable amount | ||||
| c Remainder. Subtract lines 4a and 4b from line 4. | ||||
|
5
Remaining underdistributions for years prior to 2023, if any. Subtract lines 3g and 4a from line 2. If the amount is greater than zero, explain in Part VI. See instructions. |
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6
Remaining underdistributions for 2023. Subtract lines 3h and 4b from line 1. If the amount is greater than zero, explain in Part VI. See instructions. |
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7 Excess distributions carryover to 2024. Add lines 3j and 4c. |
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| 8 Breakdown of line 7: | ||||
| a Excess from 2019..... | ||||
| b Excess from 2020..... | ||||
| c Excess from 2021..... | ||||
| d Excess from 2022..... | ||||
| e Excess from 2023..... | ||||
| Facts And Circumstances Test |
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| Return Reference | Explanation |
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| Software ID: | |
| Software Version: |
| Return Reference | Explanation |
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| FORM 990, PART III, LINE 4A: | IN 2023, PARK AVENUE ARMORY PRESENTED A WIDE RANGE OF EXCEPTIONAL, UNCONVENTIONAL WORKS, INCLUDING NEW COMMISSIONS AND ACCLAIMED EXISTING PRODUCTIONS RETROFITTED TO THE WADE THOMPSON DRILL HALL, AS WELL AS NEW YORK DEBUTS FROM SINGULAR ARTISTIC VOICES. IN CONJUNCTION WITH EACH PRODUCTION, FREE ARTS EDUCATION PROGRAMS IMMERSED THOUSANDS OF ELEMENTARY, MIDDLE, AND HIGH SCHOOL STUDENTS FROM HISTORICALLY UNDER-RESOURCED NEW YORK CITY PUBLIC SCHOOLS WITH VISIONARY ARTISTS AND THEIR CREATIVE PROCESSES. DRILL HALL PRODUCTIONS: LOVE (FEBRUARY 28 - MARCH 25, 2023): WRITTEN AND DIRECTED BY ALEXANDER ZELDIN, LOVE DEPICTED THREE FAMILIES PLACED IN TEMPORARY ACCOMMODATION IN THE PERIOD LEADING UP TO CHRISTMAS: A MIDDLE-AGED MAN AND HIS ELDERLY MOTHER, A YOUNG FAMILY EXPECTING A NEW BABY, AND A WOMAN WHO IS A REFUGEE FROM SUDAN. REIMAGINED FOR THE VAST WADE THOMPSON DRILL HALL FOR ITS NORTH AMERICAN PREMIERE AFTER A CRITICALLY ACCLAIMED TOUR IN EUROPE AND THE UK, THE ARMORY'S PRESENTATION OF LOVE WAS NAMED A CRITIC'S PICK BY THE NEW YORK TIMES AND IMMERSED AUDIENCES IN A STORY ABOUT FAMILY AND THE RESILIENCE OF THE HUMAN SPIRIT FOR OUR TIMES. THE DOCTOR (JUNE 3 - AUGUST 19, 2023): CELEBRATED DIRECTOR ROBERT ICKE RETURNED TO THE ARMORY, AFTER RECEIVING TWO NEW YORK TIMES CRITIC'S PICKS FOR HAMLET AND ORESTEIA IN 2022, WITH THE NORTH AMERICAN PREMIERE OF THE DOCTOR STARRING HIS LONGTIME COLLABORATOR, JULIET STEVENSON. THE DOCTOR WAS A FREE ADAPTATION OF ARTHUR SCHNITZLER'S PROFESSOR BERNHARDI, AND EXPLORED THE CLASH BETWEEN SCIENCE AND RELIGION, AS WELL AS THE RIGHTS OF INDIVIDUALS AND HOW IDENTITIES COLLIDE. DOPPELGANGER (SEPTEMBER 22 - 28, 2023): IN A RARE SOLO PERFORMANCE, JONAS KAUFMANN, KNOWN AS "THE WORLD'S GREATEST TENOR" (TELEGRAPH UK), APPEARED IN THE WADE THOMPSON DRILL HALL IN A NEW ARMORY COMMISSION THAT WAS ALSO NAMED A CRITIC'S PICK BY THE NEW YORK TIMES. A THEATRICAL STAGING OF FRANZ SCHUBERT'S DEEPLY EMOTIONAL SONG CYCLE SCHWANENGESANG ("SWAN SONG"), DOPPELGANGER WAS LED BY ONE OF OPERA'S MOST ADVENTUROUS DIRECTORS, CLAUS GUTH, WITH SETS BY AWARD-WINNING DESIGNER MICHAEL LEVINE, AND LIGHTING DESIGN BY URS SCHNEBAUM. MUTANT; DESTRUDO (OCTOBER 11 - 15, 2023): VENEZUELAN MUSICIAN AND MULTIMEDIA ARTIST ARCA MADE HER DEBUT IN THE WADE THOMPSON DRILL HALL WITH A NEW ARMORY COMMISSION, MUTANT; DESTRUDO. A GRAMMY AND LATIN GRAMMY AWARD NOMINEE AS WELL AS RECENT UK MUSIC VIDEO AWARD WINNER, SHE HAS WORKED WITH FKA TWIGS, BJRK, AND LADY GAGA, AND COMPOSED A CONSTANTLY TRANSFORMING SOUNDTRACK FOR THE MUSEUM OF MODERN ART'S LOBBY USING ARTIFICIAL INTELLIGENCE. THE RITE OF SPRING / COMMON GROUND[S] (NOVEMBER 29 - DECEMBER 14, 2023): CLOSING THE 2023 SEASON WERE TWO WORKS OF CONTEMPORARY DANCE: THE RITE OF SPRING AND COMMON GROUND[S]. IN ICONIC GERMAN CHOREOGRAPHER PINA BAUSCH'S MONUMENTAL THE RITE OF SPRING - SET TO IGOR STRAVINSKY'S SCORE - A "CHOSEN ONE" IS SACRIFICED, CHANGING THE SEASON FROM WINTER TO SPRING. FOR THIS THRILLING STAGING OF BAUSCH'S TRAILBLAZING WORK - NAMED A CRITIC'S PICK BY THE NEW YORK TIMES - SENEGALESE CHOREOGRAPHER AND DANCER GERMAINE ACOGNY, FOUNDER OF DANCE COMPANY COLE DES SABLES AND WIDELY CONSIDERED TO BE, "THE MOTHER OF AFRICAN CONTEMPORARY DANCE," SPECIALLY ASSEMBLED A COLLECTIVE OF 34 DANCERS FROM 14 AFRICAN COUNTRIES. COMMON GROUND[S] WAS A NEW WORK CHOREOGRAPHED AND PERFORMED BY ACOGNY AND CHOREOGRAPHER AND DANCER MALOU AIRAUDO, WHO PERFORMED LEADING ROLES IN MANY OF BAUSCH'S EARLY WORKS AS A MEMBER OF TANZTHEATER WUPPERTAL PINA BAUSCH. A POETIC AND TENDER ANTIDOTE TO RITE, THE DUET EXPLORED AGE, ANCESTRY, AND OUR COMMON HUMAN THREAD. |
| FORM 990, PART III, LINE 4A (CONTINUED) | HISTORIC ROOM PROGRAMS: RECITAL SERIES: THE ARMORY'S ACCLAIMED RECITAL SERIES RETURNED TO THE BOARD OF OFFICERS ROOM, "ONE OF THE MOST INTIMATE AND IDEAL SPACES FOR VOCAL RECITALS" (THE NEW YORK TIMES). PRESENTING CLASSICAL AND CONTEMPORARY WORKS IN AN UNPARALLELED SETTING, THE SERIES FEATURED: CONTEMPORARY BARITONE STPHANE DEGOUT AND CLASSICAL PIANIST CDRIC TIBERGHIEN (APRIL 3 & 5, 2023); ACCLAIMED TENOR ALLAN CLAYTON WITH PIANIST JAMES BAILLIEU (APRIL 27 & 29, 2023); CELEBRATED PIANIST PAVEL KOLESNIKOV (MAY 22 & 24, 2023); RENOWNED AMERICAN SOPRANO JULIA BULLOCK AND PIANIST JOHN ARIDA (SEPTEMBER 11 & 13, 2023), WHOSE PERFORMANCE WAS NAMED A CRITIC'S PICK IN THE NEW YORK TIMES; GRAMMY-NOMINATED ENSEMBLE SANDBOX PERCUSSION (OCTOBER 1 & 3, 2023); AND ONE OF THE MOST PROMISING VOICES OF HER GENERATION, MEZZO-SOPRANO KATE LINDSEY WITH PIANIST JUSTINA LEE (OCTOBER 16 & 17, 2023). ARTIST STUDIO: IN THE RESTORED VETERANS ROOM, THE ECLECTIC ARTISTS STUDIO SERIES, CURATED BY JASON MORAN, EXPANDED TO BE A YEARLONG RESIDENCY WITH THE ASSOCIATION FOR THE ADVANCEMENT OF CREATIVE MUSICIANS, INC. (AACM). FOR NEARLY 60 YEARS, THIS REVOLUTIONARY COLLECTIVE OF ARTISTS, MUSICIANS, AND CREATORS FROM A RANGE OF BACKGROUNDS HAS BEEN BLENDING ART FORMS AND PUSHING BOUNDARIES. AMONG THE PARTICIPATING ARTISTS WERE PULITZER PRIZE-WINNING COMPOSER HENRY THREADGILL (FEBRUARY 18, 2023); DRUMMER AND PERCUSSIONIST, THURMAN BARKER WITH "MUSICAL POWER COUPLE" (THE NEW YORK TIMES) ADEGOKE STEVE COLSON AND IQUA COLSON (APRIL 22, 2023); EXPERIMENTAL COMPOSER AND MUSICOLOGIST GEORGE LEWIS (NOVEMBER 18 & DECEMBER 18, 2023); PERCUSSIONIST AND COMPOSER REGGIE NICHOLSON (NOVEMBER 18, 2023); AND PRODIGIOUS PIANIST, ORGANIST, VOCALIST, COMPOSER, AND IMPROVISATIONALIST AMINA CLAUDINE MYERS (DECEMBER 18, 2023). MAKING SPACE AT THE ARMORY: ORGANIZED BY CURATOR OF PUBLIC PROGRAMMING DR. TAVIA NYONG'O, PRESENTS A SERIES OF TALKS, SALONS, SYMPOSIA, PERFORMANCES, AND OTHER ACTIVATIONS THAT BRING ARTISTS, ACTIVISTS, CULTURAL LEADERS, SCHOLARS, AND AUDIENCES INTO DIALOGUE ABOUT CULTURE IN A CHANGING AMERICA THROUGH AN ARTISTIC LENS. IN 2023, MAKING SPACE OFFERED SIX PUBLIC PROGRAMS CONCEIVED IN TANDEM WITH THE ARMORY'S MAINSTAGE PRODUCTIONS AS WELL AS OFF-SHOOT EXPLORATIONS OF OTHER RELEVANT TOPICS. PROGRAMS INCLUDED: SYMPOSIUM: SOUND & COLOR - THE FUTURE OF RACE IN DESIGN (JANUARY 14 & 15, 2023) WITH PARTNERS BRANDEN JACOBS-JENKINS, MIMI LIEN, MIKAAL SULAIMAN, AND OTHERS; SALON: JUKE JOINT (MARCH 31 & APRIL 1, 2023) WITH PAMELA SNEED AND STEW; HAPO NA ZAMANI (BLACK ARTS MOVEMENT PAST AND PRESENT) (MAY 20, 2023), PRESENTED IN PARTNERSHIP WITH HARLEM STAGE, CARL HANCOCK RUX, AND VERNON REID, AND FEATURING CARRIE MAE WEEMS AND DIANNE SMITH; SALON: HIDDEN CONVERSATIONS (JUNE 18, 2023) WITH NATIONAL BLACK THEATRE, SADE LYTHCOTT, AND OTHERS; CORPUS DELICTI (OCTOBER 14, 2023) WITH THE NYC TRANS ORAL HISTORY PROJECT, AVIVA SILVERMAN, KATE BORNSTEIN, AND CASSILS; AND SEASONS OF DANCE: CONTEMPORARY DANCE SALON (DECEMBER 3, 2023) WITH THOMAS DEFRANTZ, JORGE PUERTA ARMENTA, GERMAINE ACOGNY, MALOU AIRAUDO, AND DANCERS FROM THE COMPANY OF THE RITE OF SPRING. COMMISSIONING AND ARTISTS-IN-RESIDENCE: THE ARMORY'S COMMISSIONING PROGRAM OFFERS FEES AND A SUPPORT STRUCTURE TO ARTISTS TO CREATE NEW PROPOSALS FOR THE WADE THOMPSON DRILL HALL, DEVELOPING EPIC WORK FOR AN UNCONVENTIONAL SPACE. COMMISSIONING IS CRITICAL TO ENSURING THAT PRODUCTIONS IN UPCOMING SEASONS REPRESENT A DIVERSE RANGE OF ARTISTS AND RESPOND TO RELEVANT ISSUES OF OUR TIME. IN 2023, WE PRESENTED TWO NEW ARMORY COMMISSIONS, DOPPELGANGER AND MUTANT;DESTRUDO. ADDITIONALLY, WE CONTINUED TO PROVIDE SPACE AND SUPPORT TO OUR ARTISTS-IN-RESIDENCE, INCLUDING LYNN NOTTAGE, BRANDEN JACOBS-JENKINS, CARMELITA TROPICANA, CHRISTINE JONES, STEVEN HOGETT, REGGIE (REGG ROC) GRAY AND FLEXN, TINA SATTER AND HALF STRADDLE, DU YUN, RAJA FEATHER KELLY AND FEATH3R THEORY, AND THE ASSOCIATION FOR THE ADVANCEMENT OF CREATIVE MUSICIANS, INC. (AACM). ARTS EDUCATION PROGRAMS: SINCE 2010, PARK AVENUE ARMORY'S ARTS EDUCATION PROGRAM HAS EXTENDED THE PRINCIPLES OF UNBOUNDED CREATIVITY FROM ITS ARTISTIC PROGRAMMING TO NEW YORK CITY PUBLIC SCHOOL STUDENTS, ENGAGING CHILDREN AND YOUTH WITH THE TOOLS TO THINK CREATIVELY AND TRUST THEIR OWN JUDGMENT. IN 2023, THE ARMORY ENGAGED 5,000 STUDENTS WITH A WIDE SPECTRUM OF ARTISTIC DISCIPLINES, SUCH AS THEATER, CLASSICAL MUSIC, JAZZ, FUNK ROCK, BLUES, ELECTRONIC MUSIC, VISUAL ART, PERFORMANCE ART, AND FILM. PRODUCTION-BASED PROGRAMMING: THE ARMORY'S ARTS EDUCATION PROGRAM SEEKS TO BROADEN STUDENTS' PERSPECTIVES BY PROVIDING FREE PRODUCTION-BASED PROGRAMMING WORKSHOPS TO NEW YORK CITY PUBLIC SCHOOLS FROM ALL FIVE BOROUGHS, TARGETING SCHOOLS WITH LITTLE ACCESS TO HIGH-QUALITY ARTS AND ARTS EDUCATION RESOURCES. ELEMENTARY, MIDDLE, AND HIGH SCHOOL STUDENTS ARE INVITED TO EXPERIENCE THE ARMORY'S IMMERSIVE PROGRAMMING AND UNIQUE SETTING FIRSTHAND, AND PARTICIPATE IN MULTIDISCIPLINARY, INTERACTIVE WORKSHOPS DESIGNED AND FACILITATED BY MEMBERS OF THE ARMORY'S 20-MEMBER TEACHING TEAM. IN FREE PRE- AND POST-VISIT WORKSHOPS, TEACHING ARTISTS GUIDE STUDENTS IN EXPLORING THE THEMES AND CREATIVE PROCESSES OF ARTISTS AND THEIR WORK AND IN CREATING A RESPONSE TO PRODUCTIONS IN A SECOND ART FORM. IN 2023, THOUSANDS OF STUDENTS FROM 59 SCHOOLS ATTENDED 12 FREE STUDENT MATINEES OF ARMORY PRODUCTIONS IN THE WADE THOMPSON DRILL HALL AND HISTORIC ROOMS. |
| FORM 990, PART III, LINE 4A (CONTINUED) | PARTNER SCHOOLS: IN 2023, THE ARMORY WORKED CLOSELY WITH THE TEACHERS AND ADMINISTRATORS AT OUR PARTNER SCHOOLS TO IDENTIFY SPECIFIC SCHOOL CURRICULUM GOALS TO SUPPORT THROUGH EXPOSURE TO A VARIETY OF ART FORMS REPRESENTED IN OUR ARTISTIC PROGRAMMING. ARMORY TEACHING ARTISTS DESIGNED AND FACILITATED IN-DEPTH RESIDENCIES THAT ENGAGE STUDENTS WITH THE ARMORY'S UNCONVENTIONAL ART AND COMMITMENT TO HISTORIC PRESERVATION, PROVIDING TANGIBLE, REAL-WORLD CONNECTIONS TO THEIR CLASSROOM STUDIES. RESIDENCIES CONTINUED AT SEVEN LONG-TERM PARTNER SCHOOLS: BRONX ENVISION ACADEMY, CLAREMONT INTERNATIONAL HIGH SCHOOL, THE NEW SCHOOL FOR LEADERSHIP AND THE ARTS/M.S. 244, THE PARKCHESTER SCHOOL/P.S. 106, WILLIAMSBURG HIGH SCHOOL FOR ARCHITECTURE AND DESIGN, INTERNATIONAL HIGH SCHOOL AT PROSPECT HEIGHTS, AND VANGUARD HIGH SCHOOL. ADDITIONALLY, PRODUCTION-BASED PROGRAMMING PARTICIPATING SCHOOL, BRONX COMPASS HIGH SCHOOL, LAUNCHED ITS FIRST ARMORY PARTNER SCHOOL RESIDENCY IN THE LAST SCHOOL YEAR. YOUTH CORPS: THE ARMORY YOUTH CORPS IS A RIGOROUS, CLOSELY MENTORED, PAID INTERNSHIP PROGRAM THAT PROVIDES MEANINGFUL EMPLOYMENT WHILE INTRODUCING HIGH SCHOOL AND POST-HIGH SCHOOL STUDENTS TO THE CREATIVE PROCESSES OF ARTISTS OF THE HIGHEST CALIBER, ENCOURAGING THEM TO EXPLORE THE WONDER OF CREATIVE THINKING. IN 2023, APPROXIMATELY 100 YOUTH CORPS INTERNS CONTINUED TO BE FULLY INTEGRATED INTO THE ORGANIZATION'S OPERATIONS, ENABLING THEM TO EXPLORE VARIOUS CAREERS IN THE CULTURAL SECTOR THROUGH DIRECT ENGAGEMENT WITH EACH OF OUR PROGRAMS. HIGH SCHOOL AND POST-HIGH SCHOOL YOUTH CORPS RECEIVED TRAINING AS FRONT-OF-HOUSE STAFF DURING THE ARMORY'S WADE THOMPSON DRILL HALL PRODUCTIONS, PARTICIPATED IN AN ADVISORY BOARD AND THE CREATION OF THE ANNUAL STUDENT SUMMIT ON THE ARTS AND SOCIAL JUSTICE, CREATED COMMISSIONED ORIGINAL ARTWORKS THROUGH ARMORY ART TOGETHER, CONTRIBUTED TO A SUPPORTIVE SPACE TO NAVIGATE THE COMPLEXITIES OF HIGHER EDUCATION THROUGH COHORT, BUILT MEANINGFUL WORK EXPERIENCES WITH A VARIETY OF ARMORY DEPARTMENTS, AND MORE. CONCLUDED WITH A Q&A SESSION THAT ALLOWED STUDENTS TO LEARN ABOUT DE BIQUE'S SINGING TECHNIQUES, LIFE IN TRINIDAD, AND HER MUSICAL HISTORY AND INSPIRATION. |
| FORM 990, PART VI, SECTION B, LINE 11B: | A DRAFT FORM 990, PREPARED BY AN INDEPENDENT ACCOUNTING FIRM BASED ON INFORMATION PROVIDED BY MANAGEMENT, IS SUBMITTED TO THE CEO/CFO AND PRESIDENT FOR REVIEW. UPON APPROVAL, THE DRAFT FORM 990 IS PROVIDED TO THE FINANCE/AUDIT COMMITTEE OF THE BOARD FOR REVIEW, COMMENT, AND APPROVAL. UPON THE FINANCE/AUDIT COMMITTEE'S APPROVAL, THE FORM 990 IS PROVIDED TO THE FULL BOARD, PRIOR TO ITS ELECTRONIC FILING WITH THE INTERNAL REVENUE SERVICE. |
| FORM 990, PART VI, SECTION B, LINE 12C: | ALL BOARD MEMBERS, OFFICERS, AND KEY EMPLOYEES ARE REQUIRED TO COMPLETE A CONFLICT-OF-INTEREST DISCLOSURE FORM ON AN ANNUAL BASIS. ANY POTENTIAL CONFLICTS REPORTED IN THE DISCLOSURE FORMS ARE REVIEWED BY THE FINANCE/AUDIT COMMITTEE OF THE BOARD. ANY CONFLICT THAT BECOMES KNOWN DURING THE YEAR SHALL BE REPORTED TO THE FINANCE/AUDIT COMMITTEE. THE EVALUATION AND RESOLUTION POLICIES OUTLINED IN THE CONFLICT-OF-INTEREST POLICY SHALL BE APPLIED. |
| FORM 990, PART VI, SECTION B, LINE 15A: | COMPENSATION OF THE PRESIDENT IS SUBJECT TO REVIEW AND APPROVAL BY THE EXECUTIVE COMMITTEE OF THE BOARD (CONSISTING OF INDEPENDENT BOARD MEMBERS). THE CO-CHAIRS OBTAIN COMPENSATION INFORMATION FROM INDEPENDENT SOURCES WHICH SERVE AS THE BASIS FOR COMPENSATION OFFERED TO THE EXECUTIVE POSITION IDENTIFIED ABOVE. THE DELIBERATION AND DECISION OF THE EXECUTIVE COMMITTEE IS CONTEMPORANEOUSLY DOCUMENTED. |
| FORM 990, PART VI, SECTION B, LINE 15B: | COMPENSATION OF OTHER OFFICERS AND KEY EMPLOYEES IS DETERMINED BY USE OF COMPARABLE DATA AND IS REVIEWED AND APPROVED BY THE PRESIDENT OF THE ORGANIZATION. |
| FORM 990, PART VI, SECTION C, LINE 19: | THE ORGANIZATION'S GOVERNING DOCUMENTS, CONFLICT OF INTEREST POLICY, AND FINANCIAL STATEMENTS ARE MADE AVAILABLE TO THE PUBLIC UPON REQUEST. |
| FORM 990 PART IX LINE 11G | DESCRIPTION:OTHER PROF./CONSULT. FEES TOTAL FEES:3729734 |
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