TY 2024 Form 990

(A) Name and title	(B) Average hours per week (list any hours for related organizations below dotted line)	(C) Position (do not check more than one box, unless person is both an officer and a director/trustee)	(E) Reportable compensation from related organizations (W-2/1099-MISC/1099-NEC)
(1) JILL MEDVEDOW...................................................................... DIRECTOR/EX-OFFICIO (UNTIL 3/31/25)	37.50 .................	X	X	516,794	43,790
(2) CAMILO ALVAREZ...................................................................... EX-OFFICIO, ADVISORY BOARD CHAIR	1.00 .................	X		0	0
(3) KATRINE BOSLEY...................................................................... TRUSTEE	1.00 .................	X		0	0
(4) CHARLES BRIZIUS...................................................................... TRUSTEE	1.00 .................	X		0	0
(5) DR PAUL BUTTENWIESER...................................................................... TRUSTEE	1.00 .................	X		0	0
(6) ADELLE CHANG...................................................................... TRUSTEE	1.00 .................	X		0	0
(7) KAREN SWETT CONWAY...................................................................... TRUSTEE	1.00 .................	X		0	0
(8) MARY SCHNEIDER ENRIQUEZ...................................................................... TRUSTEE	1.00 .................	X		0	0
(9) JENNIFER EPSTEIN...................................................................... TRUSTEE	1.00 .................	X		0	0
(10) OLIVER EWALD...................................................................... TRUSTEE (UNTIL 9/12/24)	1.00 .................	X		0	0
(11) DAVID FEINBERG...................................................................... TRUSTEE	1.00 .................	X		0	0
(12) JESSE FELDMAN...................................................................... TRUSTEE	1.00 .................	X		0	0
(13) ILANA FINLEY...................................................................... TRUSTEE	1.00 .................	X		0	0
(14) JAMES C FOSTER...................................................................... TRUSTEE	1.00 .................	X		0	0
(15) MATHIEU GAULIN...................................................................... TRUSTEE	1.00 .................	X		0	0
(16) MARK GOODMAN...................................................................... TRUSTEE	1.00 .................	X		0	0
(17) HILARY GROVE...................................................................... TRUSTEE	1.00 .................	X		0	0

(A) Name and title	(B) Average hours per week (list any hours for related organizations below dotted line)	(C) Position (do not check more than one box, unless person is both an officer and a director/trustee)	(E) Reportable compensation from related organizations (W-2/1099-MISC/1099-NEC)	(F) Estimated amount of other compensation from the organization and related organizations
(18) VIVIEN HASSENFELD........................................................................ TRUSTEE	1.00 .......................	X				0	0
(19) HAL HESS........................................................................ TRUSTEE	1.00 .......................	X				0	0
(20) CHARLA JONES........................................................................ TRUSTEE	1.00 .......................	X				0	0
(21) ROBERT KWAK........................................................................ TRUSTEE	1.00 .......................	X				0	0
(22) NATALIE LEMLE........................................................................ TRUSTEE	1.00 .......................	X				0	0
(23) MANNY LOPES........................................................................ TRUSTEE	1.00 .......................	X				0	0
(24) KENT LUCKEN........................................................................ TRUSTEE	1.00 .......................	X				0	0
(25) TRISTIN MANNION........................................................................ TRUSTEE	1.00 .......................	X				0	0
(26) CHRISTINE MARAGANORE........................................................................ TRUSTEE	1.00 .......................	X				0	0
(27) DAN O'CONNELL........................................................................ TRUSTEE (UNTIL 9/12/24)	1.00 .......................	X				0	0
(28) ERICA GERVAIS PAPPENDICK........................................................................ TRUSTEE	1.00 .......................	X				0	0
(29) DEVAL PATRICK........................................................................ TRUSTEE	1.00 .......................	X				0	0
(30) EMMETT G PRICE III........................................................................ TRUSTEE	1.00 .......................	X				0	0
(31) DAVID PUTH........................................................................ TRUSTEE	1.00 .......................	X				0	0
(32) LESLIE RIEDEL........................................................................ TRUSTEE	1.00 .......................	X				0	0
(33) MARIO RUSSO........................................................................ TRUSTEE	1.00 .......................	X				0	0
(34) MARK SCHWARTZ........................................................................ TRUSTEE	1.00 .......................	X				0	0
(35) NICK WINTON........................................................................ TRUSTEE (FROM 9/17/24)	1.00 .......................	X				0	0
(36) NICOLE ZATLYN........................................................................ TRUSTEE	1.00 .......................	X				0	0
(37) NORA BURNETT ABRAMS........................................................................ DIRECTOR (FROM 5/1/2025)	1.00 .......................	X	X			0	0
(38) CHARLOTTE WAGNER........................................................................ PRESIDENT	1.00 .......................	X	X			0	0
(39) KAMBIZ SHAHBAZI........................................................................ TREASURER	1.00 .......................	X	X			0	0
(40) STEVEN D CORKIN........................................................................ CO-CHAIR	1.00 .......................	X	X			0	0
(41) BRIDGITT EVANS........................................................................ CO-CHAIR	1.00 .......................	X	X			0	0
(42) FOTENE DEMOULAS........................................................................ VICE CHAIR	1.00 .......................	X	X			0	0
(43) WHITNEY LEESE CHIEF OF STAFF........................................................................ GOV./SEC./CLERK	37.50 .......................		X			158,018	8,503
(44) NATASA VUCETIC CHIEF FINANCIAL........................................................................ & OPERATING OFFICER (UNTIL 7/12/24)	37.50 .......................		X			128,487	25,206
(45) MARIO ROSSI CHIEF........................................................................ FINANCIAL OFFICER (FROM 11/4/24)	37.50 .......................		X			43,029	13,898
(46) RUTH ERICKSON CHIEF CURATOR........................................................................ DIRECTOR FOR CURATORIAL AFFAIRS	37.50 .......................			X		230,651	13,025
(47) KATRINA FOSTER........................................................................ DIRECTOR OF DEVELOPMENT	37.50 .......................				X	247,410	41,131
(48) COLETTE RANDALL CHIEF........................................................................ COMMUNICATIONS & MARKETING OFFICER	37.50 .......................				X	202,867	40,038
(49) KELLY GIFFORD........................................................................ DEPUTY DIRECTOR	37.50 .......................				X	211,904	11,276
(50) KAY MORIARTY O'DWYER........................................................................ DIRECTOR OF INDIVIDUAL GIVING	37.50 .......................				X	175,733	40,030
(51) JOHN ANDRESS DIRECTOR........................................................................ OF PERFORMING & MEDIA ARTS	37.50 .......................				X	180,052	18,922

(A) Name and business address	(B) Description of services	(C) Compensation
ALLIED UNIVERSAL PO BOX 828854 PHILADELPHIA,PA191828854	SECURITY SERVICES	503,449
US ART COMPANY INC 78 PACELLA PARK DRIVE RANDOLPH,MA02368	STORAGE AND SHIPPING SERVICES	453,456
AMERICAN CLEANING PO BOX 390702 CAMBRIDGE,MA02139	CLEANING SERVICES	451,261
THE CATERED AFFAIR PO BOX 432 HINGHAM,MA02043	CATERING SERVICES	289,702
GREENWOOD INDUSTRIES INC 455 FORTUNE BLVD 17 MILFORD,MA01757	COMMERCIAL ROOFING CONTRACTOR	289,481
2 Total number of independent contractors (including but not limited to those listed above) who received more than $100,000 of compensation from the organization 16

- TIN:

SCHEDULE A
(Form 990)

Department of the Treasury
Internal Revenue Service

Public Charity Status and Public Support

Complete if the organization is a section 501(c)(3) organization or a section 4947(a)(1) nonexempt charitable trust.
right arrow

Attach to Form 990 or Form 990-EZ.
right arrow

Go to www.irs.gov/Form990 for instructions and the latest information.

OMB No. 1545-0047

2024

Open to Public
Inspection

Name of the organization

THE INSTITUTE OF CONTEMPORARY ART INC

Employer identification number

04-2104327

Part I

Reason for Public Charity Status (All organizations must complete this part.) See instructions.

The organization is not a private foundation because it is: (For lines 1 through 12, check only one box.)

A church, convention of churches, or association of churches described in section 170(b)(1)(A)(i).

A school described in section 170(b)(1)(A)(ii). (Attach Schedule E (Form 990).)

A hospital or a cooperative hospital service organization described in section 170(b)(1)(A)(iii).

A medical research organization operated in conjunction with a hospital described in section 170(b)(1)(A)(iii). Enter the hospital's name, city, and state:

An organization operated for the benefit of a college or university owned or operated by a governmental unit described in section 170(b)(1)(A)(iv). (Complete Part II.)

A federal, state, or local government or governmental unit described in section 170(b)(1)(A)(v).

An organization that normally receives a substantial part of its support from a governmental unit or from the general public described in section 170(b)(1)(A)(vi). (Complete Part II.)

A community trust described in section 170(b)(1)(A)(vi). (Complete Part II.)

An agricultural research organization described in 170(b)(1)(A)(ix) operated in conjunction with a land-grant college or university or a non-land grant college of agriculture. See instructions. Enter the name, city, and state of the college or university:

An organization that normally receives: (1) more than 33 1/3% of its support from contributions, membership fees, and gross receipts from activities related to its exempt functions—subject to certain exceptions, and (2) no more than 33 1/3% of its support from gross investment income and unrelated business taxable income (less section 511 tax) from businesses acquired by the organization after June 30, 1975. See section 509(a)(2). (Complete Part III.)

An organization organized and operated exclusively to test for public safety. See section 509(a)(4).

An organization organized and operated exclusively for the benefit of, to perform the functions of, or to carry out the purposes of one or more publicly supported organizations described in section 509(a)(1) or section 509(a)(2). See section 509(a)(3). Check the box on lines 12a through 12d that describes the type of supporting organization and complete lines 12e, 12f, and 12g.

Type I. A supporting organization operated, supervised, or controlled by its supported organization(s), typically by giving the supported organization(s) the power to regularly appoint or elect a majority of the directors or trustees of the supporting organization. You must complete Part IV, Sections A and B.

Type II. A supporting organization supervised or controlled in connection with its supported organization(s), by having control or management of the supporting organization vested in the same persons that control or manage the supported organization(s). You must complete Part IV, Sections A and C.

Type III functionally integrated. A supporting organization operated in connection with, and functionally integrated with, its supported organization(s) (see instructions). You must complete Part IV, Sections A, D, and E.

Type III non-functionally integrated. A supporting organization operated in connection with its supported organization(s) that is not functionally integrated. The organization generally must satisfy a distribution requirement and an attentiveness requirement (see instructions). You must complete Part IV, Sections A and D, and Part V.

Check this box if the organization received a written determination from the IRS that it is a Type I, Type II, Type III functionally integrated, or Type III non-functionally integrated supporting organization.

Enter the number of supported organizations ...............................

Provide the following information about the supported organization(s).

(i) Name of supported organization	(ii) EIN	(iv) Is the organization listed in your governing document?		(v) Amount of monetary support (see instructions)	(vi) Amount of other support (see instructions)
(i) Name of supported organization	(ii) EIN	Yes	No	(v) Amount of monetary support (see instructions)	(vi) Amount of other support (see instructions)


Total

For Paperwork Reduction Act Notice, see the Instructions for
Form 990 or 990-EZ.

Cat. No. 11285F

Schedule A (Form 990) 2024

Page 2

Part II

Support Schedule for Organizations Described in Sections 170(b)(1)(A)(iv) and 170(b)(1)(A)(vi)
(Complete only if you checked the box on line 5, 7, or 8 of Part I or if the organization failed to qualify under Part III. If the organization failed to qualify under the tests listed below, please complete Part III.)

Section A. Public Support

Calendar year (or fiscal year beginning in)		(a) 2020	(b) 2021	(c) 2022	(d) 2023	(e) 2024	(f) Total
1	Gifts, grants, contributions, and membership fees received. (Do not include any "unusual grant.") ..	18,194,343	18,928,827	18,750,251	17,101,819	26,063,233	99,038,473
2	Tax revenues levied for the organization's benefit and either paid to or expended on its behalf ....
3	The value of services or facilities furnished by a governmental unit to the organization without charge..
4	Total. Add lines 1 through 3	18,194,343	18,928,827	18,750,251	17,101,819	26,063,233	99,038,473
5	The portion of total contributions by each person (other than a governmental unit or publicly supported organization) included on line 1 that exceeds 2% of the amount shown on line 11, column (f) ..						18,745,429
6	Public support. Subtract line 5 from line 4.						80,293,044

Section B. Total Support

Calendar year (or fiscal year beginning in)		(a) 2020	(b) 2021	(c) 2022	(d) 2023	(e) 2024	(f) Total
7	Amounts from line 4..	18,194,343	18,928,827	18,750,251	17,101,819	26,063,233	99,038,473
8	Gross income from interest, dividends, payments received on securities loans, rents, royalties and income from similar sources...	173,554	1,133,234	874,951	1,385,029	1,715,857	5,282,625
9	Net income from unrelated business activities, whether or not the business is regularly carried on..		20,158	42,201	4,497	114,997	181,853
10	Other income. Do not include gain or loss from the sale of capital assets (Explain in Part VI.)..	4,411	244,328	431,160	283,989	476,042	1,439,930
11	Total support. Add lines 7 through 10						105,942,881

Gross receipts from related activities, etc. (see instructions) ..................

20,516,132

First 5 years. If the Form 990 is for the organization's first, second, third, fourth, or fifth tax year as a section 501(c)(3) organization, check this box and stop here ........................................ right arrow

Section C. Computation of Public Support Percentage

Public support percentage for 2024 (line 6, column (f) divided by line 11, column (f)) .........

75.790 %

Public support percentage for 2023 Schedule A, Part II, line 14 ...............

82.070 %

16a

33 1/3% support test—2024. If the organization did not check the box on line 13, and line 14 is 33 1/3% or more, check this box
and stop here. The organization qualifies as a publicly supported organization ....................... right arrow

33 1/3% support test—2023. If the organization did not check a box on line 13 or 16a, and line 15 is 33 1/3% or more, check this
box and stop here. The organization qualifies as a publicly supported organization ..................... right arrow

17a

10%-facts-and-circumstances test—2024. If the organization did not check a box on line 13, 16a, or 16b, and line 14 is 10% or more, and if the organization meets the "facts-and-circumstances" test, check this box and stop here. Explain in Part VI how the organization meets the "facts-and-circumstances" test. The organization qualifies as a publicly supported organization ............ right arrow

10%-facts-and-circumstances test—2023. If the organization did not check a box on line 13, 16a, 16b, or 17a, and line 15 is 10% or more, and if the organization meets the "facts-and-circumstances" test, check this box and stop here. Explain in Part VI how the organization meets the "facts-and-circumstances" test. The organization qualifies as a publicly supported organization ............ right arrow

Private foundation. If the organization did not check a box on line 13, 16a, 16b, 17a, or 17b, check this box and see
instructions ..................................................... right arrow

Schedule A (Form 990) 2024

Page 3

Part III

Support Schedule for Organizations Described in Section 509(a)(2)
(Complete only if you checked the box on line 10 of Part I or if the organization failed to qualify under Part II. If the organization fails to qualify under the tests listed below, please complete Part II.)

Section A. Public Support

Calendar year (or fiscal year beginning in)		(a) 2020	(b) 2021	(c) 2022	(d) 2023	(e) 2024	(f) Total
1	Gifts, grants, contributions, and membership fees received. (Do not include any "unusual grants.") .
2	Gross receipts from admissions, merchandise sold or services performed, or facilities furnished in any activity that is related to the organization's tax-exempt purpose
3	Gross receipts from activities that are not an unrelated trade or business under section 513 .....
4	Tax revenues levied for the organization's benefit and either paid to or expended on its behalf...
5	The value of services or facilities furnished by a governmental unit to the organization without charge
6	Total. Add lines 1 through 5
7a	Amounts included on lines 1, 2, and 3 received from disqualified persons
b	Amounts included on lines 2 and 3 received from other than disqualified persons that exceed the greater of $5,000 or 1% of the amount on line 13 for the year.
c	Add lines 7a and 7b..
8	Public support. (Subtract line 7c from line 6.)

Section B. Total Support

Calendar year (or fiscal year beginning in)		(a) 2020	(b) 2021	(c) 2022	(d) 2023	(e) 2024	(f) Total
9	Amounts from line 6...
10a	Gross income from interest, dividends, payments received on securities loans, rents, royalties and income from similar sources..
b	Unrelated business taxable income (less section 511 taxes) from businesses acquired after June 30, 1975.
c	Add lines 10a and 10b.
11	Net income from unrelated business activities not included on line 10b, whether or not the business is regularly carried on.
12	Other income. Do not include gain or loss from the sale of capital assets (Explain in Part VI.) ..
13	Total support. (Add lines 9, 10c, 11, and 12.)..

First 5 years. If the Form 990 is for the organization's first, second, third, fourth, or fifth tax year as a section 501(c)(3) organization, check this box and stop here................................................. right arrow

Section C. Computation of Public Support Percentage

Public support percentage for 2024 (line 8, column (f) divided by line 13, column (f)) .........

Public support percentage from 2023 Schedule A, Part III, line 15 ...............

Section D. Computation of Investment Income Percentage

Investment income percentage for 2024 (line 10c, column (f) divided by line 13, column (f)) ......

Investment income percentage from 2023 Schedule A, Part III, line 17 .............

19a

33 1/3% support tests-2024. If the organization did not check the box on line 14, and line 15 is more than 33 1/3%, and line 17 is not more than 33 1/3%, check this box and stop here. The organization qualifies as a publicly supported organization ....... right arrow

33 1/3 % support tests—2023. If the organization did not check a box on line 14 or line 19a, and line 16 is more than 33 1/3% and line 18 is not more than 33 1/3%, check this box and stop here. The organization qualifies as a publicly supported organization ..... right arrow

Private foundation. If the organization did not check a box on line 14, 19a, or 19b, check this box and see instructions .... right arrow

Schedule A (Form 990) 2024

Page 4

Part IV

Supporting Organizations

(Complete only if you checked a box on line 12 of Part I. If you checked box 12a, of Part I, complete Sections A and B. If you checked box 12b, of Part I, complete Sections A and C. If you checked box 12c, of Part I, complete Sections A, D, and E. If you checked box12d, of Part I, complete Sections A and D, and complete Part V.)

Section A. All Supporting Organizations

Yes

Are all of the organization’s supported organizations listed by name in the organization’s governing documents?
If "No," describe in Part VI how the supported organizations are designated. If designated by class or purpose,
describe the designation. If historic and continuing relationship, explain.

Did the organization have any supported organization that does not have an IRS determination of status under section 509(a)(1) or (2)? If "Yes," explain in Part VI how the organization determined that the supported organization was described in section 509(a)(1) or (2).

Did the organization have a supported organization described in section 501(c)(4), (5), or (6)? If "Yes," answer lines 3b and 3c below.

Did the organization confirm that each supported organization qualified under section 501(c)(4), (5), or (6) and satisfied the public support tests under section 509(a)(2)? If "Yes," describe in Part VI when and how the organization made the determination.

Did the organization ensure that all support to such organizations was used exclusively for section 170(c)(2)(B) purposes? If "Yes," explain in Part VI what controls the organization put in place to ensure such use.

Was any supported organization not organized in the United States ("foreign supported organization")? If “Yes” and if you checked box 12a or 12b in Part I, answer lines 4b and 4c below.

Did the organization have ultimate control and discretion in deciding whether to make grants to the foreign supported organization? If “Yes,” describe in Part VI how the organization had such control and discretion despite being controlled or supervised by or in connection with its supported organizations.

Did the organization support any foreign supported organization that does not have an IRS determination under sections 501(c)(3) and 509(a)(1) or (2)? If “Yes,” explain in Part VI what controls the organization used to ensure that all support to the foreign supported organization was used exclusively for section 170(c)(2)(B) purposes.

Did the organization add, substitute, or remove any supported organizations during the tax year? If “Yes,” answer lines 5b and 5c below (if applicable). Also, provide detail in Part VI, including (i) the names and EIN numbers of the supported organizations added, substituted, or removed; (ii) the reasons for each such action; (iii) the authority under the organization's organizing document authorizing such action; and (iv) how the action was accomplished (such as by amendment to the organizing document).

Type I or Type II only. Was any added or substituted supported organization part of a class already designated in the organization's organizing document?

Substitutions only. Was the substitution the result of an event beyond the organization's control?

Did the organization provide support (whether in the form of grants or the provision of services or facilities) to anyone other than (i) its supported organizations, (ii) individuals that are part of the charitable class benefited by one or more of its supported organizations, or (iii) other supporting organizations that also support or benefit one or more of the filing organization’s supported organizations? If “Yes,” provide detail in Part VI.

Did the organization provide a grant, loan, compensation, or other similar payment to a substantial contributor (defined in section 4958(c)(3)(C)), a family member of a substantial contributor, or a 35% controlled entity with regard to a substantial contributor? If “Yes,” complete Part I of Schedule L (Form 990) .

Did the organization make a loan to a disqualified person (as defined in section 4958) not described on line 7? If “Yes,” complete Part I of Schedule L (Form 990).

Was the organization controlled directly or indirectly at any time during the tax year by one or more disqualified persons, as defined in section 4946 (other than foundation managers and organizations described in section 509(a)(1) or (2))? If “Yes,” provide detail in Part VI.

Did one or more disqualified persons (as defined on line 9a) hold a controlling interest in any entity in which the supporting organization had an interest? If “Yes,” provide detail in Part VI.

Did a disqualified person (as defined on line 9a) have an ownership interest in, or derive any personal benefit from, assets in which the supporting organization also had an interest? If “Yes,” provide detail in Part VI.

10a

Was the organization subject to the excess business holdings rules of section 4943 because of section 4943(f) (regarding certain Type II supporting organizations, and all Type III non-functionally integrated supporting organizations)? If “Yes,” answer line 10b below.

10a

Did the organization have any excess business holdings in the tax year? (Use Schedule C, Form 4720, to determine whether the organization had excess business holdings).

10b

Schedule A (Form 990) 2024

Page 5

Part IV

Supporting Organizations (continued)

Yes

Has the organization accepted a gift or contribution from any of the following persons?

A person who directly or indirectly controls, either alone or together with persons described on lines 11b and 11c below, the governing body of a supported organization?

11a

A family member of a person described on 11a above?

11b

A 35% controlled entity of a person described on line 11a or 11b above? If “Yes” to 11a, 11b, or 11c, provide detail in Part VI.

11c

Section B. Type I Supporting Organizations

Yes

Did the officers, directors, trustees, or membership of one or more supported organizations have the power to regularly appoint or elect at least a majority of the organization’s directors or trustees at all times during the tax year? If “No,” describe in Part VI how the supported organization(s) effectively operated, supervised, or controlled the organization’s activities. If the organization had more than one supported organization, describe how the powers to appoint and/or remove directors or trustees were allocated among the supported organizations and what conditions or restrictions, if any, applied to such powers during the tax year.

Did the organization operate for the benefit of any supported organization other than the supported organization(s) that operated, supervised, or controlled the supporting organization? If “Yes,” explain in Part VI how providing such benefit carried out the purposes of the supported organization(s) that operated, supervised or controlled the supporting organization.

Section C. Type II Supporting Organizations

Yes

Were a majority of the organization’s directors or trustees during the tax year also a majority of the directors or trustees of each of the organization’s supported organization(s)? If “No,” describe in Part VI how control or management of the supporting organization was vested in the same persons that controlled or managed the supported organization(s).

Section D. All Type III Supporting Organizations

Yes

Did the organization provide to each of its supported organizations, by the last day of the fifth month of the organization’s tax year, (i) a written notice describing the type and amount of support provided during the prior tax year, (ii) a copy of the Form 990 that was most recently filed as of the date of notification, and (iii) copies of the organization’s governing documents in effect on the date of notification, to the extent not previously provided?

Were any of the organization’s officers, directors, or trustees either (i) appointed or elected by the supported organization(s) or (ii) serving on the governing body of a supported organization? If "No," explain in Part VI how the organization maintained a close and continuous working relationship with the supported organization(s).

By reason of the relationship described in line 2 above, did the organization’s supported organizations have a significant voice in the organization’s investment policies and in directing the use of the organization’s income or assets at all times during the tax year? If "Yes," describe in Part VI the role the organization’s supported organizations played in this regard.

Section E. Type III Functionally-Integrated Supporting Organizations

Check the box next to the method that the organization used to satisfy the Integral Part Test during the year (see instructions):

The organization satisfied the Activities Test. Complete line 2 below.

The organization is the parent of each of its supported organizations. Complete line 3 below.

The organization supported a governmental entity. Describe in Part VI how you supported a government entity (see instructions)

Activities Test. Answer lines 2a and 2b below.

Yes

Did substantially all of the organization’s activities during the tax year directly further the exempt purposes of the supported organization(s) to which the organization was responsive? If "Yes," then in Part VI identify those supported organizations and explain how these activities directly furthered their exempt purposes, how the organization was responsive to those supported organizations, and how the organization determined that these activities constituted substantially all of its activities.

Did the activities described on line 2a, above constitute activities that, but for the organization’s involvement, one or more of the organization’s supported organization(s) would have been engaged in? If "Yes," explain in Part VI the reasons for the organization’s position that its supported organization(s) would have engaged in these activities but for the organization’s involvement.

Parent of Supported Organizations. Answer lines 3a and 3b below.

Did the organization have the power to regularly appoint or elect a majority of the officers, directors, or trustees of each of the supported organizations?If "Yes" or "No", provide details in Part VI.

Did the organization exercise a substantial degree of direction over the policies, programs and activities of each of its supported organizations? If "Yes," describe in Part VI. the role played by the organization in this regard.

Schedule A (Form 990) 2024

Page 6

Part V

Type III Non-Functionally Integrated 509(a)(3) Supporting Organizations

Check here if the organization satisfied the Integral Part Test as a qualifying trust on Nov. 20, 1970 (explain in Part VI). See instructions. All other Type III non-functionally integrated supporting organizations must complete Sections A through E.

	Section A - Adjusted Net Income		(A) Prior Year	(B) Current Year (optional)
1	Net short-term capital gain	1
2	Recoveries of prior-year distributions	2
3	Other gross income (see instructions)	3
4	Add lines 1 through 3	4
5	Depreciation and depletion	5
6	Portion of operating expenses paid or incurred for production or collection of gross income or for management, conservation, or maintenance of property held for production of income (see instructions)	6
7	Other expenses (see instructions)	7
8	Adjusted Net Income (subtract lines 5, 6 and 7 from line 4)	8

	Section B - Minimum Asset Amount		(A) Prior Year	(B) Current Year (optional)
1	Aggregate fair market value of all non-exempt-use assets (see instructions for short tax year or assets held for part of year):	1
a	Average monthly value of securities	1a
b	Average monthly cash balances	1b
c	Fair market value of other non-exempt-use assets	1c
d	Total (add lines 1a, 1b, and 1c)	1d
e	Discount claimed for blockage or other factors (explain in detail in Part VI):
2	Acquisition indebtedness applicable to non-exempt use assets	2
3	Subtract line 2 from line 1d	3
4	Cash deemed held for exempt use. Enter 0.015 of line 3 (for greater amount, see instructions).	4
5	Net value of non-exempt-use assets (subtract line 4 from line 3)	5
6	Multiply line 5 by 0.035	6
7	Recoveries of prior-year distributions	7
8	Minimum Asset Amount (add line 7 to line 6)	8

	Section C - Distributable Amount		Current Year
1	Adjusted net income for prior year (from Section A, line 8, Column A)	1
2	Enter 85% of line 1	2
3	Minimum asset amount for prior year (from Section B, line 8, Column A)	3
4	Enter greater of line 2 or line 3	4
5	Income tax imposed in prior year	5
6	Distributable Amount. Subtract line 5 from line 4, unless subject to emergency temporary reduction (see instructions)	6

Check here if the current year is the organization's first as a non-functionally-integrated Type III supporting organization (see instructions)

Schedule A (Form 990) 2024

Page 7

Part V

Type III Non-Functionally Integrated 509(a)(3) Supporting Organizations(continued)

Section D - Distributions		Current Year
1 Amounts paid to supported organizations to accomplish exempt purposes	1
2 Amounts paid to perform activity that directly furthers exempt purposes of supported organizations, in excess of income from activity	2
3 Administrative expenses paid to accomplish exempt purposes of supported organizations	3
4 Amounts paid to acquire exempt-use assets	4
5 Qualified set-aside amounts (prior IRS approval required - provide details in Part VI)	5
6 Other distributions (describe in Part VI). See instructions	6
7Total annual distributions. Add lines 1 through 6.	7
8 Distributions to attentive supported organizations to which the organization is responsive (provide details in Part VI). See instructions	8
9 Distributable amount for 2024 from Section C, line 6	9
10 Line 8 amount divided by Line 9 amount	10

Section E - Distribution Allocations (see instructions)		(i) Excess Distributions	(ii) Underdistributions Pre-2024	(iii) Distributable Amount for 2024
1 Distributable amount for 2024 from Section C, line 6
2 Underdistributions, if any, for years prior to 2024 (reasonable cause required-- explain in Part VI). See instructions.
3 Excess distributions carryover, if any, to 2024:
a From 2019.......
b From 2020.......
c From 2021.......
d From 2022.......
e From 2023.......
fTotal of lines 3a through e
g Applied to underdistributions of prior years
h Applied to 2024 distributable amount
i Carryover from 2019 not applied (see instructions)
j Remainder. Subtract lines 3g, 3h, and 3i from line 3f.
4Distributions for 2024 from Section D, line 7:
$
a Applied to underdistributions of prior years
b Applied to 2024 distributable amount
c Remainder. Subtract lines 4a and 4b from line 4.
5 Remaining underdistributions for years prior to 2024, if any. Subtract lines 3g and 4a from line 2. If the amount is greater than zero, explain in Part VI. See instructions.
6 Remaining underdistributions for 2024. Subtract lines 3h and 4b from line 1. If the amount is greater than zero, explain in Part VI. See instructions.
7 Excess distributions carryover to 2025. Add lines 3j and 4c.
8 Breakdown of line 7:
a Excess from 2020.....
b Excess from 2021.....
c Excess from 2022.....
d Excess from 2023.....
e Excess from 2024.....

Schedule A (Form 990) (2024)

Schedule A (Form 990) 2024

Page 8

Part VI

Supplemental Information. Provide the explanations required by Part II, line 10; Part II, line 17a or 17b; Part III, line 12; Part IV, Section A, lines 1, 2, 3b, 3c, 4b, 4c, 5a, 6, 9a, 9b, 9c, 11a, 11b, and 11c; Part IV, Section B, lines 1 and 2; Part IV, Section C, line 1; Part IV, Section D, lines 2 and 3; Part IV, Section E, lines 1c, 2a, 2b, 3a and 3b; Part V, line 1; Part V, Section B, line 1e; Part V Section D, lines 5, 6, and 8; and Part V, Section E, lines 2, 5, and 6. Also complete this part for any additional information. (See instructions).

Facts And Circumstances Test

Return Reference	Explanation
SCHEDULE A, PART II, LINE 10, EXPLANATION OF OTHER INCOME:	FUNDRAISING INCOME - 2021 AMOUNT: $ 90,880. 2022 AMOUNT: $ 101,270. 2023 AMOUNT: $ 24,030. 2024 AMOUNT: $ 117,310. FOOD SERVICES - 2020 AMOUNT: $ 4,411. 2021 AMOUNT: $ 87,529. 2022 AMOUNT: $ 169,449. 2023 AMOUNT: $ 132,374. 2024 AMOUNT: $ 141,635. CORPORATE EXCHANGE REVENUE - 2021 AMOUNT: $ 65,919. 2022 AMOUNT: $ 160,441. 2023 AMOUNT: $ 127,585. 2024 AMOUNT: $ 217,097.

Schedule A (Form 990) 2024

Additional Data

Software ID:
Software Version:

- TIN:

Schedule B
(Form 990)
(Rev. January 2025)

Department of the Treasury
Internal Revenue Service

Schedule of Contributors

Attach to Form 990, 990-EZ, or 990-PF.

Go to www.irs.gov/Form990 for the latest information.

OMB No. 1545-0047

Name of the organization

THE INSTITUTE OF CONTEMPORARY ART INC

Employer identification number

04-2104327

Organization type (check one):

Filers of:

Section:

Form 990 or 990-EZ

501(c)( ) (enter number) organization

4947(a)(1) nonexempt charitable trust not treated as a private foundation

527 political organization

Form 990-PF

501(c)(3) exempt private foundation

4947(a)(1) nonexempt charitable trust treated as a private foundation

501(c)(3) taxable private foundation

Check if your organization is covered by the General Rule or a Special Rule.
Note: Only a section 501(c)(7), (8), or (10) organization can check boxes for both the General Rule and a Special Rule. See instructions.

General Rule

For an organization filing Form 990, 990-EZ, or 990-PF that received, during the year, contributions totaling $5,000 or more (in money or other property) from any one contributor. Complete Parts I and II. See instructions for determining a contributor's total contributions.

Special Rules

For an organization described in section 501(c)(3) filing Form 990 or 990-EZ that met the 33¹/3% support test of the regulations
under sections 509(a)(1) and 170(b)(1)(A)(vi), that checked Schedule A (Form 990 or 990-EZ), Part II, line 13, 16a, or 16b, and that received from any one contributor, during the year, total contributions of the greater of (1) $5,000 or (2) 2% of the amount on (i) Form 990, Part VIII, line 1h, or (ii) Form 990-EZ, line 1. Complete Parts I and II.

For an organization described in section 501(c)(7), (8), or (10) filing Form 990 or 990-EZ that received from any one contributor,
during the year, total contributions of more than $1,000 exclusively for religious, charitable, scientific, literary, or educational purposes, or for the prevention of cruelty to children or animals. Complete Parts I, II, and III.

For an organization described in section 501(c)(7), (8), or (10) filing Form 990 or 990-EZ that received from any one contributor,
during the year, contributions exclusively for religious, charitable, etc., purposes, but no such contributions totaled more than $1,000. If this box is checked, enter here the total contributions that were received during the year for an exclusively religious, charitable, etc., purpose. Don't complete any of the parts unless the General Rule applies to this organization because it received nonexclusively religious, charitable, etc., contributions totaling $5,000 or more during the year ......... Right Arrow

Caution: An organization that isn't covered by the General Rule and/or the Special Rules doesn't file Schedule B (Form 990,
990-EZ, or 990-PF), but it must answer “No” on Part IV, line 2, of its Form 990; or check the box on line H of its Form 990-EZ
or on its Form 990PF, Part I, line 2, to certify that it doesn't meet the filing requirements of Schedule B (Form 990,
990-EZ, or 990-PF).

For Paperwork Reduction Act Notice, see the Instructions
for Form 990, 990-EZ, or 990-PF.

Cat. No. 30613XSchedule B (Form 990) (Rev. 1-2025)

Schedule B (Form 990) (Rev. 1-2025) Page 2

Name of organization THE INSTITUTE OF CONTEMPORARY ART INC

Part I	Contributors (see instructions). Use duplicate copies of Part I if additional space is needed.
(a) No.	(b) Name, address, and ZIP + 4	(c) Total contributions	(d) Type of contribution
RESTRICTED	,	$ RESTRICTED	Person Payroll Noncash (Complete Part II for noncash contributions.)
(a) No.	(b) Name, address, and ZIP + 4	(c) Total contributions	(d) Type of contribution
		$	Person Payroll Noncash (Complete Part II for noncash contributions.)
(a) No.	(b) Name, address, and ZIP + 4	(c) Total contributions	(d) Type of contribution
		$	Person Payroll Noncash (Complete Part II for noncash contributions.)
(a) No.	(b) Name, address, and ZIP + 4	(c) Total contributions	(d) Type of contribution
		$	Person Payroll Noncash (Complete Part II for noncash contributions.)
(a) No.	(b) Name, address, and ZIP + 4	(c) Total contributions	(d) Type of contribution
		$	Person Payroll Noncash (Complete Part II for noncash contributions.)
(a) No.	(b) Name, address, and ZIP + 4	(c) Total contributions	(d) Type of contribution
		$	Person Payroll Noncash (Complete Part II for noncash contributions.)
Schedule B (Form 990) (Rev. 1-2025)

Schedule B (Form 990) (Rev. 1-2025)

Page 3

Name of organization THE INSTITUTE OF CONTEMPORARY ART INC		Employer identification number 04-2104327

Part II	Noncash Property (see instructions). Use duplicate copies of Part II if additional space is needed.
(a) No. from Part I	(b) Description of noncash property given	(c) FMV (or estimate) (See instructions)	(d) Date received
		$
(a) No. from Part I	(b) Description of noncash property given	(c) FMV (or estimate) (See instructions)	(d) Date received
		$
(a) No. from Part I	(b) Description of noncash property given	(c) FMV (or estimate) (See instructions)	(d) Date received
		$
(a) No. from Part I	(b) Description of noncash property given	(c) FMV (or estimate) (See instructions)	(d) Date received
		$
(a) No. from Part I	(b) Description of noncash property given	(c) FMV (or estimate) (See instructions)	(d) Date received
		$
(a) No. from Part I	(b) Description of noncash property given	(c) FMV (or estimate) (See instructions)	(d) Date received
		$
Schedule B (Form 990) (Rev. 1-2025)

Schedule B (Form 990) (Rev. 1-2025)

Page 4


Name of organization THE INSTITUTE OF CONTEMPORARY ART INC			Employer identification number 04-2104327
Part III Exclusively religious, charitable, etc., contributions to organizations described in section 501(c) (7), (8), or (10) that total more than $1,000 for the year from any one contributor. Complete columns (a) through (e) and the following line entry. For organizations completing Part III, enter the total of exclusively religious, charitable, etc., contributions of $1,000 or less for the year. (Enter this information once. See instructions.) $ Use duplicate copies of Part III if additional space is needed.

(a)
No. from Part I

(b) Purpose of gift

(d) Description of how gift is held

(e) Transfer of gift
Transferee's name, address, and ZIP 4	Relationship of transferor to transferee

(a)
No. from Part I

(b) Purpose of gift

(d) Description of how gift is held

(e) Transfer of gift
Transferee's name, address, and ZIP 4	Relationship of transferor to transferee

(a)
No. from Part I

(b) Purpose of gift

(d) Description of how gift is held

(e) Transfer of gift
Transferee's name, address, and ZIP 4	Relationship of transferor to transferee

(a)
No. from Part I

(b) Purpose of gift

(d) Description of how gift is held

(e) Transfer of gift
Transferee's name, address, and ZIP 4	Relationship of transferor to transferee

Schedule B (Form 990) (Rev. 1-2025)

Additional Data

Software ID:
Software Version:

- TIN:

SCHEDULE D
(Form 990)

Department of the Treasury
Internal Revenue Service

Supplemental Financial Statements

Complete if the organization answered "Yes," on Form 990,
Part IV, line 6, 7, 8, 9, 10, 11a, 11b, 11c, 11d, 11e, 11f, 12a, or 12b.
right arrow

Attach to Form 990.
right arrow

Go to www.irs.gov/Form990 for instructions and the latest information.

OMB No. 1545-0047

Open to Public Inspection

Name of the organization

THE INSTITUTE OF CONTEMPORARY ART INC

Employer identification number

04-2104327

Part I

Organizations Maintaining Donor Advised Funds or Other Similar Funds or Accounts. Complete if the organization answered "Yes" on Form 990, Part IV, line 6.

		(a) Donor advised funds	(b) Funds and other accounts
1	Total number at end of year .........
2	Aggregate value of contributions to (during year)
3	Aggregate value of grants from (during year)
4	Aggregate value at end of year ........

Did the organization inform all donors and donor advisors in writing that the assets held in donor advised funds are the organization’s property, subject to the organization’s exclusive legal control? ............

Yes No

Did the organization inform all grantees, donors, and donor advisors in writing that grant funds can be used only for charitable purposes and not for the benefit of the donor or donor advisor, or for any other purpose conferring impermissible private benefit? ...................................

Yes No

Part II

Conservation Easements.
Complete if the organization answered "Yes" on Form 990, Part IV, line 7.

Purpose(s) of conservation easements held by the organization (check all that apply).

Preservation of land for public use (e.g., recreation or education) Preservation of an historically important land area

Protection of natural habitat Preservation of a certified historic structure

Preservation of open space

Complete lines 2a through 2d if the organization held a qualified conservation contribution in the form of a conservation easement on the last day of the tax year.


a	Total number of conservation easements ......................	2a
b	Total acreage restricted by conservation easements ....................	2b
c	Number of conservation easements on a certified historic structure included in (a) .....	2c
d	Number of conservation easements included in (c) acquired after July 25, 2006, and not on a historic structure listed in the National Register ...	2d

Number of conservation easements modified, transferred, released, extinguished, or terminated by the organization during the
tax year right arrow

Number of states where property subject to conservation easement is located right arrow

Does the organization have a written policy regarding the periodic monitoring, inspection, handling of violations, and enforcement of the conservation easements it holds? ............

Yes No

Staff and volunteer hours devoted to monitoring, inspecting, handling of violations, and enforcing conservation easements during the year
right arrow

Amount of expenses incurred in monitoring, inspecting, handling of violations, and enforcing conservation easements during the year
right arrow

Does each conservation easement reported on line 2(d) above satisfy the requirements of section 170(h)(4)(B)(i) and section 170(h)(4)(B)(ii)? .............................

Yes No

In Part XIII, describe how the organization reports conservation easements in its revenue and expense statement, and
balance sheet, and include, if applicable, the text of the footnote to the organization’s financial statements that describes
the organization’s accounting for conservation easements.

Part III

Organizations Maintaining Collections of Art, Historical Treasures, or Other Similar Assets.
Complete if the organization answered "Yes" on Form 990, Part IV, line 8.

If the organization elected, as permitted under FASB ASC 958, not to report in its revenue statement and balance sheet works of art, historical treasures, or other similar assets held for public exhibition, education, or research in furtherance of public service, provide, in Part XIII, the text of the footnote to its financial statements that describes these items.

If the organization elected, as permitted under FASB ASC 958, to report in its revenue statement and balance sheet works of art, historical treasures, or other similar assets held for public exhibition, education, or research in furtherance of public service, provide the following amounts relating to these items:

(i)

Revenue included on Form 990, Part VIII, line 1 ......................... right arrow

(ii)

Assets included in Form 990, Part X ............................... right arrow

If the organization received or held works of art, historical treasures, or other similar assets for financial gain, provide the
following amounts required to be reported under FASB ASC 958 relating to these items:

Revenue included on Form 990, Part VIII, line 1 .......................... right arrow

Assets included in Form 990, Part X ............................... right arrow

For Paperwork Reduction Act Notice, see the Instructions for Form 990.

Cat. No. 52283D

Schedule D (Form 990) (Rev. 1-2025)

Page 2

Part III

Organizations Maintaining Collections of Art, Historical Treasures, or Other Similar Assets (continued)

Using the organization’s acquisition, accession, and other records, check any of the following that are a significant use of its collection items (check all that apply):

Public exhibition

Loan or exchange programs

Scholarly research

Other

Preservation for future generations

Provide a description of the organization’s collections and explain how they further the organization’s exempt purpose in
Part XIII.

During the year, did the organization solicit or receive donations of art, historical treasures or other similar
assets to be sold to raise funds rather than to be maintained as part of the organization’s collection?...

Yes No

Part IV

Escrow and Custodial Arrangements. Complete if the organization answered "Yes" on Form 990, Part IV, line 9, or reported an amount on Form 990, Part X, line 21.

Is the organization an agent, trustee, custodian or other intermediary for contributions or other assets not
included on Form 990, Part X? ....................................

Yes No


b	If "Yes," explain the arrangement in Part XIII and complete the following table:		Amount
c	Beginning balance .............................	1c
d	Additions during the year ............................	1d
e	Distributions during the year ..........................	1e
f	Ending balance ................................	1f

Did the organization include an amount on Form 990, Part X, line 21, for escrow or custodial account liability? ...

Yes No

If "Yes," explain the arrangement in Part XIII. Check here if the explanation has been provided in Part XIII ....

Part V

Endowment Funds.
Complete if the organization answered "Yes" on Form 990, Part IV, line 10.

		(a) Current year	(b) Prior year	(c) Two years back	(d) Three years back	(e) Four years back

1a	Beginning of year balance ....	65,409,777	57,106,584	50,598,509	56,575,229	43,544,382
b	Contributions ...	8,784,649	3,851,107	3,949,128	3,020,156	4,944,115
c	Net investment earnings, gains, and losses	7,934,768	7,122,337	5,158,940	-8,396,876	9,886,732
d	Grants or scholarships ...
e	Other expenditures for facilities and programs ...	2,800,000	2,670,251	2,599,992	600,000	1,800,000
f	Administrative expenses ....
g	End of year balance ......	79,329,194	65,409,777	57,106,585	50,598,509	56,575,229

Provide the estimated percentage of the current year end balance (line 1g, column (a)) held as:

Board designated or quasi-endowment right arrow

0 %

Permanent endowment right arrow

86.000 %

Term endowment right arrow

14.000 %

The percentages on lines 2a, 2b, and 2c should equal 100%.

Are there endowment funds not in the possession of the organization that are held and administered for the
organization by:

Yes

(i) Unrelated organizations .................

3a(i)

(ii) Related organizations .................

3a(ii)

If "Yes" on 3a(ii), are the related organizations listed as required on Schedule R? .........

Describe in Part XIII the intended uses of the organization's endowment funds.

Part VI

Land, Buildings, and Equipment.
Complete if the organization answered "Yes" on Form 990, Part IV, line 11a. See Form 990, Part X, line 10.

Description of property		(a) Cost or other basis (investment)	(b) Cost or other basis (other)	(c) Accumulated depreciation	(d) Book value

1a	Land .....
b	Buildings ....	56,088,489	25,898,886	30,189,603
c	Leasehold improvements	5,200,454	3,680,244	1,520,210
d	Equipment ....	8,518,052	6,996,424	1,521,628
e	Other .....
Total. Add lines 1a through 1e. (Column (d) must equal Form 990, Part X, column (B), line 10(c).)..				33,231,441

Schedule D (Form 990) (Rev. 1-2025)

Page 3

Part VII

Investments - Other Securities.
Complete if the organization answered "Yes" on Form 990, Part IV, line 11b. See Form 990, Part X, line 12.

(a) Description of security or category (including name of security)	(b) Book value	(c) Method of valuation: Cost or end-of-year market value
(1) Financial derivatives.........
(2) Closely-held equity interests........
(3) Other (A) POOLED INVESTMENT VEHICLES	36,826,163	F
(B)
(C)
(D)
(E)
(F)
(G)
(H)
Total. (Column (b) must equal Form 990, Part X, col. (B) line 12.)	36,826,163

Part VIII

Investments - Program Related. Complete if the organization answered 'Yes' on Form 990, Part IV, line 11c. See Form 990, Part X, line 13.

(a) Description of investment	(b) Book value	(c) Method of valuation: Cost or end-of-year market value

(1)
(2)
(3)
(4)
(5)
(6)
(7)
(8)
(9)
Total. (Column (b) must equal Form 990, Part X, col.(B) line 13.)

Part IX

Other Assets.
Complete if the organization answered 'Yes' on Form 990, Part IV, line 11d. See Form 990, Part X, line 15.

(a) Description				(b) Book value

(1)
(2)
(3)
(4)
(5)
(6)
(7)
(8)
(9)
Total. (Column (b) must equal Form 990, Part X, col.(B) line 15.)...........

Part X

Other Liabilities.
Complete if the organization answered 'Yes' on Form 990, Part IV, line 11e or 11f. See Form 990, Part X, line 25.

1.(a) Description of liability	(b) Book value
(1) Federal income taxes
LEASE LIABILITY	1,803,158








Total. (Column (b) must equal Form 990, Part X, col.(B) line 25.)	1,803,158
2. Liability for uncertain tax positions. In Part XIII, provide the text of the footnote to the organization's financial statements that reports the organization's liability for uncertain tax positions under FIN 48 (ASC 740). Check here if the text of the footnote has been provided in Part XIII

Schedule D (Form 990) (Rev. 1-2025)

Page 4

Part XI Reconciliation of Revenue per Audited Financial Statements With Revenue per Return. Complete if the organization answered 'Yes' on Form 990, Part IV, line 12a.
1	Total revenue, gains, and other support per audited financial statements .......			1	39,210,424
2	Amounts included on line 1 but not on Form 990, Part VIII, line 12:
a	Net unrealized gains (losses) on investments ....	2a	6,925,808
b	Donated services and use of facilities .........	2b	47,655
c	Recoveries of prior year grants ...........	2c
d	Other (Describe in Part XIII.) ...........	2d	-542,445
e	Add lines 2a through 2d .....................			2e	6,431,018
3	Subtract line 2e from line 1..................			3	32,779,406
4	Amounts included on Form 990, Part VIII, line 12, but not on line 1:
a	Investment expenses not included on Form 990, Part VIII, line 7b .	4a	198,569
b	Other (Describe in Part XIII.) ...........	4b	-1,955,456
c	Add lines 4a and 4b....................			4c	-1,756,887
5	Total revenue. Add lines 3 and 4c. (This must equal Form 990, Part I, line 12.) ......			5	31,022,519

Part XII Reconciliation of Expenses per Audited Financial Statements With Expenses per Return. Complete if the organization answered 'Yes' on Form 990, Part IV, line 12a.
1	Total expenses and losses per audited financial statements ...........			1	23,445,630
2	Amounts included on line 1 but not on Form 990, Part IX, line 25:
a	Donated services and use of facilities .........	2a	47,655
b	Prior year adjustments ............	2b
c	Other losses ................	2c
d	Other (Describe in Part XIII.) ...........	2d	1,955,456
e	Add lines 2a through 2d....................			2e	2,003,111
3	Subtract line 2e from line 1...................			3	21,442,519
4	Amounts included on Form 990, Part IX, line 25, but not on line 1:
a	Investment expenses not included on Form 990, Part VIII, line 7b ..	4a	198,569
b	Other (Describe in Part XIII.) ...........	4b
c	Add lines 4a and 4b.....................			4c	198,569
5	Total expenses. Add lines 3 and 4c. (This must equal Form 990, Part I, line 18.) ......			5	21,641,088

Part XIII

Supplemental Information

Provide the descriptions required for Part II, lines 3, 5, and 9; Part III, lines 1a and 4; Part lV, lines 1b and 2b; Part V, line 4; Part X, line 2; Part XI, lines 2d and 4b; and Part XII, lines 2d and 4b. Also complete this part to provide any additional information.

Return Reference	Explanation
PART III, LINE 1A:	COLLECTIONS CONSIST OF WORKS OF ART, HISTORICAL TREASURES AND SIMILAR ASSETS HELD AS PART OF A COLLECTION FOR THE PURPOSES OF EDUCATION, RESEARCH OR PUBLIC EXHIBITION, RATHER THAN FOR SALE OR FINANCIAL GAIN. COLLECTIONS WHICH WERE ACQUIRED THROUGH PURCHASES AND CONTRIBUTIONS SINCE THE ICA'S INCEPTION, ARE NOT RECOGNIZED AS ASSETS ON THE STATEMENTS OF FINANCIAL POSITION. PURCHASES OF COLLECTION ITEMS ARE RECORDED AS DECREASES IN NET ASSETS WITHOUT DONOR RESTRICTIONS IN THE YEAR IN WHICH THE ITEMS ARE ACQUIRED, OR AS A DECREASE IN NET ASSETS WITH DONOR RESTRICTIONS IF THE ASSETS ARE USED TO PURCHASE THE ITEMS THAT ARE RESTRICTED BY DONORS. CONTRIBUTED COLLECTION ITEMS ARE NOT REFLECTED ON THE FINANCIAL STATEMENTS. PROCEEDS FROM DEACCESSIONS OR INSURANCE RECOVERIES ARE REFLECTED AS INCREASES IN THE APPROPRIATE NET ASSET CLASSES. THE COLLECTIONS ARE SUBJECT TO A POLICY THAT REQUIRES PROCEEDS FROM THEIR DEACCESSIONS OR INSURANCE RECOVERIES TO BE USED TO ACQUIRE OTHER ITEMS FOR COLLECTIONS. THE ICA PURCHASED 5 AND 10 PIECES OF ART FOR THE PERMANENT COLLECTIONS IN THE AMOUNT OF $593,717 AND $627,815 DURING THE YEARS ENDED JUNE 30, 2025 AND 2024, RESPECTIVELY.
PART III, LINE 4:	IN ACCOMPLISHING THE ORGANIZATION'S MISSION IN ART EDUCATION, CONTEMPORARY ARTWORKS FROM VARIOUS ARTISTS ARE EXHIBITED TO THE GENERAL PUBLIC.
PART V, LINE 4:	THE ORGANIZATION'S ENDOWMENT FUNDS ARE FOR THE ORGANIZATION'S OPERATING EXPENSES AS DESIGNATED BY DONOR.
PART X, LINE 2:	THE ICA IS GENERALLY EXEMPT FROM FEDERAL AND STATE INCOME TAXES UNDER THE PROVISIONS OF SECTION 501(A) OF THE INTERNAL REVENUE CODE AS ORGANIZATIONS DESCRIBED IN SECTION 501(C)(3). ACCORDINGLY, NO PROVISION FOR INCOME TAXES HAS BEEN RECORDED IN THE ACCOMPANYING FINANCIAL STATEMENTS. THE ICA RECOGNIZES A TAX BENEFIT FROM AN UNCERTAIN TAX POSITION ONLY IF IT IS MORE LIKELY THAN NOT THAT THE TAX POSITION WILL BE SUSTAINED ON EXAMINATION BY TAXING AUTHORITIES. MANAGEMENT EVALUATED THE ICA'S TAX POSITIONS AND CONCLUDED THAT THE ICA HAD NO MATERIAL UNCERTAINTIES IN INCOME TAXES AS OF JUNE 30, 2025 AND 2024. WITH FEW EXCEPTIONS, THE ICA IS NO LONGER SUBJECT TO INCOME TAX EXAMINATIONS BY THE U.S., FEDERAL, STATE OR LOCAL TAX AUTHORITIES FOR THREE YEARS FROM THE FILING DATE. THE ICA WILL ACCOUNT FOR INTEREST AND PENALTIES RELATED TO UNCERTAIN TAX POSITIONS, IF ANY, AS PART OF TAX EXPENSE.
PART XI, LINE 2D - OTHER ADJUSTMENTS:	GAIN ON SPLIT INTEREST AGREEMENTS 13,719. LOSSES FROM UNCONDITIONAL PROMISES TO GIVE WRITE OFFS AND ALLOWANCES -556,164.
PART XI, LINE 4B - OTHER ADJUSTMENTS:	COST OF GOODS SOLD REPORTED ON FORM 990, PART VIII, LINE 10B -660,527. RENTAL EXPENSES REPORTED ON FORM 990, PART VIII, LINE 6B -683,759. FUNDRAISING EVENTS EXPENSES REPORTED ON FORM 990, PART VIII, LINE 8B -611,170.
PART XII, LINE 2D - OTHER ADJUSTMENTS:	RENTAL EXPENSES REPORTED ON FORM 990, PART VIII, LINE 6B 683,759. COST OF GOODS SOLD REPORTED ON FORM 990, PART VIII, LINE 10B 660,527. FUNDRAISING EVENTS EXPENSES REPORTED ON FORM 990, PART VIII, LINE 8B 611,170.

Schedule D (Form 990) (Rev. 1-2025)

Additional Data

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SCHEDULE F(Form 990)
(Rev. January 2025)

Department of the Treasury
Internal Revenue Service

Statement of Activities Outside the United States

Complete if the organization answered "Yes" to Form 990, Part IV, line 14b, 15, or 16. Right arrow

Attach to Form 990. Right arrow

Go to www.irs.gov/Form990 for instructions and the latest information.

OMB No. 1545-0047

Open to Public Inspection

Name of the organization
THE INSTITUTE OF CONTEMPORARY ART INC

Employer identification number

04-2104327

Part I

General Information on Activities Outside the United States. Complete if the organization answered "Yes" on Form 990, Part IV, line 14b.

For grantmakers. Does the organization maintain records to substantiate the amount of its grants and

other assistance, the grantees’ eligibility for the grants or assistance, and the selection criteria used

to award the grants or assistance? . . . . . . . . . . . . . . . . . . . . . . . . .

Yes

For grantmakers. Describe in Part V the organization’s procedures for monitoring the use of its grants and other assistance outside the United States.

Activites per Region. (The following Part I, line 3 table can be duplicated if additional space is needed.)

(a) Region		(b) Number of offices in the region	(c) Number of employees, agents, and independent contractors in the region	(d) Activities conducted in region (by type) (such as, fundraising, program services, investments, grants to recipients located in the region)	(f) Total expenditures for and investments in the region
	NORTH AMERICA	0	0	INVESTMENTS	10,890,946
	CENTRAL AMERICA AND THE CARIBBEAN	0	0	INVESTMENTS	5,855,009















3a	Sub-total ....	0	0		16,745,955
b	Total from continuation sheets to Part I ...	0	0		0
c	Totals (add lines 3a and 3b)	0	0		16,745,955

For Paperwork Reduction Act Notice, see the Instructions for Form 990.Cat. No. 50082W Schedule F (Form 990) (Rev. 1-2025)

Schedule F (Form 990) (Rev. 1-2025)

Page 2

Part II

Grants and Other Assistance to Organizations or Entities Outside the United States. Complete if the organization answered "Yes" on Form 990, Part IV, line 15, for any recipient who received more than $5,000. Part II can be duplicated if additional space is needed.

1 (a) Name of organization		(b) IRS code section and EIN (if applicable)	(c) Region	(d) Purpose of grant	(e) Amount of cash grant	(f) Manner of cash disbursement	(g) Amount of noncash assistance	(h) Description of noncash assistance	(i) Method of valuation (book, FMV, appraisal, other)

2	Enter total number of recipient organizations listed above that are recognized as charities by the foreign country, recognized as tax-exempt by the IRS, or for which the grantee or counsel has provided a section 501(c)(3) equivalency letter .......
3	Enter total number of other organizations or entities .......................

Schedule F (Form 990) (Rev. 1-2025)

Schedule F (Form 990) (Rev. 1-2025)Page 3

Part III

Grants and Other Assistance to Individuals Outside the United States. Complete if the organization answered "Yes" on Form 990, Part IV, line 16.

Part III can be duplicated if additional space is needed.

(a) Type of grant or assistance		(b) Region	(c) Number of recipients	(d) Amount of cash grant	(e) Manner of cash disbursement	(f) Amount of noncash assistance	(g) Description of noncash assistance	(h) Method of valuation (book, FMV, appraisal, other)

Schedule F (Form 990) (Rev. 1-2025)

Page 4

Part IV

Foreign Forms

Schedule F (Form 990) (Rev. 1-2025)

Page 5

Part V

Supplemental Information
Provide the information required by Part I, line 2 (monitoring of funds); Part I, line 3, column (f) (accounting method; amounts of investments vs. expenditures per region); Part II, line 1 (accounting method); Part III (accounting method); and Part III, column (c) (estimated number of recipients), as applicable. Also complete this part to provide any additional information. See instructions.

ReturnReference	Explanation

Schedule F (Form 990) (Rev. 1-2025)

Additional Data

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SCHEDULE G (Form 990)
(Rev. January 2025)

Department of the Treasury
Internal Revenue Service

Supplemental Information Regarding
Fundraising or Gaming Activities

Complete if the organization answered "Yes" on Form 990, Part IV, lines 17, 18, or 19, or if the organization entered more than $15,000 on Form 990-EZ, line 6a. right arrow

Attach to Form 990 or Form 990-EZ.
right arrow

Go to www.irs.gov/Form990 for instructions and the latest information.

OMB No. 1545-0047

Open to Public Inspection

Name of the organization
THE INSTITUTE OF CONTEMPORARY ART INC

Employer identification number

04-2104327

Part I

Fundraising Activities.Complete if the organization answered "Yes" on Form 990, Part IV, line 17.

Form 990-EZ filers are not required to complete this part.

Indicate whether the organization raised funds through any of the following activities. Check all that apply.

a	Mail solicitations	e	Solicitation of non-government grants
b	Internet and email solicitations	f	Solicitation of government grants
c	Phone solicitations	g	Special fundraising events
d	In-person solicitations

Did the organization have a written or oral agreement with any individual (including officers, directors, trustees

or key employees listed in Form 990, Part VII) or entity in connection with professional fundraising services?

YesNo

If "Yes," list the 10 highest paid individuals or entities (fundraisers) pursuant to agreements under which the fundraiser is
to be compensated at least $5,000 by the organization.

(i) Name and address of individual or entity (fundraiser)	(iii) Did fundraiser have custody or control of contributions?
	Yes	No










Total . . . . . . . . . . . . . . . . . . . .

List all states in which the organization is registered or licensed to solicit contributions or has been notified it is exempt from registration or licensing.

For Paperwork Reduction Act Notice, see the Instructions for Form 990 or 990-EZ.

Cat. No. 50083H

Schedule G (Form 990) (Rev. 1-2025)

Page 2

Part II

Fundraising Events. Complete if the organization answered "Yes" on Form 990, Part IV, line 18, or reported more than $15,000 of fundraising event contributions and gross income on Form 990-EZ, lines 1 and 6b. List events with gross receipts greater than $5,000.

		(a) Event #1 GALA (event type)	(b) Event #2 WOMEN'S LUNCHEON (event type)	(c) Other events (total number)	(d) Total events (add col. (a) through col. (c))
1	Gross receipts . . . . .	1,276,730	331,183		1,607,913
2	Less: Contributions . . . .	1,184,980	305,623		1,490,603
3	Gross income (line 1 minus line 2) . . . . . .	91,750	25,560		117,310

4	Cash prizes . . . . .
5	Noncash prizes . . . .
6	Rent/facility costs . . . .
7	Food and beverages . . .	379,861	58,119	437,980
8	Entertainment . . . .
9	Other direct expenses . . .	151,229	21,961	173,190
10	Direct expense summary. Add lines 4 through 9 in column (d) . . . . . . . . . .			611,170
11	Net income summary. Subtract line 10 from line 3, column (d). . . . . . . . . .			-493,860

Part III

Gaming. Complete if the organization answered "Yes" on Form 990, Part IV, line 19, or reported more than $15,000 on Form 990-EZ, line 6a.

		(a) Bingo	(b) Pull tabs/Instant bingo/progressive bingo	(c) Other gaming	(d) Total gaming (add col.(a) through col.(c))
1	Gross revenue . . . . .

2	Cash prizes . . . . .
3	Noncash prizes . . . .
4	Rent/facility costs . . . .
5	Other direct expenses . . .

Volunteer labor . . . .

	Yes %
	No

	Yes %
	No

	Yes %
	No

Direct expense summary. Add lines 2 through 5 in column (d) . . . . . . . . . . right arrow

Net gaming income summary. Subtract line 7 from line 1, column (d). . . . . . . . . right arrow

Enter the state(s) in which the organization conducts gaming activities:

Is the organization licensed to conduct gaming activities in each of these states? . . . . . . . .

YesNo

If "No," explain:

10a

Were any of the organization's gaming licenses revoked, suspended or terminated during the tax year? . . .

YesNo

If "Yes," explain:

Schedule G (Form 990) (Rev. 1-2025)

Page 3

Does the organization conduct gaming activities with nonmembers? . . . . . . . . . . .

YesNo

Is the organization a grantor, beneficiary or trustee of a trust or a member of a partnership or other entity

formed to administer charitable gaming? . . . . . . . . . . . . . . . . .

YesNo

Indicate the percentage of gaming activity conducted in:

The organization's facility . . . . . . . . . . . . . . . . . .

13a

An outside facility . . . . . . . . . . . . . . . . . . . .

13b

Enter the name and address of the person who prepares the organization's gaming/special events books and records:

Name

Address

15a

Does the organization have a contract with a third party from whom the organization receives gaming

revenue? . . . . . . . . . . . . . . . . . . . . . . . .

YesNo

If "Yes," enter the amount of gaming revenue received by the organization right arrow

$ and the

amount of gaming revenue retained by the third party right arrow

$ .

If "Yes," enter name and address of the third party:

Name

Address

Gaming manager information:

Name

Gaming manager compensation right arrow

Description of services provided right arrow

Director/officer Employee Independent contractor

Mandatory distributions:

Is the organization required under state law to make charitable distributions from the gaming proceeds to

retain the state gaming license? . . . . . . . . . . . . . . . . . . .

YesNo

Enter the amount of distributions required under state law distributed to other exempt organizations or spent

in the organization's own exempt activities during the tax year right arrow

Part IV

Supplemental Information. Provide the explanations required by Part I, line 2b, columns (iii) and (v); and Part III, lines 9, 9b, 10b, 15b, 15c, 16, and 17b, as applicable. Also provide any additional information. See instructions.

Return Reference	Explanation

Schedule G (Form 990) (Rev. 1-2025)

Additional Data

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Schedule J
(Form 990)
(Rev. January 2025)

Department of the Treasury
Internal Revenue Service

Compensation Information

For certain Officers, Directors, Trustees, Key Employees, and Highest
Compensated Employees
medium right arrow graphic

Complete if the organization answered "Yes" on Form 990, Part IV, line 23.
medium right arrow graphic

Attach to Form 990.
medium right arrow graphic

Go to www.irs.gov/Form990 for instructions and the latest information.

OMB No. 1545-0047

Open to Public Inspection

Name of the organization

THE INSTITUTE OF CONTEMPORARY ART INC

Employer identification number

04-2104327

Part I

Questions Regarding Compensation

Yes

Check the appropiate box(es) if the organization provided any of the following to or for a person listed on Form
990, Part VII, Section A, line 1a. Complete Part III to provide any relevant information regarding these items.

First-class or charter travel Housing allowance or residence for personal use

Travel for companions Payments for business use of personal residence

Tax idemnification and gross-up payments Health or social club dues or initiation fees

Discretionary spending account Personal services (e.g., maid, chauffeur, chef)

If any of the boxes on Line 1a are checked, did the organization follow a written policy regarding payment or reimbursement or provision of all of the expenses described above? If "No," complete Part III to explain .....

Did the organization require substantiation prior to reimbursing or allowing expenses incurred by all
directors, trustees, officers, including the CEO/Executive Director, regarding the items checked on Line 1a? ....

Indicate which, if any, of the following the filing organization used to establish the compensation of the
organization's CEO/Executive Director. Check all that apply. Do not check any boxes for methods
used by a related organization to establish compensation of the CEO/Executive Director, but explain in Part III.

Compensation committee Written employment contract

Independent compensation consultant Compensation survey or study

Form 990 of other organizations Approval by the board or compensation committee

During the year, did any person listed on Form 990, Part VII, Section A, line 1a, with respect to the filing organization or a related organization:

Receive a severance payment or change-of-control payment? .............

Participate in, or receive payment from, a supplemental nonqualified retirement plan? .........

Participate in, or receive payment from, an equity-based compensation arrangement? .........

If "Yes" to any of lines 4a-c, list the persons and provide the applicable amounts for each item in Part III.

Only 501(c)(3), 501(c)(4), and 501(c)(29) organizations must complete lines 5-9.

For persons listed on Form 990, Part VII, Section A, line 1a, did the organization pay or accrue any
compensation contingent on the revenues of:

The organization? ....................

Any related organization? .......................

If "Yes," on line 5a or 5b, describe in Part III.

For persons listed on Form 990, Part VII, Section A, line 1a, did the organization pay or accrue any
compensation contingent on the net earnings of:

The organization? ..................

Any related organization? ......................

If "Yes," on line 6a or 6b, describe in Part III.

For persons listed on Form 990, Part VII, Section A, line 1a, did the organization provide any nonfixed
payments not described in lines 5 and 6? If "Yes," describe in Part III ............

Yes

Were any amounts reported on Form 990, Part VII, paid or accured pursuant to a contract that was
subject to the initial contract exception described in Regulations section 53.4958-4(a)(3)? If "Yes," describe
in Part III ..........................

If "Yes" on line 8, did the organization also follow the rebuttable presumption procedure described in Regulations section 53.4958-6(c)? .........................

For Paperwork Reduction Act Notice, see the Instructions for Form 990.

Cat. No. 50053T

Schedule J (Form 990) (Rev. 1-2025)

Page 2

Part II

Officers, Directors, Trustees, Key Employees, and Highest Compensated Employees. Use duplicate copies if additional space is needed.

For each individual whose compensation must be reported on Schedule J, report compensation from the organization on row (i) and from related organizations, described in the
instructions, on row (ii). Do not list any individuals that are not listed on Form 990, Part VII.
Note. The sum of columns (B)(i)-(iii) for each listed individual must equal the total amount of Form 990, Part VII, Section A, line 1a, applicable column (D) and (E) amounts for that individual.

(A) Name and Title		(B) Breakdown of W-2, 1099-MISC compensation, and/or 1099-NEC			(C) Retirement and other deferred compensation	(D) Nontaxable benefits	(E) Total of columns (B)(i)-(D)	(F) Compensation in column (B) reported as deferred on prior Form 990
(A) Name and Title		(i) Base compensation	(ii) Bonus & incentive compensation	(iii) Other reportable compensation	(C) Retirement and other deferred compensation	(D) Nontaxable benefits	(E) Total of columns (B)(i)-(D)
1JILL MEDVEDOW DIRECTOR/EX-OFFICIO (UNTIL 3/31/25)	(i) (ii)	516,794 ------------- 0	0 ------------- 0	0 ------------- 0	17,500 ------------- 0	26,290 ------------- 0	560,584 ------------- 0	0 ------------- 0
2KATRINA FOSTER DIRECTOR OF DEVELOPMENT	(i) (ii)	237,410 ------------- 0	10,000 ------------- 0	0 ------------- 0	12,718 ------------- 0	28,413 ------------- 0	288,541 ------------- 0	0 ------------- 0
3RUTH ERICKSON CHIEF CURATOR DIRECTOR FOR CURATORIAL AFFAIRS	(i) (ii)	220,651 ------------- 0	10,000 ------------- 0	0 ------------- 0	11,571 ------------- 0	1,454 ------------- 0	243,676 ------------- 0	0 ------------- 0
4COLETTE RANDALL CHIEF COMMUNICATIONS & MARKETING OFFICER	(i) (ii)	192,867 ------------- 0	10,000 ------------- 0	0 ------------- 0	10,545 ------------- 0	29,493 ------------- 0	242,905 ------------- 0	0 ------------- 0
5KELLY GIFFORD DEPUTY DIRECTOR	(i) (ii)	201,904 ------------- 0	10,000 ------------- 0	0 ------------- 0	10,595 ------------- 0	681 ------------- 0	223,180 ------------- 0	0 ------------- 0
6KAY MORIARTY O'DWYER DIRECTOR OF INDIVIDUAL GIVING	(i) (ii)	175,733 ------------- 0	0 ------------- 0	0 ------------- 0	9,252 ------------- 0	30,778 ------------- 0	215,763 ------------- 0	0 ------------- 0
7JOHN ANDRESS DIRECTOR OF PERFORMING & MEDIA ARTS	(i) (ii)	170,052 ------------- 0	10,000 ------------- 0	0 ------------- 0	9,117 ------------- 0	9,805 ------------- 0	198,974 ------------- 0	0 ------------- 0
8WHITNEY LEESE CHIEF OF STAFF GOV./SEC./CLERK	(i) (ii)	148,018 ------------- 0	10,000 ------------- 0	0 ------------- 0	7,901 ------------- 0	602 ------------- 0	166,521 ------------- 0	0 ------------- 0
9NATASA VUCETIC CHIEF FINANCIAL & OPERATING OFFICER (UNTIL 7/12/24)	(i) (ii)	128,487 ------------- 0	0 ------------- 0	0 ------------- 0	6,772 ------------- 0	18,434 ------------- 0	153,693 ------------- 0	0 ------------- 0

Schedule J (Form 990) (Rev. 1-2025)

Page 3

Part III

Supplemental Information

Provide the information, explanation, or descriptions required for Part I, lines 1a, 1b, 3, 4a, 4b, 4c, 5a, 5b, 6a, 6b, 7, and 8, and for Part II. Also complete this part for any additional information.

Return Reference	Explanation
PART I, LINE 7	ALL BONUSES ARE DISCRETIONAL (NONE ARE GUARANTEED BY A CONTRACT). BONUSES ARE APPROVED BY THE DIRECTOR. BONUSES FOR THE DIRECTOR ARE APPROVED BY THE COMPENSATION COMMITTEE.

Schedule J (Form 990) (Rev. 1-2025)

Additional Data

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Note: To capture the full content of this document, please select landscape mode (11" x 8.5") when printing.

Schedule K
(Form 990)

Department of the Treasury
Internal Revenue Service

Supplemental Information on Tax-Exempt Bonds

Complete if the organization answered "Yes" to Form 990, Part Ⅵ, line 24a. Provide descriptions,
explanations, and any additional information in Part Ⅵ.
Attach to Form 990.
Go to www.irs.gov/Form990 for instructions and the latest information.

OMB No. 1545-0047

Open to Public
Inspection

Name of the organization
THE INSTITUTE OF CONTEMPORARY ART INC

Employer identification number
04-2104327

Part Ⅰ

Bond Issues

(a) Issuer name		(b) Issuer EIN	(c) CUSIP #	(d) Date issued	(e) Issue price	(f) Description of purpose	(g) Defeased		(h) On behalf of issuer		(i) Pool financing
(a) Issuer name		(b) Issuer EIN	(c) CUSIP #	(d) Date issued	(e) Issue price	(f) Description of purpose	Yes	No	Yes	No	Yes	No
A	MASSACHUSETTS DEVELOPMENT FINANCE AGENCY	04-3431814		05-03-2012	6,408,949	REFUNDING ISSUE		X		X		X

Part Ⅱ

Proceeds

	A		B		C		D
	1 Amount of bonds retired ..................	5,230,042
2 Amount of bonds legally defeased ..............
3 Total proceeds of issue ..................	6,408,949
4 Gross proceeds in reserve funds .............
5 Capitalized interest from proceeds .............
6 Proceeds in refunding escrows ...............
7 Issuance costs from proceeds ...............	96,449
8 Credit enhancement from proceeds .............
9 Working capital expenditures from proceeds .............	6,312,500
10 Capital expenditures from proceeds .............
11 Other spent proceeds .............
12 Other unspent proceeds .............
13 Year of substantial completion .............	2006
	Yes	No	Yes	No	Yes	No	Yes	No
14 Were the bonds issued as part of a current refunding issue of tax-exempt bonds (or, if issued prior to 2020, a current refunding issue)? ........	X
15 Were the bonds issued as part of an advance refunding issue of taxable bonds (or, if issued prior to 2020, an advance refunding issue)? ........		X
16 Has the final allocation of proceeds been made? ..........	X
17 Does the organization maintain adequate books and records to support the final allocation of proceeds? ..................	X

For Paperwork Reduction Act Notice, see the Instructions for Form 990.

Cat. No. 50193E

Schedule K (Form 990) (Rev. 1-2025)

Page 2

Part Ⅲ

Private Business Use

	A		B		C		D
	Yes	No	Yes	No	Yes	No	Yes	No
1 Was the organization a partner in a partnership, or a member of an LLC, which owned property financed by tax-exempt bonds? .............		X
2 Are there any lease arrangements that may result in private business use of bond-financed property? ...............		X
3a Are there any management or service contracts that may result in private business use of bond-financed property? .............	X
b If "Yes" to line 3a, does the organization routinely engage bond counsel or other outside counsel to review any management or service contracts relating to the financed property?	X
c Are there any research agreements that may result in private business use of bond-financed property? .............		X
d If "Yes" to line 3c, does the organization routinely engage bond counsel or other outside counsel to review any research agreements relating to the financed property?
4 Enter the percentage of financed property used in a private business use by entities other than a section 501(c)(3) organization or a state or local government ....	1.120 %
5 Enter the percentage of financed property used in a private business use as a result of unrelated trade or business activity carried on by your organization, another section 501(c)(3) organization, or a state or local government .........	0.500 %
6 Total of lines 4 and 5 .............	1.620 %
7 Does the bond issue meet the private security or payment test? ...		X
8a Has there been a sale or disposition of any of the bond-financed property to a nongovernmental person other than a 501(c)(3) organization since the bonds were issued?.............		X
b If "Yes" to line 8a, enter the percentage of bond-financed property sold or disposed of. ..
c If "Yes" to line 8a, was any remedial action taken pursuant to Regulations sections 1.141-12 and 1.145-2? .............
9 Has the organization established written procedures to ensure that all nonqualified bonds of the issue are remediated in accordance with the requirements under Regulations sections 1.141-12 and 1.145-2? ........	X

Part Ⅳ

Arbitrage

	A		B		C		D
	Yes	No	Yes	No	Yes	No	Yes	No
1 Has the issuer filed Form 8038-T, Arbitrage Rebate, Yield Reduction and Penalty in Lieu of Arbitrage Rebate? ...		X
2 If "No" to line 1, did the following apply? ....
a Rebate not due yet? .......		X
b Exception to rebate? ........		X
c No rebate due? .........		X
If "Yes" to line 2c, provide in Part Ⅵ the date the rebate computation was performed ......
3 Is the bond issue a variable rate issue? .....		X

Schedule K (Form 990) (Rev. 1-2025)

Page 3

Part Ⅳ

Arbitrage (Continued)

	A		B		C		D
	Yes	No	Yes	No	Yes	No	Yes	No
4a Has the organization or the governmental issuer entered into a qualified hedge with respect to the bond issue?		X
b Name of provider ..........
c Term of hedge .........
d Was the hedge superintegrated? ......
e Was the hedge terminated? ........
5a Were gross proceeds invested in a guaranteed investment contract (GIC)?		X
b Name of provider ..........
c Term of GIC .........
d Was the regulatory safe harbor for establishing the fair market value of the GIC satisfied? ........
6 Were any gross proceeds invested beyond an available temporary period?		X
7 Has the organization established written procedures to monitor the requirements of section 148? ...	X

Part Ⅴ

Procedures To Undertake Corrective Action

	A		B		C		D
	Yes	No	Yes	No	Yes	No	Yes	No
Has the organization established written procedures to ensure that violations of federal tax requirements are timely identified and corrected through the voluntary closing agreement program if self-remediation is not available under applicable regulations?	X

Part Ⅵ

Supplemental Information. Provide additional information for responses to questions on Schedule K. (See instructions).

Return Reference	Explanation

Schedule K (Form 990) (Rev. 1-2025)

Additional Data

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SCHEDULE M
(Form 990)

Department of the Treasury

Internal Revenue Service

Noncash Contributions

Complete if the organizations answered "Yes" on Form 990, Part IV, lines 29 or 30.
Right pointing arrow large image

Attach to Form 990.
Right pointing arrow large image

Go to www.irs.gov/Form990 for the latest information.

OMB No. 1545-0047

2024

Open to Public Inspection

Name of the organization

THE INSTITUTE OF CONTEMPORARY ART INC

Employer identification number

04-2104327

Part I

Types of Property

	(a) Check if applicable	(b) Number of contributions or items contributed	(c) Noncash contribution amounts reported on Form 990, Part VIII, line 1g	(d) Method of determining noncash contribution amounts
1 Art—Works of art ....	X	23
2 Art—Historical treasures .
3 Art—Fractional interests ..
4 Books and publications ..
5 Clothing and household goods .......
6 Cars and other vehicles ..
7 Boats and planes ....
8 Intellectual property ...
9 Securities—Publicly traded .	X	19	935,318	FAIR MARKET VALUE
10 Securities—Closely held stock .
11 Securities—Partnership, LLC, or trust interests ....
12 Securities—Miscellaneous ..
13 Qualified conservation contribution—Historic structures .....
14 Qualified conservation contribution—Other ...
15 Real estate—Residential .
16 Real estate—Commercial ..
17 Real estate—Other ...
18 Collectibles .....
19 Food inventory ...
20 Drugs and medical supplies .
21 Taxidermy ......
22 Historical artifacts ....
23 Scientific specimens ..
24 Archeological artifacts ...
25 Other ( )
26 Other ( )
27 Other ( )
28 Other ( )

Number of Forms 8283 received by the organization during the tax year for contributions
for which the organization completed Form 8283, Part IV, Donee Acknowledgement

Yes

30a

During the year, did the organization receive by contribution any property reported in Part I, lines 1 through 28, that it must hold for at least three years from the date of the initial contribution, and which isn't required to be used for exempt purposes for the entire holding period? ...................

30a

If "Yes," describe the arrangement in Part II.

Does the organization have a gift acceptance policy that requires the review of any nonstandard contributions?

Yes

32a

Does the organization hire or use third parties or related organizations to solicit, process, or sell noncash

contributions? ..........................

32a

If "Yes," describe in Part II.

If the organization didn't report an amount in column (c) for a type of property for which column (a) is checked,

describe in Part II.

For Paperwork Reduction Act Notice, see the Instructions for Form 990.

Cat. No. 51227J

Schedule M (Form 990) (2024)

Page 2

Part IISupplemental Information. Provide the information required by Part I, lines 30b, 32b, and 33, and whether the organization is reporting in Part I, column (b), the number of contributions, the number of items received, or a combination of both. Also complete this part for any additional information.

Return Reference	Explanation
PART I, COLUMN (B):	THE NUMBER OF STOCK CONTRIBUTIONS IS BASED ON THE NUMBER OF GIFTS RECEIVED. THE NUMBER OF ART CONTRIBUTIONS IS BASED ON THE NUMBER OF GIFTS OF ARTWORK.
PART I, LINE 33:	CONTRIBUTED ART COLLECTION ITEMS ARE NOT REFLECTED ON THE FINANCIAL STATEMENTS AS PERMITTED UNDER SFAS 116 (ASC 958).

Schedule M (Form 990) (2024)

Additional Data

Software ID:
Software Version:

- TIN:

SCHEDULE O
(Form 990)
(Rev. January 2025)
Department of the Treasury
Internal Revenue Service

Supplemental Information to Form 990 or 990-EZ

Complete to provide information for responses to specific questions on
Form 990 or 990-EZ or to provide any additional information.
Attach to Form 990 or 990-EZ.
Go to www.irs.gov/Form990 for instructions and the latest information.

OMB No. 1545-0047

Open to Public
Inspection

Name of the organization

THE INSTITUTE OF CONTEMPORARY ART INC

Employer identification number

04-2104327

Return Reference	Explanation
FORM 990, PART I, LINE 4 & FORM 990, PART VI, LINE 1B:	NORA BURNETT ABRAMS JOINED ICA ON 5/1/25 AS A DIRECTOR. ALTHOUGH NORA DID NOT RECEIVE COMPENSATION THAT IS REPORTABLE ON PART VII, SECTION A, LINE 1A OF THE FORM 990 DURING THE 2024 CALENDAR YEAR, SHE WAS COMPENSATED THE LAST TWO MONTHS OF THE 6/30/2025 FISCAL YEAR (BETWEEN 5/1/25 TO 6/30/2025). AS A RESULT, NORA IS EXCLUDED FROM THE NUMBER OF INDEPENDENT VOTING MEMBERS OF THE GOVERNING BODY.
FORM 990, PART III, LINE 4A	WORDPLAY JANUARY 30, 2024 - DECEMBER 29, 2024 KIM AND JIM PALLOTTA GALLERY HIGHLIGHTING THE RICH INTERPLAY BETWEEN IMAGERY AND TEXT AND THE RELATED PRACTICES OF LOOKING AND READING, WORDPLAY DRAWS PRIMARILY FROM THE ICA'S PERMANENT COLLECTION TO SHOWCASE HOW CONTEMPORARY ARTISTS HAVE PLAYED WITH WORDS TO ANIMATE AND EXPAND THEIR ART PRACTICES. TEXT HAS BEEN PART OF VISUAL EXPRESSION FOR CENTURIES, BUT "TEXT ART" AS A GENRE BEGAN TO PROLIFERATE WITH THE EMERGENCE OF CONCEPTUAL ART IN THE 1960S. ARTISTS IN THE EXHIBITION USE TEXT TO PROBE PHILOSOPHICAL QUESTIONS, EXPRESS AND SUBVERT POLITICAL MESSAGES, CHALLENGE NOTIONS OF IDENTITY, AND CONNECT THEIR ARTWORK WITH MULTIPLE REFERENCES, WRITERS, AND CULTURAL ICONS. THIS EXHIBITION WILL FEATURE MANY RECENTLY ACQUIRED WORKS THAT HAVE NEVER BEEN ON VIEW BY ARTISTS KENTURAH DAVIS, TAYLOR DAVIS, JOE WARDWELL, AND RIVANE NEUENSCHWANDER, ALONGSIDE WORK BY SHEPARD FAIREY, JENNY HOLZER, GLENN LIGON, AND OTHERS WHO HAVE PIONEERED THE CREATIVE ENGAGEMENT WITH LANGUAGE. ORGANIZED BY RUTH ERICKSON, BARBARA LEE CHIEF CURATOR AND DIRECTOR OF CURATORIAL AFFAIRS, AND ERIKA UMALI, CURATOR OF COLLECTIONS. IGHSAAN ADAMS FEBRUARY 13, 2024 - JANUARY 26, 2025 SANDRA AND GERALD FINEBERG ART WALL MULTIDISCIPLINARY ARTIST IGSHAAN ADAMS (BORN 1982 IN CAPE TOWN, SOUTH AFRICA) EXPLORES HOW PEOPLE INHABIT AND MOVE THROUGH SPACE. ADAMS UTILIZES PRACTICES OF WEAVING TO MAKE VISIBLE EVERYDAY PATTERNS OF MOVEMENT THAT SPEAK TO FORMS OF CARE, SURVIVAL, AND RESISTANCE IN POST-APARTHEID SOUTH AFRICA. ADAMS'S RECENT LARGE-SCALE WOVEN TAPESTRIES POINT TO THE INTERCONNECTEDNESS OF THE ARTIST'S SPIRITUALITY, FAMILIAL HISTORIES, AND LOCAL COMMUNITY NARRATIVES AS ROOTED IN HIS SOUTH AFRICAN HERITAGE, AS WELL AS THE FRAUGHT LAND USE IN THE REGION. HE DRAWS INSPIRATION FROM THE URBAN PLANNING TERM "DESIRE LINES" PATHS CREATED BY PEDESTRIANS OVER TIME THAT FALL OUTSIDE OF PLANNED WALKWAYS. IN ADAMS'S PRACTICE AND IN SOUTH AFRICA, THE ESTABLISHMENT OF DESIRE LINES REPRESENTS AN ACT OF TRANSGRESSION IN THE FACE OF FIXED BOUNDARIES ENFORCED BY THE GOVERNMENT DURING THE APARTHEID ERA TO FORCIBLY SEPARATE COMMUNITIES ALONG RACIAL CASTES. LYNLOOP, ADAMS'S MONUMENTAL NEW COMMISSION FOR THE ICA/BOSTON, IS A MULTIPART EXPERIMENTAL WEAVING DEVELOPED IN RESPONSE TO THE ARCHITECTURE OF THE MUSEUM AND THE ARTIST'S CHILDHOOD MEMORIES. IT IS BASED ON AERIAL IMAGES OF THE INTERSECTING FOOTPATHS BETWEEN A SPORTS FIELD AND A WALLED-OFF RECREATIONAL SPACE SOUTH OF WHERE ADAMS GREW UP. THROUGH THE WORK, ADAMS CONSIDERS THE IMPACT OF CHILDHOOD EXPERIENCES AND MEMORIES ON THE TRAJECTORY OF ONE'S LIFE. HE WRITES, "IN SITTING WITH THE DISCOMFORT OF GROWING UP AMONG THESE HYPERMASCULINE SPACES, THE INSTALLATION EXPLORES HOW I HAVE HAD TO SUPERIMPOSE MY OWN FANTASIES ONTO MEMORIES IN A WAY THAT SOFTENS THE HARD EDGES AND COLDNESS OF THIS AREA." IN HUES OF PINK WITH BEADS, ROPE, CHAIN, AND MOHAIR, LYNLOOP IS A STUNNING AND TACTILE MAPPING OF SPACE, HUMAN INTERACTION, AND MEMORY. ORGANIZED BY RUTH ERICKSON, BARBARA LEE CHIEF CURATOR AND DIRECTOR OF CURATORIAL AFFAIRS. WU TSANG: OF WHALES FEBRUARY 15, 2024 - AUGUST 4, 2024 PAUL AND CATHERINE BUTTENWIESER AND FOTENE DEMOULAS GALLERIES WU TSANG (BORN 1982 IN WORCESTER, MASSACHUSETTS) IS A CROSS-DISCIPLINARY ARTIST WHO MAKES NARRATIVE AND DOCUMENTARY FILM, LIVE PERFORMANCE, AND VIDEO INSTALLATIONS. THE IMMERSIVE INSTALLATION OF WHALES FORMS PART OF HER FILMIC TRILOGY INSPIRED BY HERMAN MELVILLE'S CLASSIC 1851 AMERICAN NOVEL MOBY DICK. OF WHALES OFFERS A POETIC MEDITATION ON THE PERSPECTIVE OF A SPERM WHALE, WHO PLUNGES TO THE DEPTHS OF THE OCEAN FOR AN HOUR AT A TIME, SURFACING OCCASIONALLY FOR A BREATH OF AIR. CREATED ON THE UNITY GAMING PLATFORM WITH XR (EXTENDED REALITY) TECHNOLOGIES, THE DYNAMICALLY GENERATED REAL-TIME VIDEO AND SOUND INSTALLATION IMMERSES VIEWERS IN A LUSH, DREAMY OCEANSCAPE FOR IMAGINATION, CONTEMPLATION, AND PROVOCATION. FIRST PRESENTED AT THE 59TH VENICE BIENNALE IN 2022, THE WORK FEATURES A MUSICAL SCORE COMPOSED BY ASMA MAROOF AND DANIEL PINEDA, WITH TAPIWA SVOSVE, JALALU-KALVERT NELSON, MIAO ZHAO, AND AHYA SIMONE. THE SCORE BLENDS HORNS, SAXOPHONE, CLARINET, AND CONTRABASS, IN A MULTI-LAYERED SOUNDSCAPE THAT FILLS THE ENTIRE GALLERY SPACE. AT THE ICA, OF WHALES IS PRESENTED IN A GALLERY ADJACENT TO THE BOSTON HARBOR, CONNECTING AUDIENCES TO THE ICA'S WATERSIDE LOCATION AND REFERENCING NEW ENGLAND'S WHALING HISTORY. ORGANIZED BY RUTH ERICKSON, BARBARA LEE CHIEF CURATOR AND DIRECTOR OF CURATORIAL AFFAIRS, AND TESSA BACHI HAAS, CURATORIAL ASSISTANT. FIRELEI BAEZ APRIL 4, 2024 - SEPTEMBER 2, 2024 BRIDGITT AND BRUCE EVANS AND KAREN AND BRIAN CONWAY GALLERIES "MY WORKS ARE PROPOSITIONS, MEANT TO CREATE ALTERNATE PASTS AND POTENTIAL FUTURES, QUESTIONING HISTORY AND CULTURE IN ORDER TO PROVIDE A SPACE FOR REASSESSING THE PRESENT." - FIRELEI BAEZ THIS IS THE FIRST NORTH AMERICAN SURVEY DEDICATED TO THE RICHLY LAYERED WORK OF FIRELEI BAEZ (B. 1981, DOMINICAN REPUBLIC). ONE OF THE MOST EXCITING PAINTERS OF HER GENERATION, BAEZ DELVES INTO THE HISTORICAL NARRATIVES OF THE ATLANTIC BASIN. OVER THE PAST FIFTEEN YEARS, SHE HAS MADE WORK THAT EXPLORES THE MULTILAYERED LEGACY OF COLONIAL HISTORIES AND THE AFRICAN DIASPORA IN THE CARIBBEAN AND BEYOND. SHE DRAWS ON THE DISCIPLINES OF ANTHROPOLOGY, GEOGRAPHY, FOLKLORE, FANTASY, SCIENCE FICTION, AND SOCIAL HISTORY TO UNSETTLE CATEGORIES OF RACE, GENDER, AND NATIONALITY IN HER PAINTINGS, DRAWINGS, AND INSTALLATIONS. HER EXUBERANT PAINTINGS FEATURE FINELY WROUGHT, COMPLEX, AND LAYERED USES OF PATTERN, DECORATION, AND SATURATED COLOR, OFTEN OVERLAID ON MAPS MADE DURING COLONIAL RULE IN THE AMERICAS. BAEZ'S INVESTMENT IN THE MEDIUM OF PAINTING AND ITS CAPACITY FOR STORYTELLING AND MYTHMAKING INFORMS ALL HER WORK, INCLUDING HER SCULPTURAL INSTALLATIONS, WHICH BRING THIS QUALITY INTO THREE DIMENSIONS. THIS EXHIBITION WILL OFFER AUDIENCES A TIMELY OPPORTUNITY TO GAIN A HOLISTIC UNDERSTANDING OF BAEZ'S COMPLEX AND PROFOUNDLY MOVING BODY OF WORK, CEMENTING HER AS ONE OF THE MOST IMPORTANT ARTISTS OF THE EARLY 21ST CENTURY. THE EXHIBITION IS ACCOMPANIED BY A RICHLY ILLUSTRATED CATALOGUE. THE EXHIBITION WILL TOUR THROUGHOUT NORTH AMERICA TO THE VANCOUVER ART GALLERY (NOV. 3, 2024 - MAR. 16, 2025) AND THE DES MOINES ART CENTER (JUN. 14, 2025 - SEP. 21, 2025). ORGANIZED BY EVA RESPINI, DEPUTY DIRECTOR AND DIRECTOR OF CURATORIAL PROGRAMS, VANCOUVER ART GALLERY, (FORMER BARBARA LEE CHIEF CURATOR, ICA/BOSTON), WITH TESSA BACHI HAAS, CURATORIAL ASSISTANT. HEW LOCKE: THE PROCESSION MAY 23, 2024 - SEPTEMBER 2, 2024 ICA WATERSHED A PROCESSION IS PART OF LIFE; PEOPLE GATHER AND MOVE TOGETHER TO CELEBRATE, WORSHIP, PROTEST, MOURN, ESCAPE, OR CALL FOR CHANGE. THESE EXPRESSIONS ARE ALL AT THE HEART OF THE PROCESSION, AN AMBITIOUS INSTALLATION FIRST COMMISSIONED BY TATE BRITAIN, UK, AND MAKING ITS NORTH AMERICAN DEBUT AT THE ICA WATERSHED. THROUGH HIS MULTIVALENT PRACTICE, HEW LOCKE OBE RA (BORN 1959 IN EDINBURGH, UNITED KINGDOM; LIVES AND WORKS IN LONDON) EXPLORES INDIVIDUAL AND COLLECTIVE RELATIONSHIPS TO POWER, CULTURAL MEMORY, AND MIGRATION. THE ARTIST SPENT HIS FORMATIVE YEARS IN THE THEN NEWLY INDEPENDENT COUNTRY OF GUYANA, A FORMER BRITISH COLONY, WHERE HE BECAME FASCINATED BY THE SYMBOLS THROUGH WHICH INDIVIDUALS AND GROUPS ASSERT THEIR IDENTITIES. HIS WORK HAS TOUCHED ON A WIDE ARRAY OF SUBJECTS, FROM BRITISH COLONIALISM AND CARIBBEAN CARNIVAL TO POLITICAL ICONOGRAPHIES AND PUBLIC MONUMENTS. HE INVESTIGATES THESE IDEAS THROUGH MATERIALS SUCH AS CARDBOARD, COSTUME JEWELRY, AND REPURPOSED EMBLEMS OF BRITISH IDENTITY, CREATING ELABORATE ARTWORKS WITH LAYERED AND EXPANSIVE MEANINGS THAT ENGAGE WITH THE HISTORIES AND CONTEMPORARY LEGACIES OF COLONIALISM AND EMPIRE. DRAWING UPON A SERIES OF MOTIFS AND CONCERNS THAT HAVE OCCUPIED THE ARTIST OVER DECADES, THE PROCESSION IS A COLORFUL GATHERING OF APPROXIMATELY 140 LIFE-SIZE SCULPTURES OF MASKED FIGURES OF ALL AGES AND ABILITIES ADORNED IN PRINTED FABRICS AND EMBROIDERIES-CARIBBEAN CARNIVAL QUEENS, DANCERS, REFUGEES, HORSEBACK-MOUNTED MILITARY FIGURES, FISHERS, LABORERS, PREGNANT WOMEN, CHILDREN, DRUMMERS, AND FLAG BEARERS. THE FORWARD-FACING FIGURES CARRY PROPS OR WEAR COSTUMES THAT REPRODUCE IMAGERY FROM HISTORICAL PAINTINGS, ADVERTISEMENTS, SHARE CERTIFICATES, MAPS, AND PHOTOGRAPHS, INCLUDING REPRODUCTIONS OF THE ARTIST'S OWN WORK. POETIC AND POWERFUL, THIS INSTALLATION DRAWS ON THE METAPHOR OF THE VOYAGE TO, IN THE ARTIST'S WORDS, "REFLECT ON THE CYCLES OF HISTORY, AND THE EBB AND FLOW OF CULTURES, PEOPLE, FINANCE, AND POWER." SEEN WITHIN THE HARBORSIDE SETTING OF THE ICA WATERSHED IN EAST BOSTON, THE PROCESSION IS A COMPELLING AND IMMERSIVE INVITATION FOR VISITORS TO CROSS HISTORICAL AND NARRATIVE TIME IN AN EXPERIENCE THAT DELIGHTS THE EYES AND EXPANDS THE MIND.
FORM 990, PART III, LINE 4A	ORGANIZED BY RUTH ERICKSON, BARBARA LEE CHIEF CURATOR AND DIRECTOR OF CURATORIAL AFFAIRS, AND ANNI A. PULLAGURA, CONSULTING ASSISTANT CURATOR, IN COLLABORATION WITH TATE. HEW LOCKE: THE PROCESSION WAS ORIGINALLY COMMISSIONED BY TATE BRITAIN FOR ITS 2022 TATE BRITAIN COMMISSION. COLLECTION SPOTLIGHT: ZOE PETTIJOHN SCHADE AUG 13, 2024 - MAR 30, 2025 THIRD FLOOR LOBBY ZOE PETTIJOHN SCHADE CREATES PAINSTAKING PAINTINGS ON PAPER, OFTEN WORKING FOR YEARS ON WORKS THAT TAKE A UNIQUE APPROACH TO PATTERN AND REPETITION. THE RECENT WORK ATTEMPTS AT SELF ORGANIZATION: PREVAILING BONDS, ON VIEW IN THE THIRD FLOOR LOBBY, IS AN EXPLORATION OF FUNDAMENTAL STATES OF BEING THAT EVOKE THE CELLULAR, THE ATOMIC, AND THE ELEMENTAL. ITS TITLE REFERS TO THE WRITINGS OF PLATO, ST. AUGUSTINE, AND FRENCH BIOLOGIST STPHANE LEDUC, WHO EACH INFORMED THE ARTIST'S SENSE OF HOW THERE IS MEANING IN HOW FORMS ARE ORGANIZED. HERE, MARBLED PAINT SERVES AS THE FOUNDATION FOR A DIZZYING ARRAY OF FORMAL EXPLORATIONS, INCLUDING MIRRORED CUBES, HEXAGONS, DIAMONDS, FEATHERS, LEAVES, AND RORSCHACH-LIKE INK BLOTS, WHICH FOR THE ARTIST CREATE SELF-CONTAINED WORLDS, EACH WITH THEIR OWN ATMOSPHERE. THE INTERPLAY OF THIN METALLIC LINES FORMS AN ELABORATIVE CONFIGURATION OF GEOMETRIC SHAPES. WHILE THE DISTRIBUTION OF MATTER MAY APPEAR CHAOTIC AND OVERWHELMING, TINY DETAILS REPEAT AND RECUR THROUGHOUT. THROUGH LONG PERIODS OF CLOSE LOOKING, THE LAYERS OF PETTIJOHN SCHADE'S ORGANIZING STRUCTURE JOSTLE FOR POSITION, STRUGGLING TO EXERT THE BOND BETWEEN THEMSELVES AND OTHERS IN A PROCESS THAT EVOKES LIFE AT EVERY SCALE. ORGANIZED BY MAX GRUBER, CURATORIAL ASSISTANT. THE GUN VIOLENCE MEMORIAL PROJECT AUGUST 29, 2024 - JANUARY 20, 2025 PAUL AND CATHERINE BUTTENWIESER GALLERY "...YOU HEAR THOSE NUMBERS ALL THE TIME, BUT YOU NEVER TIE NAMES TO THEM. I WANTED YOU TO SEE WHO MY SON WAS." - PAMELA BOSLEY, CO-FOUNDER OF PURPOSE OVER PAIN, MOTHER OF TERRELL BOSLEY "OUR GOAL WAS TO COMMUNICATE THE ENORMITY OF THE EPIDEMIC WHILE ALSO HONORING THE INDIVIDUALS WHOSE LIVES HAVE BEEN TAKEN." - JHA D. AMAZI, MASS DESIGN GROUP THE GUN VIOLENCE MEMORIAL PROJECT (2019 - PRESENT) CREATES SPACE TO GATHER, REMEMBER, AND ACT IN LIGHT OF THE ONGOING GUN VIOLENCE CRISIS. A COLLABORATION BETWEEN BOSTON-BASED MASS DESIGN GROUP AND SONGHA & COMPANY, WHERE ARTIST HANK WILLIS THOMAS IS CREATIVE DIRECTOR, IN PARTNERSHIP WITH THE GUN VIOLENCE PREVENTION ORGANIZATION PURPOSE OVER PAIN, THE PROJECT WAS LAUNCHED AT THE 2019 CHICAGO ARCHITECTURE BIENNALE. IT COMPRISES FOUR GLASS HOUSES, EACH BUILT OF 700 CLEAR BRICKS, A REFERENCE TO THE AVERAGE NUMBER OF GUN DEATHS EVERY WEEK IN THE UNITED STATES. MANY OF THE BRICKS HOLD REMEMBRANCE OBJECTS SUCH AS BABY SHOES, GRADUATION TASSELS, AND PHOTOGRAPHS OFFERED BY FAMILIES IN HONOR OF LOVED ONES WHOSE LIVES HAVE BEEN TAKEN DUE TO GUN VIOLENCE. THESE LIVING MEMORIALS INVITE US TO VIEW THE IMPACT OF GUN VIOLENCE THROUGH INDIVIDUAL PERSONAL NARRATIVES. IN A CITYWIDE COLLABORATION, THE GUN VIOLENCE MEMORIAL PROJECT WILL BE ON VIEW AT THE ICA, BOSTON CITY HALL, AND THE MASS DESIGN GROUP GALLERY IN BOSTON'S SOUTH END. LOCAL COLLECTING EVENTS ORGANIZED THROUGH LOUIS D. BROWN PEACE INSTITUTE WILL TAKE PLACE IN SUMMER AND FALL 2024. THE ICA PRESENTATION IS ORGANIZED BY RUTH ERICKSON, BARBARA LEE CHIEF CURATOR AND DIRECTOR OF CURATORIAL AFFAIRS, WITH MAX GRUBER, CURATORIAL ASSISTANT. TAU LEWIS: SPIRIT LEVEL AUGUST 29, 2024 - JANUARY 20, 2025 FOTENE DEMOULAS GALLERY TAU LEWIS (B. 1993, TORONTO) TRANSFORMS FOUND MATERIALS INTO INTRICATELY DETAILED SOFT SCULPTURES, QUILTS, MASKS, AND OTHER ASSEMBLAGES THROUGH INTENSIVE PROCESSES SUCH AS HAND-SEWING, CARVING, AND PLASTER CASTING. A SELF-TAUGHT ARTIST, LEWIS'S PRACTICE IS DIRECTED AT HEALING PERSONAL, COLLECTIVE, AND HISTORICAL TRAUMAS THROUGH THE REPETITIVE FORMS OF CREATIVE LABOR SHE EMPLOYS. SHE FORAGES FOR MATERIALS AND ARTIFACTS CHARGED WITH MEANING PREVIOUSLY WORN CLOTHING, FABRICS, LEATHER, AND PHOTOGRAPHS, AS WELL AS DRIFT WOOD, SAND DOLLARS, AND SEASHELLS THAT SHE OFTEN COLLECTS FROM HER SURROUNDINGS IN TORONTO, NEW YORK, OR OUTSIDE OF HER FAMILY'S HOME IN NEGRIL, JAMAICA. THE EVOCATIVE OBJECTS LEWIS GATHERS AND TRANSMUTES CONSTITUTE A RELATIONSHIP IN HER WORK TO THE SOCIAL, CULTURAL, AND PHYSICAL LANDSCAPES SHE MOVES THROUGH, COLLECTS FROM, AND INHABITS. LEWIS'S UPCYCLING RELATES TO FORMS OF MATERIAL INVENTIVENESS PRACTICED BY DIASPORIC COMMUNITIES, WHEREIN WORKING WITH THINGS CLOSE AT HAND IS A REPARATIVE ACT AIMED AT RECLAIMING AGENCY. THROUGHOUT, LEWIS'S INTEREST IS IN HONORING AND ADVANCING THESE DIASPORIC TRADITIONS, AND EXPLORING, AS SHE HAS SAID, "THE TRANSFERENCE OF ENERGY AND EMOTION THAT OCCURS WHEN AN OBJECT IS MADE BY HAND." FOR THE ICA, HER FIRST SOLO MUSEUM EXHIBITION IN THE U.S., LEWIS IS CREATING A NEW BODY OF WORK. THE EXHIBITION IS ACCOMPANIED BY A CATALOGUE, THE ARTIST'S FIRST MONOGRAPH. ORGANIZED BY JEFFREY DE BLOIS, MANNION FAMILY CURATOR, WITH MAX GRUBER, CURATORIAL ASSISTANT. CHARLES ATLAS: ABOUT TIME OCTOBER 10, 2024 - MARCH 16, 2025 BRIDGITT AND BRUCE EVANS AND KAREN AND BRIAN CONWAY GALLERIES CHARLES ATLAS: ABOUT TIME IS THE FIRST U.S. MUSEUM SURVEY OF THE PIONEERING INTERDISCIPLINARY ARTIST CHARLES ATLAS (B. 1949 IN ST. LOUIS). SPANNING 50 YEARS OF WORK, THIS RETROSPECTIVE IS CONCEIVED AS AN IMMERSIVE ENVIRONMENT FOR THE VISITOR, FEATURING SEVERAL MONUMENTAL MULTI-CHANNEL VIDEO INSTALLATIONS, OR "WALK-THROUGH EXPERIENCES," AS THE ARTIST DESCRIBES THEM. TO CREATE THESE INSTALLATIONS, ATLAS "EXPLODES" SINGLE-CHANNEL VIDEOS INTO NEW CONFIGURATIONS, PRESENTING THE VIDEOS ON MULTIPLE SUSPENDED SCREENS AND MONITORS AROUND THE GALLERY, SO VISITORS CAN MOVE BETWEEN AND AMONG THEM. ATLAS'S EARLY CAREER IS DEFINED BY HIS TIME AS FILMMAKER-IN-RESIDENCE AT THE MERCE CUNNINGHAM DANCE COMPANY, NEW YORK. ATLAS AND CUNNINGHAM CREATED THE GENRE OF "MEDIA-DANCE": DANCE MADE FOR THE CAMERA, RATHER THAN AN IN-PERSON AUDIENCE, WHEREIN THE CAMERA MOVES SEAMLESSLY IN CONCERT WITH THE DANCERS. SINCE LEAVING THE MERCE CUNNINGHAM DANCE COMPANY IN 1983, ATLAS HAS BEEN A LEADING FIGURE IN FILM AND VIDEO ART, AND ONE OF THE PREEMINENT ARTISTS TO CAPTURE DANCE AND PERFORMANCE FOR THE CAMERA THROUGH GROUNDBREAKING COLLABORATIONS WITH MICHAEL CLARK, YVONNE RAINER, LEIGH BOWERY, MARINA ABRAMOVIC, RASHAUN MITCHELL, AND SILAS RIENER, AND MANY OTHERS. MUCH OF ATLAS'S GENRE-DEFYING, COLLABORATIVE WORK HAS PROVED PRESCIENT FOR A GENERATION OF ARTISTS WORKING TODAY. CONTEMPORARY CONCERNS SUCH AS THE CREATIVE POSSIBILITIES OF PERFORMANCE AND PORTRAITURE ON CAMERA AND THE POLITICAL URGENCY OF CHALLENGING CONVENTIONS OF GENDER, SEXUALITY, AND QUEER IDENTITY HAVE BEEN AT THE HEART OF ATLAS'S CREATIVE OUTPUT FOR DECADES. CHARLES ATLAS IS ORIENTED AROUND THE ARTIST'S GROUNDBREAKING WORK AT THE INTERSECTIONS OF MOVING IMAGE, DANCE, AND PERFORMANCE, AND HIS INTIMATE VIDEO PORTRAITS OF CLOSE COLLABORATORS AND FRIENDS. THE SHIFTING POLITICAL AND CULTURAL LANDSCAPE OF THE UNITED STATES FROM THE 1970S TO THE PRESENT ACTS AS A BACKDROP TO THIS DYNAMIC VISUAL EXHIBITION, ADDRESSING THEMES OF PERFORMANCE AND PORTRAITURE, GENDER AND SEXUALITY, AND COLLABORATION AND FRIENDSHIP. ORGANIZED BY JEFFREY DE BLOIS, MANNION FAMILY CURATOR, WITH MAX GRUBER, CURATORIAL ASSISTANT. PORTRAITS FROM THE ICA COLLECTION JANUARY 25, 2025 - DECEMBER 28, 2025 KIM AND JIM PALLOTTA GALLERY THIS EXHIBITION SHOWCASES THE DEEP HOLDINGS OF PORTRAITS IN VARIOUS FORMS OF MEDIA WITHIN THE ICA COLLECTION, EXPLORING HOW ARTISTS CREATE IMAGES OF THEMSELVES AND OTHERS TO COMMUNICATE THE EMOTIONS, POLITICS, AND BEAUTY OF REPRESENTATION. PORTRAITS OFFER BOTH ARTISTS AND SITTERS A MEANS TO CONVEY PERSONAL AND LIVED EXPERIENCES AND, THROUGH THIS, AN OPPORTUNITY FOR VIEWERS TO REFLECT ON THEMSELVES. UNLIKE MORE HISTORICAL PORTRAITS, WHICH OFTEN CELEBRATED THE ARISTOCRACY AND THOSE IN POWER, CONTEMPORARY PORTRAITURE EXPLORES A BROADER AND MORE INCLUSIVE RANGE OF PEOPLE AND IDENTITIES. THIS SELECTION OF ALMOST THIRTY WORKS REFLECTS THE RICHNESS OF TODAY'S DIVERSE NARRATIVES AND REMINDERS OF OUR SHARED HUMANITY. ORGANIZED BY ERIKA UMALI, CURATOR OF COLLECTIONS. SARA CWYNAR FEBRUARY 7, 2025 - SEPTEMBER 7, 2025 SANDRA AND GERALD FINEBERG ART WALL THE COLORFUL AND LAYERED PHOTOGRAPHS, FILMS, AND INSTALLATIONS OF SARA CWYNAR (B. 1985, VANCOUVER) EXAMINE THE EXCESS OF PICTURES IN TODAY'S IMAGE-SATURATED CULTURE. FOR THE SANDRA AND GERALD FINEBERG ART WALL, THE ARTIST IMAGINED A NEWLY CREATED PHOTO MURAL CENTERED ON AN ALPHABETICAL LIST OF TERMS DRAWN FROM INTERNET SEARCH ENGINES. THESE INCLUDE WORDS SUGGESTED BY SEARCH ENGINE ALGORITHMS IN RESPONSE TO CWYNAR'S ONLINE ACTIVITIES AND SOME OF THE MOST POPULAR SEARCH TERMS SINCE 2020. THE ARTIST REPRESENTS THE TERMS THROUGH COMMONPLACE IMAGE TYPES: THE RECLINING WOMAN, DOMESTIC OBJECTS, PERFECT LOOKING FOOD, FAMILIAR LOGOS, LUXURY CARS, AND MORE.
FORM 990, PART III, LINE 4A	THESE IMAGES ARE COMPLEMENTED BY HANDWRITTEN ANNOTATIONS WHICH CREATE CONCEPTUAL CONNECTIONS AND RAISE QUESTIONS ABOUT THE RELATIONSHIP BETWEEN THESE ECLECTIC IMAGES AND THEIR INDEX OF TERMS. CWYNAR DRAWS ON THE PRINCIPLES AND HISTORY OF BILLBOARD DESIGN TO CREATE HER MURAL, WHERE WHAT IS BEING "ADVERTISED" IS THE SEDUCTIVE POWER OF COMMODITIES AND SEARCHING IN OUR CONTEMPORARY MOMENT. ORGANIZED BY JEFFREY DE BLOIS, MANNION FAMILY CURATOR, WITH MAX GRUBER, CURATORIAL ASSISTANT. BELIEVERS: ARTISTS AND THE SHAKERS FEBRUARY 13, 2025 - AUGUST 3, 2025 FOTENE DEMOULAS GALLERY SINCE ARRIVING IN AMERICA FROM ENGLAND 250 YEARS AGO, THE SHAKERS - A CHRISTIAN SECT OF PACIFISTS - HAVE OCCUPIED A UNIQUE PLACE IN THE AMERICAN NATIONAL IDENTITY. ALSO KNOWN AS THE UNITED SOCIETY OF BELIEVERS IN CHRIST'S SECOND APPEARING, THE SHAKERS ASCRIBE TO VALUES OF COMMUNAL LIVING, CELIBACY, SHARED PROPERTY, AND GENDER AND RACIAL EQUALITY, AND THEY ARE WIDELY RECOGNIZED FOR THEIR SIMPLE LIVING, ARCHITECTURE, MUSIC, AND FURNITURE. THE SHAKERS HAVE CAPTURED THE IMAGINATION OF COUNTLESS ARTISTS SINCE AT LEAST THE EARLY TWENTIETH CENTURY, WHEN IDEAS ABOUT PERFECTION, ELEGANCE, AND PRACTICALITY ASSOCIATED WITH SHAKER LIFE AND MATERIAL CULTURE TOOK HOLD. THESE IDEAS ENTERED MORE STRONGLY INTO THE AMERICAN CONSCIOUSNESS FOLLOWING A STRING OF INFLUENTIAL EXHIBITIONS AND BOOKS, MANY OF THEM ORGANIZED AND AUTHORED BY COLLECTORS OF SHAKER FURNITURE. BELIEVERS BEGINS WITH THE FRUITS OF AN UNORTHODOX RESIDENCY INSTIGATED BY CURATOR FRANCE MORIN DURING THE SUMMER OF 1996. TEN ARTISTS WERE INVITED TO LIVE, WORK, AND WORSHIP IN THE ONLY REMAINING ACTIVE SHAKER COMMUNITY, IN SABBATHDAY LAKE, MAINE. THE RESIDENCY YIELDED A DYNAMIC BODY OF WORKS FEATURED IN THE EXHIBITION THE QUIET IN THE LAND, CURATED BY MORIN AND BROUGHT TO THE ICA BY JILL MEDVEDOW IN 1998. BELIEVERS REUNITES A CORE GROUP OF WORKS FIRST PRESENTED IN THE QUIET IN THE LAND BY ARTISTS JANINE ANTONI, KAZUMI TANAKA, WOLFGANG TILLMANS, NARI WARD, AND CHEN ZHEN (SEVERAL OF WHICH ARE BEING REMADE OR REIMAGINED FOR THIS EXHIBITION) ALONG SIDE MORE RECENT WORKS BY ARTISTS JONATHAN BERGER, TAYLOR DAVIS, GORDON HALL, PALLAVI SEN, AND CAULEEN SMITH. BELIEVERS CONSIDERS HOW CONTEMPORARY ARTISTS NEGOTIATE THE SPACE BETWEEN RECEIVED REPRESENTATIONS OF THE SHAKERS AND THE UTOPIAN COMMUNITY'S VITAL EXPERIENCE AS ORDINARY PEOPLE ATTEMPTING TO LIVE AN EXTRAORDINARY LIFE. ORGANIZED BY JEFFREY DE BLOIS, MANNION FAMILY CURATOR, WITH TESSA BACHI HAAS, ASSISTANT CURATOR. SARA CWYNAR: ALPHABET FEBRUARY 13, 2025 - AUGUST 3, 2025 PAUL AND CATHERINE BUTTENWIESER GALLERY SARA CWYNAR (B. 1985 IN VANCOUVER) EXAMINES THE EXCESS OF PICTURES IN TODAY'S IMAGE-SATURATED CULTURE THROUGH A VAST ARCHIVE OF VISUAL MATERIAL, INCLUDING SELF-MADE, COMMISSIONED, DOWNLOADED, AND FOUND PHOTOGRAPHS. SHE REUSES THESE IMAGES INCISIVELY THROUGH A COLLAGE AESTHETIC THAT DRAWS ON THE VISUAL LANGUAGES OF DESIGN AND ADVERTISING. FOR THE ICA, CWYNAR IMAGINED A NEWLY CREATED, TWO-PART PROJECT FOR THE MUSEUM: A PHOTO-BASED INSTALLATION CALLED ALPHABET AND A RELATED PHOTO MURAL FOR THE SANDRA AND GERALD FINEBERG ART WALL. ALPHABET IS AN INSTALLATION COMPRISING A CONSTELLATION OF IMAGES RELATED TO AN ALPHABETICAL LIST OF TERMS DRAWN FROM INTERNET SEARCH ENGINES PRESENTED ON TWENTY-SIX PANELS. THESE INCLUDE WORDS SUGGESTED BY SEARCH ENGINE ALGORITHMS IN RESPONSE TO CWYNAR'S ONLINE ACTIVITIES AND SOME OF THE MOST POPULAR SEARCH TERMS SINCE 2020. SHE EXPLORES THE TERMS THROUGH AN ARRAY OF ASSOCIATED IMAGES, OBJECTS, AND VIDEOS PRESENTED AROUND THE GALLERY ON PANELS INSPIRED BY GERMAN ART HISTORIAN ABY WARBURG'S MNEMOSYNE ATLAS (1925-1929). WARBURG ORGANIZED AN ENCYCLOPEDIC COLLECTION OF NEARLY 1,000 IMAGES ON BLACK PANELS TO UNDERSTAND RECURRING VISUAL THEMES AND PATTERNS ACROSS TIME AND CULTURES, FROM ANTIQUITY TO THE PRESENT. EACH OF CWYNAR'S SELECTED TERMS CONNECTS TO CONTEMPORARY LIFE AND WAYS OF SEEING THAT, LIKE WARBURG'S CONSTELLATIONS OF IMAGES, REFER TO A PAST THAT INFORMS THEIR MEANING TODAY. FOR CWYNAR, ALL ARCHIVES, INCLUDING THE INTERNET, ARE INFLECTED WITH HUMAN BIASES AND FAILED ASPIRATIONS TOWARD OBJECTIVITY. EVEN STILL, AS THE HUMAN IMPULSE TO SEARCH FOR ANSWERS GOES ONLINE, CWYNAR CONSIDERS HOW "PERSONAL RESPONSES TO THE WORLD ARE FILTERED THROUGH A HISTORY OF IMAGES THAT TRAILS BEHIND US. ORGANIZED BY JEFFREY DE BLOIS, MANNION FAMILY CURATOR, WITH MAX GRUBER, CURATORIAL ASSISTANT. COLLECTION SPOTLIGHT: AVATARS OF THE EIGHTIES APRIL 8, 2025 - AUGUST 3, 2025 THIRD FLOOR LOBBY THESE LENS-BASED WORKS, CREATED BY WOMEN ARTISTS IN THE 1980S, REVEAL THE PERSONAL AND POLITICAL POTENTIAL OF TRANSFORMING ONESELF INTO AN ALTERNATE SELF. IN NEW YORK IN THE SUMMER OF 1980, HOWARDENA PINDELL DONNED A WIG AND SUNGLASSES TO BECOME AN ANONYMOUS "WHITE WOMAN" WHO DISCOUNTS THE DISCRIMINATION THE ARTIST EXPERIENCED AND RECOUNTS IN HER VIDEO WORK FREE, WHITE AND 21. THAT SAME YEAR IN THE SAME CITY, CINDY SHERMAN COMPLETED THE UNTITLED FILM STILL SERIES IN WHICH SHE PERFORMS AS DIFFERENT FEMALE CHARACTERS TO CRITICALLY RECONTEXTUALIZE MOVIE SCENES. NINE YEARS LATER IN AUSTRALIA, TRACEY MOFFATT EMBODIED A FEMALE CHARACTER IN THE OUTBACK PURSUING HER DREAMS TO CREATE THE PHOTOGRAPHIC SERIES SOMETHING MORE. EACH OF THESE ARTISTS EXPLORES THE FABRICATED AND COMPLEX NATURE OF IDENTITY BY SHAPESHIFTING INTO AVATARS. ORGANIZED BY EMILY SHOYER, CURATORIAL FELLOW. STANLEY WHITNEY: HOW HIGH THE MOON APRIL 17, 2025 - SEPTEMBER 1, 2025 KAREN AND BRIAN CONWAY GALLERIES FROM EARLY BREAKTHROUGHS TO MATURE FORMAL EXPERIMENTS, HOW HIGH THE MOON IS THE FIRST RETROSPECTIVE TO TRACE THE EVOLUTION OF STANLEY WHITNEY'S WHOLLY UNIQUE AND POWERFUL ABSTRACTIONS OVER THE COURSE OF HIS 50-YEAR CAREER. THE EXHIBITION'S TITLE IS INSPIRED BY THE 1940 SONG PENNED BY NANCY HAMILTON AND MORGAN LEWIS, WHICH BECAME A JAZZ STANDARD THAT HAS CONVEYED ENCHANTMENT, LONGING, AND, IN SOME INTERPRETATIONS, HAS REACHED FOR THE SUBLIME. SINCE HE BEGAN MAKING THEM IN 2002, WHITNEY'S SQUARE-FORMAT, LOOSELY GRIDDED ABSTRACT CANVASES HAVE INCREASINGLY CAPTURED THE IMAGINATION OF VIEWERS. EACH CONTAINS FOUR HORIZONTAL ROWS OF ALTERNATELY ASKANT AND ORDERED SQUARES PAINTED IN VARYING DEGREES OF OPACITY. WHILE WHITNEY'S FORMAT HAS REMAINED CONSISTENT OVER THE PAST TWENTY YEARS, NO PAINTING IS THE SAME AS ANOTHER. AS HE BUILDS THESE IMMERSIVE ABSTRACTIONS, WHITNEY HOLDS SPACE FOR HIS VIEWERS TO FOCUS NOT ON EACH PAINTING'S SUBJECT, BUT RATHER ON OUR OWN RESPONSE TO COLOR. HOW HIGH THE MOON FEATURES EXTENSIVE INSTALLATIONS OF THE ARTIST'S IMPROVISATORY SMALL PAINTINGS; HIS DRAWINGS AND PRINTS, WHICH CONSTITUTE THEIR OWN IMPORTANT PRACTICE FOR WHITNEY; AND A CHRONOLOGICAL SELECTION OF THE ARTIST'S SKETCHBOOKS SPANNING FROM 1987 TO 2021, WHICH OFFER A VIEW INTO WHITNEY'S ENGAGEMENT WITH THE WRITTEN WORD AS WELL AS POLITICS. THROUGHOUT, HIS WORK IS PUT IN THE CONTEXT OF HIS DIVERSE SOURCES OF INSPIRATION, WHICH INCLUDE MUSIC, POETRY, AMERICAN QUILTS, AND THE HISTORY OF ART AND ARCHITECTURE, AMONG MANY OTHERS. WHITNEY'S POWERFUL, COLOR-SATURATED ABSTRACTIONS GIVE VIEWERS THE SPACE TO FEEL WHAT IT MEANS TO BE HUMAN, TO MENTALLY WANDER, AND TO GATHER THE STRENGTH TO SURVIVE. THIS TOURING RETROSPECTIVE, THE FIRST SURVEY OF WHITNEY'S WORK EVER ASSEMBLED, DEMONSTRATES THE TRUE HEIGHT OF HIS ACHIEVEMENT. STANLEY WHITNEY: HOW HIGH THE MOON IS ORGANIZED BY THE BUFFALO AKG ART MUSEUM. THE EXHIBITION IS CURATED BY CATHLEEN CHAFFEE, CHARLES BALBACH CHIEF CURATOR, BUFFALO AKG ART MUSEUM. THE ICA/BOSTON'S PRESENTATION IS ORGANIZED BY RUTH ERICKSON, BARBARA LEE CHIEF CURATOR AND DIRECTOR OF CURATORIAL AFFAIRS, WITH TESSA BACHI HAAS, ASSISTANT CURATOR. CHRISTIAN MARCLAY: DOORS APRIL 17, 2025 - SEPTEMBER 1, 2025 BRIDGITT AND BRUCE EVANS GALLERIES "DOORS ARE FASCINATING OBJECTS, RICH WITH SYMBOLISM. THEY CAN HIDE OR REVEAL, EXPRESS OPPOSITES OF LIGHT OR DARK, EXTERIOR OR INTERIOR, OPEN OR CLOSED THEY ARE COMMONPLACE, YET UNFAMILIAR. WE FIND OURSELVES WONDERING WHAT IS ON THE OTHER SIDE, WHERE WE MAY END UP. THERE IS FEAR AND ANXIETY WE ASSOCIATE WITH THE UNKNOWN, BUT ALSO ANTICIPATION AND POTENTIAL." - CHRISTIAN MARCLAY CHRISTIAN MARCLAY (BORN 1955 IN SAN RAFAEL, CALIFORNIA) IS A PIONEERING DJ, COMPOSER, AND VISUAL ARTIST RENOWNED FOR HIS EXPERIMENTAL WORK ACROSS SOUND, VIDEO, SCULPTURE, COLLAGE, AND INSTALLATION.
FORM 990, PART III, LINE 4A	IN DOORS (2022), MARCLAY STITCHES TOGETHER HUNDREDS OF SHORT FILM CLIPS FEATURING THE OPENING AND CLOSING OF DOORS. MORE THAN A DECADE IN THE MAKING, THE MOVING IMAGE COLLAGE DRAWS FROM NEARLY ALL GENRES OF NARRATIVE CINEMA RANGING FROM FRENCH NEW WAVE TO HOLLYWOOD BLOCKBUSTERS. CAREFULLY EDITED BY MARCLAY, THE VISUAL NARRATIVE FOLLOWS ACTORS ENTERING NEW SPACES, WITH EACH DOOR MARKING AN EDITING POINT AND TRANSITIONING BETWEEN FILMS AND SOUNDSCAPES. THE WORK SUGGESTS A LABYRINTHINE JOURNEY WHERE PROTAGONISTS GET LOST AND FOUND AGAIN. MARCLAY DESCRIBES THE VIDEO AS SCULPTURAL - A "MENTAL ARCHITECTURE THAT THE VIEWER MIGHT OR MIGHT NOT FOLLOW AND GET LOST IN." THIS EXHIBITION IS THE U.S. PREMIERE OF DOORS. ORGANIZED BY TESSA BACHI HAAS, ASSISTANT CURATOR. COLLECTION SPOTLIGHT: KADER ATTIA APRIL 29, 2025 - AUGUST 17, 2025 FIRST FLOOR CRYSTALLINE SUGAR CUBES STACKED LIKE BRICKS ON A SILVER PLATTER MELT SENSUOUSLY, ABSORBING THICK BLACK LIQUID AND CRUMBLING INTO A GLISTENING, VISCOUS MASS. KADER ATTIA'S VIDEO OIL AND SUGAR #2 MARRIES SIMPLE MATERIALS - MOTOR OIL AND SUGAR CUBES - EVOKING THEIR STATUS AS COMMODITIES CARRYING THE WEIGHT OF CENTURIES OF GEOPOLITICAL COMPETITION, EXPLOITATION, AND DISTINCT CULTURAL AND POLITICAL MEANINGS. THE ARTIST DESCRIBES THE WHITE CUBE AS "THE CORE SYMBOL OF ART, OF THE SPACE OF ART, OF THE INSTITUTION." DRENCHED IN OIL AND RENDERED BLACK, THE STRUCTURE EVOKES THE KAABA, ISLAM'S HOLIEST SITE VISITED BY MILLIONS OF PILGRIMS ON THE ANNUAL HAJJ TO MECCA. ONCE DISSOLVED BY OIL, THE FORMLESS MASS CALLS TO MIND ONGOING VIOLENCE SPARKED BY RESOURCE EXTRACTION AND RELIGIOUS AND POLITICAL DIFFERENCE. THROUGH A COMPOSITION AS BEAUTIFUL AS IT IS DESTRUCTIVE, OIL AND SUGAR #2 OFFERS A CASE STUDY IN CONTRASTING COLORS, TEXTURES, FORMS, AND TEMPORAL FLOW. ORGANIZED BY MEGHAN CLARE CONSIDINE, CURATORIAL ASSISTANT. CHIHARU SHIOTA: HOME LESS HOME MAY 22,2025 - SEPTEMBER 1, 2025 ICA WATERSHED IN HER AWE-INSPIRING INSTALLATIONS, CHIHARU SHIOTA (BORN 1972 IN OSAKA, JAPAN; LIVES AND WORKS IN BERLIN) FOREGROUNDS STORIES OF MIGRATION, HOME, CONNECTION, MEMORY, AND CONSCIOUSNESS. USING LINE IN THE FORM OF STRING, SHIOTA CREATES IMMERSIVE INSTALLATIONS THAT UNDERSCORE HUMAN CONNECTION AND EXPERIENCE. FOR THE ICA WATERSHED, SHIOTA WILL PRESENT TWO SIGNATURE, LARGE-SCALE INSTALLATIONS THAT CONSIDER THE WAYS HUMANS COLLECT MEMORIES AND FORM CONNECTIONS AS THEY MOVE AND TRAVEL: A SITE-SPECIFIC ITERATION OF ACCUMULATION SEARCHING FOR THE DESTINATION (2014/2025) AND A NEWLY COMMISSIONED INSTALLATION, HOME LESS HOME (2025). IN ACCUMULATION - SEARCHING FOR THE DESTINATION, DOZENS OF VINTAGE SUITCASES HANG FROM RED ROPE, OCCASIONALLY SHAKING WITH THE TURBULENCE OF ANTICIPATION. FOR SHIOTA, WHO BROUGHT ONLY ONE SUITCASE WITH HER WHEN SHE MOVED FROM JAPAN TO BERLIN IN 1996, THE SUITCASE SYMBOLIZES THE STARTING POINT OF A NEW JOURNEY. HOME LESS HOME FEATURES AN ENORMOUS FIELD OF RED AND BLACK ROPES FORMING THE SHAPE OF A HOUSE. WITHIN THIS SYMBOLIC FORM, SHIOTA SUSPENDS PAPER DOCUMENTS - PASSPORTS, LETTERS, IMMIGRATION PAPERS, MESSAGES - AND EMBEDS BEDS, DESKS, CHAIRS, AND TABLES TO UNDERSCORE HOW PEOPLE CREATE THEIR HOMES THROUGH COMMUNICATION, STORIES, AND OBJECTS. TOGETHER, THESE TRANSPORTING WORKS WILL CONSIDER THE JOURNEY TOWARDS ONE HOME AND AWAY FROM ANOTHER. FEATURED AS PART OF THE BOSTON PUBLIC ART TRIENNIAL 2025, THIS EXHIBITION, CHIHARU SHIOTA'S FIRST SOLO PRESENTATION IN NEW ENGLAND, AMPLIFIES THE WATERSHED AS A UNIQUE SPACE FOR PUBLIC ART IN BOSTON. IN DIALOGUE WITH THE TRIENNIAL'S THEME OF EXCHANGE, SHIOTA ISSUED AN OPEN CALL TO CONTRIBUTE IMAGES AND STORIES THAT WILL BE PRINTED AND INTEGRATED INTO HER NEWLY-COMMISSIONED WORK, HOME LESS HOME. ORGANIZED BY RUTH ERICKSON, BARBARA LEE CHIEF CURATOR AND DIRECTOR OF CURATORIAL AFFAIRS, WITH BRIANNE CHAPELLE, CURATORIAL DEPARTMENT COORDINATOR.
FORM 990, PART III, LINE 4B	EDUCATION SPACE PRESENTATIONS AS YOU ARE: BEAUTY AND THE HUMAN FORM FEB 9, 2024 - DEC 19, 2024 SEAPORT STUDIO, CHARLES AND FRAN RODGERS EDUCATION CENTER BUILDING WORLDS MAR 21, 2024 - SEP 22, 2024 POSS FAMILY MEDIATHEQUE BOSTON MOVES TOGETHER MAY 23, 2024 - SEP 2, 2024 ICA WATERSHED, HARBOR ROOM COURAGE TO CARE, BY SABRINA DORSAINVIL JUL 13, 2024 - DEC 29, 2024 BANK OF AMERICA ART LAB CHRONICLES FROM CASTLE SQUARE JUL 19, 2024 - MAY 29, 2025 SEAPORT STUDIO, CHARLES AND FRAN RODGERS EDUCATION CENTER REWRITING OUR CITY: UNSETTLED ACCOUNTS JUL 30, 2024 - SEP 5, 2024 BOSTON CITY HALL COSTUMING FOR THE STAGE AND SCREEN OCT 4, 2024 - MAR 29, 2025 POSS FAMILY MEDIATHEQUE LOST AND FOUND FEB 7, 2025 - DEC 18, 2025 SEAPORT STUDIO, CHARLES AND FRAN RODGERS EDUCATION CENTER PLAYING TOGETHER, BY PONNAPA PRAKKAMAKUL FEB 8, 2025 - JUN 15, 2025 BANK OF AMERICA ART LAB
FORM 990, PART III, LINE 4B	IN SCHOOL YEAR 2024-25, STUDENTS FROM THE FOLLOWING SCHOOLS WERE REPRESENTED IN THE PHOTOGRAPHY COLLECTIVE PROGRAM: * ANOTHER COURSE TO COLLEGE * BOSTON COLLABORATIVE HIGH SCHOOL * BOSTON INTERNATIONAL HIGH SCHOOL & NEWCOMERS ACADEMY * BOSTON LATIN ACADEMY * BOSTON LATIN SCHOOL * JOHN D. O'BRYANT SCHOOL OF MATHEMATICS AND SCIENCE * NEW MISSION HIGH SCHOOL * WINCHESTER HIGH SCHOOL IN FEBRUARY OF 2025, STUDENTS FROM THE FOLLOWING SCHOOLS WERE REPRESENTED IN THE SPECIAL FOCUS: PHOTOGRAPHY FEBRUARY BREAK INTENSIVE PROGRAM: * BOSTON ARTS ACADEMY * BOSTON LATIN ACADEMY * BROMFIELD SCHOOL * BROOKLINE HIGH SCHOOL * CAMBRIDGE RINDGE & LATIN SCHOOL * EDWARD M. KENNEDY ACADEMY FOR HEALTH CAREERS * JOHN D. O'BRYANT SCHOOL OF MATHEMATICS AND SCIENCE * JOSIAH QUINCY UPPER SCHOOL IN APRIL OF 2025, STUDENTS FROM THE FOLLOWING SCHOOLS WERE REPRESENTED IN THE AMP: MUSIC PRODUCTION APRIL BREAK INTENSIVE PROGRAM: * BOSTON LATIN ACADEMY * BOSTON LATIN SCHOOL * CAMBRIDGE RINDGE & LATIN SCHOOL * COMMUNITY ACADEMY OF SCIENCE AND HEALTH * COMMUNITY CHARTER SCHOOL OF CAMBRIDGE * EAST BOSTON HIGH SCHOOL * EDWARD M. KENNEDY ACADEMY FOR HEALTH CAREERS * EXCEL ACADEMY CHARTER HIGH SCHOOL * RUTH BATSON ACADEMY BOSTON PUBLIC SCHOOLS ARTS CREDIT PROGRAM PARTNER SCHOOLS * BOSTON COMMUNITY LEADERSHIP ACADEMY * BOSTON DAY AND EVENING ACADEMY * BOSTON INTERNATIONAL HIGH SCHOOL AND NEWCOMERS ACADEMY * CHARLESTOWN HIGH SCHOOL * EAST BOSTON HIGH SCHOOL * ENGLISH HIGH SCHOOL * EXCEL HIGH SCHOOL * FENWAY HIGH SCHOOL * GREATER EGLESTON HIGH SCHOOL * JOHN D. O'BRYANT SCHOOL OF MATHEMATICS AND SCIENCE * NEW MISSION HIGH SCHOOL * SNOWDEN INTERNATIONAL SCHOOL AT COPLEY TEEN NIGHTS * TEEN NIGHT: ALTERED REFLECTIONS (SUMMER 2024) * TEEN NIGHT: CLIPPED CULTURE (FALL 2024) * TEEN NIGHT: FROM ALL ANGLES (SPRING 2025) OTHER EVENTS * ART LAB AFTER HOURS BY FAST FORWARD * THE CURRENT: CARE3 * FAST FORWARD PRESENTS... THE SELTZER FACTORY BY PALOMA VALENZUELA * ICA TEENS ALUMNI REUNION * ICA TEENS PICTURE DAY WITH SPECIAL FOCUS * ICA TEENS SPRING SHOWCASE 2025 * ICA TEENS ULTRAFUSION * RECEPTION FOR REWRITING OUR CITY: UNSETTLED ACCOUNTS, AN EXHIBITION OF PORTRAITS BY TEENS IN PHOTOGRAPHY COLLECTIVE AT BOSTON CITY HALL * RECEPTION FOR SPECIAL FOCUS: SELF PORTRAITS, AN EXHIBITION OF PORTRAITS BY TEENS IN SPECIAL FOCUS AT BOSTON CITY HALL * (RE)MIX AND MINGLE WITH AMP * STOP MOTION COMMOTION ANIMATION BY TEEN DIGITAL COOPERATIVE * TEEN DIGITAL COOPERATIVE'S END-OF-SUMMER CELEBRATION * TEEN GALLERY ACTIVATION: OPEN NOTES * TEEN GALLERY ACTIVATION: TEEN FASHION NIGHT OUT IN COLLABORATION WITH BOSTON CARIBBEAN FASHION WEEK * TEEN GALLERY EXHIBITION OPENING FOR CHRONICLES FROM CASTLE SQUARE BY TEEN EXHIBITIONS PROGRAM * TEEN GALLERY EXHIBITION OPENING FOR LOST AND FOUND * TEEN OPEN STUDIOS WORKSHOPS * GALLERY EXPERIENCES FOR TEEN PHOTOGRAPHERS FROM SAVE OUR STREETS * RECRUITMENT WORKSHOPS AT: FENWAY HIGH SCHOOL; JAMES W. HENNIGAN K-8 SCHOOL; BOSTON CENTERS FOR YOUTH AND FAMILIES HENNIGAN; ENGLISH HIGH SCHOOL; BOSTON INTERNATIONAL HIGH SCHOOL AND NEWCOMERS ACADEMY; YOUTH FEST! PRESENTED BY BOSTON MUSIC PROJECT; BPS CITYWIDE COLLEGE, CAREER AND STEM FAIR; EAST BOSTON HIGH SCHOOL; EAST BOSTON STEAM DAY; JOSIAH QUINCY UPPER SCHOOL; NEW MISSION HIGH SCHOOL; MADISON PARK HIGH SCHOOL; DORCHESTER HOUSE * TEEN ARTS COUNCIL EXCHANGES WITH MUSEUM OF FINE ARTS TEENS * TEEN EXHIBITIONS PROGRAM EXCHANGES WITH BOSTON PUBLIC SCHOOLS' BOSTON STUDENT ADVISORY COUNCIL, QUEENS MUSEUM TEENS, URBANO'S CHAPTERS OF CHOICE PROGRAM, AND ZUMIX TEENS * TEEN GALLERY EXPERIENCES AND Q&A'S FOR MASSART ARTS EDUCATION STUDENTS * TEEN GALLERY EXPERIENCES FOR: LA COLABORATIVA TEENS; CASTLE SQUARE TENANTS ORGANIZATION TEENS; CASTLE SQUARE TENANTS ORGANIZATION SQUARE ROOTS PROGRAM PARTICIPANTS; SWAMPSCOTT HIGH SCHOOL; BOSTON GREEN ACADEMY/THE FOUNDRY; ZUMIX TEENS * UMASS BOSTON URBAN SCHOLAR PROGRAM MUSIC PRODUCTION WORKSHOPS * WORKSHOPS FOR BOSTON MUSIC PROJECT TEENS * YOU, YOUTH, AND MENTAL HEALTH WORKSHOPS FOR YOUTH-SERVING PROFESSIONALS COMMUNITY PARTNERSHIPS THE ICA'S DEPARTMENT OF EDUCATION COLLABORATED WITH 50+ ORGANIZATIONS THROUGHOUT FY25. BELOW IS A LIST OF SELECT PARTNER ORGANIZATIONS, WITH NEW PARTNERSHIPS FORMED IN FY25 INDICATED BY AN ASTERISK (). EDUCATIONAL INSTITUTIONS BPS OFFICE OF FAMILY AND COMMUNITY ADVANCEMENT BERKLEE SCHOOL OF MUSIC HARVARD GRADUATE SCHOOL OF EDUCATION HORACE MANN SCHOOL OF THE DEAF AND HARD OF HEARING NON-PROFITS AND CITY AGENCIES * BOSTON BALLET * BOSTON RESEARCH CENTER * CITY OF BOSTON AGE STRONG COMMISSION * EPIC (EMPOWERING PEOPLE FOR INCLUSIVE COMMUNITIES) OFFICE OF YOUTH ENGAGEMENT & ADVANCEMENT (OYEA) BOSTON SOCIETY OF CARIBBEAN HERITAGE AND CULTURE CASTLE SQUARE TENANTS ORGANIZATION CITY OF BOSTON MAYOR'S GALLERY HAUS OF GLITTER 826 BOSTON OPEN ARTS INDIVIDUALS AND AFFINITY GROUPS * ART IN THE ANTILLES HIGUAYAGUA TAINO
FORM 990, PART III, LINE 4B	THINK LIKE AN ARTIST APR 17, 2025 - SEP 28, 2025 POSS FAMILY MEDIATHEQUE SPECIAL FOCUS: SELF-PORTRAITS MAY 2, 2025 - JUL 18, 2025 BOSTON CITY HALL OUR MEMORIES, OUR STORIES MAY 22, 2025 - SEP 1, 2025 ICA WATERSHED, HARBOR ROOM ADULT & INTERPRETIVE PROGRAMS ALL LECTURES LISTED WERE OFFERED ON THE MUSEUM CAMPUS UNLESS OTHERWISE NOTED BELOW. ADULT PROGRAMS SERVED 2,905 PEOPLE THROUGH LECTURES, WORKSHOPS, GALLERY TALKS, AND MORE. ADULT WORKSHOPS AND GALLERY TALKS * CAN I PASS? WOMEN OF AFRICAN DESCENT IN CONVERSATION * WATERSHED WORKSHOP: TAINO COMMUNITY AND CULTURE * WATERSHED DANCE WORKSHOP: CAPORALES OF THE ANDES * WATERCOLOR BY THE WATER (2) * LET'S DANCE: THROUGH THE AGES (2) * GALLERY TALK: JEFFREY DE BLOIS ON CHARLES ATLAS * GALLERY TALK: MAX GRUBER ON CHARLES ATLAS * GALLERY TALK: RUTH ERICKSON ON THE GUN VIOLENCE MEMORIAL PROJECT * GALLERY TALK: JEFFREY DE BLOIS ON TAU LEWIS: SPIRIT LEVEL * GALLERY TALK: HOWARD MERLIN AND KELLY KERRIGAN JACOBUS ON BOSTON BALLET COSTUME SHOP * ART-MAKING AFTER DARK: STARSTRUCK * ART-MAKING AFTER DARK: FACE TO FACE * DRAWING CONNECTIONS: FIGURE DRAWING IN THE GALLERIES * GALLERY TALK: MAX GRUBER ON SARA CWYNAR: ALPHABET * GALLERY TALK: TESSA BACHI HAAS ON STANLEY WHITNEY: HOW HIGH THE MOON * GALLERY TALK: STEPHEN HAMILTON AND ERIKA UMALI ON PORTRAITS FROM THE ICA COLLECTION * FLIP THE SCRIPT ON AGING: CITY OF BOSTON'S AGE STRONG COMMISSION PARTNERSHIP * WATERSHED GALLERY TALK: RUTH ERICKSON ON CHIHARU SHIOTA: HOME LESS HOME LECTURE PROGRAMS * THE ARTIST'S VOICE: HANK WILLIS THOMAS AND JHA D AMAZI, WITH CHAPLAIN CLEMENTINA CHERY * THE ARTIST'S VOICE: CHARLES ATLAS * ONLINE SERIES: THE SHAKERS, SHAKERISM, AND CONTEMPORARY ART - "CONTEMPORARY ART AND THE SHAKERS" WITH JILL MEDVEDOW AND JEFFREY DE BLOIS - "SHAKERISM AND SABBATHDAY LAKE, MAINE" WITH BROTHER ARNOLD HADD - "SPIRIT-DRIVEN WOMEN MAKING ART" WITH ANN BRAUDE * THE ARTIST'S VOICE: SARA CWYNAR * THE ARTIST'S VOICE: JANINE ANTONI, PALLAVI SEN, AND KAZUMI TANAKA * THE ARTIST'S VOICE: STANLEY WHITNEY WITH NARAYAN KHANDEKAR * DESIGN TALK: MIGUEL ROSALES * AIGA BOSTON + THE ICA PRESENT KEVIN GRADY + ADAM LARSON CREATIVE ARTS AND FAMILY PROGRAMS OVER THE PAST FISCAL YEAR, THE ART LAB WELCOMED 7,237 VISITORS FOR ART-MAKING EXPERIENCES. FAMILY PROGRAMS ALSO DISTRIBUTED APPROXIMATELY 6,000 GALLERY GAMES RESOURCE CARDS TO VISITORS OVER THE COURSE OF THE FISCAL YEAR WHILE VISITOR ASSISTANTS ENGAGED 276 PEOPLE WITH BOOKS AND LOOKS. ADDITIONAL FAMILIES WERE REACHED THROUGH TOURS (SEE TOUR AND GROUP VISIT PROGRAMS). PLAY DATES * PLAY DATE: PARADE + PARTY * PLAY DATE: GROOVE + GROW * PLAY DATE: WORDS OF ART! * PLAY DATE: TWISTS AND TURNS * PLAY DATE: BEHIND THE SCENES * PLAY DATE: STORIES THROUGH PORTRAITS * PLAY DATE: IMMERSIVE IMAGES * PLAY DATE: COLOR COMPOSITIONS * PLAY DATE: FREE FAMILY ART DAY PLAY DATES (VIRTUAL) VIRTUAL PLAY DATE: FAMILY FILM FESTIVAL! FAMILY WORKSHOPS AND PROGRAMS * BOOKS AND LOOKS (9) * WEEKEND AND MONDAY HOLIDAY DROP-IN ART MAKING (100) * POP-UP ART-MAKING: MEMORY MAPS (4) * "WHO GETS TO MAKE HISTORY?" ARTMAKING WITH WEE THE PEOPLE * DECEMBER SCHOOL VACATION WEEK * FEBRUARY SCHOOL VACATION WEEK ART-MAKING * APRIL VACATION WEEK ART-MAKING * INSTRUMENT PETTING ZOO * MESSAGES FOR MOM SCHOOL PROGRAMS IN FY25, THE ICA COLLABORATED WITH EDUCATORS AND PROVIDED A RANGE OF NEW CURRICULUM-ALIGNED MATERIALS, INCLUDING DIGITAL RESOURCES THAT WERE DISTRIBUTED TO 94 LOCAL TEACHERS. NEW AND RETURNING SCHOOLS PARTICIPATED IN THE WALLTALK MULTI-VISIT PROGRAM WHILE OTHER EDUCATORS CONTRIBUTED TO ADVISORY GROUP MEETINGS. WALL TALK SCHOOL PARTNERSHIP PROGRAM PARTNERS * CHARLESTOWN HIGH SCHOOL * DEARBORN STEM ACADEMY * EXCEL HIGH SCHOOL * RUTH BATSON ACADEMY * EDWARD M. KENNEDY SCHOOL FOR HEALTH CAREERS * MELVIN H. KING SOUTH END ACADEMY TEACHER ADVISORY GROUP REPRESENTATIVES * JOSIAH QUINCY UPPER SCHOOL * BINCA/NEWCOMERS ACADEMY * WINSHIP ELEMENTARY SCHOOL * HIGH O'DONNELL ELEMENTARY SCHOOL * SAMUEL ADAMS ELEMENTARY SCHOOL * TECHBOSTON ACADEMY TOUR AND GROUP VISIT PROGRAMS TOUR AND GROUP VISIT PROGRAMS OFFER GUIDED AND SELF-GUIDED VISITS FOR ALL AGE GROUPS. IN THE K-12 AGE GROUP ALONE, 4,935 PEOPLE WERE SERVED THROUGH 233 GROUP VISITS. A TOTAL OF 4,356 COLLEGE AND UNIVERSITY, ADULT, AND SENIOR VISITORS ATTENDED 296 SELF-GUIDED VISITS, GUIDED VISITS, AND PUBLIC TOURS. IN FY25, THE FAMILY ART-TREK PROGRAM WAS PILOTED, AND SERVED AN ADDITIONAL 51 PEOPLE. TEEN PROGRAMS TEEN PROGRAMS SERVED A TOTAL OF 4,965 PEOPLE, 3,874 OF WHICH WERE TEENS, IN FY25. THIS INCLUDES PEOPLE WHO ATTENDED PROGRAMS OR EVENTS IN THE TEEN GALLERIES LOCATED IN SEAPORT STUDIO. AN ADDITIONAL 405, PEOPLE VISITED THESE GALLERIES SIMPLY TO VIEW EXHIBITIONS OF TEEN ART. ALL PROGRAMS AND EVENTS ARE LISTED BELOW. EDUCATIONAL RESOURCES AND ARTWORK CREATED BY PARTICIPANTS IN ICA TEEN PROGRAMS WERE ALSO ACCESSIBLE VIA THE ICATEENS.ORG WEBSITE AND SOCIAL MEDIA CHANNELS. ARTIST INTERVIEWS (ONLINE DISTRIBUTION) * ARTIST INTERVIEW WITH SARA CWYNAR * ARTIST INTERVIEW WITH RANIA MATAR EXTENDED TEEN PROGRAMS * AMP: MUSIC PRODUCTION APRIL BREAK INTENSIVE * FAST FORWARD * PHOTOGRAPHY COLLECTIVE * SPECIAL FOCUS: PHOTOGRAPHY FEBRUARY BREAK INTENSIVE * TEEN ARTS COUNCIL (SUMMER 2024; SCHOOL YEAR 2024-25) * TEEN DIGITAL COOPERATIVE (SUMMER 2024) * TEEN EXHIBITIONS PROGRAM (SUMMER 2024; SCHOOL YEAR 2024-25) IN SUMMER 2024, STUDENTS FROM THE FOLLOWING SCHOOLS WERE REPRESENTED IN THE TEEN ARTS COUNCIL: * BOSTON ARTS ACADEMY * BOSTON INTERNATIONAL HIGH SCHOOL & NEWCOMERS ACADEMY * BOSTON LATIN ACADEMY * BOSTON LATIN SCHOOL * BROOKE CHARTER HIGH SCHOOL * DEARBORN STEM ACADEMY * JOSIAH QUINCY UPPER SCHOOL * REVERE HIGH SCHOOL * RUTH BATSON ACADEMY IN SUMMER 2024, STUDENTS FROM THE FOLLOWING SCHOOLS WERE REPRESENTED IN TEEN EXHIBITIONS PROGRAM: * ARLINGTON HIGH SCHOOL * BOSTON ARTS ACADEMY * BOSTON INTERNATIONAL HIGH SCHOOL & NEWCOMERS ACADEMY * BOSTON LATIN ACADEMY * CHARLESTOWN HIGH SCHOOL ROAD TO SUCCESS * EDWARD M. KENNEDY ACADEMY FOR HEALTH CAREERS * MADISON PARK TECHNICAL VOCATIONAL HIGH SCHOOL * NEWTON SOUTH HIGH SCHOOL * QUINCY HIGH SCHOOL * SOMERVILLE HIGH SCHOOL * TECHBOSTON ACADEMY IN SUMMER 2024, STUDENTS FROM THE FOLLOWING SCHOOLS WERE REPRESENTED IN TEEN DIGITAL COOPERATIVE: * BOSTON INTERNATIONAL HIGH SCHOOL & NEWCOMERS ACADEMY * BOSTON LATIN ACADEMY * BOSTON LATIN SCHOOL * BROOKLINE HIGH SCHOOL * CHELSEA HIGH SCHOOL * LEXINGTON HIGH SCHOOL * NEW MISSION HIGH SCHOOL IN SCHOOL YEAR 2024-25, STUDENTS FROM THE FOLLOWING SCHOOLS WERE REPRESENTED IN THE TEEN ARTS COUNCIL: * ALBERT D. HOLLAND HIGH SCHOOL OF TECHNOLOGY (FORMERLY JEREMIAH E BURKE HIGH SCHOOL) * BOSTON ARTS ACADEMY * BOSTON COLLABORATIVE HIGH SCHOOL * BOSTON LATIN ACADEMY * BOSTON UNIVERSITY ACADEMY * BROOKE CHARTER HIGH SCHOOL * CAMBRIDGE RINDGE AND LATIN * DEARBORN STEM ACADEMY * EXCEL ACADEMY CHARTER HIGH * JOSIAH QUINCY UPPER SCHOOL * REVERE HIGH SCHOOL * RUTH BATSON ACADEMY IN SCHOOL YEAR 2024-25, STUDENTS FROM THE FOLLOWING SCHOOLS WERE REPRESENTED IN THE TEEN EXHIBITION PROGRAM: * BOSTON LATIN ACADEMY * BOSTON LATIN SCHOOL * CRISTO REY BOSTON HIGH SCHOOL * EDWARD M. KENNEDY ACADEMY FOR HEALTH CAREERS * JOHN D. O'BRYANT SCHOOL OF MATHEMATICS AND SCIENCE * MADISON PARK TECHNICAL VOCATIONAL HIGH SCHOOL * NEW LIBERTY INNOVATION SCHOOL * SNOWDEN INTERNATIONAL SCHOOL AT COPLEY * SOMERVILLE HIGH SCHOOL IN SCHOOL YEAR 2024-25, STUDENTS FROM THE FOLLOWING SCHOOLS WERE REPRESENTED IN THE FAST FORWARD PROGRAM: * ARLINGTON HIGH SCHOOL * BELMONT HIGH SCHOOL * BOSTON INTERNATIONAL HIGH SCHOOL & NEWCOMERS ACADEMY * BOSTON LATIN ACADEMY * BOSTON LATIN SCHOOL * FENWAY HIGH SCHOOL * JOHN D. O'BRYANT SCHOOL OF MATHEMATICS AND SCIENCE * MEDFORD HIGH SCHOOL * SNOWDEN INTERNATIONAL SCHOOL AT COPLEY
FORM 990, PART VI, SECTION B, LINE 11B	FORM 990 IS REVIEWED BY THE ICA'S CFO FOR COMPLETENESS AND THEN IS FORWARDED TO THE ICA'S AUDIT COMMITTEE FOR REVIEW AND DISCUSSION WITH OUTSIDE INDEPENDENT ACCOUNTANTS. THE AUDIT COMMITTEE IS RESPONSIBLE FOR APPROVING THE FORM 990 FOR SUBMITTAL TO THE IRS. PRIOR TO SENDING THE FORM 990 TO THE IRS THE ICA'S CFO WILL SEND A COPY OF THE DOCUMENT TO EACH ICA TRUSTEE.
FORM 990, PART VI, SECTION B, LINE 12C	EACH FALL, THE ICA REQUIRES ALL ITS TRUSTEES TO DISCLOSE ANY CONFLICT OF INTEREST ON A DISCLOSURE STATEMENT. THE PURPOSE OF THE CONFLICT OF INTEREST POLICY IS TO GIVE GUIDANCE TO THE ICA'S LEADERS ABOUT AREAS OF CONFLICT OF INTEREST SO THAT CONFLICTS, REAL OR PERCEIVED, MAY BE IDENTIFIED EARLY, DISCLOSED, AND RESOLVED APPROPRIATELY. IDEALLY, THIS POLICY WILL PROTECT THE ICA'S INTERESTS WHEN IT IS CONTEMPLATING ENTERING INTO A TRANSACTION OR ARRANGEMENT THAT MIGHT BENEFIT THE PRIVATE INTERESTS OF AN OFFICER OR TRUSTEE. IN CONNECTION WITH ANY ACTUAL OR POSSIBLE CONFLICT OF INTEREST, A FIDUCIARY SHALL DISCLOSE ALL MATERIAL FACTS TO THE PRESIDENT, CHAIRPERSON OR DIRECTOR AT THE EARLIEST POSSIBLE TIME AFTER THE SITUATION BECOMES KNOWN TO THE FIDUCIARY. THE FIDUCIARY SHALL ALSO DISCLOSE SUCH MATTERS ON AN ANNUAL BASIS AT THE TIME THE FIDUCIARY SIGNS THE ANNUAL STATEMENT OF THIS POLICY, OR OTHER REPORTING AND CERTIFICATION PROCEDURES AS THE BOARD OF TRUSTEES SHALL REQUIRE FROM TIME TO TIME. AFTER DISCLOSURE OF THE FINANCIAL INTEREST AND ALL MATERIAL FACTS, AND AFTER ANY DISCUSSION WITH THE FIDUCIARY, THE EXECUTIVE COMMITTEE OF THE BOARD SHALL FINALLY DETERMINE WHETHER ANY CONFLICT OF INTEREST EXISTS. IF THE FIDUCIARY IS PRESENT FOR THIS DISCUSSION, THEN THE FIDUCIARY SHALL LEAVE THE EXECUTIVE COMMITTEE OF THE BOARD MEETING WHILE THE DETERMINATION OF CONFLICT OF INTEREST IS DISCUSSED AND VOTED UPON. IF THE EXECUTIVE COMMITTEE OF THE BOARD DETERMINES THAT A CONFLICT EXISTS WITH RESPECT TO A TRANSACTION, THE EXECUTIVE COMMITTEE OF THE BOARD SHALL: (A) ALLOW THE FIDUCIARY TO MAKE A PRESENTATION TO THE EXECUTIVE COMMITTEE OF THE BOARD, BUT AFTER SUCH PRESENTATION, THE FIDUCIARY WITH THE FINANCIAL INTEREST SHALL LEAVE THE MEETING DURING THE DISCUSSION OF, AND THE VOTE ON, THE TRANSACTION THAT INVOLVES THE CONFLICT OF INTEREST; (B) APPOINT, IF THE EXECUTIVE COMMITTEE OF THE BOARD DEEMS IT APPROPRIATE TO DO SO, A NON INTERESTED PERSON OR COMMITTEE TO INVESTIGATE ALTERNATIVES TO THE TRANSACTION; (C) DETERMINE, BY A MAJORITY VOTE OF THE NON INTERESTED TRUSTEE MEMBERS OF THE EXECUTIVE COMMITTEE PRESENT, WHETHER THE TRANSACTION IS IN THE ICA'S BEST INTEREST AND FOR ITS OWN BENEFIT; IS FAIR AND REASONABLE TO THE ICA; AND, AFTER EXERCISING DUE DILIGENCE, DETERMINE WHETHER THE ICA CAN OBTAIN A MORE ADVANTAGEOUS TRANSACTION WITH REASONABLE EFFORTS UNDER THE CIRCUMSTANCES; AND (D) TAKE APPROPRIATE ACTION WITH RESPECT TO ANY VIOLATION OF THIS CONFLICT OF INTEREST POLICY.
FORM 990, PART VI, SECTION B, LINE 15	THE COMPENSATION FOR THE DIRECTOR IS REVIEWED AND APPROVED BY THE ICA'S COMPENSATION COMMITTEE. THIS COMMITTEE ALSO REVIEWS THE COMPENSATION FOR THE ICA'S SENIOR MANAGEMENT TEAM (CHIEF FINANCIAL OFFICER, CHIEF CURATOR, DEPUTY DIRECTOR, DIRECTOR OF DEVELOPMENT, DIRECTOR OF EDUCATION, DIRECTOR OF PERFORMING AND MEDIA ARTS, AND SENIOR DIRECTOR FOR CULTURE AND EQUITY) BUT FINAL COMPENSATION FOR THE SENIOR MANAGEMENT TEAM IS DETERMINED BY THE DIRECTOR. THE COMPENSATION COMMITTEE USES THE ANNUAL SALARY SURVEY FROM THE AMERICAN ASSOCIATION OF MUSEUM DIRECTORS AND FORM 990 DATA FROM SIMILAR ORGANIZATIONS.
FORM 990, PART VI, SECTION C, LINE 19	THE ORGANIZATION MAKES ITS GOVERNING DOCUMENTS, CONFLICT OF INTEREST POLICY, FORM 990, AND AUDITED FINANCIAL STATEMENTS AVAILABLE TO THE PUBLIC UPON REQUEST FOR THE SAME PERIOD OF DISCLOSURE AS SET FORTH IN SECTION 6104(D). IN ADDITION, THE ORGANIZATION'S FORM 990 WITHOUT SCHEDULE B IS AVAILABLE VIA CANDID AND THE MASSACHUSETTS ATTORNEY GENERAL'S WEBSITE.
FORM 990, PART XI, LINE 9:	GAIN ON SPLIT INTEREST AGREEMENT 13,719. LOSSES FROM UNCONDITIONAL PROMISES TO GIVE WRITE OFFS AND ALLOWANCES -556,164.

For Paperwork Reduction Act Notice, see the Instructions for Form 990 or 990-EZ.

Cat. No. 51056K

Schedule O (Form 990) (Rev. 1-2025)

Additional Data

Software ID:
Software Version:

1	Briefly describe the organization’s mission or most significant activities: SEE SCHEDULE O FOR DESCRIPTION.THE MISSION OF THE INSTITUTE OF CONTEMPORARY ART ("ICA") IS TO SHARE THE PLEASURES OF REFLECTION, INSPIRATION, PROVOCATION, AND IMAGINATION THAT CONTEMPORARY ART OFFERS THROUGH PUBLIC ACCESS TO ART, ARTISTS, AND THE CREATIVE PROCESS.
2	Check this box
3	Number of voting members of the governing body (Part VI, line 1a) ........	3	39
4	Number of independent voting members of the governing body (Part VI, line 1b) .....	4	38
5	Total number of individuals employed in calendar year 2024 (Part V, line 2a) ......	5	275
6	Total number of volunteers (estimate if necessary) .............	6	128
7a	Total unrelated business revenue from Part VIII, column (C), line 12 ........	7a	120,447
b	Net unrelated business taxable income from Form 990-T, Part I, line 11 .........	7b	11,291

		Prior Year	Current Year
8	Contributions and grants (Part VIII, line 1h) .........	17,101,819	26,063,233
9	Program service revenue (Part VIII, line 2g) .........	2,735,743	2,611,982
10	Investment income (Part VIII, column (A), lines 3, 4, and 7d ) ....	-391,098	1,607,480
11	Other revenue (Part VIII, column (A), lines 5, 6d, 8c, 9c, 10c, and 11e)	1,002,199	739,824
12	Total revenue—add lines 8 through 11 (must equal Part VIII, column (A), line 12)	20,448,663	31,022,519
13	Grants and similar amounts paid (Part IX, column (A), lines 1–3 )...	0	0
14	Benefits paid to or for members (Part IX, column (A), line 4).....	0	0
15	Salaries, other compensation, employee benefits (Part IX, column (A), lines 5–10)	9,180,575	10,534,113
16a	Professional fundraising fees (Part IX, column (A), line 11e) .....	43,750	0
b	Total fundraising expenses (Part IX, column (D), line 25) 1,421,507
17	Other expenses (Part IX, column (A), lines 11a–11d, 11f–24e)....	11,133,155	11,106,975
18	Total expenses. Add lines 13–17 (must equal Part IX, column (A), line 25)	20,357,480	21,641,088
19	Revenue less expenses. Subtract line 18 from line 12.......	91,183	9,381,431
		Beginning of Current Year	End of Year
20	Total assets (Part X, line 16).............	130,407,477	146,091,995
21	Total liabilities (Part X, line 26).............	5,697,167	5,616,891
22	Net assets or fund balances. Subtract line 21 from line 20.....	124,710,310	140,475,104

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	Signature of officer	Date

	Type or print name and title


4a	(Code: ) (Expenses $ 9,304,905 including grants of $ ) (Revenue $ 1,704,171 )
	ART EXHIBITIONS: GALLERY PRESENTATIONS: THE ICA PRESENTED 18 CONTEMPORARY ART EXHIBITIONS FEATURING PAINTING, DRAWING, SCULPTURE, VIDEO, INSTALLATION, AND MORE. FY25 GALLERY EXHIBITS ATTENDANCE TOTALED VISITORS 184,842, WATERSHED ATTENDANCE NUMBERED 26,897, AND IN-PERSON PROGRAMMING ATTENDANCE NUMBERED 33,174. (SEE CONTINUATION ON SCHEDULE O)

4b	(Code: ) (Expenses $ 2,091,933 including grants of $ ) (Revenue $ 23,862 )
	EDUCATION, ADULTS, TEENS:THE ICA OFFERS A ROBUST RANGE OF EDUCATIONAL PROGRAMS BUILT AROUND THEMES IN CONTEMPORARY ART AND CULTURE. GEARED TOWARD ADULT, TEEN, AND FAMILY AUDIENCES, THESE INCLUDE PUBLIC PROGRAMS, DIGITAL RESOURCES, AND MORE. WE EXTEND OUR GRATITUDE TO THE MANY INDIVIDUALS AND ORGANIZATIONS WHO CONTRIBUTE TO THE SUCCESS OF THESE INITIATIVES, INCLUDING TEACHING ARTISTS, COMMUNITY PARTNERS, SCHOOLS, AND THE ARTISTS THEMSELVES.(SEE CONTINUATION ON SCHEDULE O)

4c	(Code: ) (Expenses $ 1,884,087 including grants of $ ) (Revenue $ 197,295 )
	PERFORMING AND MEDIA ARTS:THE ICA PRESENTS SOME OF THE MOST INNOVATIVE AND FORWARD-LOOKING CHOREOGRAPHERS, MUSICIANS, FILMMAKERS, THEATER COMPANIES AND MULTI-DISCIPLINARY ARTISTS FROM BOSTON AND THE REST OF THE WORLD. IN FY25 WE OFFERED 46 PROGRAMS (PERFORMING ARTS AND FILM). ATTENDANCE TOTALED APPROXIMATELY 21,823. WE ORGANIZED 51 PERFORMANCES BY THE FOLLOWING PERFORMERS, ARTISTS AND ENSEMBLE COMPANIES. ATTENDANCE OF THESE PERFORMANCES TOTALED 16,857. (SEE CONTINUATION ON SCHEDULE O)DANCE/THEATER* SUMMER STAGES DANCE @ ICA: JASMINE HEARN MEMORY FLEET OPEN REHEARSAL * SUMMER STAGES DANCE @ ICA: SHAMEL PITTS \| TRIBE SNEAK PREVIEW SHOWING* SANDBOX PERCUSSION AND GANDINI JUGGLING* FAYE DRISCOLL: WEATHERING* URBAN BUSH WOMEN 40TH ANNIVERSARY: THIS IS RISK* GLOBAL ARTS LIVE PRESENTS - SUBJECT: MATTER - PALAVER STRINGS + LITTLE HOUSE DANCE: NOISEFLOOR - GALLIM DANCE - BOSTON DANCE THEATER: RED IS A FEELING - DAVID DORFMAN DANCE: TRUCEMUSIC* HARBORWALK SOUNDS: - SO ALMA - RIJAH - SOULBOI - CORDELIA FOX - MANUELA SANCHEZ GOUBERT - LAST MINUTE - TWO SMOOTH - KAJI BARFI* VINYL NIGHTS: - KEEP ON - STAY SILENT - MUSIC RESEARCH LIBRARY - KICKBACK - SOCIAL STUDIES - SLOW GEMZ - INFRA* BLACK JOY DAY* SAMORA PINDERHUGHES* DAWN RICHARD AND SPENCER ZAHN* AFRO-CARIBBEAN JAZZ FROM JONATHAN SUAZO* GREGORY GROOVER, JR. TRIO* ICA NIGHTLIFE: DJ KON* PIERRE BOULEZ: FOLD BY FOLD \| THE RADICAL WHO REBUILT THE MUSIC WORLD* ROBERTO CARLOS LANGE AND KRISTI SWORD: STAR SCORES * HENRY THREADGILL, VIJAY IYER, AND DAFNIS PRIETO TRIO * JAZZ URBANE CAFE AT ICA PRESENTS ART FORWARD * WE CREATE THE WORLD: A JUNETEENTH CELEBRATIONIN FY25 WE PRESENTED 30 SCREENINGS OF THE FOLLOWING FILMS. ATTENDANCE AT THESE SCREENINGS TOTALED 4,966.FILM* SUNDANCE FILM FESTIVAL SHORTS* ENO* WICKED QUEER: S/HE IS STILL HER/E: THE OFFICIAL GENESIS P-ORRIDGE DOCUMENTARY* KID FLICKS SHORT FILMS* LOSE YOUR MOTHER: A FILM SHORTS PROGRAM FROM BLACKSTAR PROJECTS* 2025 OSCAR-NOMINATED SHORT FILMS* WICKED QUEER FILM SCREENING: ASSEMBLY* SHAKER SHORTS: THE QUIET IN THE LAND AND SACRED SHEETS

	(Code: ) (Expenses $ 1,556,718 including grants of $ ) (Revenue $ 747,973 )
	EARNED INCOME ACTIVITIES:- EVENT SPACE RENTALS: THE ICA HOSTED 43 EVENT RENTALS IN FY25 THAT WERE ATTENDED BY 6,036 VISITORS WHO HAD THE OPPORTUNITY TO VIEW THE ICA'S AWARD WINNING ARCHITECTURAL DESIGN AND EXHIBITIONS. - ART TRIPS: IN FY25, THE ICA SPONSORED ONE ART TRIP TO COPENHAGEN.

	(Code: ) (Expenses $ 1,231,701 including grants of $ ) (Revenue $ 0 )
	MARKETING AND COMMUNICATIONS:DEVELOPED AND IMPLEMENTED MARKETING, ADVERTISING, SOCIAL MEDIA, AND PUBLIC RELATIONS STRATEGIES THAT PROMOTED THE EXPERIENCE OF THE ICA INCLUDING THE EXHIBITIONS, PERFORMANCES, EDUCATIONAL, COMMUNITY AND SOCIAL PROGRAMS, AND FREE HOLIDAY MONDAYS TO THE PUBLIC AND ICA MEMBERS. EXHIBITIONS AND PERFORMANCES RECEIVED CRITICAL AND POPULAR ACCLAIM, AND WERE WELL RECEIVED BY VISITORS WITH HIGH ENGAGEMENT AND SATISFACTION RATINGS. IN FISCAL YEAR 2025, THE ICA WELCOMED A TOTAL OF 242,967 VISITORS.

	(Code: ) (Expenses $ 523,551 including grants of $ ) (Revenue $ 686,654 )
	MEMBERSHIPS:IN FISCAL YEAR 2025, THE MEMBERSHIP DEPARTMENT SERVED 6,175 HOUSEHOLDS AND HAD 26,266 MEMBER VISITS TO ENJOY THEIR PRIMARY BENEFITS OF FREE MUSEUM ADMISSION, SPECIAL MEMBERS' EVENTS, FREE ACCESS TO FIRST FRIDAYS, AND DISCOUNTS IN THE ICA STORE.

4d	Other program services (Describe in Schedule O.)
	(Expenses $ 3,311,970 including grants of $ ) (Revenue $ 1,434,627 )
4e	Total program service expenses16,592,895

1b	Sub-Total..............
c	Total from continuation sheets to Part VII, Section A..
d	Total (add lines 1b and 1c).........	2,094,945	0	255,819

1a	Federated campaigns..		1a
b	Membership dues..		1b
c	Fundraising events..		1c	1,490,603
d	Related organizations		1d
e	Government grants (contributions)		1e	280,750

f	All other contributions, gifts, grants, and similar amounts not included above		1f	24,291,880

g	Noncash contributions included in lines 1a - 1f:$		1g	953,318

h Total. Add lines 1a-1f.......		26,063,233

		Business Code
2a	ADMISSIONS & PROGRAM	900099	1,374,329	1,374,329
b	MEMBERSHIP DUES	900099	686,654	686,654
c	EXHIBITIONS	900099	550,999	550,999
d
e
f	All other program service revenue.
g	Total. Add lines 2a–2f .....		2,611,982

3 Investment income (including dividends, interest, and othersimilar amounts) ......			1,709,325		-6,532	1,715,857
4 Income from investment of tax-exempt bond proceeds
5 Royalties...........
			(i) Real	(ii) Personal
6a	Gross rents	6a	810,738
b	Less: rental expenses	6b	683,759
c	Rental income or (loss)	6c	126,979
d	Net rental income or (loss).......			126,979
			(i) Securities	(ii) Other
7a	Gross amount from sales of assets other than inventory	7a	5,428,493
b	Less: cost or other basis and sales expenses	7b	5,530,338
c	Gain or (loss)	7c	-101,845
d	Net gain or (loss).........			-101,845			-101,845
8a	Gross income from fundraising events (not including $ 1,490,603of contributions reported on line 1c). See Part IV, line 18 ....
			8a	117,310
b	Less: direct expenses ...		8b	611,170
c	Net income or (loss) from fundraising events..			-493,860			-493,860
9a	Gross income from gaming activities. See Part IV, line 19 ...
			9a
b	Less: direct expenses ...		9b
c	Net income or (loss) from gaming activities..
10a	Gross sales of inventory, less returns and allowances ..
			10a	1,368,851
b	Less: cost of goods sold ..		10b	660,527
c	Net income or (loss) from sales of inventory..			708,324	708,324

Business Code
11a	CORPORATE EXCHANGE REV		900099	217,097			217,097
b	FOOD SERVICES		722210	141,635			141,635
c	OTHER REVENUE		900099	39,649	39,649
d	All other revenue ....
e	Total. Add lines 11a–11d ......			398,381
12	Total revenue. See instructions.....			31,022,519	3,359,955	120,447	1,478,884

1	Grants and other assistance to domestic organizations and domestic governments. See Part IV, line 21 ....
2	Grants and other assistance to domestic individuals. See Part IV, line 22 ...........
3	Grants and other assistance to foreign organizations, foreign governments, and foreign individuals. See Part IV, lines 15 and 16. .............
4	Benefits paid to or for members .......
5	Compensation of current officers, directors, trustees, and key employees ...........	2,018,108	459,022	1,347,180	211,906
6	Compensation not included above, to disqualified persons (as defined under section 4958(f)(1)) and persons described in section 4958(c)(3)(B) .........
7	Other salaries and wages........	7,037,986	5,387,650	1,071,589	578,747
8	Pension plan accruals and contributions (include section 401(k) and 403(b) employer contributions) ....	268,582	200,743	34,002	33,837
9	Other employee benefits .......	621,625	503,446	47,533	70,646
10	Payroll taxes ...........	587,812	427,053	106,884	53,875
11	Fees for services (non-employees):
a	Management ......
b	Legal .........	39,213		39,213
c	Accounting ...........	92,426		92,426
d	Lobbying ...........
e	Professional fundraising services. See Part IV, line 17
f	Investment management fees ......	224,199		198,569	25,630
g	Other (If line 11g amount exceeds 10% of line 25, column (A) amount, list line 11g expenses on Schedule O)	1,541,669	1,290,910	149,488	101,271
12	Advertising and promotion ....	418,649	417,890	759
13	Office expenses .......	1,395,175	1,340,709	17,964	36,502
14	Information technology ......	325,372	159,373	143,045	22,954
15	Royalties ..
16	Occupancy ...........	771,389	741,845	17,125	12,419
17	Travel ............	388,566	339,708	35,425	13,433
18	Payments of travel or entertainment expenses for any federal, state, or local public officials .
19	Conferences, conventions, and meetings ....	9,722	8,701	17	1,004
20	Interest ...........	29,690	28,462	712	516
21	Payments to affiliates .......
22	Depreciation, depletion, and amortization ..	2,181,249	2,092,582	51,334	37,333
23	Insurance ...	179,077	81,408	97,669
24	Other expenses. Itemize expenses not covered above (List miscellaneous expenses in line 24e. If line 24e amount exceeds 10% of line 25, column (A) amount, list line 24e expenses on Schedule O.)
a	MISC. FACILITY COSTS	1,011,380	955,294	24,958	31,128
b	ARTIST FEES	891,330	888,801	0	2,529
c	ART ACQUISITIONS	593,717	593,717	0	0
d	RENTAL AND EQUIPMENT	296,761	268,011	8,082	20,668
e	All other expenses	717,391	407,570	142,712	167,109
25	Total functional expenses. Add lines 1 through 24e	21,641,088	16,592,895	3,626,686	1,421,507
26	Joint costs. Complete this line only if the organization reported in column (B) joint costs from a combined educational campaign and fundraising solicitation. Check here if following SOP 98-2 (ASC 958-720).

1	Cash–non-interest-bearing ........			13,036,031	1	13,464,165
2	Savings and temporary cash investments .........				2
3	Pledges and grants receivable, net ......			16,369,799	3	20,755,254
4	Accounts receivable, net .............			320,348	4	336,343
5	Loans and other receivables from any current or former officer, director, trustee, key employee, creator or founder, substantial contributor, or 35% controlled entity or family member of any of these persons .......
					5
6	Loans and other receivables from other disqualified persons (as defined under section 4958(f)(1)), and persons described in section 4958(c)(3)(B) ...
					6
7	Notes and loans receivable, net ...........				7
8	Inventories for sale or use ............			396,884	8	446,087
9	Prepaid expenses and deferred charges ......			686,900	9	420,156
10a	Land, buildings, and equipment: cost or other basis. Complete Part VI of Schedule D	10a	69,806,995
b	Less: accumulated depreciation	10b	36,575,554	34,826,428	10c	33,231,441
11	Investments—publicly traded securities .			31,373,777	11	38,903,031
12	Investments—other securities. See Part IV, line 11 .....			31,066,000	12	36,826,163
13	Investments—program-related. See Part IV, line 11 ..				13
14	Intangible assets ...............				14
15	Other assets. See Part IV, line 11 ...........			2,331,310	15	1,709,355
16	Total assets. Add lines 1 through 15 (must equal line 33)...			130,407,477	16	146,091,995

17	Accounts payable and accrued expenses .....	2,371,743	17	2,639,744
18	Grants payable ...		18
19	Deferred revenue .........		19
20	Tax-exempt bond liabilities .........	1,253,102	20	1,173,989
21	Escrow or custodial account liability. Complete Part IV of Schedule D		21
22	Loans and other payables to any current or former officer, director, trustee, key employee, creator or founder, substantial contributor, or 35% controlled entity or family member of any of these persons .........
			22
23	Secured mortgages and notes payable to unrelated third parties ..		23
24	Unsecured notes and loans payable to unrelated third parties ..		24
25	Other liabilities (including federal income tax, payables to related third parties, and other liabilities not included on lines 17 - 24). Complete Part X of Schedule D	2,072,322	25	1,803,158
26	Total liabilities. Add lines 17 through 25..	5,697,167	26	5,616,891

	Organizations that follow FASB ASC 958, check here and complete lines 27, 28, 32, and 33.
27	Net assets without donor restrictions ..........	37,065,363	27	35,550,114
28	Net assets with donor restrictions ...........	87,644,947	28	104,924,990
	Organizations that do not follow FASB ASC 958, check here and complete lines 29 through 33.
29	Capital stock or trust principal, or current funds .....		29
30	Paid-in or capital surplus, or land, building or equipment fund ...		30
31	Retained earnings, endowment, accumulated income, or other funds		31
32	Total net assets or fund balances ...........	124,710,310	32	140,475,104
33	Total liabilities and net assets/fund balances ........	130,407,477	33	146,091,995

1	Was the organization a U.S. transferor of property to a foreign corporation during the tax year? If "Yes," the organization may be required to file Form 926, Return by a U.S. Transferor of Property to a Foreign Corporation (see Instructions for Form 926). . . . . . . . . . . . . . . . . . . . . . . . . . . . . .	Yes	No
2	Did the organization have an interest in a foreign trust during the tax year? If "Yes," the organization may be required to separately file Form 3520, Annual Return to Report Transactions with Foreign Trusts and Receipt of Certain Foreign Gifts, and/or Form 3520-A, Annual Information Return of Foreign Trust With a U.S. Owner (see Instructions for Forms 3520 and 3520-A; don't file with Form 990). . . . . . . . . . . . . . . . . . . . . . . .	Yes	No
3	Did the organization have an ownership interest in a foreign corporation during the tax year? If "Yes," the organization may be required to file Form 5471, Information Return of U.S. Persons with Respect to Certain Foreign Corporations. (see Instructions for Form 5471). . . . . . . . . . . . . . . . . . . . . . . . . . . .	Yes	No
4	Was the organization a direct or indirect shareholder of a passive foreign investment company or a qualified electing fund during the tax year? If “Yes,” the organization may be required to file Form 8621, Information Return by a Shareholder of a Passive Foreign Investment Company or Qualified Electing Fund. (see Instructions for Form 8621) .	Yes	No
5	Did the organization have an ownership interest in a foreign partnership during the tax year? If "Yes," the organization may be required to file Form 8865, Return of U.S. Persons with Respect to Certain Foreign Partnerships (see Instructions for Form 8865). . . . . . . . . . . . . . . . . . . . . . . . . . . . . .	Yes	No
6	Did the organization have any operations in or related to any boycotting countries during the tax year? If "Yes," the organization may be required to separately file Form 5713, International Boycott Report (see Instructions for Form 5713; don't file with Form 990).. . . . . . . . . . . . . . . . . . . . . . . . . . . .	Yes	No