Attach to Form 990 or Form 990-EZ.
Go to
www.irs.gov/Form990 for instructions and the latest information.
| (i) Name of supported organization | (ii) EIN | (iii) Type of organization (described on lines 1- 10 above (see instructions)) | (iv) Is the organization listed in your governing document? | (v) Amount of monetary support (see instructions) | (vi) Amount of other support (see instructions) | |
|---|---|---|---|---|---|---|
| Yes | No | |||||
|
Total |
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Calendar year
(or fiscal year beginning in)
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(a) 2018 | (b) 2019 | (c) 2020 | (d) 2021 | (e) 2022 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 1 | Gifts, grants, contributions, and membership fees received. (Do not include any "unusual grant.") .. | 10,510,398 | 4,605,016 | 7,752,873 | 7,868,220 | 10,027,428 | 40,763,935 |
| 2 | Tax revenues levied for the organization's benefit and either paid to or expended on its behalf.... | 0 | |||||
| 3 | The value of services or facilities furnished by a governmental unit to the organization without charge.. | 0 | |||||
| 4 | Total. Add lines 1 through 3 | 10,510,398 | 4,605,016 | 7,752,873 | 7,868,220 | 10,027,428 | 40,763,935 |
| 5 | The portion of total contributions by each person (other than a governmental unit or publicly supported organization) included on line 1 that exceeds 2% of the amount shown on line 11, column (f) .. | 6,538,157 | |||||
| 6 | Public support. Subtract line 5 from line 4. | 34,225,778 | |||||
Calendar year
(or fiscal year beginning in)
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(a) 2018 | (b) 2019 | (c) 2020 | (d) 2021 | (e) 2022 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 7 | Amounts from line 4.. | 10,510,398 | 4,605,016 | 7,752,873 | 7,868,220 | 10,027,428 | 40,763,935 |
| 8 | Gross income from interest, dividends, payments received on securities loans, rents, royalties and income from similar sources... | 13,104 | 14,497 | 10,515 | 5,008 | 117,141 | 160,265 |
| 9 | Net income from unrelated business activities, whether or not the business is regularly carried on.. | ||||||
| 10 | Other income. Do not include gain or loss from the sale of capital assets (Explain in Part VI.).. | 131,090 | 0 | 131,090 | |||
| 11 | Total support. Add lines 7 through 10 | 46,078,123 | |||||
Calendar year (or fiscal year beginning in) ![]() |
(a) 2018 | (b) 2019 | (c) 2020 | (d) 2021 | (e) 2022 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 1 | Gifts, grants, contributions, and membership fees received. (Do not include any "unusual grants.") . | ||||||
| 2 | Gross receipts from admissions, merchandise sold or services performed, or facilities furnished in any activity that is related to the organization's tax-exempt purpose | ||||||
| 3 | Gross receipts from activities that are not an unrelated trade or business under section 513 ..... | ||||||
| 4 | Tax revenues levied for the organization's benefit and either paid to or expended on its behalf... | ||||||
| 5 | The value of services or facilities furnished by a governmental unit to the organization without charge | ||||||
| 6 | Total. Add lines 1 through 5 | ||||||
| 7a | Amounts included on lines 1, 2, and 3 received from disqualified persons | ||||||
| b | Amounts included on lines 2 and 3 received from other than disqualified persons that exceed the greater of $5,000 or 1% of the amount on line 13 for the year. | ||||||
| c | Add lines 7a and 7b.. | ||||||
| 8 | Public support. (Subtract line 7c from line 6.) | ||||||
Calendar year (or fiscal year beginning in) ![]() |
(a) 2018 | (b) 2019 | (c) 2020 | (d) 2021 | (e) 2022 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 9 | Amounts from line 6... | ||||||
| 10a | Gross income from interest, dividends, payments received on securities loans, rents, royalties and income from similar sources.. | ||||||
| b | Unrelated business taxable income (less section 511 taxes) from businesses acquired after June 30, 1975. | ||||||
| c | Add lines 10a and 10b. | ||||||
| 11 | Net income from unrelated business activities not included on line 10b, whether or not the business is regularly carried on. | ||||||
| 12 | Other income. Do not include gain or loss from the sale of capital assets (Explain in Part VI.) .. | ||||||
| 13 | Total support. (Add lines 9, 10c, 11, and 12.).. | ||||||
| Section A - Adjusted Net Income | (A) Prior Year |
(B) Current Year (optional) |
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| 1 | Net short-term capital gain | 1 | ||||
| 2 | Recoveries of prior-year distributions | 2 | ||||
| 3 | Other gross income (see instructions) | 3 | ||||
| 4 | Add lines 1 through 3 | 4 | ||||
| 5 | Depreciation and depletion | 5 | ||||
| 6 | Portion of operating expenses paid or incurred for production or collection of gross income or for management, conservation, or maintenance of property held for production of income (see instructions) | 6 | ||||
| 7 | Other expenses (see instructions) | 7 | ||||
| 8 | Adjusted Net Income (subtract lines 5, 6 and 7 from line 4) | 8 | ||||
| Section B - Minimum Asset Amount | (A) Prior Year |
(B) Current Year (optional) |
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| 1 | Aggregate fair market value of all non-exempt-use assets (see instructions for short tax year or assets held for part of year): | 1 | ||||
| a | Average monthly value of securities | 1a | ||||
| b | Average monthly cash balances | 1b | ||||
| c | Fair market value of other non-exempt-use assets | 1c | ||||
| d | Total (add lines 1a, 1b, and 1c) | 1d | ||||
| e |
Discount claimed for blockage or other factors (explain in detail in Part VI): |
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| 2 | Acquisition indebtedness applicable to non-exempt use assets | 2 | ||||
| 3 | Subtract line 2 from line 1d | 3 | ||||
| 4 | Cash deemed held for exempt use. Enter 0.015 of line 3 (for greater amount, see instructions). | 4 | ||||
| 5 | Net value of non-exempt-use assets (subtract line 4 from line 3) | 5 | ||||
| 6 | Multiply line 5 by 0.035 | 6 | ||||
| 7 | Recoveries of prior-year distributions | 7 | ||||
| 8 | Minimum Asset Amount (add line 7 to line 6) | 8 | ||||
| Section C - Distributable Amount | Current Year | |||||
| 1 | Adjusted net income for prior year (from Section A, line 8, Column A) | 1 | ||||
| 2 | Enter 85% of line 1 | 2 | ||||
| 3 | Minimum asset amount for prior year (from Section B, line 8, Column A) | 3 | ||||
| 4 | Enter greater of line 2 or line 3 | 4 | ||||
| 5 | Income tax imposed in prior year | 5 | ||||
| 6 | Distributable Amount. Subtract line 5 from line 4, unless subject to emergency temporary reduction (see instructions) | 6 | ||||
| Section D - Distributions | Current Year | |
|---|---|---|
| 1 Amounts paid to supported organizations to accomplish exempt purposes | 1 | |
|
2
Amounts paid to perform activity that directly furthers exempt purposes of supported organizations, in excess of income from activity |
2 | |
| 3 Administrative expenses paid to accomplish exempt purposes of supported organizations | 3 | |
| 4 Amounts paid to acquire exempt-use assets | 4 | |
| 5 Qualified set-aside amounts (prior IRS approval required - provide details in Part VI) | 5 | |
| 6 Other distributions (describe in Part VI). See instructions | 6 | |
| 7Total annual distributions. Add lines 1 through 6. | 7 | |
|
8
Distributions to attentive supported organizations to which the organization is responsive (provide details in Part VI). See instructions |
8 | |
| 9 Distributable amount for 2022 from Section C, line 6 | 9 | |
| 10 Line 8 amount divided by Line 9 amount | 10 | |
| Section E - Distribution Allocations (see instructions) |
(i) Excess Distributions |
(ii) Underdistributions Pre-2022 |
(iii) Distributable Amount for 2022 |
|
|---|---|---|---|---|
| 1 Distributable amount for 2022 from Section C, line 6 | ||||
|
2
Underdistributions, if any, for years prior to 2022 (reasonable cause required-- explain in Part VI).
See instructions. |
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| 3 Excess distributions carryover, if any, to 2022: | ||||
| a From 2017....... | ||||
| b From 2018....... | ||||
| c From 2019....... | ||||
| d From 2020....... | ||||
| e From 2021....... | ||||
| fTotal of lines 3a through e | ||||
| g Applied to underdistributions of prior years | ||||
| h Applied to 2022 distributable amount | ||||
|
i
Carryover from 2017 not applied (see instructions) |
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| j Remainder. Subtract lines 3g, 3h, and 3i from line 3f. | ||||
| 4Distributions for 2022 from Section D, line 7: | ||||
| $ | ||||
| a Applied to underdistributions of prior years | ||||
| b Applied to 2022 distributable amount | ||||
| c Remainder. Subtract lines 4a and 4b from line 4. | ||||
|
5
Remaining underdistributions for years prior to 2022, if any. Subtract lines 3g and 4a from line 2. If the amount is greater than zero, explain in Part VI. See instructions. |
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|
6
Remaining underdistributions for 2022. Subtract lines 3h and 4b from line 1. If the amount is greater than zero, explain in Part VI. See instructions. |
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7 Excess distributions carryover to 2023. Add lines 3j and 4c. |
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| 8 Breakdown of line 7: | ||||
| a Excess from 2018..... | ||||
| b Excess from 2019..... | ||||
| c Excess from 2020..... | ||||
| d Excess from 2021..... | ||||
| e Excess from 2022..... | ||||
| Facts And Circumstances Test |
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| Return Reference | Explanation |
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| Software ID: | |
| Software Version: |
Attach to Form 990 or 990-EZ.
Go to www.irs.gov/Form990 for the latest information.
| Return Reference | Explanation |
|---|---|
| FORM 990, PART I, LINE 1, DESCRIPTION OF ORGANIZATION MISSION: | IDEAS THROUGHOUT THE MIAMI REGION AND INTERNATIONALLY. THROUGH AN ENERGETIC CALENDAR OF EXHIBITIONS AND PROGRAMS, AND ITS COLLECTIONS, ICA MIAMI PROVIDES AN INTERNATIONAL PLATFORM FOR THE WORK OF ESTABLISHED AND EMERGING ARTISTS AND ADVANCES THE PUBLIC APPRECIATION AND UNDERSTANDING OF THE MOST INNOVATIVE AND EXPERIMENTAL ART OF OUR TIME. |
| FORM 990, PART III, LINE 1, DESCRIPTION OF ORGANIZATION MISSION: | EXHIBITIONS AND PROGRAMS, AND ITS COLLECTIONS, ICA MIAMI PROVIDES AN INTERNATIONAL PLATFORM FOR THE WORK OF ESTABLISHED AND EMERGING ARTISTS AND ADVANCES THE PUBLIC APPRECIATION AND UNDERSTANDING OF THE MOST INNOVATIVE AND EXPERIMENTAL ART OF OUR TIME. |
| FORM 990, PART III, LINE 4A - FIRST ACCOMPLISHMENT | EXHIBITIONS AND COLLECTIONS During fiscal year 2023, ICA MIAMI HOSTED A WIDE RANGE OF EXHIBITIONS FROM DIVERSE INTERNATIONAL ARTISTS. MAJOR EXHIBITIONS DURING FISCAL YEAR 2023 INCLUDED THE FOLLOWING: From November 28, 2022 to April 20, 2023, ICA Miami presented "Herv Tlmaque: 1959-1964," an exhibition that presented a dozen paintings from the first five years of this important painter of the postwar period. Born in Haiti, Tlmaque worked first in New York, later in Paris, where he created works that span grotesque figuration, Pop art and assemblage. From November 28, 2022 to May 5, 2023, ICA Miami presented "Nina Chanel Abney: Big Butch Energy" featuring a new installation by the artist. American artist Nina Chanel Abney uses dynamic color and form to draw viewers into complex narratives. Through stylized, cubistic, and highly charged painterly symbols, the artist references radical traditions of graphic design and street art to communicate urgent political and cultural realities with immediacy to the largest possible audience. The exhibition at ICA focused on cinematic and media representations of Greek student life to trouble norms of racist systems and sexual desire in the United States. From November 28, 2022 to October 15, 2023, ICA Miami presented "Nina Chanel Abney: Cafeteria," a monumental wallpaper installation for ICA Miami's main stairwell. ICA Miami commissioned Chicago-born artist Nina Chanel Abney for this site-specific work. Concurrent with the artist's exhibition "Big Butch Energy" at ICA Miami, the work renders a scene of a school cafeteria with abstracted figures and still-life elements, including sneakers and basketballs, food items, and price tags. With this work, Abney has reclaimed traditionally male-coded styles of portraiture and symbolism. From November 28, 2022 to March 19, 2023, ICA Miami presented "Michel Majerus: Progressive Aesthetics." Born in Luxemburg and living and working in Germany, Michel Majerus worked mostly in the medium of painting until his untimely death at the age of 35 in 2002. The survey at ICA Miami, the first solo exhibition in an American museum for the artist, explores the late artist's prescient work by taking up his rich and varied interpretations of capitalism and cultural imperialism as they relate to art in American culture. Created at the threshold of the twenty-first century, Majerus's works expound on themes of transformation and are characterized by a fascination with speed, openness, and transmission. The artist's works explore his passion for technology, youth culture, and art history-all united by his obsession with the power of art and institutions. From November 28, 2022 to March 19, 2023, ICA Miami presented a solo exhibition for Jiang Cheng, the first museum exhibition for the young Chinese painter. The exhibition included a selection of new and recent paintings that build on the artist's exploration of the psychological force of portraiture. Preoccupied with the expressive powers of the human face, Jiang's commanding, beautiful, and haunting works convey multiple identities and meanings, like psychological ciphers. From December 2 to December 20, 2022 ICA Miami presented CryptoPunk #305 in dialogue with a work by famed American artist Andy Warhol. The CryptoPunks are a seminal digital art project that helped lay the foundation for the nascent cultural and technological movement known as Web3. Combining aspects of generative coding, pixel art, cryptocurrency and social media, the CryptoPunks have become icons of online identity for some of the most talented artists, technologists and thought leaders currently building the future internet. From April 6 to October 8, 2023, ICA Miami presented the exhibition "Denzil Forrester: We Culture." The exhibition brought together twenty paintings and a dozen drawings from the Grenada-born artist's first seven years of production, 1978 to 1985. One of the preeminent British and Caribbean painters of the last few decades, Forrester has become an important influence on a generation of younger artists. Growing up in London, Forrester witnessed the expanding presence of Rastafarian culture in England firsthand, as dub reggae music took root during the late 1960s and 1970s. This exhibition includes paintings that portray the clubs that Forrester frequented and their unique social scene. Other paintings in the exhibition reflect the social inequities and a fraught relationship with state institutions in the UK. From April 22 to October 15, 2023, ICA Miami presented "Avery Singer: Unity Bachelor" comprising of a suite of new paintings and debuting a new body of work. A leading artist of her generation, American artist Avery Singer uses innovative tools to create iconic, complex paintings that interpret contemporary social realities and technologies. The artist's large-scale paintings portray worlds that emerge from digital renderings and take shape through manual and digital airbrush techniques, liquid and solid masking, and complex layering processes. Singer's work has often engaged modernist and avant-garde movements to cite the radical potential for painting. From May 5 to November 26, 2023, ICA Miami presented "Hudinilson Jr.: Tension Zone." Late artist Hudinilson Jr. is one of the most significant Brazilian artists of his generation. The first exhibition of his work in a US museum, "Hudinilson Jr.: Tension Zone" is an introductory survey of a figure who is increasingly becoming an important reference point for younger artists. Hudinilson Jr. began to employ photocopiers as his preferred tool in 1977-78, exploring xerography's expressive, conceptual, and performative potentials. Coming of age during the most repressive time of the military dictatorship in Brazil, Hudinilson Jr. constantly placed himself at social and artistic margins and made his life indistinguishable from his artistic practice in ways that still find resonance today participating in experimental collectives, workshops, public interventions, and exhibitions. From May 5 to November 26, 2023, ICA Miami presented "Agla Bassens: Emptiful," the debut solo museum presentation for the Brooklyn-based painter. With a practice rooted in observation and critical analysis, Agla Bassens creates alluring and poignant depictions of everyday life. In these recent works, Bassens draws from her experience of becoming a new parent, using the opportunity to take on the duality of life's passage-love and grief, fulfillment and apprehension. From May 5 to November 12, 2023, ICA Miami presented "Claire Tabouret: Au Bois d'Amour" featuring new works by the French painter. Tabouret's practice examines complex representations of identity and sexuality, the nuances of human intimacy, and the nostalgic passing of time. Experimenting with format and technique, the exhibition showcased several of the artist's "Fluff" paintings on plush fabric, a set of monoprints, and a unique, artist-designed rug produced by storied rugmaker Odabashian in Miami. Through "Au Bois d'Amour," Tabouret engages a modernist tradition challenging the boundaries of art and decoration. THE FOLLOWING SCULPTURES WERE ON VIEW IN ICA MIAMI'S SCULPTURE GARDEN DURING FISCAL YEAR 2023: UNSPECIFIED PROMISE BY ARTIST DUO ALLORA & CALZADILLA HAS BEEN ON VIEW SINCE DECEMBER 1, 2017. THE SCULPTURE IS A CONTEMPORARY INTERPRETATION OF THE GRANITE MONUMENT THAT REFLECTS ON THE POLITICAL AND TECHNOLOGICAL ISSUES OF OUR TIME. DR. PEPPER BY MARK HANDFORTH HAS BEEN ON VIEW SINCE DECEMBER 1, 2017. THE WORK MARKED A MAJOR PUBLIC COMMISSION FOR THIS LEADING MIAMI-BASED ARTIST. EPICURUS BY CONCEPTUAL ARTIST PEDRO REYES HAS BEEN ON VIEW SINCE MAY 7, 2019. REYES IS AN ARTIST WHO PLAYFULLY INVESTIGATES FORM AND HISTORY, PEDRO REYES HAS RECENTLY CREATED A SERIES OF MONUMENTAL CARVED SCULPTURES IN VOLCANIC ROCK DEDICATED TO CANONIZING GREAT PHILOSOPHERS AND INTELLECTUALS. REPLICANT STONE BY DAMIN ORTEGA, A NEW COMMISSION WAS PRESENTED AS THE INAUGURAL RECIPIENT OF THE EZRATTI FAMILY PRIZE FOR SCULPTURE. ICA MIAMI'S PERMANENT COLLECTION CONTINUED TO ARTICULATE CORNERSTONE MOMENTS IN THE CAREERS OF SOME OF THE MOST SIGNIFICANT ARTISTS OF OUR TIME. FISCAL YEAR 2023 SAW SIGNIFICANT ADDITIONS TO THE COLLECTIONS FROM A DIVERSE AND WIDE-RANGING GROUP OF ARTISTS. |
| FORM 990, PART III, LINE 4B - SECOND ACCOMPLISHMENT | COMMUNICATIONS THROUGH ITS COMMUNICATIONS PROGRAM, ICA MIAMI COMMUNICATES ITS MISSION AND ACTIVITIES TO THE PUBLIC. THE COMMUNICATIONS PROGRAM ALSO INFORMS THE PUBLIC ABOUT CONTEMPORARY ART AND ITS IMPORTANCE IN OUR SOCIETY THROUGH VARIOUS FORMS OF MEDIA. ICA MIAMI HAS A COMPREHENSIVE MARKETING AND OUTREACH STRATEGY TO SUPPORT ENGAGEMENT WITH BOTH TOURISTS AND MIAMI RESIDENTS OF ALL AGES AND SOCIOECONOMIC BACKGROUNDS. THE MUSEUM EMPLOYS TWO FULL TIME STAFF AND TWO CONSULTANTS DEDICATED TO MARKETING, COMMUNICATIONS, AND DIGITAL PRODUCTION AND WORKSWITH TWO PUBLIC RELATIONS FIRMS - THE PROMINENT INTERNATIONAL AGENCY RESNICOW AND ASSOCIATES AS WELL AS A LOCAL FIRM - TO ENSURE SIGNIFICANT AUDIENCE REACH AND PRESS ATTENTION ON THE LOCAL, NATIONAL, AND INTERNATIONAL LEVELS. KEY MARKETING AND PROMOTION STRATEGIES INCLUDE: 1. STRATEGICALLY PUBLISHING ANNUAL FULL-PAGE PRINT ADS IN PROMINENT ART AND CULTURED PUBLICATIONS SUCH AS CULTURED AND DESIGN DISTRICT MAGAZINE AMONG OTHERS. 2. IMPLEMENTING A SERIES OF PROGRAMMATIC DIGITAL CAMPAIGNS WITH PROMINENT LOCAL DAILY PUBLICATIONS: MIAMI HERALD, MIAMI NEW TIMES, AND TIME OUT MIAMI. 3. THOROUGHLY RESEARCHED CPA/PPC SEARCH AND RESPONSIVE DISPLAY ADVERTISING CAMPAIGNS VIA GOOGLE ADWORDS. 4. RADIO ADVERTISING-LONGFORM (90 SEC.), SHORT (15 SEC.), AND BUMPER (3-6 SEC.)-THAT BROADCASTS THE MUSEUM'S DIGITAL OUTPUT AND MISSION TO PROVIDE FREE AND OPEN ACCESS TO CONTEMPORARY ART TO A GLOBAL ARTS COMMUNITY. 5. POSTING INFORMATION ON ICA'S SOCIAL MEDIA PLATFORMS-FACEBOOK (47K FOLLOWERS), INSTAGRAM (61K FOLLOWERS), AND TWITTER (16.7K FOLLOWERS)-AND USING THESE PLATFORMS' PROGRAMMATIC ADVERTISING ENGINES TO ENGAGE TARGETED ONLINE AUDIENCES EXCEEDING 500,000, INCLUDING YOUTH AND FOREIGN VISITORS, AMONG OTHERS. 6. ORIGINAL VIDEO CONTENT DISTRIBUTED ACROSS ICA MIAMI'S MULTIPLE DIGITAL CHANNELS, INCLUDING ICA MIAMI'S DEDICATED VIDEO CHANNEL ON WWW.ICAMIAMI.ORG, YOUTUBE, AND ACROSS THE MUSEUM'S SOCIAL MEDIA PLATFORMS. 7. IMPROVING ICA MIAMI'S LOCAL SEO (SEARCH ENGINE OPTIMIZATION) VISIBILITY TO ENSURE INTERNET SEARCH QUERIES PRODUCE USEFUL INFORMATION PERTAINING TO THE MUSEUM AND ITS PUBLIC PROGRAMS. 8. IMPROVING ICA MIAMI'S WEB INFRASTRUCTURE TO BETTER UNDERSTAND AUDIENCES' PATHWAYS TO CONVERSATION (I.E., TICKET RESERVATIONS, MEMBERSHIP SALES, ENGAGEMENT ON VARIOUS LANDING PAGES, ETC.). 9. SENDING EMAIL INVITATIONS TO APPROXIMATELY 40,000 PEOPLE FOR THE EXHIBITION, RELATED PROGRAMS AND EVENTS. 10. INCLUDING INFORMATION ABOUT EXHIBITIONS AND PROGRAMS ON ICA MIAMI'S WEBSITE (MORE THAN 17,000 GLOBAL SESSIONS MONTHLY). 11. LISTING EVENT INFORMATION ON VARIOUS SOCIAL AND ONLINE EVENT AGGREGATORS, SUCH AS SOCIALMIAMI.COM, TROPICULT.COM, CULTUREOWL.COM, MIAMI.COM, MIAMINEWTIMES.COM, THENEWTROPIC.COM, EVENTBRITE.COM, AND OTHERS. 12. MAILING AND EMAILING PRESS RELEASES TO NATIONAL AND INTERNATIONAL MEDIA, INCLUDING MAJOR ART TRADE PUBLICATIONS. 13. HOSTING EXHIBITION OPENINGS FEATURING VARIOUS ACTIVATED SPONSORS, FEATURING LIVE PERFORMANCES FROM CUTTING-EDGE ARTISTS IN A FULLY INTERACTIVE SOCIAL ATMOSPHERE. 14. MAILING EXHIBITION RELATED MATERIALS TO OVER 900 ICA MIAMI MEMBERS. 15. FORMING MEDIA PARTNERSHIPS WITH PUBLICATIONS SUCH AS W AND CULTURED MAGAZINE, WHICH INCLUDE FULL PAGE ADS IN THE MAGAZINE, SIGNIFICANT ONLINE EDITORIAL HIGHLIGHTING THE EXHIBITION, AND SPOTLIGHT EDITORIAL IN THE SPRING PRINT ISSUE. 16. CROSS-PROMOTIONAL OUTREACH WITH CITY AND COMMUNITY ORGANIZATIONS IN MIAMI SUCH AS GREATER MIAMI CONVENTION CENTER AND VISITORS BUREAU, FLORIDA INTERNATIONAL UNIVERSITY, AND PRISM CREATIVE, AMONG OTHERS. |
| FORM 990, PART III, LINE 4C - THIRD ACCOMPLISHMENT | PUBLIC PROGRAMS DURING FISCAL YEAR 2023, ICA MIAMI GENERATED A ROBUST PROGRAM OF PUBLIC PRESENTATIONS, LECTURES, SEMINARS, ARTISTS' TALKS, EVENTS, AND PODCASTS. BUILDING ON THE STRUCTURE THAT DIVIDES THE INSTITUTION'S PUBLIC PROGRAMS INTO FOCUSED COMPONENTS, PROGRAMS AND EVENTS WERE DEVELOPED UNDER THE FOLLOWING RUBRICS: KNIGHT FOUNDATION ART + RESEARCH CENTER, ICA IDEAS, ICA PERFORMS, AND ICA SPEAKS. THROUGH THE KNIGHT FOUNDATION ART + RESEARCH CENTER, THE MUSEUM OFFERS FREE COLLEGE-LEVEL SEMINAR CLASSES, OPEN TO YOUNG ADULTS AND LIFELONG LEARNERS, COVERING A WIDE RANGE OF THEMES FROM CONTEMPORARY ART AND RECENT ART HISTORY. IT ALSO HOSTS A NUMBER OF FREE, PUBLIC LECTURES-9 IN TOTAL DURING FISCAL YEAR 2023. DURING FISCAL YEAR 2023, ART + RESEARCH CENTER ALSO HOSTED INTENSIVE 3 WEEK-LONG SEMINARS IN FALL SEMESTER, WHICH FOCUSED ON ECOLOGIES OF WAR. LEADING PROFESSORS, THEORISTS AND ARTISTS, INCLUDING NEDA ATANASOSKI, STEVEN GOODMAN, EXPLORED HOW ART PRODUCTION ADDRESSED SPACES CONSTANTLY TOUCHED BY WAR AND MILITARY STRATEGIES. IT ALSO HOSTED A 3 WEEK-LONG SEMINARS IN SPRING SEMESTER, WHICH FOCUSED ON THE ARTS AND HISTORY OF HAITI AND ITS DIASPORA. LEADING PROFESSORS, THEORISTS & ARTISTS, INCLUDING EDUARD DUVAL-CARRIE, KAIAMA L. GLOVER AND ANTHONY BOGUES, ADDRESS THE RELATIONSHIP BETWEEN HAITIAN HISTORY AND THE PRODUCTION OF CONTEMPORARY ART, INCLUDING ITS CONTINUATION IN MIAMI NEIGHBORHOODS LIKE LITTLE HAITI. ICA MIAMI ALSO CONVENED ITS ANNUAL SUMMER INTENSIVE, WHICH HOSTED FOUR SEMINARS THAT LOOKED AT FLORIDA'S SWAMP ECOLOGY IN RELATION TO CONTEMPORARY CULTURALPRODUCTION. VISITING FACULTY INCLUDEDZACHARY CAPLE, JESSICA CATTELAN, AND LAURA OGDEN. FOR ITS PRESTIGIOUS ANNUAL "KEYNOTE LECTURE," ART + RESEARCH CENTER INVITED POET JOY HARJO TO SPEAK. THE ART + RESEARCH CENTER RELEASE TWO NEW SEASON OF ITS PODCAST DURING FISCAL YEAR 2023. IT PRODUCED EIGHT EPISODES, IN WHICH A NUMBER OF SCHOLARS AND ARTISTS PARTICIPATED, INCLUDING ARTISTS MARIA MAGDALEN CAMPOS PONS, JOSE BEDIA, EDUARD DUVALL-CARRIES, ADLER GURRIER, KRISTA FRANKLIN, LUCY BULL AND OTHERS; ART HISTORIANS JIHANNA GROSSE, RICHARD POWELL, AND ERICA JAMES; ANTHROPOLOGIST STEFANIA PANDOLFO; AND NOVELIST EDWIDGE DANTICAT. ICA SPEAKS IS DEDICATED TO DEVELOPING NEW KNOWLEDGE AROUND THE ARTWORKS THAT ARE PART OF ICA MIAMI'S PERMANENT COLLECTION. FOR THIS PROGRAM, WE INVITED DIFFERENT ARTISTS THROUGHOUT THE YEAR, INCLUDING AVERY SINGER AND CLAIRE TABOURET. ICA IDEAS IS DEDICATED TO DEVELOPING NEW KNOWLEDGE AROUND ICA'S EXHIBITIONS AND CONTEMPORARY TOPICS. ON DECEMBER 1ST, ICA HOSTED A CONVERSATION BETWEEN JUDY HICAGO AND NADYA TOLONNIKOVA. ON FEBRUARY 11, MARA HOBERMAN GAVE A TALK DEDICATED TO THE WORK OF MICHEL MAJERUS. ON MARCH 13TH, ICA HOSTED A CONVERSATION BETWEEN PAINTERS LAURA OWENS AND KYLE THURMAN ON THE WORK OF MICHEL MAJERUS. |
| FORM 990, PART III, LINE 4D, OTHER PROGRAM SERVICES: | EDUCATION AND OUTREACH ICA MIAMI'S YOUNG ARTISTS INITIATIVE IS AN APPLICATION-BASED ARTS PROGRAM DESIGNED FOR YOUNG ARTISTS (10TH-12TH GRADE) WHO ARE ENCOURAGED TO LOOK CRITICALLY AT CONTEMPORARY ART PRACTICES, WORK DIRECTLY WITH LEADING ARTISTS, AND FURTHER DEVELOP THEIR OWN PORTFOLIOS. ICA MIAMI'S YOUNG ARTISTS INITIATIVE ENGAGES STUDENTS IN AN INTENSIVE, 18-WEEK PROGRAM OFFERED IN TWO SESSIONS THAT RELATES ART HISTORY TO CONTEMPORARY ART PRACTICE FOR HIGH SCHOOL STUDENTS WITH A FOCUS ON APPLICABLE SKILLS THAT PREPARE SELF-SELECTING STUDENTS FOR CAREERS IN CONTEMPORARY ART. DURING FISCAL YEAR 2023, APPROXIMATELY 30 STUDENTS PARTICIPATED IN THE PROGRAM THAT CONCLUDED WITH AN EXHIBITION IN OUR GALLERIES. OVER THE SUMMER ICA MIAMI OFFERED SUMMER PORTFOLIO PREP DESIGNED TO PREPARE INCOMING 7TH AND 8TH GRADE STUDENTS WHO INTEND TO APPLY TO MAGNET AND CHARTER ARTS SCHOOLS. IN ADDITION, WE ARE OFFERING SATURDAY ART CLASSES FOR CHILDREN 8-10 YEARS OLD AND 11-14 YEARS OLD. DURING FISCAL YEAR 2023 WE SERVED OVER 100 PARTICIPANTS IN OUR SATURDAY PROGRAM AND SUMMER PROGRAM. ICA MIAMI'S OUTREACH PROGRAMS PRESENT THE DIVERSE WORKS OF CONTEMPORARY ARTISTS TO UNDER RESOURCED CHILDREN AND YOUTH IN THE MIAMI REGION. THROUGH A SERIES OF PARTNERSHIPS WITH MIAMI DADE PUBLIC SCHOOLS AND LOCAL COMMUNITY ORGANIZATIONS, OUR CURRICULA AIM IS TO IMPROVE VISUAL LITERACY, WHILE EMPOWERING THE SOCIAL, CULTURAL AND GENDER-SPECIFIC IDENTITIES OF PARTICIPANTS. DURING FISCAL YEAR 2023, ICA MIAMI OFFERED PROGRAMMING TO OUR COMMUNITY AND SCHOOL PARTNERS SERVING OVER 300 STUDENTS. ICA MIAMI ALSO HOSTED WEEKLY FAMILY SUNDAY WORKSHOPS DEVELOPED TO PROVIDE PROGRAMMING THAT IS ACCESSIBLE TO CHILDREN OF ALL ABILITIES. THESE WORKSHOPS WELCOME FAMILIES WITH CHILDREN WITH DISABILITIES AND ARE OPEN TO ALL CHILDREN. WORKSHOPS INCLUDE STORYTELLING, MOVEMENT AND YOGA, AND ART MAKING. OVER THE COURSE OF THE YEAR, WE SERVED OVER 300 FAMILIES. |
| FORM 990, PART VI, SECTION A, LINE 2: | THE TRUSTEES IRMA BRAMAN AND DEBI WECHSLER HAVE A FAMILY RELATIONSHIP. |
| FORM 990, PART VI, SECTION B, LINE 11B: | A COMPLETE DRAFT OF FORM 990 WAS DISTRIBUTED TO, AND REVIEWED AND APPROVED BY, THE ORGANIZATION'S FINANCE COMMITTEE. |
| FORM 990, PART VI, SECTION B, LINE 12C: | ENFORCEMENT OF CONFLICTS OF INTEREST EACH DIRECTOR, PRINCIPAL, OFFICER, KEY EMPLOYEE AND MEMBER OF A COMMITTEE INC. WITH GOVERNING BOARD DELEGATED POWERS SHALL ANNUALLY SIGN A STATEMENT WHICH AFFIRMS THAT SUCH PERSON HAS RECEIVED A COPY OF THE CONFLICT OF INTEREST POLICY, HAS READ AND UNDERSTANDS THE POLICY, HAS AGREED TO COMPLY WITH THE POLICY AND UNDERSTANDS THAT THE ORGANIZATION IS CHARITABLE AND IN ORDER TO MAINTAIN ITS FEDERAL EXEMPTION IT MUST ENGAGE PRIMARILY IN ACTIVITIES WHICH ACCOMPLISH ONE OR MORE OF ITS TAX-EXEMPT PURPOSES. IN ADDITION, THE ORGANIZATION CONDUCTS PERIODIC REVIEWS WHICH INCLUDE WHETHER COMPENSATION ARRANGEMENTS AND BENEFITS ARE REASONABLE AND WHETHER PARTNERSHIPS, JOINT VENTURES, AND ARRANGEMENTS WITH MANAGEMENT ORGANIZATIONS CONFORM TO THE ORGANIZATION'S WRITTEN POLICIES, ARE PROPERLY RECORDED, REFLECT REASONABLE INVESTMENTS OR PAYMENTS FOR GOODS AND SERVICES, FURTHER CHARITABLE PURPOSES AND DO NOT RESULT IN INCREMENT, IMPERMISSIBLE PRIVATE BENEFIT OR IN AN EXCESS BENEFIT TRANSACTION. |
| FORM 990, PART VI, SECTION B, LINE 15A: | COMPENSATION PROCESS FOR TOP OFFICIAL THE ORGANIZATION'S ARTISTIC DIRECTOR'S SALARY IS DETERMINED BY THE CO-CHAIRS OF THE BOARD OF TRUSTEES IN CONSULTATION WITH THE EXECUTIVE COMMITTEE. SALARY IS DETERMINED BASED ON THE ORGANIZATION'S BUDGET GUIDELINES AND REVIEW OF THE AMERICAN ALLIANCE OF MUSEUM SALARY SURVEY. |
| FORM 990, PART VI, SECTION B, LINE 15B: | COMPENSATION PROCESS FOR OFFICERS THE COMPENSATION PROCESS FOR OFFICERS IS APPROVED BY THE ARTISTIC DIRECTOR IN CONSULTATION WITH THE DEPUTY DIRECTOR. SALARY IS DETERMINED BASED ON THE ORGANIZATION'S BUDGET GUIDELINES AND REVIEW OF THE AMERICAN ALLIANCE OF MUSEUM SALARY SURVEY. |
| FORM 990, PART VI, SECTION C, LINE 19: | GOVERNING DOCUMENT DISCLOSURE EXPLANATION GOVERNING DOCUMENTS ARE MADE AVAILABLE TO THE PUBLIC UPON REQUEST. |
| FORM 990, PART XII, LINE 2C: | THE ORGANIZATION HAS NOT CHANGED ITS OVERSIGHT PROCESS OR SELECTION PROCESS DURING THE TAX YEAR. |
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