Attach to Form 990 or Form 990-EZ.
Go to
www.irs.gov/Form990 for instructions and the latest information.
| (i) Name of supported organization | (ii) EIN | (iii) Type of organization (described on lines 1- 10 above (see instructions)) | (iv) Is the organization listed in your governing document? | (v) Amount of monetary support (see instructions) | (vi) Amount of other support (see instructions) | |
|---|---|---|---|---|---|---|
| Yes | No | |||||
| (A)
ACADEMY FOUNDATION |
952243698 | 7 | Yes | 85,368,645 | 0 | |
|
Total 1
|
85,368,645 | 0 | ||||
Calendar year
(or fiscal year beginning in)
![]() |
(a) 2020 | (b) 2021 | (c) 2022 | (d) 2023 | (e) 2024 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 1 | Gifts, grants, contributions, and membership fees received. (Do not include any "unusual grant.") .. | ||||||
| 2 | Tax revenues levied for the organization's benefit and either paid to or expended on its behalf .... | ||||||
| 3 | The value of services or facilities furnished by a governmental unit to the organization without charge.. | ||||||
| 4 | Total. Add lines 1 through 3 | ||||||
| 5 | The portion of total contributions by each person (other than a governmental unit or publicly supported organization) included on line 1 that exceeds 2% of the amount shown on line 11, column (f) .. | ||||||
| 6 | Public support. Subtract line 5 from line 4. | ||||||
Calendar year
(or fiscal year beginning in)
![]() |
(a) 2020 | (b) 2021 | (c) 2022 | (d) 2023 | (e) 2024 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 7 | Amounts from line 4.. | ||||||
| 8 | Gross income from interest, dividends, payments received on securities loans, rents, royalties and income from similar sources... | ||||||
| 9 | Net income from unrelated business activities, whether or not the business is regularly carried on.. | ||||||
| 10 | Other income. Do not include gain or loss from the sale of capital assets (Explain in Part VI.).. | ||||||
| 11 | Total support. Add lines 7 through 10 | ||||||
Calendar year (or fiscal
year beginning in) ![]() |
(a) 2020 | (b) 2021 | (c) 2022 | (d) 2023 | (e) 2024 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 1 | Gifts, grants, contributions, and membership fees received. (Do not include any "unusual grants.") . | ||||||
| 2 | Gross receipts from admissions, merchandise sold or services performed, or facilities furnished in any activity that is related to the organization's tax-exempt purpose | ||||||
| 3 | Gross receipts from activities that are not an unrelated trade or business under section 513 ..... | ||||||
| 4 | Tax revenues levied for the organization's benefit and either paid to or expended on its behalf... | ||||||
| 5 | The value of services or facilities furnished by a governmental unit to the organization without charge | ||||||
| 6 | Total. Add lines 1 through 5 | ||||||
| 7a | Amounts included on lines 1, 2, and 3 received from disqualified persons | ||||||
| b | Amounts included on lines 2 and 3 received from other than disqualified persons that exceed the greater of $5,000 or 1% of the amount on line 13 for the year. | ||||||
| c | Add lines 7a and 7b.. | ||||||
| 8 | Public support. (Subtract line 7c from line 6.) | ||||||
Calendar year
(or fiscal year beginning in)
![]() |
(a) 2020 | (b) 2021 | (c) 2022 | (d) 2023 | (e) 2024 | (f) Total | |
|---|---|---|---|---|---|---|---|
| 9 | Amounts from line 6... | ||||||
| 10a | Gross income from interest, dividends, payments received on securities loans, rents, royalties and income from similar sources.. | ||||||
| b | Unrelated business taxable income (less section 511 taxes) from businesses acquired after June 30, 1975. | ||||||
| c | Add lines 10a and 10b. | ||||||
| 11 | Net income from unrelated business activities not included on line 10b, whether or not the business is regularly carried on. | ||||||
| 12 | Other income. Do not include gain or loss from the sale of capital assets (Explain in Part VI.) .. | ||||||
| 13 | Total support. (Add lines 9, 10c, 11, and 12.).. | ||||||
| Section A - Adjusted Net Income | (A) Prior Year |
(B) Current Year (optional) |
||||
| 1 | Net short-term capital gain | 1 | ||||
| 2 | Recoveries of prior-year distributions | 2 | ||||
| 3 | Other gross income (see instructions) | 3 | ||||
| 4 | Add lines 1 through 3 | 4 | ||||
| 5 | Depreciation and depletion | 5 | ||||
| 6 | Portion of operating expenses paid or incurred for production or collection of gross income or for management, conservation, or maintenance of property held for production of income (see instructions) | 6 | ||||
| 7 | Other expenses (see instructions) | 7 | ||||
| 8 | Adjusted Net Income (subtract lines 5, 6 and 7 from line 4) | 8 | ||||
| Section B - Minimum Asset Amount | (A) Prior Year |
(B) Current Year (optional) |
||||
| 1 | Aggregate fair market value of all non-exempt-use assets (see instructions for short tax year or assets held for part of year): | 1 | ||||
| a | Average monthly value of securities | 1a | ||||
| b | Average monthly cash balances | 1b | ||||
| c | Fair market value of other non-exempt-use assets | 1c | ||||
| d | Total (add lines 1a, 1b, and 1c) | 1d | ||||
| e |
Discount claimed for blockage or other factors (explain in detail in Part VI): |
|||||
| 2 | Acquisition indebtedness applicable to non-exempt use assets | 2 | ||||
| 3 | Subtract line 2 from line 1d | 3 | ||||
| 4 | Cash deemed held for exempt use. Enter 0.015 of line 3 (for greater amount, see instructions). | 4 | ||||
| 5 | Net value of non-exempt-use assets (subtract line 4 from line 3) | 5 | ||||
| 6 | Multiply line 5 by 0.035 | 6 | ||||
| 7 | Recoveries of prior-year distributions | 7 | ||||
| 8 | Minimum Asset Amount (add line 7 to line 6) | 8 | ||||
| Section C - Distributable Amount | Current Year | |||||
| 1 | Adjusted net income for prior year (from Section A, line 8, Column A) | 1 | ||||
| 2 | Enter 85% of line 1 | 2 | ||||
| 3 | Minimum asset amount for prior year (from Section B, line 8, Column A) | 3 | ||||
| 4 | Enter greater of line 2 or line 3 | 4 | ||||
| 5 | Income tax imposed in prior year | 5 | ||||
| 6 | Distributable Amount. Subtract line 5 from line 4, unless subject to emergency temporary reduction (see instructions) | 6 | ||||
| Section D - Distributions | Current Year | |
|---|---|---|
| 1 Amounts paid to supported organizations to accomplish exempt purposes | 1 | |
|
2
Amounts paid to perform activity that directly furthers exempt purposes of supported organizations, in excess of income from activity |
2 | |
| 3 Administrative expenses paid to accomplish exempt purposes of supported organizations | 3 | |
| 4 Amounts paid to acquire exempt-use assets | 4 | |
| 5 Qualified set-aside amounts (prior IRS approval required - provide details in Part VI) | 5 | |
| 6 Other distributions (describe in Part VI). See instructions | 6 | |
| 7Total annual distributions. Add lines 1 through 6. | 7 | |
|
8
Distributions to attentive supported organizations to which the organization is responsive (provide details in Part VI). See instructions |
8 | |
| 9 Distributable amount for 2024 from Section C, line 6 | 9 | |
| 10 Line 8 amount divided by Line 9 amount | 10 | |
| Section E - Distribution Allocations (see instructions) |
(i) Excess Distributions |
(ii) Underdistributions Pre-2024 |
(iii) Distributable Amount for 2024 |
|
|---|---|---|---|---|
| 1 Distributable amount for 2024 from Section C, line 6 | ||||
|
2
Underdistributions, if any, for years prior to 2024 (reasonable cause required-- explain in Part VI).
See instructions. |
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| 3 Excess distributions carryover, if any, to 2024: | ||||
| a From 2019....... | ||||
| b From 2020....... | ||||
| c From 2021....... | ||||
| d From 2022....... | ||||
| e From 2023....... | ||||
| fTotal of lines 3a through e | ||||
| g Applied to underdistributions of prior years | ||||
| h Applied to 2024 distributable amount | ||||
|
i
Carryover from 2019 not applied (see instructions) |
||||
| j Remainder. Subtract lines 3g, 3h, and 3i from line 3f. | ||||
| 4Distributions for 2024 from Section D, line 7: | ||||
| $ | ||||
| a Applied to underdistributions of prior years | ||||
| b Applied to 2024 distributable amount | ||||
| c Remainder. Subtract lines 4a and 4b from line 4. | ||||
|
5
Remaining underdistributions for years prior to 2024, if any. Subtract lines 3g and 4a from line 2. If the amount is greater than zero, explain in Part VI. See instructions. |
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|
6
Remaining underdistributions for 2024. Subtract lines 3h and 4b from line 1. If the amount is greater than zero, explain in Part VI. See instructions. |
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|
7 Excess distributions carryover to 2025. Add lines 3j and 4c. |
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| 8 Breakdown of line 7: | ||||
| a Excess from 2020..... | ||||
| b Excess from 2021..... | ||||
| c Excess from 2022..... | ||||
| d Excess from 2023..... | ||||
| e Excess from 2024..... | ||||
| Facts And Circumstances Test |
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| Return Reference | Explanation |
|---|
| Software ID: | |
| Software Version: |
| Return Reference | Explanation |
|---|---|
| FORM 990, PART III, LINE 4A DETAIL | THE ACADEMY MUSEUM CONSISTS OF THE RENOVATED LANDMARK 1939 SABAN BUILDING AND A NEW, ATTACHED SPHERICAL ADDITION THAT INCLUDES, AMONG OTHER THINGS, THE 951-SEAT DAVID GEFFEN THEATER AND THE DOLBY FAMILY TERRACE OVERLOOKING THE HOLLYWOOD HILLS AND THE CITY OF LOS ANGELES. THE ACADEMY MUSEUM FEATURES SIX STORIES OF IMMERSIVE EXHIBITION GALLERIES, A STATE-OF-THE-ART EDUCATIONAL STUDIO, FILM THEATERS AND DYNAMIC PUBLIC AND SPECIAL EVENT SPACES. ONE OF THE KEY MISSIONS OF THE ACADEMY MUSEUM FOUNDATION IS TO MANAGE AND OPERATE THE FACILITY. THIS CATEGORY OF EXPENSE ALSO REFLECTS FINANCING AND DEPRECIATION EXPENSE OF THE CAPITALIZED COSTS OF CONSTRUCTING THE MUSEUM'S PHYSICAL FACILITIES. |
| FORM 990, PART III, LINE 4B DETAIL | AS PART OF ITS MISSION, THE ACADEMY MUSEUM FOUNDATION ENGAGES IN AN ACTIVE PROGRAM OF COLLECTION CARE AND CONSERVATION OF FILM-RELATED OBJECTS AS PART OF THE 52 MILLION ITEM ACADEMY COLLECTION. THE ACADEMY MUSEUM'S LOS ANGELES FACILITY INCLUDES A COLLECTION STUDIO TO PROCESS AND PREPARE OBJECTS FOR DISPLAY, A CONSERVATION LAB TO CONDUCT ANALYSIS AND TREATMENT OF 3-D OBJECTS, AS WELL AS A PHOTOGRAPHY STUDIO FOR THE DOCUMENTATION OF OBJECTS. IN ADDITION, THE ACADEMY MUSEUM MAINTAINS CLIMATE-CONTROLLED, HIGHLY SECURE FACILITIES FOR THE STORAGE OF ITS COLLECTION. IN FY25, THE MUSEUM'S CONSERVATION TEAM UNDERTOOK RESEARCH AND ANALYSIS IN SUPPORT OF GROUNDBREAKING WORK INCLUDING: (1) CONTINUATION OF A MULTI-YEAR RESEARCH PROJECT WITH SCIENTISTS FROM NORTHWESTERN UNIVERSITY AND THE ART INSTITUTE OF CHICAGO TO DEEPEN UNDERSTANDING OF THE LONGEVITY OF POLYMER CLAYS AND DEVELOP EFFECTIVE PRESERVATION STRATEGIES FOR THESE MATERIALS, INCLUDING A SCULPTURE BY PIONEERING STOP-MOTION ANIMATOR RAY HARRYHAUSEN AND A PUPPET FROM WALLACE AND GROMIT: THE CURSE OF THE WERERABBIT (2005); AND (2) TREATMENTS ON THE PERMANENT COLLECTION, INCLUDING OBJECTS FROM LARRY COHEN'S HORROR FILMS Q: THE WINGED SERPENT (1982), THE STUFF (1985) AND THE IT'S ALIVE TRILOGY (1974-1987). THE ACADEMY MUSEUM'S CURATORIAL STAFF RESEARCHES THE OBJECTS IN THE MUSEUM'S POSSESSION, PLANS EXHIBITIONS FOR PUBLIC VIEWING, AND PREPARES AND PUBLISHES SCHOLARLY PUBLICATIONS AND TEXTS. THE ACADEMY MUSEUM PRESENTED THE FOLLOWING EXHIBITIONS IN ITS GALLERIES DURING ALL OR PARTS OF FY25: (I) STORIES OF CINEMA (ONGOING) IS THE ACADEMY MUSEUM'S CORE EXHIBITION, SPANNING THREE LEVELS OF THE MUSEUM, NUMEROUS GALLERIES, AND PRESENTING THE DIVERSE, INTERNATIONAL, AND COMPLEX STORIES OF MOVIEMAKERS AND THE WORKS THEY CREATE; (II) HOLLYWOODLAND: JEWISH FOUNDERS AND THE MAKING OF A MOVIE CAPITAL (ONGOING) IS THE ACADEMY MUSEUM'S FIRST PERMANENT EXHIBITION AND TELLS THE ORIGIN STORY OF FILMMAKING IN EARLY 20TH CENTURY LOS ANGELES, SPOTLIGHTING THE IMPACT OF THE PREDOMINANTLY JEWISH PROFESSIONALS AND FILMMAKERS WHOSE ESTABLISHMENT OF THE AMERICAN FILM STUDIO SYSTEM TRANSFORMED LOS ANGELES INTO A GLOBAL EPICENTER OF CINEMA; (III) COLOR IN MOTION: CHROMATIC EXPLORATIONS OF CINEMA (10/06/24-07/13/25), PRESENTED AS PART OF GETTY PST ART, INVESTIGATED THE ROLE OF COLOR IN FILM, FROM THE SCIENTIFIC AND TECHNOLOGICAL ADVANCEMENTS THAT MADE IT POSSIBLE, TO ITS EMOTIONAL AND PSYCHOLOGICAL IMPACT ON VIEWERS, TO THE WAYS FILMMAKERS USE COLOR AS A STORYTELLING TOOL; (IV) JOHN WATERS: POPE OF TRASH (09/17/23-08/04/24), THE FIRST COMPREHENSIVE EXHIBITION DEVOTED TO THE ARTIST; (V) CYBERPUNK: ENVISIONING POSSIBLE FUTURES THROUGH CINEMA (10/06/24-04/12/26), ALSO PRESENTED AS PART OF GETTY PST ART, EXAMINES THE GLOBAL IMPACT AND LASTING INFLUENCE OF THE SCIENTIFIC SUBGENRE CYBERPUNK ON CINEMA CULTURE; (VI) SHIFTING PERSPECTIVES: VERTICAL CINEMA (11/12/23-08/04/24), OFFERED A UNIQUE VERTICAL CINEMA VIEWING EXPERIENCE HONORING THE SPIRIT OF EXPERIMENTATION IN CINEMA; (VII) THE PIXAR TOY STORY 3D ZOETROPE (09/29/24-07/26/26), A LARGE-SCALE THREE-DIMENSIONAL ZOETROPE PRESENTED ALONGSIDE A HISTORICAL "WHEEL OF LIFE" ZOETROPE FROM THE 19TH CENTURY FROM THE ACADEMY'S PRE-CINEMA COLLECTION; (VIII) OUTSIDE THE MAINSTREAM (09/17/23-08/04/24), AN INSTALLATION THAT PAID HOMAGE TO THE FILMMAKERS FROM THE AMERICAN AVANT-GARDE, UNDERGROUND FILM, AND NEW QUEER CINEMA MOVEMENTS; (IX) BARBIE TO ANNA KARENINA: THE CINEMATIC WORLDS OF SARAH GREENWOOD AND KATIE SPENCER (05/23/25-10/25/26), AN IMMERSIVE AND EXPERIENTIAL LOOK AT THE WORKS OF ONE OF THE MOST DISTINCTIVE PRODUCTION DESIGN TEAMS WORKING TODAY; (X) ANIMATION & ME (12/07/24-04/06/25), IMMERSIVE EXHIBITION OF PROJECTIONS OF CLIPS, CONCEPT ART, AND BEHIND-THE-SCENES FOOTAGE THAT ILLUSTRATED THE ART AND PROCESS OF ANIMATION; AND (XI) DYKSTRAFLEX, (05/04/24-07/28/24), A LIMITED TIME INSTALLATION IN THE SPIELBERG FAMILY GALLERY OF THE GROUNDBREAKING DYKSTRAFLEX COMPUTERIZED MOTION CONTROL SYSTEM. THE ACADEMY MUSEUM ALSO PRESENTED THE OSCARS EXPERIENCE (ONGOING), AN IMMERSIVE SIMULATION IN WHICH MUSEUM VISITORS CAN RECEIVE AN OSCAR AND A VIDEO TO DOCUMENT THE EXPERIENCE. THE ACADEMY MUSEUM'S PUBLISHING IMPRINT PRODUCED CATALOGUES FOR ITS TEMPORARY EXHIBITIONS COLOR IN MOTION: CHROMATIC EXPLORATIONS OF CINEMA, JOHN WATERS: POPE OF TRASH, AND CYBERPUNK: ENVISIONING POSSIBLE FUTURES THROUGH CINEMA. ALL THE PUBLICATIONS ARE CO-PUBLISHED WITH DELMONICO BOOKS AND DISTRIBUTED WORLDWIDE BY D.A.P. ARTBOOK. |
| FORM 990, PART III, LINE 4C DETAIL | THE ACADEMY MUSEUM IS THE LARGEST INSTITUTION IN THE UNITED STATES DEVOTED TO THE GLOBAL ARTS, SCIENCES, AND ARTISTS OF MOVIEMAKING. DURING FY25, THE ACADEMY MUSEUM HAD ROBUST TICKET SALES, PRESENTED A WIDE VARIETY OF FILM SCREENINGS, AND HOSTED NUMEROUS EDUCATION AND PUBLIC PROGRAMS, MANY OF WHICH FEATURED NOTABLE FILM ARTISTS. THE MUSEUM SERVES A DIVERSE GENERAL POPULATION OF LOCAL LOS ANGELES COUNTY RESIDENTS, INCLUDING STUDENTS AND TEACHERS ON K-12 SCHOOL TOURS; NATIONAL AND INTERNATIONAL VISITORS TO LOS ANGELES; AND BUSINESS, FILM INDUSTRY, AND CONVENTION VISITORS. AS PART OF ITS COMMUNITY COMMITMENT, THE MUSEUM'S GROUND FLOOR IS OPEN FREE TO THE PUBLIC. IT INCLUDES THE SIDNEY POITIER GRAND LOBBY AND SPIELBERG FAMILY GALLERY, HOUSING IMMERSIVE MULTICHANNEL MEDIA INSTALLATIONS. DISCOUNTED ADMISSION IS PROVIDED TO STUDENTS AND SENIORS, WITH FREE ADMISSION OFFERED TO CALIFORNIA EBT CARDHOLDERS AND THEIR FAMILIES. FREE MUSEUM ADMISSION FOR VISITORS 17 YEARS OF AGE AND YOUNGER IS PROVIDED IN PERPETUITY THROUGH AN ENDOWMENT. THE ACADEMY MUSEUM STORE HAS LIVELY TRAFFIC ON SITE AND ONLINE, OFFERING MERCHANDISE DESIGNED AND PRODUCED BY ACADEMY MEMBERS AND LOS ANGELES- AND CALIFORNIA-BASED ARTISTS AND DESIGNERS AS WELL AS PRODUCTS CONNECTING STORE AUDIENCES TO THE MUSEUM'S EXHIBITIONS AND THE HISTORY OF THE ACADEMY OF MOTION PICTURE ARTS AND SCIENCES AND THE OSCARS. |
| FORM 990, PART III, LINE 4D DETAIL | THE ACADEMY MUSEUM'S EDUCATION, FILM PROGRAMMING, AND PUBLIC ENGAGEMENT PROGRAMS CREATE SAFE AND INCLUSIVE LEARNING OPPORTUNITIES FOR LOCAL, NATIONAL, AND INTERNATIONAL LEARNERS OF ALL ABILITIES. THIS PROGRAMMING INCLUDES A ROBUST SCHEDULE OF SCREENINGS, DISCUSSIONS, AND PUBLIC PROGRAMS INCLUDING IN-GALLERY PROGRAMS, VIRTUAL PROGRAMS, SCHOOL TOURS, SYMPOSIA, PANELS, BOOK SIGNINGS, AND MORE. THE ACADEMY MUSEUM SERVES LOS ANGELES-AREA TITLE 1 ELEMENTARY SCHOOLS, MIDDLE SCHOOLS, AND HIGH SCHOOLS AT NO COST TO THEM AND OFFERS TO UNDERWRITE BUS COSTS FOR THESE VISITS. THE MUSEUM'S FREE DROP-IN TEEN PROGRAM INVITES LOCAL TEENS TO JOIN MUSEUM EDUCATORS ON THE THIRD FRIDAY OF EVERY MONTH TO BE INSPIRED BY THE MUSEUM'S EXHIBITIONS AND SCREENINGS, EXPLORE THE MUSEUM, SOCIALIZE, AND BE CREATIVE. ACADEMY MUSEUM EDUCATORS HOST FAMILY DAYS DROP-IN WORKSHOP ACTIVITIES ON THE FIRST THREE SATURDAYS OF EVERY MONTH, DESIGNED FOR FAMILIES WITH CHILDREN AGES 2 AND UP AND ARE FREE WITH MUSEUM ADMISSION. THESE WORKSHOPS ALLOW FAMILIES TO ENGAGE IN ARTMAKING, EXPERIMENT WITH MOVIEMAKING EQUIPMENT, AND LEARN VARIOUS ELEMENTS OF FILMMAKING. MONTHLY CALM MORNINGS PROGRAMS PROVIDE ACCESSIBLE EXPERIENCES DESIGNED FOR ALL VISITORS, INCLUDING THOSE WHO ARE NEURODIVERGENT, WHEELCHAIR USERS, BLIND, LOW-VISION, DEAF, AND HARD OF HEARING TO ENGAGE WITH THE MUSEUM. REGULAR VISITOR TOURS INCLUDE DROP-IN GALLERY PROGRAMS, AS WELL AS CONSISTENTLY SCHEDULED AND PROMOTED AMERICAN SIGN LANGUAGE (ASL) INTERPRETED TOURS AND VISUAL DESCRIPTION TOURS OF FILM CLIPS AND EXHIBITION OBJECTS. IN APRIL 2025, THE MUSEUM HELD ITS ANNUAL CAREERS IN FILM SUMMIT. THIS EVENT IS A PROGRAM THAT RAISES AWARENESS ABOUT THE RANGE OF FILM-RELATED INDUSTRY JOB PATHWAYS FOR HIGH SCHOOL STUDENTS FROM UNDER-RESOURCED COMMUNITIES AND THOSE INTERESTED IN PURSUING FILMMAKING AS A CAREER. IN JUNE 2025, THE MUSEUM'S TEEN COUNCIL PROGRAMMED A SERIES OF FILM SCREENINGS IN COLLABORATION WITH OUR FILM PROGRAMS DEPARTMENT CALLED TEEN MOVIE MADNESS THAT HIGHLIGHTED TEEN COMEDIES FROM THE LAST FOUR DECADES. THE MUSEUM'S PROMISE WORKSHOP PROGRAM LAUNCHED IN MAY 2023. THE PROMISE WORKSHOPS BRING TOGETHER THE EMPOWERING AND EXPRESSIVE NATURE OF FILMMAKING WITH PROFESSIONAL SKILL DEVELOPMENT TO LOS ANGELES AREA EMERGING ADULTS AGES 18-23. IN JULY 2024, THE MUSEUM'S SECOND COHORT COMPLETED THEIR PROGRAM WITH A SCREENING OF THE SHORT FILMS THEY MADE, PRESENTED IN THE MUSEUM'S TED MANN THEATER FOR THEIR FAMILY AND FRIENDS. THE ACADEMY MUSEUM'S FILM PROGRAMS HIGHLIGHT THE RICH DIVERSITY OF NATIONAL AND INTERNATIONAL FILM CULTURE WITH SCREENINGS AND IN-PERSON CONVERSATIONS INSIDE THE 277-SEAT TED MANN THEATER AND THE 951-SEAT DAVID GEFFEN THEATER. SCREENINGS IN FY25 INCLUDED THE FOLLOWING POPULAR ONGOING SERIES: FAMILY MATINEES EVERY SATURDAY MORNING, OSCAR SUNDAYS EVERY SUNDAY AFTERNOON, BRANCH SELECTS EVERY WEDNESDAY NIGHT, AND AVAILABLE SPACE, A MONTHLY PROGRAM OF EXPERIMENTAL FILM. THEMES FOR FAMILY MATINEES DURING THIS PERIOD INCLUDE FILMS SET IN AND AROUND LOS ANGELES; FAMILY FILMS FROM 1999; FAMILY-FRIENDLY MONSTER MOVIES; PAST ANIMATED FEATURE OSCAR NOMINEES; A FOCUS ON THE EARTH AND OUR ENVIRONMENT; AND SUMMER CAMP MOVIES. OSCAR SUNDAYS FOCUSED ON A CENTENNIAL CELEBRATION OF COLUMBIA PICTURES; WESTERNS THROUGH AN INDIGENOUS LENS; MILESTONES FOR BLACK ARTISTS THROUGH OSCARS HISTORY; PHILIP SEYMOUR HOFFMAN; AND FILMS THAT WON OR WERE NOMINATED IN THE VISUAL EFFECTS CATEGORY. LIMITED SERIES PRESENTED IN FY24 INCLUDED: SUMMER OF MUSIC: CONCERT FILMS 1959-2020; SILENT SUNDAYS; REGENERATION, REMIXED; DICK SMITH: THE GODFATHER OF MAKEUP; YASUJIRO OZU IN COLOR: THE FINAL SIX FILMS; ENTER THE VARDAVERSE: AFTERNOONS IN PARIS; NEW ITALIAN CINEMA; JOHN WATERS: POPE OF TRASH; ENNIO MORRICONE: ESSENTIAL SCORES FROM A MOVIE MAESTRO; SONG KANG-HO; 35 YEARS OF THE NATIONAL FILM REGISTRY; 3D-CEMBER!; BEWARE THE ELEMENTS! NATURAL DISASTERS ON FILM; ECHOES OF AFRICA; THE SEWING CIRCLE: SAPPHIC ICONS OF EARLY HOLLYWOOD; IN THE MIDNIGHT HOUR: A HISTORY OF LATE-NIGHT MOVIES; A CENTENNIAL TRIBUTE TO MARLON BRANDO; FUNNY GIRLS: FANNY BRICE AND HER LEGACY; YOUN YUH-JUNG; SUMMER IN THE CITY; FULL OF PLEASURE: THE BEGINNINGS OF NEW QUEER CINEMA; AND DAMAS DE LA PANTALLA: THE WOMEN OF MEXICO'S POCA DE ORO. PROGRAMMING IN FY24 INCLUDED THE FOLLOWING SPOTLIGHT SCREENINGS: MAY THE 4TH CELEBRATION; EARTH DAY AT THE MUSEUM WITH THE SMI FILM INSTITUTE; GREGG ARAKI'S TEEN APOCALYPSE TRILOGY; STAND BY ME AND THE PERKS OF BEING A WALLFLOWER WITH THE ACADEMY MUSEUM'S TEEN COUNCIL; ISAAC JULIEN'S YOUNG SOUL REBELS; THE 25TH ANNIVERSARY OF SMOKE SIGNALS; THE GEORGE STEVENS LECTURE ON DIRECTING PRESENTS THE 70TH ANNIVERSARY OF SHANE; FATAL FEMMES: TWO PARISIAN CRIME FILMS BY WOMEN; REMEMBERING HARRY BELAFONTE: BUCK AND THE PREACHER; THE UNSEEN SCENE: AN ACADEMY FILM ARCHIVE TRAILER SHOW; SPELLBOUND IN 4K; LA PALOMA IN 4K; PARAJANOV: THE LAST SPRING WITH THE COLOR OF POMEGRANATES; THE LORD OF THE RINGS: THE RETURN OF THE KING -20TH ANNIVERSARY SCREENING; AROUND LOS ANGELES: HOME MOVIES FROM THE ACADEMY FILM ARCHIVE; THE BOOK OF RHYME & REASON BOOK SIGNING + SCREENING; CASABLANCA IN 35MM; AND THE 4K RESTORATION WORLD PREMIERE OF AMADEUS. LIMITED SERIES PRESENTED IN FY25 INCLUDED: SUMMER IN THE CITY: LOS ANGELES, BLOCK BY BLOCK; FULL OF PLEASURE: THE BEGINNINGS OF NEW QUEER CINEMA; DAMAS DE LA PANTALLA: THE WOMEN OF MEXICO'S POCA DE ORO; THE WONDERS OF TECHNICOLOR; TELLERS OF TALES: THE FILMS OF POWELL & PRESSBURGER; HOLLYWOODLAND: THE ORIGINS OF THE STUDIOS; JAMES BALDWIN AT THE MOVIES; HASTA LA RAZ: TO THE ROOT; SOPHIA LOREN: LA DIVA DI NAPOLI; PRESENT PAST: A CELEBRATION OF FILM PRESERVATION; 3D-CEMBER; CYBERPUNK: ENVISIONING POSSIBLE FUTURES THROUGH CINEMA; THE ROLES HE PLAYED: PAUL NEWMAN AT 100; I SEEM TO RECALL.MEMORIES AND DREAMS IN CINEMA; EMOTION IN COLOR: A KALEIDOSCOPE OF INDIAN CINEMA; DIRECTOR'S INSPIRATION: BONG JOON HO; RAISING THE LANTERN: A CELEBRATION OF CHINESE-LANGUAGE CINEMA; SOMETHING MYSTERIOUS: THE ART OF PHILIP SEYMOUR HOFFMAN; SUMMER OF CAMP!; TEEN MOVIE MADNESS; QUEER, PERIOD: DESIRE THROUGH THE AGES; DESIGNING TO MUSIC: COSTUME, MAKEUP, AND HAIRSTYLING IN MUSICAL FILMS. PROGRAMMING IN FY25 ALSO INCLUDED THE FOLLOWING SPOTLIGHT SCREENINGS: HACKERS IN 35MM; 25TH ANNIVERSARY CAST AND FILMMAKER REUNION OF JAWBREAKER; ELVIRA: MISTRESS OF THE DARK WITH CASSANDRA PETERSON; LOS ANGELES RESTORATION PREMIERE OF BURDEN OF DREAMS WITH WERNER HERZOG; DON'T GO INTO THE VAULT: AN ACADEMY FILM ARCHIVE TRAILER SHOW IN 35MM; CYBERPUNK: EXPLORING FUTURISMS IN THREE SHORTS; 70TH ANNIVERSARY OF THE CREATURE FROM THE BLACK LAGOON IN 3D; WEST SIDE STORY WITH RITA MORENO; BLONDE VENUS IN 35MM NITRATE; A GODZILLA-THON MOVIE MARATHON FEATURING FIVE GODZILLA FILMS; THE GEORGE STEVENS LECTURE ON DIRECTING PRESENTS THE MORE THE MERRIER WITH ANNETTE BENING; 10TH ANNIVERSARY OF SELMA WITH CAST AND FILMMAKERS; A VALENTINE'S SCREENING OF THE YOUNG GIRLS OF ROCHEFORT; DAVID LYNCH'S WILD AT HEART IN 35MM; WEST COAST RESTORATION PREMIERE OF A WOMAN IS A WOMAN; CINEMA HER WAY BOOK SIGNING WITH GAS, FOOD, LODGING IN 35MM WITH ALLISON ANDERS IN PERSON; NORTH AMERICAN RESTORATION PREMIERE OF REPRAGES IN 4K; 20th ANNIVERSARY OF THE 40-YEAR-OLD VIRGIN IN 35MM WITH FILMMAKER AND CAST; THE SUGARLAND EXPRESS WITH GOLDIE HAWN; ROPE IN 35MM NITRATE WITH AUTHOR MICHAEL KORESKY AND FILMMAKER ARI ASTER; THE VIRGIN SUICIDES IN 4K WITH SOFIA COPPOLA AND KIRSTEN DUNST; NORTH AMERICAN RESTORATION PREMIERE OF ONE FLEW OVER THE CUCKOO'S NEST; MOTION PICTURE LABORATORIES: THE TECHNOLOGY AND CREATIVE PARTNERS OF FILMMAKERS; AND THE RESTORATION WORLD PREMIERE OF TOMBSTONE WITH A TRIBUTE TO VAL KILMER. COMMUNITY-CENTERED ENGAGEMENTS ARE INTEGRAL TO THE ACADEMY MUSEUM'S MISSION. IN FY25, THE MUSEUM CONNECTED WITH MORE THAN 75 LOS ANGELES-BASED COMMUNITY ORGANIZATIONS IN ADDITION TO COUNTY SUPERVISORIAL DISTRICTS AND CITY COUNCIL OFFICES. IN ADDITION TO PROVIDING FREE ADMISSION TO ALL VISITORS WHO ARE AGES 17 AND UNDER, THE MUSEUM WORKS IN ACTIVE PARTNERSHIP WITH COMMUNITY ORGANIZATIONS TO ENSURE ACCESS TO THE WIDEST ARRAY OF LOS ANGELES RESIDENTS, AND THE MUSEUM'S FREE COMMUNITY DAYS WELCOMED COMMUNITIES HISTORICALLY EXCLUDED FROM MUSEUM SETTINGS AND ART INSTITUTIONS AND ATTRACTED MORE THAN 8,100 GUESTS. |
| FORM 990, PART VI, SECTION A, LINE 7A DETAIL | PERSONS WHO MAY ELECT MEMBERS OF THE GOVERNING BODY: ACADEMY MUSEUM FOUNDATION IS A TYPE I SUPPORTING ORGANIZATION. ITS TRUSTEES MUST BE APPROVED BY THE MEMBERS OF ITS SUPPORTED ORGANIZATION, ACADEMY FOUNDATION (95-2243698). |
| FORM 990, PART VI, SECTION A, LINE 7B DETAIL | DECISIONS OF THE GOVERNING BODY SUBJECT TO APPROVAL: ACADEMY MUSEUM FOUNDATION IS A TYPE I SUPPORTING ORGANIZATION. ITS BUDGETARY AND OTHER SIGNIFICANT DECISIONS ARE SUBJECT TO APPROVAL BY ITS SUPPORTED ORGANIZATION, ACADEMY FOUNDATION (95-2243698). |
| FORM 990, PART VI, SECTION B, LINE 11B DETAIL | PROCESS USED TO REVIEW FORM 990: THE FORM 990 IS PREPARED BY MANAGEMENT AND REVIEWED BY ITS INDEPENDENT TAX ADVISORS, INCLUDING PWC US TAX LLP. THE FINANCE COMMITTEE REVIEWS THE FORM. THE BOARD RECEIVES A COPY OF THE FORM PRIOR TO FILING. |
| FORM 990, PART VI, SECTION B, LINE 12C DETAIL | PROCESS USED TO MONITOR AND ENFORCE WRITTEN CONFLICT OF INTEREST POLICY: TRUSTEES ARE REQUIRED TO DISCLOSE CONFLICTS OF INTEREST WHEN THEY OCCUR. TRUSTEES ANNUALLY COMPLETE AN INDEPENDENCE QUESTIONNAIRE. IN ADDITION MANAGEMENT REVIEWS THE BOOKS AND RECORDS FOR ANY CONFLICTS OF INTEREST. THE FULL BOARD IS NOTIFIED WHEN THERE IS A CONFLICT. |
| FORM 990, PART VI, SECTION B, LINES 15A & B DETAIL | PROCESS FOR DETERMINING COMPENSATION: THE ORGANIZATION'S COMPENSATION PROCESS INCLUDED A REVIEW AND APPROVAL BY THE BOARD OF TRUSTEES OF THE ACADEMY MUSEUM FOUNDATION, COMPARABILITY. DATA AND CONTEMPORANEOUS SUBSTANTIATION OF THE DELIBERATION AND DECISION. |
| FORM 990, PART VI, SECTION C, LINE 19 DETAIL | GOVERNING DOCUMENTS, CONFLICT OF INTEREST POLICY, AND FINANCIAL STATEMENTS: THE ORGANIZATION DOES NOT MAKE ITS GOVERNING DOCUMENTS, CONFLICT OF INTEREST POLICY, AND FINANCIAL STATEMENTS AVAILABLE TO THE PUBLIC. |
| FORM 990, PART XI, LINE 9 DETAIL | OTHER CHANGES IN NET ASSETS OR FUND BALANCES: GAIN ON EXTINGUISHMENT OF DEBT $(401,819) ------- TOTAL $ (401,819) |
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